Wow. I have never seen a play before where all the action revolves around a bathtub. “Set in a bathroom, Nobody’s Home follows a soldier’s journey through his own mind, as he struggles with the monsters of his past to finally come home,” as described by Theatre Temoin and Grafted Cede theatre. While sometimes hard to witness, Nobody’s Home is an important story to tell about PTSD---the hell it creates for the central figure as well as his frustrated and exasperated wife. During the pre-show introduction, the audience is reassured that if anyone needs to step out because of the intensity of the show, the actors will not be offended; they are used to it from their many performances on military bases. Returned soldier Grant and wife Penny are struggling to return to normalcy after his third tour of duty, which has pushed him over the edge. Penny wants Grant to finally fix the bathtub drain, but Grant’s demons prevent him from accomplishing anything other than basic survival. While her traumatized husband plays Zombie Hunter for endless hours in the bathroom, his also-suffering wife reminisces to their unborn child about the man she married. “He’s been home eight months, and I still feel like I’m waiting.” She reassures herself by reading the love letters he had sent home from the front. The husband she knew is damaged beyond recognition. “Either he’s playing video games in the bathroom, or he is lying next to me, and I’m afraid for my life.” Will Pinchin does a great job playing the emotionally tormented Grant. But his real-life wife Dorie Kinnear as Penny is amazing in her many roles, playing a psychiatrist, a dead comrade who torments Grant’s thoughts, (“Where were you when I was getting my face blown off?”) and a woman Grant encountered overseas who still haunts him. Penny deserves a medal for what she is tolerating, and I wondered how spouses in these tough circumstances are able to cope. (They are heroes as well.) Just as she is ready to leave Grant, he begs her to stay. In a cool bit of choreography, Pinchin and Kinnear alternate between reality and scary flashbacks in a move they call “the spin.” The lights dim when Grant envisions the native woman from the war and brighten as he embraces Penny, trying to not let her slip away. Nobody's Home has been perfected over the ten years since its inception. We were lucky to chat with the actors after the show, delighted to discover they are a married couple with a two-and-a-half-year-old daughter. Americans from the two coasts, they met doing theater and currently reside in England. They said the play has a prominent, kind of weird place in their relationship. It is a story that needs to be told. Pinchin and Kinnear were impressed with our city and commented on how “nice everyone has been in Chicago.” Awwww. They planned to explore a bit the next day, so we made suggestions on where to eat and what to see. We are lucky they shared their unique play with the Windy City and hope they return soon.
New workshop just added! From the Inside Out- Dance/Physical Theater Guided Improv – Friday, June 8, 10 a.m. to 2 p.m. Learn directly from top Cirque du Soleil talent scout Leon Kupferschmid. Find out what he looks for in potential performers prior to Cirque du Soleil’s Chicago auditions for dancers, clowns and physical actors, June 9 and 10. Bouffon Workshop with Eric Davis (aka Red Bastard), Sunday, June 3, 10 a.m.- 1 p.m. has sold out. Limited space is still available for the remaining workshops: Sculpting Space with Dorie Kinnear and Will Pinchin (UK/USA), Monday, June 4, 10 a.m.- 1 p.m. Dreams, Wishes, Lies with Michael Montenegro, Wednesday, June 6, 10 a.m.-1 p.m. Create Your Own Solo with Gaël Le Cornec and Ben Samuels, Thursday, June 7, 10 a.m.-1 p.m. Comedy & Clowning with Little Solder Productions, Saturday, June 9 at 10 a.m.-1 p.m.
I’m gonna be honest with you, I’m not gonna lie, this is the TRUTH: The Red Bastard is worth seeing. It is theater like you have not seen before. (And he begins the performance by informing us there is no ending.) Then again, all people LIE, so why would you believe me?? ;-) The premise that all people fib, cheat, or are perverts is the foundation of the Red Bastard’s guide to life and love, especially in matters of the heart. Because who really writes these “Rules of Love” that we follow in terms of our relationships? What do we consider “cheating” in a relationship? How honest do we need to be with our partners? Swans may pair off and mate for life, but Eric Davis, a.k.a. Red Bastard, concedes he was not wired for being a swan and had his share of sexual shenanigans that made him a “dirty pony.” (How many audience members will make that their new naughty catch phrase?) To prove that “Everyone lies,” at the beginning of the show, Red Bastard has the audience stand up. (if you are uncomfortable with participating in live theater, BEWARE...or sit waaay in the back. I discovered this personally. More on that later...) To locate an honest person, just one, Red Bastard surveys the crowd. If someone has lied to that particular question, he or she sits down. It only took three questions to leave nobody standing. I expected the usual questions: have you fibbed about your age, weight, or a past job experience... but the question that “killed” over half the crowd dealt with how often we select the “I have read and understand” the content on any online website’s “terms and conditions” page before we sign off on all that annoying fine print. As Red Bastard exclaims: “It’s a show about YOU--LIES!” In the theater, which is “a temple of lies!” So how was I dragged into this soul-baring experience? “If you have ever dated more than one person at a time, wink at me.” I winked. He noticed. Oh, crap. He grilled me on particulars. “Did I lie to one of them?” No. “Why not?” I answered truthfully that they “lived in different cities.” Oh, Red Bastard loved that and mimed driving across the stage, back and forth, back and forth, visiting my lovers. Did I regret it? If I could erase the experience, would I? No. “Why Not?” I shrugged. “It was fun.” I think I earned the respect of Red Bastard at that moment with my candor. Told with boundless energy, humor, music (he plays a concertina!), physical theatrics, and wonderful improv, Eric Davis’ tour-de-force was vastly entertaining and thought-provoking. He had the audience rapt; we even laughed when he ate a piece of chocolate onstage. He ate a mango and slow-danced with a man from the crowd, charming all. And this English teacher learned a new vocabulary word from the show: “compersion.” Look it up. Davis is also running a Bouffon Workshop for the fest. We chatted with Eric (our new BFF) after the show, and he was a delightful, friendly person. When asked where he lives, he said his wife is a member of Cirque du soleil, so he travels to follow her career. What a great husband! His wife got him to finally rebuke his dirty pony ways. We teased him that he needs to officiate at our maybe-someday-wedding. No lie.
New workshop just added! From the Inside Out- Dance/Physical Theater Guided Improv – Friday, June 8, 10 a.m. to 2 p.m. Learn directly from top Cirque du Soleil talent scout Leon Kupferschmid. Find out what he looks for in potential performers prior to Cirque du Soleil’s Chicago auditions for dancers, clowns and physical actors, June 9 and 10. Bouffon Workshop with Eric Davis (aka Red Bastard), Sunday, June 3, 10 a.m.- 1 p.m. has sold out. Limited space is still available for the remaining workshops: Sculpting Space with Dorie Kinnear and Will Pinchin (UK/USA), Monday, June 4, 10 a.m.- 1 p.m. Dreams, Wishes, Lies with Michael Montenegro, Wednesday, June 6, 10 a.m.-1 p.m. Create Your Own Solo with Gaël Le Cornec and Ben Samuels, Thursday, June 7, 10 a.m.-1 p.m. Comedy & Clowning with Little Solder Productions, Saturday, June 9 at 10 a.m.-1 p.m.
PHYSICAL FESTIVAL CHICAGO WARMING UP FOR BIG FIFTH ANNIVERSARY, JUNE 1-9, 2018 AT STAGE 773
Physical Festival Chicago, founded in 2014 and curated by Alice da Cunha and Marc Frost, is the city’s annual contemporary, visual and physical theater festival presenting new forms of theater from around the world.
Hold tight for nine whirlwind days of physical theater programming including four incredible, award-winning shows from around the world, hometown master Michael Montenegro, a Scratch Night featuring cutting edge new works by Chicago performers, and master classes taught by top international physical theater artists.
Marvel at physical theater artists from Brazil, France, New York,
Spain, the U.K. and Chicago sure to shock, entertain and amaze
Scratch Night Chicago artists and six workshops announced, including
How to Audition for Cirque du Soleil with a leading Cirque talent scout
Top, from left: The 2018 Physical Festival Chicago, June 1-9 at Stage 773, will feature Nobody’s Home by UK-based Theatre Témoin and Grafted Cede, Red Bastard: Lie with me from New York City, (bottom) The Other by Gaël Le Cornec from Brazil/France, and The Ingenious Gentleman Don Quixote de la Mancha by Little Soldier Productions from Spain/UK. Michael Montenegro, acclaimed artistic director of Evanston’s Theatre Zarko, is the 2018 festival’s featured Chicago artist.
Physical Festival Chicago - the city’s annual contemporary, visual and physical theater festival presenting new forms of theater from around the world - is returning June 1-9, 2018 for its fifth anniversary outing. Hold tight for nine whirlwind days of physical theater programming including four incredible, award-winning shows from around the world, hometown master Michael Montenegro, a Scratch Night featuring new works by Chicago performers, and master classes taught by top international physical theater artists. All performances are presented at Stage 773, 1225 W. Belmont Ave., in Chicago’s Lakeview neighborhood. Single tickets ($12-$18) and festival passes ($45 and $60) are on sale now at physicalfestival.com. Two incredible out-of-town acts kick off the 2018 Physical Festival opening weekend, June 1-3. First, UK-based Theatre Témoin and Grafted Cede will present Nobody’s Home, a unique and striking exploration of PTSD in a modern retelling of Homer’s Odyssey. Performances are Friday and Saturday, June 1 and 2 at 7 p.m. and Sunday, June 3 at 5 p.m. (Note: Nobody’s Home replaces the previously announced La Causeuse by Montreal collective Equivoc’, which had to drop out of the festival due to scheduling conflicts.) Sure to shock and seduce is the opening weekend “late night” act, New York’s Red Bastard with a new work, Red Bastard: Lie with me, a wild one man show about lies lovers tell. Performances are Friday and Saturday, June 1 and 2 at 9 p.m. and Sunday, June 3 at 7 p.m. The spotlight shifts to Chicago’s physical theater scene after opening weekend with Scratch Night, Monday, June 4 at 7 p.m. This evening features a curated collection of new and experimental works by emerging Chicago artists including Centology by Nelia Miller, The Dolphin Show by David Gordezky, Keep Your Guard Up, Smitty Harbinger by Tim Campos, It Takes Two by Chesa Greene, MEMORABILIA by Jean Carlos Claudio, Love Hurts by C:DC Comedy Dance Collective, Bluets by Ellenor Riley-Condit and a new Portmanteau work in progress by Jessica Mondres and Stephanie Diaz with music by Barry Bennett. The Chicago focus continues Tuesday and Wednesday, June 5 and 6 at 7 p.m. with two evenings showcasing the festival’s featured local artist, Michael Montenegro, the acclaimed artistic director of Evanston’s Theatre Zarko. On stage both nights is Theatre Zarko’s Drunken Half Angel, a unique selection of short solo puppet and mask theater performances created by Montenegro and accompanied by Jude Matthews and fellow musicians. Two international acts close the festival, starting with Franco-Brazilian Gaël Le Cornec presenting The Other, a disturbing coming-of-age, dark adventure-thriller about a girl refugee overflowing with poetry, strange creatures and stunning imagery. Performances are Thursday through Saturday, June 7-9 at 7 p.m. Rotating with The Other at Stage 773 closing weekend is Spain/U.K.-based Little Soldier Productions, aka Patricia Rodriguez and Mercè Ribot, presenting The Ingenious Gentleman Don Quixote de la Mancha, a bold, physical attempt to re-enact Cervantes’ sweeping, timeless novel, in its entirety. Performances are Thursday through Saturday, June 7-9 at 9 p.m. What is Physical Festival Chicago? Physical theater pursues storytelling through primarily physical and visual means to create original and contemporary work. It embraces a wide variety of styles, approaches and aesthetics including clown, puppetry, mime, mask, dance, theater, vaudeville and circus, stop motion film and poetry, among others. Physical Festival Chicago, founded in 2014 and curated by Alice da Cunha and Marc Frost, is the city’s annual contemporary, visual and physical theater festival presenting new forms of theater from around the world. Following is the full, fifth anniversary line-up for Physical Festival Chicago, in chronological order, June 1-9: Nobody’s Home Theatre Témoin and Grafted Cede Theatre From UK via USA Friday and Saturday, June 1 and 2 at 7 p.m. Sunday, June 3 at 5 p.m. 60 minutes For ages 14+ Odysseus has come home from the war. His bath is broken, and he can’t fix it. As he stares at his reflection, he begins to find that his journey back to the people he loves might not be as easy at it seems. Set in a bathroom, Nobody’s Home follows a soldier’s journey through his own mind, as he struggles with the monsters of his past to finally come home. In their signature physical style, Theatre Témoin and Grafted Cede present a unique and striking exploration of PTSD in this gripping, modern retelling of Homer’s Odyssey. “Ingenious and grotesque…an astounding and moving play” wrote Three Weeks Edinburgh. Broadway Baby called Nobody’s Home “a masterpiece…the audience spontaneously laughed, gasped and burst into tears.” Nobody’s Home was developed in California through a series of collaborative workshops with combat veterans. In addition to public performances, Theatre Témoin tours Nobody’s Home to army barracks, veterans’ organizations and military academies. The company was founded in Toulouse in 2007 by graduates of the London International School of Performing Arts (LISPA) as a forum for creating new works of theatre that are both socially engaged and fun. In 2010 the company moved its base back to London and has since produced projects in the UK, USA, Mexico, Rwanda, India, Israel, and Lebanon. Nobody Home is directed by Theatre Temoin Artistic Director Allison Conant. Learn more at theatretemoin.com. Nobody’s Home features UK-based Grafted Cede Theatre’s Co-Artistic Directors, Will Pinchin as Grant, and Dorrie Kinear as Penny. Both are graduates of the London International School of Performing Arts. Visit graftedcede.com to learn more.
Red Bastard: Lie with me From New York, USA Friday and Saturday, June 1 and 2 at 9 p.m. Sunday, June 3 at 7 p.m. 70 minutes For ages 18+
How free is your love? You’re about to find out. Every. Single. One of you. Red Bastard is coming to Chicago to expose the lies we tell our lovers and those bastards who made us lie in the first place! A complete Edinburgh Fringe sell-out in 2013, 2014 and 2017, New York’s Red Bastard is ready to charm, disarm, shock and seduce in this brilliant new show. The List named Red Bastard one of the “Top 5 shows in the UK. 5 stars.” The Edinburgh Evening News exclaimed “Not a show. This is an experience.”
Red Bastard, aka Eric Davis, is an award winning, New York-based performer, writer, director and teacher, and a former performer with Cirque du Soleil. The red beast within, acclaimed by critics and sold-out audiences across the globe, is an infamous buffoon who fuses theater, stand-up, clown and social psychology to create powerful, life-changing comedy. Learn more at redbastard.com.
Scratch Night Chicago, USA Monday, June 4 at 7 p.m. 70 minutes Scratch Night is the festival’s annual, one-night-only showcase of what is brewing in Chicago’s physical theater scene. The evening features a curated collection of new and experimental short works by emerging Chicago artists including Centology by Nelia Miller, The Dolphin Show by David Gordezky, Keep Your Guard Up, Smitty Harbinger by Tim Campos, It Takes Two by Chesa Greene, MEMORABILIA by Jean Carlos Claudio, Love Hurts by C:DC Comedy Dance Collective, Bluets by Ellenor Riley-Condit and a new Portmanteau work in progress by Jessica Mondres and Stephanie Diaz with music by Barry Bennett. Drunken Half Angel, a selection of short solo pieces attempting, with one wing, to escape gravity Chicago, USA By Theater Zarko, created by Michael Montenegro and accompanied by Jude Matthews and fellow musicians Tuesday and Wednesday, June 5 at 6 at 7 p.m. 60 minutes For ages 11+ Over the past 20 years, Chicago’s Michael Montenegro, this year’s local featured artist, has developed a signature style of puppet and mask theater as both a solo artist and collaborator. His work Drunken Half Angel is a unique selection of short solo puppet and mask theater performances ranging from the grotesque, to the comical, and then poignant. Inventive, innovative, unusual, and occasionally profound, Montenegro will be accompanied by the magical and sublime original music of Jude Mathews, Musical Director of Theatre Zarko. Montenegro is artistic director of Theatre Zarko which has presented numerous original puppet theater plays such as He Who, Haff (The Man), Sublime Beauty of Hands, Klown Kantos and Iktu Blas. His collaborations include commissions by the Lookingglass Theatre for Mary Zimmerman’s Argonautica, by Next Theatre for The War With the Newts and The Long Christmas Ride Home, and by Writers Theatre for The Puppetmaster of Lodz, which earned a Jeff Award for puppet design. In 2016 he collaborated with Blair Thomas, Greg Allen, Michael Zerang, and Michael Smith on Blair Thomas & Co.’s production of Moby Dick at the Museum of Contemporary Art, Chicago, which was restaged at the 2017 International Puppet Festival in Charleville-Mezieres, France in 2017. Montenegro also presented Kick The Klown in the 2017 Chicago International Puppet Theater Festival in collaboration with director Greg Allen. Jude Mathews has been Music Director and Composer for Theatre Zarko since 2000, working in collaboration with Michael Montenegro to develop the sound elements of the theatre’s work. She is trained as a classical pianist, playing in chamber music ensembles and Klezmer, Balkan, and barn dance bands. More recently, she studied interdisciplinary arts, songwriting, and composition at Columbia College and Northeastern University. She has composed and performed for Perceptual Motion Dance Company, Access Contemporary Music, and at various interdisciplinary events around the Midwest. The Other by Gaël Le Cornec From Brazil/France Thursday, Friday and Saturday, June 7-9 at 7 p.m. 60 minutes For ages 14+
Unicef estimates 30 million children are fleeing brutal violence, extreme poverty or both today. Gaël Le Cornec’s The Other is a kickass one girl show about surviving war and refuge. Embark in this disturbing coming-of-age, twisted fairy tale, darkly comic adventure-thriller overflowing with poetry, strange creatures and stunning imagery. Like many others, one night, young Mana from the Red-yellow planet, is forced to catch a shooting star to seek refuge elsewhere. During her journey across the universe, imagination is her best defense. Will she win her struggle for survival? Will Mana ever arrive to her dreamland, the beautiful blue planet? Don’t miss this 2016 Edinburgh Fringe Three Weeks Editors Choice Award winner, Edinburgh Fringe Top Show about Refugees and 2017 runner-up for Amnesty International’s Freedom of Expression. Le Cornec is a French/Brazilian actress, director and playwright. Acting credits include 23 stage productions around the world, from one-woman shows about Camille Claudel and Frida Kahlo, to recent productions at London’s Young Vic Theatre and Shakespeare’s Globe. The Ingenious Gentleman Don Quixote de la Mancha by Little Soldier Productions From Spain/UK Thursday, Friday and Saturday, June 7-9 at 9 p.m. 80 minutes For ages 16+
Little Soldier Productions boldly re-enacts one of the most accomplished works of fiction ever written with this award winning, critically acclaimed take on Cervantes’ timeless novel. Two feisty senoritas and a downtrodden Englishman embark on a journey through Spain, accompanied only by a guitarist whose presence makes no sense whatsoever. This is a wildly imaginative and provocative adventure of epic proportions, traversing joy, pain and ultimately, wisdom. Taken with a pinch of salt and a handlebar moustache, Physical Festival fans can look forward to 80 madcap minutes which conclude with the common sentiment, “These guys did not read the book.” The Guardian hailed The Ingenious Gentleman…“Cunningly constructed and wonderfully inventive. A show that embodies not just Cervantes’ novel but the spirit of the fringe itself.” Time Out called it a “hilariously dirty adaptation” while Broadwaybaby pegged it “An absolutely riveting and hilarious physical theatre show. A must see.” London-based Little Soldier Productions was founded by award-winning performers Patricia Rodriguez and Mercè Ribot, both from Spain. They are clowning, devising and physical theater specialists who have toured extensively in the UK and abroad in the U.S., Mexico, Spain and Poland. Little Soldier is joined on stage by Told By an Idiot associate artist Stephen Harper, with help from their mentor, Spymonkey’s Aitor Basauri. Learn more at littlesoldierproductions.co.uk.
Physical Festival Chicago Workshops: Learn from the world’s leading physical theater artists In addition to public performances, Physical Festival Chicago will offer five workshops with visiting and local artists during the festival. Chicago artists looking to hone their skills, add to their artistic toolbox and meet fellow physical theater artists in an engaging setting are encouraged to register for: Bouffon Workshop with Eric Davis (aka Red Bastard), Sunday, June 3, 10 a.m.- 1 p.m. Sculpting Space with Dorie Kinnear and Will Pinchin (UK/USA), Monday, June 4, 10 a.m.- 1 p.m. Dreams, Wishes, Lies with Michael Montenegro, Wednesday, June 6, 10 a.m.-1 p.m. Create Your Own Solo with Gaël Le Cornec and Ben Samuels, Thursday, June 7, 10 a.m.-1 p.m. Comedy & Clowning with Little Solder Productions, Saturday, June 9 at 10 a.m.-1 p.m. Space is limited. Visit physicalfestival.com/workshops for full workshop descriptions and to register. Workshops are $50 each, or look for information on a discounted workshop pass. Behind the scenes: Physical Fest Chicago In 2014, Alice da Cunha and Marc Frost launched the inaugural Physical Festival through the Artistic Associate program at Links Hall. The inspiration for the Festival drew upon their combined experience in London as physical theater students at the London International School for the Performing Arts (LISPA). Moving from London to Chicago, they were inspired to start a new festival to promote a more progressive, fresh and physical approach to theater-making in Chicago. Five years later, Physical Festival Chicago is following in the tradition of such great European theater festivals as the London International Mime Festival (LIMF) and the Edinburgh Fringe Festival, to name a few. Each year, the Festival seeks to program work that is: Contemporary - using cutting-edge, on-the-pulse theatrical forms that are responding to the contemporary moment using contemporary notions of theater.
Visual - elevating the visual aspects of its stories, theater which is occupied with the creation of visual atmospheres and images as much as verbal text.
Physical - pursuing storytelling through primarily physical means, whose aim is to create original stories which start and end with the body as the foundational textual source. Since 2014, Physical Fest Chicago has presented artists and companies from (alpha list of all countries you’ve ever presented here.) Co-Artistic Director Alice da Cunha has worked for various festivals. While in London, she was the Marketing Director for CASA (London's Latin American Theatre Festival) and she produced, curated and presented SHORTCUTZ (a weekly short film festival). She was also the Production Assistant for TODOS Festival, an interdisciplinary festival in Lisbon, Portugal. In Chicago she has worked in Hospitality for the Chicago Latino Film Festival for the last two years. da Cunha is also an actress and has performed in many plays and films.
Co-Artistic Director Marc Frost has started two theater companies and one theater festival. At Tufts University, he co-founded Bare Bodkin Theater Company to give student playwrights a platform for their work. In London, he co-created and curated Physical, a scratch night for new pieces of physical theater. Back in Chicago, he founded Theater Unspeakable to create devised, physical theater. Physical Festival Chicago is supported by The MacArthur Funds for Arts and Culture at The Richard H. Driehaus Foundation and is also supported by Chicago Department of Cultural Affairs and Events (DCASE), Fractured Atlas, Stage 773 and Theater Unspeakable LLC. For more information, visit physicalfestival.com.
