Wednesday, June 29, 2016

EXTENDED: War Paint at Goodman Theatre Final Extension Announced


Chi, IL LIVE Shows On Our Radar:



Due to high demand for tickets, a second and final extension week has been added for War Paint, a new musical starring two-time Tony Award winners Patti LuPone and Christine Ebersole as cosmetics titans Helena Rubinstein and Elizabeth Arden, respectively. Eight additional performances are now on sale for the world premiere musical by librettist Doug Wright, composer Scott Frankel and lyricist Michael Korie, directed by Michael Greif

Preview performances begin Tuesday, June 28th; opening night is Monday, July 18. For tickets, call 312.443.3800 or visit Group savings are available for parties of 15 or more; call 312.443.3820 or email

Special performances include Open-Captioned on July 30 at 2pm; an ASL-Interpreted on August 4 at 7:30pm and Audio-Described on August 6 at 2pm

The Goodman is grateful for the generosity of its sponsors. Allstate Insurance Company and JPMorgan Chase are Major Corporate Sponsors and ComEd is the Official Lighting Sponsor of War Paint.

Extension Week Performance Schedule

Tuesday, August 16 at 7:30pm
Wednesday, August 17 at 7:30pm
Thursday, August 18 at 7:30pm
Friday, August 19 at 8pm
Saturday, August 20 at 2pm and 8pm
Sunday, August 21 at 2pm and 7:30pm

War Paint tells the story of Helena Rubinstein (Patti LuPone) and Elizabeth Arden (Christine Ebersole ) who defined beauty standards for the first half of the 20th Century. Brilliant innovators with humble roots, both women were masters of self-invention who sacrificed everything to become the country’s first major female entrepreneurs. They were also fierce competitors, whose 50-year tug-of-war would give birth to an industry. From Fifth Avenue society to the halls of Congress, their remarkable rivalry was ruthless, relentless and legendary—pushing both women to build international empires in a world dominated by men. John Dossett portrays Tommy Lewis, Miss Arden’s husband and chief marketing manager, and Douglas Sills portrays Harry Fleming, Madame Rubinstein’s clubby confidante and faithful ally. Joining the cast of the world premiere production are Mary Ernster, Leslie Donna Flesner, David Girolmo, Joanna Glushak, Chris Hoch, Mary Claire King, Steffanie Leigh, Erik Liberman, Barbara Marineau, Stephanie Jae Park and Angel Reda. Christopher Gattelli choreographs. The musical is inspired by the book, War Paint, by Lindy Woodhead, and the documentary film, The Powder & the Glory, by Ann Carol Grossman and Arnie Reisman. The design team includes David Korins (set design), Catherine Zuber (costume design), Kenneth Posner (lighting design) and Brian Ronan (sound design), as well as Bruce Coughlin (orchestrations) and Lawrence Yurman (music director).

About Goodman Theatre
Called America’s “Best Regional Theatre” by Time magazine, Goodman Theatre has won international recognition for its artists, productions and programs, and is a major cultural, educational and economic pillar in Chicago. Founded in 1925 by William O. Goodman and his family in honor of their son Kenneth (an important figure in Chicago’s cultural renaissance in the early 1900s), Goodman Theatre has garnered hundreds of awards for artistic achievement and community engagement, including: two Pulitzer Prizes, 22 Tony Awards (including “Outstanding Regional Theatre” in 1992), nearly 160 Joseph Jefferson Awards and more. Under the leadership of Artistic Director Robert Falls and Executive Director Roche Schulfer, the Goodman’s artistic priorities include new plays (more than 150 world or American premieres in the past 30 years), reimagined classics (including Falls’ nationally and internationally celebrated productions of Death of a Salesman, Long Day’s Journey into Night, King Lear and The Iceman Cometh, many in collaboration with actor Brian Dennehy), culturally specific work, musical theater (26 major productions in 20 years, including 10 world premieres) and international collaborations. Diversity and inclusion have been primary cornerstones of the Goodman’s mission for 30 years; over the past decade, 68% of the Goodman’s 35 world premieres were authored by women and/or playwrights of color, and the Goodman was the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Each year, the Goodman’s education and engagement programs serve thousands of students, teachers and life-long learners. In addition, for nearly four decades A Christmas Carol has led to the creation of a new generation of theatergoers in Chicago. 

Goodman Theatre’s leadership includes the Artistic Collective: Brian Dennehy, Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Chuck Smith, Regina Taylor, Henry Wishcamper and Mary Zimmerman. Joan Clifford is Chair of Goodman Theatre’s Board of Trustees, Swati Mehta is Women’s Board President and Gordon C.C. Liao is President of the Scenemakers Board for young professionals. 

Get Social:
Visit the Goodman virtually at—including OnStage+ for insider information—and on Twitter (@GoodmanTheatre ), Facebook and Instagram.

Monday, June 27, 2016

INCOMING: These Peaches Headlining at Martyrs' This Wednesday 6/29

Chi, IL LIVE Shows On Our Radar:

Chicago’s These Peaches are set to headline Martyrs’ on Wed, June 29. 
Boston’s Adam Ezra Group and locals The Tiny Miles Trio will open the show. Check out the full show details HERE. 

Rich Klevgard is from Chicago, IL. He has been writing for as long as he can remember and only recently began composing music. His touring band includes: Jason Bennett, Miki Milhalovic, Brian Mahoney, Miguel Gonzalez and Jerry King.

Debut album from singer songwriter Rich Klevgard featuring a stellar cast of musicians from both Chicago and Austin via Lubbock, Texas. All original songs leave a strong impression of experience, love lost, love regained and innocence. Country Folk musician, Colin Gilmore's guidance on the album has given it a sheen of brilliance and originality.

These Peaches - “So Glad”:

Tuesday, June 21, 2016

REVIEW: Spongebob The Musical, World Premiere Opening Night

Chi, IL LIVE Shows On Our Radar:

Last Sunday night we had a big Bikini Bottom adventure at the World Premiere Opening Night "yellow carpet" extravaganza for Spongebob The Musical. 

ChiIL Mama, Dugan, Sage, and her friend Vanessa all had rock star seats-- 2nd row center, for an epic evening of Broadway bound fun. Even the hard to please teen demographic loved this show! Highly recommended family friendly fun (ages 5+). ChiIL Mama's Chi, IL Picks List. Check out our original photos and full review below.

"The costumes were the most amazing part. Well the set was incredible too. And the guy who played Spongebob was hilarious. The casting and acting was great" Dugan (age 15)

"I don't usually like musicals, but this one was better than I thought it would be. Of all the ways they could have portrayed Spongebob, this one was great. My favorite part was Plankton's song where they did the whip & nae nae." Sage (age 13) " 


Check out ChiIL Mama's Full Set of Photos in the Slideshow here & favorites embedded below.

Pre-show Yellow Carpet featuring arrivals including:

Tom Higgenson, Chicago native and Plain White T’s lead vocals

Yolanda Adams, four-time GRAMMY® Award-winning Gospel legend

The Flaming Lips, three-time GRAMMY® Award-winning band

Tom Kenny, voice of TV’s SpongeBob SquarePants & wife Jill Talley, voice of Karen the Computer

Tina Landau, Director and Co-Conceiver (Steppenwolf Theatre Company’s The Wheel; The Brother/Sister Plays; The Tempest)
Tom Kitt, Music Supervisor (2010 Pulitzer Prize Winner and Tony Award® winner for Next to Normal; If/Then)

Kyle Jarrow, Book Writer (Steppenwolf Theatre Company’s Love Kills; A Very Merry Unauthorized Children's Scientology Pageant)

Christopher Gattelli, Choreographer (Newsies; War Paint; South Pacific; The King and I)

David Zinn, Scenic and Costume Designer (2016 Tony Award® winner for The Humans; Fun Home; The Last Ship) *not pictured

From the early sneak peek with the Plain White T's we were hooked!

I can't rave enough about how crazy amazing this show really is. The writing is fantastic, the casting is spot on, and the score is a mind blowing meld of some of rock's hottest hit makers.

The SpongeBob Musical is utterly unique and entirely awesome, with original songs by Yolanda Adams, Steven Tyler and Joe Perry of AEROSMITH, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, John Legend, Lady Antebellum, Cyndi Lauper, Panic! At the Disco, Plain White T’s, They Might Be Giants and T.I., and a song by David Bowie. With additional lyrics by Jonathan Coulton.

The costumes and set were my son's favorite elements and they were indeed spectacular. I'm still dazed and amused by the two floor to ceiling "Mousetrap Game Style" boulder release chutes flanking the stage. The skate ramps along the front and sides of the stage make for a perfect arena for some quadroller and skateboard arena rock from hair brained hair band, The Electric Skates. The staging for the scaling the volcano scene was sheer brilliance. 

In the costume department, The SpongeBob Musical is what I'd envision if someone said give me Dr. Seuss at an underwater rave party, and it's absolutely fabulous! The alterna-mom in me was elated that there were boys in tutus and chorus girl getups, androgynous girls, and every reef creature inbetween. The cast is a stellar range of sizes, shapes and colors, and the actors' hilarious facial expressions, and physical comedy shine without giant character heads or bulky theme park costumes. I'm elated that scores of kids and adults who come to this show will find characters they can relate to, empathize with, and emulate.

The feminist in me was thrilled with stem girl squirrel, Sandy, who brilliantly saves the whole town with her brainy calculations, all while being hunted by an angry mom of haters who want to throw her in the volcano for being a land mammal. In one of my favorite lines in the whole show, she refers to herself as the "scapesquirrel". It's still cracking me up days later, and I could see that becoming "a thing".  

Sure, there are deeper layers here, too, about how fear can create hatred, violence and religious extremists. Natural disasters can amplify people's natural tendencies so the greedy get greedier, the needy get needier, yet the smart, strong, and kind have a chance to shine. And the unlikeliest underdog may turn into the biggest hero, like a goofy, underestimated fry cook with management skills. 

Here at ChiIL Mama and ChiIL Live Shows we highly recommend this show as great all ages, multigenerational fun. Catch it while you can. Chicago is so fortunate to get so many Pre-Broadway world premieres. We predict this is going to be a massive, award winning hit. It's already a hit in our books! Spongebob the Musical is only in town till July 7th, so don't miss this.  

A legendary roster of Grammy Award winners. A visionary director and Tony Award®-winning design team. One of the world’s most beloved and unforgettable characters. Turn them all loose on Broadway and what do you get? The SpongeBob Musical!  The Pre-Broadway World Premiere of The SpongeBob Musical is currently playing Broadway In Chicago's Oriental Theatre (24 West Randolph Street, Chicago, IL) through July 10, 2016.

Acclaimed Steppenwolf director Tina Landau and the groundbreaking designers behind Fun Home, Hedwig, and Spring Awakening have brilliantly reimagined Bikini Bottom for the Broadway stage, bringing the spirit of SpongeBob to life with humanity, heart, and pure theatricality. With an original score from some of the biggest names in pop and rock, The SpongeBob Musical explodes with energy.

Stakes are higher than ever before as SpongeBob and all of Bikini Bottom face the total annihilation of their undersea world. Chaos erupts. Lives hang in the balance. And just when all hope seems lost, a most unexpected hero rises up and takes center stage.

Get ready to dive to all-new depths of theatrical innovation at The SpongeBob Musical, where the power of optimism really can save the world!

The SpongeBob Musical is co-conceived and directed by Tina Landau, book by Kyle Jarrow, orchestrations, arrangements & music supervision by Tom Kitt, with choreography by Christopher Gattelli.


Tickets for The SpongeBob Musical at the Oriental Theatre are on-sale now.  A select number of premium tickets are available for many performances. Group tickets for 10 or more are available by calling Broadway In Chicago Group Sales at (312) 977-1710. Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000, all Ticketmaster retail locations and online at

ChiIL Mama's Photo Favs:

Truly a treat to meet Wayne Coyne, lead singer, lead guitar and song writer for triple Grammy winning Flaming Lips.

We love that Flaming Lips play lots of all ages music fests, so we were able to take our kids to see them a number of times when they were small, at Lollapalooza, Summer Camp Music Festival and more. My kids adored seeing Coyne get into a giant "hamster ball" and roll around the audience. They're also known for confetti cannons and setting loose beach balls and giant balloons in the audience, so he should have felt right at home at The SpongeBob Musical! All we were missing was the human hamster ball.

Big shoes to fill! Father's day fun with little Lennon and his dad, Tom Higgenson, Chicago native,  frontman & lead guitar player for the band, Plain White T's.

Look at this pair! I've shot hundreds of rock stars' feet over the years, from festivals to photo pits all over Chicago and beyond, but this is the first father/son set! I find it fascinating to see where they're grounded and connect to the earth, and how much their style and personality comes out in their shoes.

Peace, Rock, and Spongebob Musical!

THIS guy is responsible for the laugh that haunts my nightmares! 

Thanks a lot, Tom Kenny, voice of TV’s SpongeBob SquarePants. No, seriously, it was cool to meet you. My 15yo son Googled you beforehand and pulled up pages of your voice credits. Fun stuff!

His wife, Jill Talley, is also the voice of Karen the Computer. I'll bet they mortify their kids doing silly voices at home and in public, but their teens are secretly proud of them. No doubt who those kids are related to!

There was a sea yellow in the audience, but Yolanda takes the GOLD for these shoes! 

"Super Sea Star Savior" songwriter Yolanda Adams was here in Chicago on the The SpongeBob Musical yellow carpet Sunday night at Oriental Theatre


Spongebob fans for Spongebob fans!


Thursday, June 16, 2016

WIN A Pair of American Theater Company's XANADU Tickets ($116 Value) Via ChiIL Live Shows

‘80s date night ticket giveaway: 
ATC's Jeff Recommended XANADU

Photo Credit for all production photos: Michael Brosilow

Here at ChiIL Live Shows we're absolutely elated to be partnering up with American Theater Company on a fabulous ticket giveaway. One of our lucky readers will win 2 tickets ($116 value) to American Theater Company's Jeff Recommended production of the musical comedy Xanadu. 

Tickets are good for the winner's choice of one of the following performances: June 24 at 8 p.m.; June 26 at 2 p.m.; June 29 at 8 p.m. or June 30 at 8 p.m. 

ENTER HERE for your chance to WIN!
Enter early and often through midnight June 21st. 

American Theater Company’s production of the musical comedy Xanadu turns the theater’s warehouse space into a roller disco. This spoof of the 1980's camp classic film features Electric Light Orchestra (ELO) songs including “Evil Woman” and “All Over the World.” Don’t forget your leg warmers!

Chi, IL LIVE Shows On Our Radar
Check out our full review below:

Ah Xanadu. The high art of 80's neon, leg warmers, rainbow unicorns and roller disco lives on! American Theater Company's scrappy little musical deserved their unanimous standing ovation for this one. Don't be fooled by the storefront aesthetic. This cast is full of powerhouse vocalists and quadruple threat pros who not only sing, dance and act, but do it on roller skates! 

Photo Credit for all production photos: Michael Brosilow

I'm still grinning ear to ear from this hilarious and heartfelt parody. And I'm dazed and amused they managed to transform their storefront into a full on mini roller rink and theatre in the round! This sweet setup makes for intimate staging, and provides some great audience interaction laughs, and in your face (or your lap) physical comedy.

One line from the show keeps coming back to me, "It's like children's theatre for gay 40 year olds." Yes... Yes it is. This campy comeback is sure to steal hearts. It's wittier and far funnier than the movie it sprang from, with the original pop hits and absurd premise intact, and the addition of better tunes, too. Lili-Anne Brown (Director) has guided this production to the height of hilarity. Landree Fleming (Kira) is a stellar stand out. The quick pacing and impeccable comedic timing of the entire ensemble makes this show a true treat. 

Gone are the peasant blouses and billowing skirts of the movie version of Kira, though the muses do have modified 70's versions of toga like robes in the form of maxi dresses and parachute pants. We dig Kira's ultra 70's costume choices of a terrycloth jumpsuit, leg warmers and giant pompons on the skates. Sonny was a vision of the past in tube socks, head band, cut offs and neon. 

The casting of several of the muse sisters as men added extra levels of fun to this production, and they camped it up classically. We also loved the gentle and too true digs on the whole 80's aesthetic, and on Olivia Newton John's Australian accent and affectations. They even snuck in a nice little Singin' in the Rain tribute for Gene Kelly, who was also in the original 1980 movie. The muses have a much bigger role in the stage version, including an overt plot to hex Kira and make her fall in love with a mortal. 

I prepped for the opening with a family XANADU movie night with my husband, who vaguely remembered it, and my teens who had never seen it. XANADU came out when I was 13 and my husband was 15 -- exactly the ages our kids are now. It was a fun trip through the waaaaay back machine, especially since the movie recreates both the 40's and 80's. ATC's musical version stands alone as a fun romp through the decades, whether you've seen the movie or not, but if you have seen the movie (especially recently) the stage show lampooning is far funnier.

It's tough to strike a balance between parody and snark and ATC's XANADU rocks that balancing act with panache. This is an absolute must see and fun for all ages. This ATC tribute is performed in memory of one of their inspirations, former artistic director, PJ Paparelli, who's untimely death last year shook the company and sent ripples through Chicago's theatre community. It's so great he can be remembered for his driving, documentary style productions on social problems, like Chicago's public housing crises, and also in a playful, high camp way, with XANADU. Maybe he's hangin' on the other side with Zeus and the muses today?! I wouldn't be surprised. At any rate, his life, and work, and even his silly film favorites continue to inspire ATC and Chicago's creative scene.


Xanadu takes place in VeniceCalifornia in 1980. Struggling artist Sonny Malone seeks to create his own version of the American dream by renovating an abandoned warehouse into a venue for world-class entertainment – a roller disco! A hilarious and modern update of the1980’s camp classic, Xanadu celebrates the artist’s muse, even when it comes from the most unlikely of places.

Xanadu Performance Schedule:
Regular Run: June 7–July 17: Tuesday–Saturday evenings at 8 p.m. with matinees on Saturdays and Sundays at 2 p.m.

American Theater Company (ATC) opened musical comedy Xanadu, the final production of its Legacy Season, Sunday, June 5. Presented as a tribute to ATC’s late Artistic Director PJ Paparelli—a not-so-secret fan of this camp classic—Xanadu is directed by Lili-Anne Brown and runs at ATC now through July 17, 2016. The production has music and lyrics by Jeff Lynne and John Farrar and a book by Douglas Carter Beane, based on the 1980 Universal Pictures film of the same title.

Single tickets for Xanadu range from $48-$58. Student tickets are available for $15 with valid student ID in-person at the Box Office. More information and tickets are available by visiting the ATC Box Office at 1909 W. Byron Street, by calling 773-409-4125 or visiting 

The cast for ATC’s tribute production of Xanadu includes Missy Aguilar (Calliope), Kasey Alfonso (Erato) Karla L. Beard (Melpomene), Jim DeSelm (Sonny), Landree Fleming (Kira), Aaron Holland (Danny Maguire, Zeus), Michelle Lauto (Kira U/S & Swing), Hanah Rose Nardone (Euterpe), James Nedrud (Terpsichore/Sonny cover), Daniel Spagnuolo (Thalia/Danny cover), and Cameron Turner (Swing).

Missy Aguilar (Calliope) most recently appeared as Baby Rose in Babes in Arms, Oolie/Donna in City of Angels with Porchlight Music Theatre and U/S Ivy (performed) in The Man Who Murdered Sherlock Holmes with Mercury Theatre. Last spring and summer she was happy to spend on the pier at Chicago Shakespeare Theater with Disney’s The Little Mermaid (Atina/Ensemble, U/S Ursula), and Sense and Sensibility: A New Musical (U/S Fanny/Mrs. Jennings, performed). Ms. Aguilar’s other recent Chicago area credits include: Women on the Verge of a Nervous Breakdown (Ivan’s Concierge, U/S Lucia) and The Beverly Hillbillies (Cousin Pearl/Gloria) with Theatre at the Center; Les Miserables (Ensemble & U/S Mdme. Thenadier) with Drury Lane; Nunsense (Sister Hubert) with Fox Valley Repertory; and In The Heights (Ensemble & U/S Abuela Claudia) with Paramount Theatre.

Kasey Alfonso (Erato) makes her ATC debut. Chicago credits include: West Side Story, Rent and In The Heights (Paramount Theatre); Seussical (Chicago Shakespeare); Iphegenia in Aulis (Court Theatre); Wonderland (Chicago Children’s Theatre); Carrie: The Musical (Bailiwick Chicago); and Smokey Joe’s Café (Theo Ubique). She also stars as Kid Zhuyin in the web series The Adventures of Jacketmen. Ms. Alfonso is a proud graduate of the Chicago College of Performing Arts.

Karla L. Beard (Melpomene) returns to ATC after appearing in Rent. She has appeared in Second City productions of What the Tour Guide Didn’t Tell You in the Up theatre, Soul Brother, Where Art Thou, Rush Limbaugh! The Musical, The Absolute Best Frigging Time of Your Life on the ETC stage, an assortment of Second City BizCo productions, several episodes of Chicago Live! and briefly in The Second City Guide to the Opera and Let Them Eat Chaos. TV/Film credits: Chicago PD, Empire, Mind Games and a variety of commercials. Other credits include: Mamma Mia! (National Tour); Doubt and Little Shop of Horrors (Peninsula Players); Sunday in the Park with George, Anyone Can Whistle and Princess and the Black-eyed Pea (Ravinia); The Amen Corner (Goodman Theatre and Huntington Theatre); The Piano Lesson (Madison Repertory Theatre; artist and music director); Miss Saigon and Hot Mikado (Marriott Lincolnshire); Ain’t Misbehavin’ (Arkansas Repertory); and Ragtime (Porchlight Theater). Ms. Beard received Jeff Nominations for her portrayals of the title character in the Midwest premiere of Dessa Rose, TiMoune in Once on This Island and Young Barbara Jordan in Voice of Good Hope at Victory Gardens.

Jim DeSelm (Sonny) makes his ATC debut. Chicago area credits: West Side Story and Beaches (Drury Lane Oakbrook); Road Show (Chicago Shakespeare Theater); James Joyce’s The Dead (Court Theatre); Fiddler on the Roof (Paramount Theatre); South Pacific (Marriott Theatre); Godspell and Jesus Christ Superstar (Theatre at the Center); Juno (TimeLine Theatre Company); A Catered Affair (Porchlight Music Theatre); Parade and Floyd Collins (Boho Theatre; Jeff Award Nomination - Actor/Musical); The Mikado (The Hypocrites); The Last Five Years (Kokandy Productions, Jeff Award Nomination - Actor/Musical); and Pump Boys & Dinettes (Theo Ubique Cabaret Theatre, Jeff Nomination - Music Direction). Regional Credits include: Snapshots (Village Theatre/Arizona Theatre Company); Oklahoma!, Once Upon A Mattress and Plain & Fancy (Round Barn Theatre). Television credits include Chicago P.D. (NBC) and Double Cross (Investigation Discovery).

Landree Fleming (Kira) makes her ATC debut. She was most recently seen as Penny in Hairspray (Paramount Theatre). Other Chicago credits include: Seussical (Marriott Theatre); Spelling Bee (Drury Lane Theatre, Griffin Theatre, Theatre at the Center); Gypsy (Chicago Shakespeare Theater); Godspell (Theatre at the Center); She Kills Monsters (u/s, Buzz22); Reefer Madness (Circle Theatre, Jeff Nomination - Best Actress); and The Giver (Adventure Stage Chicago). Ms. Fleming is a member of musical sketch comedy group Off Off Broadzway. She is represented by Gray Talent.
Aaron Holland (Danny Maguire, Zeus) returns to ATC. Recent Chicago credits include: SISTER ACT! (Marriott); Seussical! (Chicago Shakespeare Theater); Hair (American Theater Company); The Color Purple (Mercury Theatre); A Christmas Carol (Goodman Theatre); Goodnight Moon and Dot & Ziggy (Chicago Children’s Theatre); and Passing Strange (Bailiwick Chicago). TV credits: Chicago Med. Mr. Holland received a BFA in Theatre Performance from Virginia Commonwealth University.

Michelle Lauto (Kira U/S & Swing) makes her ATC debut. Favorite credits include the Chicago premieres of Murder Ballad (Bailiwick Chicago), 35mm (Circle Theatre) and The Boy From Oz (Pride Films & Plays). Ms. Lauto is a proud graduate of The Second City Training Center Conservatory.

Hanah Rose Nardone (Euterpe) makes her ATC debut. Chicago credits include: Bye Bye Birdie and White Christmas (Drury Lane Oakbrook); The Little Mermaid (Chicago Shakespeare Theater); and The Wild Party, Thoroughly Modern Millie, Ripper and Spring Awakening (CCPA at Roosevelt University). Regional credits include: 42nd Street, Big River, Legally Blonde and The Sound of Music (The Little Theatre on the Square); Guys and Dolls, Boeing Boeing, Footloose and Cabaret (Timber Lake Playhouse). Ms. Nardone recently received her BFA in Musical Theatre from The Chicago College of Performing Arts at Roosevelt University.

James Nedrud (Terpsichore/Sonny cover) makes his ATC debut. Recent credits include: Angry Fags (Pride Films and Plays at the Steppenwolf Garage); Mary Poppins (Paramount Theatre, Aurora); Les Miserables (Drury Lane Theatre, Oak Brook); Applause (Porchlight Revisits); WOZ: A Rock Cabaret (Kim Lawson at Victory Gardens); Three Little Pigs (Emerald City); and Under a Rainbow Flag (Pride Films and Plays; Jeff nomination for best supporting actor in a musical). He has also worked with Chicago Shakespeare Theater, About Face Theatre and Bohemian Theatre Ensemble, among others. Mr. Nedrud is a proud graduate of the Chicago College of Performing Arts and member of Pride Films and Plays.

Daniel Spagnuolo (Thalia/Danny cover) has worked at The Paramount Theatre, Porchlight Music Theatre, ProfilesTheatre, Boho Theatre Ensemble, The Little Theatre on the Square, and Light Opera Works. Danny’s choreography credits: Rent (Theo Ubique Cabaret); The Full Monty (Kokandy Productions; Non-Equity Jeff Award Nomination); Godspell and A New Brain (Brown Paper Box Co.; Broadway World Nominations); The Little Mermaid (Drury Lane Oakbrook); and Ruthless (Big Noise). Mr. Spagnuolo has served as assistant choreographer on such productions as A Funny Thing Happened on the Way to the Forum (Porchlight Music Theatre) and American Idiot (The Hypocrites).
Cameron Turner (Swing) makes his ATC debut. He is a Chicago-based actor/director/choreographer and proud graduate of The Chicago College of Performing Arts at Roosevelt University. Previous performance credits include: Jesus Christ Superstar (Theo Ubique Cabaret); DamnYankees and Annie Get Your Gun (Light Opera Works); and Les Miserables and A Chorus Line (Timber Lake Playhouse). Other Chicago credits include: 35MM: A Musical Exhibition (Director/Choreographer - Circle Theatre); The Boy From Oz (Choreographer - Pride Film & Plays); Jesus Christ Superstar (Asst. Choreographer - Theo Ubique Cabaret); and The Wild Party (Asst. Choreographer - Bailiwick Chicago).

Douglas Carter Beane’s (Playwright) plays include: The Nance, The Little Dog Laughed (Tony, Olivier nominations; GLAAD Media Award), Mr. & Mrs. Fitch, As Bees in Honey Drown (Outer Critics Circle, Gassner Playwriting awards), Advice From a Caterpillar, The Country Club, Music From a Sparkling Planet, The Cartells.  Musicals: Rodgers + Hammerstein’s Cinderella(Tony nom.), Sister Act (Tony nom.), Lysistrata Jones (Tony nom.), Xanadu (Tony nom.; Drama Desk, Outer Critics Circle awards). Revues: White Lies; Mondo Drama; The Late, Late Show. Opera: Die Fledermaus (Met). Screenplays: To Wong Foo, Thanks For Everything! Julie Newmar; Advice From a Caterpillar (Best Feature, Aspen Comedy Festival).  Producer: 21 plays as founder and artistic director of New York’s Drama Dept. Member of the Dramatists Guild and is on the Playwrights Walk of Fame at the Lucille Lortel Theatre.
Jeff Lynne (Music and Lyrics) is a founding member of the Electric Light Orchestra, or ELO, whose discography includes five platinum-selling albums: Face the Music, A New World Record, Out of the Blue, Discovery, and Xanadu. In addition to his recording work with the ELO, Lynne co-produced studio albums by George Harrison (Cloud Nine), Roy Orbison (Mystery Girl), Tom Petty (Full Moon Fever), Ringo Starr (Time Takes Time), and Paul McCartney (Flaming Pie). He co-founded the "supergroup," the Traveling Wilburys, with Tom Petty, Roy Orbison, Bob Dylan, and George Harrison. Lynn co-wrote and produced the track "Let It Shine" for Beach Boy Brian Wilson's debut solo album in 1988.

John Farrar (Music and Lyrics) is a music producer, guitarist, singer, and former member of the British rock group, The Shadows. He worked extensively with Olivia Newton-John, producing fourteen of her albums and writing many of her hit singles, including "You're the One That I Want" (Golden Globe nom.), "Hopelessly Devoted to You" (Academy Award nom.), and "Have You Never Been Mellow." He co-wrote with Tim Rice songs for the 1995 musical, Heathcliff, and collaborated with Francis Ford Coppola to create songs for a new musical, Gidget.

Lili-Anne Brown (Director) is the Artistic Director of Bailiwick Chicago. She received the Joseph Jefferson Award in 2014 (Direction of a Musical) for her direction of Ahrens & Flaherty's Dessa Rose. Other directing credits include: Michael John LaChiusa's See What I Wanna See (Steppenwolf Theatre Garage Rep), the critically acclaimed Chicago premiere of Passing Strange (BTA Award for Best Director of a Musical, Jeff Award nomination for Best Director of a Musical), and the world premiere of Princess Mary Demands Your Attention by Aaron Holland, for Bailiwick Chicago; On the Boards and Hearts of Darkness at Roosevelt University; and Hairspray, Unnecessary Farce, Cabaret, Sweet Charity, The 25th Annual Putnam County Spelling Bee, and Buddy: The Buddy Holly Story, all at Timber Lake Playhouse, where she is an Artistic Associate. Upcoming next season: American Idiot at Northwestern University and Jabari Dreams of Freedom by Nambi Kelley at Chicago Children's Theatre. She works as an actor, director and educator, both locally and regionally, and is a member of Actors’ Equity Association and SAG-AFTRA, and an associate of SDC. Lili-Anne is a Northwestern University graduate (Performance Studies), and a proud native Chicagoan.

About American Theater Company
American Theater Company (ATC) challenges and inspires its community by exploring stories that ask the question, "What does it mean to be an American?" ATC’s Ensemble includes Patrick Andrews, Kareem Bandealy, Jaime Castañeda, Kelly O’Sullivan, Tyler Ravelson, and Sadieh Rifai.

American Theater Company is partially supported by a grant from the Illinois Arts Council, a state agency, and CityArts grant from the City of Chicago Department of Cultural Affairs and Special Events, the Lloyd A. Fry Foundation, Polk Bros. Foundation, the MacArthur Fund for Arts and Culture at Prince, and the Shubert Foundation.

Disclosure: Thanks to American Theater Company for providing one of our lucky readers with 2 tickets ($116 value) to their Jeff Recommended production of the musical comedy Xanadu. I have also been given a pair of tickets for the press opening to facilitate my review. As always, all opinions are my own.

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