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I HATE IT HERE BY IKE HOLTER, DIRECTED BY LILI-ANNE BROWN, THE FINAL PRODUCTION OF
THE LIVE SERIES
**I HATE IT HERE OPENS JULY 15 (7:30PM CDT) AND RUNS THROUGH JULY 18 ONLY**
Gabriel Ruiz (Martin) in I Hate It Here by Ike Holter, directed by Lili-Anne Brown at Goodman Theatre (July 15-July 18, 2021), GoodmanTheatre.org/Here. Photo by Flint Chaney.
There's nothing like theatre to help audiences process collective trauma and increase empathy and one of the first to tackle 2020 is here. Sure, streaming is a second to seeing shows in person, but live streams in real time capture the energy and spirit of a one of a kind performance. Check out this 5 show only limited run.
Goodman Theatre’s streaming-in-real-time Live series concludes with I Hate It Here by Ike Holter and directed by Lili-Anne Brown. Featuring a dynamic cast (full list below), the production is a “sharp and satisfyingly foul-mouthed” (The New York Times) rallying cry for our times. I Hate It Here appears July 15 at 7:30pm; July 16 at 7:30pm; July 17 at 2pm and 7:30pm; and July 18 at 2pm; all performances will be presented with open captioning. Tickets are $25; visit GoodmanTheatre.org/Here for more information.
In I Hate It Here, there's one thing Americans can agree on: it's that 2020 was not the best way to begin a new decade. With guts and humor, punctuated with story and song, Ike Holter asks who we are in a world on the brink explosion.
Technology, videography and stage production come together for the three-play Live series, Goodman Theatre's next step towards resuming in-person performances. Accessible via multiple video cameras, each performance of three new productions—including two Chicago premieres and a major revival—are streamed live online for real-time consumption by audiences at home. Christiana Tye of Christiana Tye Productions and Gabe Hatfield of Hatfield Post/Production are the Goodman's video partner for Live, collaborating with each director to realize the vision of the play for the camera medium.
I Hate It Here
By Ike Holter
Directed by Lili-Anne Brown
Ace/Thomas….............................Patrick Agada
Pete/Rah/Wash…........................Jayson Brooks
Ashwana/Mrs.Marcy/Tanya.........Sydney Charles
Manny/Worker/Ted…...................Behzad Debu
Maya/Lisa/April….........................Kirsten Fitzgerald
Martin/Alex/Frank….....................Gabriel Ruiz
Charlotte......................................Special Guest
The Design Team includes Arnel Sancianco (Set), Mieka van der Ploeg (Costumes), Jason Lynch (Lighting), Mikhail Fiksel (Sound) and Paul Deziel (Projections). Casting is by Lauren Port. Briana J. Fahey is the Production Stage Manager, Christiana Tye is the Video Director and Gabe Hatfield is the Director of Photography.
Live is made possible through the generous support of Northern Trust, Live Major Corporate Sponsor; Katten Muchin Rosenman, Live Corporate Sponsor Partner; Winston & Strawn, Ohio State Murders Digital Production Sponsor; and Russell Reynolds Associates, The Sound Inside Digital Production Sponsor. The Goodman is grateful to its artist union partners, including Actors’ Equity Association (AEA); Stage Directors and Choreographers Society (SDC); and United Scenic Artists (USA).
ABOUT THE PLAYWRIGHT AND DIRECTOR
Ike Holter (Playwright) returns to the Goodman where his play Lottery Day was produced in 2019. Additional Chicago credits include Red Rex (Steep Theatre); Rightlynd (Victory Gardens Theatre); The Light Fantastic, Prowess and Exit Strategy (Jackalope Theatre); The Wolf at the End of the Block (Teatro Vista); Sender (A Red Orchid Theatre); and Hit the Wall (The Inconvenience). Off-Broadway credits include Exit Strategy (Primary Stages); and Hit the Wall (Barrow Street). Regional credits include Put Your House in Order (La Jolla Playhouse). TV credits include Fosse/Verdon (FX). Ike is developing a project with Tribeca Productions/Netflix and the HAROLD series for Wayfarer Studios. He is a winner of the WGA Award for Fosse/Verdon and the Windham-Campbell Prize for playwriting. IkeHolter.com
Lili-Anne Brown (Director) is a native Chicagoan who works as a director, actor and educator. She has performed in, directed and produced many award-winning shows, both local and regional. Goodman credits include School Girls; Or, The African Mean Girls Play and the world premiere of Ike Holter's Lottery Day. She is the former Artistic Director of Bailiwick Chicago, where she focused programming on Chicago-premiere musicals and new play development with resident playwrights. She is a member of SDC, AEA, SAG-AFTRA and is represented by William Morris Endeavor. lilbrownchicago.com
ABOUT THE GOODMAN
Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement.
Led by Artistic Director Robert Falls and Executive Director Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” It’s longtime annual holiday tradition A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.
Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home to these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.
As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Goodman Theatre’s Action Plan for Inclusion, Diversity, Equity, Anti-Racism and Access (IDEAA) was born out of the belief that progress means action, which includes building on the decades-long commitment to using art, assets and resources to contribute to a more just, equitable and anti-racist society.
Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.
Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Megan McCarthy Hayes is President of the Scenemakers Board for young professionals.
