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Showing posts with label Eugene Ionesco. Show all posts
Showing posts with label Eugene Ionesco. Show all posts

Tuesday, May 28, 2019

Shows On Our Radar: Ionesco's The Killer at THE TRAP DOOR THEATRE

 JEFF RECOMMENDED ‘THE KILLER’ NOW EXTENDED THROUGH SATURDAY JULY 13TH AT 
THE TRAP DOOR THEATRE

The Killer
Written by: ​Eugene Ionesco Translated by: ​Donald Watson Directed by: ​Mike Steele

HIGHLY RECOMMENDED - Jacob Davis, Around the Town Chicago

RECOMMENDED - “The Killer is… emblematic of what Trap Door continues to do so well” - Kerry Reid, Chicago Tribune


RECOMMENDED "Bisto is amazing in the lead role..." Karen Topham, Chicagoonstage.com 



*Now Extended Through July 13th 
Due To Popular Demand*

Featuring​: Dennis Bisto, Michael Mejia, Kevin Webb, Holly Cerney, Abby Blankenship, Keith Surney, Logan Hulick, Laura Nelson.

Eugene Ionesco (Playwright) ​was born in 1909 (or in 1912, according to some sources) in Slatina, Romania. His father was Romanian and his mother French-Romanian and he spent his early years both in his native land and in France. During WW2 he moved to France and lived there until his death in 1994. During his long career he published essays, books for children, and a novel, but he is best known as a playwright and one of the major forces, alongside Beckett, Genet and Adamov, behind the Theatre of the Absurd in France. His first play, ​The Bold Soprano (​ 1950) inaugurated a series of short, antilogical anti-plays (​The Lesson ​[1951], ​The Chairs [1952], ​The New Tenant ​[1995]) in which many of his themes, such as the clichés of thought and language, the irrationality of materialist values and the loneliness and isolation of the individual, first appeared. Later, full-length plays, such as ​The Killer ​(1959), Rhinoceros (​ 1960), ​Exit the King ​(1960) and ​Macbett ​(1972) offered somewhat more positive protagonists who hold out against the conformity but lack any rational explanation for their actions. His characters tend to be unthinking automatons unaware of their own mechanical behavior. All of Ionesco’s plays deal with a human situation from which the element of rationality (and of rational language) is absent; more specifically, all Ionesco’s drama is a satire upon a middle class, its speech, its manners, and its morals. Ionesco is a master of partial communication—A speaks, B listens, B then replies as if A has not relayed any information whatsoever. In 1970 Ionesco was elected to the Académie Française.

Mike Steele (Director)​ currently serves as Literary Manager for Trap Door theatre, where he also curates the “Trap Open” Incubator Series. Additionally, he is the former Founding Artistic Director of The Island Theatre (R.I.P.). Directing credits include ​Sad Happy Sucker​ by Lee Kirk (Trap Door Theatre), ​The Fever​ by Wallace Shawn, ​The Glass Inward​, and ​Tourist Trap​ (The Island). Over the past two years Mike has been devising and directing a series of original dance-theatre pieces titled ​The Capillaries​, which have been presented at Links Hall where he was a 2017 “Summer Intensive” resident artist. A frequent performer, Mike has appeared in over 25 professional productions including ​Occidental Express​ (Trap Door Theatre and International Tour), ​The Resistible Rise of Arturo Ui (Trap Door Theatre-Jeff Nomination for Best Ensemble), ​Much Ado About Nothing (​ Alchemical Theatre), ​20,000 Leagues Under the Sea​ (Strawdog Theatre),​ Sight Unseen (​ Adventure Stage), ​No Beast So Fierce​ (Oracle Theatre),​ Skriker​ (Red Tape Theatre), and many more. Mike holds a B.F.A. in Theatre Studies from the Meadows School of the Arts at Southern Methodist University. Mike will be attending UT Austin starting this fall as an MFA Directing candidate

Set Designer​ Nicholas Schwartz/ ​Costume Designer​ Rachel Sypniewski/ ​Makeup Design​ Zsofia Otvos / ​Sound Designers​ Matt Test and Sam Clapp/​ Lighting Designer​ Richard Norwood / ​Choreographer ​Jesse Hoisington/​ Graphic Designer​ Michal Janicki/ Dramaturg​ David Lovejoy / ​Assistant Director ​Skye Fort

Opens: Closes​: Runs​:
Thursday, May 30, 2019 at 8PM
Saturday, July 6, 2019 at 8PM
Thursdays, Fridays, Saturdays at 8PM, (Wednesday, July 3rd)

Admission​: $20 on Thursdays and Fridays, $25 on Saturdays, 2 for 1 Admission on Thursdays 

Where:​ TRAP DOOR THEATRE 1655 West Cortland Ave. Chicago, IL 60622

What:​ ​A conscientious citizen finds himself in a radiantly beautiful city. There is only one problem in Utopia - it is marred by the presence of an unknown and relentless killer. This dark absurdist comedy is a study of pure evil and an indifferent society that allows it to flourish.

Tuesday, April 23, 2019

OPENING: EUGENE IONESCO'S KILLING GAME VIA A RED ORCHID THEATRE May 2 – June 23, 2019

ChiIL Live Shows on our radar

 A RED ORCHID THEATRE PRESENTS
KILLING GAME
By EUGENE IONESCO
directed by ENSEMBLE MEMBER DADO
FEATURING ENSEMBLE MEMBERS LANCE BAKER AND DOUG VICKERS on stage 
and Mike Durst and Karen Kawa with Lighting design and dramatugy

May 2 – June 23, 2019

I'll be seeing Killing Game the week of May 12th, so check back soon for my full review. A Red Orchid Theatre presents Eugene Ionesco’s Killing Game, directed by Ensemble Member Dado, and featuring Ensemble Members Lance Baker and Doug Vickers. Killing Game runs May 2 – June 23, 2019 at A Red Orchid Theatre, 1531 N Wells in Chicago. Tickets for Killing Game now on sale.

A town is beset by plague and the bodies are piling up along with moral accusations, political implications and medical speculations.  We peer into households and down many streets as people search for any logic to the ceaseless barrage of death. One of Ionesco's last plays, Killing Game is a piercing and frighteningly funny look at how the function of language and the panic surrounding social crisis sends a community into a chaotic state of paranoia, hypocrisy and opportunism. 

The cast of Killing Game includes Ensemble Members Lance Baker and Doug Vickers, along with Angela Alise, Dano Duran, Sherman Edwards, Andres Enriquez, Roy Gonzalez, Maya Lou Hlava, Katherine Mallen Kupferer, Ashley Neal and Londen Shannon.

The creative team for Killing Game includes Elenna Sindler (original music), Grant Sabin (set design), Kotryna Hilko (costumes), Mike Durst (lighting design), Sarah Putts (sound design), Samantha Rausch (properties) and Ensemble Member Karen Kawa (Dramaturgy).

About the Artists
Dado (Director) is an ensemble member of A Red Orchid Theatre. Last year she directed Simpatico by Sam Shepard at the McCarter Theatre in Princeton, New Jersey. Recent AROT productions are The Room by Harold Pinter, The Mutilated by Tennessee Williams and Red Handed Otter by Ethan Lipton. Dado appeared on AROT's stage in Brett Neveu’s Traitor, Abbie Spallen's Strandline, and she also appeared here in an incubator, Celebration, (by Harold Pinter) which was a musical experiment with percussion ensemble Beyond This Point, which she also directed. Last spring dado acted in Theatre Wit's Chicago premiere of Ann Washburn's 10 out of 12. She is the recipient of the 2017 Edes Prize. She holds an MFA in visual art from University of Chicago. 

Angela Alise (Ensemble) ​is making her A Red Orchid Theatre debut. Angela ​is an award-winning performer, writer and producer originally from KCMO. ​Her favorite acting credits include ​The Wolves (Goodman); ​The House That Will Not Stand (Victory Gardens);​ Saturday Night/Sunday Morning (Prologue at Steppenwolf Garage Rep); ​How We Got On​ (Haven); ​Black Side of the Moon, Nothing to Lose but Our Chains (Second City at Woolly Mammoth) and ​Almost Accurate Guide to America (Second City at The Kennedy Center). Angela is a 2018 NBC Universal/Second City Bob Curry Fellow. She holds a BA in Theatre and Sociology from Loyola University and is represented by Gray Talent Group. 

Lance Baker (Ensemble) is an ensemble member of A Red Orchid Theatre. He has been seen here in Evening At The Talk House, The Mutilated, The Agony and the Ecstasy of Steve Jobs, Becky Shaw, The Mandrake, Hunger and Thirst, and The Grey Zone. He also directed The Earl and co-directed A Very Merry Unauthorized Children's Scientology Pageant.

Dano Duran (Ensemble) returns to A Red Orchid Theatre where he was last seen in The Room and understudied for Traitor at AROT. He is more than honored to be able to work with this generous theatre company once again. By day he can sell you a house. 

Sherman Edwards (Ensemble) is making his A Red Orchid Theatre debut! He was named 2012’s “Best Stand Up Comic in Chicago” by the Chicago Reader. He's been lucky enough to perform at The Edinburgh Fringe Festival in Scotland and a few other notable places. TV/ Film credits include Single Long (HBO GO); Empire (FOX) and the upcoming feature film Monuments. Sherman is represented by Paonessa Talent.

Andrés Enriquez (Ensemble) is making his A Red Orchid debut Chicago credits include: A Gentleman’s Guide to Love and Murder, Merrily We Roll Along (Porchlight Music Theatre); Sylvester, Northanger Abbey (Lifeline Theatre); A Wonderful Life, My Way (TATC); Adding Machine (Hypocrites) and Love and Information (Remy Bumppo). Regional credits include: School House Rock Live! (Birmingham Children’s Theatre); The Fantasticks, The 39 Steps (Shawnee Theatre); The Woman In Black (Iowa Repertory) and Scapin (Colonial Williamsburg). He is a proud ensemble member of Lifeline Theatre, where he also serves as Casting Director. Andrés received his MFA from the University of Iowa and is represented by Gray Talent.

Roy Gonzalez (Ensemble) returns to A Red Orchid Theatre after being seen in the 2016 production of The Mutilated. In the past, he's worked as an actor and musician with companies like Steep Theatre, Jackalope Theatre, The Hypocrites, and a number of others you've probably heard of. He's been featured in a couple of those Dick Wolf shows, several commercials as the spokesman for an auto insurance company, and as the young dad to ethnically ambiguous families in holiday print ads. Roy is represented by Grossman & Jack Talent. 

Maya Lou Hlava (Ensemble) returns to A Red Orchid where she was most recently seen in The Nether. Other Chicago credits include Zurich (Steep Theatre); Oklahoma (Marriott Theatre); Violet (Griffin Theater); Trevor (Writers Theatre); White Christmas, Bye Bye Birdie (Drury Lane Theater); Jake's Women (Spartan Theatre Company);The Secret Garden (Court Theatre); The Talking Cure (Idle Muse Theatre Company); Jane Eyre (Lifeline Theatre) and The Wheel (Steppenwolf Theatre). Television credits include Chicago Med. 

Katherine Mallen Kupferer (Ensemble) is a fifth grader at Peirce Elementary school on Chicago's north side. She made her professional debut in Chicago Shakespeare Theater's 2014 production of Gypsy and her big screen debut that spring in the full-length indie feature Fools.  Most recently, she was seen in Steve McQueen's Widows as Kirsten Fitzgerald's gun loving daughter, and in the Cox Communications commercial "Windblown.” Proudly represented by Gray Talent Group.

Ashley Neal (Ensemble) returns to A Red Orchid Theatre again having previously appeared in The Nether and Red Handed Otter. She is a proud member of Rivendell Theatre Ensemble where she has appeared in many productions, including Alias Grace, Call in Camo, Scientific Method, Wrens, and others. Other shows you may have seen her in include London Wall, Men Should Weep, Stage Door (Griffin Theatre); The Life and Sort of Death of Eric Argyle (Steep Theatre); Reverb (Redtwist Theatre); 25 Saints (Pine Box); Holidaze (Step Up Productions); Scenes from the Big Picture (Seanachi) as well as work with Chicago Dramatists, Jackalope Theatre, Victory Gardens, Strawdog, The Greenhouse Theatre, and others. Ashley is a graduate of Columbia College Chicago and The School at Steppenwolf. Thanks to the AROT crew for being kick ass and to my husband for all his support. 

Jill Oliver (Ensemble) returns to A Red Orchid Theatre, where she was last seen in Dado’s Incubator production of A Night Out. Jill spent 9 years as an ensemble member of The Factory Theater where she produced, directed, wrote, and acted in over a dozen shows. In addition to The Factory, Jill has worked around Chicago with Artistic Home, Irish Theatre of Chicago, Shattered Globe, LiveWire Theatre, and Wayward Productions. Jill is represented by Hayes Talent Agency. 

Londen Shannon (Ensemble) is making his A Red Orchid Theatre debut. He was most recently seen in The New Colony’s Fun Harmless Warmachine and has previously worked with the Goodman Theatre, the Gift Theatre, and Teatro Vista. 

Sarah Thompson Johansen (Ensemble) is a keen advocate for new music. She frequently performs music of contemporary living composers and recorded the role of Helen in Rosśa Crean's horror opera The Great God Pan (album on Navona/PARMA). Recent modern operatic roles include Artistic Director in ...for the sake of a narrative closure; Donna Elvira in The Times are Nightfall; Ensemble in The Little Match Girl Passion; Steampunk Girl in Cosmic Ray and the Amazing Chris and Zina in Dark Sisters. Other roles include Beth in Adamo's Little Women, Susanna in Le nozze di Figaro, and Zerlina in Don Giovanni. 

Doug Vickers (Ensemble) is an ensemble member at A Red Orchid Theatre, where he most recently appeared in Evening at the Talkhouse by Wallace Shawn. Some of his other favorite appearances at Red Orchid have been in Accidentally Like a Martyr, Simpatico, Four Murders, The Grey Zone, and Ionesco's Hunger and Thirst. Doug was the recipient of the Joseph Jefferson Award for The Best Man at Remy Bumppo Theatre (Best Cameo Performance). Chicago: Comedy of Errors (Chicago Shakespeare); U.N. Inspector, Turcaret the Financier (Next Theatre); Two Planks and a Passion (Famous Door Theatre); People Annihilation (Trap Door Theatre) and The Birds (Hell in a Handbag). Regional: Illinois Shakespeare Festival. TV: Underemployed (MTV). Doug holds a Bachelor’s Degree in English from Northwestern University - School of Professional Studies and has done graduate level work in English at NU as well.

Dates:
Previews: May 2-11, 2019 

Press Performances: Saturday, May 11 at 3:00 p.m. & 7:30 p.m. 
Opening: Sunday, May 12, 2019 at 7:00 p.m. 
Red Night: Friday, May 17, 2019 at 7:30 p.m. 

Schedule: 
Thursdays: 7:30 p.m.
Fridays: 7:30 p.m. 
Saturdays: 3:00 p.m. and 7:30 p.m.  
Sundays: 3:00 p.m.  

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $15-$25 previews, $30-$40 regular run.  ($30 Thurs, $35 Fri & Sat Matinee, $40 Sat evening &Sun matinee) 
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 

  
With our 26th season of ambitious and powerful storytelling, we continue to champion A Red Orchid Theatre’s Red League, which is a gift $1k or more, and the Founders Circle, which is a gift of $5k or more annually for a three-year pledge. These donors represent a community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre. 



About A Red Orchid   
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored in 2016 with a MacArthur Award for Creative and Effective Institutions. Over the past 25 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories.  

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.  

Thursday, July 19, 2018

REVIEW: Victims of Duty at A Red Orchid Theatre With Michael Shannon

Chi IL Live Shows On Our Radar:
Victims of Duty by Eugene Ionesco 
at A Red Orchid Theatre
1531 N. Wells Ave. Chicago, IL 60610



Review
By Catherine Hellmann, Guest Critic

Remember the old commercial for grape jelly that suggested: “With a name like Smuckers, it has to be good”? Well, I was reminded of this when watching Victims of Duty, “With a name like Ionesco, it’s got to be weird.” Absurdist theater makes me whimper, and to admit such a thing is like saying the Emperor has no clothes, or I am tragically unhip (which my teens can attest to anyway…)


PHOTO CREDIT FOR ALL PRODUCTION SHOTS: fadeout foto
Karen Aldridge (Madeleine), Michael Shannon (The Detective), and Guy Van Swearingen (Choubert)


cast

Ionesco’s play begins with a quiet couple onstage. The husband, Choubert, is reading the newspaper; the wife, Madeleine, is sewing. They chat about dog poop on the sidewalk in the neighborhood, how the government is encouraging citizens to be detached to conquer problems, and opinions on theater. The husband, played by Ensemble Member Guy Van Swearingen, bemoans how nothing new ever happens in theater; everything is a “thriller.” (Cue: a visitor who will shake things up in this tranquil home.) Oh, and there is a clawfoot bathtub, half-filled with water, between them. Oh, and a now-famous movie star is in the production, which is really why anyone, myself included, wants to see it.


Aldridge, Van Swearingen, Shannon

With Michael Shannon from the Academy-Award winning movie The Shape of Water in the role of The Detective, A Red Orchid Theatre has a hit show that sold out its entire run in minutes. Both Van Swearingen and Shannon were in the original production at A Red Orchid in 1995, along with director Shira Piven; ticket sales then involved some begging. The space is small and intimate, which adds to the thrill of being there. A Red Orchid could realistically sell “safe” versus “unsafe seats” if the audience doesn’t mind getting wet from the pool of water onstage which the actors swish around in. (I wondered if the actors have an alternate set of clothing for their second show later that evening.)

Rich Cotovsky (Nicolas D’eu)

cast

Shannon

The Detective is searching for “Mallot with a t” who lived in their building. The sedate couple is intrigued and invite the seemingly timid but soon-aggressive Detective into their home. The biggest laugh came when the couple referred to the “sweet face” of the Detective. His interrogation involves force-feeding Choubert bread and having him submerge in the pool, as our memories can be fleeting like liquid. (I had sympathy for the stage crew and the splashing they will have to clean up after every performance.)

Karen Aldridge is wonderful as the wife who is initially darning socks mildly, then playfully changes into a sexy dress to entice the Detective. When he asks her for a cup of coffee, she willingly obliges by frantically bringing out cup after cup after cup, lining them up along the edge of the stage. (Reminding me of “The Love Song of J. Alfred Prufrock,” where T.S. Elliott observed: “I have measured out my life with coffee spoons.”)


Mierka Gierten (The Lady)


Van Swearingen, Gierten,

In a time when the real/fake news is mind-boggling and our commander-in-chief is a former reality-tv star-Narcissist, do we need entertainment to be more absurd? As Ms. Piven writes in her Director’s Notes: “Now there is also a social/political resonance that we can’t escape, as much as we might want to. Themes of torture, blind compliance to authority and the absurdity (not to mention the insidiousness) of every aspect of our current political morass” was present in their rehearsals.


AldridgeVan Swearingen


Shannon, Van Swearingen, Aldridge

Perhaps Ionesco was warning us to be citizens who are not detached by society’s problems, for innocent bystanders who are unaffected by turmoil around them are not helping.


Victims of Duty is running through August 5. Good luck scoring a ticket.


Van Swearingen, Aldridge

Shannon, GiertenVan Swearingen, Aldridge

Check www.aredorchidtheatre.org for last minute tickets, as some do become available. If you miss those, show up in person and try their standby lines. They are sometimes even able to get everyone in!

Ensemble Members Michael Shannon (The Detective) and Guy Van Swearingen (Choubert), as well as Karen Aldridge (Madeleine), Rich Cotovsky (Nicolas D’eu), and Ensemble Member Mierka Gierten (The Lady).

Title: Victims of Duty
Written By: Eugene Ionesco
Directed by: Shira Piven

Creative Team: Danila Korogodsky (Production Design), Ensemble Member Mike Durst (Lighting Design), and Brando Triantafilou (Sound Design)

Dates:
Regular Run: July 17 – August 5, 2018
Tuesday, July 17 at 7:30 p.m.
Thursday, July 19 at 7:30 p.m.
Friday, July 20 at 7:30 p.m.
Saturday, July 21 at 3:00 p.m. and 7:30 p.m.
Sunday, July 22 at 3:00 p.m.
Wednesday, July 25 at 7:30 p.m.
Thursday, July 26 at 7:30 p.m.
Saturday, July 28 at 3:00 p.m. and 7:30 p.m.
Sunday, July 29 at 3:00 p.m. and 7:30 p.m.
Tuesday, July 31 at 7:30 p.m.
Wednesday, August 1 at 7:30 p.m.
Friday, August 3 at 7:30 p.m.
Saturday, August 4 at 3:00 p.m. and 7:30 p.m.
Sunday, August 5 at 3:00 p.m.

Schedule: Tuesdays: 7:30 p.m. (July 17 & 31)
Wednesdays: 7:30 p.m. (July 11 & 25)
Thursdays: 7:30 p.m. (July 12, 19 & 26)
Fridays: 7:30 p.m. (July 13 & 20 and August 3)
Saturdays: 3:00 p.m. (July 21 & 28 and August 4)
and 7:30p.m. (July 14, 21 & 28 and August 4) 
Sundays: 3:00 p.m. (July 22, 29 and August 5)

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $50

Box Office:Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 




Wednesday, May 30, 2018

TICKETS ON-SALE TODAY AT NOON: IONESCO'S VICTIMS OF DUTY REMOUNT VIA RED ORCHID THEATRE

Chi IL Live Shows On Our Radar:
                                                           
A RED ORCHID THEATRE ANNOUNCES CASTING FOR
VICTIMS OF DUTY
BY EUGENE IONESCO
DIRECTED BY SHIRA PIVEN


FEATURING ORIGINAL CAST MEMBERS
ENSEMBLE MEMBERS MICHAEL SHANNON AND GUY VAN SWEARINGEN
PLUS KAREN ALDRIDGE, RICH COTOVSKY AND ENSEMBLE MEMBER MIERKA GIERTEN

July 11 – August 5, 2018

**TICKETS ON-SALE WEDNESDAY, MAY 30 AT NOON**

Here at ChiIL Live Shows we're so very excited for this remount for too many reasons to count. I've adored Ionesco since my college intro to his Theatre of the Absurd began with Rhinoceros. I'm also quite fond of Shira Piven's work, Michael Shannon, Guy Van Swearingen (original cast members)... and the rest of this cast of Chicago's finest. A Red Orchid Theatre is at it again, bringing vividly stunning works and star power to their intimate Old Town storefront. This is where theatre gets real. Don't miss this! Book ASAP. This run is sure to sell out.

A Red Orchid Theatre presents a special summer engagement of Victims of Duty by Eugene Ionesco and directed by Shira Piven. Victims of Duty runs July 11 – August 5, 2018 at A Red Orchid Theatre, 1531 N Wells in Chicago.

The cast of Victims of Duty includes original cast members Ensemble Members Michael Shannon (The Detective) and Guy Van Swearingen (Choubert), as well as Karen Aldridge (Madeleine), Rich Cotovsky (Nicolas D’eu), and Ensemble Member Mierka Gierten (The Lady).

Much of the original 1995 team come together to revisit Ionesco's absurd masterpiece. Choubert, the archetypal bourgeois everyman, and his wife Madeleine are spending a quiet evening at home when the Detective arrives to enlist their help in finding the previous tenant. A roller-coaster ride of high comedy and horrific tragedy as Choubert examines his past present and future in a quest to find out where Mallot could be hiding.

“Victims of Duty was the very first show I ever saw at A Red Orchid,” says Artistic Director Kirsten Fitzgerald. “I am not entirely sure Ionesco's investigation of a life made logical sense to me at the time, but it made perfect emotional sense and was viscerally stunning.  So much so, that I knew I needed to work with these people in this space.  That was 1996.  With many of the originals returning (including Director Shira Piven, Production Designer Danila Korogodsky, and actors Guy Van Swearingen and Michael Shannon) the investigation promises to go even deeper.”

In addition to Director Shira Piven, the creative of Victims of Duty includes Danila Korogodsky (Production Designer), Ensemble Member Mike Durst (Lighting Designer), and Brando Triantafilou (Sound Designer).

Tickets, priced at $50, will go on-sale Wednesday, May 30 at noon and may be purchased at the A Red Orchid Theatre Box Office (1531 N. Wells Ave, Chicago) by calling (312) 943-8722, or online www.aredorchidtheatre.org.


About the Artists

EUGENE IONESCO (Playwright) was a Romanian-born French playwright. He studied in Bucharest and Paris, where he lived from 1945. His first one-act antiplay, The Bald Soprano (1950), inspired a revolution in dramatic techniques and helped inaugurate the Theatre of the Absurd. He followed it with other one-act plays in which illogical events create an atmosphere both comic and grotesque, including The Lesson (1951), The Chairs (1952), and The New Tenant (1955). His most popular full-length play, Rhinoceros (1959), concerns a provincial French town in which all the citizens are metamorphosing into rhinoceroses. Other plays include Exit the King (1962) and A Stroll in the Air (1963). He was elected to the Acadmie Franaise in 1970.



SHIRA PIVEN (Director) is a director of both stage and film.  She was the child of theatre people and established herself originally as an actress and stage director in Chicago in the 90's.  Shira has directed numerous stage productions, many of them original adaptations, in New York, Chicago, LA, and Washington D.C. She was the director and a founding member of Burn Manhattan spontaneous theatre, a groundbreaking group performing entirely improvised physical theatre throughout New York City.  In Los Angeles Shira developed and directed the plays Little and All Cake No File at the Actor’s Gang Theatre and Fully Loaded at UCB Theatre. Her first foray into film combined live theatre with film sequences in Water's show Death of a Judge in 2003.  Shira completed her second feature film, Welcome To Me, starring Kristen Wiig in 2015. Her first feature Fully Loaded won the audience favorite feature award at Palm Beach International Film Festival as well as best feature at both The River's Edge International and Carmel Art and Film Festivals. It was also featured at the Boston, San Luis Obispo, Talking Pictures and Newport Beach film festivals and released by Starz. She also directed a short documentary The Beast and The Angel that premiered at the Lincoln Center Film Society and aired on PBS.



MICHAEL SHANNON (The Detective) is a founding member of A Red Orchid Theatre. He directed the world premiere of Traitor by Brett Neveu earlier this year and made his directing debut here with Ionesco’s Hunger and Thirst. He has been seen on stage at A Red Orchid in Pilgrim’s Progress, Simpatico, Mistakes Were Made, Gagarin Way, Mr. Kolpert, BUG, 'Tis Pity She's a Whore, The Killer, The Persecution of Arnold Petch, Canus Lunis Balloonis, Victims of Duty, and Drinking in America. Elsewhere around Chicago, he has worked at Steppenwolf, Lookingglass, Northlight, Famous Door (RIP), and the Next Lab, birthplace of Killer Joe, in which he originated the role of Chris Smith and performed it a gillion times all over God's green earth. Mike currently lives in NYC where he Performed in Ionesco's The Killer with Theatre for a New Audience and made his Broadway debut in Grace at the Cort Theatre. He also played Astrov in Annie Baker's adaptation of Uncle Vanya at Soho Rep, directed by Sam Gold.  Film credits include Groundhog Day, Chicago Cab, The Ride, Jesus' Son, Cecil B. Demented, Tigerland, Pearl Harbor, 8 Mile, Bad Boys II, Kangaroo Jack, Grand Theft Parsons, The Missing Person, Zamboni Man, Revolutionary Road, My Son My Son What Have Ye Done?, Shotgun Stories, Take Shelter, Mud, Machine Gun Preacher, Premium Rush, The Iceman, Man of Steel, 99 Homes, Free Held, Elvis & Nixon, The Shape of Water, Fahrenheit 451 and more. On TV: Boardwalk Empire, and the recent miniseries Waco. 



GUY VAN SWEARINGEN (Choubert) is founding Artistic Director and Ensemble Member of A Red Orchid Theatre where he has appeared in over a dozen productions, including Traitor, The Nether, Red Handed Otter, The Sea Horse (Jeff Nomination), Simpatico (Jeff Nomination) and the World Premiere of The Opponent (which was also produced at 59E59 in NYC).  Regional credits include Simpatico at the McCarter Theatre, The Sign in Sidney Brustein’s Window at the Goodman Theatre, the World Premiere of Taking Care and a revival of The Time of Your Life at Steppenwolf (which transferred to Seattle Rep and A.C.T.) and Eleven Rooms of Proust (a Lookingglass/About Face/Goodman Theatre collaboration).  Other local theatres he’s appeared with include Defiant, Plasticene, Famous Door and Mary Arrchie.  Film credits include Captive State (2018 release), The Dilemma, The Merry Gentleman, Take Shelter, Public Enemies, The Weatherman, Ali, Janie Jones and The Unborn. TV credits include Chicago Fire (NBC), Boss (STARZ), Sirens (USA), Detroit 1-8-7 (ABC), Gifted Hands: The Ben Carson Story (TNT), The Beast (A&E), Turks and Early Edition (CBS). 



KAREN ALDRIDGE (Madeleine) is a critically acclaimed theater artist consistently starring in productions at Chicago's most prestigious theaters such as The Goodman Theatre, Steppenwolf Theatre and Chicago Shakespeare Theatre. Karen originated the role of "Mrs. Phelps" in Matilda on Broadway.  She also toured around the world in Le Costume with the Theatre des Bouffes du Nord. Karen has been nominated for two Joseph Jefferson Awards.  On television, Karen has appeared in a recurring role as "Dr. Kendra" on NBC's CHICAGO FIRE and as "Dr. Ella Harris" in the Golden Globe winning series BOSS.  Other television & film credits include CBS' Blue Bloods, CBS' Unforgettable and Ron Howard's THE DILEMMA.  



RICH COTOVSKY (Nicolas D’eu) directed the very first show at A Red Orchid Theatre in 1993.  He was the founder and Artistic Director of Mary Arrchie Theatre Company for all of it’s 30 years.  Cotovsky has performed in or directed more than 50 productions at Mary-Arrchie and other theaters, along with the occasional film, television, and commercial gig. Among his favorites: a record-setting run as the Hellcab cabbie and the role of Arthur in Mary-Arrchie's 2012 production of Tracy Letts's Superior Donuts, which he workshopped and understudied at Steppenwolf.  Though Rich and Guy and Mike have collaborated many times, this is the first time they will share the stage outside of the occasional late-night talk show at Mary Arrchie’s Abby Hoffman Died for our Sins festival.


MIERKA GIRTEN (The Lady) is an ensemble member at A Red Orchid, where she has been seen in over thirteen productions, including The Room, The Mutilated, Simpatico, Red Handed Otter, Mud Blue Sky and Abigail’s Party among others. Mierka was honored to reprise her role in Simpatico last fall with A Red Orchid at The McCarter Center in Princeton NJ.   She played Maria Callas in Master Class at The Human Race Theatre Company in Dayton Ohio.  Additionally, she has worked with The Hypocrites, Rivendell Theatre, Porchlight Music Theatre, Cobalt Ensemble, Apple Tree, Provision, Strawdog, Circle Theatre, American Blues, Mary-Arrchie, Live Bait, Roadworks, Steppenwolf and The Goodman. She played Esther in Mistakes Were Made both here at A Red Orchid and in the Off-Broadway Barrow Street Theatre production with friend Mike Shannon. Her voice can be heard on national broadcast and web commercials.

DANILA KOROGODSKY (Production Designer) is a director and stage designer. He is the Artistic Director of Pokoleniy Theater in St. Petersburg, Russia and serves as the head of set design at California State University, Long Beach.  Born into a theatrical family, his father Zinovy Korogodsky, a Stanislavsky prize winner, was one of the most important directors and theater pedagogues in Soviet Union. His mother, Liah Danilina, was a playwright. Danila grew up and was educated in the Soviet Union. He graduated from Leningrad Theater Academy in 1977 as a stage and costume designer, and after graduation worked as a resident designer at the Leningrad TYS (Theater for Young Spectators) - a premier company for young audiences in the Soviet Union. During that time he also worked as a freelance designer for theaters around the country designing more than 80 productions for various companies such as Baku Youth Theater, Tallin Drama Theater, Leningrad Comedy Theater, Novy Drama Theater, Mossoviet Theater, Ilkhom Theater, and Tashkent. In 1989 he was invited to design a show at Honolulu Theater for Youth. Since then he has worked in the United States as a stage designer and design professor. He designed more than 250 productions in the United States and around the world. He also started designing for the opera, and has worked with Chicago Lyric Opera, Opera Bielefeld and Opera Dessau in Germany, Opera Nantes in France, The Spoleto Festival and Opera Theater of Pittsburgh. Other theatrical design work has been with NYC Japan Society, A Noise Within, Actors Gang, Pittsburgh Playhouse, Minneapolis Children Company, ACT, Wheelock Theater, and more.  At Pokoleniy Theater in St. Petersburg, Russia. He has directed Without Lear based on King Lear by Shakespeare, Far Away on Lake Tchad, The Table, Peter-Burg, Songs of Love and Death, The Light Bulb all conceived and developed by the company, which were well received by the Russian and international press. He developed a project based on a play by Maxim Gorky The Summer Folks, which opened in Theater Pokoleniy in October 2012.

Dates:
Previews: July 11-14, 2018
Wednesday, July 11 at 7:30 p.m.
hursday, July 12 at 7:30 p.m.
Friday, July 13 at 7:30 p.m.
Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Press Performances: Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Opening:Sunday, July 15 at 7:00 p.m. 

Regular Run:
July 17 – August 5, 2018           
Tuesday, July 17 at 7:30 p.m.
Thursday, July 19 at 7:30 p.m.
Friday, July 20 at 7:30 p.m.
Saturday, July 21 at 3:00 p.m. and 7:30 p.m.
Sunday, July 22 at 3:00 p.m.
Wednesday, July 25 at 7:30 p.m.
Thursday, July 26 at 7:30 p.m.
Saturday, July 28 at 3:00 p.m. and 7:30 p.m.
Sunday, July 29 at 3:00 p.m. and 7:30 p.m.
Tuesday, July 31 at 7:30 p.m.
Wednesday, August 1 at 7:30 p.m.
Friday, August 3 at 7:30 p.m.
Saturday, August 4 at 3:00 p.m. and 7:30 p.m.
Sunday, August 5 at 3:00 p.m.

Schedule:
Tuesdays:7:30 p.m. (July 17 & 31)
Wednesdays: 7:30 p.m. (July 11 & 25)
Thursdays: 7:30 p.m. (July 12, 19 & 26)
Fridays: 7:30 p.m. (July 13 & 20 and August 3)
Saturdays: 3:00 p.m. (July 21 & 28 and August 4)
and 7:30p.m. (July 14, 21 & 28 and August 4)
Sundays:
3:00 p.m. (July 22, 29 and August 5)

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $50
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org

Concluding our 25th season of ambitious and powerful storytelling, we continue to champion A Red Orchid Theatre’s Red League, which is a gift $1k or more, and the Founders Circle, which is a gift of $5k or more annually for a three-year pledge. These donors represent a community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.


About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 25 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to a Youth Project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.

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