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Showing posts with label Tennessee Williams. Show all posts
Showing posts with label Tennessee Williams. Show all posts

Saturday, June 30, 2018

OPENING: Tennessee Williams’ Cat on a Hot Tin Roof at Drury Lane Through August 26th

Chi IL Live Shows On Our Radar:

Drury Lane Theatre announces casting for 
Tennessee Williams’ sultry family drama 
Cat on a Hot Tin Roof


Directed by Tony nominee Marcia Milgrom Dodge
Featuring Genevieve Angelson, Anthony Bowden,
Matt DeCaro, and Cindy Gold

July 5 – August 26, 2018

*Cat on a Hot Tin Roof is recommended for ages 13+. Please be advised that there are adult themes and brief strong language.*


I'll be ChiILin' at Drury Lane for the press opening July 12th. Check back shortly after for our full review. It's been a Tennessee season in Chi, IL. In the past few months I've caught Tennessee Williams' Suddenly Last Summer, and The Gentleman Caller, in which Williams is a main character. I'm eager to see Drury Lane's take on his infamous classic, Cat on a Hot Tin Roof.

Drury Lane Theatre announces casting for its sultry summer drama, Tennessee Williams’ Cat on a Hot Tin Roof, directed by Tony nominee Marcia Milgrom Dodge (2009 Broadway revival of Ragtime, Drury Lane’s Smokey Joe’s Cafe). Cat on a Hot Tin Roof runs July 5 – August 26, 2018, at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace. 


The cast of Cat on a Hot Tin Roof is led by Genevieve Angelson (Maggie), who appeared as Nina in the 2013 Tony-nominated production of Vanya and Sonia and Masha and Spike. Angelson is also known for roles on Showtime’s House of Lies and Amazon’s original series Good Girls Revolt. The production also features Anthony Bowden as Brick and Matt DeCaro as Big Daddy. The role of Big Mama will be played by Cindy Gold (July 5-August 12) and Janet Ulrich Brooks (August 15-26). Rounding out the cast of Cat on a Hot Tin Roof are Michael Milligan (Gooper), Gail Rastorfer (Mae), Craig Spidle (Reverend Tooker), Joe Bianco (Doctor Baugh), Donica Lynn (Sookey), and Reginald Robinson Jr. (Lacey). 

In the heat of the South under the gaze of patriarch Big Daddy, the expectations of marriage and family spoil. A birthday party brings a family's skeletons to the surface as each one fights over the bones. Cat on a Hot Tin Roof is well known for the 1958 film adaptation starring Elizabeth Taylor, Paul Newman, and Burl Ives which received six Oscar nominations, including Best Picture, Best Actor, Best Actress, Best Director, and Best Adapted Screenplay.

In addition to Director Marcia Milgrom Dodge, the creative team includes: Kevin Depinet (Scenic Designer), Sully Ratke (Costume Designer), Driscoll Otto (Lighting and Projection Designer), Ray Nardelli (Sound Designer), Cassy Schillo (Properties Designer), Claire Moores (Wig and Hair Designer), and Sammi Grant (Dialect Coach). The Production Stage Manager is Larry Baker.

Marcia Milgrom Dodge (Director) is a Tony Award and Drama Desk Award nominated theatre director and choreographer. For Drury Lane Theatre, she directed and choreographed the Jeff Award winning revue Smokey Joe’s Cafe. Her work has been seen throughout the United States and in Canada, England, Asia, Denmark, and the Middle East; in theatres on Broadway and Off-Broadway; at acclaimed regional theatres such as the New York City Opera, John F. Kennedy Center of The Performing Arts, Arena Stage, Goodman Theatre, Denver Center Theatre Company, Glimmerglass Festival, La Jolla Playhouse, Pittsburgh Public Theatre, Repertory Theatre of St. Louis, Cincinnati Playhouse in the Park, Cleveland Play House, Huntington  Theatre, Bay Street Theatre, Maltz Jupiter Theatre, Goodspeed Musicals, and Music Circus; and abroad at the Nanta Theatre (Seoul, S. Korea), Fredericia Teater (Denmark), Royal Opera House (Muskat, Oman), and Wintergardens Theatre (Blackpool, England). Dodge’s work has won the Joseph Jefferson, Helen Hayes, Carbonell, Los Angeles Drama Critics, Backstage Garland, Dora Mavor, New York Outer Critics Circle, and Daytime Emmy Awards, and she has been nominated for the Tony, Drama Desk, Astaire, Drama League, Barrymore, and Edgar Awards. She has directed and choreographed classic plays, operas, and musicals by Aaron Copeland, Bock & Harnick, Cole Porter, Comden & Green, Frank Loesser, Jerry Herman, Joe Masteroff, Jule Styne, Kander & Ebb, Leonard Bernstein, Lerner & Lowe, Meredith Willson, Noel Coward, Rodgers & Hammerstein, Stephen Sondheim, and Tennessee Williams, in addition to contemporary works by Andrew Lippa & Marshall Brickman & Rick Elice, Ahrens & Flaherty, Anthony Dodge, Beth Henley, Brian Friel, Donald Margulies, Duncan Sheik & Nell Benjamin, Eric Overmeyer, Jeffrey Haddow & Neal Hampton, Jeffrey Hatcher, Joe Raposo, John Logan, Julie Andrews & Ian Fraser & John Bucchino, Ken Ludwig, Larry Gatlin, Lou Rosen & Thom Bishop, Maltby & Shire, Mark Brown, Marsha Norman & Lucy Simon, Polly Pen, Rachel Sheinkin, Rupert Holmes, Simon Stephens, Stephen Schwartz, Terrence McNally, The Red Clay Ramblers, and William Finn. She is a teacher, a wife, a mother, a proud executive board member of the Stage Directors & Choreographers Society, and a published and produced playwright. 

GENEVIEVE ANGELSON (Maggie) is quickly rising within in the ranks of Hollywood’s most exciting young, leading actresses. Her dynamic energy and emotional strength allow her to shine, and in 2016, she was named The Hollywood Reporter’s “Next Big Thing” and one of Variety’s “10 TV Stars to Watch.” Genevieve just wrapped the Pop TV series Flack, opposite Anna Paquin, and prior to that starred as the lead of Amazon’s hit drama Good Girls Revolt. Angelson has also starred opposite Rainn Wilson in the FOX crime comedy-drama series Backstorm as a young and idealist detective. Prior to that, she had a nine-episode arc in season three of the Showtime comedy House Of Lies, alongside Don Cheadle and Kristen Bell. Her previous television credits include guest appearances on Instinct and The Good Wife. In film, she will soon be seen in The Upside opposite Bryan Cranston. Angelson made a splashy Broadway debut as the endearingly innocent “Nina” in Christopher Durang’s Vanya And Sonia And Masha And Spike, opposite Sigourney Weaver and David Hyde Pierce. The play received numerous accolades, receiving six Tony Award nominations and winning Best Play at the 67th Tony Awards, Outstanding Play at the 58th Drama Desk Awards, and Best Play at the 2013 New York Drama Critics’ Circle Award. Angelson currently splits her time between Los Angeles and New York.
ANTHONY BOWDEN (Brick) has appeared Off Broadway and Regionally with Panther Creek, Signature Theatre, Long Wharf, Northern Stage, Exit, Pursued By A Bear, and The Educational Theatre of New York. He’s a founding member of ARTes, an arts education outreach program that works in El Salvador. Anthony is entering his final year at Juilliard.

MATT DECARO (Big Daddy) has been seen most recently at The Asolo Repertory Theater as LBJ in The Great Society, as Oscar Hubbard in The Little Foxes, and Gene in Frank Galati’s Rhinoceros. He appeared last season at Timeline Theatre in The Audience as Winston Churchill and Harold Wilson. Though a Chicagoan, Matt has been fortunate to play in theaters across the country including Lincoln Center, Manhattan Theatre Club, Goodman Theatre, The Guthrie Theatre, Steppenwolf Theatre, The Old Globe Theatre, and San Francisco's A.C.T. and internationally in Dublin, Toronto, and China. Some favorite roles include the Judge in David Mamet's Romance, Dave Moss in Glengarry Glen Ross, Boss Mangan in Heartbreak House, Boolie in Driving Miss Daisy, and Fa Hai in Mary Zimmerman's The White Snake. His TV and film credits include The Wise Kids, Eagle Eye, House, and The Office, among many others.

CINDY GOLD (Big Mama) returns to Drury Lane after playing Helga ten Dorp in 2016’s Deathtrap. She recently appeared with Chicago Shakespeare in the all-female Taming of the Shrew, directed by Barbara Gaines. She played Gertrude Stein in Frank Galati and Stephen Flaherty's Loving Repeating for which she won the Joseph Jefferson Award for Best Actress in a musical. Chicago area performances include: In the Garden at Lookingglass, directed by Jessica Thebus; About Face Theatre’s A Kid Like Jake, directed by Keirra Fromm; My Fair Lady at Lyric Opera, directed by Robert Carsen; Measure for Measure at The Goodman, directed by Robert Falls; and Awake and Sing at Northlight, directed by Amy Morton. Cindy performed in Showboat at The Lyric Opera, Chicago, and Washington, D.C. National Opera at the Kennedy Center, directed by Francesca Zambello, as well as The Daughter of the Regiment (where she shared a role with Justice Ruth Bader Ginsberg!) at the Kennedy Center in D.C. Other Chicago credits include: Love, Loss and What I Wore at Broadway in Chicago, Pride and Prejudice and Jekyll and Hyde at Northlight, and Moises Kaufman's 33 Variations workshop/About Face and Tectonic Theatre. Cindy appeared in The Music Man at Glimmerglass Opera Company, both in New York and at the Royal Opera House in Muscat, Oman. She was recently seen in the television dramas Empire, Chicago Fire, and the pilot episode of TNT's Leverage. Cindy will be seen in the fall at Victory Gardens in Indecent, directed by Gary Griffin. She is a Professor of Acting at Northwestern University Department of Theatre (former Head of Acting) and the Head of the Acting for Screen Module.

MICHAEL MILLIGAN (Gooper) has appeared at the Goodman Theater in Blind Date; Chicago Shakespeare Theater in Othello (Iago) and Tug of War; Greenhouse Theater in The American Mercy Tour; and American Theater Company in Mercy Strain. His Broadway credits include August: Osage County, La Bete, and Jerusalem. He appeared Off Broadway in Thom Pain, The Golem, and Mercy Killers. Michael has performed at the RSC, Shakespeare Theater, Guthrie Theater, McCarter Theater, Westport Country Playhouse, St. Louis Rep, Cincinnati Playhouse, and many more. His TV credits are Law and Order, Person of Interest, The Knick, Chicago Justice, and APB. He trained at Juilliard (John Houseman Prize recipient). 

GAIL RASTORFER (Mae) has appeared regionally in The Curious Incident of the Dog in the Night-Time (Indiana Rep and Syracuse Stage); The Heidi Chronicles and The Game’s Afoot (Asolo Rep); Ten Chimneys and In the Next Room (Cleveland Playhouse); Noises Off (Clarence Brown Theatre); The Mousetrap (Maltz Jupiter Theatre); and Women in Jeopardy (Merrimack Rep). In Chicago, she has appeared at Chicago Shakespeare, Northlight, First Folio, Chicago Dramatists, The Goodman, American Blues, and The Unfortunates (SoloChicago, Jeff nomination for solo performance). TV credits include Chicago Fire, Crisis, Boss, Chicago Code, and dozens of national commercials. 

Dates:Previews: July 5 – 12, 2018
Regular run: July 13, 2018 – August 26, 2018 
Press Opening: Thursday, July 12 at 8:00 p.m.

Schedule: 
Wednesdays: 1:30 p.m.
Thursdays: 1:30 p.m. and 8:00 p.m.
Fridays: 8:00 p.m.
Saturdays: 5:00 p.m. and 8:30 p.m. 
Sundays: 2:00 p.m. and 6:00 p.m.

Location: Drury Lane Theatre at 100 Drury Lane in Oakbrook Terrace

Tickets: Previews: $38 - $53
Single Tickets: $43 - $58
Wednesday and Thursday matinees: $43
Thursday and Sunday evenings: $53
Friday and Saturday evenings and Sunday matinees: $58
Student group tickets start at $30.
Senior Citizens start at $38 for matinees.
Dinner and show packages available.

Box Office:
100 Drury Lane in Oakbrook Terrace
630.530.0111, Ticketmaster at 800.745.3000
or visit DruryLaneTheatre.com

2018/2019 Season and Subscription Information
The 2018/2019 season will open with the Tony Award-winning Rodgers & Hammerstein landmark musical South Pacific (April 5 – June 17, 2018). The season continues with Tennessee Williams’ sultry family drama Cat on a Hot Tin Roof (July 5 – August 26, 2018) followed by the darkly comedic musical Little Shop of Horrors (September 6 – October 28, 2018). For the holiday season, Drury Lane brings to life the treasured story of Belle with Disney’s Beauty and the Beast (November 9, 2018 – January 27, 2019) and then closes its 18/19 season with the global smash-hit Mamma Mia! featuring the music of ABBA (February 7 – April 14, 2019). The 2018/2019 season runs April 5, 2018, through April 14, 2019, at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace.

Subscriptions for the 2018/2019 Season are priced from $157 to $187 and are currently on sale. Subscribers receive special offers on dining, flexible ticket exchanges, and early notification and priority seating for added events and concerts. For more information, visit DruryLaneTheatre.com.



The performance schedule for all productions is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 8 p.m., Fridays at 8 p.m., Saturdays at 5 p.m. and 8:30 p.m., and Sundays at 2 p.m. and 6 p.m. Student group tickets start as low as $30 and Senior Citizens start at $40 for matinees. Dinner and show packages are also available. For individual ticket on-sale dates and ticket reservations, call the Drury Lane Theatre box office at 630.530.0111 or TicketMaster at 800.745.3000 or visit DruryLaneTheatre.com.

About Drury Lane Theatre 
Under the leadership of President Kyle DeSantis and Artistic Director William Osetek, Drury Lane Theatre is a major force in the Chicagoland theatre scene, presenting world-class productions in collaboration with some of the nation’s leading actors, artists, writers, and directors. Over the past 30 years, Drury Lane has staged more than 2,000 productions and has been nominated for more than 360 Joseph Jefferson Awards. Drury Lane is committed to breathing new life into beloved classics and introducing audiences to exciting new works. 

Throughout its 30-year history, Drury Lane has employed more than 7,500 actors and 10,000 musicians, designers, and crew members to entertain upwards of nine million audience members. Originally founded by Anthony DeSantis, Drury Lane Theatre remains a family-run organization known for producing breathtaking Broadway classics, top-rated musicals, bold new works, hilarious comedies, and unforgettable concert events.


Monday, April 23, 2018

OPENING: Tennessee Williams' SUDDENLY LAST SUMMER Via Raven Theatre 5/2-6/17/18


Chi IL Live Shows On Our Radar:

Raven Theatre Presents 
SUDDENLY LAST SUMMER
By Tennessee Williams
Directed by Jason Gerace
May 2 – June 17, 2018


Raven Theatre is pleased to conclude its 35th anniversary season with Tennessee Williams’ stark and intriguing drama SUDDENLY LAST SUMMER directed by Jason Gerace, playing May 2 – June 17, 2018 on Raven’s 105-seat East Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at www.raventheatre.com or by calling (773) 338-2177. I'll be out for the press opening on May 8th so check back shortly for my full review.


The cast of Raven Theatre's SUDDENLY LAST SUMMER includes (top, l to r) Ayanna Bakari, Grayson Heyl, Wardell Julius Clark, Mary Nigohosian, (bottom, l to r) Ann James, Janyce Caraballo and Andrew Rathgeber.


In 1930s New Orleans, wealthy socialite widow Violet Venable has summoned a brain surgeon to her home. Her niece Catherine has been crazed and traumatized since witnessing the horrifyingly violent death of Violet’s son. Enraged by Catherine’s claims, and unwilling to accept other facts about her son’s life, Mrs. Venable pursues extraordinary measures to keep Catherine silent. 

SUDDENLY LAST SUMMER originally opened on Broadway in 1958, toward the end of a 15-year period in which Williams produced his greatest and most popular works, from The Glass Menagerie (1944) to Sweet Bird of Youth (1959). The 1959 film adaptation starring Katharine Hepburn, Elizabeth Taylor and Montgomery Clift was a box office hit and earned Academy Award nominations for Hepburn and Taylor.

The production team for SUDDENLY LAST SUMMER includes: Joanna Iwanicka (scenic design), Brittany Bodley (costume design), Claire Chrzan (lighting design), Christopher Kriz (sound design), Mary O'Dowd (props design), Kathy Logelin (dialect coach), Lynn Baber (casting), Lindsey Marsland (assistant director), Cole von Glahn (production manager), Alex Meyer (stage manager) and Hannah Siglin (assistant stage manager).


Location: Raven Theatre East Stage, 6157 N. Clark St. (at Granville), Chicago

Dates: Previews: Wednesday, May 2 at 7:30 pm, Thursday, May 3 at 7:30 pm, Friday, May 4 at 7:30 pm, Saturday, May 5 at 7:30 pm, Sunday, May 6 at 3 pm and Monday, May 7 at 7:30 pm

Regular run: Friday, May 11 – Sunday, June 17, 2018

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm. Please note: there will not be a performance on Thursday, May 10.

Tickets: Previews $32 ($29 if purchased online). Regular run $46 ($43 if purchased online). Seniors/teachers $41 ($38 if purchased online). Students/active military and veterans $15. Every Thursday is “Under 30 Thursday,” when patrons under age 30 can purchase tickets for $15. Single tickets and subscriptions for the 2018-19 Season are currently available at www.raventheatre.com or by calling (773) 338-2177.

Group tickets: Groups of 10 or more are $30 per person for Thursday and Friday performances and $35 per person for Saturday and Sunday performances. Student groups are $15 per person.

Plan Your Visit: 
Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line. Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).

About the Director:
Jason Gerace (Director) is a freelance director in Chicago, and is so thrilled to be directing for Raven Theatre for the first time. He was the recipient of the 2014 Non-Equity Jeff Award in Outstanding Direction for Great Expectations with Strawdog Theatre Company, which broke box office records, was twice remounted, and led to the adaptation’s first publication. His production of Last Train to Nibroc for Haven Theatre was hailed as “an exquisitely acted and generally gorgeous little show” by the Chicago

Tribune. Regional directing credits include the world premiere of Gabe McKinley's The Source (Route 66 Theatre), the Chicago Premiere of Yussef El Guindi’s Threesome (Other Theatre), Wrecks (with John Judd; Chicago), Who’s Afraid of Virginia Woolf? and Opus (RedTwist Theatre, Chicago). Jason originally hails from Anchorage, Alaska and holds an MFA in Directing from The University of Oklahoma. He is an associate member of SDC, and served as Artistic Associate of American Theater Company from 2008 – 2018.

About Raven Theatre
Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by the Alphawood Foundation, Dramatists Guild Fund, Elizabeth F. Cheney Foundation, The MacArthur Fund for Arts and Culture at Prince, Polk Bros. Foundation, The Arts Work Fund for Organizational Development, S&C Electric, The Gaylord and Dorothy Donnelley Foundation, the PAV Fund and the Illinois Arts Council, a state agency.

Saturday, April 7, 2018

REVIEW: Pre-Famous Playwrights Disturb and Delight in Raven's Gentleman Caller

Chi, IL LIVE Shows On Our Radar:
EXTENDED: Two Additional Weeks of Performances!

THE GENTLEMAN CALLER features Rudy Galvan as Tennessee Williams and Curtis Edward Jackson as William Inge. 

 

(left to right) Curtis Edward Jackson and Rudy Galvan. 
All Photos by Michael Brosilow.

Review:
It's a rare treat to catch a glimpse into the lives of the pre-famous. THE GENTLEMAN CALLER does just that, inviting the audience into the 1944 lives of two struggling artists who were soon to change the face of American theatre, Tennessee Williams and William Inge. 

We're privy to the future greats' first meeting, a botched interview slash seduction by unfulfilled teacher turned critic, Inge, and his subject, up and coming playwright Williams, who is at present still a starving artist and virtual unknown, blowing his meager earnings on binge drinking benders. Though seeming opposites in personality, as they get to know one another, the two sense a rare connection and depth of camaraderie in their respective works, and an undeniable sexual spark. The writing is at once playful and powerful, and Galvan and Jackson are a joy to see, embodying the iconic playwrights, as they battle their respective demons and embrace their destinies. 



There's an enticing sense of history and back story playing out in this production, along with spot on universal truths about the artistic temperament, the downside of success, and the intensity of introspection, addiction and self loathing. It's a heady mix and a must see. Highly recommended. 




In the microcosm of Chicago's theatre scene, accidental coincidences in programming and intentional themes happen. Either way, we're elated that productions Tennessee Williams' Suddenly Last Summer at Raven in May and an entire season of William Inge at Eclipse, are so closely following the opening of Raven's excellent world premiere of THE GENTLEMAN CALLER. Check out the details at Raven Theatre's site and at Eclipse Theatre



Raven Theatre’s World Premiere of
THE GENTLEMAN CALLER
By Philip Dawkins
Directed by Artistic Director Cody Estle
Extends Through May 27, 2018 

After selling out more than half its run prior to opening, Raven Theatre is pleased to announce a two week extension for its world premiere of Philip Dawkins’ provocative drama THE GENTLEMAN CALLER, directed by Artistic Director Cody Estle, now playing through May 27, 2018 in Raven’s intimate 55-seat West Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets for all performances are currently available at www.raventheatre.com or by calling (773) 338-2177. 


PHOTO CREDIT: (left to right) Curtis Edward Jackson and Rudy Galvan in Raven Theatre’s world premiere of THE GENTLEMAN CALLER by Philip Dawkins, directed by Artistic Director Cody Estle. Photo by Michael Brosilow.

Although now regarded as two of history's finest American playwrights, back in 1944, William Inge and Tennessee Williams had yet to experience anything close to success. Before the Chicago premiere of The Glass Menagerie, Inge, a dissatisfied newspaper critic, invites Williams to his St. Louis apartment for an interview. This fraught, sexy rendezvous sparks a relationship which radically alters the course of their lives and the American Theatre.

Comments Raven Artistic Director Cody Estle, “I am thrilled to bring Raven Theatre its first commissioned play in 35 years, and even more excited to be working with the exceptionally talented Philip Dawkins. The Gentleman Caller is based on the true story of the meeting, friendship and sexual tryst of Tennessee Williams and William Inge. Philip has written a play that poignantly depicts two writers struggling to find their purpose and grappling with the consequences of that purpose. It’s both intoxicating and harrowing – much like the lives of Williams and Inge. Philip’s writing is a gift, and I’m delighted to have this phenomenal team bring his play to life.”

The production team for THE GENTLEMAN CALLER includes: Jeffrey D. Kmiec (scenic design), Melissa Ng (costume design), Michelle E. Benda (lighting design), Kevin O’Donnell (sound design), Claire Stone (properties design), David Woolley (fight choreography), Elise Kauzlaric (dialect coach), Eli Newell (assistant director), Isabel Thompson (assistant to the playwright), Tara Malpass (stage manager) and Destiney Higgins (assistant stage manager).

Location: Raven Theatre West Stage, 6157 N. Clark St. (at Granville), Chicago
Regular run: Friday, April 6 – Sunday, May 27, 2018

Curtain Times: Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3:30 pm. Please note: there will not be a performance on Thursday, April 5.

Tickets: Regular run $46 ($43 if purchased online). Seniors/teachers $41 ($38 if purchased online). Students/active military and veterans $15. Every Thursday is “Under 30 Thursday,” when patrons under age 30 can purchase tickets for $15. Single tickets and season subscriptions for the 2018-19 Season are currently available at www.raventheatre.com or by calling (773) 338-2177.

Group tickets: Groups of 10 or more are $30 per person for Thursday and Friday performances and $35 per person for Saturday and Sunday performances. Student groups are $15 per person.

About the Artists
Philip Dawkins (Playwright) is a Chicago playwright whose plays have been produced throughout the country and the world. His works Miss Marx: or The Involuntary Side Effect of Living (Strawdog Theatre) and Charm (Northlight Theatre at the Steppenwolf Garage) both won the Joseph Jefferson Award for Best New Work. His critically-acclaimed plays The Homosexuals, Le Switch (both produced by About Face Theatre) and Failure: A Love Story (Victory Gardens Theater), all received Joseph Jefferson Nominations for New Work, and he is the recipient of Joseph Jefferson Award for Best Solo Performance for his play, The Happiest Place On Earth (Side Show Theatre). His play, Charm, received its extended New York premiere with MCC this last year. Philip is an artistic associate at About Face Theatre, Side Show Theatre and MC-10 as well as an ensemble playwright at Victory Gardens Theater. He teaches playwriting at Northwestern University as well as at his alma mater, Loyola University Chicago.

Cody Estle (Director) is the newly appointed Artistic Director of Raven Theatre. Directing credits include Five Mile Lake at Shattered Globe Theatre; By The Water at Northlight Theatre; The Assembled Parties, A Loss of Roses, Dividing the Estate, Vieux Carré (named by Chicago Tribune as one of the Year's Best in 2014), Good Boys and True, Brighton Beach Memoirs, Boy Gets Girl and Dating Walter Dante at Raven Theatre; American Hero at First Floor Theatre; Scarcity at Redtwist Theatre; The Seagull and Watch on the Rhine at The Artistic Home; Don't Go Gentle at Haven Theatre; Uncle Bob at Mary-Arrchie Theatre Company and Hospitality Suite at Citadel Theatre. He’s had the pleasure of assistant directing at Steppenwolf Theatre, Northlight Theatre, Marriott Theatre, Goodspeed Musicals, Court Theatre, Writers Theatre, Next Theatre and Strawdog Theatre. Estle is an associate member of SDC and a graduate of Columbia College Chicago.

Plan Your Visit: 
Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line, Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).

About Raven Theatre
Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by the Alphawood Foundation, Dramatists Guild Fund, Elizabeth F. Cheney Foundation, The MacArthur Fund for Arts and Culture at Prince, Polk Bros. Foundation, The Arts Work Fund for Organizational Development, S&C Electric, The Gaylord and Dorothy Donnelley Foundation, the PAV Fund and the Illinois Arts Council, a state agency.

Thursday, March 29, 2018

OPENING: World Premiere of THE GENTLEMAN CALLER Via Raven Theatre Now Extended Through May 27th

Chi, IL LIVE Shows On Our Radar:

EXTENDED: Two Additional Weeks of Performances!

Raven Theatre’s World Premiere of
THE GENTLEMAN CALLER
By Philip Dawkins
Directed by Artistic Director Cody Estle
Extends Through May 27, 2018 




I'll be ChiILin' at Chi, IL's Raven Theatre for the press opening on Monday, April 2nd. Check back soon for my full review.

After selling out more than half its run prior to opening, Raven Theatre is pleased to announce a two week extension for its world premiere of Philip Dawkins’ provocative drama THE GENTLEMAN CALLER, directed by Artistic Director Cody Estle, now playing through May 27, 2018 in Raven’s intimate 55-seat West Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets for all performances are currently available at www.raventheatre.com or by calling (773) 338-2177. 


PHOTO CREDIT: (left to right) Curtis Edward Jackson and Rudy Galvan in Raven Theatre’s world premiere of THE GENTLEMAN CALLER by Philip Dawkins, directed by Artistic Director Cody Estle. Photo by Michael Brosilow.

THE GENTLEMAN CALLER features Rudy Galvan as Tennessee Williams and Curtis Edward Jackson as William Inge. 

Although now regarded as two of history's finest American playwrights, back in 1944, William Inge and Tennessee Williams had yet to experience anything close to success. Before the Chicago premiere of The Glass Menagerie, Inge, a dissatisfied newspaper critic, invites Williams to his St. Louis apartment for an interview. This fraught, sexy rendezvous sparks a relationship which radically alters the course of their lives and the American Theatre.

Comments Raven Artistic Director Cody Estle, “I am thrilled to bring Raven Theatre its first commissioned play in 35 years, and even more excited to be working with the exceptionally talented Philip Dawkins. The Gentleman Caller is based on the true story of the meeting, friendship and sexual tryst of Tennessee Williams and William Inge. Philip has written a play that poignantly depicts two writers struggling to find their purpose and grappling with the consequences of that purpose. It’s both intoxicating and harrowing – much like the lives of Williams and Inge. Philip’s writing is a gift, and I’m delighted to have this phenomenal team bring his play to life.”

The production team for THE GENTLEMAN CALLER includes: Jeffrey D. Kmiec (scenic design), Melissa Ng (costume design), Michelle E. Benda (lighting design), Kevin O’Donnell (sound design), Claire Stone (properties design), David Woolley (fight choreography), Elise Kauzlaric (dialect coach), Eli Newell (assistant director), Isabel Thompson (assistant to the playwright), Tara Malpass (stage manager) and Destiney Higgins (assistant stage manager).


Location: Raven Theatre West Stage, 6157 N. Clark St. (at Granville), Chicago

Dates: Previews: Wednesday, March 28 at 8 pm, Thursday, March 29 at 8 pm, Friday, March 30 at 8 pm, Saturday, March 31 at 8 pm and Sunday, April 1 at 3:30 pm 

Regular run: Friday, April 6 – Sunday, May 27, 2018

Curtain Times: Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3:30 pm. Please note: there will not be a performance on Thursday, April 5.

Tickets: Previews $32 ($29 if purchased online). Regular run $46 ($43 if purchased online). Seniors/teachers $41 ($38 if purchased online). Students/active military and veterans $15. Every Thursday is “Under 30 Thursday,” when patrons under age 30 can purchase tickets for $15. Single tickets and season subscriptions for the 2018-19 Season are currently available at www.raventheatre.com or by calling (773) 338-2177.

Group tickets: Groups of 10 or more are $30 per person for Thursday and Friday performances and $35 per person for Saturday and Sunday performances. Student groups are $15 per person.

About the Artists
Philip Dawkins (Playwright) is a Chicago playwright whose plays have been produced throughout the country and the world. His works Miss Marx: or The Involuntary Side Effect of Living (Strawdog Theatre) and Charm (Northlight Theatre at the Steppenwolf Garage) both won the Joseph Jefferson Award for Best New Work. His critically-acclaimed plays The Homosexuals, Le Switch (both produced by About Face Theatre) and Failure: A Love Story (Victory Gardens Theater), all received Joseph Jefferson Nominations for New Work, and he is the recipient of Joseph Jefferson Award for Best Solo Performance for his play, The Happiest Place On Earth (Side Show Theatre). His play, Charm, received its extended New York premiere with MCC this last year. Philip is an artistic associate at About Face Theatre, Side Show Theatre and MC-10 as well as an ensemble playwright at Victory Gardens Theater. He teaches playwriting at Northwestern University as well as at his alma mater, Loyola University Chicago.

Cody Estle (Director) is the newly appointed Artistic Director of Raven Theatre. Directing credits include Five Mile Lake at Shattered Globe Theatre; By The Water at Northlight Theatre; The Assembled Parties, A Loss of Roses, Dividing the Estate, Vieux Carré (named by Chicago Tribune as one of the Year's Best in 2014), Good Boys and True, Brighton Beach Memoirs, Boy Gets Girl and Dating Walter Dante at Raven Theatre; American Hero at First Floor Theatre; Scarcity at Redtwist Theatre; The Seagull and Watch on the Rhine at The Artistic Home; Don't Go Gentle at Haven Theatre; Uncle Bob at Mary-Arrchie Theatre Company and Hospitality Suite at Citadel Theatre. He’s had the pleasure of assistant directing at Steppenwolf Theatre, Northlight Theatre, Marriott Theatre, Goodspeed Musicals, Court Theatre, Writers Theatre, Next Theatre and Strawdog Theatre. Estle is an associate member of SDC and a graduate of Columbia College Chicago.

Plan Your Visit: 
Free parking is provided in a lot adjacent to the theatre – additional street parking is available. Nearest El station: Granville Red Line, Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson).

About Raven Theatre
Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

Raven Theatre Company is funded in part by the Alphawood Foundation, Dramatists Guild Fund, Elizabeth F. Cheney Foundation, The MacArthur Fund for Arts and Culture at Prince, Polk Bros. Foundation, The Arts Work Fund for Organizational Development, S&C Electric, The Gaylord and Dorothy Donnelley Foundation, the PAV Fund and the Illinois Arts Council, a state agency.

Saturday, April 11, 2015

SAVE THE DATES: A RED ORCHID THEATRE ANNOUNCES 2015-2016 SEASON


SHADE MURRAY DIRECTS THE WORLD PREMIERES OF PILGRIMS PROGRESS BY BRETT NEVEU AND SENDER BY IKE HOLTER; DADO DIRECTS THE MUTILATED BY TENNESSEE WILLIAMS

Here at ChiIL Live Shows, we're elated to see long time fav of ours, Brett Neveu will be back in rotation at A Red Orchid along with a host of stellar selections. He'll be in great company with Tennessee Williams's The Mutilated and the World Premiere of Sender by Ike Holter. Save the dates. 

A Red Orchid Theatre announces its 2015-2016 Season, including the World Premieres of Pilgrims Progress by Ensemble Member Brett Neveu (The Opponent), and Sender by Ike Holter, both directed by Ensemble Member Shade Murray (Mud Blue Sky, Accidentally like a Martyr) and The Mutilated by Tennessee Williams, directed by Ensemble Member Dado (Simpatico).  
Artistic Director Kirsten Fitzgerald comments, “We are twenty three and kickin’ hard. With two world premieres and a classic from arguably the most influential American playwright of the twentieth-century, I am thrilled to be digging ever deeper into the subjects of family, friendship and humanity at its most naked. There is truly nowhere to hide here at A Red Orchid Theatre. This season marks our first exploration of Williams, our eighth collaboration with Brett Neveu and our first with Ike Holter since his time as a box office volunteer many years ago. I could not be more excited about the challenges and the fun that each of these plays presents for our ensemble and our audiences alike.”  

A Red Orchid Theatre’s 2015-2016 Season includes:



World Premiere
PILGRIMS PROGRESS 
by Ensemble Member Brett Neveu 
Directed by Ensemble Member Shade Murray
Featuring Ensemble Member Kirsten Fitzgerald
October 15 – November 29, 2015
Previews October 15-18 
Press Opening Monday October 19 

It’s Thanksgiving Day and the McKee family is up to its eyeballs in hilarious drama. Between stirring the cranberries and debating pumpkin pie, parents Jim and Melissa relive their glory days. Meanwhile, their earth-poet Son and pregnant-teen Daughter navigate family contracts, holiday power grabs, and decades of thinly veiled deceit. For a family with such a strong appetite for tales, are their stories more important than the truth?  With homages to Albee, O’Neal, Williams and Shepard, the tension rides high and the carving knife does more than just cut the turkey.

THE MUTILATED 
by Tennessee Williams
Directed by Ensemble Member Dado
Featuring Ensemble Member Mierka Girten *additional ensemble casting TBA*
January 14 – February 28, 2016
Previews January 14-17
Press Opening Monday January 18

It’s Christmas Eve in New Orleans and Trinket Dugan is holed up at the Silver Dollar Hotel with a painful secret. Her only friend and confidant, Celeste, has just been released from jail and will stop at nothing to get back into her good graces, her pocket-book and her booze. Can their friendship survive the cruelty, the con men, hookers, cops, sailors and drunks? The Mutilated is one of Williams’ funniest and most moving plays, and according to Williams himself is “an allegory on the tragicomic subject of human existence on this risky planet.” -Esquire magazine 1965.

World Premiere
SENDER 
by Ike Holter  
Directed by Ensemble Member Shade Murray
Featuring Ensemble Member Steve Haggard
April 14 – May 29, 2016
Previews April 14–17
Press Opening Monday April 18

A World Premiere by one of Chicago’s hottest emerging playwrights. It’s summertime in Chicago. Over a year after his sensational death, a young man returns to his former apartment: alive, well, and with a new found ambition to fix what went wrong.  A miracle reunion turns into a catastrophic disaster as the past catches up with the present and old debts return, expecting payment in full.  What does growing-up mean and is it even desired in this day and age?

Ticket Information
A Red Orchid continues the FLASHPASS, giving subscribers a 20% ticket discount, reserved seats, ticket and date flexibility and invitations to special events, readings and more.  Three-show Flashpasses are $80 and include three tickets to use anyway during the regular run, excluding opening nights and Red Nights.  Three-show Red Night Flashpasses are $130 and include a ticket to each Red Night Opening and a post-show reception with the cast and creative team.  

Flashpasses may be purchased from the Box Office at 1531 N. Wells Street, Monday through Friday from 12 pm to 5:00 pm. Subscriptions may also be purchased by telephone during office hours by dialing (312) 943-8722, or online at www.aredorchidtheatre.org. Individual tickets will go on sale at a later date.

About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993.  Chicago Magazine named Red Orchid Chicago’s Best Theatre Company of 2010. Over the past 22 years, its Resident Ensemble has welcomed into its fold an impressive array of award winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company also produces an annual OrKids (youth) project.


A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West

Thursday, August 23, 2012

Opening, Closing, Extended and Highly Recommended

Act Out:  

Opening Friday
 
PROFILES THEATRE
Sweet and Sad (Midwest Premiere)
by Richard Nelson
Directed by Joe Jahraus
 
Featuring Profiles ensemble members Darrell W. Cox and Eric Burgher with Robert Breuler, Kristin Ford, Harmony France and Kate Harris
August 17 – October 7, 2012

Location: Profiles Theatre, The Main Stage, 4139 N. Broadway
Tickets: $30 - $40
Box Office: www.profilestheatre.org or (773) 549-1815
 
With Sweet and Sad, Tony Award-winning playwright Richard Nelson continues his series of plays exploring the immediate present and the ever-changing state of the nation. Over Sunday brunch on the tenth anniversary of 9/11, the Apple Family finds themselves talking about loss, remembrance and the family struggle to maintain its moral equilibrium in a world that no longer reflects its values.

Profiles Theatre’s production follows the highly acclaimed world premiere at The Public Theater in New York last season. Named one of the top ten plays of the year by the New York Times, New York Magazine and Bloomberg News, Sweet and Sad is part of Richard Nelson’s planned series of four works charting the changes undergone by an extended family from the village of Rhinebeck, New York. Beginning with That Hopey Changey Thing in 2010 and the upcoming Sorry opening at The Public Theater in October 2012, the plays take place in real time and have their World premiere on the dates they are set.

Closing (family friendly)

PINKALICIOUS Must Close On September 2!


**Check out our exclusive interview with Pinkalicious and her little brother here**
Emerald City Theatre Company's hit production of PINKALICIOUS was tickled pink to have so many extensions and spend over one year at the Broadway Playhouse at Water Tower Place.   But the time has come to say goodbye.
 
Still didn't see it, or want one last chance to chuckle along?   Catch em while you can.   Use code SUMMER when ordering to get $18 tickets!*

"Can't I have just one more?" When Pinkalicious eats one too many pink cupcakes, she catches a case of Pinkititis and turns pink from head to toe! It'll take the wisdom of her broccoli-eating little brother to help her get out of this predicament. Don't miss Chicago's Emerald City Theatre production of this smash hit musical based on the popular book by Elizabeth and Victoria Kann.

Best suited for theatre lovers 3 and up.
 
* Valid on all performances through September 2. Offer ends September 1 at 11:59pm. Not valid with any other offer or on previously purchased tickets. Subject to availability. Normal ticketing fees apply. Other restrictions may apply.


Extended


The Glass Menagerie
by Tennessee Williams

directed by Josh Altman
is EXTENDING for 2 weeks through September 16
Thu, Fri, Sat, 7:30pm; Sun, 3pm


 

Company member and Jeff Award-winner, Jacqueline Grandt, plays Amanda in Tennessee Williams' most intimate play, up close and personal at Redtwist

THE PLAY
In Williams' deeply personal-and autobiographical-memory play, Tom Wingfield reveals to us a critical moment in his family's life. Brimming with false hope and desperation, this vivid and penetrating drama explores the disguise of illusion and a family's struggle to survive. Redtwist approaches this American masterpiece from the unique perspective of its explosive storefront space to re-examine the dark secrets of a young man's family, the debris from which emerged the legendary American playwright.

CAST
Ryan Heindl as Tom Wingfield; Jacqueline Grandt as Amanda Wingfield; Sarah Mayhan as Laura Wingfield; Chris Daley as Jim O'Connor

STAFF
Josh Altman (Director); Allison Queen (Stage Manager); Olivia Baker (Assistant Stage Manager); Frank Sjodin (Tech Director); Henry Behel (Set Designer); Heather Gilbert (Lighting Designer); Christopher Kriz (Sound Designer); Kelsey Ettman (Costume Designer); Nick Heggestad (Prop Designer); Kevin McDonald (Dramaturg); Kathy Logelin (Dialect Coach); Garvin Jellison (Master Electrician); Mary Reynard Liss (Vocal Coach); Jan Ellen Graves (Graphic Design); Charles Bonilla (Box Office Manager); Justin Castellano (Production Manager); Brett Gould, Heather Brooke Scholten (Production Assistants); Michael Colucci & Jan Ellen Graves (Producers)

SCHEDULE
Runs: Thu, Fri, Sat, 7:30pm; Sun, 3pm
Closes: Sun, Sep 16, 3pm
Running Time: Approx. 2:15 hours, includes one intermission
Tickets: Thu, $25; Fri & Sun, $27; Sat, $30 (seniors & students $5 off)

DETAILS
Call: 773-728-7529
Email: reserve@redtwist.org
Website/Tickets: www.redtwist.org

Redtwist is located at 1044 W Bryn Mawr, 2 blks W of LSD, 2 blks E of the Red Line El station. Street parking (paybox/meters until 9pm) is available on Bryn Mawr, side streets, and Broadway. Please reserve 48 hours in advance. Credit cards accepted by phone and via Paypal to guarantee seating.


Highly Recommended

BABES WITH BLADES KICKS OFF 15th ANNIVERSARY SEASON  WITH “SUSAN SWAYNE AND THE BEWILDERED BRIDE”

 WORLD PREMIERE OF REINA HARDY’S VICTORIAN DETECTIVE COMEDY

Dig Sherlock in skirts, and cutthroat killers in corsettes?   Then you must see Susan Swayne and The Bewildered Bride.   There's plenty of Victorian murder, mayhem and mystery afoot in this detective drama.  And the gender bending, cross dressing is worthy of The Bard himself.

ChiIL Live Shows had the great privileged of checkin' out opening night and we were thoroughly entertained.   The stage combat and sword play is  exhilarating and intense while the characters are as amusing as they are confusing.   We enjoyed the well written script and quirky sleuthing.   From opium dens to underwear duels, this show is highly recommended!   There are some mature sexual themes and simulated violence but nothing too over the top for older kids.   If in doubt, come check it out first.

Babes With Blades Theatre Company (BWBTC), Chicago’s all-female stage combat ensemble, will open their 15th anniversary season with the world premiere of “Susan Swayne and the Bewildered Bride” by Reina Hardy, directed by Dan Foss.  

It’s 1888 in London, and the Society of Lady Detectives meets discreetly to indulge its members’  tastes for swordplay and sleuthing.  As the genteel club considers a disturbing series of murders in the Whitechapel district, a frantic heiress turns up with a startling accusation towards one of their own.  Society member Susan Swayne takes the case, defying societal norms and pursuing the truth through the Victorian streets.  

Combat sequences from violence designer/BWBTC ensemble member Libby Beyreis will feature smallsword and bartitsu (a Victorian mixed martial art influenced by jujitsu and savate).  

Tickets are $20 for regular performances, students and seniors $12.
 
Originally submitted to BWBTC’s inaugural Joining Sword & Pen Playwriting Competition in 2005, “Susan Swayne and the Bewildered Bride” began as a one-act play inspired by a print of Emile Bayard’s “An Affair of Honor.”  The script was selected for the company’s New Plays Development Program in 2009 and became a full-length play through a series of three readings and feedback sessions.  Director Foss describes the resulting script as “a quirky Victorian detective comedy.”
  
 
The cast includes BWBTC ensemble members Lisa Herceg, Kimberly Logan, and  Megan Schemmel, joined by guest artists Kathryn Acosta, Justine Serino, and Kelly Yacono.

TICKETS ON SALE NOW for Reina Hardy’s Susan Swayne and the Bewildered BrideCLICK!

“Susan Swayne and the Bewildered Bride” opened on Saturday, August 18 at 8:00 p.m. at the Lincoln Square Theatre, 4754 N. Leavitt (inside Berry Memorial UMC, lower level).   The show runs Thursday-Saturday at 8 p.m., August 23  to September 22.  In addition, there will be Saturday matinees on September 1, 8, and 15 at 2:00 p.m.



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