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Showing posts with label Lolita Chakrabarti. Show all posts
Showing posts with label Lolita Chakrabarti. Show all posts

Tuesday, December 17, 2024

SAVE THE DATE: Three-time Jeff Award winner Ron OJ Parson to direct Hymn at Chicago Shakespeare Theater April 29–May 25

ChiIL Live Shows On Our Radar 

Three-time Jeff Award winner Ron OJ Parson to direct 

Hymn

Olivier Award winner Lolita Chakrabarti  re-sets her acclaimed play in Chicago

April 29–May 25 in the Courtyard Theater

Three-time Jeff Award winner, Ron OJ Parson and Hymn, Olivier Award winner, Lolita Chakrabarti

Chicago Shakespeare Theater (CST) announces renowned Chicago director Ron OJ Parson will helm the North American premiere of Lolita Chakrabarti’s Hymn, making his CST directorial debut. Chakrabarti has re-imagined her play in the South Side of Chicago, following an acclaimed premiere at London’s Almeida Theatre. The creative team also includes scenic and projection designer Rasean Davonté Johnson, costume designer Yvonne Miranda, lighting designer Jason Lynch, and sound designer and composer Willow James. The production runs April 29–May 25, 2025 in the Jentes Family Courtyard Theater. 

Hymn charts the lives of two middle-aged Black men as they form a deep bond in an intimate exploration of the loyalties and betrayals of brothers, fathers, and sons. The play received five-star reviews in its UK premiere from The Observer, The Daily Mail, and WhatsOnStage, which hailed it as “mind-blowingly excellent.”

“I wanted to write a story of two Black men who find love with each other—a familial, platonic love,” says Chakrabarti. “My own male friends have often surprised me with their sensitivity, femininity, fussiness, insecurities, fun, kindness, and warmth—the list goes on. Hymn was born out of my desire to tell a different story. To reframe this play for Chicago is very exciting indeed, and I believe it will lend itself beautifully to this city’s rich culture.”

CST artistic director Edward Hall said, "In my brief time in Chicago it has not taken me long to get acquainted with the work of the brilliant Ron OJ Parson. Both Lolita and I felt he was the missing piece in this delicate jigsaw, and I am deeply happy that the play resonated so powerfully with him. This will be Ron’s Chicago Shakespeare debut, and I am delighted to be welcoming the director of such a huge and important body of work into our company."

“I’ve long admired the work at Chicago Shakespeare, during my theater journey here in Chicago,” said Parson. “I am truly honored to be working on Hymn by world-renowned playwright Lolita Chakrabarti. As my journey continues, what better play than a play about brothers, family, love, faith, and hope. What the world needs a lot of. Peace.”

Lolita Chakrabarti won the Olivier Award for Best New Play for her adaptation of Yann Martel’s novel Life of Pi, which later went on to a Tony Award-winning Broadway run and a national tour. Her adaptation of Maggie O’Farrell’s novel Hamnet premiered at the Royal Shakespeare Company and the West End last year. Chakrabarti’s debut play Red Velvet enjoyed an acclaimed run at CST in 2017.

Ron OJ Parson is the co-founder and former artistic director of Onyx Theatre Ensemble, a resident artist at Court Theatre, and an ensemble member at TimeLine Theatre. In 2022, he received the Zelda Fichandler Award from the Stage Directors and Choreographers Foundation and was recognized as the Chicago Tribune’s Chicagoan of the Year for Theater. He has won three Jeff Awards for directing for Relentless at TimeLine Theatre, and Blues for an Alabama Sky and Fences at Court Theatre. Other credits include East Texas Hot Links, The Lion In Winter, Arsenic and Old Lace, Two Trains Running, King Hedley II, Radio Golf, Five Guys Named Moe, Gem of the Ocean, Seven Guitars, Jitney, and The Piano Lesson at Court Theatre, Trouble in Mind, Too Heavy For Your Pocket, and A Raisin in the Sun at TimeLine Theatre Company, Toni Stone and Sweat at Goodman Theatre, and Ma Rainey’s Black Bottom and East Texas Hot Links at Writers Theatre.

Parson is joined on the creative team by scenic and projection designer Rasean Davonté Johnson, a two-time Jeff Award winner returning to Chicago Shakespeare after Measure for Measure and It Came From Outer Space, with other recent credits including Romeo and Juliet at Oregon Shakespeare Festival, Lucha Teotl at Goodman Theatre, and Her Honor Jane Byrne at Lookingglass Theatre; costume designer Yvonne Miranda, who makes her CST debut with recent credits including Leroy & Lucy at Steppenwolf Theatre, Primary Trust at Goodman Theatre, and The Hot Wing King at Writers Theatre; lighting designer Jason Lynch, a Jeff Award winner returning to CST after Beauty and the Beast, with other credits including Layalina and the ripple, the wave that carried me home at Goodman Theatre and Choir Boy at Steppenwolf Theatre; and sound designer and composer Willow James, who returns to CST after Twelfth Night, with other credits including A Christmas Carol, The Penelopiad, and The Nacirema Society at Goodman Theatre.

More information at chicagoshakes.com/hymn or on social media at @chicagoshakes.  

CHICAGO SHAKESPEARE THEATER (CST)

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a bold and innovative year-round season that includes Shakespeare, original plays, musicals, family programming, and international theatrical events. CST is committed to serving as a cultural center across its three stages—the 700+ seat Yard, 500 seat Jentes Family Courtyard Theater, and the 200 seat Carl and Marilynn Thoma Upstairs Studio as well as in classrooms, neighborhoods, and venues around the world. CST has a deep commitment to education and lifelong learning with robust programming for students, teachers, and lifelong learners, and engagement with communities across the city. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted theater—inviting audiences, artists, and community members to share powerful stories that illuminate the complexities, ambiguities, and wonders of our world. www.chicagoshakes.com

Tuesday, November 28, 2017

OPENING: RED VELVET at Chicago Shakespeare Theater 12/1/17-1/21/18

Chi, IL LIVE Shows On Our Radar:



Ira Aldridge (Dion Johnstone) made history as the first black actor to play Othello on the London stage in 1833, explored in Chicago Shakespeare Theater’s production of Red Velvet, directed by Gary Griffin, in CST’s Courtyard Theater, December 1, 2017–January 21, 2018. 


Extraordinary life of trailblazing African-American actor
whose Othello shocked nineteenth-century London

RED VELVET
award-winning drama staged by Gary Griffin
featuring celebrated Stratford Festival actor Dion Johnstone
begins performances December 1


We can't wait to catch Chicago Shakespeare Theater's next production, the stirring historical drama Red Velvet, staged by Broadway and Chicago director Gary Griffin and starring celebrated Shakespearean actor Dion Johnstone! It's tough to be the first in any field, and we're eager to see the inspirational story of Ira Aldridge come to life on stage. 



Presented in CST’s Courtyard Theater December 1, 2017–January 21, 2018, the award-winning play by Lolita Chakrabarti shines new light on the seldom-told, true story of Ira Aldridge.

In 1833 at the Theatre Royal in Covent Garden, Edmund Kean, the greatest actor of his age, collapses on stage while performing the lead in Othello. He is replaced by a young, black American actor, Ira Aldridge—a first for the role on London's West End, sending shockwaves through the streets as a bill promoting the abolition of slavery is debated in Parliament. After breaking barriers on the London stage, Aldridge went on to forge a remarkable decades-long career performing across Europe—garnering acclaim in roles like Shylock, Macbeth, and King Lear.


Photo by Liz Lauren.

In what is sure to be a career highlight, Dion Johnstone takes on the role of theatrical trailblazer Ira Aldridge across the span of his storied career. Johnstone is celebrated for his portrayals of some of the most demanding roles in Shakespeare’s canon: he has appeared in nine seasons at Canada’s Stratford Festival, and recently made his off-Broadway debut in the title role of Coriolanus. He returns to Chicago Shakespeare after appearing as Marc Antony in Julius Caesar, and Helicanus in Pericles. Now, after having performed the role of Othello twice, Johnstone explores the pivotal figure who made history by taking on the role.

On portraying Aldridge, Johnstone shared, “Ira Aldridge used his platform on the stage to convince European audiences that people of color had souls and intellects as wise and as deep as theirs. His struggle resonates powerfully today—and yet he’s a part of American and European history that has almost been forgotten. It’s a privilege to be able to bring Ira’s voice to life, and I hope this production helps elevate him to the status he deserves.”

Award-winning director of Broadway and Chicago stages Gary Griffin returns to Chicago Shakespeare, where he stages his twenty-fourth production. Griffin’s work has been seen on Broadway in Honeymoon in Vegas, The Color Purple and The Apple Tree. The ten-time Jeff Award winner’s CST directing credits feature a diverse body of work spanning musicals (Gypsy, Road Show, Follies); Shakespeare plays (A Midsummer Night’s Dream, As You Like It); and classics (Private Lives, Amadeus). His landmark production of Pacific Overtures at Chicago Shakespeare went on to the Donmar Warehouse in London, where it garnered the Olivier Award for Outstanding Musical Production and a nomination for Best Director.

A leading lady of Chicago theater, Chaon Cross portrays the legendary stage actress Ellen Tree, who appears as the ill-fated Desdemona opposite Aldridge’s Othello. Cross makes her highly anticipated return to Chicago Shakespeare, where she has memorably appeared as Celia in As You Like It, Sybil in Private Lives, Imogen in Cymbeline and Cressida in Troilus and Cressida. Michael Hayden depicts Charles Kean, an aspiring actor in the shadows of his famous father, Edmund Kean. Hayden notably garnered Olivier and Drama Desk nominations for his portrayal of Billy Bigelow in the Royal National Theatre/Lincoln Center Theatre production of Carousel, and gained acclaim for performing the title roles of Henry V and Richard II in repertory for DC’s Shakespeare Theatre Company.

Greg Matthew Anderson appears as Pierre LaPorte, the entrepreneurial theater manager who propels Aldridge into the role. The Red Velvet company includes Jürgen Hooper (Casimir/Henry), Tiffany Renee Johnson (Connie), Roderick Peeples (Bernard Ward/Terence), Annie Purcell (Margaret/Halina), and Bri Sudia (Betty).

Collaborators on the Red Velvet creative team are Scenic Designer Scott Davis, Costume Designer Mara Blumenfeld, Lighting Designer Christine Binder, and Sound Designer Chris Kriz. Davis has designed over 25 Chicago Shakespeare productions, including most recently Shakespeare in Love, The Book of Joseph and the Tug of War saga. A four-time Jeff Award winner, Blumenfeld is a frequent collaborator with Griffin, having previously designed King Charles III, Sunday in the Park with George and A Midsummer Night’s Dream at CST. Binder’s designs have graced opera and theatre stages internationally. Kriz has been honored with three Jeff Awards for his Sound Design and original compositions. Award-winning composer and lyricist Jenny Giering creates new music score for the production. Joining Gary Griffin on the directing team is Associate Director Tyrone Phillips, who was named to the Chicago Tribune’s “Hot New Faces of Theater” in 2015. Rounding out the creative team are Dialect Coach Eva Breneman and Fight Choreographer David Woolley.

For more information, visit www.chicagoshakes.com/velvet.

Red Velvet will be presented in Chicago Shakespeare’s Courtyard Theater, December 1, 2017–January 21, 2018. Single tickets are on sale now for $48–$88 (subject to change). Special discounts are available for groups of 10 or more, as well as CST for $20 tickets for patrons under 35. For more information or to purchase tickets, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com.

CST strives to make its facility and performances accessible to all patrons through its Access Shakespeare programs. Red Velvet will have Open-captioned performances on Thursday, December 21 at 1:00 p.m. and 7:30 p.m.; an ASL Duo-interpreted performance on Friday, January 12 at 7:30 p.m.; and an Audio-described performance on Sunday, January 14 at 2:00 p.m. (with optional touch tour at 12:00 p.m.).

ABOUT CHICAGO SHAKESPEARE THEATER
A global theatrical force, Chicago Shakespeare Theater (CST) is known for vibrant productions that reflect Shakespeare’s genius for storytelling, musicality of language, and empathy for the human condition. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago Shakespeare has redefined what a great American Shakespeare theater can be, putting forward a company that delights in the unexpected and defies theatrical category. A Regional Tony Award-winning theater, CST produces acclaimed plays at its home on Navy Pier, throughout Chicago’s schools and neighborhoods, and on stages around the world. In 2017, the Theater unveiled a radical new stage, The Yard at Chicago Shakespeare. Together with the Jentes Family Courtyard Theater and the Thoma Theater Upstairs at Chicago Shakespeare, The Yard positions CST as the city’s most versatile performing arts venue.



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