Pages

Showing posts with label Rohina Malik. Show all posts
Showing posts with label Rohina Malik. Show all posts

Wednesday, October 18, 2017

YASMINA’S NECKLACE at The Goodman Theatre Through November 19th

Chi, IL LIVE Shows On Our Radar:


 LOVE BLOSSOMS AND CULTURES COLLIDE IN 
YASMINA’S NECKLACE, 
ROHINA MALIK’S MODERN AMERICAN LOVE STORY, 
DIRECTED BY ANN FILMER, 
OCTOBER 20 – NOVEMBER 19



***IRAQI ART BY AHMAD ABDULRAZZAQ FEATURED ON THE SET—AND DISPLAYED IN THE LOBBY AVAILABLE FOR SALE, IN CONJUNCTION WITH THE PRODUCTION***

It was my great pleasure to catch Rohina’s one-woman show, Unveiled, years ago. She's a articulate story teller who opens eyes and changes opinions with her wise words and personal experiences. She has the intelligence, insight and bravery to fill a void of Muslim female voices we don't hear enough from. I'm quite moved by her works and words and can't wait to see Yasmina's Necklace. We'll be out to review the 2nd week of November. 

Chicago-based playwright Rohina Malik and director Ann Filmer reunite for the “downtown debut” of Yasmina’s Necklace at Goodman Theatre, beginning October 20 in the Owen Theatre. Malik’s “unique American love story, hilarious yet deeply moving, profound and beautiful” (OakPark.com) explores two disparate Muslim families coming together as their children embark on a romantic relationship. The play, which premiered under Filmer’s direction at 16th Street Theater last year, has been further developed for the Goodman production—and the production’s set features six paintings by Ahmad Abdulrazzaq, an Iraqi refugee living in Chicago, who received his diploma at the Institute of Fine Arts of Baghdad. Additional works by Abdulrazzaq will be displayed in the lobby and available for purchase (while pieces last)—along with selections from Oregon-based photographer Jim Lommasson’s exhibit, "What We Carried: Fragments from the Cradle of Civilization" about Iraqi and Syrian refugees who have fled to the U.S. 

Yasmina’s Necklace appears October 20 – November 19 in the Goodman’s 350-seat flexible Owen Theatre. Tickets ($10-$40, subject to change) are available by phone at 312.443.4800, online at GoodmanTheatre.org/Necklace or at the box office (170 N. Dearborn). 

“I first encountered Rohina’s work with her one-woman show, Unveiled, in which she portrayed five Muslim women discussing their choice to cover their heads—and the resulting discrimination they encountered, especially after 9/11. The play demonstrated Rohina’s remarkable ability to challenge stereotypes surrounding the Muslim community with grace and humor,” said Artistic Director Robert Falls. “Likewise, Yasmina’s Necklace shows us individuals wrestling with their life circumstances—as we all do, regardless of our cultural backgrounds—while providing a glimpse into a cultural milieu that may be unfamiliar to many. I am delighted to welcome back Rohina and director Ann Filmer—two artists we are proud to have previously worked with as a Playwrights Unit member and Michael Maggio Directing Fellow, respectively—to share their wonderful production with Goodman audiences.”

As previously announced, Susaan Jamshidi leads the nine-member cast as Yasmina—a young Iraqi artist who has hardened herself against the possibility of finding happiness after fleeing to Chicago from her war-torn homeland. But when she meets Sam (Michael Perez ), a man with his own emotional setbacks, what had seemed unthinkable becomes tantalizingly real. Joining Jamshidi and Perez are Salar Ardebili (Man), Rom Barkhordar (Musa), Laura Crotte (Sara), Allen Gilmore (Imam Kareem), Martin Hanna (Amir), Amro Salama (Ali) and Frank Sawa (Officer)—Ardebili, Crotte, Jamshidi, Perez and Salama return to the production from the world premiere at 16th Street Theater. The creative team includes Joe Schermoly (Set) Rachel M. Sypniewski (Costumes), Cat Wilson (Lights) and Barry Bennett (Sound). Winston & Strawn is the Contributing Sponsor for Yasmina’s Necklace.

“I’m concerned about the portrayal of Muslims in the media. Often with television shows and films, roles that are written about Muslims are often written by people who are not Muslim, and they fall into problematic stereotypes. Rarely do we see Muslims as ‘normal’ human beings, and that’s so dangerous,” said Playwright Rohina Malik, whose production, The Mecca Tales, will make its New York debut later this month at the Sheen Center. “I wrote Yasmina's Necklace to not only challenge negative stereotypes, but to be the hammer to smash them. I'm thrilled to return to the Goodman and reunite with my longtime collaborator and friend, Ann, to share this timely play.”

TICKETS, DISCOUNTS AND SPECIAL EVENTS

Tickets ($10-$40) – GoodmanTheatre.org/Necklace; 312.443.3800; Fax: 312.443.3825; TTY/TDD: 312.443.3829
Box Office Hours –12noon - 5pm; on performance days, the box office remains open until 30 minutes past curtain
MezzTix – Half-price day-of-performance mezzanine tickets available at 10am online (promo code MEZZTIX) 
$10Tix – Student $10 advance tickets; limit four, with valid student ID (promo code 10TIX)
Group Sales are available for parties 10+; 312.443.3820
Gift Certificates – Available in any amount; GoodmanTheatre.org/GiftCertificates

This season, the Goodman introduces a new way to experience Chicago’s world-class theater: MEMBERSHIP. Audiences choose from three levels to suit their preferences, including Classic 7-play, 5-play or 3-play packages; Choice, a personalized package that can include both Owen and Albert productions; and Whenever—the ultimate flexible package, to be used at any time during the season (not valid for A Christmas Carol). All Goodman members receive unlimited ticket exchanges, discounted parking, 15% savings at the Goodman bar and gift shop, restaurant discounts and more. To purchase a Membership visit GoodmanTheatre.org/Memberships or call the Box Office at 312.443.3800. 

COLLEGE NIGHT – October 26 | 6pm meet-the-artists pizza party, 7:30pm performance
Tickets are $10 using code COLLEGE; includes dinner and performance. Students enjoy a pre-show reception with fellow theater-lovers and cast members, followed by a performance. GoodmanTheatre.org/CollegeNight

ARTIST ENCOUNTER – October 29 at 5pm | Goodman Theatre
Tickets are $10 for general public; free for Goodman Members, Donors and students. Join the playwright and director for an in-depth conversation about the play, moderated by Chicago Sun-Times Urban Affairs Reporter and Assistant City Editor Maudlyne Ihejirika.

ACCESSIBILITY AT THE GOODMAN

Touch Tour, November 12 at 12:30pm – A presentation detailing the set, costume and character elements
Audio Described Performance, November 12 at 2pm – The action/text is audibly enhanced for patrons via headset
ASL Interpreted Performance, November 18 at 2pm– Professional ASL interpreter signs the action/text as played
Open Captioned Performance, November 19 at 2pm – An LED sign presents dialogue in sync with the performance
Visit Goodman Theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

About Goodman Theatre

America’s “Best Regional Theatre” (Time magazine) and “Chicago’s flagship resident stage” ( Chicago Tribune), Goodman Theatre is a not-for-profit organization distinguished by the quality and scope of its artistic programming and civic engagement. Founded in 1925, the Goodman is led by Robert Falls—“Chicago’s most essential director” (Chicago Tribune), who marks 30 years as Artistic Director this season—and Executive Director Roche Schulfer, who is celebrated for his vision and leadership over nearly four decades. Dedicated to new plays, reimagined classics and large-scale musical theater works, Goodman Theatre artists and productions have earned hundreds of awards for artistic excellence, including: two Pulitzer Prizes, 22 Tony Awards, nearly 160 Jeff Awards and more. Over the past three decades, audiences have experienced more than 150 world or American premieres, 30 major musical productions, as well as nationally and internationally celebrated productions of classic works (including Falls’ productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy). In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” For nearly four decades, the annual holiday tradition of A Christmas Carol has created a new generation of theatergoers.

The 2016 opening of the Alice Rapoport Center for Education and Engagement (“the Alice”) launched the next phase in the Goodman’s decades-long commitment as an arts and community organization dedicated to educating Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000./Users/zbluesun/Library/Mobile Documents/com~apple~TextEdit/Documents/Edits.txt

Today, Goodman Theatre leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan E. Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals.

Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.

Monday, September 11, 2017

OPENING: IVO VAN HOVE’S TONY-WINNING TRIUMPH A VIEW FROM THE BRIDGE OPENS THE GOODMAN'S 2017/18 SEASON

Chi, IL LIVE Shows On Our Radar:

GOODMAN OPENS 2017/18 SEASON WITH 
THE CHICAGO DEBUT OF
A VIEW FROM THE BRIDGE, 

AND YASMINA’S NECKLACE 
BY ROHINA MALIK, 
DIRECTED BY ANN FILMER


***NEW “GOODMAN MEMBERSHIP” OPPORTUNITIES ARE NOW AVAILABLE FOR THE 2017/2018 SEASON***

Here at ChiIL Live Shows, we're looking forward to the 2017/18 season at Chicago's iconic, award winning GoodmanTheatre. They've long been favorites of ours for world class productions. We'll be out first for the press opening of Arthur Miller’s classic A View from the Bridge on September 18th. Check back soon for our full review.

Goodman Theatre announces the casting and creative teams for its 2017/2018 Albert and Owen Theatre season openers. The season kicks-off September 9 with internationally acclaimed Belgian director Ivo van Hove’s “magnetic, electrifying, astonishingly bold” (London Evening Standard) revival of Arthur Miller’s classic A View from the Bridge (September 9 – October 15). Yasmina’s Necklace by Rohina Malik, directed by Ann Filmer, is next (October 20 – November 19), which was developed as part of the Goodman’s New Stages Festival and premiered last fall at 16th Street Theater. In addition, the Goodman’s fall season includes the 14th annual New Stages Festival of new plays (September 20 – October 8) and the 40th annual production of A Christmas Carol, starring Larry Yando in his 10th turn as Ebenezer Scrooge (November 18 – December 31); line-up/casting will be announced soon.

This season, the Goodman introduces a new way to experience Chicago’s world-class theater: MEMBERSHIP. Audiences choose from three levels to suit their preferences, including Classic 8-play, 5-play or 3-play packages; Choice, a personalized package that can include both Owen and Albert productions; and Whenever—the ultimate flexible package, to be used at any time during the season. All Goodman members receive unlimited ticket exchanges, discounted parking, 15% savings at the Goodman bar and gift shop, restaurant discounts and more. To purchase a Membership (5-play ticket packages start at $100) or individual tickets to A View from the Bridge ($25 - $95) and A Christmas Carol ($25 - $107, or the ULTIMATE40 package for $140, which includes Premium seating and special benefits), visit GoodmanTheatre.org or call the Box Office at 312.443.3800. Individual tickets for Yasmina’s Necklace go on sale September 8.

ABOUT THE CASTS AND CREATIVE TEAMS

The Young Vic Production of Arthur Miller’s
A View from the Bridge                                                                               Directed by Ivo Van Hove | September 9 – October 15 
in the Albert Theatre

Visionary Belgian director Ivo van Hove injects a raw, pulsating energy into Arthur Miller’s 1955 classic—recipient of 2016 Tony Awards for Best Revival of a Play and Best Director. Direct from sold-out runs on Broadway and London’s West End comes Ivo van Hove’s revival of Arthur Miller’s famed drama. Brooklyn longshoreman Eddie Carbone welcomes his immigrant cousins to America. But when one of them falls for Eddie’s young niece, Catherine, Eddie’s jealous mistrust exposes an unspeakable secret—one that drives him to commit the ultimate betrayal.

Daniel Abeles…………..Rodolpho
Ian Bedford……………..Eddie Carbone
Catherine Combs. .….....Catherine
Ronald Connor…………Louis
Brandon Espinoza……..Marco
James D. Farruggio. ......Officer
Ezra Knight……………..Alfieri
Andrus Nichols . ………..Beatrice
Jan Versweyveld (Set and Lights), An D’Huys (Costumes), Tom Gibbons (Sound). Jeff James is the Associate Director.

Yasmina’s Necklace
By Rohina Malik
Directed by Ann Filmer | October 20 – November 19 
in the Owen Theatre

The refugee experience is illuminated by this “sweet and hopeful story” (Chicago Tribune ) about love and renewal in the face of past devastation—a 2016 Jeff Award nominee for Best New Work. Challenged by his Iraqi roots, Abdul Samee has obscured his Muslim identity in favor of assimilation—he’s changed his name to Sam, and even tells his co-workers that he’s Italian. But his attitudes change when he meets Yasmina, a refugee from his father’s homeland whose own experiences have hardened her to the possibilities of love. As a tentative relationship between the two blossoms into something more, each begins to find hope in the future, buoyed by the power of family, connection and the embracing of their shared culture.

Salar Ardebili….……….Man
Rom Barkhordar……....Musa
Laura Crotte…………...Sara
Allen Gilmore…………..Imam Kareem
Martin Hanna…………..Amir
Susaan Jamshidi……...Yasmina
Michael Perez………….Sam
Amro Salama…………..Ali
Frank Sawa…………….Officer
Joe Schermoly (Set), Rachel Sypniewski (Costumes), Cat Wilson (Lights) and Barry Bennett (Sound).  

About Goodman Theatre
America’s “Best Regional Theatre” (Time magazine) and “Chicago’s flagship resident stage” (Chicago Tribune ), Goodman Theatre is a not-for-profit organization distinguished by the quality and scope of its artistic programming and civic engagement. Founded in 1925, the Goodman is led by Robert Falls—“Chicago’s most essential director” (Chicago Tribune), who marks 30 years as Artistic Director this season—and Executive Director Roche Schulfer, who is celebrated for his vision and leadership over nearly four decades. Dedicated to new plays, reimagined classics and large-scale musical theater works, Goodman Theatre artists and productions have earned hundreds of awards for artistic excellence, including: two Pulitzer Prizes, 22 Tony Awards, nearly 160 Jeff Awards and more. Over the past three decades, audiences have experienced more than 150 world or American premieres, 30 major musical productions, as well as nationally and internationally celebrated productions of classic works (including Falls’ productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy). In addition, the Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” For nearly four decades, the annual holiday tradition of A Christmas Carol has created a new generation of theatergoers. 

The 2016 opening of the Alice Rapoport Center for Education and Engagement (“the Alice”) launched the next phase in the Goodman’s decades-long commitment as an arts and community organization dedicated to educating Chicago youth and promoting lifelong learning. Programs are offered year-round and free of charge. Eighty-five percent of the Goodman’s youth program participants come from underserved communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership includes the distinguished members of the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan E. Clifford is Chair of Goodman Theatre’s Board of Trustees, Cynthia K. Scholl is Women’s Board President and Justin A. Kulovsek is President of the Scenemakers Board for young professionals. 

Visit the Goodman virtually at GoodmanTheatre.org—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre), Facebook and Instagram.


Friday, September 9, 2016

New Ensemble Member and Artistic Affiliates to Join American Blues Theater

American Blues Theater announces
new Ensemble member Darren Canady
and Artistic Affiliates Rohina Malik, Chuck Smith 
and Nathan Singh



American Blues Theater announces the addition of a new Ensemble member and three new Artistic Affiliates. Joining the Ensemble is playwright Darren Canady whose world-premiere commission TRANSit is currently playing in repertory with Dutchman. Joining American Blues’ family of Artistic Affiliates is lauded director Chuck Smith, who directed Blue’s current production of Dutchman, as well as Nathan Singh, assistant director of TRANSit. Finally, critically-acclaimed playwright and performer Rohina Malik, who is currently working on a new play commission for Blues about the Muslim-American experience, has also been named an Artistic Affiliate.

“We’re thrilled to announce our commitment to these exceptional artists. While working with each of them, we felt their artistry and collaborative spirit would greatly enhance our growing American Blues family,” said Producing Artistic Director Gwendolyn Whiteside


About the Artists


Darren Canady is a proud Ensemble member of American Blues Theater. Currently his world-premiere commission TRANSit is playing in repertory with Dutchman at American Blues Theater. His work has been produced at the Alliance Theatre, Congo Square Theater, Horizon Theatre, London’s the Old Vic Theatre, M Ensemble, Milwaukee Repertory Theater, Edinburgh Festival Fringe, American Blues Theater, and others. His awards include the Alliance Theater's Kendeda Graduate Playwriting Award, Chicago’s Black Excellence Award, the Black Theatre Alliance Award, the American Theatre Critics Association’s Osborn Award, and Joseph Jefferson Award nomination. His play You’re Invited appeared in The Best American Short Plays 2010-2011. His work has been developed at the Fremont Centre Theatre, Premiere Stages, and Penumbra Theatre. He is an alum of Carnegie Mellon University, New York University’s Tisch School of the Arts, The Juilliard School, and is a former member of Primary Stages’ Dorothy Strelsin New American Writers Group. He is also an artistic affiliate of Congo Square Theatre. He currently teaches playwriting at the University of Kansas.


Rohina Malik is a proud Artistic Affiliate of American Blues Theater. She is commissioned by Blues to write a play about the Muslim-American experience. She's a critically acclaimed playwright and solo performance artist. She was born and raised in London, England, of South Asian heritage. Her one-woman play UNVEILED had its world premiere at the 16th Street Theater, where it received critical acclaim. Rohina’s second play THE MECCA TALES was produced by Chicago Dramatists in 2015 and nominated for a Joseph Jefferson Award for Best New Work. Her new play, YASMINA’S NECKLACE, had its world premiere at the 16th Street Theater in January 2016, and was recently nominated for a Jeff Award for Best New Work. She is a Resident Playwright at Chicago Dramatists, an Artistic Associate at American Blues Theater, 16th Street Theater and Voyage Theater Company in NYC. Her plays have been produced at the 16th Street Theater, Victory Gardens Theater, Crossroads Theater, Next Theater, Brava Theater, Voyage Theater Company, Silk Road Rising, Theater Project Baltimore and Mustard Seed Theater. UNVEILED was recently presented in two South African Theater festivals: The Grahamstown Arts Festival and the 969 Festival in Johannesburg. Rohina is a proud member of the Dramatists Guild of America.


Chuck Smith is a proud Artistic Affiliate of American Blues Theater.  He recently directed Dutchman at American Blues Theater. He is member of Goodman Theatre’s Board of Trustees and is Goodman Theatre’s Resident Director. He is also a resident director at the Westcoast Black Theatre Troupe in Sarasota, Florida. Goodman credits include the Chicago premieres of Pullman Porter Blues; By the Way, Meet Vera Stark; Race; The Good Negro; Proof; and The Story; the world premieres of By the Music of the Spheres and The Gift Horse; James Baldwin’s The Amen Corner, which transferred to Boston’s Huntington Theatre Company, where it won the Independent Reviewers of New England (IRNE) Award for Best Direction; A Raisin in the Sun; Blues for an Alabama Sky; August Wilson’s Two Trains Running and Ma Rainey’s Black Bottom; Ain’t Misbehavin’; the 1993 to 1995 productions of A Christmas Carol; Crumbs From the Table of Joy; Vivisections from a Blown Mind; and The Meeting. He served as dramaturg for the Goodman’s world-premiere production of August Wilson’s Gem of the Ocean. He directed the New York premiere of Knock Me a Kiss and The Hooch for the New Federal Theatre and the world premiere of Knock Me a Kiss at Chicago’s Victory Gardens Theater, where his other directing credits include Master Harold... and the Boys, Home, Dame Lorraine, and Eden, for which he received a Jeff Award nomination. Regionally, Mr. Smith directed Death and the King’s Horseman (Oregon Shakespeare Festival), Birdie Blue (Seattle Repertory Theatre), The Story (Milwaukee Repertory Theater), Blues for an Alabama Sky (Alabama Shakespeare Festival), and The Last Season (Robey Theatre Company). At Columbia College he was facilitator of the Theodore Ward Prize playwriting contest for 20 years and editor of the contest anthologies Seven Black Plays and Best Black Plays. He won a Chicago Emmy Award as associate producer/theatrical director for the NBC teleplay Crime of Innocence and was theatrical director for the Emmy-winning Fast Break to Glory and the Emmy-nominated The Martin Luther King Suite. He was a founding member of the Chicago Theatre Company, where he served as artistic director for four seasons and directed the Jeff-nominated Suspenders and the Jeff-winning musical Po’. His directing credits include productions at Fisk University, Roosevelt University, Eclipse Theatre, ETA, Black Ensemble Theater, Northlight Theatre, MPAACT, Congo Square Theatre Company, The New Regal Theater, Kuumba Theatre Company, Fleetwood-Jourdain Theatre, Pegasus Players, the Timber Lake Playhouse in Mt. Carroll, Illinois, and the University of Wisconsin in Madison. He is a 2003 inductee into the Chicago State University Gwendolyn Brooks Center’s Literary Hall of Fame and a 2001 Chicago Tribune Chicagoan of the Year. He is the proud recipient of the 1982 Paul Robeson Award and the 1997 Award of Merit presented by the Black Theater Alliance of Chicago.


Nathan Singh is a proud Artistic Affiliate of American Blues Theater.  He recently assistant directed TRANSit at American Blues Theater. Currently pursuing his MFA in Directing at The Theatre School at DePaul University. He recently directed The Children's Hour, In The Blood, Women, and The Great God Pan at The Theatre School. In April, he will be directing Wig Out! in their Fullerton Theatre.

About American Blues Theater
American Blues Theater is the premier American theater producing visceral theatrical works while engaging its audience in missions of local service agencies.  American Blues Theater illuminates the American ideas of freedom, equality, and opportunity in the plays produced and communities served.

The multi-generational and inter disciplined artists have established the second-oldest professional Equity Ensemble theater in Chicago.  The 37-member Ensemble has 532+ combined years of collaboration on stage. As of 2016, the theater and artists received 186 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and over 31 Black Theatre Alliance Awards. The artists are honored with Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.  


The American Blues Theater Ensemble includes all four Founders Ed Blatchford, Rick Cleveland, James Leaming, and William Payne with Dawn Bach, Matthew Brumlow, Manny Buckley, Kate Buddeke, Sarah Burnham, Dara Cameron, Casey Campbell, Darren Canady, Brian Claggett, Dennis Cockrum, Austin Cook, Laura Coover, Ian Paul Custer, Lauri Dahl, Joe Foust, Cheryl Graeff, Marty Higginbotham, Jaclyn Holsey, Lindsay Jones, Nambi E. Kelley, Kevin R. Kelly, Steve Key, Ed Kross, Warren Levon, Michael Mahler, Heather Meyers, John Mohrlein, Christopher J. Neville, Suzanne Petri, Carmen Roman, Editha Rosario, Sarah E. Ross, and Gwendolyn Whiteside.

Google Analytics