COURT THEATRE PRESENTS SKYLIGHT
WRITTEN BY DAVID HARE
DIRECTED BY WILLIAM BROWN
January 10 - February 10, 2013
Court Theatre Artistic Director Charles Newell and Executive Director Stephen J. Albert present Skylight, written by David Hare, and directed by William Brown. Skylight will run January 10 – February 10, 2013 at Court Theatre, 5535 S. Ellis Avenue.
- Skylight was awarded the Laurence Olivier Theatre Award for Best Play in 1996 and was nominated for the Tony Award for Best Play in 1997.
A chamber play of surprising force, David Hare’s Skylight captures a cultural rift as powerful and polarizing today as it was when the piece premiered at the National Theater in Great Britain in 1995. On a bitterly cold London evening, schoolteacher Kyra Hollis (Laura Rook) receives an unexpected visit from her former lover, Tom Sergeant (Philip Earl Johnson), a successful and charismatic restaurant owner whose wife has just passed away. As the night wears on, the two attempt to rekindle their once passionate relationship only to find themselves locked in a dangerous battle of opposing ideologies and mutual desires. Director William Brown makes his Court Theatre debut with this intimate, contemporary drama.
- This marks William Brown’s 16th production with Court Theatre, but his first as a director. He made his Chicago acting debut thirty years ago at Court Theatre as one of the twins in You Never Can Tell.
“I'm thrilled to be making my Court Theatre directorial debut with Skylight,” said Director William Brown. “It's a powerful, intimate drama. Every scene in the play is a two-person scene which makes it my favorite type of play to direct. Plus, the play is in such good hands with the actors—Phil and Laura, the two leads, have undeniable chemistry, and with Matt Farabee, it's an extraordinary cast.”
The cast of Skylight includes Laura Rook as Kyra Hollis, Philip Earl Johnson as Tom Sergeant and Matt Farabee as Edward Sergeant.
- Philip Earl Johnson, who returns to Court Theatre after just having played “Gabriel Conroy” in James Joyce’s “The Dead” has also performed for 23 years as MooNiE the Magnif’Cent.
The creative team includes Todd Rosenthal (scenic design), Rachel Healy (costume design), Jesse Klug (lighting design), Andy Hansen (sound design), John DiResta (assistant director). Sara Gammage is the production stage manager, and Amber Johnson. Eva Breneman is the dialect coach and Maren Robinson is the dramaturg.
ABOUT THE ARTISTS
DAVID HARE (Playwright) is a British playwright and prominent member of the British theatrical left. A founder of the Portable Theatre and the Joint Stock, he became resident dramatist and literary manager of the Royal Court Theatre, London (1967-71), and at the Nottingham Playhouse (1973). His plays are personal dramas, often presented in a historical context. Among the best of his early works is Teeth 'n' Smiles (1975), a satirical commentary on the state of modern British society. He achieved wide critical and popular acclaim with Plenty (1978), a dramatic tour-de-force for its female star, which deals with disillusionment in post-World War II Britain. His most successful play was Pravda (1985), which he wrote with his frequent collaborator Howard Brenton. The 1998-99 Broadway season marked a peak in Hare's success, featuring productions of The Judas Kiss, The Blue Room, and Amy's View, as well as a one-man play, Via Dolorosa, performed by Hare. The Breath of Life (2002) is a caustic study of two women in late middle age abandoned by the same man, roles originated in London by Dames Judi Dench and Maggie Smith. Stuff Happens (2004) is a bitingly topical examination of the Iraq war, repeatedly updated, with actors playing George W. Bush, Tony Blair, Colin Powell, and other real-life characters. The Iraq war is also central to The Vertical Hour (2006), the first of Hare's plays to debut on Broadway.
- Playwright David Hare has been awarded the John Llewellyn Rhys Prize (1975), BAFTA Award (1979), the New York Drama Critics Circle Award (1983), the Berlin Film Festival Golden Bear (1985), the Olivier Award (1990), and the London Theatre Critics' Award (1990). He has been nominated for Broadway's Tony Award three times as the author of a Best Play (Plenty – 1983; Racing Demon – 1996; Skylight – 1997). Hare has also been nominated for two Academy Awards for Best Adapted Screenplay (The Hours – 2003; The Reader – 2009). He was knighted in 1998 for his services to drama.
WILLIAM BROWN (Director) most recently directed the world premiere of Wasteland at TimeLine Theatre Company where he also co-wrote and directed the world premiere of To Master the Art. For Writers’ Theatre, where he has directed twelve productions, he most recently directed A Little Night Music. At American Players Theatre he directed Troilus and Cressida as well as The Critic, Another Part of the Forest, Comedy of Errors, Hay Fever, A Midsummer Night's Dream, The Night of the Iguana, The Matchmaker, Twelfth Night, The Cherry Orchard, and Antony and Cleopatra. He has also directed plays at Goodman Theatre, Northlight Theatre, Indiana Repertory Theatre, and Milwaukee Repertory Theatre and is the Associate Artistic Director of Montana Shakespeare in the Parks. Bill made his Chicago acting debut thirty years ago at Court Theatre as one of the twins in You Never Can Tell.
MATT FARABEE (Edward Sergeant) has appeared in Chicago in punkplay (Steppenwolf Garage); MilkMilkLemonade (Pavement Group); Elizabeth Rex (Chicago Shakespeare Theater); Tigers Be Still (Theater Wit); and The Trestle at Pope Lick Creek (Eclipse Theatre Company). Off Broadway credits include A Bright New Boise at Partial Comfort. Regional credits include Lord of the Flies and One Flew Over the Cuckoo’s Nest at Round House Theatre. Matt is a graduate of the University of North Carolina at Chapel Hill and is represented by Paonessa Talent.
PHILLIP EARL JOHNSON (Tom Sergeant) returns to Court Theatre having just played Gabriel Conroy in James Joyce’s “The Dead.” Other credits include The Mystery Cycle (Jesus) at Court Theatre and the National tour of Angels in America (Joe). Other Chicago credits include Talking Pictures (Willis) at the Goodman Theatre, Old Glory (Peter) at Writers’ Theatre, The Big Meal (Man #2) at American Theater Company, Picasso at the Lapin Agile (Picasso) at Steppenwolf Theatre Company, and The Herbal Bed (Rafe) at Chicago Shakespeare Theater. Regional credits include Cyrano de Bergerac (Cyrano) at the Illinois Shakespeare Festival. Recent television credits include Chicago Fire (NBC) and Unemployed (MTV). Philip Earl Johnson has also performed for 23 years as MooNiE the Magnif’Cent.
LAURA ROOK (Kyra Hollis) makes her Court Theatre debut. Recent credits include productions at American Players Theater, Montana Shakespeare in the Parks, Illinois Shakespeare Festival, Writers’ Theatre, Bohemian Theatre, Silk Road Rising, and XIII Pocket. This spring she will appear as “Juliet” in Chicago Shakespeare Theater’s Short Shakespeare! Romeo and Juliet. Laura holds a BFA from the Chicago College of Performing Arts at Roosevelt University and is represented by Paonessa Talent.
CHARLES NEWELL (Artistic Director) has been Artistic Director of Court Theatre since 1994, where he has directed over 30 productions. He made his Chicago directorial debut in 1993 with The Triumph of Love, which won the Joseph Jefferson Award for Best Production. Directorial highlights at Court include James Joyce’s “The Dead,” Angels in America, An Iliad, Porgy and Bess, Three Tall Women, The Year of Magical Thinking, The Wild Duck, Caroline, Or Change, Titus Andronicus, Arcadia, Man of La Mancha, Uncle Vanya, Raisin, The Glass Menagerie, Travesties, Who’s Afraid of Virginia Woolf?, Hamlet, and The Invention of Love. Charlie has also directed at the Goodman Theatre (Rock ‘n’ Roll), the Guthrie Theater (Resident Director: The History Cycle, Cymbeline), Arena Stage, John Houseman’s The Acting Company (Staff Repertory Director), the California and Alabama Shakespeare Festivals, Juilliard, and New York University. He is the recipient of the 1992 TCG Alan Schneider Director Award. He has served on the Board of Theatre Communications Group, as well as on several panels for the National Endowment for the Arts. Opera directing credits include Marc Blitzstein’s Regina at the Lyric Opera of Chicago, and Rigoletto at Opera Theatre of St. Louis. Charlie is a multiple Joseph Jefferson Award (Chicago’s highest theatrical honor) nominee and recipient.
STEPHEN J. ALBERT (Executive Director) is a founding Partner in Albert Hall & Associates, LLC a leading arts consulting firm. Prior to forming the consulting practice, Albert was recognized as a leading arts manager. He has led some of America’s most prestigious theatres, including the Mark Taper Forum/Center Theatre Group, Alley Theatre, and Hartford Stage Company. Albert began his career with the Mark Taper Forum/Center Theatre Group in Los Angeles where he worked in senior management positions for over a decade, rising to Managing Director. He went on to become Executive Director of Houston’s Alley Theatre where he led a turnaround that stabilized the organization, enabling the Alley to return to national standing and drove a capital campaign that secured the organization’s future. At Hartford Stage, his partnership with Mark Lamos resulted in some of the theatre’s most successful seasons and reinforced Hartford Stage’s position at the forefront of the regional theatre movement. During his tenure in Hartford, Mr. Albert led the initiative to create a 25,000 square foot, state-of-the-art production center, securing the donation of the facility and the funding for its renovation. Albert has served as both President and Vice President of the League of Resident Theatres (LORT) and as a board member of Theatre Communications Group (TCG). He has also written and produced a variety of productions for television, is an ACE Award nominee, and has been an associate producer of numerous acclaimed Broadway productions. He is a Senior Fellow with the American Leadership Forum, a graduate of the University of Southern California and holds a MBA from the UCLA Graduate School of Management.
Previews are January 10 – January 18, 2013. The opening press performance is on Saturday, January 19, 2013 at 8:00 p.m. Curtain times are Wednesdays and Thursdays at 7:30 p.m.; Fridays and Saturdays at 8:00 p.m. with Saturday matinees at 3 p.m.; Sundays at 2:30 p.m. and 7:30 p.m.
Ticket prices are $35 to $45 for preview performances; $45 to $65 for regular run performances. Tickets are available at the Box Office, 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or online at www.CourtTheatre.org. Student and senior discounts available. Groups of 10 or more may purchase discounted tickets by calling Kate Vangeloff at 773-834-3243.
Skylight is sponsored by Kirkland and Ellis.
Now in its 58th season, Court Theatre is guided by its mission to discover the power of classic theatre. Court endeavors to make a lasting contribution to American theatre by expanding the canon of translations, adaptations, and classic texts. Court revives lost masterpieces, illuminates familiar texts, and distinguishes fresh, modern classics. Court engages and inspires its audience by providing artistically distinguished productions, audience enrichment activities, and student educational experiences.
