REVIEW: ARTISTIC BRAVURA Ensemble Español's "Flamenco Passion" Program Superb

 Chi, IL Live Shows On Our Radar 

ENSEMBLE ESPAÑOL SPANISH DANCE THEATER’S 2024

 “FLAMENCO PASSION” CONCERTS

SHOWCASE WORLD PREMIERES CREATED BY ACCLAIMED INTERNATIONAL ARTISTS AT THE NORTH SHORE CENTER JUNE 7-9

LaLupi with musicians Diego Alvarez, Jose Diaz El Chachito, Curio de Maria, 

Jose Moreno and Jose Alconchel.  Photo by Dean Paul

Exciting Premieres Include “Viejos Aires” / Flamenco Tango by Award-winning Choreographer Antonio Najarro 

“Resliencia” / Resilience and “El Bolero de Puerta de Tierra” by Former Principal Dancer with the National Ballet of Spain, Raquel Gomez; and 

“Compas de Seda” / Silk Rhythm by Flamenco Superstar La Lupi

Guest Review 

by Flo Mano

ARTISTIC BRAVURA 

Ensemble Espanol at North Shore Center for performing Arts opened to dramatic lighting, marigold costumes, and jazz fusion that gave a modern feel to "Sur",  choreographed by guest artist Raquel Gomez.

In her solo world premiere, "Resilencia", Raquel Gomez was impassioned. Her exceptional dancing within the perimeters of a movable geometric rectangle to square was impressive to see. I enjoyed the lighting from above by Dustin L. Derry.

“El Bolero de Puerta de Terra”, a world premiere, was a feather like flamenco on ballet slippers by the entire company, choreographed by Raquel Gomez, and inspired by Dame Libby‘s “Seguidillas”.

This piece was followed by Flamenco guitarist, Curro de Maria, with “Mi Andalusia”.

Jonathan Pacheco with Ensemble Espanol Company Dancers in Fantasia Suite Regional-Tribute to Juanjo Linares. Photo by Dean Paul

Folklore legend Juanjo Linares’ “Fantasia Suite Regional” depicted exerpts from Galicia-Extremadura & Valencia, individual & intertwining seamlessly!

A stupendous performance of "Chamberi" was perfection, by guest artist La Lupi. Her mastery commanded the utmost attention, as the audience collectively held its breath, so as not to miss a second. Every precision move in her “Batas de Cola” was hypnotic, as she effortlessly tossed & swayed her long train dress. I was struck by the intensity of her jaleo sounds and facial expressions.

The musicians' synchronized percussion-palmas-Spanish guitar and singing transported one to Andalusia.

“Pasion Oculta" was danced by 5 couples to Escala electronic string quartet “Requiem for a Tower” & “Palladio” flawlessly, to loud applause!

"Compas de Seda", another world premiere choreographed by La Lupi, featured stylized fans & shawls. Flamenco Guajiras is a melange of Andalusian-Canary island and Afro-Cuban palo dance, and an amazing  ensemble piece. Loved the fade to silhouettes. 

La Lupi was superb in her solo “A Silvetio”!!! 

The final dance was a world premiere of Flamenco Tango, “Viejos Aires”, by multitalented Argentinian guest Artist Antonio Najaro, choreographer/dancer/costume designer extraordinaire! Very Impressive!! Astounding even!!!

Ensemble Espanol is stretching beyond in this exquisite production! They will be performing at old Town school of music & NEIU. 

DO NOT MISS!! Imbibe dance!!!

Florence Manolis (AKA: Flo Mano) is a Greek American CPS elementary teacher/librarian, hairdresser, and theater/dance/film fanatic who catches hundreds of Chicago shows annually. She volunteers at numerous film venues and theaters and has called Chicago home since she immigrated here from Greece in early elementary school. 

Jonathan Pacheco and Samantha Micklewright in Viejos Aires by Antonio Najarro. 

Photo by Casey Mitchell

Popular Works from Ensemble Español’s Repertoire in the Traditional and Contemporary Genres Complete the Program

Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings their popular “Flamenco Passion” performances to the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., 7:30 p.m. Friday, June 7 and Saturday, June 8 and 3 p.m. Sunday, June 9. These performances are part of the company’s 48th multi-faceted American Spanish Dance and Music Festival (June 7-15).

“Flamenco Passion” program highlights include the world premiere of “Viejos Aires” / Flamenco Tango as reset on Ensemble Español by Antonio Najarro, award-winning choreographer and former artistic director of the National Ballet of Spain, choreographer of Disney movie "WISH.

” Najarro’s work features a fusion of Spanish classical style and Argentinean Tango and displays the sensuality, passion and elegance of Buenos Aires.

Additional world premieres include “Resliencia” / Resilience and “El Bolero de Puerta de Tierra” (Escuela Bolera) choreographed by Raquel Gomez, former principal dancer and Rehearsal Director of the National Ballet of Spain; and the Cuban influenced dance “Compas de Seda” / Silk Rhythm choreographed by Flamenco superstar La Lupi, to an original music composition by Curro de Maria.Works from Ensemble Espanol’s repertoire included in the program include “Sur” by Raquel Gomez (2015); “Fantasia Suite Regional” choregraphed by Juanjo Linares and Nana Lorca (1977) and “Pasion Oculta” /Hidden Passion choreographed by Ensemble Español Artistic Director Irma Suarez Ruiz (2019).Joining the members of Ensemble Español in performance will be guest dancer/choreographers includingRaquel Gomez, La Lupi and Antonio Najarro; and featured musicians including José Díaz “El Cachito”(singer), José Alconchel and Curro de Maria (guitarists); Diego “El Negro” Alvarez and José Moreno (percussionists).

“Every ‘Flamenco Passion’ festival performance is meant to entertain and highlight the timeless yet ever-evolving art that is Flamenco as performed by Chicago’s premiere Spanish dance company Ensemble Español,” says Executive Director and Associate Artistic Director Jorge Perez. “We also pride ourselves in our record of collaborating with some of the most exciting voices in Flamenco, Escuela Bolera, Classical and Folkloric as we maintain our important role as active participants in the continue evolution of this exciting music and dance form,” says Ruiz, Ensemble Español Artistic Director.

The “Flamenco Passion” performances are part of Ensemble Español’s 48th American Spanish Dance and Music Festival which also features these related events:

● VIP-Pre-Opening Night Reception: Preceding the Saturday, June 8 performance there will be a “Meet

the Artists” VIP Pre-Opening Night Reception in the North Shore Center on the 2nd level. Tickets are

$65 (includes VIP seating for that evening’s performance). To purchase tickets and for more information

visit NorthShoreCenter.org/ee/ or call 847.673.6300.

● Free Ethnic Dance & Music Symposium 2024 at NEIU (June 10-12) Topics include: “The Complexities of Covering Ethnic Dance & Music” and “Arts Economic Ecosystem: The New Workforce Development Plan to Build Strong Community” (June 10); :Ethnic Arts Crossing Genres” and “Expanding Flamenco Musical Language” (June 11) and “It’s a Family Affair Ethnic Art, Oral Traditions, Art as a Way of Life” and “From Flamenco to Tap and All That Jazz” (June 12). All sessions take place at NEIU, 5500 N. St. Louis Ave. Admission is free, but reservations are requested. For more information and to register visit ensembleflamencopassion.org/symposium.

● Festival Spanish Dance Classes at Northeastern Illinois University Dance Studios NEIU, 5500 N. St. Louis Avenue (June 10-15) Over 100 Spanish dance and music classes in Flamenco, Classical, Escuela Bolera and Folklore. Single class rate $35. For more class information and registration visit ensembleflamencopassion.org/classes or email at Patricia Mendez at patricia.mendez@eesdt.org.

● Concerts at Old Town School of Folk Music, 4544 N. Lincoln Ave. –“Flamenco to Tap and All That Jazz” with Wendy Clinard, Bril Barrett, Diego "El Negro" Álvarez, José Moreno, José Diaz "Cachito", José Manuel Alconchel, 8 p.m. June 13; “Duende Flamenco” with La Lupi, Nino de los Reyes, Curro de María, Diego "El Negro" Álvarez, José Moreno and José Diaz "Cachito" 8 p.m. June 15. Tickets: $30.

For tickets visit oldtownschool.org/concerts.

About Ensemble Español Spanish Dance Theater 

Ensemble Español, founded in 1976 by Dame Libby Komaiko, is the premiere Spanish dance company and center in the U.S. with a professional and unique residency at Northeastern Illinois University, Chicago. Under the artistic direction of Irma Suarez Ruiz and executive leadership of Jorge Perez, the Ensemble continues its mission of preservation, presentation and promotion of Spanish dance and culture which also includes the exploration of the country’s history in the; Flamenco, Folkloric, Classical and Escuela Bolera styles and identifies its influence on Latin American art and dance in both traditional and contemporary formats. They forge ahead as the leaders in Spanish dance and culture with a commitment to our communities, via performances, education, school residencies, academic university programs, festivals and tours. They remain committed to their roots in education and mission of educational, artistic, and social development. Their incredibly rich history includes serving over 30,000 students annually, training over 90 company dancers, training over 160 Youth Company dancers from ages 12 to 18, over 90 international guest artists and musicians from Spain and the Americas, over 2,600 scholarships awarded to talented aspiring dancers, musicians and educators, tours and residencies of U.S., including Hawaii, Mexico, Puerto Rico, Costa Rica, Poland, Australia, Canada, China and Spain. For more information on concerts, performances, classes and residencies, visit EnsembleEspanol.org.

Ensemble Español Spanish Dance Theatre in residence at Northeastern Illinois University is grateful to thefollowing 48th Season Festival Partners and Sponsors: Northeastern Illinois University, Interim President, Katrina Bell-Jordan, Ph.D., NEIU Department of Music and Dance, Caerus Foundation, Hurvis Foundation, Illinois Arts Council, Chicago Department of Cultural Affairs, Microsoft, Eugene Jarvis and Sasha Gerritson, Salme and Michael Steinberg, Sonia Florian,Estate of Gregory Ragsdale and the Ragsdale Family, FourStar Branding, The Nest, Jaleo by Jose Andres, Atzimba Catering and Events, Stonewolf Studios, Clinard Dance Theater, Instituto Cervantes, International Latino Cultural Center, Negocios Now, HMS Media and Chicago Dance Supply.

Special thank you to the Northeastern Illinois University Board of Trustees, NEIU Foundation, the North Shore Center for the Performing Arts and festival official hotel sponsor, Holiday Inn & Suites Chicago North Shore and O’Hare.

Ensemble Español Spanish Dance Theater 

“Flamenco Passion” Performances 

at the North Shore Center for the Performing Arts in Skokie, June 7-9

Act 1

“Sur” / South (2015)

Choreographer and Costume Designer: Raquel Gomez, Guest Artist

Music: David Dorantes, Pianist and Composer

Costume Production: Luz Creations Lighting Designer: Original concept by Nathan Tomlinson

Lighting design reimagined in 2023 by Dustin L. Derry

Dancers: Company

Raquel Gomez created this work that reaches back to the traditions of the Escuela Bolera (classical Spanish style) from the 18th Century, as it simultaneously embraces contemporary Flamenco music. “’Sur’ proves…that something with so much tradition and such deep cultural roots…can be current and keep its deepest history.” (Raquel Gomez)

Raquel Gomez performing her work Resiliencia. Photo by Dean Paul

“Resiliencia” / Resilience (Clasico Español), WORLD PREMIERE

Choreographer, Costume Design, Dancer: Raquel Gomez, Guest Artist

Music: Joni Fuller

Lighting Design: Dustin L. Derry

“The ability of the human spirit to overcome the obstacles that life challenges us with. It does not matter how much life challenges us with, what matters is how strong we become every time we get up.” (Raquel Gomez)

“El Bolero de Puerta de Tierra” (Escuela Bolera), WORLD PREMIERE

Choreographer: Raquel Gomez, inspired by Antonio Ruiz

Music: Isaac Albeniz (1860-1909)

Costume Design: Raquel Rodriguez Ruiz-Medrano

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Sammi Micklewright, Abigail Mosquera, Jonathan Pacheco, Irene Sivianes Fernandez, Martina Wensell

“My inspiration when putting together this choreography was the great teacher and dancer Antonio Ruiz. Ruiz was one of the first major artists to implement classical ballet in Spanish dance companies. This style and choreography requires great technical experience and artistry of classical ballet. My second inspiration was Ensemble Español’s beautiful and elegant choreography, ‘Seguidillas,’ performed by Dame Libby Komaiko. The work was set in 1977 by former artistic director of the National Ballet of Spain, Nana Lorca, to the Spanish zarzuela (light opera) music of ‘El Nino Judío’ by Pablo Luna.” (Raquel Gomez)

“Mi Andulicia”

Flamenco Guitarist: Curro de Maria

“Fantasia Suite Regional”

- Tribute to Juanjo Linares (1977)

Choreography by Nana Lorca, former artistic director of the National Ballet of Spain and (1984-2000): Juanjo Linares

Music: Traditional; Fernando Arias, Milladoiro, M. Padilla, Ginet, Guidi & Caserio

Costume Design: Juanjo Linares

Lighting Design: Dustin L. Derry

Dancers: Company

Maestro Juanjo (Sept.1933 -Nov. 2009) created 25 works for the full company from 1984 through 2000. As Spain’s foremost authority on folklore, Juanjo’s detail to the style, customs and celebration of the people of each region in Spain made him the legendary master on this art form. Now Ensemble Español honors his legacy by presenting excerpts from the regions of Galicia, Extremadura, and Valencia. Ensemble Espanol’s Irma Suarez Ruiz and Jorge Pérez have both performed and been a part of Juanjo’s works with the Ensemble Español since his first residency to Chicago in 1984.

“Chamberí” (Flamenco Caracoles) (2023)

Choreographer & Dancer : La Lupi, Guest Artist

Music: Curro de Maria & Pedro Medina

Musicians: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Costume Design: La Lupi & Enrique Vicent

Lighting Design: Carlos Rodriguez

Chamberí, the oldest train station in Madrid. The cante por Caracoles, conceived by the singer D. Antonio

Chacón, pays tribute to the city as a key point for Andalusian artists who arrived and left for the capital. Madrid, with its open arms, welcomed these artists in a warm and hospitable way.

“Pasion Oculta”/ Hidden Passion (2019)

Choreographer and Costume Designer: Irma Suarez Ruiz, Artistic Director

Music: Escala

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Company

This Flamenco contemporary work, set on five couples of Ensemble Español Company dancers by artistic director, Irma Suarez Ruiz, portrays the hidden passions of love and desire. Ruiz set this sensual work to two songs by the all-female electronic string quartet, Escala: “Requiem for a Tower” and “Palladio.”

Act 2

“Compas de Seda” / Silk Rhythm, WORLD PREMIERE

Choreographer & Costume Designer: La Lupi, Guest Artist

Music Composition: Curro de Maria

Costume Design & Production: Enrique Vicent

Lighting Design : Dustin L. Derry

Dancers: Nalanie Molina, Sammi Micklewright, Abigail Mosquera, Irene Sivianes Fernandez, Maria Lujan,

Catherine Beza, Jose Torres, Juan Carlos Castellon, Luis Beltran, Jonathan Pacheco, Sergio Rojas, Miguel Conde

This work, in the Flamenco Guajiras palo/style dance, is based on the sung genre of Cuban music, a poetic art with music. A guajira is simply a song for voice and guitar with a series of similar letras. It became popular in the western and central regions of Cuba in the 17th century and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. The Flamenco guajira is the adaptation to Melos Flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba.

“Duende Flamenco”

Music: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Lighting Design: Dustin L. Derry

“A Silverio” (2022)

Choreographer and Dancer: La Lupi

Music: Curro de Maria and Livio Gianola

Costume Design: Enrique Vicent

Lighting Design: Tito Osuna

“…a bravura showcase of Flamenco Abandolaos and Serrana styles” (WTTW).

“Viejos Aires” / Flamenco Tango, WORLD PREMIERE

Choreographer, Dancer, Costume Designer: Antonio Najarro, Guest Artist

Music: Astor Piazzolla (1921-1992)

Costume Production: Enrique Vicente

Lighting Design: Dustin L. Derry

Dancers: Section 1: “Otoño Porteno” - the Company; Section 2: “Fuga y Misterio” - Antonio Najarro, Guest Artist

Antonio Najarro performs a solo in his Viejos Aires. Photo by Dean Paul

Section 3: “Viejos Aires” – the Company

“Choreographing my creation 'Viejos Aires' on the Ensemble Español dancers represented a personal reunion with the repertoire of my own dance company. ‘Viejos Aires’ has a choreography that has given me numerous successes throughout its presentation and performances in the best theaters around the world. Irma and Jorge’s invitation to set this work on the Ensemble Español as part of their extensive repertoire was exciting. I wanted to merge two very different styles in terms of technical elements: Argentinean tango and Spanish dance, including my own personal style. In Ensemble Español, I clearly saw a company with great desire and enthusiasm to assimilate, face and interpret this complex work. ‘Viejos Aires,’ from my point of view, is a timeless passionate choreography that speaks from the heart to the heart. (Antonio Najarro)

Hot Weekend Picks: Sideshow Villains New EP, Claws for Breakfast and Deviant Cabaret at Alhambra Palace Sunday, October 22, 2023

 ChiIL Live Shows On Our Radar

Get Your Tricks And Treats On With Chicago's Own 

"Criminal Cabaret" Group Sideshow Villains

This Sunday, I'll be ChiILin' with the villains, reviewing for ChiIL Live Shows. Ready for some adult fun? Sideshow Villains will be performing their new EP, Claws for Breakfast, a compendium of tunes about revenge, addiction, and murder set to an eclectic mix of Americana musical styles, in the lush setting of the Alhambra Palace's main hall on Sunday, October 22 at 6PM CST. 

Interspersed between songs, the audience will witness the Villains' accomplices in the Deviant Cabaret, a mix of dance, circus, and cabaret acts designed to disturb and delight. Attendees are encouraged to arrive in their most exquisite Halloween finery and may be asked to assist Mark the Knife, the "World's Most Dangerous Comic."

The music featured on Claws for Breakfast evokes 70’s film soundtracks, Hollywood westerns, and vaudevillian burlesque acts with all tracks written or co-written by Sideshow Villains band leader Dante Ingram. 

 The Deviant Cabaret will feature Ingram on vocals and silks, MC and comedian Mark Faje, aerialist and juggler Benjy Radinsky, trapeze/aerial sling artist Camille Swift, aerial artist Chris Rooney, guitarist Chris Siebold, dancer Cristal Sabbagh, aerial rope artist Dalia Shafie, percussionist Dan Leoli, bassist Greg Nergaard, trumpet player Jaime Ruiz, aerialist Michael House, multi-instrumentalist Paul Mutzabaugh, and performance artist Spitfire. Sarah Kroth will be stage managing the event.

Ticket prices range from $25 for students to $65 for premium seats and Alhambra Palace is located at 1240 W Randolph St in Chicago's West Loop. 

For more information and tickets, click here:

https://sideshow-villains-deviant-cabaret.ticketleap.com/sv-deviant-cabaret/

https://sideshowvillains.bandcamp.com/album/claws-for-breakfast

https://sideshowvillains.com/

 

FLASH GIVEAWAY: WIN Tickets To The Chicago Circus and Performing Arts Festival March 9-12, 2023, at Wicker Park’s Den Theatre

ChiIL Live Shows On Our Radar   

Chicago Circus and Performing Arts Festival

FLASH GIVEAWAY: 

ENTER AT THE END OF THIS POST FOR YOUR CHANCE TO WIN A Pair of Tickets to Any Adult Circus Act! and/or 

A Family 4 Pack of Tickets to Any Family Show 

March 9-12 at Wicker Park’s Den Theatre, Opening Gala March 9

Chicago-Based Ensembles Offer Circus, Burlesque, Dance & Comedy

Chicago Circus & Performing Arts Festival, the Windy City’s newest multidisciplinary fest, will run March 9-12, 2023, at Wicker Park’s Den Theatre at 1331 N. Milwaukee. Thirteen unique performances from Chicago-based companies include traditional circus acts, avant-garde sideshow and burlesque offerings, family-friendly juggling and clowning shows, queer-themed work, plus several evening-length pieces that also include dance. Several shows are double features: twice the fun for the same price!

Single tickets are $15-40 and are available online or at 773-697-3830. The lobby features cashless cocktails from the newly renovated Haven Lounge before and after performances. The Opening Gala is on March 9, from 6-10 PM and includes vendor tables from local businesses and Chicago circus schools, door prize giveaways, and a silent auction. Exclusive previews for media and donors will be performed throughout the night. Metered street parking is available, and the apps ParkChicago, Spot Hero, Park Whiz, and Parq Ex are recommended to secure a spot. The venue is also accessible to the Blue Line (north of Division, south of Damen stops) and via various bus routes. The Festival’s media sponsors are The Actors Gymnasium and CircusTalk.

 

SCHEDULE

Thursday, March 9

Heath Mainstage & Lobby: 

6:00-10:00 pm Opening Gala: Show previews for media and donors, silent auction, local vendors.

 

Friday, March 10

Bookspan Stage: 

6:00-7:30 pm Creature Double Feature by Such Creatures (circus + dance fusion, queer-themed)

7:45-9:15 pm BIPOC Circus Alliance Midwest (classic circus cabaret, all BIPOC cast)

9:30-11:00pm the Back Side Show by Yes Ma’am Circus (side-show, burlesque, circus, ages 18+)

 

Saturday, March 11 

Bookspan Stage: 

12:45- 2:15 pm Distillations & Don't Try This At Home- Double Feature by Luther Bangert & Dinder Brothers’ Circus (juggling solo show, family circus troop, side-show, family friendly)

2:30- 4:00 pm Double Feature- Poised & The Reluctant Mind Reader by Raphael Entertainment (solo juggling + solo magic, family friendly)

4:15- 5:45 pm BIPOC Circus Alliance Midwest (classic circus cabaret, all BIPOC cast)

6:00- 7:30 pm Autobiography of a Late Bloomer by Lucid Banter Project (dance, queer-themed, ages 13+)

7:45- 9:15 pm Circus Dungeon Crawl by Yes Ma’am Circus (circus cabaret, burlesque, nerd-themed, ages 18+)

9:30- 11:00 pm Queer Double Feature: And They Were Shipmates, A Queer Pirate Romance Adventure & Queer Dance Freakout by Counterfeit Combat & Gender Fucked Productions

 

Sunday, March 12 

Heath Mainstage: 

10:30 am- 12:00 pm Serious Cirque by Duo Refraction+ (circus, clown, family friendly)

12:15- 1:45 pm Circus Cabaret of Wonder by the Amazing Prizzini Brothers (classic circus cabaret, clowning, family friendly)

 

Bookspan Stage: 

12:15- 1:45 pm Double Feature- Poised & The Reluctant Mind Reader by Raphael Entertainment (solo juggling + solo magic, family friendly)

2:00- 3:30 pm Distillations & Don't Try This At Home- Double Feature by Luther Bangert & Dinder Brothers’ Circus (juggling solo show, family circus troop, side-show, family friendly)

SHOWS/ENSEMBLES

The Amazing Prizzini Brothers’ Circus Cabinet of Wonder: The Amazing Prizzini Brothers’ classic circus cabaret features family-friendly circus acts and clowning. The goal is simple: to make the audience complicit in the mischief. 

Autobiography of a Late Bloomer: Lucid Banter Project presents Autobiography of a Late Bloomer, a collection of work created over a span of 15 years, following the choreographer's coming-out journey. Following Paula, Lucid Banter Project's director, through professional growth, family drama, religious realizations, sexual awakenings, relationship highs and lows, injury, and emotional abuse, the audience is brought along through the experiences, emotions, and growth of a late bloomer lesbian.

BIPOC Circus Alliance Midwest Showcase: This circus cabaret features circus artists of Color as they share individual stories that depict human emotions and unique challenges faced by POC in contemporary America. Disciplines will include rope, straps, aerial hammock, diabolo, and silks. For ages 13+. 

The Back Side Show: Produced by Yes Ma'am Circus, the Back Side Show features burlesque, sideshow, and variety acts from around Chicago. For ages 18+. 

Circus Dungeon Crawl: Yes Ma’am Circus’ longest running cabaret! Come see the Chicago debut of Circus Dungeon Crawl, previously only shown to the elite crowd of gamers at GenCon in Indianapolis! Journey with Marcus the Bard as they attempt to drink, seduce, and thieve their way through the Multiverse, along with a cast of aerialists, clowns, and burlesque dancers.

Creature Double Feature: Creature Double Feature brings you not one, but TWO new works by Such Creatures Co-Directors Luke Greeff & Ashaand Simone. Missile Kid by Luke Greeff shows a punk-rock apocalyptic horror movement suite on unmasking the Autistic soul within the confines of an Allistic world … or a dancey existential crisis to good tunes… you decide. intimate youniverse by Ashaand Simone transports the audience into an 8-bit arcade world where they’re in charge of helping the protagonist’s disparate parts work towards some amount of peace. In doing so, they will learn firsthand what it looks like to re-wire the brain away from the impacts of (Complex) Post-Traumatic Stress Disorder and towards acceptance of intimacy and connection.

Distillations & Don't Try This At Home- Double Feature: A family friendly double feature. A solo contemporary juggling show performed by Luther Bangert, Distillations takes the audience on a multimedia and multidimensional journey through the anatomy of a moment, investigating causality, and emerging into the ground state of the juggling universe. Dinder Brother's Circus is proud to present the "DONT TRY THIS AT HOME SHOW!!!" Seen across the midwest since 2015 this blend of circus, magic, and danger is sure to entertain anyone ages 4 and up!  With mystifying aerials, feats of death, and astounding illusions everyone will find something they enjoy.

Double Feature- Poised & The Reluctant Mind Reader: A funny and dazzling 1-man duo show! Welcome to an experience that aims to have you question the absolute limits of what is humanly possible. Brought to you by one of Chicago's top jugglers, Poised is a family friendly show full of laughs and amazing feats of balance and coordination. Then stay and watch as someone with the ability to read minds shows off his powers while talking about the pains and annoyances that come with always hearing what people are thinking. The Reluctant Mind Reader showcases how some gifts aren’t what they’re cracked up to be.

Serious Cirque: Serious Cirque is a not so serious deconstruction of contemporary circus performance. It transparently and unabashedly reveals the hilarity, failures, successes and discoveries that come out of circus creation. What happens when Siri tries to third wheel your adagio duet opener? What if the duo trapeze porter loses his flyer and must perform only with sock puppets?

Queer Double Feature- And They Were Shipmates, A Queer Pirate Romance Adventure & Queer Dance Freakout: First, Counterfeit Combat presents a gay pirate show full of fights and fun that you can’t miss! Join us onboard Calico Jack’s ship, The Ranger, as we follow the tale of the infamous female pirates, Anne Bonny and Mary Read. This occasionally true story based on historical facts will have you laughing, sighing, and gasping, oh aye! Then stick around for Queer Dance Freakout, an interactive, choose your own adventure spectacle produced by Gender Fucked Productions. This company of queer, trans, and nonbinary choreographers and storytellers will perform up to 30 dances that will have audiences booty shaking, grooving, and connecting with the queer community.

*Click HERE for your chance to WIN a FREE Family 4 Pack of Tickets to your choice of any family friendly show at the 2nd Annual Chicago Circus and Performing Arts Festival!

**Click HERE for your chance to WIN a FREE Pair of Tickets to your choice of any Adult Show at the 2nd Annual Chicago Circus and Performing Arts Festival!

Winners announced at noon Thursday, March 9th.

ChiIL Mama and ChiIL Live Shows are thrilled to partner up with the 2nd Annual Chicago Circus and Performing Arts Festival to give away A Family 4 Pack of Tickets to Any Family Show and/or A Pair of Tickets to Any Adult Circus Act!

THE BUTTCRACKER: A NUTCRACKER BURLESQUE RETURNS TO THE GREENHOUSE THEATER CENTER, DECEMBER 1 - 31

ChiIL Live Shows On Our Radar

THE BUTTCRACKER: A NUTCRACKER BURLESQUE©,

CHICAGO’S FAVORITE ALTERNATIVE 

HOLIDAY SHOW, RETURNS TO 

THE GREENHOUSE THEATER CENTER, DECEMBER 1 - 31

Featuring the Best of Chicago’s Nightlife Entertainment; 

Highlighting the World of Burlesque, Boylesque, Magic, Sword Balancing, 

Circus, Dance and More

The Buttcracker: A Nutcracker Burlesque© is proud to announce its return this holiday season with the sixth edition of Chicago’s favorite alternative holiday show, a twist on the original story and a live event not to be missed, directed by Miguel Long and choreographed by Dylan Kerr, December 1 - 31 at the Greenhouse Theater Center, 2257 N. Lincoln Ave.  The two-hour experience begins with a cocktail hour which includes craft vendors from local artists (Thursday nights), special pre-show performances (Friday and Saturday nights), and brunch fare (Sunday matinees), followed by Tchaicovsky’s The Nutcracker Suite in a saucy, alternative and adult retelling of the holiday classic. Each week features the best of Chicago’s nightlife entertainment in the roles of Tea, Coffee, Chocolate, Vodka and Mother Ginger, featuring sword swallowing, belly dancing, classic burlesque and more. 

I'll be out for the press opening Dec. 1st so check back soon for my full review. Holiday performance schedule includes Thursdays at 8 p.m., Fridays at 8 p.m., Saturdays at 8 p.m., Sundays at 3 p.m. with a special New Year’s Eve closing night performance Saturday, Dec. 31 at 9 p.m. This New Year’s Eve special event includes a party following the show with cheese and charcuterie snacks, two drink tickets for after the show, a midnight “pole dancer booty drop” countdown with balloons and prizes, a DJ and more. 

There are no performances Friday, Dec. 24 and Saturday, Dec. 25. Admission is available for those 18 years old and older (21+ to drink). Tickets are Industry/SRO, $20; house left general admission, $30/$40 at the door, house center general admission, $40/$50 at the door and VIP, $75/$100 at the door with New Year’s Eve tickets house left general admission, $60/$70 at the door, house center general admission $80/$90 at the door and VIP $150/$200 at the door. Tickets are now on sale at greenhousetheatre.org and TheButtcrackerBurlesque.com and, based on availability,  at the door one hour before the performance.

Audiences are invited to follow Clara and her Buttcracker on a wild hallucinogenic trip from a boring-AF holiday party to the Land of Sweets where they battle rats, save the day and learn that body and sex positivity are to be celebrated. A combination of fairy tale and exotic trip down the rabbit hole with the best of Chicago’s nightlife entertainment. The Buttcracker highlights the world of burlesque, boylesque, magic, sword balancing, circus, dance and more.

The Buttcracker: A Nutcracker Burlesque© cast includes Elena Avila*/^ (Clara); Olivia Lindsay* (Buttcracker);  Claire Francescon* (Drosselmeyer); Autumn Christensen* (Sugar Bum Fairy);  Baby Bagos Hood*/^ (Boss/Rat King); Hannah Silverman* (ensemble); Mandyn Mueller+/^ (ensemble); Eilish Morse-O'Rourke* (ensemble);  Yasmyne Williams*/^  (ensemble); Savannah Sinclair*/^ (swing) and Sierra Buffum*/^ (ensemble understudy). Features soloists for the roles of Vodka, Tea, Chocolate, Coffee, and Mother Ginger rotate weekly. Every week includes a different kind of performance from the best of Chicago’s nightlife entertainment.

The Buttcracker: A Nutcracker Burlesque© production team includes Miguel Long+ (director); Dylan Kerr* (choreographer); Brighid Martensen*/^ (costume designer); Gabrielle Strong* (set designer); Samuel Stephen+ (lighting designer);

Rowan Doe^ (props designer); Jake Snell+ (stage manager) and Carlie Rummel* (backstage manager); Kayla Drescher* (magic consultant). Jaq Seifert^/(sub)version productions (producer) and Caylei Hallberg* (producing assistant).

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)

Information on tickets:

New Year’s Eve

Saturday, Dec. 31 at 9 p.m.

Ticket prices: HOUSE LEFT GA $60/75 at the door, HOUSE CENTER GA $80/$100 at the door, VIP $150/$200 at the door.

This special closing performance of the 2022 run includes a make-your-own cheese and charcuterie board, two drink tickets for after the show, a midnight “pole dancer booty drop” countdown with balloons and prizes, a DJ and other special guest performances. 

Regular Performances:

VIP 

Ticket price: $75/$100 at the door

This upgraded ticket includes reserved seating at your own cafe table right on the theatre floor with early entrance to the theatre and a private VIP bar, meet and greet with cast members and official Buttcracker swag. 

General Admission

Ticket price: $40/$50 at the door

General Admission tickets include first come, first served seating in the center section of the theater.

House Left General Admission

Ticket price: $30/$40 at the door

General Admission tickets include first come, first served seating in the house left section of the theater.

Standing Room Only (SRO)

Ticket price:  $20

A limited number of standing room only tickets will be available at the door, based on availability.

ADA Accessible seating is available, email thebuttcrackerburlesque@gmail.com for more information or to make reservations.

ABOUT THE BUTTCRACKER: A NUTCRACKER BURLESQUE

The Buttcracker: A Nutcracker Burlesque© subverts the classic holiday ballet to promote diversity in body, gender expression, sexuality and race. The show utilizes the platform of parody to encourage audiences to imagine a more inclusive world, redefining the art of the tease through an alternative take on burlesque. This performance would not be possible without the generous support of individuals and companies who understand the value of having alternative adult entertainment during the holiday season, as well as supporting our mission of subverting audience’s expectations of what live entertainment looks and feels like. 

The Auditorium Theatre Proudly Presents Cloud Gate Dance Theatre of Taiwan Performing Chicago Premiere of 13 Tongues for Two Performances Only: October 14 & 15, 2022

 ChiIL Live Shows On Our Radar

Cloud Gate Dance Theatre of Taiwan

13 Tongues

Two performances only: October 14 & 15 at 7:30 p.m.

 

Cloud Gate Dance Theatre of Taiwan performs 13 Tongues, choreographed by CHENG Tsung-lung, photo by LIU Chen-hsiang 

The Auditorium Theatre (50 E. Ida B. Wells Drive) proudly continues its  2022-23 season of global dance presentations with Asia’s leading contemporary dance theater,  Cloud Gate Dance Theatre of Taiwan, performing its bold and breath-taking evening length work, 13 Tongues for two nights only, Friday and Saturday, October 14 & 15 at 7:30 p.m. Making its Chicago premiere, 13 Tongues is a striking and immersive journey transforming childhood memories of the Taoist rites and bustling street life of Bangka into a fantasy world, as choreographed by Cloud Gate Artistic Director CHENG Tsung-lung.

“We are privileged to be able to host some of the greatest performing artists from around the world at the Auditorium Theatre,” says Auditorium Theatre CEO Rich Regan. “Cloud Gate Dance Theatre of Taiwan has been gracing Chicago stages for over two decades, and its brilliant skill and imagery continue to wow Chicago audiences.”

As a child in the 1980s, Cloud Gate Artistic Director CHENG Tsung-lung would contribute to the family business by helping his father sell slippers on the streets of Bangka/Wanhua, the oldest district of Taipei. Bangka/Wanhua was known for its vibrantly diverse and bustling street scene that embraced religious and secular life, rich and poor, work and play, legal and illegal activities. The young CHENG was transfixed by his mother’s accounts of the legendary 1960s street artist and storyteller known as “Thirteen Tongues” who had adopted Bangka/Wanhua for his informal stage. It was said that “Thirteen Tongues'' could conjure up all the Bangka/Wanhua characters - high and low born, sacred and profane, men and women - in the most vivid, dramatic, and fluently imaginative narratives. Thirty years on CHENG’s fascination for “Thirteen Tongues” became his inspiration as he transformed his childhood memories into dance.

Beginning and ending with the sound of a single hand bell, the music accompanying 13 Tongues ranges from Taiwanese folk songs to Taoist chant to electronica. The stage is awash with projections of brilliant colors, shapes, and images as the dancers gather, interact, separate and re-gather in a thrilling representation of the clamor of street life. As the religious heritage of ancient Bangka/Wanhua fuses with the secular space it is today so time appears to dissolve. The spirit realm and the human realm also coalesce as the audience is taken on an immersive journey - via imagination and storytelling that recalls the art of “Thirteen Tongues” - through centuries of human endeavor, behavior, and belief.

Performance schedule and tickets

Cloud Gate Dance Theatre of Taiwan performs at the Auditorium Theatre Friday, October 14 and Saturday, October 15 at 7:30 p.m. Tickets start at $37 (inclusive of all fees) and are now  available at AuditoriumTheatre.org, or by calling 312.341.2300, or at the Box Office at 50 E Ida B Wells Drive in Chicago, IL. Click here for phone and in-person hours.  Discounted tickets for groups of 10 or more people are available. The Auditorium Theatre offers $20 student rush tickets to full-time college students and $5 tickets to young people ages 13-19 with Urban Gateways' Teen Arts Pass program. The Auditorium also offers a Student Savings Club for both college and high school students. The Auditorium Theatre's ADMIT ONE program offers complimentary tickets to Chicago-area community groups.

 

The Auditorium Theatre is fully committed to the health and safety of our patrons and our staff. We continue to monitor health guidance and appropriately adjust our policies. For current health safety information, please visit AuditoriumTheatre.org/visit/safety.

 

Special thanks

The Auditorium Theatre is grateful for the support of the 2022-23 Season Global and Chicago Dance Sponsor, The Florian Fund, and Presenting Sponsor, Alphawood Foundation.  The Auditorium Theatre 2022-23 Season is made possible in part with support from the John D. and Catherine T. MacArthur Foundation and the Illinois Arts Council Agency. The Auditorium’s official hotel partner is the Palmer House Hilton.

About Cloud Gate Dance Theatre of Taiwan

Cloud Gate is the name of the oldest known dance in China. In 1973, choreographer LIN Hwai-min adopted this classical name and founded the first contemporary dance company in the greater Chinese-speaking community: Cloud Gate Dance Theatre of Taiwan, also known worldwide as Cloud Gate. In 2020, CHENG Tsung-lung succeeded LIN as the company’s Artistic Director.  

Cloud Gate has set out to engage with local history, culture and subject matter and draws on classical, folk, and modern dance from both the western and Asian traditions. Its dancers trained in meditation, Qi Gong, an ancient breathing exercise, internal martial arts, modern dance, and ballet. Under the leadership of CHENG, their training has further expanded to include trainings from various styles of dance, such as street dance. Manifesting in choreographies, the company transforms ancient aesthetics into a thrilling and modern celebration of motion.  The company has toured worldwide with frequent engagements at the Next Wave Festival in New York, the Sadler’s Wells Theatre in London, the Moscow Chekhov International Theatre Festival in Russia, the Movimentos International Dance Festival and the Internationales Tanzfest NRW, then directed by Pina Bausch in Germany.

 

About The Auditorium Theatre

The Auditorium Theatre, located at 50 E. Ida B. Wells Drive at Roosevelt University in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889.

This Auditorium Theatre’s 2022-23 performance season features a dynamic mix of acclaimed global dance companies (Kyiv City Ballet of Ukraine, Les Ballets Trockadero de Monte Carlo, Step Afrika!, and the much anticipated annual engagement by the Alvin Ailey American Dance Theater) while closer to home, beloved Chicago dance companies also take the stage (Ensemble Español Spanish Dance Theater, also Deeply Rooted Dance Theater, South Chicago Dance Theatre, and an evening with Trinity Irish Dance Company, M.A.D.D. Rhythms, and special guest, New York-based Dorrance Dance. In addition, the critically acclaimed National Geographic Live speaker series, offering first-hand accounts and expert voices on cultural and environmental issues, returns with three offerings and a new lower ticket price. And rounding out the season will be two holiday music concert specials in December:  the popular Too Hot to Handel: The Jazz-Gospel Messiah and Celtic Woman. 

For more information on the Auditorium Theatre and a complete listing of events at the Auditorium Theatre, please visit AuditoriumTheatre.org.

JOFFREY ACADEMY’S WINNING WORKS RETURNS TO MUSEUM OF CONTEMPORARY ART March 18-20, 2022

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JOFFREY ACADEMY’S WINNING WORKS 

RETURNS TO MUSEUM OF CONTEMPORARY ART, FEATURES FOUR WORLD PREMIERES

March 18-20, 2022 at the MCA’s Edlis Neeson Theater

The Joffrey Academy of Dance, Official School of The Joffrey Ballet, presents four world premieres in the culmination of Joffrey’s national call for ALAANA (African, Latinx, Asian, Arab and Native American) artists to submit applications for the Joffrey Academy’s Winning Works Choreographic Competition. This year’s Competition winners—Audrey Baran, Joffrey Company Artist Edson Barbosa, Taylor Carrasco, and Derick McKoy, Jr.—each have choreographed an original work created on the Joffrey Academy Trainees and Studio Company. 

Winning Works returns to in- person performances for the first time since 2019 at the Museum of Contemporary Art Chicago Edlis Neeson Theater (220 E. Chicago Avenue) Friday, March 18 at 7:30 pm, Saturday, March 19 at 2:00 PM and 7:30 pm, Sunday, March 20 at 2:00 pm. Tickets for Winning Works are $30 and available for purchase at joffrey.org/winningworks.

“After the COVID-related cancellation in 2020 and a virtual presentation in 2021, it is especially meaningful that Winning Works will return in all its glory to the Museum of Contemporary Art in 2022,” said Ashley Wheater MBE, The Mary B. Galvin Artistic Director of The Joffrey Ballet. “These young, emerging choreographers prove that there is no limit to the level of artistic expression one can possess.”

“It has been over a decade of exceptional work and brilliant artistry for Winning Works,” said Greg Cameron, President & CEO of The Joffrey Ballet. “I am in awe of the creativity presented during the past two difficult years has demonstrated an admirable tenacity among artists. May we celebrate this homecoming to the MCA as a new beginning.”

Joffrey’s Abbott Academy Director Raymond Rodriguez added: “There is nothing more gratifying than seeing the works of rising stars danced by our incredible Joffrey Academy Trainees and Studio Company. Much like our beautiful city of Chicago, the backgrounds of these choreographers and the works they’ll be premiering on stage are diverse, rich, and dynamic.”

About the Program

 Audrey Baran

Audrey Baran’s world premiere Porcelain is a contemporary piece that explores the stigmatization of Asian Americans as well as the objectification and fetishization of Asian American women.

Baran is a Filipino-American dance performer, maker, and educator based in Charlotte, North Carolina. She holds an MFA in Dance from Hollins University and a BA in Dance from the University of North Carolina at Charlotte, where she is the Visiting Assistant Professor of Dance. She is the founder/artistic director of

Baran Dance and apprentice company BD2 and on the faculty of Charlotte Ballet Academy. Baran has presented work through Sites in the City, FEMMEfest, the National Dance Educators Organization Conference, Bill Evans Somatic Dance Conference, the North Carolina Dance Festival, Tobacco Road Dance Productions, Triangle Dance Project, Ladyfest CLT, Charlotte Dance Festival and numerous self- produced productions. She was the 2019 UNCC Department of Dance Distinguished Alum, an inaugural recipient of the Creative Renewal Fellowship from the Arts and Science Council, a selected choreographer for Charlotte Ballet’s Innovative: Direct from the LAB 2021 and has received recognition for her work from the Movies by Movers Festival, Charlotte Emerging Dance Awards, and Carolina Arts & Theatre Awards. Baran is also a 500-hour Registered Yoga Teacher and thrives on sharing her love of movement and mindfulness throughout the Queen City and beyond.

Edson Barbosa, Recipient of the Zach Lazar Winning Works Fellowship

Edson Barbosa’s world premiere On the Same Boat is a neo-classical piece inspired by the observations he has made of the relationships surrounding him, danced by seven women and seven men.

Barbosa has been a company artist with The Joffrey Ballet since 2014. He was raised in Rio de Janeiro, Brazil, and began his training in ballet, jazz, and tap at age 10 at Grupo Cultural de Dança, Ilha, with Patricia Marques. He was voted Best Male Dancer at the Festival de Danca de Joinville in 2012 — the largest dance competition by number of dancers, as documented by Guinness World Records. He received a full scholarship to study at the Miami City Ballet, Stuttgart Ballet, Washington Ballet, The Harid Conservatory, and Princess Grace Academy. He was also a Top 12 finalist at the Youth America Grand Prix in New York in 2010 and 2012, Top 6 finalist at the Beijing International Ballet Invitational for Dance Schools in China, and performed at the Opening Ceremony as a guest artist at the Danzamerica in Argentina.

Barbosa was a prize winner at the prestigious Prix de Lausanne in Switzerland, where he was voted the best male dancer of the 40th edition in 2012, receiving a scholarship to be a trainee at the San Francisco Ballet School under the direction of Patrick Armand. While in the school he worked in contemporary workshops with Antoine Vereecken and Wayne McGregor. Throughout his career, he has had the opportunity to perform lead roles in ballets choreographed by renowned artists in the dance world, such as Gerald Arpino, Val Caniparoli, Alexander Ekman, Jiří Kylián, Parrish Maynard, John Neumeier, Annabelle Lopez Ochoa, Justin Peck, Myles Thatcher, Helgi Tomasson, Stanton Welch and Christopher Wheeldon.

Taylor Carrasco

Taylor Carrasco’s contemporary piece Not Now, But Now explores the feelings of anxiety people have become accustomed to during this unprecedented time, and how running from and running toward, can often be one in the same.

“When I was three, my sister was six and in ballet like every other little girl,” said Carrasco. “My parents would bring me to her classes and I would try to dance with them from the hallway. They assumed I’d like it, enrolled me in class and I never stopped.” Carrasco trained with the School of American Ballet and New Mexico Ballet Company and has taken summer intensives with Boston Ballet, Pacific Northwest Ballet, and Ballet Chicago. He joined Cincinnati Ballet Second Company – CB2 in the 2014-2015 Season and was promoted to Apprentice for the 2015-2016 Season. Carrasco was then promoted to Corps de Ballet for the 2017-2018 Season. He has had three of his ballets performed by the main company of Cincinnati Ballet, with two of them being created for the The Kaplan New Works Series in 2018 and 2019. Carrasco’s favorite dancing memories thus far are tied to dancing with his sister. He says that “sharing the stage with family is the best experience.”

Derick McKoy Jr.

Derick McKoy Jr.’s world premiere Road of Flames mixes ballet and contemporary movement to create a piece about pushing towards one’s north star, and the flame that builds when people pursue their passions in love, careers, and families.

McKoy (he/him) originally from Miami, Florida, is a graduate Glorya Kaufman BFA Scholar of the Ailey/Fordham BFA Program in Dance. McKoy started his official training under Luctricia Welters and after a year, joined her dance company, Jubilee Dance Theater, as an apprentice. He furthered his training at Hubbard Street Dance Chicago, Arts Umbrella, BalletX, Ballet Hispanico, Springboard Danse Montreal, under scholarships, as well as NW Dance Project’s LAUNCH.

McKoy has performed with Nimbus Dance, directed by Samuel Pott, Jeremy McQueen’s The Black Iris Project, and on seasons 1 and 2 of the hit tv-show POSE on FX.

His choreographic work has been described as “authentic,” “dramatic,” and “important.” His developing collection of works have been performed at the Ailey Citigroup Theater, Ailey Studio Theater, Martha Graham Center of Contemporary Dance, Ades Performance Space, Youth American Grand Prix, the Nimbus Arts Festival, and the Jamaica Dance Festival.

He has performed works by Alvin Ailey, Matthew Rushing, Crystal Pite, Jiri Kylian, Nacho Duato, Annabelle Lopez Ochoa, Dawn Marie Bazemore, Sharon Eyal, Alejandro Cerrudo, Marco Goecke, Adam Barruch and others.

He was also a part of a dance feature of The Ailey School on the talk show Conan. He has also had the opportunity to perform in Ailey’s 2017 Spirit Gala at Lincoln Center at the David Koch Theater and for the groundbreaking ceremony of the Vessel at Hudson Yards. 

He started McKoy Dance Project as a way to add his own contributions to the dance. MDP aims to be a strong, but sensitive new voice in the contemporary dance world. The company was founded with five pillars in mind: to create jobs, to inspire and touch, to give purpose, to create leaders, and to heal.

To date, the Joffrey has raised more than $150,000 to support ALAANA choreographers and the presentation of their work for the 2022 Winning Works competition. That number continues to grow, emphasizing the Joffrey’s commitment to diversity, equity, and inclusion in the field of dance. The Joffrey is proud of the fact that Winning Works provides complete financial assistance—housing, travel, and work stipend—to all winners. Additionally, the Joffrey does not require an application fee for those interested in applying for the Winning Works competition.

Former winners of the Winning Works competition include Jeffrey Cirio (2016), current Lead Principal Dancer with the English National Ballet, Chanel DaSilva (2020), featured choreographer on the Joffrey’s fall 2021 program Home: a Celebration, Amy Hall Garner (2011), internationally known choreographer based in New York City, Stephanie Martinez (2015), a featured choreographer on the Joffrey’s winter program The Times Are Racing, and Claudia Schreier (2018), Ballet Master to Juilliard President Damian Woetzel.

Ticket Information

Tickets for Winning Works at the Museum of Contemporary Art Chicago’s Edlis Neeson Theater are $30 and can be purchased at joffrey.org/winningworks. Performances take place on Friday, March 18 at 7:30 PM, Saturday, March 19 at 2:00 PM and 7:30 PM, Sunday, March 20 at 2:00 PM.

About the Joffrey Studio Company

The Joffrey Studio Company consists of dancers who show exceptional promise and a desire to join the Joffrey or another organization’s main company. The individualized training and performance opportunities allow students to expand their technique and artistry while offering a unique insight into the life of a professional dancer, including performing on some of the most prestigious stages around the country. Academy alumni have gone on to dance with companies around the world, including The Joffrey Ballet, American Ballet Theatre, English National Ballet, Dresden Semperoper, Atlanta Ballet, Oregon Ballet Theatre, Kansas City Ballet and more.

About the Joffrey Academy Trainees

The Joffrey Academy Trainee Program is a full-time, one-to-two-year program for students preparing for a professional dance career. Through meticulous training, Trainees focus on artistic excellence, rehearsing, and performing classical and contemporary works from The Joffrey Ballet’s extensive repertoire, as well as works by world-renowned choreographers.

The Joffrey Ballet gratefully acknowledges the generous support of Winning Works Sponsors Pritzker Foundation, Wilson Garling Foundation, William Blair with Joffrey Board Member Rita Spitz, and BMO Harris Bank. William Blair is the premier global boutique with expertise in investment banking, investment management, and private wealth management.

For more information on the Joffrey Academy of Dance, Official School of The Joffrey Ballet and its programs please visit joffrey.org/academy. Connect with the Joffrey on Facebook, Twitter, Instagram, and LinkedIn.