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Showing posts with label Flo Mano. Show all posts
Showing posts with label Flo Mano. Show all posts

Saturday, June 8, 2024

REVIEW: ARTISTIC BRAVURA Ensemble Español's "Flamenco Passion" Program Superb

 Chi, IL Live Shows On Our Radar 

ENSEMBLE ESPAÑOL SPANISH DANCE THEATER’S 2024

 “FLAMENCO PASSION” CONCERTS

SHOWCASE WORLD PREMIERES CREATED BY ACCLAIMED INTERNATIONAL ARTISTS AT THE NORTH SHORE CENTER JUNE 7-9

LaLupi with musicians Diego Alvarez, Jose Diaz El Chachito, Curio de Maria, 
Jose Moreno and Jose Alconchel.  Photo by Dean Paul

Exciting Premieres Include “Viejos Aires” / Flamenco Tango by Award-winning Choreographer Antonio Najarro 

“Resliencia” / Resilience and “El Bolero de Puerta de Tierra” by Former Principal Dancer with the National Ballet of Spain, Raquel Gomez; and 

“Compas de Seda” / Silk Rhythm by Flamenco Superstar La Lupi


Guest Review 

by Flo Mano

ARTISTIC BRAVURA 

Ensemble Espanol at North Shore Center for performing Arts opened to dramatic lighting, marigold costumes, and jazz fusion that gave a modern feel to "Sur",  choreographed by guest artist Raquel Gomez.

In her solo world premiere, "Resilencia", Raquel Gomez was impassioned. Her exceptional dancing within the perimeters of a movable geometric rectangle to square was impressive to see. I enjoyed the lighting from above by Dustin L. Derry.

“El Bolero de Puerta de Terra”, a world premiere, was a feather like flamenco on ballet slippers by the entire company, choreographed by Raquel Gomez, and inspired by Dame Libby‘s “Seguidillas”.

This piece was followed by Flamenco guitarist, Curro de Maria, with “Mi Andalusia”.

Jonathan Pacheco with Ensemble Espanol Company Dancers in Fantasia Suite Regional-Tribute to Juanjo Linares. Photo by Dean Paul

Folklore legend Juanjo Linares’ “Fantasia Suite Regional” depicted exerpts from Galicia-Extremadura & Valencia, individual & intertwining seamlessly!

A stupendous performance of "Chamberi" was perfection, by guest artist La Lupi. Her mastery commanded the utmost attention, as the audience collectively held its breath, so as not to miss a second. Every precision move in her “Batas de Cola” was hypnotic, as she effortlessly tossed & swayed her long train dress. I was struck by the intensity of her jaleo sounds and facial expressions.

The musicians' synchronized percussion-palmas-Spanish guitar and singing transported one to Andalusia.

“Pasion Oculta" was danced by 5 couples to Escala electronic string quartet “Requiem for a Tower” & “Palladio” flawlessly, to loud applause!

"Compas de Seda", another world premiere choreographed by La Lupi, featured stylized fans & shawls. Flamenco Guajiras is a melange of Andalusian-Canary island and Afro-Cuban palo dance, and an amazing  ensemble piece. Loved the fade to silhouettes. 

La Lupi was superb in her solo “A Silvetio”!!! 

The final dance was a world premiere of Flamenco Tango, “Viejos Aires”, by multitalented Argentinian guest Artist Antonio Najaro, choreographer/dancer/costume designer extraordinaire! Very Impressive!! Astounding even!!!

Ensemble Espanol is stretching beyond in this exquisite production! They will be performing at old Town school of music & NEIU. 

DO NOT MISS!! Imbibe dance!!!

Florence Manolis (AKA: Flo Mano) is a Greek American CPS elementary teacher/librarian, hairdresser, and theater/dance/film fanatic who catches hundreds of Chicago shows annually. She volunteers at numerous film venues and theaters and has called Chicago home since she immigrated here from Greece in early elementary school. 

Jonathan Pacheco and Samantha Micklewright in Viejos Aires by Antonio Najarro. 
Photo by Casey Mitchell

Popular Works from Ensemble Español’s Repertoire in the Traditional and Contemporary Genres Complete the Program

Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings their popular “Flamenco Passion” performances to the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., 7:30 p.m. Friday, June 7 and Saturday, June 8 and 3 p.m. Sunday, June 9. These performances are part of the company’s 48th multi-faceted American Spanish Dance and Music Festival (June 7-15).

“Flamenco Passion” program highlights include the world premiere of “Viejos Aires” / Flamenco Tango as reset on Ensemble Español by Antonio Najarro, award-winning choreographer and former artistic director of the National Ballet of Spain, choreographer of Disney movie "WISH.

” Najarro’s work features a fusion of Spanish classical style and Argentinean Tango and displays the sensuality, passion and elegance of Buenos Aires.

Additional world premieres include “Resliencia” / Resilience and “El Bolero de Puerta de Tierra” (Escuela Bolera) choreographed by Raquel Gomez, former principal dancer and Rehearsal Director of the National Ballet of Spain; and the Cuban influenced dance “Compas de Seda” / Silk Rhythm choreographed by Flamenco superstar La Lupi, to an original music composition by Curro de Maria.Works from Ensemble Espanol’s repertoire included in the program include “Sur” by Raquel Gomez (2015); “Fantasia Suite Regional” choregraphed by Juanjo Linares and Nana Lorca (1977) and “Pasion Oculta” /Hidden Passion choreographed by Ensemble Español Artistic Director Irma Suarez Ruiz (2019).Joining the members of Ensemble Español in performance will be guest dancer/choreographers includingRaquel Gomez, La Lupi and Antonio Najarro; and featured musicians including José Díaz “El Cachito”(singer), José Alconchel and Curro de Maria (guitarists); Diego “El Negro” Alvarez and José Moreno (percussionists).

“Every ‘Flamenco Passion’ festival performance is meant to entertain and highlight the timeless yet ever-evolving art that is Flamenco as performed by Chicago’s premiere Spanish dance company Ensemble Español,” says Executive Director and Associate Artistic Director Jorge Perez. “We also pride ourselves in our record of collaborating with some of the most exciting voices in Flamenco, Escuela Bolera, Classical and Folkloric as we maintain our important role as active participants in the continue evolution of this exciting music and dance form,” says Ruiz, Ensemble Español Artistic Director.

The “Flamenco Passion” performances are part of Ensemble Español’s 48th American Spanish Dance and Music Festival which also features these related events:

● VIP-Pre-Opening Night Reception: Preceding the Saturday, June 8 performance there will be a “Meet

the Artists” VIP Pre-Opening Night Reception in the North Shore Center on the 2nd level. Tickets are

$65 (includes VIP seating for that evening’s performance). To purchase tickets and for more information

visit NorthShoreCenter.org/ee/ or call 847.673.6300.

● Free Ethnic Dance & Music Symposium 2024 at NEIU (June 10-12) Topics include: “The Complexities of Covering Ethnic Dance & Music” and “Arts Economic Ecosystem: The New Workforce Development Plan to Build Strong Community” (June 10); :Ethnic Arts Crossing Genres” and “Expanding Flamenco Musical Language” (June 11) and “It’s a Family Affair Ethnic Art, Oral Traditions, Art as a Way of Life” and “From Flamenco to Tap and All That Jazz” (June 12). All sessions take place at NEIU, 5500 N. St. Louis Ave. Admission is free, but reservations are requested. For more information and to register visit ensembleflamencopassion.org/symposium.

● Festival Spanish Dance Classes at Northeastern Illinois University Dance Studios NEIU, 5500 N. St. Louis Avenue (June 10-15) Over 100 Spanish dance and music classes in Flamenco, Classical, Escuela Bolera and Folklore. Single class rate $35. For more class information and registration visit ensembleflamencopassion.org/classes or email at Patricia Mendez at patricia.mendez@eesdt.org.

● Concerts at Old Town School of Folk Music, 4544 N. Lincoln Ave. –“Flamenco to Tap and All That Jazz” with Wendy Clinard, Bril Barrett, Diego "El Negro" Álvarez, José Moreno, José Diaz "Cachito", José Manuel Alconchel, 8 p.m. June 13; “Duende Flamenco” with La Lupi, Nino de los Reyes, Curro de María, Diego "El Negro" Álvarez, José Moreno and José Diaz "Cachito" 8 p.m. June 15. Tickets: $30.

For tickets visit oldtownschool.org/concerts.

About Ensemble Español Spanish Dance Theater 

Ensemble Español, founded in 1976 by Dame Libby Komaiko, is the premiere Spanish dance company and center in the U.S. with a professional and unique residency at Northeastern Illinois University, Chicago. Under the artistic direction of Irma Suarez Ruiz and executive leadership of Jorge Perez, the Ensemble continues its mission of preservation, presentation and promotion of Spanish dance and culture which also includes the exploration of the country’s history in the; Flamenco, Folkloric, Classical and Escuela Bolera styles and identifies its influence on Latin American art and dance in both traditional and contemporary formats. They forge ahead as the leaders in Spanish dance and culture with a commitment to our communities, via performances, education, school residencies, academic university programs, festivals and tours. They remain committed to their roots in education and mission of educational, artistic, and social development. Their incredibly rich history includes serving over 30,000 students annually, training over 90 company dancers, training over 160 Youth Company dancers from ages 12 to 18, over 90 international guest artists and musicians from Spain and the Americas, over 2,600 scholarships awarded to talented aspiring dancers, musicians and educators, tours and residencies of U.S., including Hawaii, Mexico, Puerto Rico, Costa Rica, Poland, Australia, Canada, China and Spain. For more information on concerts, performances, classes and residencies, visit EnsembleEspanol.org.

Ensemble Español Spanish Dance Theatre in residence at Northeastern Illinois University is grateful to thefollowing 48th Season Festival Partners and Sponsors: Northeastern Illinois University, Interim President, Katrina Bell-Jordan, Ph.D., NEIU Department of Music and Dance, Caerus Foundation, Hurvis Foundation, Illinois Arts Council, Chicago Department of Cultural Affairs, Microsoft, Eugene Jarvis and Sasha Gerritson, Salme and Michael Steinberg, Sonia Florian,Estate of Gregory Ragsdale and the Ragsdale Family, FourStar Branding, The Nest, Jaleo by Jose Andres, Atzimba Catering and Events, Stonewolf Studios, Clinard Dance Theater, Instituto Cervantes, International Latino Cultural Center, Negocios Now, HMS Media and Chicago Dance Supply.

Special thank you to the Northeastern Illinois University Board of Trustees, NEIU Foundation, the North Shore Center for the Performing Arts and festival official hotel sponsor, Holiday Inn & Suites Chicago North Shore and O’Hare.


Ensemble Español Spanish Dance Theater 

“Flamenco Passion” Performances 

at the North Shore Center for the Performing Arts in Skokie, June 7-9


Act 1

“Sur” / South (2015)

Choreographer and Costume Designer: Raquel Gomez, Guest Artist

Music: David Dorantes, Pianist and Composer

Costume Production: Luz Creations Lighting Designer: Original concept by Nathan Tomlinson

Lighting design reimagined in 2023 by Dustin L. Derry

Dancers: Company

Raquel Gomez created this work that reaches back to the traditions of the Escuela Bolera (classical Spanish style) from the 18th Century, as it simultaneously embraces contemporary Flamenco music. “’Sur’ proves…that something with so much tradition and such deep cultural roots…can be current and keep its deepest history.” (Raquel Gomez)

Raquel Gomez performing her work Resiliencia. Photo by Dean Paul

“Resiliencia” / Resilience (Clasico Español), WORLD PREMIERE

Choreographer, Costume Design, Dancer: Raquel Gomez, Guest Artist

Music: Joni Fuller

Lighting Design: Dustin L. Derry

“The ability of the human spirit to overcome the obstacles that life challenges us with. It does not matter how much life challenges us with, what matters is how strong we become every time we get up.” (Raquel Gomez)


“El Bolero de Puerta de Tierra” (Escuela Bolera), WORLD PREMIERE

Choreographer: Raquel Gomez, inspired by Antonio Ruiz

Music: Isaac Albeniz (1860-1909)

Costume Design: Raquel Rodriguez Ruiz-Medrano

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Sammi Micklewright, Abigail Mosquera, Jonathan Pacheco, Irene Sivianes Fernandez, Martina Wensell

“My inspiration when putting together this choreography was the great teacher and dancer Antonio Ruiz. Ruiz was one of the first major artists to implement classical ballet in Spanish dance companies. This style and choreography requires great technical experience and artistry of classical ballet. My second inspiration was Ensemble Español’s beautiful and elegant choreography, ‘Seguidillas,’ performed by Dame Libby Komaiko. The work was set in 1977 by former artistic director of the National Ballet of Spain, Nana Lorca, to the Spanish zarzuela (light opera) music of ‘El Nino Judío’ by Pablo Luna.” (Raquel Gomez)


“Mi Andulicia”

Flamenco Guitarist: Curro de Maria

“Fantasia Suite Regional”

- Tribute to Juanjo Linares (1977)

Choreography by Nana Lorca, former artistic director of the National Ballet of Spain and (1984-2000): Juanjo Linares

Music: Traditional; Fernando Arias, Milladoiro, M. Padilla, Ginet, Guidi & Caserio

Costume Design: Juanjo Linares

Lighting Design: Dustin L. Derry

Dancers: Company

Maestro Juanjo (Sept.1933 -Nov. 2009) created 25 works for the full company from 1984 through 2000. As Spain’s foremost authority on folklore, Juanjo’s detail to the style, customs and celebration of the people of each region in Spain made him the legendary master on this art form. Now Ensemble Español honors his legacy by presenting excerpts from the regions of Galicia, Extremadura, and Valencia. Ensemble Espanol’s Irma Suarez Ruiz and Jorge Pérez have both performed and been a part of Juanjo’s works with the Ensemble Español since his first residency to Chicago in 1984.


“Chamberí” (Flamenco Caracoles) (2023)

Choreographer & Dancer : La Lupi, Guest Artist

Music: Curro de Maria & Pedro Medina

Musicians: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Costume Design: La Lupi & Enrique Vicent

Lighting Design: Carlos Rodriguez

Chamberí, the oldest train station in Madrid. The cante por Caracoles, conceived by the singer D. Antonio

Chacón, pays tribute to the city as a key point for Andalusian artists who arrived and left for the capital. Madrid, with its open arms, welcomed these artists in a warm and hospitable way.


“Pasion Oculta”/ Hidden Passion (2019)

Choreographer and Costume Designer: Irma Suarez Ruiz, Artistic Director

Music: Escala

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Company

This Flamenco contemporary work, set on five couples of Ensemble Español Company dancers by artistic director, Irma Suarez Ruiz, portrays the hidden passions of love and desire. Ruiz set this sensual work to two songs by the all-female electronic string quartet, Escala: “Requiem for a Tower” and “Palladio.”


Act 2

“Compas de Seda” / Silk Rhythm, WORLD PREMIERE

Choreographer & Costume Designer: La Lupi, Guest Artist

Music Composition: Curro de Maria

Costume Design & Production: Enrique Vicent

Lighting Design : Dustin L. Derry

Dancers: Nalanie Molina, Sammi Micklewright, Abigail Mosquera, Irene Sivianes Fernandez, Maria Lujan,

Catherine Beza, Jose Torres, Juan Carlos Castellon, Luis Beltran, Jonathan Pacheco, Sergio Rojas, Miguel Conde

This work, in the Flamenco Guajiras palo/style dance, is based on the sung genre of Cuban music, a poetic art with music. A guajira is simply a song for voice and guitar with a series of similar letras. It became popular in the western and central regions of Cuba in the 17th century and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. The Flamenco guajira is the adaptation to Melos Flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba.


“Duende Flamenco”

Music: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Lighting Design: Dustin L. Derry


“A Silverio” (2022)

Choreographer and Dancer: La Lupi

Music: Curro de Maria and Livio Gianola

Costume Design: Enrique Vicent

Lighting Design: Tito Osuna

“…a bravura showcase of Flamenco Abandolaos and Serrana styles” (WTTW).


“Viejos Aires” / Flamenco Tango, WORLD PREMIERE

Choreographer, Dancer, Costume Designer: Antonio Najarro, Guest Artist

Music: Astor Piazzolla (1921-1992)

Costume Production: Enrique Vicente

Lighting Design: Dustin L. Derry

Dancers: Section 1: “Otoño Porteno” - the Company; Section 2: “Fuga y Misterio” - Antonio Najarro, Guest Artist


Antonio Najarro performs a solo in his Viejos Aires. Photo by Dean Paul

Section 3: “Viejos Aires” – the Company

“Choreographing my creation 'Viejos Aires' on the Ensemble Español dancers represented a personal reunion with the repertoire of my own dance company. ‘Viejos Aires’ has a choreography that has given me numerous successes throughout its presentation and performances in the best theaters around the world. Irma and Jorge’s invitation to set this work on the Ensemble Español as part of their extensive repertoire was exciting. I wanted to merge two very different styles in terms of technical elements: Argentinean tango and Spanish dance, including my own personal style. In Ensemble Español, I clearly saw a company with great desire and enthusiasm to assimilate, face and interpret this complex work. ‘Viejos Aires,’ from my point of view, is a timeless passionate choreography that speaks from the heart to the heart. (Antonio Najarro)






Thursday, January 23, 2020

REVIEW: The National Ballet Theatre of Odessa's Romeo and Juliet at Harris Theater

THE NATIONAL BALLET THEATRE OF ODESSA BRINGS BALLET MASTERPIECES “SWAN LAKE” AND “ROMEO & JULIET” TO CHICAGOLAND THIS JANUARY


Guest Review: 
by Flo Mano

The National Ballet of Odessa, is recognized as one of the most prestigious institutions of classical ballet and boasts an extremely varied repertoire, carrying the honor and the task to preserve the precious heritage of the great Russian ballets.

‘Romeo and Juliet’ was performed at Chicago's Harris Theater this past Sunday, with 55 of Ukraine's most talented and brightest ballet stars, presenting the most passionate and romantic love story of our time. With the music of Sergei Prokofiev, composed in 1935, this ballet is based on William Shakespeare's timeless tale of tragic love. This ballet has been conquering the hearts of viewers around the world. This full-length, lavish production included costumes and sets brought from the Ukraine.

The main disappointment lies in Mikhail Lavrovsky's choreography, which is mostly monotonous. The various characters swaying and flailing their arms isn't enticing. The contrast was stark between dancers' high emotion and threadbare moves, even if performed nicely by high-level dancers. 

Olena Dobrianska, as the beautiful, princess Juliet and Sergeii Dotsenko, as the handsome, towering Romeo were visually striking. Yet, Lavrovsky's various duets for the couple lacked originality, often structurally a repetitious pattern of the two dancers starting widely apart, racing together and embracing, racing back apart, and then repeating the movement, with a few dramatic lifts. These frailties are all the more obvious given the soaring qualities of Sergei Prokofiev's great score, one of the most hypnotic in all of ballet. 

There are some virtues. The sword fighting and stage combat was strategically on point with theatrical and artistic blocking. The dancers are also attractive and sharp. The cast is buoyant and energetic, though most of the secondary players are given little to do. 

While Lavrovsky fails to deliver in key scenes, he deserves credit for tinkering with the ensemble dancing, injecting echoes of brisk, lively folk dance into the crowd festivities and crafting an especially eerie spectral corps of mourners.

Since 2017, the Artistic Director of The National Ballet Theatre of Odessa, Ukraine is the People’s Artist of Ukraine, Elena Baranovskaya. Production is by Garri Sevoian.

The ballet company consists of the best performers, all graduates of prestigious Ukrainian and Russian choreography schools. Many talented artists have danced with the Odessa National Opera Company in its different periods and many of them have been soloists in major international companies.

Flo Mano is a CPS elementary teacher/librarian, hairdresser, and theater/film fanatic who catches hundreds of Chicago shows annually. She volunteers at numerous film venues and theaters.


THE NATIONAL BALLET THEATRE OF ODESSA BRINGS BALLET MASTERPIECES “SWAN LAKE” AND “ROMEO & JULIET” TO CHICAGOLAND THIS JANUARY

Acclaimed Ukrainian Ballet Company To Perform “Romeo & Juliet” at Harris Theater for Music and Dance, January 19, 2020 and “Swan Lake” at the North Shore Center for the Performing Arts in Skokie, January 21, 2020

The National Ballet Theatre of Odessa, is proud to announce two performances coming to Chicagoland in January 2020.  Featuring 55 of Ukraine’s top performers, “Romeo & Juliet” will be performed at the Harris Theater for Music and Dance, 205 E. Randolph St. in Chicago, Sunday, Jan. 19, 2020 at 3 p.m., and “Swan Lake” will be performed at the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., Tuesday, Jan. 21, 2020 at 7:30 p.m.. “Romeo & Juliet” tickets are $55 - $85 , and are available by calling the box office at 312-334-7777 or through www.harristheaterchicago.org. “Swan Lake” tickets are $38 - $68 and are available by calling 847-673-6300 or by visiting www.northshorecenter.org. 

“Romeo & Juliet” is a ballet performed in two acts, set to the music of composer Sergei Prokofiev, choreographed by Michael Lavrovsky, directed by Elena Baranovskaya and produced by Garri Sevoian. The fullscale production is based on the WIlliam Shakespeare’s tragedy of the two doomed young lovers. The principal dancers are Olena Dobrianska as “Juliet” and Sergii Dotsenko as “Romeo.” 

Monday, May 18, 2015

EXTENDED: Piven Theatre Workshop's Melancholy Play: a chamber musical through 6/21 #Review #GuestPost

Piven Theatre Workshop extends Melancholy Play: a chamber musical through June 21, 2015

Playwright Sarah Ruhl to conduct post-show talk-backs June 18 and 21; Ruhl and composer Todd Almond return for Poetry Foundation conversation, June 24   


In this lighthearted farce, bank teller Tilly’s (Stephanie Stockstill) melancholy is of an exquisite quality. She turns her melancholy into a sexy thing, and every stranger she meets falls in love with her. One day, inexplicably, Tilly becomes happy, and wreaks havoc on the lives of her paramours, while Frances, Tilly’s hairdresser, becomes so melancholy that she turns into an almond. It is up to Tilly to get her back. Other members of the Equity production include Chris Ballou (Frank, a tailor who deeply loves Tilly’s melancholia); Lauren Paris (Frances, her hairdresser); Emily Grayson (Joan, the helpless nurse who watches her girlfriend Frances devolve into a nut), and Ryan Lanning (Lorenzo, Tilly’s eccentric therapist from an undetermined European country).  



Review
Guest Post by Flo Mano- Exclusive to ChiIL Live Shows


"Melancholy  play" is an opera worthy musical. Four strings and a piano, come alive as Tilly, is "melancholy" and sees her European "happy" therapist, who has a "transference" on her.
And that starts the "Amelie" like happenstance of happy go lucky with a twist of "almonds". When her path crosses the tailor, who makes daily visits to the bank where she works, they fall in love. Then a hairstylist falls for Tilly, as does her lesbian nurse lover. To the dismay of the psychotherapist, she informs him that she no longer needs his services, because she's happy and leaves him a few hair strands he'd asked her for. So, this strange, outlandish farce takes us through a journey of Tilly becoming "not melancholy", but the now happy Tilly brings despair on those who love her, want her, and fight over her. 

In this utterly unique show, Tilly’s hairdresser gets so distraught, taking a downward emotional plunge, she literally turns into an "almond", A REAL ALMOND! Now her morphing brings sadness to her friends, for her altered state, and the "tears" that brought on the transformation. Yet her friends are not hopelessness or helpless as they band together in their quest to retrieve and reverse, discovering hidden secrets of the past that bond them even more.


So this surrealistic story swerves and spirals, twists and turns, and audiences following the course are anything but melancholy. Recommended.



Piven Theatre Workshop will extend performances of the critically-acclaimed Melancholy Play: a chamber musical by Tony™-nominated playwright Sarah Ruhl, with music by prolific New York composer Todd Almond and direction by Polly Noonan. The production will continue through Sunday, June 21, at Piven Theatre Workshop, 927 Noyes Street in Evanston.  The new musical was originally scheduled to close June 7.

The Piven Theatre Workshop is also pleased to announce that Melancholy Play playwright (and Piven alumna and longtime supporter) Sarah Ruhl returns to the Piven stage for post-show “talk- backs” on both Thursday evening, June 18, and Sunday afternoon, June 21.  She will be joined by the cast, plus members of the creative team on the 18th, and Piven Theatre Workshop Founder Joyce Piven on the 21st. 

Also of note, immediately following the run of Melancholy Play, Ruhl and Almond will discuss their collaboration and the transformation of Ruhl's original text with Almond’s music at the Poetry Foundation, 61 West Superior Street, Chicago, Wednesday evening, June 24, at 7 p.m.  This program is free and open to the public. For more information about this free public program at the Poetry Foundation, please visit: http://www.poetryfoundation.org/programs/event/4453



Sarah Ruhl’s Melancholy Play had its world premiere in 2002 at Piven Theatre Workshop and starred Noonan in the lead role as Tilly.  A decade later, Ruhl teamed up with Almond and developed Melancholy Play as a new chamber musical.  It was workshopped in 2012 via 13p in Brooklyn, and returned to Piven Theatre Workshop for its Midwest Premiere. It will have its official World Premiere at Trinity Rep Theater in Providence, RI, on May 28, 2015.

Noonan, director of the highly acclaimed production of The Language Archive last year at Piven, returns to helm the show she once starred in over a decade ago. 

The designers of Melancholy Play: a chamber musical are Jacob Watson (set), Rachel Levy (lighting), Alex Palma (sound), Stephanie Cluggish (costumes), and Austin Kopsa (properties). Musical Direction is by Aaron Benham.

About the Playwright:

Sarah Ruhl’s plays include In the Next Room, or the vibrator play (Pulitzer Prize finalist, Tony Award nominee for best new play), The Clean House (Pulitzer Prize Finalist, 2005; The Susan Smith Blackburn Prize, 2004); Passion Play, a cycle (Pen American award, The Fourth Freedom Forum Playwriting Award from The Kennedy Center); Dead Man’s Cell Phone (Helen Hayes award); Melancholy Play; Eurydice; Orlando, Demeter in the City (NAACP nomination), Late: a cowboy song, Three Sisters, and most recently, Stage Kiss, The Oldest Boy, and Dear ElizabethMelancholy Play, Eurydice, Orlando, Three Sisters, and Late: a cowboy song have all been produced at Piven Theatre Workshop.




About the Composer:


Writer/performer Todd Almond’s work includes the World Premiere of IOWA, an original musical play with playwright Jenny Schwartz and director Ken Rus Schmoll, officially opening at Playwrights Horizons, April 13, 2015.  Other theatrical credits include original music for Ruhl’s Stage Kiss, also at Playwrights Horizons; original music and lyrics for the Public Theater/Public Works’ The Tempest at the Delacorte, in which Almond also starred as Ariel; original book for Girlfriend (music and lyrics by Matthew Sweet) at Actors Theater and Berkeley Rep; original music and lyrics for On the Levee at LCT3; original music and lyrics for Yale Rep’s We Have Always Lived in the Castle; original music and lyrics for The Odyssey at the Old Globe in San Diego; and original music and lyrics for Kansas City Choir Boy, performed by Almond with rock icon Courtney Love as part of the Prototype Festival.

About Piven Theatre Workshop:
With Melancholy Play: a chamber musical, Piven Theatre Workshop continues its ongoing mission of premiering original works, and its history of celebrating the emerging voices of women. Piven Theatre Workshop has excelled as a leader in the arts community for 44 years, maintaining a distinguished legacy in the training of children and adults in the theatre arts. Annually, between onsite and off-site programming, the theatre trains over 1,000 students, provides approximately $30,000 in need-based scholarships, and maintains a professional theatre and numerous outreach programs throughout the Chicago area.

Performance schedule & tickets:
Melancholy Play: a chamber musical will be performed at the Piven Theatre Workshop, 927 Noyes Street, Evanston, through June 21, 2015. The performance schedule is: Thursday, Friday & Saturday evenings at 7:30 p.m. and Sunday afternoons at 2:30 p.m.  Tickets are priced from $20-$35, and are available at the box office, by calling 847-866-8049, or online at www.piventheatre.org.



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