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Showing posts with label 35th Season. Show all posts
Showing posts with label 35th Season. Show all posts

Friday, August 7, 2026

Sisters To Open Writers Theatre's 35th Season August 13-November 8, 2026


ChiIL Live Shows on our Radar:
Writers Theatre opens its 35th Season
with the riveting and emotional near-future family drama
Sisters
by Matthew Libby, directed by Jessica Thebus
August 13-November 8, 2026



Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, opens its 35th Season in the intimate Gillian Theatre with Sisters, a gripping family drama exploring the familial bond between a woman and her AI sister, written by Matthew Libby and directed by acclaimed Chicago artist and Northwestern University faculty member Jessica Thebus. On the heels of the record-breaking hit JOB, Sisters continues the theatre's timely exploration of how technology shapes humanity. Sisters will run August 13 – November 8, 2026, at 325 Tudor Court, Glencoe. 

Single Tickets for Sisters, $75+, and season subscriptions are now available at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Matilda and Greta have always been there for one another, through joy and grief and homework and boyfriends. They’re as close as sisters can be—even if Greta is artificial intelligence. As Matilda ages and Greta longs for independence, their relationship begins to be tested like never before. Told over the course of 90 years,Sisters is a riveting and thought-provoking new play about the future of family. 

Sisters continues Writers Theatre’s conversation about technology and humanity. Following the record-breaking, sold-out run of JOB, which explored the psychological dangers of technology and our increasingly online lives, Sisters asks a different question about how technology changes how we define family and what it means to be human. Where JOB was a tense psychological thriller about the dangers of our digital world, Sisters is an intimate, emotional portrait that asks whether artificial intelligence can become family.

Braden Abraham comments, “Sisters marks the opening of our 35th season at Writers Theatre, and it seems fitting to begin a milestone year in The Gillian Theatre, a space built on intimacy and our founding charge that the most exciting theatre is made with the audience and actors in close proximity. This extraordinary new play by Matthew Libby asks what remains distinctly, mysteriously human once you strip away everything that can be simulated, predicted or optimized. I can think of no one better than Jessica Thebus to guide us through Matilda and Greta's long, strange and moving companionship."

Told across 90 years, Sisters is a sweeping, non-chronological epic following the relationship between a human and her AI sister. Sisters features a unique two-person cast, in which the character Matilda physically ages on stage from childhood to 96!

The cast is Brenda Barrie (Matilda) and Chloe Johnston (Greta). The understudies are Julia Rowley and Sarah Hecht.

Brenda Barrie (Matilda) and Chloe Johnston (Greta) are both making their Writers Theatre debuts in this intimate two-hander.

The creative team includes: Jessica Thebus (Director), A Inn Doo (Scenic Designer), Lia Wallfish (Costume Designer), Eric Watkins (Lighting Designer), Andre Pluess (Co-Sound Designer), Harper Justus (Co-Sound Designer), Stephan Mazurek (Projections Designer), Reva Stover (Assistant Director), Bobby Kennedy (Dramaturg) and Dylan Cohen (Assistant Dramaturg). The stage manager is Isabel Pratt and the assistant stage manager is Olivia Leslie.

About the Artists

Playwright Matthew Libby has a degree in cognitive science and creative writing from Stanford University and an MFA from NYU. He blends this background to inform his writing. Data, which the New York Times called "a darkly on-point dramatic mirror of present-day events" that feels "all-too present, all-too raw and indisputably somber", addresses the ethics of AI, privacy and surveillance. Sisters also dives into the world of AI, exploring emotional boundaries between humanity and technology.

Matthew Libby (Playwright) is a writer and actor based in Brooklyn, by way of Los Angeles. He made his Off-Broadway playwriting debut with Data (Lucille Lortel Theatre, Outer Critics Circle nomination for the John Gassner Award); regional productions of his plays include Data (Arena Stage, Helen Hayes Award nomination for Best New Play or Musical) and Sisters (Writers Theatre, Northern Stage). Data was also previously adapted as a digital production by the Tony-winning Alliance Theatre in May 2021, a production featured in a New York Times review of virtual theatre works that “clear a path toward continued innovation and growth of the form.” Winner of the Kendeda National Graduate Playwriting Competition and Neukom Playwriting Award, Matt is a 2026 Ucross Resident, 2022-2023 Dramatists Guild Foundation Fellow, 2023 Theater Masters Visionary Playwright, three-time Princess Grace Award finalist, five-time O’Neill Playwrights Conference semifinalist and Blue Ink Playwriting Award featured finalist. His work has been produced and developed by theaters across the country, including Roundabout, Alliance Theatre, New York Stage and Film, Westport Country Playhouse, Northern Stage, Pioneer Theatre Company, The Kennedy Center, National New Play Network, Theater Masters, The Barrow Group, The Road Theater Company, WNYU’s Theatre-in-the-Sound and others. With Stanford Repertory Theater, he helped devise and act in The Many Faces of Farce, which was nominated for a Bay Area Critics Award for Best Production. For the screen, he is a writer on Season 3 of Fox's hit medical drama Doc, has developed TV projects for Hulu, Lionsgate/eOne, Beau Willimon's Westward Productions and Alex Gibney's Jigsaw Productions, and has been recognized for his screenwriting work by The Black List and Script Pipeline. Matt studied cognitive science and creative writing at Stanford University and received his MFA in dramatic writing from NYU’s Tisch School of the Arts, where he also teaches and was awarded the Chair’s Award for Distinguished Achievement. He is a proud member of the Writers Guild of America and the Dramatists Guild of America.

Jessica Thebus returns to Writers Theatre where she previously directedThe Turn of the Screw. Writers audiences may recognize thematic echoes of Writer’s 2015 production of Marjorie Prime, which featured Thebus’s late mother, Mary Ann Thebus, and explored similar themes of memory and humanity.

Jessica Thebus (Director) is a theater artist, director and educator. She holds a PhD in Performance Studies from Northwestern University, and is currently Director of the Northwestern MFA Program in Directing. She has directed in Chicago and nationally for twenty-five years, and has long associations with many Chicago theaters, including the Goodman Theatre where she directed A Christmas Carol from 2000-2005, as well as plays by Tracy Scott Wilson and Sarah Ruhl. Northlight Theater is also an artistic home for Jessica where she has directed ten plays including Shining Lives: A Musical which received a Joseph Jefferson award nomination for best new work. Favorite others include Steppenwolf Theater Company, Lookingglass Theater Company, The Gift Theater, Writers Theater and Court Theater. Favorite projects nationally have taken place at the Oregon Shakespeare Festival, The Huntington Theatre, Kansas City Repertory Theatre, The Marin Theater Company, as well as the Kennedy Center in Washington, D.C. Jessica also creates outdoor spectacle projects in Chicago that celebrate community, joy and environmental justice.

Brenda Barrie (Matilda) is making her Writers Theatre debut. Chicago credits include Steppenwolf Theatre Company (Middletown, Sex with Strangers, Okay Bye); Chicago Shakespeare Theater (Julius Caesar, Elizabeth Rex); American Blues Theater (Roann @ the Gates, Six Corners); Lifeline Theatre (Mrs. Caliban,Mariette in Ecstasy); Goodman Theatre (Mother Road); The House Theatre of Chicago (United Flight 232, The Nutcracker); Route 66 Theatre Company (The Downpour); The Gift Theatre (The Ruby Sunrise); Metropolis Performing Arts Centre (A Streetcar Named Desire); and Silk Road Rising (Caravaggio). She is a four-time Joseph Jefferson Award nominee for Principal Performer and has also appeared on Chicago Med, Chicago P.D., Chicago Fire, and The Chicago Code. She earned her BFA in Theatre from the University of Indianapolis and spent a formative semester studying at the University of Ulster in Northern Ireland. She is represented by Stewart Talent.

Chloe Johnston (Greta) is a writer, director and teacher in Chicago. She has worked with theatres across Chicago and is a long-time ensemble member of The Neo-Futurists. Recent projects include 46 Plays for America’s First Ladies (Critics Pick, NYTimes), Grace (The Orchard Project, Links Hall, Roman Susan, Northwestern University) and Leave the Light On, an interview-based performance and audio project about caretaking labor. With Coya Paz Brownrigg, she is the author of Ensemble-Made Chicago: A Guide to Devised Theater (NU Press). She is an Associate Professor of Theater and Performance Studies at Lake Forest College. www.chloejohnston.org


Performance Schedule:

Wednesdays: 2:00pm and 7:30pm

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 2:00pm and 7:30pm

Sundays: 2:00pm and 7:00pm



Open Captioned Performance: Thursday, September 17 at 7:30pm

ASL-Interpreted Performance: Saturday, September 19 at 2:00pm

Pay What You Can Performances: Sunday, August 23 at 7pm, Sunday, September 27 at 7pm, Saturday, October 31 at 7:30pm and Thursday, November 5 at 7:30pm

Location: Gillian Theatre, 325 Tudor Court, Glencoe

Prices: $75+

Discounts are available for students, educators, theater industry professionals, active military personnel, veterans, police officers, firefighters and their immediate families. Information is available at: https://www.writerstheatre.org/plan-your-visit/box-office-and-theatre-center/pricing--special-offers

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000;

www.writerstheatre.org

Single tickets are now on sale. Flex subscriptions and tickets are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

SEASON PACKAGES

Writers Theatre is offering a variety of subscriptions with an option for every theatregoer. Each subscription includes a deeply discounted ticket price, ranging from $275-$385 for one ticket to the five-play series, Flex subscriptions, with options for either four tickets ($280) or five tickets ($350), are available.

Season package subscribers receive the new Writers Theatre concierge service for ticket exchanges and questions. Exclusive subscriber benefitsinclude: complimentary ticket exchanges (upgrade fees may apply), special “subscriber-rate” prices on additional tickets, advance access to special events and programs, easy, free parking, exclusive discounts in bar items and merchandise, discounts on rental of Writers Theatre event spaces on Writers Theatre merchandise, event rentals and more. For a complete list of benefits, visit writerstheatre.org.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Single tickets will go on sale for each show approximately two months prior to first preview. Single ticket prices start at $35.

AUDIENCE ENGAGEMENT OPPORTUNITIES

Writers Theatre offers Open Captioning and ASL-interpretation on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast and The Final Word Audience Discussion Series. Please visit writerstheatre.org for a full listing of upcoming offerings.


ABOUT WRITERS THEATRE
Writers Theatre proudly celebrates its 35th Season. 

From its beginnings in the back room of a Glencoe bookstore, Writers Theatre established what would become its defining conviction: that vibrant language and exceptional performances in an intimate setting create a transformative theatrical experience. Today, the company is a major cultural destination in the Chicago region with a national reputation for artistic excellence, heralded by The Wall Street Journal as “America’s finest regional theatre company.”

Founded in 1992, Writers has produced over 160 productions—from inventive interpretations of classics to groundbreaking new work. In 2016, the company opened a state-of-the-art theatre center designed by the internationally renowned Studio Gang Architects. The new facility includes the 255-seat Alexandra C. and John D. Nichols Theatre and the flexible 100-seatGillian Theatre, spaces designed to preserve the company's trademark intimacy and bring audiences up close to Chicago’s finest actors. The building’s striking glass atrium serves as a welcoming gathering space for artists, staff and the community, open daily for reading, working and conversation.

Led by Executive Director Kate Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, Writers Theatre welcomes more than 60,000 patrons each year. The company has established itself as an important originator of new theatrical work, having produced over 30 world premieres in its history—including Manual Cinema’s Christmas Carol, Witch by Jen Silverman, Trevor the Musical by Dan Collins and Julianne Wick Davis, A Minister's Wife by Austin Pendleton, Jan Tranen and Josh Schmidt, The Savannah Disputation by Evan Smith and Marilyn Campbell and Curt Columbus’s adaptation of Crime and Punishment.

Education and community engagement remain central to Writers Theatre’s mission. Each season, the organization reaches more than 5,000 students and adults through school matinees, in-school residencies and curriculum-based programs that introduce young people to professional theatre. Writers Theatre also offers a wide range of free programs for the broader community, including readings, lectures and partnerships with local organizations that make theatre accessible to audiences of all ages.

Located just 20 miles north of downtown Chicago, Writers Theatre offers artists and audiences a setting that combines world-class theatre with the calm and accessibility of Chicago’s North Shore. As Writers Theatre enters its 35th season, the company continues its commitment to artistic excellence, meaningful storytelling and the uniquely powerful connection that only intimate theatre can create.

Wednesday, September 10, 2025

Midwest Premiere of Lindsey Ferrentino’s Ugly Lies the Bone at Shattered Globe October 3-November 15, 2025

ChiIL Live Shows On Our Radar

Shattered Globe’s 35th Season Launches With

Ugly Lies the Bone 

October 3-November 15, 2025

Shattered Globe’s 35th season launches next month with the Midwest Premiere of Lindsey Ferrentino’s poignant comedy Ugly Lies the Bone, a darkly funny, heartfelt story of a military veteran using virtual reality to piece her life back together. 

Shattered Globe’s Midwest Premiere of Lindsey Ferrentino’s Ugly Lies the Bone features (from left) Christina Gorman as Jess, Christopher Acevedo as Stevie, Cyd Blakewell as Kacie, Barbara Figgins as voice/Mom and Eddie Martinez as Kelvin.

Previews start October 3. I'll be out for the press opening, October 9th so check back shortly after for my rull review. Performances run through November 15 at Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Tickets, Pay-What-You-Can through $60, go on sale Friday, September 12. For tickets and information, visit sgtheatre.org.

Shattered Globe’s 35th season opener, the Midwest Premiere of Lindsey Ferrentino’s Ugly Lies the Bone, directed by Jonathan Berry, finds humor in unexpected places, October 3-November 15

After three tours in Afghanistan, Jess has returned home to a changed world, and body. With biting dark humor and virtual reality therapy, Jess begins to rebuild her life one puzzle piece at a time, confronting scars both seen and unseen. In Ugly Lies the Bone, humor and heart ultimately combine for a powerful, funny story of how beauty endures beneath the surface.

Shattered Globe’s 35th season launches with Lindsey Ferrentino’s Ugly Lies the Bone, a poignant, darkly funny story of a military veteran using virtual reality to piece her life back together. 

Shattered Globe’s Midwest Premiere of Ugly Lies the Bone features Ensemble Member Christina Gorman as Jess, who has returned home after three tours in Afghanistan to a changed world, and body. 

Credit: Jeffrey Kurysz 

SGT's Midwest Premiere of Ugly Lies the Bone marks the welcome return of director Jonathan Berry to Chicago. 

Ugly Lies the Bone marks the welcome return of director Jonathan Berry to Chicago. An ensemble member of Steep and Griffin theaters and former artistic producer at Steppenwolf, Berry is home after three years as artistic director of Penobscot Theatre in Maine. 

"I am so very excited to mark my return to Chicago with this production of Ugly Lies the Bone,” said Berry. “This is a play that is made for Chicago and a talented ensemble like Shattered Globe, offering a compelling look at a wounded veteran's challenging return to a life she barely recognizes, told with compassion, humor and ultimately hope."

Whether writing about a female burn survivor or the first leading role for a person with Down syndrome, Variety called Linda Ferrentino “a brave playwright of dauntless conviction, whose unflinching portraits are hard to come by outside of journalism.” Coinciding with SGT’s introduction of her play Ugly Lies the Bone to Chicago this fall, Ferrentino also will be making her Broadway debut writing the book for The Queen of Versailles, Stephen Schwartz’s new musical starring Kristin Chenoweth and F. Murray Abraham.

Shattered Globe’s cast for Ugly Lies the Bone features Ensemble Member Christina Gorman as Jess, with Christopher Acevedo as Stevie, Cyd Blakewell as Kacie, Barbara Figgins as voice/Mom and Eddie Martinez as Kelvin. 

The production team includes Lindsay Mummert (set designer), Kotryna Hilko (costume designer), Brandon Wardell (lighting designer), Erin Pleake (projections designer), Saskia Bakker (props designer), Christopher Kriz (original music and sound designer), SGT Ensemble member Tina Jach (stage manager) and SGT Ensemble Member Adam Schulmerich (production manager). 

(right) Christina Gorman plays Jess in Shattered Globe’s Ugly Lies the Bone. (left) Christina Gorman as Jess and Christopher Acevedo as Jess’s former boyfriend, Stevie, in Ugly Lies the Bone. 

Credit: Jeffrey Kurysz

(left) Cyd Blakewell plays Jess’s sister, Kacie, and Eddie Martinez is Kacie’s boyfriend, Kelvin. (right) The cast for Ugly Lies the Bone includes (from left) Christopher Acevedo as Stevie, Christina Gorman as Jess, Barbara Figgins as voice/Mom, Cyd Blakewell as Kacie and Eddie Martinez as Kelvin. 

Credit: Jeffrey Kurysz

Ticket information for Ugly Lies the Bone

The first preview of Ugly Lies the Bone on Friday, October 3 at 7:30 p.m. is Pay-What-You-Can. Previews continue Saturday, October 4 at 7:30 p.m., Sunday, October 5 at 3 p.m., and Wednesday, October 8 at 7:30 p.m. Press opening is Thursday, October 9 at 7:30 p.m. Performances run through November 15: Thursday, Friday and Saturday at 7:30 p.m., Sunday at 3 p.m. No show Friday, October 10 or Thursday October 30. There’s an added 3 p.m. matinee on Saturday November 1, as well as closing day, Saturday, November 15.

For tickets and information, visit sgtheatre.org, call the Theater Wit box office, (773) 975-8150, or purchase in person at Theater Wit. Take advantage of early-bird discounts. Otherwise, previews are $25. Performances are $20-$60 ($20 for students, veterans, active military, teachers, and under 30; $40 general admission; $60 for those who want to support accessible theater). For group discounts, email groupsales@shatteredglobe.org or call (773) 770-0333.


Access Services

Audio Description and a Touch Tour for patrons who are blind or have low vision will be offered on Friday, November 7. The Touch Tour begins at 6:15 p.m., show at 7:30 p.m. 

Shattered Globe will offer a captioned performance on Sunday, November 9 at 3 p.m. for patrons with hearing loss. Assisted Listening Devices are available for all performances.

Theater Wit is wheelchair accessible, and all patrons with disability needs are invited to purchase $20 access tickets with the code “ACCESS20” at Theater Wit’s checkout page. Please email boxoffice@theaterwit.org to ensure the theater can reserve the right seat for your needs.

Shattered Globe’s 35th Season: 

Finding Humor in Unexpected Places

Support Chicago’s live theater scene and save with a Shattered Globe Season Traveler Membership. Shattered Globe’s 2025-26 season boasts one World Premiere and two Midwest Premieres that find humor in unexpected places and offer a fresh lens on our ever-evolving world. Following Ugly Lies the Bone is the Midwest premiere of Kirsten Greenidge’s Morning, Noon, and Night, a tale about social media, magic realism and moms and daughters, directed by Shattered Globe Associate Artistic Director AmBer Montgomery. Next April, man up for Shattered Globe’s World Premiere of Eelpout!, Paul W. Kruse’s hilarious new fantasia on Midwest masculinity, directed by Jeremy Ohringer.

“Shattered Globe is on a roll, particularly as we’re coming off a highly successful season marked by the most Jeff Award nominations in company history, 14 in all, including best production, director, cast, ensemble, and design nominations,” said Shattered Globe Producing Director Artistic Director Sandy Shinner. “The entire ensemble is buzzing with anticipation as we encourage audiences to join us for a wild ride to three unexpected places, with three unexpected outcomes, during our 35th season.”

Two- and three-play memberships range from $55 to $115 and are on sale now at sgtheatre.org/memberships. All three Shattered Globe productions will be presented at the company’s resident home, Theater Wit, 1229 W. Belmont Ave. in Chicago’s Lakeview neighborhood. Visit SGTheatre.org for more information, including photos and video clips, news of special events, accessible and waived ticket programs and show content warnings. Find and follow the company on social media @shatteredglobe on Facebook and Instagram. 

Coinciding with SGT's Ugly Lies the Bone in Chicago, Ferrentino is making her Broadway debut writing the book for The Queen of Versailles, Stephen Schwartz’s new musical starring Kristin Chenoweth and F. Murray Abraham.

Ugly Lies the Bone : Meet the playwright and director

Lindsey Ferrentino (playwright, Ugly Lies the Bone) is a playwright whose work includes The Fear of 13 (Donmar Warehouse; Olivier Award nominations for Best New Play and Best Actor, starring Adrien Brody), The Queen of Versailles (Broadway; The Emerson Colonial Theatre), Ugly Lies the Bone (Roundabout Theatre Company; The National Theatre, UK; NYT Critic’s Pick), Amy and the Orphans (Roundabout Theatre Company), This Flat Earth (Playwrights Horizons), The Year to Come (La Jolla Playhouse), The Artist (Theatre Royal Plymouth). According to The New York Times, Ferrentino writes with, “a muscular empathy, which seeks to enter the minds of people for whom life is often a struggle of heroic proportions.” Whether writing about a female burn survivor or the first leading role for a person with Down syndrome, she has been called, “a brave playwright of dauntless conviction, whose unflinching portraits are hard to come by outside of journalism,” and she possesses, “a moral compass second to none among her generation of playwrights” (Variety). Ferrentino is also an accomplished screenwriter with various projects in development. Most recently announced, she is writing and directing a film adaptation of her celebrated play Amy and the Orphans (Aggregate Pictures), writing a project based on Hugh Hefner’s Playboy empire (Sony), and adapting Rebecca Yarros’ beloved novel In the Likely Event (Netflix). She is the recipient of the 2016 Kesselring Prize, a Laurents/Hatcher Citation of Excellence, the ASCAP Cole Porter Playwriting Prize, the Catalyst Award for Entertainment Industry Excellence, the Paul Newman Drama Award, the NYU Distinguished Young Alumna Award. BFA, NYU; MFA, Hunter; and the David Geffen School of Drama at Yale. lindseyferrentino.com

Jonathan Berry (director, Ugly Lies the Bone) is excited to be back in Chicago, after three years of serving as Artistic Director of The Penobscot Theatre Company in Bangor, Maine. He is a proud ensemble member of both Steep Theatre and Griffin Theatre and a former Artistic Producer at Steppenwolf Theatre Company. He directed the Steppenwolf productions of: Lindiwe, The Children, You Got Older, Constellations, and the SYA productions of The Curious Incident of the Dog in the Nighttime, The Crucible, and A Separate Peace. Steep Theatre Company: Paris, Red Rex, Earthquakes in London, Posh, The Life and Sort of Death of Eric Argyle, If There Is I Haven’t Found it Yet, The Knowledge, Festen, Moment, The Hollow Lands and The Resistible Rise of Arturo Ui. At Griffin, productions include: The North American premiers of Simon Stephens Punk Rock (Jeff award Director, Lead Actor, and Ensemble) Port, and On the Shore of the Wide World, as well as The Harvest, Winterset, Pocatello, Balm in Gilead, Golden Boy, The Burnt Part Boys, Spring Awakening, Company, Picnic, Time and the Conways, Dead End, The Hostage and Journey’s End. He was the Assistant Director for Anna D Shapiro’s Broadway productions of Of Mice and Men and This is our Youth. Gift Theatre: Obliteration (second production) The world premiers of both Dirty and Suicide, Incorporated, as well as Othello. Goodman Theatre: The Solid Sand Below and The World of Extreme Happiness for their New Stages Festival. Other work includes: American Theatre Company: Kill Floor, American Blues: Little Shop of Horrors and Sideman; Redtwist: Look Back in Anger and Reverb, Chicago Dramatists: I am Going to Change the World, Jackalope Theatre: The Casuals, Strawdog: Conversations on a Homecoming, Remy Bumpo: The Marriage of Figaro, Theatre Mir: The Sea and Caucasian Chalk Circle, Lifeline Theater: The Piano Tuner (Afterdark award – Best Production) He pursued his MFA in directing from Northwestern University. He has taught acting, directing, and viewpoints at University of Michigan, Northwestern University, University of Chicago, Act One Studios, Columbia College and served as the director for the ensemble training program The School at Steppenwolf. johnathanberry101.com

About Shattered Globe Theatre

Shattered Globe Theatre seeks to redefine what it means to be an ensemble theatre, discover new connections between story, artist and audience, and explore drama from bold, challenging perspectives. 

Shattered Globe Theatre was born in a storefront space on Halsted Street in 1991. Since then, SGT has produced more than 80 plays, including nine American and world premieres, and garnered an impressive 44 Jeff Awards and 132 Jeff Award nominations, as well as the acclaim of critics and audiences alike. Guided by Producing Artistic Director Sandy Shinner, Shattered Globe’s values are rooted in a commitment to racial equity, respect for all artists and support for the ensemble, while creating new opportunities to amplify traditionally marginalized voices and collaborate in all aspects of its work. Through initiatives such as the Protégé Program, Shattered Globe creates a space which allows emerging artists to grow and share in the ensemble experience.

Shattered Globe Theatre’s Ensemble has 29 members: Judy Anderson, Louis Contey, David Dastmalchian,Demetra Dee, Joe Forbrich, Christina Gorman, Daria Harper, Tina M. Jach, Rebecca Jordan, Steve Kleinedler, Vivian Knouse, AmBer Montgomery, Tina Muñoz Pandya, Eileen Niccolai, Jazzma Pryor, Hailey Rakowiecki, Deanna Reed-Foster, Linda Reiter, Nate Santana, Drew Schad, Adam Schulmerich, Leslie Ann Sheppard, Sandy Shinner, Joe Sikora, Shelley Strasser, Devonte E. Washington, Sarah Jo White, Joseph Wiens and Brad Woodard.

SGT’s Artistic Associates now number 20 including Daniela Colucci, Mikey Gray, Lawrence Grimm, Darren Jones, Christopher Kriz, Jason Lynch, Elizabeth Margolius, Kelsey Melvin, Tim Newell, Jane Nix, Aila Peck, Steve Peebles, David Antonio Reed, Jasmine Cheri Rush, Angie Shriner, Abbey Smith, Becca Smith, Michael Trudeau, Ayanna Wimberley and Austin Winter.

SGT is supported by generous grants from the Shulman- Rochambeau Charitable Foundation, Brenda and James Grusecki, The Bayless Family Foundation, the Paul M. Angell Family Foundation, Carol P. Eastin, The Shubert Foundation,  Judith & David Sensibar, The Gaylord & Dorothy Donnelley Foundation and Barbara and Randy Thomas.

Visit sgtheatre.org for subscriptions, tickets and information, and follow the company @shatteredglobe on Facebook and Instagram.


Tuesday, September 12, 2017

OPENING: World Premiere of Sylvester Via Lifeline Theatre 9/18-8/29/17

Chi, IL LIVE Shows On Our Radar:

Lifeline Theatre Presents the World Premiere of 
Sylvester, 
Opens September 18

Performance with Touch Tour and Audio Description 
on September 30
Performances with Open Captioning 
on September 30 and October 27 

**The production runs approximately two hours with one intermission. The novel will be on sale in the lobby.**



(L to R) Andrés Enriquez as Sylvester Rayne and Samantha Newcomb as Phoebe Marlow; in Lifeline Theatre’s production of “Sylvester,” adapted by Christina Calvit, directed by Dorothy Milne, based on Sylvester: or the Wicked Uncle by Georgette Heyer. Photos by Suzanne Plunkett.

We'll be ChiILin' on Chi, IL's north side next weekend, for the press opening of yet another world premiere. We're quite excited to see Lifeline Theatre's latest, Sylvester, based on Georgette Heyer's novel. 

Lifeline Theatre presents Sylvester, adapted by Lifeline Theatre ensemble member Christina Calvit (five-time Jeff Award winner) and directed by Lifeline Theatre Artistic Director Dorothy Milne (Jeff Award and After Dark Award winner), based on the novel Sylvester: or the Wicked Uncle by Georgette Heyer (licensed by arrangement with Heron Enterprises Ltd.). 

Sylvester, Duke of Salford, was born with wealth and good looks, but a life of privilege has rendered him unfeeling towards others. Phoebe Marlow was graced with a sparkling wit and independent spirit, but languishes under the thumb of her domineering stepmother. When this mismatched couple is thrust together by their meddling families, both rebel and their tidy little worlds spin into chaos. Midnight flights, desperate sea voyages, and scathing society hijinks ensue as these unlikely lovers labor to avoid their fate. Grab the reins and charge headlong into a topsy-turvy tale of madcap romance in this world premiere comedy based on the 1957 novel by Georgette Heyer.

Sylvester runs September 8 – October 29 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below). Press opening is Sunday, Sept. 17 at 4 p.m. Opening night is Monday, Sept. 18 at 7:30 p.m. (Previews are Fridays, Sept. 8 and 15 at 7:30 p.m.; Saturdays, Sept. 9 and 16 at 8 p.m.; and Sunday, Sept. 10 at 4 p.m.) 

Regular performance times (September 21 – October 29) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $40 for regular single tickets, $30 for active and retired military personnel (with ID), $30 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $20 for previews. Group rate for 12 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com. 

Accessible Performances: The Saturday, Sep. 23, 4 p.m. performance will feature a pre-show touch tour of the set at 2:30 p.m. and live audio description for patrons who are blind or have low vision. The Saturday, Sep. 30, 4 p.m. performance and the Friday, Oct. 27, 7:30 p.m. performance will feature open captioning for patrons who are deaf or hard-of-hearing. For more information about Lifeline’s accessibility services, please contact Accessibility Coordinator Erica Foster at 773.761.4477 x703 or at access@lifelinetheatre.com.

 The complete cast and production team for Sylvester includes: 

CAST: Lifeline Theatre ensemble member Katie McLean Hainsworth (Lady Ingham & ensemble); with guest artists Terry Bell (Tom & ensemble), Andrés Enriquez (Sylvester Rayne), Kristina Loy (Ianthe Rayne & ensemble), Samantha Newcomb (Phoebe Marlow), Tiffany Oglesby (Lady Marlow & ensemble), Wesley Scott (Sir Nugent & ensemble), and Sean Sinitski (Lord Marlow & ensemble). With understudies Christopher Causer and Jennifer Cheung. 

PRODUCTION TEAM: Lifeline Theatre ensemble members Christina Calvit (Adaptor), Alan Donahue (Scenic & Properties Designer), and Dorothy Milne (Director); with guest artists Kyle Bricker (Stage Manager), Carrie Hardin (Dialect Coach), Lavina Jadhwani (Casting Director), Jennifer McClendon (Production Manager), Curtis Edwin Powell (Sound Designer), Joe Schermoly (Technical Director), Rachel Sypniewski (Costume Designer), and Eric Watkins (Lighting Designer).

Lifeline Theatre is accessible by CTA (Red Line Morse stop/busses) and free parking is available at Sullivan High School (6631 N Bosworth Ave, lot located on Greenview Ave. just south of North Shore Ave.) with free shuttle service before and after the show.  Street parking is also available. Lifeline is accessible to wheelchair users and visitors who need to avoid stairs.



Now in its 35th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s programs are partially supported by Alphawood Foundation; A.R.T League Inc.; Elizabeth F. Cheney Foundation; Chicago CityArts, a grant from the Chicago Department of Cultural Affairs and Special Events; The Common Cup; Gaylord and Dorothy Donnelley Foundation; FGMK LLC; Lloyd A. Fry Foundation; The Grover Hermann Foundation; Illinois Arts Council Agency; Illinois Humanities Council; Lagunitas Brewing Co. Community Grant Program; MacArthur Fund for Arts and Culture at Prince; The PAV Grant Fund; The Polk Bros. Foundation; Poubelle Fund, a Donor Advised Fund of Renaissance Charitable Foundation; Rogers Park Social; The Saints; S&C Electric Company Fund; The Shubert Foundation; and the annual support of businesses and individuals.

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