Additional Performances of Betrayal and Fat Ham Extend the Run of Both Shows at Goodman Theatre

ChiIL Live Shows On Our Radar

HIGH DEMAND FOR TICKETS PROMPTS EXTENSIONS OF TWO GOODMAN PRODUCTIONS

***FAT HAM EXTENDS A SECOND TIME (THROUGH MARCH 9) AND SUSAN V. BOOTH’S MAJOR REVIVAL OF BETRAYAL, STARRING IAN BARFORD, HELEN HUNT AND ROBERT SEAN LEONARD, EXTENDS THROUGH MARCH 23***

The new year is off to a strong start on stage as Goodman Theatre announces additional performances for both of its current productions: Fat Ham in the 350-seat Owen Theatre—marking the second extension for Tyrone Phillips’ Chicago-premiere production of James Ijames’ Pulitzer Prize-winning play—and Susan V. Booth’s major revival of Betrayal in the 856-seat Albert Theatre. Dates and times for the extension week performances appear below. Betrayal, which begins performances this weekend, features Tony Award nominee and Outer Critics Circle Award winner Ian Barford as Robert, Oscar, Emmy and Golden Globe Award winner Helen Hunt as Emma and Tony Award winner Robert Sean Leonard as Jerry in Harold Pinter’s masterwork. Betrayal appears February 8 – March 23. 

I'll be out to review for ChiIL Live Shows on opening night, February 17th. Tickets ($40 - $175; subject to change) are available at GoodmanTheatre.org/Betrayal or by phone at 312.443.3800. 

The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor), Katten Muchin Rosenmann LLP and PAXXUS, Inc. (Corporate Sponsor Partners). 

Fat Ham, the “heartwarming, tension-filled and laugh-out-loud funny” (Daily Herald) reimagination of Shakespeare’s Hamlet directed by Tyrone Phillips adds five performances to its Chicago run with a second extension. Co-produced with Chicago’s famed Definition Theatre—of which Phillips is Founding Artistic Director and playwright James Ijames is a company member—Fat Ham tells the story of Juicy, a Black, queer young man who is confronted by the ghost of his father during a family barbeque. Seeking revenge for his murder, his father puts a screeching halt to Juicy’s quest for joy and liberation. Ijames’s reinvention of Shakespeare’s masterpiece features an all-Chicago cast: Trumane Alston (Juicy), Sheldon Brown, E. Faye Butler, Ronald L. Conner, Victor Musoni, Ireon Roach and Anji White. 

It was my great pleasure to catch opening night of Fat Ham, reviewing for ChiIL Live Shows. We've long been fans of Definition Theatre's excellent work and love this creative, high energy riff on Hamlet as a modern black barbecue. Don't miss this! 

(This "Juicy" collab's so nice they extended it twice! FAT HAM is Goodman Theatre's co-production with Definition Theatre and an absolute must see. Now playing through March 9, 2025)

Highly recommended. ★★★★ Four out of four stars. B Kenaz-Mara, ChiIL Live Shows

Fat Ham appears through March 9. Tickets ($35 - $85; subject to change) are available at GoodmanTheatre.org/Ham or by phone at 312.443.3800. 

Goodman Theatre is grateful for the support of ITW (Corporate Sponsor Partner), the Elizabeth Morse Charitable Trust (Lead Sponsor of IDEAA Programming) and the National Endowment for the Arts (Production Support).

FAT HAM EXTENSION WEEK SCHEDULE

-Thursday, March 6 at 7:30pm

-Friday, March 7 at 7:30pm

-Saturday, March 8 at 2pm

-Saturday, March 8 at 7:30pm

-Sunday, March 9 at 2pm

BETRAYAL EXTENSION WEEK SCHEDULE

-Tuesday, March 18 at 7:30pm 

-Wednesday, March 19 at 2pm 

-Wednesday, March 19 at 7:30pm 

-Thursday, March 20 at 7:30pm 

-Saturday, March 22 at 2pm and 7:30pm*

-Sunday, March 23 at 2pm and 7:30pm

*At these two performances, the role of Emma will be played by Cheyenne Casebier.

Full Company of Betrayal (in alphabetical order)

By Harold Pinter

Directed by Susan V. Booth

Ian Barford…Robert

Nico Grelli…Waiter

Helen Hunt…Emma

Robert Sean Leonard…Jerry

Understudies…Cheyenne Casebier, Michael Milligan and Jeff Parker.

Creative Team

Set Designer…..Neil Patel

Costume Designer ……Linda Roethke

Lighting Designer…..Xavier Pierce

Projection Designer….Rasean Davonté Johnson

Sound Designers and Composers….Michael Bodeen and Rob Milburn

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Nikki Blue is the Production Stage Manager and Jennifer Gregory is the Stage Manager.

Full Company of Fat Ham (in alphabetical order)

By James Ijames

Directed by Tyrone Phillips

Trumane Alston…Juicy

Sheldon Brown…Larry

E. Faye Butler…Rabby

Ronald L. Conner…Rev/Pap

Victor Musoni…Tio

Ireon Roach…Opal

Anji White…Tedra

Understudies…Blake Hamilton Currie, Marquise De’Jahn, TayLar, Joseph Primes and Jazzy Rush.

Creative Team

Set Designer…..Arnel Sancianco

Costume Designer ……Jos N. Banks

Lighting Designer…..Jason Lynch

Sound Designer….. Willow James

Illusion Consultant…Benjamin Barnes

Fight and Intimacy…Gaby Labotka

Casting is by Lauren Port, CSA. Jared Bellot is the Dramaturg. Patrick Fries is the Production Stage Manager.

ABOUT DEFINITION THEATRE

Definition Theatre has been a vibrant force for over a decade, celebrating stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibilities found at the intersection of art, innovation, and education. Known for bold and impactful productions, we’ve brought to life plays by Oscar-winner Tarell Alvin McCraney, Pulitzer Prize-winners James Ijames and Jackie Sibblies Drury, and Tony Award-winner Branden Jacobs-Jenkins. We strive to promote equity, foster empathy, and enhance the quality of life for our community members by offering opportunities for creative, entrepreneurial, and cultural expression. Our work emphasizes collaboration in theater-making and raises awareness of career paths in the arts. In 2024, Definition leased and equipped a storefront space in Hyde Park, enabling us to engage artists and expand programs as we prepare for our permanent home in Woodlawn on the southside of Chicago. This new theater, community center, and business incubator will amplify and preserve BIPOC voices, promote social justice, and empower the next generation of artists, entrepreneurs, and changemakers to drive positive progress through the transformative power of the arts. Tyrone Phillips is the Artistic Director, Neel McNeill is the Executive Director, Willow James is the Civic Engagement Director.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

ON SALE: THE MATCHMAKER AT GOODMAN THEATRE'S ALBERT THEATRE 3/5-4/10

BROADWAY’S KRISTINE NIELSEN AND CHICAGO FAVORITE ALLEN GILMORE LEAD  THE MATCHMAKER, THORNTON WILDER’S RARELY-REVIVED UPROARIOUS ROMP AT  GOODMAN THEATRE  ***DIRECTED BY HENRY WISHCAMPER WITH A SET BY NEIL PATEL AND COSTUMES BY JENNY MANNIS,  THE MATCHMAKER APPEARS MARCH 5 – APRIL 10  IN THE ALBERT THEATRE; TICKETS ON SALE NOW***  Casting is complete for Henry Wishcamper’s contemporary take on Thornton Wilder’s The Matchmaker—the inspiration for the musical Hello, Dolly!, praised as “one of the sweetest and smartest romantic farces ever written” (The Wall Street Journal)—revealing social truths through mistaken identity, outrageous misbehavior and spontaneous romance.  Tony Award nominee Kristine Nielsen is Dolly Gallagher Levi, the vivacious matchmaker who is recruited to find a wife for the wealthy yet prickly widower, Horace Vandergelder, portrayed by Chicago favorite Allen Gilmore. Little does Horace know that Dolly is plotting to become the next Mrs. Vandergelder herself!  Joining Nielsen and Gilmore are a cast of acclaimed talents and rising stars, including Theo Allyn (Ermengarde), Behzad Dabu (Barnaby Tucker), Larry DiStasi (Cabman/Rudolph), Marilyn Dodds Frank (Flora Van Huysen), Sydney Germaine (Minnie Fay), Marc Grapey (Malachi Stack), Anita Hollander (Cook/Gertrude), Ronobir Lahiri (Ambrose Kemper), Elizabeth Ledo (Mrs. Malloy), Postell Pringle (Cornelius Hackl) and Ron Rains (Joe Scanlon). The creative team includes: Neil Patel (sets), Jenny Mannis (costumes), David Lander (lights) and Richard Woodbury (sound). Alden Vasquez is the Production Stage Manager.  The Matchmaker appears in the Goodman’s 856-seat Albert Theatre, March 5 – April 10, 2016. Tickets ($25-$82, as well as a special $10 ticket price for students) go on sale Friday, January 22; visit GoodmanTheatre.org, call 312.443.3800 or purchase in person at the Box Office at 170 N. Dearborn. For images and bio information for the company, visit GoodmanTheatre.org/PressRoom. Ernst & Young LLP and Interactive Health are the Corporate Sponsor Partners. “I’m thrilled to collaborate with this diverse group of extraordinary artists on the play Thornton Wilder called ‘a farce with social implications’—and what I believe is his most unappreciated major play,” said Director Henry Wishcamper, who has earned critical acclaim for his productions of classic plays, including Charles Dickens’ A Christmas Carol and Lillian Hellman’s The Little Foxes, among others. “Effortlessly charming, funny and romantic, The Matchmaker also touches on many issues—economic inequity, diversity and the search for the authentic self—that feel relevant to our current cultural moment. Like the play, I hope our production will capture both levity and emotional depth.” Broadway star Kristine Nielsen makes her Goodman debut. “This will be my first time back in Chicago since I graduated from Northwestern University 30-odd years ago, and I can't wait to unleash ‘Dolly Gallagher Levi’—crossing fingers for hijinks and hilarity results,” said Nielsen, who previously appeared as ‘Sonia’ in the Broadway sensation Vanya and Sonia and Masha and Spike by Christopher Durang, earning her the 2013 Tony Award Nomination for Best Lead Actress in a Play. On the heels of his appearance in Wishcamper’s production of A Christmas Carol, Allen Gilmore joins Nielsen to lead the 13-member cast. “I'm happy to return to the Goodman for this exciting reimagining of Thornton Wilder’s iconic play and am likewise overjoyed to reunite with Henry, Theo Allyn and Ron Rains, my buddies from A Christmas Carol,” said Gilmore, the 2015 recipient of the 3Arts Award, whose past Thornton Wilder credits include Our Town at Seattle’s Intiman Theater.

OPENING: THE LITTLE FOXES at The Goodman Theatre 5/2-6/7/15

LILLIAN HELLMAN’S FEROCIOUS, FUNNY AND ENDURINGLY RELEVANT  THE LITTLE FOXES  REVIVED AT THE GOODMAN MAY 2 – JUNE 7 DIRECTED BY HENRY WISHCAMPER  **ALL-STAR CHIGAGO CAST INCLUDES MICHAEL CANAVAN, SHANNON COCHRAN, MARY BETH FISHER, RAE GRAY, JOHN JUDD, STEVE PICKERING, CHERENE SNOW, DAN WALLER, LARRY YANDO AND DEXTER ZOLLICOFFER**  ***SPECIAL READING OF ANOTHER PART OF THE FOREST, HELLMAN’S PREQUEL, SET FOR MAY 16*** Greed and familial betrayal is at the darkly comic heart of The Little Foxes by Tony Award-winning playwright Lillian Hellman—“an expertly constructed, grippingly paced plot machine that pits good against evil and lets evil win” (The New York Times). Artistic Associate Henry Wishcamper directs the classic 1939 play about wealth’s corrupting power—one of Hellman’s most notable works, which was adapted into a 1941 film starring Bette Davis—centering on the Hubbard family’s ruthless pursuit in the South’s post-bellum economic slump. The Little Foxes appears May 2 – June 7 in the Albert Theatre (opening night is Monday, May 11). Tickets ($25-$81; subject to change) are on sale now at GoodmanTheatre.org/LittleFoxes, by phone at 312.443.3800 or at the box office (170 North Dearborn). The Goodman Theatre Women’s Board is the Major Production Sponsor, Ernst & Young LLP and Interactive Health are the Corporate Sponsor Partners and Towers Watson is the Opening Night Sponsor for The Little Foxes. “The Little Foxes is a vivacious, bitingly funny American drama whose central idea—that greed can rot community, family and human beings—transcends the decades that separate us from Hellman’s characters,” said Artistic Director Robert Falls. “Henry has demonstrated an affinity and dexterity with previous classic stage works, including Charles Dickens and August Strindberg, and I’m excited for him to sink his teeth into this juicy masterwork.” A 10-member all-star Chicago cast brings the rapacious Hubbard clan to life. Shannon Cochran, Larry Yando and Steve Pickering portray the well-to-do siblings Regina, Ben and Oscar Hubbard, who aim to compound their family fortune by opening an industrialized cotton mill in their small southern town. The venture, however, will prove impossible without the financial support of Horace (John Judd), Regina’s dying husband. In an attempt to secure the money, Oscar initially suggests Leo (Dan Waller), his son with his troubled wife Birdie (Mary Beth Fisher), marry Regina’s and Horace’s daughter Alexandra (Rae Gray). When Horace refuses to endorse the marriage, an explosive series of betrayals shatters the Hubbard clan’s genteel façade and exposes their merciless intentions. Rounding out the cast is Michael Canavan as William Marshall; Cherene Snow as Addie; and Dexter Zollicoffer as Cal. The creative team includes Todd Rosenthal (set), Jenny Mannis (costumes), David Lander (lighting) and Richard Woodbury (sound). Joseph Drummond is the production stage manager and Neena Arndt is the dramaturg. As a complement to the production, the Goodman presents a reading of Another Part of the Forest—the play Hellman wrote as a prequel to The Little Foxes and a work the theater previously produced in its 1956/1957 season. This one-time special event takes place on Saturday, May 16 at 2pm at the Goodman. Tickets are free but reservations are required via the Goodman box office (contact information above). Though a work of fiction, the environs The Little Foxes depicts were part of Tony Award-winning playwright Lillian Hellman’s (1905 – 1984) formative years. Born into a successful southern family in New Orleans, Hellman spent her childhood shuttling between the South and New York City and later attended New York University and Columbia University. Blacklisted after refusing to sign a loyalty clause with Columbia Pictures, she was summoned to testify in front of the House of Un-American Activities Committee in 1951, but refused to plead the fifth amendment or deny her brief involvement with the Communist party. She memorably delivered a statement in which she wrote, “I was raised in an old-fashioned American tradition…to try to tell the truth, not to bear false witness, not to harm my neighbor, to be loyal to my country… I cannot and will not cut my conscience to fit this year’s fashions.” Hellman’s celebrated works include The Children’s Hour, Watch on the Rhine, Another Part of the Forest, The Autumn Garden, Toys in the Attic (Tony Award), My Mother, My Father and Me, Montserrat, The Searching Wind and Days to Come. She also won a Tony Award for the book of the musical Candide. Her many accolades include the New York Drama Critics Circle Award, the Gold Medal for Drama from the National Institute of Arts and Letters and the National Book Award for her memoir, An Unfinished Woman. She also subsequently wrote two more volumes of her memoirs, Pentimento: A Book of Portraits and Scoundrel Time. EVENTS AND SPECIAL PERFORMANCES (Contact the Goodman Theatre Box Office for tickets/reservations) May 10, Artist Encounter with Director Henry Wishcamper, 5pm discussion ($5; FREE for Subs/Donors/students) May 13, College Night – 6pm pre-show pizza party, 7:30pm show ($10 promo COLLEGE w/valid student ID) May 13, Sign Interpreted performance, 7:30pm; a professional ASL interpreter signs the action/text as performed May 16, Reading of Another Part of the Forest, 2pm; Lillian Hellman’s prequel play to The Little Foxes May 14 and 19, Student Matinee Performances, 11am (free for students in the Student Subscription Series) May 20, Audio Described Performance, 7:30pm; the action/text is audibly enhanced via a special headset   June 6, Open-Captioned Performance, 2pm; an LED sign presents dialogue in sync with the performance May 15, 22 and 29, June 5, PlayTalks – Pre-show discussions with members of the Goodman’s Artistic Staff Every Wednesday and Thursday evening, PlayBacks – Discussions with actors immediately following the show