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Showing posts with label full lineup. Show all posts
Showing posts with label full lineup. Show all posts

Tuesday, May 21, 2019

FEST ALERT: Full Line-Up Announced for The New Colony’s UNCHARTED Festival at The Den Theatre July 11 – 20, 2019

ChiIL Live Shows on our radar


Full Line-Up Announced!
The New Colony’s 
UNCHARTED Festival
July 11 – 20, 2019 at The Den Theatre


The New Colony’s UNCHARTED Festival playwrights include (top, l to r) Fin Coe, Grace McLeod, Michael Turrentine, Mario (Mars) Wolfe, Christina Renee Jones, Patriac Coakley and Evan Linder. Directors include (bottom, l to r) Elyse Dolan, James Fleming, Toma Tavares Langston, Rinska Carrasco-Prestinary, Dani Wieder, Megan Johns and Zach Weinberg.

The New Colony is pleased to present UNCHARTED, a two-week showcase of plays at different points in their journeys to production, playing July 11 – 20, 2019 at TNC’s resident home, The Den Theatre (2B) 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets will go on sale in June at www.thenewcolony.org.

UNCHARTED is a two-week festival showcasing bold new works from Chicago playwrights developed, incubated and curated by The New Colony. The company provides Chicago playwrights with support from professional directors, actors and designers to help them take the next step in the creation of a new work. UNCHARTED was founded in recognition and celebration of the Chicago community’s passion for creating and producing new American plays and aims to connect audiences and theatrical producers with today’s stories and tomorrow’s playwrights. Each offering will receive two presentations over the course of the festival.

Comments The New Colony Co-Artistic Directors Fin Coe and Stephanie Shum, "The New Colony's pipeline is full of intriguing new plays, more than we could ever give a production to. UNCHARTED is our attempt to break the cycle of wonderful, timely new plays staying undiscovered and unproduced. We've curated a selection of promising new stories that deserve to be showcased for other Chicago theatres to see and hear. Our ensemble and staff are applying our decade of new play development experience to connecting these plays and their playwrights with the organizations that are hungry for contemporary scripts that fit their aesthetic and mission. We're confident that this matchmaking will result in more new Chicago classics finding homes and productions."

The UNCHARTED line-up includes:

OTHER ROCKPOOLS
Written by Fin Coe*
Directed by Elyse Dolan

In the summer of 2001, a brilliant physicist sets up shop in her family's cabin and gathers a team of scientists for one wild, irresistible purpose: build a machine to get them all the hell out of their awful timeline.

SCARE ME
Written by Grace McLeod
Directed by James Fleming

When Alex gets hired at a Halloween pop-up store in the suburbs of Chicago, she's thrilled to start her gap year with her first real job. As she and her older, jaded co-workers scramble to meet their sales goal and push superhero capes and fake blood on strangers, they each struggle to distinguish the masks they wear from the masks they sell. Scare Me is a queer coming-of-age comedy about the fear of being yourself, the desire to be somebody else, and the danger of getting attached to something that was always meant to be temporary.

IF ONLY ONCE
Written by Michael Turrentine
Directed by Toma Tavares Langston

Ryan and Tyler live in a quaint little house in the near suburbs of Chicago. They’ve been married two years, are insatiably in love, and thinking of starting a family in the near future. But when Ryan asks his ex-wife of four years, Lona, to be the surrogate mother, Tyler is forced to dive deep into Ryan’s past, to see his husband in a way he never thought possible. If Only Once is a story of feeling trapped inside our own lives and poses the question: do we ever really know the people we choose to love?

BERTHA VAN ATION 3.0 (birth-of-a-nation 3 point-oh)
Written by Mario (Mars) Wolfe 
Directed by Rinska Carrasco-Prestinary 

Genesis double oh seven. Sometime after Adam and Eve learned to fart and fornicate and much after the Twin Towers. Oprah Shy X (Shy) and Oprah Shy Y (O) set out to recall the story of their escape from incarceration and enslavement. Their brother, Cole, steers the whip to freedom, using 8-oh-8 to guide the Odyssey. The siblings find their task to be a tall order when the memories of the Privileged and their genetic experiments resurface. Scientists, Sanitation Workers, and a Nurse join the Children on their quest for truth within recycled myths, parables, and trap beats.

THE PUPPET PLAY
Written by Christina Renee Jones
Directed by Dani Wieder

Julie grew up following all the rules. While she aced her youth, she is currently flunking adulting. After years of horrible luck, bad decisions and undiagnosed mental illnesses, Julie decides she just can’t deal with it anymore. Until one night, when her reality is transformed into the world of her favorite childhood public television show, "Puppet Playhouse." Sunny days, the air is sweet, and the arts and crafts made streets are populated with irritating, singing puppets. The Puppet Play is brought to you by the letters F: for embracing Friendship, M: for tackling Mental illnesses, and L: for learning to Love yourself.

Bits & Pieces Series (presented together in one program as scripts still in process):

LETTS WRITE A PLAY
Written by Patriac Coakley*
Directed by Megan Johns*

After winning a raffle at a benefit, two members of a struggling Chicago storefront theatre go to a famous Chicago playwright’s house for dinner. Resentment brews under conversation and intentions for the evening are revealed to go beyond a dinner… and maybe the law.

JO & LIV
Written by Evan Linder*
Directed by Zach Weinberg

Liv has accepted her estranged sister Jo’s invitation to spend Christmas together with their families in New York in 1961. With years of hurt between them, they hope this can be their chance to finally exhume all the skeletons in their closets. Or at least the contentious Academy Award stuffed in the cupboard. Jo & Liv is at turns hysterical and heartbreaking as it explores two legendary Hollywood siblings who love each other fiercely, but love their grudges more. Jo & Liv was commissioned as part of the Goodman Theatre's 2017 Playwright Unit.

*Denotes The New Colony Ensemble Member

UNCHARTED Performance Schedule:

Thursday, July 11 at 7:30 pm
Friday, July 12 at 7:30 pm
Saturday, July 13 at 3 pm & 7:30 pm
Sunday, July 14 at 3 pm & 7:30 pm
Monday July 15 at 7:30 pm
Wednesday, July 17 at 7:30 pm
Thursday, July 18 at 7:30 pm
Friday, July 19 at 7:30 pm
Saturday, July 20 at 3 pm & 7:30 pm

Note: a detailed schedule by production will be posted shortly at www.thenewcolony.org.

About the Artists

Fin Coe (Playwright, Other Rockpools) is a Chicago-based theatre artist, and the Co-Artistic Director of The New Colony. A native of Silicon Valley and a graduate of Case Western Reserve University, his past writing credits include Pretty/Windy Theatre Company, Scribble Bibble, A-Squared Theatre, the Sketch Review, and others. Fun Harmless Warmachine is his first full-length play to be produced.

Elyse Dolan (Director, Other Rockpools) is excited to join the New Colony team! Previously at TNC, she directed the Associate Company production of Here After by Evan Sesek and acted as Assistant Director on Kin Folk (dir. Evan Linder). She is the Assistant Producer at American Blues Theater, where she is also an Artistic Affiliate. At Blues, she has directed several short plays in past Ripped festivals and has been Assistant Director on a handful shows including Six Corners (dir. Gary Griffin) and Little Shop of Horrors (dir. Jonathan Berry). Her directing work has been seen across Chicago at Broken Nose Theatre, Prop Thtr, Babes with Blades, Commission Theatre, 20% Theatre Company, Pride Films & Plays, Gorilla Tango Theatre, and more. She has also served as Assistant Director on productions at Raven Theatre, Oracle Theatre, 16th Street Theater and Redtwist Theatre. Elyse holds a B.A. from Denison University.

Grace McLeod (Playwright, Scare Me) is a playwright and screenwriter based in Chicago and New York. She was the recipient of the 2018 Olga and Paul Menn Foundation Prize for Playwriting and a 2017-18 Trellis playwright-in-residence at the Greenhouse Theater Center, where she developed her play Herland (2019 National New Play Network Rolling World Premiere at MOXIE Theatre in San Diego, Redtwist Theatre in Chicago, and Greenway Court Theatre in Los Angeles). Grace has developed her plays with First Floor Theater, The New Colony, Commission Theatre, American Blues Theater, and the Victory Gardens College Night series, among others. She was a 2013-14 Tribeca Film Fellow and wrote and directed the short film Under the Table, which premiered during the 2014 Tribeca Film Festival, and co-wrote and produced Local/Express, an experimental short film that screened across Times Square as part of the Midnight Moment Series, the world’s largest, longest-running digital art exhibition. Grace is a recent graduate of the University of Chicago. She is represented by the Gersh Agency.

James Fleming (Director, Scare Me) Chicago-based director, Director of New Works at The New Colony, and Associate Artistic Director at Redtwist Theatre. Recent directing credits include Fun Harmless Warmachine by Fin Coe (The New Colony), Herland by Grace McLeod, Our Town by Thornton Wilder, and Sagittarius Ponderosa by MJ Kaufman (Redtwist Theatre). He has also directed readings, workshops and events for Goodman Theatre, Route 66 Theatre, AstonRep, Broken Nose Theatre, and arc theatre. He's had the pleasure of assistant directing at Goodman Theatre, Court Theatre, and Greenhouse Theatre Center. James worked as part of a collaborative team with Peca Stefan, Tamilla Woodard and Ana Margineanu of PopUp Theatrics to produce the Chicago story for #THENEWOLDHOME, a mix between puzzle, social game, exhibition, audio drama and interactive installation which premiered at CLB Berlin in January 2018. He has served on the literary panels for the National New Play Network's Annual Showcase of New Plays, Route 66's TEST DRIVE and Kitchen Dog Theatre's New Play Festival. James was a participant in the Chicago Directors Lab and a recipient of an SDC Foundation Observership. This fall, he will begin pursuing his MFA in Directing at Yale School of Drama.

Michael Turrentine (Playwright, If Only Once) is mainly an actor around Chicago, appearing at companies including Remy Bumppo, The Gift Theatre, Haven Theatre, Firebrand Theatre, The Lyric Opera, and several others. More recently, he has found himself writing for the theater. He began his writing career writing various short, physical theater shows, some of which traveled around the U.S. However, If Only Once is his first full length play and he is very excited to share it. (Michael will also be writing a piece for Broken Nose Theatre's Bechdel Fest this Summer.) He is represented by Gray Talent Group.

Toma Tavares Langston (Director, If Only Once) is a freelance theater director. Theo Ubique Cabaret Theatre: Hedwig and The Angry Inch. New Colony: The Light (2018 Joseph Jefferson Nomination for Director – Play). Victory Gardens: 2015 Directors Inclusion Initiative Director Fellowship. (Assistant Director) Sucker Punch. Jackalope Theatre: (Assistant Director) 1980 (or Why I'm Voting for John Anderson). Sideshow Theatre: (Assistant Director) Truth and Reconciliation and Give It All Back. Other directorial credits include The Last Five Years, The Shadow Box, For Colored Girls Who Considered Suicide/When the Rainbow Is Enuf.  

Mario (Mars) Wolfe (Playwright, Bertha Van Ation 3.0) is a writer, performance artist and theatre manager from central Florida. Mars’ plays – Bus 74, Turnt the Screw; or a trigger warning and Click Fate – have been read and performed at Victory Gardens, The Arc, Studio@620 and NoMads Art Collective. Mars was recently featured in the ArciTEXT Festival (Goddess, Forbid) and the Activate: Midwest Festival (1st Imani 22nd Six). Mars' play Party Goin On will be produced in New York later this year. Mars is a graduate of the Theatre School at DePaul and the Juilliard Apprentice Program.

Rinska Carrasco-Prestinary (Director, Bertha Van Ation 3.0) is a Dominican-American who is proud member of SAG-AFTRA, Gray Talent Group, Teatro Vista and Associate Artistic Director of Halcyon Theatre. A Columbia College Directing Grad, she has worked alongside companies such as Chicago Shakespeare, Goodman Theatre, Silk Road Rising, Steep, Stage Left, Red Twist, Northlight and Something Marvelous, among many others both on and off stage. Selected directing credits include: Between Riverside and Crazy (Red Twist) Firefly Love (Something Marvelous) The River Bride (Halcyon) Heat Wave (Steppenwolf Garage), Between Pancho Villa and a Naked Woman (Halcyon). Past selected production credits include: Taming of the Shrew Assistant Director (Barbara Gaines/Chicago Shakes), Romeo and Juliet Directing Intern (Marti Lyons/ Chicago Shakes), Fishmen Assistant Director/ Casting Director (Goodman Theatre/Teatro Vista). Select acting credits include: There’s always the Hudson (Goodman New Stages), In the Time of the Butterflies (Teatro Vista), She Kills Monsters (Steppenwolf Garage). She has also been seen on Chicago P.D, Empire, A.P.B and CHI-IRAQ.

Christina Renee Jones (Playwright, The Puppet Play) is a Chicago performer and writer of silly stories. She is an ensemble member of Birch House, a company that focuses on immersive, theatrical experiences. She also writes, performs and goofs around as a company member with Hobo Junction. Other acting credits include City Lit, Otherworld, Midsommer Flight, A Dead Whale Productions, the side project, Promethean, Akvavit, and other theatres that are now defunct. Her writing has been seen in many different forms around town through the Eccentric Expedition, Junior Varsity, the Crowd, Potluck, and Factory Theatre. christinareneejones.com

Dani Wieder (Director, The Puppet Play) is a director of performance and film in Chicago. Recent credits include People in the Wind (Haven Theatre), In the Canyon by Calamity West (dramaturg, Jackalope Theatre), La Ronde (American Theatre Company, CORE), Josephine the Mouse Singer by Franz Kafka (Curious Theatre Branch, Rhinofest), and Miss Julie (University of Chicago). She has assistant directed and dramaturged plays across Chicago at theaters such as at The Goodman Theatre, American Theater Company, Steep Theatre Company, and Court Theatre. Dani is also the Literary Manager of Haven Theatre Chicago. She is a graduate of the University of Chicago. Up next, Dani will be the Associate Director for The Fly Honey Show 10, and her film Cool for Five Seconds will be appearing at festivals around the country. www.daniwieder.com

Patriac Coakley (Playwright, Letts Write a Play) is an ensemble member with The New Colony. He is grateful to be a part of the work. Past works with TNC include Small World, The Bearsuit of Happiness, Frat and That Sordid Little Story. He performs sketch with OPIE and improv with losdosdudes.

Megan Johns (Director, Letts Write a Play) is an improviser, teacher, writer and director who has been living in Chicago for the last 15 years. She is originally from Virginia, where the mountains are blue. In Chicago, Meg has taught improv at The Annoyance for 11 years and instructed collaborative theatre at both The University of Chicago and After School Matters. At The Annoyance, Meg has been in Love is Dead: A Necromantic Musical Comedy, Burlesque is More, and hosted a weekly variety show featuring LGBTQIA and female-identifying performers. She has collaborated with and directed sketch duo OPIE for the last four years and most recently took OPIE: Vol. 2 to The 2018 New York International Fringe Festival. Meg is a proud ensemble member of The New Colony, and there has directed, performed and created devised theatre for the last 10 years, including directing 11:11 and co-writing ReWilding Genius with Andrew Hobgood.

Evan Linder (Playwright, Jo & Liv) is an ensemble member and the founding Co-Artistic Director of The New Colony. He works in Chicago as a playwright, actor and director. He also teaches playwriting at the University of Chicago. Evan is a proud graduate of the College of Charleston, which presented him the Alumnus of the Year award in 2016. His plays include Byhalia Mississippi, 11:11, The Warriors, The Bear Suit of Happiness, B-Side Studio, The Hunted, Jo & Liv and 5 Lesbians Eating a Quiche, which was named Best Overall Production at the 2012 NYC International Fringe Festival and is published by Samuel French. 5 Lesbians also enjoyed an Off-Broadway run as part of the Soho Playhouse’s 2012-13 season and has seen productions in over 35 States, Canada, Australia, Denmark, Spain, South Africa, Great Britain and Japan. Byhalia, Mississippi (2016 Jeff Award: Best New Work) opens in Washington, D.C. in June 2019 as part of the Kennedy Center’s 2018-19 Season. At The New Colony, Evan continues to teach the Writers Room, an education program he created in 2015 that has now welcomed over 100 emerging Chicago playwrights. evanlinder.com

Zach Weinberg (Director, Jo & Liv) is a Chicago-based theater director, adaptor and administrator. He is interested in the creation of new, non-traditional works and finding the perfect medium for the message. Zach is a company member and Grants Manager at Red Tape Theatre, and a graduate of Oberlin College. Selected directing credits include serving as a Directing Apprentice with the late Redmoon Theatre, the 2016 Director’s Haven at Haven Theatre, two seasons with the Oberlin Summer Theatre Festival, two original adaptations at Curious Theatre Branch’s Rhinofest: Love in a Maze (’17) and MAY DAY (’18), and the world premiere of 2 unfortunate 2 travel, an original semi-devised work, as part of the Prop Thtr’s 2018-19 season. His credits as an assistant director include The New Colony, Organic Theatre Company, Oracle Productions, the Actors' Gymnasium, and Redmoon.



About The New Colony
The New Colony develops New Art and New Artists in order to educate and build New Audiences.

Now in its tenth year, The New Colony has established itself as “one of Chicago’s essential off-Loop companies” (Chicago Tribune). Through the premiere of over thirty premiere plays and musicals, The New Colony has cultivated a diverse audience of theatergoers eager to have a voice in the storytelling. Conversation, collaboration and innovation remain at the heart of everything they produce. The New Colony’s work has been honored with five non-Equity Jeff Awards, Broadway In Chicago’s 2011 Emerging Theatre Award and Best Overall Production at the 2012 New York International Fringe Festival. The New Colony’s 2018/19 Season marks their fourth year as a resident company in the Upstairs Mainstage of The Den Theatre in Wicker Park.

Sunday, October 29, 2017

FEST ALERT: The Music Box Theatre's Debut Year of CINEPOCALYPSE Launches Nov 2nd-9th, 2017

Chi, IL Films On Our Radar:
CHICAGO-BASED 
CINEPOCALYPSE 
ANNOUNCES FULL PROGRAMMING, GUESTS, JURIES


November 2 - 9 at Chicago’s Music Box Theatre

Debut year of genre festival to award director Larry Cohen and actor Antonio Fargas,
 opens with SWEET VIRGINIA, closes with BEYOND SKYLINE!


The Music Box Theatre is proud to announce their full wave of programming and guests for the debut year of CINEPOCALYPSE (an evolution to the program design of Bruce Campbell's Horror Film Festival), which will take place November 2 - 9 at Chicago’s Music Box Theatre. The Midwest’s largest gathering of genre films and fans, the festival’s organizers are proud to announce dozens of new features, shorts, and premieres, alongside their juries, repertory, and secret screenings.

This year’s Cinepocalypse, November 2-9, will features scary-good world, U.S., and regional premieres, repertory screenings, special guests, parties, and much more. For more information, visit www.musicboxtheatre.com. 

To purchase early bird badges, please visit  https://www.musicboxtheatre.com/events/cinepocalypse.

Of the over 60 films selected, highlights include the World Premiere of PRIMAL RAGE; North American Premieres of RENDEL, SNOWFLAKE, and THE TERROR OF HALLOW’S EVE; and U.S. Premieres of BEYOND SKYLINE, LOWLIFE, DOWNRANGE, and MOTORRAD! Among the guests at this year’s festival are writer/director Larry Cohen, filmmaker Joe Carnahan, actor Antonio Fargas, actor Eric Roberts, screenwriter/guest host Simon Barrett, actress Barbara Crampton, and Suspiria star Jessica Harper - with many more to be announced!

Says Cinepocalypse founder Josh Goldbloom, “This lineup represents the most twisted, hilarious, intelligent, horrifying, and no holds barred badass cinema on this planet. It’s a pummeling collection of international genre films from the world’s most creative and audacious artists. It was a pleasure for us to curate and discover these films and we’re thrilled to unleash it all in a fury of festivities unlike Chicago has ever seen!”

Cinepocalypse is made possible by sponsors IFC Midnight, Bloody Disgusting, and The Onion’s A.V. Club.


A LIFETIME ACHIEVEMENT AWARD FOR DIRECTOR LARRY COHEN

Larry Cohen is the sort of filmmaker who creates movie geeks. Upon discovering discover Black Caesar, It’s Alive, Q: The Winged Serpent, or The Stuff, you’re immediately tempted to see all of the director’s other movies. Between his directorial work and his (non-stop) screenplays, it’s safe to say you’ve seen and loved a few Larry Cohen movies without even knowing it. And this year, he’s here to hang out with the audience at Cinepocalypse and watch some movies!

THE AMBULANCE
with director Larry Cohen and star Eric Roberts in attendance!

Eric Roberts, James Earl Jones, and Janine Turner star in this typically colorful high concept thriller (with humor) from Larry Cohen, one of the most reliably entertaining indie filmmakers over the past 40 years. While not be as well-known as Cohen’s more regularly-screened classics, this smoothly entertaining flick about a mysterious ambulance that keeps snatching up all the women in Roberts’ life has to be seen to be believed.

KING COHEN: THE WILD WORLD OF FILMMAKER LARRY COHEN - Midwest Premiere
with subject Larry Cohen in attendance!
USA, 2017
Dir: Steve Mitchell

Indie film legend Larry Cohen has directed cult classics like Black Caesar, It’s Alive, Q the Winged Serpent, and The Stuff. Hollywood screenwriter Larry Cohen delivered enjoyable high concept matinees like Best Seller, Phone Booth, and Cellular - and that’s just the tip of the iceberg. Fans and newcomers alike will savor every minute of this exhaustive documentary, covering virtually every piece of Mr. Cohen’s wildly impressive career.

A LIFETIME ACHIEVEMENT AWARD FOR ANTONIO FARGAS

Shaft. Across 110th Street. Cleopatra Jones. Foxy Brown. Starsky and Hutch. I’m Gonna Git You Sucka! These are just a few of the exploitation classics that have been enlivened by the presence of character actor extraordinaire Antonio Fargas, whose body of work stretches from the late 1960s to our closing night film, BEYOND SKYLINE. Join us in celebrating this beloved veteran performer, as we highlight his eclectic and extensive body of work.

FOXY BROWN
with co-star Antonio Fargas in attendance!
USA, 1974
Dir: Jack Hill

Cult legend, blaxploitation goddess, and overall badass Pam Grier stars as a young woman out for revenge after her boyfriend is murdered by a cabal of drug-dealing, sex-trafficking scumbags. It gets gruesome and unpleasant on occasion, but Ms. Grier always brings steely class to even the campiest of moments. Cinepocalypse honoree Antonio Fargas does some fine work as our anti-heroine’s conflicted - and untrustworthy - brother.

I’M GONNA GIT YOU SUCKA
with co-star Antonio Fargas in attendance!
USA, 1988
Dir: Keenan Ivory Wayans
Fans of Shaft, Black Caesar, SuperFly, and Cleopatra Jones, have likely grown up with this Airplane!-style parody, but even newbies to the wonderful world of blaxploitation cinema will find much to love in Keenan Ivory Wayans’ affectionate, on-point lampoon of ‘70s street crime cinema.

THE A.V. CLUB PRESENTS: BEYOND THE ROOM - GET EVEN
Tommy Wiseau and The Room have given audiences countless hours of joy over the years, but for the inaugural Cinepocalypse, The A.V. Club is opening the door and taking you “Beyond The Room” with a special presentation of Get Even. By day, John De Hart is a trial lawyer in Los Angeles. By night, he’s the writer, director, producer, composer, and star of this DIY action-romance opus.
Shot mostly in 1993 and completed in 2007, Get Even features Satanic cults, corrupt cops, hot tubs, Shakespearean monologues, Wings Hauser laying down his personal philosophy while standing fully clothed in a swimming pool, and the life-changing magic of the “Shimmy Slide,” as performed by De Hart himself. Get Even has never received mainstream distribution and is only available from the director himself, so don’t miss your chance to see this cult-classic-in-the-making that will have you asking, “Who’s Hamlet? Who gives a shit?”

THE SECRET SCREENING!
It’s top secret, so there’s nothing we can say other than: trust us, be here, or you’ll sincerely regret it!
And don’t believe any of the rumors; this one is staying completely under wraps until the title pops up on the screen!

40TH ANNIVERSARY CELEBRATION OF SUSPIRIA WITH STAR JESSICA HARPER IN ATTENDANCE!
Experience the ultimate in horror with the uncut, 98-minute version on a newly-discovered, Italian-dubbed 35mm print! Dario Argento’s classic tale of murder and paranoia inside a creepy dance academy is celebrating its 40th anniversary, and oldschool Eurohorror fans will not want to miss this special screening. Special thanks to The Chicago Cinema Society for use of their print.


BLOOD. GUTS. BULLETS. OCTANE. - Presented by Joe Carnahan

Cinepocalypse is proud to partner with Joe Carnahan to present a special screening of the legendary writer/director’s 1997 debut, accompanied by a fearsome foursome of classic cinematic thrills, all carefully curated and lovingly hosted by the man himself!

BLOOD, GUTS, BULLETS & OCTANE - Extremely rare 35mm Screening
with writer/director Joe Carnahan in attendance!
USA, 1997
Dir: Joe Carnahan

Inspired by the independent bravery of El Mariachi, (the directorial debut of Robert Rodriguez shot for only $7000), Carnahan paved his way as Hollywood’s most badass action filmmaker with this stunning first offering, also shot for an unbelievable seven grand! Following the screening, join writer/director Joe Carnahan as he discusses the trials and tribulations of low-budget filmmaking.

NEAR DARK - 30th Anniversary 35mm Screening
Curated and Introduced by Filmmaker Joe Carnahan!
USA, 1987
Dir: Kathryn Bigelow
Kathryn Bigelow’s masterful vampire ensemble may have not made much noise upon its theatrical release in 1987 but has gone up to become a true-blue genre classic in recent years. Aliens co-stars Lance Henriksen, Jenette Goldstein, and the late, great Bill Paxton star as a vampire clan who have their undead hearts set on terrorizing a small Texas town. [BLOOD]

HARD TIMES - Brand New 4K Restoration Premiere
Curated and introduced by Filmmaker Joe Carnahan!
USA, 1975
Dir: Walter Hill
Walter Hill director Charles Bronson and James Coburn, who gamble, booze, and box their way through New Orleans during the Great Depression. Recently restored to pristine 4K status, we guarantee you’ve never seen this one on the big screen! [GUTS]

BULLET IN THE HEAD – Rare 35mm Screening
Curated and Introduced by Filmmaker Joe Carnahan!
Hong Kong, 1990
Dir: John Woo
John Woo’s epic tale of three troubled friends who rise up from minor street toughs to fugitives and smugglers before being thrown into the Vietnam War is easily one of the most kinetic and exciting wartime action flicks ever put to film. Actual heart, humanity, and character elevate this action-packed bullet-fest far above all others of its ilk. [BULLETS]

MAXIMUM OVERDRIVE – Rare 35mm Screening
Curated and Introduced by Filmmaker Joe Carnahan!
USA, 1986                                         
Dir: Stephen Fucking King!
Buffeted by a phenomenal soundtrack by AC/DC, Stephen King’s first - and last - directorial effort is a goofy, grungy, gory tale of homicidal machines, ill-fated humans, and the greasy truck stop diner where vehicular homicide is the special of the day. [OCTANE]


OPENING NIGHT & CENTERPIECE INFO COMING SOON

SWEET VIRGINIA - Opening Night Film
Midwest Premiere
USA, 2017
Director: Jamie M. Dagg
Talent in attendance!

A former rodeo champ with a dark past unknowingly starts a rapport with a young man who has a propensity for disturbing sociopathic violence that has suddenly gripped a small town. Jon Bernthal (Netflix’s The Punisher), Christopher Abbott (It Comes at Night), Rosemarie DeWitt (Mad Men), and Imogen Poots (Green Room) star in this twisted, moody, modern day neo-noir masterpiece.

BEYOND SKYLINE - Closing Night Film
U.S. Premiere
USA, 2017
Dir: Liam O’Donnell
Talent in attendance!

The stars of The Purge: Anarchy (Frank Grillo) and The Raid: Redemption (Iko Uwais) team up to battle the alien apocalypse in this pulpy, colorful, and wildly over-the-top action/sci-fi/horror mash-up that has to be seen to be believed. The sequel to 2010’s Skyline, this mind-bending lunacy somehow manages to be even more insane (way more insane) than its infamous predecessor!


ADDITIONAL SECOND WAVE FEATURES INCLUDE:

PRIMAL RAGE (World Premiere)
USA, 2017
Dir: Patrick Magee
Talent in attendance!
You may have seen a few Bigfoot-related horror films over the years, but it’s safe to say you’ve never seen a Sasquatch rampage like this. Primal Rage is a tale of a young couple, a bunch of hunters, a witch, and some Native American cops who butt heads with a wildly violent forest monster, causing all Hell to break loose! From practical special effects guru Patrick Magee (Spider-Man, Jurassic Park III), this may be the goriest film you’ll see all year!

SNOWFLAKE (North American Premiere)
Germany, 2017
Dirs: Adolfo Kolmerer and William James
Talent in attendance!
Take a dash of Tarantino, a splash of Coen brothers, a metric ton of meta-textual self-awareness, and a fast-paced series of humorously violent misadventures, and you’re halfway to grasping the magnificent madness of this bizarre German import. A gang of lowlife characters all want revenge on the others, but along the way they must contend with assassins, madmen, a blood-covered angel, and an electricity-powered superhero.

THE TERROR OF HALLOW’S EVE (North American Premiere)
USA, 2017
Dir: Todd Tucker
Talent in attendance!
Timmy Stevens is socially awkward kid, obsessed with horror movies and frequently bullied. But Timmy’s about to get his revenge in full-bore fashion when he unwittingly unleashes an evil creature known as The Trickster on Halloween Night. Genre veteran Doug Jones (Pan’s Labyrinth, Hellboy) provides an amazing creature performance, but the real stars here are the wide array of surprisingly effective creature FX and affection for old-school ‘80s mayhem.

DOWNRANGE (U.S. Premiere)
USA, 2017
Dir: Ryuhei Kitamura
Talent in attendance!
A merciless sniper takes aim at a car full of college kids, disabling their vehicle on a lonely country road and methodically picking them off, one by one. This latest, nail-biting offering from genre veteran Ryuhei Kitamura (The Midnight Meat Train, Versus) contains the filmmaker’s trademark creeping tension, sudden violence, and extreme nihilism. In other words, things get pretty dark.

MOTORRAD (U.S. Premiere)
Brazil, 2017
Dir: Vicente Amorim
Talent in attendance!
A slasher by way of George Miller’s MAD MAX meets Wes Craven’s THE HILLS HAVE EYES, this violence-fueled adrenaline ride will leave you absolutely breathless. In this visually stunning Brazilian import, a gang of dirt-bikers on a ride across an isolated region, find themselves being hunted by a machete-wielding band of motorcyclists intent on killing them all. Based on characters created by Marvel comic book author Danilo Beyruth, this atmospheric and suspenseful genre film also functions as an allegory to our battles within. It’s as smart as it is downright frightening, and we’re damn excited to unleash this beast into the U.S. for the very first time!

APPLECART - All-New Cut (Midwest Premiere)
USA, 2017
Dir: Brad Baruh
Talent in attendance!
A gaggle of powerhouse horror veterans - including Barbara Crampton (Re-Animator), Brea Grant (Beyond the Gates), AJ Bowen (The Signal), Daniel Roebuck (At the Devil’s Door), and Chase Williamson (John Dies at the End) get together for what seems like a fairly standard “cabin in the woods” tale and then it gets weird… and weirder… and super gory. Let’s just leave it at that.

CHARISMATA (Midwest Premiere)
UK – 2017
Dir: Tor Mian, Andy Collier
Talent in attendance!
A rookie female detective, struggling to find acceptance in a police department defined by a culture of bullying and intolerance, watches as things go from bad to worse as her chief suspect in a series of brutal ritualistic murders takes a personal interest in her. A game of cat and mouse degrades the detective’s grasp on reality and, as she spirals out of control, this young woman must suddenly fight for her sanity, life… and maybe even her soul.

THE CRESCENT (Midwest Premiere)
Canada, 2017
Dir: Seth A. Smith
A young widow and her two-year-old son take shelter in a massive, creepy seaside house after the sudden death of her husband. But rather than follow the tropes of standard jump-scare storytelling, The Crescent places a unique focus its child star, some truly impressive visual touches, and a consistently ominous sound design. This creepy Canadian import, which premiered in TIFF’s Midnight Madness program, is guaranteed to get under your skin.

GET MY GUN (Midwest Premiere)
USA, 2017
Director: Brian Darwas
Talent in attendance!
This wonderfully executed homage to beloved and controversial exploitation classics of the past (namely Abel Ferrera’s Ms. 45 and Meir Zarchi’s I Spit on Your Grave) proves itself to not just as an imitator, but in a league of its own. After a horrible attack leaves Amanda pregnant and out of a job, she finds herself on the verge of motherhood and the target of a psychotic stalker who will stop at nothing to get her hands on the unborn child.

THE LODGERS (Midwest Premiere)
Ireland, 2017
Dir: Brian O’Malley
There’s been a great flood of Irish horror films over the past several years, and their latest offering is just another example of how to combine classy scares and intermittent nastiness into one good thriller. Director Brian O’Malley (Let Us Prey) brings us the tale of two young twins in the 1920s, the strange rules that govern their existence, and what happens when a handsome newcomer threatens to upset their order of things.

PSYCHOPATHS (Midwest Premiere)
USA, 2017
Dir: Mickey Keating
Prolific indie genre machine Mickey Keating (Pod, Darling, Carnage Park) returns with a tale of psychos run amok… Yes, multiple disparate psychos. The execution of an infamous serial killer somehow inspires a half-dozen maniacs to lose their collective minds and commit all sorts of nasty acts, but this is not your standard body count movie. Loaded with odd digressions, fractured narratives, and some enjoyably abstract weirdness, this is may be Keating’s strangest, creepiest movie yet.

SEQUENCE BREAK (Midwest Premiere)
USA, 2017
Dir: Graham Skipper
To call this freaky dark romance a love letter to David Cronenberg’s classic Videodrome would be an understatement, but at least writer/director Graham Skipper has awfully good taste in influences. Sequence Break is a story of a lonely guy, a sweet girl, a deserted arcade, and a video game with insidiously biological tendencies - all of which become intertwined in a perverse, melancholic string of events that will leave all of them forever changed.

Previously Announced Films:

RENDEL (North American Premiere)
Finland, 2017
Director: Jesse Haaja

Finland’s first superhero film, Rendel is dystopian action/fantasy unlike anything ever witnessed Stateside. When a massive criminal organization takes over his town, a masked vigilante strikes back through a series of brutal attacks that leave blood spilled and cash ablaze. A dark adventure that harkens to the finest in 80s era comics, Rendel is the anti-Marvel crusader: an all-too-human superhero from the streets, driven solely by rage and revenge!

ATTACK OF THE ADULT BABIES (North American Premeire)
UK, 2017
Director: Dominic Brunt
High-powered middle-aged men intend to refuel the world’s economy by very sinister, sick and monstrous means.
"$1 of each ticket sale will be donated to the ACLU to assist in continuing their support of defending us from further adult baby attacks".

LOWLIFE (U.S. Premiere)
USA, 2017
Director: Ryan Prows
The sordid lives of an addict, ex-con, and a luchador collide when an organ harvesting caper goes very, very wrong

POOR AGNES (U.S. Premiere)
Canada, 2017
Director: Navin Ramaswaran
A female serial killer and her next victim form an unexpected relationship.

ANIMALS (TIERE) (Midwest Premiere)
Germany, 2017
Director: Greg Zglinski
A vehicle collision with a sheep on a country road initiates a whole series of weird an unsettling experiences for a couple in this darkly comical Lynchian nightmare.

BEFORE WE VANISH (Midwest Premiere)
Japan, 2017
Director: Kiyoshi Kurosawa
Three aliens travel to Earth in preparation for a mass invasion, taking possession of human bodies.

DEAD SHACK (Midwest Premiere)
Canada, 2017
Director: Peter Ricq
While staying at a run down cabin in the woods, three children must save their parents from the neighbor who intends to feed them to her un-dead family.

HAGAZUSSA - A HEATHEN’S CURSE (Midwest Premiere)
Germany, 2017
Director: Lukas Feigelfeld
Set in the Austrian Alps during the middle ages, this morbid and visually stunning tale deals with the fine line between ancient beliefs in magic and delusional psychosis

HOUSEWIFE (Midwest Premiere)
Turkey, 2017
Director: Can Evrenol
On a snowy eve a young girl’s sister and father are killed by her mother. 20 years later and slowly losing her grip on reality, she runs into a celebrity psychic who claims he is destined to help her. And then things get ultra weird. From the director of Baskin.

JAILBREAK (Midwest Premiere)
Cambodia, 2017
Director: Jimmy Henderson
An entire prison riots and they all get their ass-kicked by a special task force sent in to protect a key witness.

MOHAWK (Midwest Premiere)
USA, 2017
Director: Ted Geoghegan
Late in the war of 1812, a young Mohawk woman and her two lovers battle a squad of American soldiers hell-bent on revenge. From the director of We Are Still Here.

TRENCH 11 (Midwest Premiere)
Canada, 2017
Director: Leo Scherman
In the final days of WWI a shell-shocked soldier must lead a mission deep beneath the trenches to stop a German plot that could turn the tide of the war. But what lies beneath is way more dark & sinister than they ever could have imagined.

VERONICA (Midwest Premiere)
Spain, 2017
Director: Paco Plaza
After making a Ouija with friends, a teenager is besieged by dangerous supernatural presences that threaten to harm her whole family. From the director of the REC franchise.

TRAGEDY GIRLS (Illinois Premiere)
USA, 2017
Director: Tyler MacIntyre
This twist on the slasher genre follows two death-obsessed teenage girls who use their online show about real-life tragedies to send their small mid-western town into a frenzy and cement their legacy as modern horror legends.


CINEPOCALYPSE 2017 JURY MEMBERS

Cinepocalypse 2017’s Feature Film Jury is comprised of actress/producer Barbara Crampton (Re-Animator, From Beyond, We Are Still Here), critic and Chicago Film Critics Festival producer Erik Childress, and critic/author Mark Millar (Pirouette/Jungle Book).

The festival’s Short Film Jury is made up of writer/director Gary Sherman (Raw Meat, Dead & Buried)
Lisa Holmes (Director of Sales, Home Entertainment at Music Box Films and Doppelganger Releasing), and actor/producer/editor Shane Simmons.


SHORTS FILMS - LADIES FIRST!

Once Cinepocalypse whittled down its hundreds of short film submissions into a small pile of favorites, the realization was made that a startling amount of them were directed by women. So why not, the programmers decided, showcase all of ‘em in one wildly eclectic block?! These shorts cover a wide array of subjects, from small-town psychos to otherworldly mysteries, and all sorts of insanity in between. Cinepocalypse is donating 50% of all proceeds from this screening to The Planned Parenthood Federation of America.

These year’s short films are:


Beautiful Injuries
Dir: Judith Beauvallet

Blood Shed
Dir: James Moran

Brown Wreck-Loose
Dir: Tristian Montgomery

Broadside
Dir: Laura Nitz

Buzzcut
Dir: Jon Rhoads

The Dollmaker
Dir: Al Lougher

Don’t Ever Change
Dir: Don Swaynos

Feeding Time
Dir: Matt Mercer

Flow
Dir: Shelagh Rowan-Legg

For a Good Time Call
Dir: Izzy Lee

Imbroglio
Dir: Christopher Zatta
Incendo
Dir: Slater Dixon

Latch
Dir: Justin Harding

Over Easy
Dir: Laura Nitz

Pendulum
Dir: Lauren Cooney

Remote Viewing
Dir: Robert Puccinelli

Third Wheel
Dir: Danny DelPurgatori

Roohangiz
Dir: Elmira Bagherzadah

Sleazy Pete
Dir: Frank Appache



We Summed a Demon
Dir: Chris McInroy

What Metal Girls Are Into
Dir: Laurel Vail

Your Date Is Here
Dir: Todd Spence

Eric Roberts Is The Fucking Man!

With over 476 acting credits (and growing by the day). Oscar nominated thespian and just all around badass Eric Roberts (!!!) takes part in a very special live recording of Doug Tilley & Liam O’Donnell’s acclaimed film podcast ERIC ROBERTS IS THE FUCKING MAN. Though there are dozens of episodes that have been produced without the man Eric Roberts involved, Cinepocalypse is proud to introduce the parties to each other for the first time ever!

We promise this will be one of the most epic events of the festival!

The Cinepocalypse Midnight Movie Challenge
The production team at Boulderlight Pictures consists of 23-year-old JD Lifshitz and 24-year-old Raphael Margules. Alongside both Contracted films, they also produced Bad Match, which received its premiere at FrightFest; the upcoming Dismissed (starring Dylan Krause); and numerous other genre titles.

With their youthful exuberance and heavy output, we've issued them a challenge: produce a genre feature exclusively for Cinepocalypse 2017. There are no parameters other than it must be a feature-length midnight movie, and that they must begin production immediately upon release of this announcement.

Together, attendees of Cinepocalypse will all experience the World Premiere of this yet-untitled (and unwritten… and unfilmed) production during a special midnight slot in this year’s inaugural festival!

Josh Goldbloom, Founder and Artistic Director of The Awesome Fest and what had been known as Bruce Campbell’s Horror Film Festival, and Ryan Oestreich, General Manager of The Music Box Theatre, aim to make this year bigger, better, and scarier than any in the festival’s history. Since 2014, the festival has terrorized audiences with an annual slate of premiere films, guests, and bloodcurdling entertainment. Leaving a trail of apocalyptic annihilation in the suburbs, as Cinepocalypse, the festival sheds its suburban skin, forms an epic alliance with the city’s historic Music Box Theatre and reemerges as a brand new horror behemoth for Chicago.

The Music Box Theatre stands as one of the nation’s most prestigious art house theatres, and has recently made a concerted effort to diversify programming and bolster local audiences. Located on the city’s Northside at 3733 North Southport Ave, The Music Box's year-round programming has consistently offered genre fans some of the very finest cinematic experiences in digital, 35mm, and 70mm formats.

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