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Showing posts with label TimeLine Theatre Company. Show all posts
Showing posts with label TimeLine Theatre Company. Show all posts

Monday, January 22, 2024

TimeLine Theatre’s Chicago premiere of Anna Deavere Smith's Notes from the Field January 31 - March 24, 2024

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TIMELINE THEATRE PRESENTS CHICAGO PREMIERE OF ANNA DEAVERE SMITH’S 

NOTES FROM THE FIELD

JANUARY 31 - MARCH 24, 2024



Mildred Marie Langford, Shariba Rivers, and Adhana Reid give voice to 19 real-life people in director Mikael Burke’s staging of Smith’s searing indictment of America’s school-to-prison pipeline

 (From left) Mildred Marie Langford, Shariba Rivers, and Adhana Reid co-star in

TimeLine Theatre’s Chicago premiere of Anna Deavere Smith’s Notes From the Field.

Credit for all preproduction photos: Joe Mazza/brave lux inc.

Witness the stories of 19 individuals fighting to overcome and transform America’s education and criminal justice systems in TimeLine Theatre’s Chicago premiere of Notes from the Field by Anna Deavere Smith. Performances are January 31 - March 24, 2024 at TimeLine’s longtime home, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood. 

I'll be out for the press opening February 7th, so check back soon for my full review. We're excited to see director Mikael Burke, making his TimeLine debut. Here at ChiIL Live Shows and ChiIL Mama, he's been a favorite of ours for years. We caught both of his recent critically acclaimed stagings, Blues for an Alabama Sky for Remy Bumppo and Tambo & Bones for Refracted Theatre Company, and we were wowed. With Mikael Burke at the helm, and three top Chicago actors—TimeLine Company Member Mildred Marie Langford, Adhana Reid and Shariba Rivers on stage, TimeLine Theatre’s Notes from the Field is in great hands. I'm sure this will be eye opening storytelling on a serious problem. 

Notes from the Field is a strikingly intimate evening of theater unlike anything you’ve experienced before, presenting snapshots from a variety of real people, documenting their intersections with the American dream and the obstacles that work to block them from it. Utilizing verbatim dialogue pulled from more than 250 accounts from students, faculty, prisoners, activists, politicians, and victims’ families, Notes from the Field takes audiences on an emotional journey through the faults and injustices of an American criminal justice system that seems more focused on incarceration over education.

Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, Notes from the Field is a masterful work by one of the most accomplished theater artists of our time that asks audiences to observe, be present, and join the call for urgent and necessary change. The New York Times called it "a searing and urgent work that confronts some of the most pressing issues of our time with honesty, intelligence, and compassion.” 

Originally performed by creator Anna Deavere Smith as a one-woman show, TimeLine’s Chicago premiere features TimeLine Company Member Mildred Marie Langford, Adhana Reid and Shariba Rivers to weave together narratives of change makers, activists, and those caught within and trying to change the school-to-prison pipeline.



(From left) Mildred Marie Langford, Adhana Reid and Shariba Rivers co-star in TimeLine Theatre’s Chicago premiere of Anna Deavere Smith’s Notes From the Field.

In sum, Smith gives voice to 19 real-life instigators of change, from household names to brave Americans who were unexpectedly thrust into the spotlight of history, including Sherrilyn Ifill, president of the NAACP Legal Defense and Educational Fund; Rev. Jamal Harrison Bryant, who eulogized Freddie Gray in Baltimore; Niya Kenny, the high school student who confronted a violent police deputy—all caught on film; activist Bree Newsome, who took the Confederate flag down from the South Carolina State House grounds; and many others. She ends the play with the late Congressman John Lewis, who personifies both a violent time in American history with the civil rights movement, and the promise of what American character is all about.

Director Mikael Burke at first rehearsal for TimeLine Theatre’s Chicago premiere of Notes from the Field. Credit: Emma Schoenfelner

TimeLine’s production team includes Eleanor Kahn (Scenic Designer, she/her), Christine Pascual (Costume Designer, she/her), Eric Watkins (Lighting Designer), Ellie Terrell (Properties Designer, she/her), Rasean Davonté Johnson (Projections Designer, he/him), Christie Chiles Twillie (Sound Designer, she/her), DeRon S. Williams (Dramaturg, he/him), Dina Spoerl (Dramaturgical Display Designer, she/her), Sammi Grant (Dialect Coach, she/her), Regina Victor (Associate Director, pharaoh/they/them) and Katie Klemme (Stage Manager, she/her). Understudies are Ashli Rene Funches (any pronoun), Stephanie Mattos (she/her) and Jenese Upton (she/her).

NOTES FROM THE FIELD: “EVERYONE SHOULD WATCH IT, AT LEAST ONCE” 

Originally performed as a one-woman show by creator Anna Deavere Smith, this 2017 Obie Award-winning production was hailed by The Guardian as “captivating political theatre, a devastating document of racial inequality and the most rousing of rallying calls. Everyone should watch it, at least once.” Deeply human, profoundly moving, and full of moments of humor, compassion, and resilience, it’s a masterful work that makes it impossible to look away from the urgent need for change.

Said TimeLine Artistic Director PJ Powers, “Notes from the Field is the latest installment of what Anna Deavere Smith has referred to as her life’s work: a series of plays she calls On the Road: A Search for American Character. It’s a provocation, highlighting on-the-ground difference-makers who, in their own way, are instigators of change, from household names to a few brave Americans who were unexpectedly thrust into the spotlight of history as outspoken voices for change.”



NOTES FROM THE FIELD PERFORMANCE SCHEDULE

Previews are Wednesday, January 31 through Friday, February 2 at 8 p.m.; Saturday, February 3 at 4 p.m.; Sunday, February 4 at 2 p.m.; and Tuesday, February 6 at 7:30 p.m. Press Night is Wednesday, February 7 at 7:30 p.m. Opening Night is Thursday, February 8 at 7:30 p.m. (sold out). Regular performances continue through March 24: Wednesdays and Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 4 p.m. and 8 p.m.; and Sundays at 2 p.m. Exceptions: No 4 p.m. show Saturday, February 10; and no performances on Saturday, March 16 and Sunday, March 17. There are three added performances: Tuesday, March 12 at 7:30 p.m. and matinees on Wednesday, March 13 at 2 p.m. and Thursday, March 14 at 2 p.m.

BUYING TICKETS

Single tickets to Notes from the Field are $35-$67. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6.

Preview tickets are $35. Single tickets to regular performances are $52 (all evening performances) and $67 (all matinee performances). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Ticket buyers ages 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Discounted rates for groups of 10 or more are also available. Visit timelinetheatre.com/discounts for more about available discounts.

LOCATION/TRANSPORTATION/PARKING

Notes from the Field will take place at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood, near the corner of Wellington and Broadway, inside Chabad East Lakeview, the former Wellington Avenue United Church of Christ building. TimeLine is served by multiple CTA trains and buses. There are multiple paid parking options nearby, plus limited free and metered street parking. Visit timelinetheatre.com/timeline-theatre for details and available discounts.


DISCUSSIONS

Post-Show Discussions: A brief, informal post-show discussion hosted by a TimeLine Company Member and featuring the dramaturg and members of the production team on Thursday, February 15; Sunday, February 18; Thursday, March 7; and Wednesday, March 13 (2 p.m. matinee).

Pre-Show Discussions: Starting one hour before the performance, a 25-minute introductory conversation hosted by a TimeLine Company Member and the dramaturg on Thursday, February 22, and Sunday, March 10.

Company Member Discussion: A post-show discussion with the collaborative team of artists who choose TimeLine’s programming and guide the company’s mission on Sunday, February 25.

Sunday Scholars Panel Discussion: A one-hour panel discussion featuring experts on the themes and issues of the play alongside a member of the production team in a moderated discussion, following the performance on Sunday, March 3.

All discussions are free and open to the public. For details, visit timelinetheatre.com


HEALTH AND SAFETY

Mask-wearing is no longer required at TimeLine performances. Exception: One scheduled Distanced Performance for each production. Anyone is welcome to attend the Distanced Performance, but due to very limited capacity, we ask that immunocompromised patrons be given the first chance to reserve. 

While masking is no longer required at most performances, TimeLine supports an individual’s choice to mask and will continue to make good quality masks available upon request. Protocols are subject to change based on current public health recommendations; for the most current information, visit timelinetheatre.com/health-and-safety.

UPCOMING PERFORMANCES

Following Notes from the Field, TimeLine’s 2023-24 subscription season finale is another riveting play that links past, present and future, the world premiere of Black Sunday by Dolores Díaz. Developed through TimeLine’s Playwrights Collective and directed by Sandra Marquez, Black Sunday is a startling look at conflicts of climate change, race, and gender in the days leading up to an infamous dust storm in 1930s Texas. Previews start May 8, 2024. Press opening is Wednesday, May 15 at 7:30 p.m. Performances run through June 29.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 27th season, TimeLine has presented 90 productions, including 13 world premieres and 41 Chicago premieres, and launched the Living History Education Program and TimeLine South summer arts program, which bring the company's mission to life for students in Chicago Public Schools and beyond. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 60 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. The company is currently working to develop its new home, located at 5035 North Broadway in Chicago’s Uptown neighborhood. Plans feature an intimate black box theater seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation donors providing season support via TimeLine’s Annual Fund include: Abe and Ida Cooper Foundation; Crown Family Philanthropies; Joseph & Bessie Feinberg Foundation; Laughing Acres Family Foundation; Lloyd A. Fry Foundation; The MacArthur Fund for Culture, Equity, and the Arts at Prince; Polk Bros. Foundation; The Shubert Foundation; Van Dam Charitable Foundation; and Walder Foundation. TimeLine also acknowledges the support of a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events and a grant from the Illinois Arts Council Agency.

BIOGRAPHIES             

Anna Deavere Smith (Playwright) is an actress, teacher, playwright, and the creator of the acclaimed On the Road series of one-woman plays, which are based on her interviews with diverse voices from communities in crisis. A recipient of the National Humanities Medal from President Obama and two Obie Awards, her work has also been nominated for a Pulitzer and two Tonys. Onscreen, she has appeared in many films and television shows, including Philadelphia, The West Wing, Black-ish, and Nurse Jackie. She is University Professor in the department of Art & Public Policy at New York University, where she also directs the Institute on the Arts and Civic Dialogue. In 2019, she was elected to the American Academy of Arts and Sciences.

Mikael Burke (Director) is a Chicago-based director, deviser, and educator, making his TimeLine directing debut. A Princess Grace Award-winner in Theatre and Jeff Award-nominated director, Burke has worked with Goodman, Chicago Shakespeare, Remy Bumppo, Victory Gardens, Northlight, Raven, Jackalope, First Floor, The Story, and Refracted in Chicago, and regionally with Yale Rep, Forward Theatre, Milwaukee Chamber Theatre, Indiana Rep, Theatreworks Hartford, Urbanite, Theatreworks Colorado Springs, Asolo Rep, Geva, Phoenix Theatre Indianapolis, and Third Avenue Playworks. Burke previously served as Associate Artistic Director at both About Face Theatre and First Floor Theater, and adjuncts at DePaul and Roosevelt universities. Recent directing credits include the world premiere of The Salvagers by Harrison David Rivers (Yale Rep); Blues for an Alabama Sky by Pearl Cleage (Remy Bumppo); the Chicago premiere of Tambo & Bones by Dave Harris (Refracted); Clyde’s by Lynn Nottage (Theatreworks Hartford); and The Magnolia Ballet by Terry Guest (About Face; 2022 Jeff Award – Production, Short Run). He holds an MFA in Directing from The Theatre School at DePaul University. mklburke.com.

Mildred Marie Langford has been a TimeLine Company Member since 2012. She was last seen last season at TimeLine in the world premiere of Boulevard of Bold Dreams, as well as in A Raisin in the Sun (BTAA nomination), My Kind of Town and In Darfur (Black Excellence Award nomination). Other credits include The Bluest Eye (A Noise Within Theatre, Los Angeles), The Great Jheri Curl Debate (East West Players, Los Angeles), Intimate Apparel (Northlight; BTAA, Equity Jeff, and Black Excellence award nominations–Best Actress), Gunshot Medley: Part 1 (CAB/Rogue Machine Theatre, Los Angeles; Ovation award nomination–Lead Actress), Native Son (Antaeus Theatre Company/Kirk Douglas Theatre 2019 Block Party, Los Angeles), Domesticated, Animal Farm, Venus and The Crucible (Steppenwolf), The Royale (American Theater Company, BTAA winner–Best Featured Actress), Luck of the Irish (Next), A Raisin in the Sun (Milwaukee Rep) and Failure: A Love Story (Victory Gardens). TV and film credits include Grey’s Anatomy, Bosch, Delilah, Chicago Med, Masters of Sex, Magic Funhouse, and the indie film projects Cotton Candy Bubble Gum, Morning Steep, The Three Phases of Isa, Upload, Dignity, Your Beautiful Baby, Concrete Rose and Analysis Paralysis.

Adhana Reid is making her Timeline Theatre debut. Her Chicago credits include School Girls; Or, the African Mean Girls Play (Goodman Theatre), Rocky Horror Picture Show (Haven Theatre), The MLK Project (Writers Theatre), Sheepdog (Shattered Globe), A Christmas Carol and The Color Purple (Drury Lane Theatre); Little Shop of Horrors (Mercury Theatre), Eclipsed (Pegasus), Big River (Theatre at the Center) and Spring Awakening (Marriott Theatre). adhanareid.com

Shariba Rivers had her TimeLine debut last season with her critically acclaimed portrayal of Wiletta Mayer in Alice Childress’ Trouble in Mind. Other Chicago credits include The Nacirema Society (Goodman), The October Storm and Hoodoo Love (Raven), Sweat (Paramount), Small Jokes about Monsters (16th Street), The Tasters (Rivendell) and In the Canyon (Jackalope). Regional credits include Guess Who’s Coming to Dinner (Arts Center of Coastal Carolina), School Girls; Or, the African Mean Girls Play (TheatreSquared, Fayetteville, AK) and We are Continuous (Geva Theatre, Rochester, NY). Film/TV credits include Smoking Gun!, Chicago Med, Chicago Fire and Chicago P.D. (NBC), The Chi (Showtime) and Empire (Fox). sharibatheactor.com

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre on all platforms).


Tuesday, February 7, 2023

TimeLine Theatre to open 2023-24 season with Chicago premiere production of THE LEHMAN TRILOGY, 2022 Tony Award Winner for Best Play SEPTEMBER 19 – OCTOBER 29th, 2023

SAVE THE DATES:

ChiIL Live Shows On Our Radar 

TimeLine Theatre to open 2023-24 season with Chicago premiere production of 

THE LEHMAN TRILOGY

2022 Tony Award Winner for Best Play

BY STEFANO MASSINI, ADAPTED BY BEN POWER, CO-DIRECTED BY NICK BOWLING AND VANESSA STALLING

PRESENTED AT BROADWAY IN CHICAGO’S BROADWAY PLAYHOUSE AT WATER TOWER PLACE, SEPTEMBER 19 – OCTOBER 29 

 

Pictured (from left): Playwright Stefano Massini, adapter Ben Power, and co-directors Nick Bowling and Vanessa Stalling.

TimeLine Theatre Company is pleased to announce that its Chicago premiere production of the internationally acclaimed and Tony Award-winning play THE LEHMAN TRILOGY by Stefano Massini, adapted by Ben Power, will open the company’s upcoming 2023-2024 season.

Co-directed by TimeLine Associate Artistic Director Nick Bowling and Vanessa Stalling, THE LEHMAN TRILOGY will run September 19 – October 29, 2023 at Broadway In Chicago’s Broadway Playhouse at Water Tower Place, 175 E. Chestnut St., Chicago. Opening Night is Wednesday, September 27 at 7:30 p.m. Casting for THE LEHMAN TRILOGY, plus details of the three other productions planned for TimeLine’s 2023-2024 season, are still to be announced.

“TimeLine is elated to create a new production of the monumental play THE LEHMAN TRILOGY,” said TimeLine Artistic Director PJ Powers. “Tailor-made for TimeLine’s mission of exploring history, the theatrical ambition of this play is thrilling, yet told in an astonishingly simple way, utilizing only three actors. The opportunity for Nick Bowling and Vanessa Stalling to envision a new production specifically for Chicago audiences is an honor—as is the furthering of our relationship with Broadway In Chicago, with whom we partnered on another epic Tony Award-winning play, Oslo, in 2019.”

Told in three parts over one evening, THE LEHMAN TRILOGY is the quintessential story of western capitalism, rendered through the lens of a single immigrant family. On a cold September morning in 1844, a young man from Bavaria stands on a New York dockside dreaming of a new life in the new world. He is soon joined by his two brothers, and an American epic begins. 163 years later, the firm they establish—Lehman Brothers—spectacularly collapses into bankruptcy, triggering the largest financial crisis in history. Weaving together nearly two centuries of family history, this theatrical event charts the humble beginnings, outrageous successes, and devastating failure of the financial institution that would ultimately bring the global economy to its knees.                      

TimeLine’s production of THE LEHMAN TRILOGY is its Chicago premiere. The Italian theatre production had its world premiere in 2015 at the Piccolo Teatro in Milan, directed by the late Italian theater innovator Luca Ronconi. THE LEHMAN TRILOGY made its English-language debut in London on July 12, 2018 at the National Theatre's Lyttelton Theatre. On October 14, 2021, the play opened on Broadway. Both the London and Broadway premieres were directed by Sam Mendes.                 

Throughout its production history, THE LEHMAN TRILOGY has been met with extraordinary international acclaim. The Guardian proclaimed it “a kaleidoscopic social and political metaphor” and “an intimate epic about the shifting definition of the American Dream.” The Chicago Tribune praised it as “a masterwork” and The New York Times as “a vivid tale of profit and pain.” Vanity Fair raved that it is “true blockbuster theatre that will hold you captive until the final curtain call,” with Time Out New York saying “it leaves you dazzled.” And the Wall Street Journal declared that THE LEHMAN TRILOGY “surpasses all praise.”                                       

THE LEHMAN TRILOGY received five 2022 Tony Awards, including Best Play, plus Drama League and Outer Critics Circle awards, and was nominated for five Laurence Olivier Awards, including Best New Play.

 

PERFORMANCE SCHEDULE AND LOCATION

TimeLine’s Chicago premiere of THE LEHMAN TRILOGY begins performances on Tuesday, September 19. Opening Night is Wednesday, September 27 at 7:30 p.m. Performances run through October 29, 2023 at the Broadway Playhouse at Water Tower Place, 175 E. Chestnut St., Chicago.

The performance schedule is Tuesdays at 7:30 p.m., Wednesdays at 7:30 p.m. (also 2 p.m. matinees on October 4, 11, and 25), Thursdays at 7:30 p.m., Fridays at 7:30 p.m., Saturdays at 2 p.m. and 8 p.m., and Sundays at 2 p.m. and 7:30 p.m. (except no 7:30 p.m. on October 8, 15, and 29).

 

BUYING TICKETS

The best way to secure seats to THE LEHMAN TRILOGY is to purchase a 2023-2024 TimeLine FlexPass Subscription. Four different tiers of 4-Admission FlexPasses, priced from $119 - $275, will go on sale soon (specific date to be announced). The three other productions of TimeLine’s 2023-2024 season are still to be announced. For more information, call (773) 281-8463 x6 or visit  timelinetheatre.com.

THE LEHMAN TRILOGY will be part of the upcoming Broadway In Chicago season on sale in Spring 2023. Individual tickets for THE LEHMAN TRILOGY will go on sale in July 2023 (specific date to be announced). Group tickets for 10 or more are now on sale by calling Broadway In Chicago Group Sales at (312) 977-1710. For more information, visit  or  timelinetheatre.com.



ABOUT THE ARTISTS

Stefano Massini (Playwright) is an internationally renowned novelist and playwright who regularly contributes to the Italian newspaper La Repubblica. For several years he has served as artistic consultant at Piccolo Teatro di Milano - Teatro d'Europa. His works, including The Lehman Trilogy, have been translated into 27 languages, and his plays have been performed in more theaters around the world than those of any other living Italian writer, produced as far afield as Iran and Korea, and staged by directors such as Luca Ronconi and Sam Mendes. His most acclaimed works, beyond The Lehman Trilogy, include Intractable Woman, a decades-long international success; Ladies Football Club, which premiered to wide acclaim in Spain; and 7 Minutes, hailed by LeMonde as a "masterpiece" at the Comédie Française. He has won numerous Italian awards, including the Premio Vittorio Tondelli and the Premio Ubu. Qualcosa sui Lehman (The Lehman Trilogy) was among the most acclaimed novels published in Italy in recent years and won the Selezione Campiello Prize, the Super Mondello Prize, the De Sica Prize, the Prix Médicis Essai and the Prix Meilleur Livre Stranger. He is currently creating a new multi-part play about the history of the atomic bomb, entitled Manhattan Project.

Ben Power (Adapter) is a writer for theatre and the screen. For the last 12 years he has worked at the National Theatre as associate director and deputy artistic director and was responsible for the temporary theatre The Shed. Work for the screen includes Munich: The Edge of War and The Hollow Crown (BAFTA nominations for Best Single Drama and Best Mini-Series). Work for the stage includes adaptations of DH Lawrence’s Husbands & Sons, Euripides' Medea and Ibsen’s Emperor & Galilean, all for the National; A Tender Thing for the RSC and Complicite’s A Disappearing Number (Olivier and Evening Standard Awards). He was associate director of Headlong where he adapted Pirandello’s Six Characters in Search of an Author and Marlowe’s Faustus. He is currently creating a television series for Working Title and is published by Faber & Faber.

Nick Bowling (Co-Director) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre, where he has directed more than 30 productions. He is the recipient of eight Jeff Awards for Outstanding Direction (The History Boys, The Normal Heart, Fiorello!, This Happy Breed, and The Crucible at TimeLine, Ragtime at Marriott Theatre, Sondheim on Sondheim at Porchlight Music Theatre, and Another Part of the Forest at Eclipse Theatre) and also received Jeff Award nominations for Oslo, Blood and Gifts, The Farnsworth Invention, Hauptmann, and The Lion in Winter at TimeLine; Closer Than Ever at Porchlight Music Theatre; and The Sound of Music, City of Angels, The King and I, and Man of La Mancha at Marriott Theatre. Other recent credits at TimeLine include the Chicago premiere of J.T. Rogers’ Oslo at Broadway In Chicago’s Broadway Playhouse, Campaigns, Inc.; Master Class; The Audience; A Disappearing Number; The Last Wife; and Blood and Gifts. Other Chicago credits include Marriott’s Oliver! and The Bridges of Madison County, Paramount's A Christmas Story, Northwestern University’s Guys and Dolls and Cabaret, Porchlight’s A Catered Affair, Writers Theatre's Bach at Leipzig, and Shattered Globe Theatre's Time of the Cuckoo and Frozen Assets.

Vanessa Stalling (Co-Director) returns to TimeLine, where she previously directed the sold-out, extended production of A Shayna Maidel. She is the director and adaptor of the Jeff Award-winning play United Flight 232. Stalling was the Associate Artistic Director of Redmoon Theater in Chicago, a Michael Maggio Fellow at Goodman Theatre, and has been recognized as one of “The Fifty People Who Really Perform” for Chicago by Newcity magazine. Recent productions include Fen at The Court Theatre, The Great Leap at Asolo Rep, and Roe at the Goodman. She is also the Head of Directing at the University of California San Diego.


ABOUT TIMELINE’S CURRENT 2022-2023 SEASON 

Now playing at TimeLine Theatre is the world premiere of Boulevard of Bold Dreams by LaDarrion Williams, a Los Angeles-based playwright new to Chicago audiences, directed by Malkia Stampley. Set on the night in 1940 that Hattie McDaniel made history at the Oscars, this is a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood. Performances run through March 19. For more information and to purchase tickets, call (773) 281-8463 x6 or visit timelinetheatre.com.

Following Boulevard of Bold Dreams, TimeLine has added an exciting fourth production, the first Chicago-based production of What the Constitution Means to Me by Heidi Schreck, directed by Helen Young, May 10 – June 24, 2023. 

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 26th season, TimeLine has presented 85 productions, including 12 world premieres and 39 Chicago premieres, and launched the Living History Education Program, which brings the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 58 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. In December 2018, TimeLine announced the purchase of property at 5033-35 North Broadway in Chicago’s Uptown neighborhood to be the site of its new home. Plans feature an intimate black box theater seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more. TimeLine is working with HGA as architect for its new home project, which is expected to be completed in 2024.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation donors providing season support via TimeLine’s Annual Fund include: Abe and Ida Cooper Foundation; Crown Family Philanthropies; Joseph & Bessie Feinberg Foundation; Laughing Acres Family Foundation; Lloyd A. Fry Foundation; The MacArthur Fund for Culture, Equity, and the Arts at Prince; National Endowment for the Arts; Polk Bros. Foundation; The Shubert Foundation; Van Dam Charitable Foundation; and Walder Foundation. TimeLine also acknowledges the support of a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events and a grant from the Illinois Arts Council Agency.

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre).


ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 22 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, Auditorium Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place. 

For more information, visit BroadwayInChicago.com or Facebook (@BroadwayInChicago), Twitter (@broadwaychicago), and Instagram (@broadwayinchicago), and #broadwayinchicago.




Tuesday, January 17, 2023

OPENING: TimeLine Theatre’s World Premiere of Boulevard of Bold Dreams February 1 – March 19, 2023

 ChiIL Live Shows On Our Radar

TIMELINE THEATRE’S WORLD PREMIERE OF 
BOULEVARD OF BOLD DREAMS 
BY LADARRION WILLIAMS, DIRECTED BY MALKIA STAMPLEY, IS A TALE OF RACE, CLASS, GENDER, AND THE NOT-SO-CHANGING LANDSCAPE OF HOLLYWOOD


WHAT IF HATTIE MCDANIEL HAD NOT ACCEPTED HER OSCAR?

 

Pictured (from left): Boulevard of Bold Dreams playwright LaDarrion Williams, director Malkia Stampley, and cast members Charles Andrew Gardner, Mildred Marie Langford, and Gabrielle Lott-Rogers. 

TimeLine’s 2022-23 subscription season returns February 1 – March 19, 2023 with the world premiere of Boulevard of Bold Dreams by LaDarrion Williams, a Los Angeles-based playwright new to Chicago audiences, with a story about dreamers overcoming obstacles and fighting for recognition amidst the racism and inequity of Hollywood. I'll be there for opening night on February 9th, so check back shortly after for my full review. 

The date is February 29, 1940, the night Hattie McDaniel made history at the Oscars. Bartender Arthur Brooks, an ambitious Black man from rural Alabama, dreams of becoming a movie director. His best friend, Dottie Hudson, is a maid at the Ambassador Hotel and a cynic of all dreams. But when the actress Hattie McDaniel stops in the bar and decides not to attend the biggest event in show business, Arthur and Dottie must do everything in their power to convince her to claim her historic win—all while confronting their dark pasts and making their own dreams come to life.

Malkia Stampley directs Williams’ riveting new play about dreamers, obstacles, and the not-so-changing landscape of Hollywood. The cast features TimeLine Theatre Company Members Charles Andrew Gardner (he/him) as Arthur and Mildred Marie Langford (she/her) as Dottie. Gabrielle Lott-Rogers (she/her) plays Hattie McDaniel. The production team includes Ryan Emens (Scenic Designer, he/him), Christine Pascual (Costume Designer, she/her), Jason Lynch (Lighting Designer, he/him), Rasean Davonté Johnson (Projections Designer, he/him), Daniel Etti-Williams (Co-Sound Designer, they/them) and Andre Pluess (Co-Sound Designer,he/him), Lonnae Hickman (Properties Designer, she/her), Rueben D. Echoles (Wig and Hair Designer, he/him), Khalid Y. Long (Dramaturg, he/him), Dina Spoerl (Dramaturgical Display Designer, she/her), and Madeline M. Scott (Stage Manager, she/her).

“Earlier this season, TimeLine explored the intersection of politics, race, and entertainment in the 1930s and 1950s with Campaigns, Inc. and Trouble in Mind,” said TimeLine Artistic Director PJ Powers. “Now, we’re thrilled to delve further into those topics through the lens of 1940 with the world premiere of Boulevard of Bold Dreams, shining a light on the trailblazer Hattie McDaniel on the historic night she won the Oscar for Gone with the Wind. We’re delighted to introduce playwright LaDarrion Williams to Chicago, and welcome director Malkia Stampley to TimeLine for the first time to helm this play about conviction, representation, and the pursuit of artistic passion.”

Tickets to Boulevard of Bold Dreams are now on sale. Previews begin February 1, 2023. Press Night is Wednesday, February 8 at 7:30 p.m. Performances run through March 19 at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6.

Preview tickets are $25. Single tickets to regular performances start at $42 (Wednesday through Friday), $49 (Saturday evenings) and $57 (Saturday and Sunday matinees). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Ticket buyers ages 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Discounted rates for groups of 10 or more are also available. Visit timelinetheatre.com/discounts for more about available discounts.


LOCATION/TRANSPORTATION/PARKING

Boulevard of Bold Dreams will take place at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood, near the corner of Wellington and Broadway, inside the former Wellington Avenue United Church of Christ building, now Chabad East Lakeview.

TimeLine is served by multiple CTA trains and buses. There are multiple paid parking options nearby, plus limited free and metered street parking. Visit timelinetheatre.com/timeline-theatre for details and available discounts. 

BOULEVARD OF BOLD DREAMS PERFORMANCE SCHEDULE/EVENTS

Previews are Wednesday, February 1 through Friday, February 3 at 8 p.m.; Saturday, February 4 at 4 p.m.; Sunday, February 5 at 2 p.m.; and Tuesday, February 7 at 7:30 p.m. Press Night is Wednesday, February 8 at 7:30 p.m. Opening Night is Thursday, February 9 at 7:30 p.m. Regular performances continue through March 19: Wednesdays and Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 4 p.m. and 8 p.m.; and Sundays at 2 p.m. Exception: No 4 p.m. show Saturday, February 11.

DISCUSSIONS

Post-Show Discussions: A brief, informal post-show discussion hosted by a TimeLine Company Member and featuring the dramaturg and members of the production team on Wednesday, February 15; Sunday, February 19; Thursday, March 2; and Wednesday, March 8.

Pre-Show Discussions: Starting one hour before the performance, a 25-minute introductory conversation hosted by a TimeLine Company Member and the dramaturg on Sunday, February 26, and Thursday, March 9.

Company Member Discussion: A post-show discussion with the collaborative team of artists who choose TimeLine’s programming and guide the company’s mission on Sunday, March 5.

Sunday Scholars Panel Discussion: A one-hour panel discussion featuring experts on the themes and issues of the play alongside a member of the production team in a moderated discussion, following the performance on Sunday, March 12.

All discussions are free and open to the public. For details, visit timelinetheatre.com.

 

ACCESSIBILITY

Distanced Performances: Performances on Sunday, February 12 and Wednesday, March 1 will have a capacity cap and seating chart so that patrons can sit with additional space allocated between parties.

Captioned Performances: Open-captioned performances with a text display of words and sounds heard during performances are Friday, March 10, and Saturday, March 11 at 4 p.m.

Audio-Described Performance: On Friday, March 17, the performance will feature narration about visual elements of the production around the dialogue, available for individual patrons via headphones.

TimeLine Theatre is accessible to people with disabilities. Two wheelchair lifts provide access from street level to the theatre space and to lower-level restrooms. Audience members using wheelchairs

or who need to avoid stairs, and others with special seating or accessibility needs, should contact the TimeLine Box Office in advance to confirm arrangements.

 

HEALTH AND SAFETY

As the COVID-19 pandemic evolves, TimeLine continues to work to ensure the safety of artists, audiences, and staff through safety protocols at its performances. For Trouble in Mind, the theatre will require mask-wearing in order to attend. These protocols are subject to change as the pandemic evolves. For current information about TimeLine’s COVID-19 safety protocols, visit timelinetheatre.com/health-and-safety.


MORE TIMELINE 2022-23 SEASON PRODUCTIONS

Following Boulevard of Bold Dreams, TimeLine just added an exciting fourth production, the first Chicago-based production of What the Constitution Means to Me by Heidi Schreck, directed by Helen Young, May 10 – June 24, 2023. Press Night is Wednesday, May 17 at 7:30 p.m.

Only TimeLine FlexPass Subscribers get advance, priority access to tickets for TimeLine’s What the Constitution Means to Me. Two-admission FlexPasses good for remaining 2022-23 Season productions Boulevard of Bold Dreams and What the Constitution Means to Me are now available, priced

$52 – $121.

To purchase a FlexPass and secure your seats for these sure-to-be-in-demand productions, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6. Tickets for What the Constitution Means to Me will go on sale to the general public on Tuesday, February 28, 2023.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 26th season, TimeLine has presented 85 productions, including 12 world premieres and 39 Chicago premieres, and launched the Living History Education Program, which brings the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 58 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. In December 2018, TimeLine announced the purchase of property at 5033-35 North Broadway in Chicago’s Uptown neighborhood to be the site of its new home. Plans feature an intimate black box theater seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more. TimeLine is working with HGA as architect for its new home project, which is expected to be completed in 2024.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation donors providing season support via TimeLine’s Annual Fund include: Abe and Ida Cooper Foundation, Crown Family Philanthropies, Joseph & Bessie Feinberg Foundation, John A. Cable Foundation, Laughing Acres Family Foundation, Lloyd A. Fry Foundation, National Endowment for the Arts, Polk Bros. Foundation, The MacArthur Fund for Culture, Equity, and the Arts at Prince, The Shubert Foundation, Van Dam Charitable Foundation, and Walder Foundation. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events and a grant from the Illinois Arts Council Agency.

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre).


BIOGRAPHIES 

LaDarrion Williams (Playwright) is a Los Angeles based-playwright, filmmaker, author, and screenwriter whose goal is to cultivate a new era of Black fantasy, providing space and agency for Black characters and stories in a new, fresh and fantastical way. His first play, Katrina, won first place at the Alabama State Thespian Conference. It was also a part of A Noise Within Theatre for their Noise Now Reading Series. His adaptation of the best-selling memoir, Feeding A Monster, was directed by award-winning actor and director Art Evans at the Hudson Theatre in Hollywood, CA. In 2019, he was invited to be a guest writer for Center Theatre Groups’ August Wilson Monologue Competition. His play Black Creek Risin’ was a part of the Great Plains Theatre Conference in Omaha, Nebraska. In September 2019, his play, Coco Queens, was a part of the Sundance Institute’s Playwriting Intensive and was also a semi-finalist for the 2020 Eugene O’Neill National Playwriting Conference. In 2021, his play Boulevard of Bold Dreams had previous public readings, both featuring Mildred Marie Langford, at The Echo Theatre Company in 2020, and the New Works Festival at the Morgan-Wixson Theatre in Santa Monica, California in 2021. After TimeLine’s production, it will also premiere at Greater Stage Boston in March 2023. Williams is currently a resident playwright/co-creator of The Black Creators Collective where his play UMOJA made its West Coast premiere in January 2022, and he also produced North Hollywood’s first Black playwrights festival at the Waco Theater Center. Serving as a writer-producer, Williams has curated three short films on YouTube. His viral and award-winning short film Blood at the Root is anticipated to become a Young Adult fantasy novel. 


Malkia Stampley (Director) was born and raised in Milwaukee where she attended Marquette University for Theater Arts. She is Goodman Theatre's BOLD Artistic Producer (since October 2021) after serving as founding Artistic Producer for the Milwaukee Black Theater Festival. Directing credits include STEW at Shattered Globe Theatre; Lady Day at Emerson’s Bar and Grill (Farmers Alley Theatre); Shakesfest: A Community Cabaret (Chicago Shakespeare in the Park); The Gift of the Magi (American Players Theater); Black Nativity (Black Arts MKE, three years); STEW (Milwaukee Chamber Theatre); Nunsense (Milwaukee Repertory Theater); Five Guys Named Moe (Skylight Music Theatre); Antarctica, WI (First Stage), IN:FLUENCE/SPIRATION (University of Wisconsin-Madison) with workshops and readings at American Players Theatre, Northern Sky, Milwaukee Fringe Festival, #ENOUGH and Texas State University's Black and Latino Playwright Celebration. As a budding playwright, Stampley co-authored Lines, commissioned by Theatre LILA in 2018. Stampley is a co-founder of Milwaukee Black Theater Festival and Bronzeville Arts Ensemble, a theater established in Milwaukee, where she served as Producing Artistic Director for three seasons. Malkia is a BOLD artist, a member of a cohort of emerging women arts leaders around the country. 


Friday, September 2, 2022

World Premiere of Campaigns, Inc. Now Extended Through September 25, 2022 at TimeLine Theatre

 ChiIL Live Shows On Our Radar

WILL ALLAN’S 

CAMPAIGNS, INC., 

A WORLD PREMIERE, ELECTION SEASON COMEDY ABOUT THE ORIGINS OF “FAKE NEWS,” DEBUTS AUGUST 3 – SEPTEMBER 25, 2022 AT TIMELINE THEATRE

NICK BOWLING DIRECTS ALLAN’S HILARIOUS LOOK AT THE SMEAR CAMPAIGN THAT STYMIED UPTON SINCLAIR’S 1934 CALIFORNIA GOVERNOR’S RACE


Pictured (from top left): Campaigns, Inc. playwright Will Allan and director Nick Bowling. Tyler Meredith and Yuriy Sardarov star as Leone Baxter and Clem Whitaker, the co-founders of Campaigns, Inc. The cast also includes TimeLine Company Members Anish Jethmalani and David Parkes and TimeLine Associate Artist Terry Hamilton, plus Jacqueline Grandt, Matt Mueller, and Mark Ulrich. 

TimeLine Theatre Company returns to its longtime home at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood for its 26th season opener, the world premiere of Campaigns, Inc.

Written by TimeLine Company Member Will Allan and directed by TimeLine Associate Artistic Director Nick Bowling, Campaigns, Inc. is a timely, fast-paced, and funny screwball comedy about the serious power that persuasion, deceit, and perception hold in the U.S. electoral system. 

Campaigns, Inc. is a hysterical and jaw-dropping inside look at the underbelly of politics through the lens of two of the undeniable founders of “fake news,” Leone Baxter and Clem Whitaker. The year is 1934, and Baxter and Whitaker have just formed the first political consulting firm in U.S. history. Famous novelist Upton Sinclair is all but guaranteed to become the first Democratic governor of the state of California—until this young, unknown pair of consultants from the shadows of the challenger’s campaign attempt to take him down. As Republican nominee Frank Merriam and Sinclair battle it out in the spotlight—seeking endorsements from the likes of Charlie Chaplin and FDR—Baxter and Whitaker work behind-the-scenes to methodically construct one of the most spectacular, unbelievable, and star-studded political smear campaigns ever.

Campaigns, Inc. co-founders are played by Tyler Meredith (she/her), in her TimeLine debut as Leone Baxter, and Yuriy Sardarov (he/him) as Clem Whitaker. Chicago theatre fans will recall Sardarov performing in TimeLine’s memorable 2009 production of The History Boys before landing the role of Otis on NBC’s Chicago Fire.

The cast also features TimeLine Company Member Anish Jethmalani (he/him) as Upton Sinclair and David Parkes (he/him) as FDR/Louis B. Mayer/Douglas Fairbanks/others, and TimeLine Associate Artist Terry Hamilton (he/him) as Frank Merriam. Jacqueline Grandt (she/her) as Eleanor Roosevelt/Mary Pickford/others, Matt Mueller (he/him) as Charlie Chaplin, and Mark Ulrich (he/him) as George Hatfield complete the cast.

Performances now extended through September 25th, due to popular demand, at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood. For tickets and information, visit timelinetheatre.com or call the TimeLine Box Office at (773) 281-8463 x6.


FAKE NEWS, LIES, AND PROPAGANDA:

BEHIND THE SCENES OF CAMPAIGNS, INC.

 Setting the Stage: CAMPAIGNS, INC.

"The number one thing? Vote. The number two thing? Come see my play." Watch playwright Will Allan set the stage for TimeLine Theatre's world premiere of Campaigns, Inc.

“Campaigns, Inc. is the story of America, or really, it’s the story of how screwed up our political system is,” said director Nick Bowling. “The true story of Baxter and Whitaker is the center of the play, but it is also about the right and left of America—the dirty dealings of politics that pushes those two groups further and further from each other. It’s about the power of winning and what people will do to achieve that.”

“I think my favorite response to this play is ‘wait … is that real?’ And while I have taken some dramatic liberties, a lot of it is very real. I also want people to laugh. The current political climate is so volatile that I wanted a play about politics that is fun to watch,” said playwright Will Allan. “Baxter and Whitaker are relatively unknown and they changed the game of politics forever, especially Leone Baxter, a woman being president of a company and accomplishing what she did in the 1930s, it is truly remarkable.” 

Campaigns, Inc. was developed through the same TimeLine Playwrights Collective that brought Tyla Abercrumbie’s break-out new play, Relentless, to its acclaimed world premiere run last season at TimeLine, followed by a transfer and extended sold-out run at Goodman Theatre.

TimeLine’s Playwrights Collective was launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission of presenting plays inspired by history that connect to today’s social and political issues. Campaigns, Inc. is now the third play developed through the Collective to receive a full production, after Relentless and Brett Neveu’s To Catch a Fish, which premiered at TimeLine in 2018.

TimeLine’s production team for Campaigns, Inc. includes Sydney Lynne (Scenic Designer, she/her), Sally Dolembo (Costume Designer, she/her), Jared Gooding (Lighting Designer, he/him), Forrest Gregor (Co-Sound Designer, he/him), Andrew Hansen (Co-Sound Designer, he/him), Rowen Doe (Properties Designer, they/them/), Anthony Churchill (Projections Designer, he/him), Katie Cordts (Co-Wig and Hair Designer she/her), Megan Pirtle (Co-Wig and Hair Designer and Associate Costume Designer, she/her), Sammi Grant (Dialect Director, she/her), Alka Nayyar (Associate Director, she/her), Maren Robinson (Dramaturg, she/her), and Miranda Anderson (Stage Manager, she/her).


CAMPAIGNS, INC. PERFORMANCE SCHEDULE/EVENTS

Regular performances continue through September 25: Wednesdays and Thursdays at 7:30 p.m.; Fridays at 8 p.m.; Saturdays at 4 p.m. and 8 p.m.; and Sundays at 2 p.m. Exceptions: No 4 p.m. performance Saturday August 13. Show time Sunday, August 21 is 4 p.m.


BUYING TICKETS

Single tickets to Campaigns, Inc. go on sale Wednesday, July 6 at timelinetheatre.com or by calling the TimeLine Box Office at (773) 281-8463 x6.

Preview tickets are $25. Single tickets to regular performances start at $42 (Wednesday through Friday), $49 (Saturday evenings) and $57 (Saturday and Sunday matinees). Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.

Discounted rates for groups of 10 or more are available. Ticket buyers age 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Visit timelinetheatre.com/discounts for more about available discounts.


LOCATION/TRANSPORTATION/PARKING

Campaigns, Inc. will take place at TimeLine Theatre, 615 W. Wellington Ave., in Chicago’s Lakeview East neighborhood, near the corner of Wellington and Broadway, inside the former Wellington Avenue United Church of Christ building, now Chabad East Lakeview.

TimeLine is served by multiple CTA trains and buses. There are multiple paid parking options nearby, plus limited free and metered street parking. Visit timelinetheatre.com for details and available discounts.


DISCUSSIONS, EVENTS, AND ACCESSIBILITY

TimeLine’s schedule of post-show discussions, pre-show discussions, a Company Member discussion, and Sunday Scholars panel discussion, plus accessibility services such as distanced performances, captioned performances, and an audio-described performance, are still to be announced. Event dates and details will be posted on TimeLine’s website at timelinetheatre.com once available.

TimeLine Theatre is accessible to people with disabilities. Two wheelchair lifts provide access from street level to the theatre space and to lower-level restrooms. Audience members using wheelchairs

or who need to avoid stairs, and others with special seating or accessibility needs should contact the TimeLine Box Office in advance to confirm arrangements.

HEALTH AND SAFETY

Since returning to live performances in January 2022, TimeLine has been ensuring COVID-19 vaccination and mask requirements for audiences, artists, and staff. In general, protocols have required that patrons be masked and fully vaccinated with an FDA-authorized vaccine in order to attend. These protocols are subject to change as the pandemic evolves. For current information about TimeLine’s COVID-19 safety protocols, visit timelinetheatre.com/health-and-safety.

UPCOMING PERFORMANCES

TimeLine’s 2022-23 subscription season includes two more riveting plays that link past, present and future: a landmark classic that recently enjoyed a Tony Award-nominated production on Broadway, and another exciting world premiere from a Los Angeles-based playwright new to Chicago.

Trouble in Mind by Alice Childress, directed by TimeLine Company Member Ron OJ Parson, a scathingly funny backstage drama about interracial politics and the complex, difficult, and often emotional way people talk about race. Previews start November 2, 2022. Press Night is Wednesday, November 9 at 7:30 p.m. Performances run through December 18.

The world premiere of Boulevard of Bold Dreams by LaDarrion Williams, directed by Malkia Stampley, set on the night in 1940 that Hattie McDaniel made history at the Oscars, this is a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood. Previews start February 1, 2023. Press Night is Wednesday, February 8 at 7:30 p.m. Performances run through March 19.

Save on tickets to TimeLine’s 2022-23 season with a 3-Admission FlexPass Subscription. Four different tiers, priced from $74.50 to $178, are now on sale. For more information and to purchase, call (773) 281-8463 x6 or visit timelinetheatre.com .

All three 2022-23 productions will be presented at TimeLine Theatre, 615 W. Wellington Avenue in Chicago’s Lakeview neighborhood. 

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently launching its 26th season, TimeLine has presented 84 productions, including 11 world premieres and 39 Chicago premieres, and launched the Living History Education Program, which brings the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 58 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. In December 2018, TimeLine announced the purchase of property at 5033-35 North Broadway in Chicago’s Uptown neighborhood to be the site of its new home. Plans feature an intimate black box theatre seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more. TimeLine is working with HGA as architect for its new home project, which is expected to be completed in 2024.

TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Wardell Julius Clark, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation supporters of TimeLine Theatre include Paul M. Angell Family Foundation, Arts Consulting Group, Bayless Family Foundation, The Elizabeth F. Cheney Foundation, Abe and Ida Cooper Foundation, Crown Family Philanthropies, Joseph and Bessie Feinberg Foundation, Forum Fund, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, National Endowment for the Arts, Polk Bros. Foundation, Pritzker Traubert Foundation, The Shubert Foundation, United States Small Business Administration, and Walder Foundation.

For more information, visit timelinetheatre.com or Facebook, Twitter, or Instagram (@TimeLineTheatre).


BIOGRAPHIES

 



Will Allan (Playwright), a TimeLine Company Member and member of the 2017-18 Playwrights Collective, is a former Chicago-based actor and playwright who now resides in Los Angeles. His Chicago debut was as a member of the original cast of TimeLine's Chicago premiere of The History Boys (directed by Nick Bowling, Equity Jeff Awards—Production and Ensemble). Campaigns, Inc. is his first full-length play, and he is ecstatic that the place he got his start as an actor is the place he'll get his start as a professional playwright. During his decade in Chicago, he performed in numerous productions with Steppenwolf, Goodman, Chicago Shakespeare, Victory Gardens, Remy Bumppo, Theater Wit, and more. Regionally, he has performed with Milwaukee Repertory, Indiana Repertory, Cardinal Stage, and The Human Race Theatre Company. His film and TV acting credits include Awkwafina is Nora from Queens, Chicago Fire, Station 19, Chicago Justice, Runner, and the upcoming Netflix film Unfrosted: The Pop Tarts Story directed by Jerry Seinfeld. His first short film (as screenwriter, producer, and actor), Star Vehicle, will be making the festival rounds throughout 2022 and 2023. A native of Dayton, Ohio, Allan studied at Moscow Art Theatre School in Russia and earned his BA degree in Theatre Performance from North Central College in Naperville, Illinois.

Nick Bowling (Director) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre, where he has directed more than 30 productions. He is the recipient of eight Jeff Awards for Outstanding Direction (The History Boys, The Normal Heart, Fiorello!, This Happy Breed, and The Crucible at TimeLine, Ragtime at Marriott Theatre, Sondheim on Sondheim at Porchlight Music Theatre, and Another Part of the Forest at Eclipse Theatre) and also received Jeff Award nominations for Oslo, Blood and Gifts, The Farnsworth Invention, Hauptmann, and The Lion in Winter at TimeLine; Closer Than Ever at Porchlight Music Theatre; and City of Angels, The King and I, and Man of La Mancha at Marriott Theatre. Other recent credits at TimeLine include the Chicago premiere of J.T. Rogers’ Oslo at Broadway In Chicago’s Broadway Playhouse, Master Class, The Audience, A Disappearing Number, The Last Wife, and Blood and Gifts. Other Chicago credits include Marriott’s The Sound of Music, Oliver!, and The Bridges of Madison County, Paramount's A Christmas Story, Northwestern University’s Guys and Dolls and Cabaret, Porchlight’s A Catered Affair, Writers Theatre's Bach at Leipzig, and Shattered Globe Theatre's Time of the Cuckoo and Frozen Assets.

Thursday, May 12, 2022

SAVE THE DATES: TimeLine Theatre Company Announces 26th season for 2022-2023


TIMELINE THEATRE COMPANY ANNOUNCES 2022-23 SEASON
Pictured (from left): TimeLine 2022-23 season artists Will Allan, Nick Bowling, Alice Childress, Ron OJ Parson, Malkia Stampley, and LaDarrion Williams.



TimeLine Theatre Company, acclaimed for presenting plays that explore today’s social and political issues through the lens of the past, is thrilled to announce its 26th season.

After celebrating its 25th Anniversary in residence at Theater Wit—a season that featured the world premiere, acclaimed hit Relentless, which went on to an extended run at Goodman Theatre—the company will return to its longtime home in Chicago’s Lakeview East neighborhood, located at 615 W. Wellington Avenue, for three productions.
                                             
TimeLine’s 2022-23 season will feature two previously announced plays that were postponed due to the COVID-19 pandemic, including a world premiere developed through the same TimeLine Playwrights Collective that nurtured Relentless and a landmark classic that recently enjoyed a Tony Award-nominated production on Broadway. The third is an exciting world premiere from a Los Angeles-based playwright new to Chicago.

TimeLine’s 2022-23 subscription season includes three riveting plays that link past, present and future:
 
  • The world premiere of Campaigns, Inc. by TimeLine Company Member Will Allan, developed through TimeLine’s Playwrights Collective and directed by TimeLine Associate Artistic Director Nick Bowling, is a hilarious and timely true story about the power that persuasion, deceit, and perception hold in the U.S. electoral system.

  • Trouble in Mind by Alice Childress, directed by TimeLine Company Member Ron OJ Parson, a scathingly funny backstage drama about interracial politics and the complex, difficult, and often emotional way people talk about race.

  • The world premiere of Boulevard of Bold Dreams by LaDarrion Williams, directed by Malkia Stampley, set on the night in 1940 that Hattie McDaniel made history at the Oscars, is a story of dreamers striving to overcome considerable obstacles and fighting for recognition amidst the racism and inequity of Hollywood.
 
Save on tickets to TimeLine’s 2022-23 season with a 
3-Admission FlexPass Subscription. Four different tiers, priced from $74.50 to $178, are now on sale. For more information and to purchase, call (773) 281-8463 x6 or visit timelinetheatre.com.
 
“These quintessential American stories, set in the 1930s, ‘40s and ‘50s, explore the intersection of politics, race, and entertainment and brim with humor and poignancy about our culture today,” Artistic Director PJ Powers said. “Following the success of TimeLine’s homegrown play Relentless, we’re proud to feature another new work developed during the same cohort of our Playwrights Collective—Will Allan’s Campaigns, Inc. This hilarious political comedy was originally planned to coincide with the 2020 presidential election. Following a COVID delay, it hasn’t lost any of its resonant irony as we head into a contentious midterm election season.”
 
Powers continued: “Another previously delayed play finally makes it to our stage—Alice Childress’ Trouble In Mind. It’s a story that is both funny and searing in its exploration of power and representation both within the American theatre and outside its walls. And we’ll further that conversation with the world premiere of Boulevard of Bold Dreams, shining a light on the trailblazing Hattie McDaniel on the historic night she won her Oscar for Gone With the Wind, introducing the powerful voice of LaDarrion Williams to Chicago through his play about dreamers, obstacles, and the not-so-changing landscape of Hollywood from the 1940s to today.”

TimeLine's 2022--23 Season!


THE 2022-23 TIMELINE THEATRE SUBSCRIPTION SEASON IS:

World Premiere
Campaigns, Inc.
by TimeLine Company Member Will Allan
directed by TimeLine Associate Artistic Director Nick Bowling
August 11 – September 18, 2022 (previews 8/3 – 8/10)
                                           
Based on the true story of Leone Baxter and Clem Whitaker, who formed the first political consulting firm in U.S. history, Campaigns, Inc. is a hysterical and jaw-dropping inside look at the underbelly of politics through the lens of two of the undeniable founders of “fake news.”
 
It is 1934, and famous novelist Upton Sinclair is all but guaranteed to become the first Democratic governor of the state of California—until a young, unknown pair of consultants from the shadows of the challenger’s campaign attempt to take him down. As Frank Merriam and Sinclair battle it out in the spotlight—seeking endorsements from the likes of Charlie Chaplin and FDR—Baxter and Whitaker work behind-the-scenes to methodically construct one of the most spectacular, unbelievable, and star-studded smear campaigns ever.
                                           
Previously announced as the season opener for TimeLine’s 2020-21 season, this world premiere play was developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission of presenting plays inspired by history that connect to today’s social and political issues. Campaigns, Inc. is the third play developed through the Collective to receive a full production, following Brett Neveu’s To Catch a Fish, presented at TimeLine in 2018; and Tyla Abercrumbie’s Relentless, presented in an acclaimed world premiere run at TimeLine followed by an extended sold-out run at Goodman Theatre in 2022. Campaigns, Inc. received its first public reading as part of TimeLine’s inaugural First Draft Playwrights Collective Festival in December 2018.
 

Trouble in Mind
by Alice Childress
directed by TimeLine Company Member Ron OJ Parson
November 10 – December 18, 2022 (previews 11/2 – 11/9)
            
Acclaimed by The New York Times as “a rich, unsettling play that lives up to its title [and] lingers in one’s memory long after its conclusion,” this scathingly funny backstage drama about interracial politics explores the complex, difficult, and often emotional way people talk about race.
          
On stage at a Broadway theater in New York City in the mid-1950s, a group of actors has gathered for their first day rehearsing a new play called Chaos in Belleville, an anti-lynching Southern drama. But as the cast rehearses, tensions flair between Wiletta, the Black actress in the starring role, and her white director about his interpretation of the play. The result is an explosive conversation about equality, power, and how race is portrayed in the American theatre.
 
Written by Alice Childress (the first Black woman to have a play professionally produced in New York City) and featuring a play-within-a-play structure, Trouble in Mind is a groundbreaking
backstage satire of egos and attitudes and an insightful look at the importance of honest representation. It was previously announced to take place in TimeLine’s 2020-21 season, and most recently enjoyed an acclaimed Broadway production nominated for four 2022 Tony Awards, including Best Revival of a Play. The critics raved that this “masterpiece of astonishing power” (New York Magazine) is “the play of the moment” (The New York Times) and “will take your breath away” (Associated Press).
 

World Premiere
Boulevard of Bold Dreams
by LaDarrion Williams
directed by Malkia Stampley
February 16 – March 26, 2023 (previews 2/8 – 2/15)
            
It is February 29, 1940, the night of the Academy Awards in Hollywood, California. Bartender Arthur Brooks, an ambitious Black man from rural Alabama, dreams of becoming a movie director. His best friend, Dottie Hudson, is a maid at the Ambassador Hotel who finds herself to be a cynic of all dreams. But when the actress Hattie McDaniel stops in at the bar and decides not to attend the biggest event in show business, Arthur and Dottie must do everything in their power to convince her to go and claim her historic win—all while confronting their dark past and making their own dreams come to life.
 
This play about race, class, gender, and the ever-changing landscape of Hollywood has previously had public readings at The Echo Theatre Company (featuring TimeLine Company Member Mildred Marie Langford) and Morgan-Wixson Theatre’s New Works Festival. TimeLine’s production will be its world premiere.
 
Casting for all plays will be announced at a later date.
 

HEALTH AND SAFETY
 
TimeLine is currently requiring proof of vaccination for entry and mask-wearing to attend. Patrons are asked for their vaccination card or a picture of their vaccination card when they arrive along with valid photo ID, and are asked to wear a mask over their nose and mouth throughout their visit. These protocols are subject to change as the pandemic continues to evolve. For more information about TimeLine’s Health & Safety policies, visit timelinetheatre.com/health-and-safety.

ABOUT TIMELINE THEATRE COMPANY
 
TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 25th Anniversary season, TimeLine has presented 82 productions, including 11 world premieres and 38 Chicago premieres, and launched the Living History Education Program, which brings the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 58 Jeff Awards, including an award for Outstanding Production 11 times.

The company has long been bursting at the seams of its current leased home located at 615 W. Wellington Avenue in Chicago’s Lakeview East neighborhood, where the theatre has been in residence since 1999. In December 2018, TimeLine announced the purchase of property at 5033-35 North Broadway in Chicago’s Uptown neighborhood to be the site of its new home. Plans feature an intimate black box theatre seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late for theatergoing experiences that extend far beyond the stage, and more. TimeLine is working with HGA as architect for its new home project, which is expected to be completed in 2024.
 
TimeLine is led by Artistic Director PJ Powers, Executive Director Mica Cole, and Board President John Sterling. TimeLine Company members are Tyla Abercrumbie, Will Allan, Nick Bowling, Janet Ulrich Brooks, Wardell Julius Clark, Behzad Dabu, Charles Andrew Gardner, Lara Goetsch, Juliet Hart, Anish Jethmalani, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, and Maren Robinson.

Major corporate, government and foundation supporters of TimeLine Theatre include the Abe and Ida Cooper Foundation, Paul M. Angell Family Foundation, Arts Consulting Group, Bayless Family Foundation, The Elizabeth F. Cheney Foundation, City of Chicago, Crown Family Philanthropies, Joseph and Bessie Feinberg Foundation, Forum Fund, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Illinois Department of Commerce and Economic Opportunity, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, National Endowment for the Arts, Polk Bros. Foundation, Pritzker Traubert Foundation, The Shubert Foundation, United States Small Business Administration, and Walder Foundation.

For more information, visit timelinetheatre.com or FacebookTwitter, or Instagram (@TimeLineTheatre).


BIOGRAPHIES

Will Allan (Playwright, Campaigns, Inc.), a TimeLine Company Member and member the 2017-18 Playwrights Collective, is a former Chicago actor and playwright who is now based in Los Angeles. His Chicago debut was as a member of the original cast of TimeLine's Chicago premiere of The History Boys (directed by Nick Bowling, Equity Jeff Awards—Production and Ensemble). Campaigns, Inc. is his first full-length play, and he is thrilled that the place he got his start as an actor is the place he'll get his start as a professional playwright. During his decade in Chicago, he performed in numerous productions with Steppenwolf, Goodman, Chicago Shakespeare, Victory Gardens, Remy Bumppo, Theater Wit, and more. Regionally, he has performed with Milwaukee Repertory, Indiana Repertory, Cardinal Stage, and The Human Race Theatre Company. A native of Dayton, Ohio, Allan studied at Moscow Art Theatre School in Russia and earned his BA degree in Theatre Performance from North Central College in Naperville, Illinois.


Nick Bowling (Director, Campaigns, Inc.) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre, where he has directed more than 30 productions. He is the recipient of eight Jeff Awards for Outstanding Direction (The History Boys, The Normal Heart, Fiorello!, This Happy Breed, and The Crucible at TimeLine, Ragtime at Marriott Theatre, Sondheim on Sondheim at Porchlight Music Theatre, and Another Part of the Forest at Eclipse Theatre) and also received Jeff Award nominations for Oslo, Blood and Gifts, The Farnsworth Invention, Hauptmann, and The Lion in Winter at TimeLine; Closer Than Ever at Porchlight Music Theatre; and City of Angels, The King and I, and Man of La Mancha at Marriott Theatre. Other recent credits at TimeLine include the Chicago premiere of J.T. Rogers’ Oslo at Broadway In Chicago’s Broadway Playhouse, Master ClassThe Audience, A Disappearing Number, The Last Wife, and Blood and Gifts. Other Chicago credits include Marriott’s The Sound of Music, Oliver!, and The Bridges of Madison County; Paramount's A Christmas Story, Northwestern University’s Guys and Dolls and CabaretPorchlight’s A Catered Affair, Writers Theatre's Bach at Leipzig, and Shattered Globe Theatre's Time of the Cuckoo and Frozen Assets.


Alice Childress (Playwright, Trouble in Mind, 1916–1994) was raised during the Harlem Renaissance under the watchful eye of her beloved maternal grandmother and grew up to become first an actress and then a playwright and novelist. A founding member of the American Negro Theatre, she wrote her first play, Florence, in 1949. The script was written in one night on a dare from her close friend, the actor Sidney Poitier, who had told Alice that he didn’t think a great play could be written overnight. She proved him wrong, and the play was produced Off-Broadway in 1950. In 1952, Childress became the first African American woman to see her play (Gold Through the Trees) professionally produced in New York. In 1955, Childress’ play Trouble in Mind opened Off-Broadway at the Greenwich Mews Theatre. The production was a critical and popular success and immediately drew interest from producers for a Broadway transfer. In an ironic twist echoing the tribulations of the characters in the play itself, the producers wanted changes to the script to make it more palatable to a commercial audience. Childress refused to compromise her artistic vision, and the play never opened on Broadway, ending her chance of being the first African American woman playwright to have a play on Broadway. Trouble in Mindreceived a well-reviewed Off-Broadway revival in 1998 by the Negro Ensemble Company and has since been produced by a multitude of prestigious theatres such as Yale Repertory Theatre, Centerstage, Milwaukee Repertory Theatre, and Arena Stage, and in a Tony Award-nominated revival in 2022. Childress is known for A Hero Ain’t Nothin’ But a Sandwich, her 1973 novel about a 13-year-old Black boy addicted to heroin, which was subsequently made into a movie in 1978. Her other plays include Just a Little Simple (1950), Wedding Band: A Love/Hate Story in Black and White (1966), and Gullah(1984). Throughout her career, Childress examined the true meaning of being Black, and especially of being Black and female. As she herself once said, “I concentrate on portraying have-nots in a have society.”

Ron OJ Parson (Director, Trouble in Mind) became a TimeLine Company Member in 2016. His TimeLine credits include Relentless(also at Goodman Theatre), Too Heavy for Your PocketTo Catch a FishParadise BlueSunset Baby, and A Raisin in the Sun. He is a native of Buffalo, New York, and a graduate of the University of Michigan’s professional theater program. He is the co-founder and former Artistic Director of Onyx Theatre Ensemble of Chicago and a co-founder and co-director of Ripe ManGo Productions. Parson is a Resident Artist at Court Theatre and an Associate Artist with Teatro Vista, and an Associate Artist at Writers Theatre. Since moving to Chicago from New York in 1994, he has worked as both an actor and director. His Chicago credits include work with The Chicago Theatre Company, Victory Gardens, Goodman, Steppenwolf, Chicago Dramatists, Northlight, Court, Black Ensemble Theatre, Congo Square, Northlight Theatre, Urban Theatre Company, City Lit Theater, ETA Creative Arts, and Writers. Regionally, Parson has directed shows at Studio Arena Theatre, Alliance Theatre, Actors Theatre of Louisville, Milwaukee Repertory, South Coast Repertory, Pasadena Playhouse, Geva Theatre, Virginia Stage, Roundabout Theatre, Wilshire Theatre, The Mechanic Theatre, CenterStage, St. Louis Black Repertory, Pittsburgh Public Theater, Pittsburgh Playwrights Theatre, Signature Theatre (New York), Kansas City Rep, and Portland Stage, among others. In Canada, he directed the world premiere of Palmer Park by Joanna McClelland Glass at the Stratford Festival. He is a member of AEA, SAG-AFTRA, and SDC. For further information, visit ronojparson.com.

Malkia Stampley (Director, Boulevard of Bold Dreams) was born and raised in Milwaukee where she attended Marquette University for Theater Arts. She joined Goodman Theatre as Producer in October 2021 after serving as founding Artistic Producer for the Milwaukee Black Theater Festival. Directing credits include Lady Day at Emerson’s Bar and Grill (Farmer's Alley Theatre); The Gift of the Magi (American Players Theater); Black Nativity (Black Arts MKE, three years); Stew (Milwaukee Chamber Theatre); Nunsense(Milwaukee Repertory Theater); Five Guys Named Moe (Skylight Music Theatre); Antarctica, WI (First Stage), IN:FLUENCE/SPIRATION (University of Wisconsin-Madison) with workshops and readings at American Players Theatre, Northern Sky, Milwaukee Fringe Festival, #ENOUGH and Texas State University Black and Latino Playwright Celebration. As a budding playwright, Stampley co-authored Lines, commissioned by Theatre LILA in 2018. Stampley is a founder of Milwaukee Black Theater Festival and Bronzeville Arts Ensemble, a theater established in Milwaukee, where she served as Producing Artistic Director for three seasons. She is also an actor for television, film, and stage. She currently has a guest star recurring role on AMC's 61st Street and her last stage performance was 9 Circles at Next Act Theatre, directed by Michael Cotey.


LaDarrion Williams (Playwright, Boulevard of Bold Dreams) is a Los Angeles based-playwright, filmmaker, author, and screenwriter whose goal is to cultivate a new era of Black fantasy, providing space and agency for Black characters and stories in a new, fresh and fantastical way. His first play, Katrina, won first place at the Alabama State Thespian Conference. It was also a part of A Noise Within Theatre for their Noise Now Reading Series. His adaptation of the best-selling memoir, Feeding A Monster, was directed by award-winning actor and director Art Evans at the Hudson Theatre in Hollywood, CA. In 2019, he was invited to be a guest writer for Center Theatre Groups’ August Wilson Monologue Competition. His play Black Creek Risin’ was a part of the Great Plains Theatre Conference in Omaha, Nebraska. In September 2019, his play, Coco Queens, was a part of the Sundance Institute’s Playwriting Intensive and was also a semi-finalist for the 2020 Eugene O’Neill National Playwriting Conference. In 2021, his play Boulevard of Bold Dreamswas a part of the New Works Festival at the Morgan-Wixson Theatre in Santa Monica, California. After TimeLine’s production, it will also premiere at Greater Stage Boston in March 2023. Williams is currently a resident playwright/co-creator of The Black Creators Collective where his play UMOJA made its West Coast premiere in January 2022, and he also produced North Hollywood’s first Black playwrights festival at the Waco Theater Center. Serving as a writer-producer, Williams has curated three short films on YouTube. His viral and award-winning short film Blood at the Root is anticipated to become a Young Adult fantasy novel. 


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