REVIEW: Kokandy Productions' Bonnie and Clyde a Musical Melee of Carnage and Charisma

Chi, IL LIVE Shows On Our Radar: 

Kokandy Productions Presents the Chicago Premiere of

BONNIE & CLYDE

August 27 – October 15, 2017 at Theater Wit

**Run time 2 hours 20 minutes including 15 min. intermission**

All Photos by Evan Hanover

Bonnie&Clyde (front, l to r) Max DeTogne as Clyde and Desiree Gonzalez as Bonnie with (back, l to r) Tia L. Pinson as Young Bonnie and Jeff Pierpoint as Young Clyde in Kokandy Productions’ Chicago premiere musical BONNIE & CLYDE. 

Review:

I had the great pleasure of catching the press opening of Bonnie & Clyde at Theater Wit on Saturday, and I was wowed by the vocal chops of the entire cast. With a live band comprised of fiddle, guitar, keyboard, and percussion, and a southern rockabilly, blues, and gospel infused score, the scene is set for a stellar new take on this familiar tale. I was particularly intrigued by the double casting of Bonnie & Clyde as their childhood selves around age 10/12, along with their young adult, outlaw personas. The younger selves not only opened the show, but reappeared on stage and sang with their older versions in an effective visual and auditory reminder of childhood hopes and dreams gone awry.   

  

Though billed as a musical play rather than a musical, spoken lines are sparse and there are dozens of duets, that strengthen the characters' relationships with one another as much as they advance the plot. Set during the desperate times of The Great Depression, the foreclosures, destitution, and lack of options among the Texas townspeople could just as easily have happened today. The placating preacher peddling the placebo of religion, could also be believably set in this millennium. 

The lighting design, with ominous foreshadowing of prison stripes, between the Barrow brothers' first prison break and subsequent arrests, and later as Buck contemplates rejoining his brother and returning to a life of crime, was eerily effective.

It's easy to see the allure of violence and crime, to those who have nothing and little to lose. With cops literally out to get them since childhood, for crimes real and imagined, Clyde and his brother, Buck, rightfully feel they have limited options. With a charming grin, a lead foot, and the invincibility of youth, Clyde was nearly irresistible to Bonnie, a young girl with big aspirations, desperate to get outta town, and longing for adventure. Bonnie and Clyde reveled in the infamy and press exposure as much as the material gain, and that's readily apparent in this production. 

Through catchy, upbeat tunes and romantic ballads, the audience is swept up in the love stories of the doomed Barrow brothers and their respective wife and lover. Even after a trail of carnage and crime, these folk heroes were then and are still sympathetic characters today. It's amusing to me, in a dark way, that Bonnie signed autographs for admiring fans during bank robberies and finally achieved her childhood dreams of publishing her poetry and becoming a household name, though not as a silver screen starlet in Hollywood, as she'd hoped. 

The Kokandy cast makes excellent use of the intimate Theater Wit main stage, with multiple levels and playing spaces and clever, minimalist props like the "vehicle" above, made from headlights and a metal rail. The soaring choruses and verses of this scintillating score more than fill the space and make the show's nearly two and a half hours fly by. Highly recommended.

Click HERE for ticket links, artist bios, and more production information.

Tickets: Regular run $33 - $38. 

Sunday, September 3 – Sunday, October 15, 2017

Curtain Times: Thursdays, Fridays & Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be added matinee performances on Saturday, September 30 at 3 pm, Saturday, October 7 at 3 pm and Saturday, October 14 at 3 pm.

 Tickets are currently available at www.kokandyproductions.com, by calling (773) 975-8150 or in person at the Theater Wit Box Office. 

Book by Ivan Menchel 

Music by Frank Wildhorn, Lyrics by Don Black

Directed by Spencer Neiman 

Music Direction by John Cockerill

Choreography by Aubrey Adams

BONNIE & CLYDE will feature Desiree Gonzalez as Bonnie, Max DeTogne as Clyde, Missy Wise as Blanche and Cisco Lopez as Buck. The cast also includes Patrick Tierney as Ted, Nathan Carroll as Preacher, Tia L. Pinson as Young Bonnie, Jeff Pierpoint as Young Clyde and Sarah Hayes as Emma, with an ensemble including Brittney Brown, Erin Creighton, Ann Delaney, Jacob Fjare, Jon Patrick Penick, Maisie Rose and Jonathan Schwart.

BONNIE & CLYDE centers on real-life Bonnie Parker and Clyde Barrow, the ill-fated lovers and outlaws whose story has been infamous since they achieved folk hero status at the height of the Great Depression. Fearless, shameless and alluring, the Tony Award-nominated musical from the legendary Frank Wildhorn (Jekyll & Hyde, Civil War, Dracula) is the electrifying story of love, adventure and crime that captured the attention of an entire country, with a non-traditional score featuring blues, gospel and rockabilly music.

The world premiere of BONNIE & CLYDE was presented at La Jolla Playhouse in 2009, and transferred to Broadway in 2011. There, it was nominated for three Outer Critics Circle Awards and five Drama Desk Awards (both including Best New Musical), as well as two 2012 Tony Awards nominations.

About Kokandy Productions

Kokandy Productions seeks to leverage the heightened reality of musical theater to tell complex and challenging stories with a focus on contributing to the development of Chicago-based musical theater works while raising the profile of Chicago’s storefront musical theater community. Kokandy Productions is a 501(c)(3) tax-exempt, charitable organization.

The company's artistic staff is comprised of John D. Glover (Artistic Producer), Allison Hendrix (Producing Artistic Director) and Scot T. Kokandy (Executive Producer).

For additional information, visit www.kokandyproductions.com.

OPENING: THE REMBRANDT AT STEPPENWOLF 9/7-11/5

STEPPENWOLF KICKS OFF THE 2017/18 SEASON

WITH THE CHICAGO PREMIERE OF

THE REMBRANDT

BY JESSICA DICKEY

DIRECTED BY HALLIE GORDON

SEPTEMBER 7 - NOVEMBER 5, 2017

A MOVING AND LIFE-AFFIRMING STORY FEATURING ENSEMBLE MEMBERS 

JOHN MAHONEY AND FRANCIS GUINAN

Here at ChiIL Live Shows, we've enjoyed Hallie Gordon's directing prowess for years. With Francis Guinan and John Mahoney in the leads this is sure to be intriguing. We can't wait to see Steppenwolf's artful opener, The Rembrandt.

Steppenwolf Theatre Company opens its 42nd Season with the Chicago premiere of The Rembrandt, written by Jessica Dickey and directed by Hallie Gordon. Currently in rehearsals, this subtle and elegant play features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin). 

Previews begin September 7, opening is September 17 and the show has already been extended through November 5 due to popular demand. The Rembrandt takes place in Steppenwolf’s Upstairs Theatre, 1650 N Halsted St. Press performances are September 17 and 19. Single tickets ($20 - $99) are available through Audience Services at 312-335-1650 or steppenwolf.org.

When a museum guard decides to touch a famous Rembrandt painting, a remarkable journey across the ages ensues. Spanning centuries of human experience, Jessica Dickey’s The Rembrandt movingly explores the power of creative expression and the sacrifices we make in the pursuit of love and beauty, reminding us that though our beliefs may die with the sound of our voice, it’s the love we share—and the art that love inspires—that finds eternity.

Director Hallie Gordon shares, “The Rembrandt asks you step into the painting and its different worlds. What we find is beauty and meaning in the understanding that no matter where we are, art allows us to unravel the mysteries of being. It could be in a temple or it could be in a dark apartment. We are all attracted to and seeking after that elemental spark of genius, and ultimately that which we leave behind.”

In regards to her process playwright Jessica Dickey shares, “Researching the world of museum guards was a fascinating window into a very particular subculture. The result is an examination of the eternal and the ephemeral that is funny, surprising and filled with yearning. The Rembrandt explores how encountering a work of art can be practice for the real thing—really seeing one another.”  



Jessica Dickey is an award-winning actor and playwright most known for her play, The Amish Project, which opened Off-Broadway at the Rattlestick Playwrights Theater (Helen Hayes Award, Barrymore Award, among others). The Rembrandt was commissioned and produced (then titled The Guard) by the Ford’s Theatre as part of the Women’s Voices Festival and was awarded the Stavis Award for Playwriting.

Hallie Gordon is an Artistic Producer at Steppenwolf and the Artistic Director for Steppenwolf for Young Adults, where she has directed many productions for the program including Monster by Walter Dean Myers; George Orwell’s 1984 and Animal Farm; The Book Thief; To Kill a Mockingbird; and the world premiere of Toni Morrison’s The Bluest Eye. She’s also directed for Northlight Theatre and is an ensemble member for Rivendell Theatre where she directed the critically acclaimed Dry land and Eat Your Heart Out. Most recently for Steppenwolf, she directed Taylor Mac’s Hir, now playing through August 20, 2017.

About the Cast & Creative Team
Ensemble member Francis Guinan has appeared in more than 30 shows, currently in Taylor Mac’s Hir. Ensemble member John Mahoney also has appeared in more than 30 Steppenwolf productions, most recently The Herd, The Birthday Party and The Seafarer. Mahoney won a Tony Award for his performance in The House of Blue Leaves and is well-known for his role on the hit TV series, Frasier. Ty Olwin is a graduate of the School at Steppenwolf, currently in Taylor Mac’s Hir and was in Steppenwolf for Young Adults’ productions of The Burials and Lord of the Flies. Olwin was featured in the 2016 film Personal Shopper starring Kristen Stewart. Karen Rodriguez is making her Steppenwolf debut, and was recently featured in the solo show The Way She Spoke: A Docu-Mythologia at the Greenhouse Theatre and Hookman at Steep Theatre. Gabriel Ruiz is a graduate of the DePaul Theatre School and an ensemble member of Teatro Vista. Previous Steppenwolf Theatre Company credits include How Long Will I Cry?, Motherfucker with the Hat and The Way West. He has appeared in the TV series Boss, Chicago Fire and Chicago Justice.

The Rembrandt production team includes Regina Garcia (scenic design), Jenny Mannis (costume design), Ann G. Wrightson (lighting design), Elisheba Ittoop (sound design and original music) and Gigi Buffington (company vocal coach). Other credits include Aaron Carter (artistic producer), JC Clementz (casting director), Laura D. Glenn (stage manager) and Brian Maschka (assistant stage manager).

Tickets & Production Info
Single tickets ($20-$99) available at 312-335-1650 or steppenwolf.org. Previews: $20 – $54 and Regular Run: $20 – $99. Prices subject to change. Note: There is limited availability Sept 7-Oct 22, but open availability during extension weeks Oct 24 – Nov 5. 

Rush Tickets: half-price rush tickets are available one hour before each show. Student Discounts: a limited number of $15 student tickets are available online. Limit 2 tickets per student; must present a valid student ID for each ticket; steppenwolf.org/students. 

Group Tickets: all groups of 10 or more receive a discounted rate for any performance throughout the season; steppenwolf.org/groups. 

Classic Subscription Memberships offer 7-Play Packages securing dates and seats for the full Steppenwolf experience, as well as Create-Your-Own Packages with 5 or 6 plays. Perks include discount prices, easy and free exchanges and more. Black Card Memberships are for audiences interested in extreme flexibility with six tickets for use any time for any production. Black Card ticket credits are valid for one year with the option to add additional tickets as needed. Perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing. Red Card memberships are available for theatergoers under 30. To purchase a Card Membership, visit Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org.

Accessible performances include an American Sign Language interpretation on Sunday, October 1 at 7:30pm, Open Captioning on Saturday, October 7 at 3pm and a Touch Tour on Sunday, October 15 at 1:30pm. For more information, visit steppenwolf.org/access. Assistive listening devices and large-print programs are available for every performance. An induction loop is installed in the Downstairs Theatre and the 1700 Theatre.

Front Bar: Coffee and Drinks
Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open daily from 8am to midnight, Front Bar serves artisanal coffee and espresso is provided by La Colombe and food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. www.front-bar.com

Sponsor Information
Northern Trust is a sponsor on The Rembrandt. United Airlines is the Exclusive Airline of Steppenwolf and ComEd is the Official Lighting Sponsor for the 17/18 season.

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble has grown to 49 members who represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

OPENING: BILLY ELLIOT THE MUSICAL VIA PORCHLIGHT MUSIC THEATRE AT THE RUTH PAGE CENTER FOR THE ARTS

Chi, IL LIVE Shows On Our Radar:

PORCHLIGHT MUSIC THEATRE ANNOUNCES THE CAST AND CREATIVE TEAM FOR

BILLY ELLIOT THE MUSICAL, 

OCTOBER 6 – NOVEMBER 19 AT THE RUTH PAGE CENTER FOR THE ARTS

Here at ChiIL Live Shows we're long time admirers of the fantastic productions Chicago's Porchlight Music Theatre mounts each season. Years ago we reviewed the Broadway touring production of BILLY ELLIOT THE MUSICAL, and we can't wait to see Porchlight's take on this terrific tale of nonconformity, following your dreams, and a town in economic crisis backing an unlikely hero. With a score by Elton John this is sure to be a crowd pleaser.

Porchlight’s 23rd Season at its New Home Launches with Elton John’s
and Lee Hall’s Inspirational Story of a Boy Who Trades Boxing Gloves for Ballet Shoes, Directed and Choreographed by Brenda Didier with Associate Choreographer Craig V. Miller and Music Direction by Linda Madonia

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the first mainstage production it its 2017 – 2018 season Billy Elliot the Musical, music by Elton John and book and lyrics by Lee Hall, with direction and choreography by Porchilght Artistic Associate Brenda Didier, with Associate Choreographer Craig V. Miller and music direction by Porchlight Artistic Associate Linda Madonia at Porchlght’s new home, the Ruth Page Center for the Arts, 1016 N. Dearborn Street. 

Previews are Friday, Oct. 6 and Oct. 13 at 8 p.m., Saturday, Oct. 7 and Oct. 14 at 8 p.m., Sunday, Oct. 8 at 2 p.m., Monday, Oct. 9 at 7:30 p.m., Thursday, Oct. 12 at 7:30 p.m. Opening night is Sunday, Oct. 15 at 6 p.m. 

The regular run performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 6 p.m. (October 22, October 29 and November 5) and at 2 p.m. (November 12 and 19) with an open captioned performance, Saturday, Oct. 28 at 4 p.m. and a weekday matinee Thursday, Nov. 16 at 1:30 p.m. Please note: there is no 7:30 p.m. performance Thursday, Nov. 16. 

Tickets are $33 - $60 and available at PorchlightMusicTheatre.org or by calling the Porchlight Music Theatre  box office, 773.777.9884.

Billy Elliot the Musical is based on the 2000 film “Billy Elliot” and features music by Elton John with book and lyrics by the film’s screenplay writer Lee Hall. Winner of both the Tony Award and Olivier Award for Best Musical, Billy Elliot the Musical is an inspirational story set in an English mining town during the miners’ strike of 1984-85. Billy Elliot takes a journey from the boxing ring to a ballet class to make his dreams come true while challenging the long held beliefs of his hometown. Along the way, he discovers a passion for dance that unites his family, inspires his community and changes his life forever. 

The cast of Billy Elliot the Musical will be the largest in Porchlight’s history and includes Jacob Kaiser and Lincoln Seymour sharing the title role of “Billy Elliot;” Shanésia Davis*, “Mrs. Wilkinson;” Sean Fortunato*, “Dad;” Iris Lieberman*, “Grandma;” Adam Fane, “Tony Elliot;” Peyton Owen, “Michael Caffrey;” Nicole Cready, “Mum;” ”Princess Isis Z. Lang, “Debbie Wilkinson;” with Jordan DeBose, “George/Ensemble;” Gabriel Robert, “Small Boy;” John Gurdian, “Big Davey/Ensemble;” Michelle McKenzie-Voigt, “Lesley/Ensemble;” Jeff Bouthiette, “Scab/Posh Dad/Ensemble;” Tommy Novak, “Mr. Braithwaite/Ensemble;” Ivan Bruns-Trukhin,“Older Billy/Ensemble;” Bernell Lassai III, “Pit Supervisor/Ensemble;” Logan Baffico, “Posh Boy;” Alejandro Medina, “Tall Boy;” Jessica Vann, “Clipboard Woman/Ensemble;” Graham Hawley, “Accordion Player/Grandma Dancer/Ensemble;” Jacob Voigt, “Ensemble;” Roy Brown, “Ensemble;” Jenny McPherson, “Ensemble/Grandma Dancer;” Kayla Boye, “Ensemble;” and Darby Leetch, “Alison Summers;” Moriah Mitchell, “Keeley Gibson; Paula Hlava, “Angela Robson;” Anna L. Bramlett, “Julie Hope;” McKenna Rogers, “Karen Davidson;” Emerson Tait, “Sharon Percy;” Katelyn Montgomery, “Margaret Gormley;” Kendall Sorkin, “Tina Harmer;” Ayla Gray, “Tracy Atkinson” and Bernadette Olivia Schwegel, “Susan Parks.”

Additional members of the creative/production team of Billy Elliot the Musical include Porchlight Artistic Associate Bill Morey, costume designer; Denise Karczewski, lighting designer; Christopher Rhoton, scenic designer, Robert Hornbostel, sound designer; Mealah Heidenreich, props designer; Adrian Abel Azevedo, assistant director; Kayla Boye, assistant choreographer/dance captain; Sara Haverty, assistant to the choreographers/associate child supervisor; Sammi Grant, dialect coach; Jaq Seifert, fight choreography; Sean McStravick, stage manager*; Corey Boughton, assistant stage manager*; Matt Nadler, assistant stage manager; Shannon Desmond, assistant stage manager; Joaquin Gomez, child supervisor/ASM swing and Samantha Treible, wardrobe supervisor.

Musical Director Madonia conducts and is the pianist with musicans Justin Kono, drums/percussion; Cara Hartz, reeds; Sarah Younker, french horn; Greg Strauss, trumpet; Justin LaForte, guitar and Dan Kristan, electric bass.
*Denotes member of Actors’ Equity Association

ABOUT BRENDA DIDIER, DIRECTOR/CHOREOGRAPHER
Brenda Didier, a Porchlight Music Theatre artistic associate, returns to Porchlight where she last directed and choreograhed In The Heights and the award-winning Dreamgirls. Didier is a multiple Jeff Award recipient in both direction and choreography, and the recipient of After Dark Awards, BroadwayWorld awards and the National Youth Theatre award. She is the proud owner and artistic director of the Lincolnshire Academy of Dance, celebrating its 20th season. Other credits include work at the Goodman, Chicago Shakespeare, Second City, Theatre at the Center, BoHo, Mercury Theatre Chicago, Theo Ubique Cabaret Theatre, Stage Left, Six Flags Great America, Busch Gardens Virginia, Cirque Shanghai at Navy Pier, T-Mobile’s national commercial “Home for the Holidays,” The Kenny Rogers Christmas Tour and the University of Illinois, University of Wisconsin and Carthage College. 

ABOUT CRAIG V. MILLER, ASSOCIATE CHOREOGRAPHER
Craig V. Miller returns to Porchlight Music Theatre where he choreographed the Porchlight Revisits production Little Me and was the assistant choreographer for the Jeff Award-winning Ain’t Misbehavin’. As a guest artist, he has performed with the Civic Ballet of Chicago’s production of The Nutcracker, Esoteric Dance Project, Dance in the Parks, and Chicago Dance Crash. Additional choreography credits include: The Color Purple at Mercury Theater Chicago where he was the associate choreographer and won the Broadway World Award-Best Choreography in a Musical and Carl Neilsen’s Maskarade (Vox3 Collective, choreographer). His work has also been presented at Dance Chicago, Dance Chance and Chicago Freelance Dance. 

ABOUT LINDA MADONIA, MUSIC DIRECTOR/CONDUCTOR/PIANIST
Linda Madonia is a Porchlight Music Theatre artistic associate and has previously worked with Porchlight on Porchlight Revisits Little Me, A Funny Thing Happened on the Way to the Forum and Double Trouble. As a music director and conductor in the Chicago area for more than 30 years, Linda Madonia’s recent credits include Mary Poppins and I Left My Heart: A Salute to the Music of Tony Bennett at The Mercury Theatre. Other credits include Grand Hotel and Nunsensations at Drury Lane Water Tower Place, and A Chorus Line, She Loves Me and Me and My Girl at Theatre at the Center and The Man Who Murdered Sherlock Holmes at Mercury Theatre Chicago. For the past nine years, Linda has been the music director for Chicago’s Equity Joseph Jefferson Awards. Madonia also owns American Eagle Productions, a touring theater company that takes shows and workshops directly into schools. American Eagle has been doing shows for twenty-four years and presents 250 shows a year to Chicago area schools.

ABOUT SHANÉSIA DAVIS, “MRS. WILKINSON”
Shanésia Davis makes her Porchlight Music Theatre debut with this production. Recent credits include Baltimore Center Stage: Jazz and Intimate Apparel, Mark Taper Forum/ Goodman Theatre: Immediate Family (NAACP award nomination) and Congo Square’s What I Learned in Paris, Brothers of the Dust. Other credits include South Coast Rep’s Intimate Apparel; The Gift/Steppenwolf’s Richard III; Court Theatre/American Blues Theater’s Native Son; Steppenwolf’s Our Lady of 121st St, One Arm, and The Glass Menagerie; The Goodman’s Watermelon Rinds (Jeff nomination), Black Starline, Spunk, The Visit, Drowning Crow (Jeff/BTAA nominations). Davis’ Film and TV credits include Early Edition, Cleveland Abduction, Empire, Chicago Fire, Crisis, Detroit 187, Chicago Hope, Missing Persons, Making a Case for Murder: The Howard Beach Story, Internal Rivals, Consumed, Damaged Goods, The Weatherman, Uncle Nino and Life Sentence.

ABOUT SEAN FORTUNATO, “DAD”
Sean Fortunato makes his Porchlight Music Theatre debut with this production. His recent credits include Cabaret at Theatre at the Center and Death of a Streetcar Named Virginia Woolf: A Parody at Writers Theatre. Other credits includeThe Diary of Anne Frank, Hedda Gabler, The Real Thing, Rosencrantz and Guildenstern are Dead, Travels with My Aunt, The Chosen, Incident at Vichy, A Phoenix Too Frequent, Richard II, Rough Crossing, Spite for Spite (Writers Theatre), 2666, Measure for Measure (Goodman Theatre), Spamalot, The Producers (Theatre at the Center), Pericles, Cyrano De Bergerac, School for Lies, Sunday in the Park with George and Timon of Athens (Chicago Shakespeare Theater), “Rene Gallimard” in M. Butterfly (Court Theatre), “Detective Cioffi” in Curtains (Drury Lane Theatre) and work at Northlight Theatre, TimeLine Theatre Company, Remy Bumppo Theatre Company, About Face Theatre, Marriott Theatre, Next Theatre and First Folio Theatre. Regional credits include Intiman Theatre (WA), The Old Globe (CA), The Duke on 42nd (NY) and twelve seasons with Peninsula Players (WI), where he played “George” in Sunday in the Park with George. His film amd TV credits include The Merry Gentleman directed by Michael Keaton and Chicago PD. Fortunato has received four Joseph Jefferson Award nominations and an After Dark Award.

ABOUT PORCHLIGHT MUSIC THEATRE
Porchlight Music Theatre, now in its 23rd season, is nationally recognized for developing innovative new works, reimagining classic productions and showcasing musical theatre’s noted veterans and rising stars. Porchlight elevates the genre in Chicago by providing intimate and powerful theatrical experiences for its growing and diverse audiences. With the vision of Artistic Director Michael Weber, Porchlight builds on its role as Chicago’s only Equity not-for-profit company exclusively specializing in music theatre. Porchlight’s rich history includes the staging of more than 60 productions with 15 Chicago premieres and five world premieres. Through Porchlight’s “Off the Porch” new works program, the musicals of the next generation are developed and given a first audience. The School at Porchlight is Chicago’s center for music theatre training in the areas of performance, writing and appreciation including the launch of a youth Summer Camp in 2017. The company’s many accolades include 17 Black Theatre Alliance nominations and three awards, as well as a total of 126 Joseph Jefferson Award nominations resulting in 39 Jeff Awards including four consecutive Best Production awards for Dreamgirls (2016), Sondheim on Sondheim (2015), Ain’t Misbehavin’ (2014) and A Class Act (2013).

Porchlight Music Theatre and Artistic Director Michael Weber are proud to announce the first mainstage production it its 2017 – 2018 season Billy Elliot the Musical, music by Elton John and book and lyrics by Lee Hall, with direction and choreography by Porchilght Artistic Associate Brenda Didier, with Associate Choreographer Craig V. Miller and music direction by Porchlight Artistic Associate Linda Madonia at Porchlght’s new home, the Ruth Page Center for the Arts, 1016 N. Dearborn Street. Previews are Friday, Oct. 6 and Oct. 13 at 8 p.m., Saturday, Oct. 7 and Oct. 14 at 8 p.m., Sunday, Oct. 8 at 2 p.m., Monday, Oct. 9 at 7:30 p.m., Thursday, Oct. 12 at 7:30 p.m. Opening night is Sunday, Oct. 15 at 6 p.m. The regular run performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m. and Sundays at 6 p.m. (October 22, October 29 and November 5) and at 2 p.m. (November 12 and 19) with an open captioned performance, Saturday, Oct. 28 at 4 p.m. and a weekday matinee Thursday, Nov. 16 at 1:30 p.m. Please note: there is no 7:30 p.m. performance Thursday, Nov. 16. Tickets are $33 - $60 and available at PorchlightMusicTheatre.org or by calling the Porchlight Music Theatre  box office, 773.777.9884.

Porchlight Music Theatre is partially supported by generous contributions from the Actors’ Equity Foundation,  the Bloomberg Philanthropies, Chapman | Spingola, Attorneys at Law, the Elizabeth F. Cheney Foundation, Cooper’s: A Neighborhood Eatery, the Gaylord & Dorothy Donnelley Foundation, James P. and Brenda S. Grusecki Family Foundation, the MacArthur Fund for Arts & Culture at the Prince Foundation, The Saints, the Service Club of Chicago, and the Topfer Family Foundation. The season program is partially supported by a grant from the Illinois Arts Council Agency, a state agency and by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.

REVIEW: Hilarious Honeymoon in Vegas Flamboyant Fun at Marriott Theatre

Chi, IL LIVE Shows On Our Radar:

Review:
Searching out shows with young love, a rich villain, ghosts from the past, and a load of laughs? You have your choice of a plethora of productions. Add in a hoard of flying Elvis Impersonators, a trio of plumed showgirls, a rigged card game, a tristate trek ranging from New York to Nevada to Hawaii, and some of the wittiest wordplay and stellar new songs out there, and you're down to the one and only Honeymoon in Vegas, now playing at the acclaimed Marriott Theatre in Lincolnshire. 





We adored this new musical, a regional premiere with the original Broadway director, Gary Griffin, on board as well as the original choreographer, Denis Jones, and costume designer, Brian Hemesath. This adaptation of the 1992 movie begins with common cold feet and gets infinitely wackier from there. Honeymoon in Vegas is a hoot and a half. Highly recommended.





When it comes to powerhouse players, this theatre isn't messing around. They've assembled a multi award winning production team and hired major talent off stage and on, for this fabulously funny foray into the kitchy world of Las Vegas. There's not a weak performance in the bunch, but leads Jack (Michael Mahler), Betsy (Samantha Pauly), and Tommy (Sean Allan Krill) are particular standouts.

Click here for artists' bios, show details and ticket purchasing links.

The performance schedule for HONEYMOON IN VEGAS is Wednesdays at 1:00 p.m. and 8:00 p.m., Thursdays and Fridays at 8:00 p.m., Saturdays at 4:30 p.m. and 8:00 p.m., Sundays at 1:00 p.m. and 5:00 p.m., with select Thursday 1:00 p.m. shows. 

Ticket prices range from $50 to $60, including tax and handling fees. Call for student, senior and military discounts. On Wednesday and Thursday evenings there are a limited number of FREE dinners available with the purchase of a full-priced theatre ticket, which can only be purchased through the Marriott Theatre Box Office. 





**Free parking is available at all performances.** 

To reserve tickets, please call The Marriott Theatre Box Office at 847.634.0200 or go to www.ticketmaster.com. Visit www.MarriottTheatre.com for more information.

“A real-live, old-fashioned, deeply satisfying Broadway musical in a way few new shows are anymore.” –The New York Times

 Terry James, Executive Producer

Aaron Thielen, Lead Artistic Director

Andy Hite, Artistic Director

Led by the original Broadway powerhouse team, including ten-time Jeff Award-winning director Gary Griffin, Tony Award-nominated choreographer Denis Jones, and Emmy Award-winning costume designer Brian Hemesath (PBS’s “Sesame Street”, NBC’s “SNL”), HONEYMOON IN VEGAS, a loving throwback to the classic American musical, makes its Regional Premiere at Marriott Theatre, 10 Marriott Drive in Lincolnshire with previews August 23, opening August 30 at 8 pm, and running through October 15. 

With music and lyrics by three-time Tony Award-winning composer Jason Robert Brown and book by highly-acclaimed American screenwriter Andrew Bergman, HONEYMOON IN VEGAS is a hysterical romantic comedy, based off the hit 1992 film. The veteran team also includes Jeff Award-winning musical director Ryan T. Nelson and Jeff Award-winning associate choreographer William Carlos Angulo.



“HONEYMOON IN VEGAS brings a modern twist to the beloved classic American musical, written by a contemporary writer for today’s audiences,” says Director Gary Griffin. “And there’s just something about Chicago. I am excited to give The Marriott Theatre audiences unprecedented access to this particular show, with so many touch points coming straight from the Broadway stage.”

A delightful and bouncy mix of old-time Vegas and contemporary musical theatre, HONEYMOON IN VEGAS tells the story of Brooklyn couple Jack Singer and Betsy Nolan, who have escaped to Las Vegas to tie the knot. Everything changes when the couple encounters Tommy Korman, a dashing Vegas gambler who believes Betsy is a spitting image of his deceased wife. With Tommy’s determination and Jack’s hopeful heart, HONEYMOON IN VEGAS throws the audience on a hilarious rollercoaster ride of love, humor, and competition for true romance.



HONEYMOON IN VEGAS stars Jeff Award Winner Michael Mahler as “Jack Singer” (Broadway: Miss Saigon; Marriott Theatre: October Sky, Hero, City of Angels); Samantha Pauly as “Betsy Nolan” (Marriott Theatre: Evita, Elf the Musical); Jeff Award Winner Sean Allan Krill as “Tommy Korman” (Broadway: Mamma Mia!, Honeymoon in Vegas, and On a Clear Day; National Tour: Thoroughly Modern Millie; Marriott Theatre: Brigadoon, 1776, and Pirates of Penzance); Cole Burden as “Buddy Rocky/Roy Bacon” (National Tours: Les Misérables, The Bridges of Madison County; Marriott Theatre: Legally Blonde); Marya Grandy as “Bea Singer” (Broadway: Les Misérables; Marriott Theatre: How to Succeed In Business Without Really Trying, Sister Act, and On the Town); and Steven Strafford as “Johnny Sandwich” (National Tours: Spamalot, Peter Pan, Cinderella, and Grease; Marriott Theatre: She Loves Me and Madagascar). Also starring in HONEYMOON IN VEGAS are DeShawn Bowens, Christine Bunuan, Aaron Choi, Shana Dagny, Devin DeSantis, Alejandro Fonseca, Alex Goodrich, Anne Gunn, Kristina Larson, Tyler John Logan, Richard Manera, James Rank, Jessica Wolfrum Raun, Drew Redington, Laura Savage, Allison Sill, and Ambria Sylvain.



The production will feature set design by Kevin Depinet, lighting design by Jesse Klug, sound design by Robert E. Gilmartin, properties design by Sally Weiss, projections design by Anthony Churchill, and musical supervision and orchestra conducted by Patti Garwood.

Hit Up HotTix For A Hot Time In The Old Town Tonight And All Fall

Chi, IL LIVE Shows On Our Radar:

FALL 2017 THEATER HIGHLIGHTS

Fall 2017 will see Chicago continue to produce some of the most exciting theater in the country. Offerings from the city’s more than 250 producing theaters include a range of special fall programming, featuring everything from the latest musicals to highly anticipated world premieres. 

For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. The League’s Fall Theatre Guide will be shared in September. Half-price tickets to the current week’s performances as well as future performances are available at HotTix.org and at the two Hot Tix half-price ticket locations: across from the Chicago Cultural Center at Expo72 (72 E. Randolph) and Block Thirty Seven (108 N. State).



And don't forget to check in with ChiILLiveShows.com (adult) and ChiILMama.com (family friendly) for original reviews, interviews, ticket giveaways, photo filled recaps, and entertainment news for Chi, IL and beyond.

“One of the things that sets Chicago apart as one of the great theatre cities in the world is the incredibly diverse programming our community has to offer. Whether drama, comedy, musicals or family-friendly shows, Chicago theatre companies are always pushing boundaries and finding bold new ways to tell stories,” notes Deb Clapp, Executive Director of the League of Chicago Theatres. “With the beginning of the 2017-2018 Chicago theatre season upon us, we are so excited to explore all the new works and classic productions that will inspire, engage and delight theatergoers of all ages.”

The following is a selection of notable work playing in Chicago throughout the fall:

New works and adaptations include:
Pulitzer Prize-winning playwright Tracy Letts’ scathing new comedy The Minutes, exploring small-town American politics, premieres at Steppenwolf Theatre before heading to Broadway. Directed by Artistic Director Anna D. Shapiro. Runs November 9 – December 31, 2017.

Playwright Janine Nabers will receive two world premiere productions this fall with Welcome to Jesus at American Theater Company (Runs October 26 – December 3, 2017) and A Swell in the Ground at The Gift Theatre. (Runs October 13 – December 12, 2017).

A world premiere adaptation of Margaret Atwood's acclaimed novel, Alias Grace looks at one of Canada's most notorious murderers. Rivendell Theatre premieres the adaptation by Jennifer Blackmer at their theatre in Edgewater. Runs September 1 – October 14, 2017.

Musicals include:
Court Theatre launches their new season with Five Guys Named Moe, featuring hit songs by saxophonist and songwriter Louis Jordan, and directed by Ron OJ Parson. Runs September 7 – October 8, 2017.

Writers Theatre premieres TREVOR the musical, based on the story that inspired the Academy Award-winning film, the charity and the national movement. This world premiere musical is directed by Marc Bruni, who helmed the Tony Award-winning production of Beautiful: The Carole King Musical on Broadway. Runs through September 17, 2017.

Gary Griffin directs the insanely funny new musical based on the 1992 film comedy Honeymoon in Vegas at Marriott Theatre in Lincolnshire. Runs August 23 – October 15, 2017.

The Chicago premiere of Bonnie and Clyde opens at Theater Wit in a new production by Kokandy Productions, capturing the real-life exploits of outlaws and ill-fated lovers Bonnie Parker and Clyde Barrow. Runs  Runs August 27 – October 15, 2017.

Dramatic works include:
The Young Vic’s award-winning production of A View from the Bridge comes to Chicago’s Goodman Theatre. Visionary Belgian director Ivo van Hove injects a raw, pulsating energy into Arthur Miller’s 1955 classic—recipient of 2016 Tony Awards for Best Revival of a Play and Best Director. Runs September 9 – October 15, 2017.

Silk Road Rising brings the US premiere of Wild Boar to Chicago in an adaptation by playwright David Henry Hwang and directed by Helen Young. Runs November 9 – December 17, 2017.

Pulitzer Prize-winning playwright Ayad Akhtar’s acclaimed play The Invisible Hand opens at Steep Theatre in Edgewater. Runs October 5 – November 11, 2017.

Comedies include:
Route 66 Theatre presents Halley Feiffer’s dark comedy A Funny Thing Happened on the Way to the Gynecologic Oncology Unit at Memorial Sloan-Kettering Cancer Center of New York City. Keira Fromm directs. Runs August 24 – September 23, 2017.

Playwright Wallace Shawn’s ultra-dark comedy Evening at the Talk House opens A Red Orchid Theatre’s 25th anniversary season. Directed by Shade Murray. Runs October 5 – November 19, 2017.

Northlight Theatre premieres Matthew Lopez’s heart-warming, music filled comedy The Legend of Georgia McBride. Runs September 14 – October 22, 2017.

Other Notable Works include:
Chicago Shakespeare Theater launches their innovative new venue The Yard with the cirque nouveau superstar James Thierrée’s The Toad Knew. Intertwining dreams with childhood terrors, burlesque, and realism to explore the wild, wondrous love shared among sibling, a collective of dancers, high-wire artists, and musicians create an intoxicating world evocative of Salvador Dalí and Tim Burton. Runs September 19 – 23, 2017.

The inaugural Chicago International Latino Theater Festival brings an unprecedented roster of international and local Latino works including the U.S. premiere of The Mirror performed by Ludi Teatro (Cuba), Medea performed by Arte Boricua (Puerto Rico) and I, the Worst of All performed by Chicago’s Water People Theater. Additional offerings include Victory Gardens Theater and Teatro Vista (in partnership with CLATA) present Tanya Saracho’s Fade and CLATA and Chicago Shakespeare Theater’s co-presentation of the Chicago premiere of Teatro Línea de Sombra’s Amarillo as part of the Theater’s World’s Stage series. Runs September 29 – October 29.

About Chicago theater
Chicago theater is the leader in the U.S. with more than 250 theaters throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theaters to the most renowned resident theaters in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theaters serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Last year alone Chicago theater companies produced more than 100 world premiere productions and adaptations. Each year Chicago theaters send new work to resident theaters across the country, to Broadway, and around the world. 

The League of Chicago Theatres’ Mission Statement
The League of Chicago Theatres is an alliance of theatres which leverages its collective strength to promote, support and advocate for Chicago's theatre industry locally, nationally and internationally. The League of Chicago Theatres Foundation is dedicated to enhancing the art of theatre in the Chicago area through audience development and support services for theatres and theatre professionals.



For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com.  Half-price tickets are available year-round at HotTix.org.

REVIEW: The Zombiesque Acquiescence of Machinal

Chi, IL LIVE Shows On Our Radar:

Greenhouse Theater Center Presents 

MACHINAL

By Sophie Treadwell

Directed by Artistic Director Jacob Harvey

Movement by Elizabeth Margolius 

Review:
Cogs in the machine... Get in gear... We're all familiar with the idioms describing humanity working repetitive day jobs, and people are often expected to behave and conform with machinelike precision. Yet, mechanical behavior in the emotional realm is considered a defect to be overcome, a mental illness. Machinal is an intriguing exploration into the intersection where infamous murderess, Ruth Snyder's longing for the freedom of choice, anxiety, and highly sensory tendencies cause the breakdown of the machine and send her hurtling toward the electric chair. 



The stylized cadence of the production is as key as what's said. It catapults the audience into the chaotic yet controlled rhythms of the work place, and the repetitive inevitability of family relationships and responsibilities. Even though this is a period piece it's absolutely applicable today, and possibly even more so, as our society has become even more mechanized, and frenetic. 

Women are still marrying out of economic desperation and fear, people still suffer panic attacks when crushed on an over capacity "L" train, or are overwhelmed by smells or claustrophobic spaces, many women still have postpartum depression and difficulty bonding with their newborns, but at least it has a name, and a course of treatment. 

In Machinal, following the status quo of marrying rich and becoming a mother, brought misery and an almost inevitability of a feeling of imprisonment and an irrepressible longing to be free. This play was stunning for it's alternate bouts of flatline, almost zombiesque acquiescence, and fits of passion and rage. The husband's enjoyment of his wife flinching and mistaking her revulsion at his touch for chastity and demureness was particularly striking. 

The heroine's body reflected her true self and her emotions amid crushing compromises, recoiling from her mother's repetitive nagging, gagging at her husband's presence, rejecting a baby she never wanted, questioning religion, and ultimately resorting to adultery and murder. All this was done without premeditation, greed, or cunning, and on the stand she was unable to lie even to save her own life. In a stunning paradox, as she faces the electric chair, instead of repenting, she reflects on the absurdity that she was punished severely for the only moments in her life she felt free and fully alive. As she rages against the machine, events in Machinal seem to unfold with a flowing inevitability. This is an excellent, thought provoking production, and well worth seeing. Highly recommended.

Click HERE for further cast bios, show information, and ticket purchasing.

Now Playing Through September 24, 2017

Presented Through an Educational Partnership with 

North Central College 

Greenhouse Theater Center is pleased to launch its 2017-18 season with Artistic Director Jacob Harvey and Elizabeth Margolius’ bold reimagining of Sophie Treadwell's most celebrated play, MACHINAL. Inspired by the surreal life and trial of famed murderess Ruth Snyder, MACHINAL will play now – September 24, 2017 at The Greenhouse Theater Center (Upstairs Main Stage), 2257 N. Lincoln Ave. in Chicago. 

Regular run: through Sunday, September 24, 2017
Curtain times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm.

Tickets: $35. Students: $15. 

Single tickets and season subscription packages are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. 




About the Greenhouse Theater Center
The Greenhouse Theater Center is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our mission is first and foremost to grow local theatre.

The Greenhouse Theater began its producing life in 2014 with the smash hit Churchill, after which came 2016’s much-lauded Solo Celebration!, an 8 month, 16 event series highlighting the breadth and depth of the solo play form. This year, the Greenhouse announced a full subscription season, with a mix of multi-character and solo plays. With a focus on our community, the Greenhouse is also launching the Trellis playwriting residency, an initiative designed to cultivate the next generation of Chicago theatre creators and a two-tiered education program for college and high school students.

As a performance venue, our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies, and an in-house rehearsal room. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, and to develop and produce their work. In 2016, the Greenhouse announced a new residency program, which offers a reduced rate to local storefront companies while giving the Greenhouse a stake in the resident’s success. We house Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex. 


With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

Route 66 Theatre Company Presents A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN-KETTERING CANCER CENTER OF NEW YORK CITY

Chi, IL LIVE Shows On Our Radar:

Chicago Premiere!

Route 66 Theatre Company Presents

A FUNNY THING HAPPENED ON THE WAY TO THE 

GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN-KETTERING CANCER CENTER OF NEW YORK CITY

By Halley Feiffer

Directed by Keira Fromm 

August 24 – September 23, 2017 at The Den Theatre

Here at ChiIL Live Shows, we're looking forward to catching what's arguably the longest titled show currently running in the entire city of Chicago. This Sunday we'll be ChiILin' at Chi, IL's Den Theatre for Route 66 Theatre's Chicago premiere of the dark comedy we'll nickname "A Funny Thing". In case you're not familiar, The Den is a multilevel, multi theatre, multi bar marvel in Wicker Park that we adore. In case you DO know The Den and you're thinking of hiring a Sherpa for the narrow, steep, stair climb to the upper theatres, The Den's Bookspan space is only up a few steps and is more or less on the first floor. Check back soon for our full review. 

Route 66 Theatre Company is pleased to conclude its ninth season with the Chicago premiere of Halley Feiffer’s dark comedy A FUNNY THING HAPPENED ON THE WAY TO THE GYNECOLOGIC ONCOLOGY UNIT AT MEMORIAL SLOAN-KETTERING CANCER CENTER OF NEW YORK CITY, directed by Keira Fromm, playing August 24 – September 23, 2017 at The Den Theatre’s new Bookspan Theatre, 1333 N. Milwaukee Ave. in Chicago. 

A FUNNY THING… features Judy Lea Steele, Meg Thalken, Stef Tovar and 

Mary Williamson.

A foul-mouthed twenty-something comedienne and a middle-aged man embroiled in a nasty divorce are brought together unexpectedly when their cancer-stricken mothers become roommates in the hospital. Together, this unlikely duo must negotiate some of life’s biggest challenges... while making some of the world’s most inappropriate jokes. Can these two very lost people learn to laugh through their pain and lean on each other when all they really want to do is run away?

The Den Theatre’s Bookspan Theatre, 1333 N. Milwaukee Ave., Chicago
Regular run: Thursday, August 31 – Saturday, September 23, 2017
Curtain Times: Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 8 pm; Sundays at 3 pm

Tickets: $35 adults; $20 students. Discounts available for groups of 10 or more. Tickets are currently available at route66theatre.org.

Director Keira Fromm comments, "A Funny Thing… is a play about the ways we use humor as both a balm and a barrier to protect us from the litany of life's discomforts. I'm drawn to plays about the ways in which we cope with life. When those plays involve surviving spiky family relationships, I'm all in. Halley Feiffer is no-holds-barred when it comes to showing extremely flawed individuals at their messiest. She's also completely fearless when it comes to exposing the raw spots that result from the friction of our most fragile family relationships. This play is unbelievably funny one moment and moving in the most throat-grabbing of ways the next. I can't wait to dig in."

Artistic Director Stef Tovar adds, “This play was a hit in New York last summer at MCC and the Geffen Playhouse in LA is producing it right after we open with Halley Feiffer playing the role of Karla... so for a theater company our size to secure the Chicago premiere is huge for us. We're so grateful to Halley for trusting us with her incredible script and this dynamite group of ladies are going to kill it. I can't wait to get started."

The production team team for FUNNY THING… includes: Courtney O’Neill (scenic design), Mieka Van der Ploeg (costume design), Claire Margaret Chrzan (lighting design), Christopher Kriz (sound design), Amanda Hermann (properties design), Sasha Smith (intimacy choreographer), Catherine Allen (production manager), Helen Lattyak (stage manager) and Matthew Bonaccorso (asst. stage manager)

Creative Team Bios
Halley Feiffer (Playwright) is a writer and actress. Full-length plays include I’m Gonna Pray For You So Hard (Atlantic Theater Company, dir. Trip Cullman; OCC Nom. John Gassner Playwriting Award) A Funny Thing Happened On The Way to the Gynecologic Oncology Unit at Memorial Sloan Kettering Cancer Center of New York City (MCC Theater, dir. Trip Cullman) and How To Make Friends And Then Kill Them (Rattlestick Playwrights Theatre, dir. Kip Fagan). Her plays have been developed by Second Stage, New York Theatre Workshop, the O’Neill and elsewhere; they are published by Dramatists Play Service and Overlook Press. Her work has been commissioned by Playwrights Horizons, Williamstown Theater Festival and three times by Manhattan Theater Club. She teaches Playwriting at NYU. 

Ms. Feiffer’s acting credits include the Broadway revival of The Front Page (dir. Jack O’Brien) and 
The House of Blue Leaves (dir. David Cromer; Theater World Award), Tigers Be Still (Roundabout, dir. Sam Gold; Drama League Nom.), HBO’s Bored to Death and the films The Squid and the Whale, Margot at the Wedding (dir. Noah Baumbach) and He’s Way More Famous than You (dir. Michael Urie), which she also co-wrote. She currently writes for the upcoming Starz series The One Percent (co-created by Alejandro Iñárritu), the upcoming Showtime series Purity (based on the novel by Jonathan Franzen) and is developing two original television projects with Scott Rudin Productions. 

Keira Fromm (Director) is a Jeff Award-nominated director, a casting director and a teacher based out of Chicago. Favorite recent directing credits include: the Chicago premiere of Bright Half Life (About Face) Theatre), the Chicago premiere of The Columnist (with American Blues Theatre); How the World Began (Rivendell Theatre Ensemble,) A Kid Like Jake (About Face Theatre,) Luce (Next Theatre,) Charles Ives Take Me Home (Strawdog,) The How and the Why (TimeLine Theatre,) Broadsword (Gift Theatre) and Fallow (Steep Theatre). Keira is an Artistic Associate with About Face Theatre. She received her MFA in Directing from The Theatre School at DePaul University and is a proud member of SDC. She is a frequent guest director at DePaul as well as the Chicago College of Performing Arts at Roosevelt University.

Route 66 Theatre Company
Route 66 Theatre Company develops, produces and exports plays, musicals and concerts for the stage that embrace the American spirit of exploration and risk.

The Road Begins when our Chicago Premieres head west and are given an advocate for further regional productions along the road less traveled from Chicago to Los Angeles. Since the company’s founding, Route 66 has produced eight Equity full productions in both Chicago and LA, including an Off-Broadway premiere, has been nominated for five Jeff Awards and won two. The company is also the recipient of the 2017 Broadway In Chicago Emerging Theatre Award. Route 66 is a resident company at The Den Theatre. For additional information, visit route66theatre.org.

Route 66 is Stef Tovar, Founder and Artistic Director; Rachel Wendte, Managing Director; Matthew Bonaccorso, Company Manager and Kelly Parker, Casting Director

Route 66 Theatre Company Artistic Associates: Brian Sidney-Bembridge, Audrey Billings, Johnny Clark, Brandon Dahlquist, Raymond Fox, Damon Kiely, Ron Klier, Jenni Lamb, Tyler Meredith, John Mohrlein, Kelly Parker, Geoff Rice, Emily Rohm, Tricia Small, Jeremy Sonkin, Alex Stage, Nancy Staiger, Erica Stephan, Bethany Thomas, Rita Vreeland, Steven Wilson, Rachel Wendte and Emily Woods.

Route 66 Theatre Company Board of Directors: Jennifer Baumann, President; Deborah Haimes, Vice-President of Communications; Nicholas Stone, Treasurer; Molly Crabtree, Secretary; Elizabeth Derrico, David and Monica Byrd, Lee Dickson, Laurie Hamilton, Tammy Rosenzweig, Pat Turnbull and Robert Veasey.

Route 66 Theatre Company’s 9th Season is presented by generous grants from MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, Gaylord and Dorothy Donnelly Foundation, Illinois Arts Council Agency and DCASE CityArts.