Showing posts with label The Strange Undoing of Prudencia Hart. Show all posts
Showing posts with label The Strange Undoing of Prudencia Hart. Show all posts

Saturday, October 13, 2012

ACT OUT: ChiIL Live Shows Highly Recommended List #reviews

Highly Recommended Theatre Now Playing:

Iron Stag King Part 1 at The House Theatre (review)-closing October 21!

all production photos from The House Theatre
credit Michael Brosilow

A myth is born!   The kids (9 & 11) and I caught opening night and thoroughly enjoyed The House Theatre's Iron Stag King Part 1.   They've created a truly magical, engrossing mythology which is at the same time archetypal and entirely new.   Highly recommended.   This is one show you do NOT want to miss this season!   

This is not a children's show as there is stage violence and a complex multilayered plot, but the show is fine for savvy tweens, teens and up, especially those familiar with Norse Mythology, The Lord of The Rings, Harry Potter and fantasy role playing games.   My 4th and 6th graders were entranced with the writing and captivated by the whole production, puppetry and drama.

One of our favorite things about House Theatre is their rampant creativity that runs through their original writing, set design, costumes and even their play bills.   They've outdone themselves this time with vintage postcards for tickets and a full blown, fold out map of the realm as a play bill!   Love it

After a bit of a slow start, the 2nd act is teeming with stage combat, magic,  chess worthy strategy and hallucinogenic mind games.   The youngest cast member and her father carried off the eeriest, most disturbing scene of all.   The only thing that makes me happier than seeing The Iron Stag King come to fruition is knowing it's just part one of a trilogy!    

Iron Stag King Part 1 

A myth of crowns and country

Now Playing through October 21

Featuring Company Members Cliff Chamberlain and Joey Steakley

“An EPICHIGHLY ENTERTAINING affair! …an EXPANSIVE and ARRESTING new production …an AMBITIOUS and EBULLIENT piece of original theater” 
Chicago Tribune

FOUR STARS “Performed with PLAYFULNESS and POLISH, it whets our appetite for the next installment.”
Time Out Chicago

RECOMMENDED "The action sequences are THRILLING and IMMEDIATE. The costumes, lighting and puppetry are CAPTIVATING and often EYE-POPPING! " 
– NewCity Stage 

From the writer/director of ‘Death and Harry Houdini’ comes a new epic journey filled with heated battles and life-size puppets.

Our unsuspecting hero, Casper Kent, is the son of a poor farmer. When an old storyteller reveals that Casper is the rightful heir to the throne, his life is threatened from all sides. Young Casper must escape the crownless, choose compatriots and question what is good and right for the land. Join him on his quest to lift the magical hammer that will unite or destroy them all.

Join us on Twitter or Facebook for updates. And follow the production process onTumblr



Part One
a myth of crowns and country

a magician’s legacy is passed on

a concert of folk tales


our fantastical expansion of a holiday classic returns

at The Palmer House Hilton Hotel
Click here for our past coverage and show details including our video interview with Dennis Watkins, star of The House Theatre's ongoing Friday night Magic Parlour show now in an open run at Palmer House.

Metamorphoses at Lookingglass Theatre-now extended through Dec. 16th-Highly recommended!

Do NOT miss this truly transformative theatre.   This show will change you and leave ripples for years to come.  The deepest archtypal characters emerge from the subconscious of Lookingglass Theatre's reflecting pool and morph into flowers, trees, gold, and melt back into water again.

With the true skill of an alchemist, Mary Zimmerman brings forth the myths of Ovid and transforms them into storyteller's gold. 

Click here for our review and show details. 

I Love Lucy LIVE at The Broadway Playhouse through Nov 11th (review)-

ChiIL Live Shows had a chance to check out opening night and this musical adaptation is a hoot!  It's tame enough for the kids and a time travel trip for the elder generations.  There are in jokes, plenty of show references, and even a game show segment where members of the audience compete on I Love Lucy trivia.   However, the show also stands alone as a funny, fun piece, even if you've never see an original I Love Lucy episode.

Even though I wasn't born when the episodes initially aired, I do remember seeing most, if not all of them in daytime TV reruns, as a child in the 70's.   Just about the only time we were allowed to watch endless TV was when we were out of school sick.   So I Love Lucy is like comfort food to me.   I equate the amusing black and white episodes, Lucy's over the top facial expressions and quirky conundrums, and Ricky's Cubanglish and bongos with chicken soup, feather comforters, a big box of tissues, and a Lazy Boy recliner.

Broadway's version does a great job of recreating the naive plots, physical comedy and hilarity of the original, and even the technology of the times--with 1950's mics, cameras, and ads.   The studio singers who belt out all the sponsor jingles to soft shoe routines are homage and fodder simultaneously.

The intimate Broadway Playhouse space is perfect to simulate a studio audience situation, and this nostalgic nugget is a welcome respite from the complicated chaos of this century.  

The Strange Undoing of Prudencia Hart by National Theatre of Scotland at Chicago Shakespeare-*Check out our photo filled review and show details here.

Tuesday, October 2, 2012

ACT OUT: Black Watch & The Strange Undoing of Prudencia Hart (The OTHER Scottish Plays) #review

ChiIL Live Shows photos--The Strange Undoing of Prudencia Hart

Ask any theatre geek what "The Scottish Play" is and he or she will undoubtedly conjure up the infamous Shakespeare play whose name must not be uttered within a theatre or it's bad luck.   Actors can be a superstitious lot.    However, in Chi-town right now, there are two authentic Scottish plays running this month, with real Scottish actors and accents, and major players from The National Theatre of Scotland!    Neither of them is Macbeth, though the troupe IS here in conjunction with Chicago Shakespeare Theatre.

Image 1: Left to right: David McKay, Alasdair Macrae, Melody Grove and Andy Clark in National Theater of Scotland’s production of The Strange Undoing of Prudencia Hart, presented in the Upstairs Theater at Chicago Shakespeare, now through October 28, 2012. Photo by Drew Farrell.

First up, we're super stoked The National Theatre of Scotland is presenting The Strange Undoing of Prudencia Hart.    Critics are just about universally raving about the show and handing out 5 stars like shots of fine Scotch whisky. 
Do not miss this limited run.   The show must close October 28th.

September 26–October 28, 2012 Tickets $45–$60

7:30 p.m.
7:30 p.m.
7:30 p.m.
7:30 p.m.
3:00 & 7:30 p.m.
3:00 & 7:30 p.m.

ChiIL Live Shows caught opening night and we loved it.  This show is wickedly funny, creative and smart without pretension.  Much of the dialogue is couplets providing a classy and classic touch.  

Scottish folk ballads and instruments that have been used for centuries effectively transport the audience out of the intimate, upstairs space at Chicago Shakespeare Theater on Navy Pier and into recreated Scottish pub.  

Image 3: Left to right: Andy Clark, Melody Grove, Annie Grace, David McKay and Alasdair Macrae in National Theater of Scotland’s production of The Strange Undoing of Prudencia Hart, presented in the Upstairs Theater at Chicago Shakespeare, now through October 28, 2012. Photo by Drew Farrell.

Yet cell phones, the internet, karaoke, soccer matches, and even modern pop stars are intrinsically woven throughout the story in a brilliant melding of past and present, myth and modern life.   The audience is treated to a rousing night of live theatre, Scottish folk songs, and a truly unique hybrid of classic and modern story telling.   In this interactive show, the 3rd wall is broken down and much of the action takes place among, around and on the audience and their pub tables! The audience is asked to make snow and sing along, and more than a few enjoyed doodling on the paper table cloths.   

I heard a few older patrons saying they had a bit of trouble with understanding the accents, but I'd say 95% of the dialogue and song was easy to hear and follow along with.  Luckily we were also given a "cheat sheet" that explained the most Scottish of expressions and events not universally known to Chicagoans.

The theatre has a bar in the room and the audience is treated to a free communion cup shot of smoky, rich Benromach Speyside Single Malt Scotch Whisky.   Even my decidedly non-theatre lovin' spouse was placated with a few beers and a shot of 10 year old whisky in front of him, and actually admitted he enjoyed the show!


Image 2: Left to right: Annie Grace, Melody Grove and Andy Clark in National Theater of Scotland’s production of The Strange Undoing of Prudencia Hart, presented in the Upstairs Theater at Chicago Shakespeare, now through October 28, 2012. Photo by Drew Farrell.

We dug the misadventures of the aptly named Prudencia Hart, the serious, prudent and prudish academic with her heart tightly under wraps.  Truly the rule of opposites does exist and apply.   Sometimes opponents are unlikely allies.

Chicago Shakespeare Theater Presents 

National Theatre of Scotland's
The Strange Undoing of Prudencia Hart
As Part of the World's Stage Series

Upstairs at Chicago Shakespeare Now through October 28, 2012

The theater Upstairs at Chicago Shakespeare morphs into the intimate confines of a Scottish pub for National Theatre of Scotland’s The Strange Undoing of Prudencia Hart now through October 28. Complete with pub-style seating and a bar, the production recounts the Faustian tale of Prudencia, an ivory-tower academic sweetly "lost" in her research on Scottish folk music, who finds her world comically unhinged as the love and mythology of her research springs to surprising life.

Winner of a Herald Angel award at the 2011 Edinburgh Festival Fringe, The Scotsman gives it five stars and The Herald declares, You shouldn’t miss this show for the world... [it’s] rambunctiously life-affirming and touchingly beautiful.”

The Strange Undoing of Prudencia Hart is the product of a weekend visit to a Kelso pub in the Scottish Borders by playwright David Greig, director Wils Wilson and composer Alasdair Macrae. What began as simple research on Scottish Border ballads soon became the inspiration for a story of love, music and the Devil.

Writer David Greig’s recent work for National Theatre of Scotland includes Dunsinane (Royal Shakespeare Company), Peter Pan and The Bacchae (Edinburgh International Festival). Currently, he is working on a new Broadway production of Charlie and the Chocolate Factory. Director Wils Wilson, a Critics’ Award for Theatre in Scotland (CATS) recipient, has previously worked on National Theatre of Scotland’s Gobbo, devised and created with David Greig, and Home Shetland, created with Jackie Kay. Composer Alasdair Macrae won a CATS for Best Music and Sound for his work on The Strange Undoing of Prudencia Hart. The production’s creative team is rounded out by Designer Georgia McGuinness, Composer and Music Director Alasdair Macrae, Movement Director Janice Parker, and Casting Director Anne Henderson. The cast of The Strange Undoing of Prudencia Hart includes: Andy Clark, Annie Grace, Melody Grove, Alasdair Macrae and David McKay.
Chicago Shakespeare Theater’s limited four-week engagement of The Strange Undoing of Prudencia Hart runs now through October 28, 2012, in the theater Upstairs at Chicago Shakespeare. Tickets are on sale now for $45–60. All patrons receive a 40% discount on guaranteed parking in Navy Pier garages. For more information or to purchase tickets, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at

Supported by the Scottish Government, National Theatre of Scotland has been involved in creating 181 productions in 156 different locations since its launch in February 2006. With no building of its own, the Company takes theater all over Scotland and beyond, working with existing and new venues and companies to create and tour theater of the highest quality. It takes place in the great buildings of Scotland, but also in site-specific locations, airports and tower blocks, community halls and drill halls, ferries and forests. The company has performed to over 770,000 people, across three continents.

ABOUT CHICAGO SHAKESPEARE THEATER Chicago Shakespeare Theater is a leading international theater company, known for vibrant productions that reflect Shakespeare’s genius for intricate storytelling, musicality of language and depth of feeling for the human condition. Recipient of the 2008 Regional Theatre Tony Award, Chicago Shakespeare’s work has been recognized internationally with three of London’s prestigious Laurence Olivier Awards, and by the Chicago theater community with 62 Joseph Jefferson Awards for Artistic Excellence. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, CST is dedicated to producing extraordinary classic productions, new works and family fare; unlocking Shakespeare’s work for educators and students; and serving as Chicago’s cultural ambassador through its World’s Stage Series.

Chicago Shakespeare’s presentation of National Theatre of Scotland is emblematic of the wide scope of work presented through the World’s Stage Series—a program that brings the world’s most exciting theatrical events to Chicago audiences and presents Chicago Shakespeare’s work abroad. Since the inception of the World Stage Series in 2000, CST has imported international productions ranging from pedestrian-based live art events (Australia’s one step at a time like this) to grand aerial and water spectacles (France’s Compagnie Transe Express and Ilotopie); and hosted iconic theaters such as Shakespeare’s Globe Theatre (London), The Abbey Theatre (Dublin), the Chekhov International Theatre Festival (Moscow) and La Comédie-Française (Paris). As a leading cultural ambassador, Chicago Shakespeare has presented its work at the Royal Shakespeare Company, The Donmar Warehouse and Stratford East theatres; and this past spring, was among the 37 international companies that came together for an unprecedented 37-play “Globe to Globe” festival for the London 2012 Cultural Olympiad. Chicago Shakespeare, representing North America, brought to Shakespeare’s Globe Theatre in London an original CST commission and world premiere, The Q Brothers’ Othello: The Remix, presented in American hip-hop. The acclaimed production is currently playing at the Edinburgh Festival Fringe.

Check out Chicago Shakespeare Theatre's website for advanced tickets for their prolific, professional and profound offerings.

Black Watch, also by National Theatre of Scotland is opening Oct 10th.   Click the link for video clips, behind the scenes, reviews and more.   We missed it the last time around and are eagerly awaiting it's return.  It's playing at The Broadway Armory through Oct. 21st.

Both are well worth a night out.   Get your tickets today before they sell out or ship out!   Check out ChiIL Live Shows prior coverage here.

SUNDAY IN THE PARK WITH GEORGE  |  September 26–November 4, 2012
THE STRANGE UNDOING OF PRUDENCIA HART  |  September 26–October 14, 2012
BLACK WATCH  |  October 10–21, 2012

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