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Showing posts with label theatre. Show all posts
Showing posts with label theatre. Show all posts

Thursday, September 18, 2025

World Premiere of Ghost Fetus Via Trap Door Theatre Now Playing Through September 27th, 2025

ChiIL Live Shows On Our Radar 
Trap Door Theatre’s Trap Open Series Presents

The World Premiere of

Ghost Fetus

Written by Suz Evans

Directed by Anna Klos

Now Playing Through September 27th, 2025

Trap Door Theatre is thrilled to open its 32nd season with a World Premiere presented with the Trap Open Series: Ghost Fetus, written by Chicago playwright Suz Evans and directed by Anna Klos. Ghost Fetus will play September 11th –27th, 2025 at Trap Door Theatre, 1655 W Cortland St. in Chicago. Tickets are now on sale at trapdoortheatre.com or by calling (773)-384-0494. 

The cast includes Jenn Geiger, Tia Pinson, Lolo Ramos, Gus Thomas, and Jacqui Touchet

A ghost seeking revenge. A church caught in its own contradictions. Two queer teens reckoning with faith, fear, and desire. Anna Klos and Suz Evans bring you a haunting, hilarious, and heartfelt piece like no other.

The production team includes Anna Klos (Director), Richard Norwood (Lighting Designer),Suz Evans (Set Designer), Emily Nichelson (Costume Designer), Anna Kosicki (Assistant Costume Designer), Laila Eskin (Sound Designer), Chels Morgan (Intimacy/Violence Director), Gabrielle Owens (Stage Manager), Laura Nelson (Marketing), Lo Miles

Cast (in alphabetical order): Jenn Geiger (Craig), Tia Pinson (Ghost Fetus), Lolo Ramos(Whitney), Gus Thomas (Aaron), and Jacqui Touchet (Sarah Jane).

Location: Trap Door Theatre, 1655 W. Cortland St. Chicago, IL 60622

Dates: Regular Run: Thursday, September 11th –Saturday, September 27th, 2025

Curtain Times: Thursdays, Fridays, and Saturdays at 8:00 pm.

Tickets: $22. Tickets are currently available at https://www.ticketleap.events/tickets/trapdoor/ghost-fetus or by calling (773) 384-0494.

Group tickets: Special group rates are available. For information, call (773) 384-0494 or email boxofficetrapdoor@gmail.com.

Plan your visit: Free street parking is available.

Buses: #9 (Ashland), #50 (Damen), #72 (North), #73 (Armitage).

Metra: Clybourn metra stop.

Accessibility:

Trap Door Theatre is wheelchair accessible.


About the Artists:

Suz Evans (Playwright) (they/them) (b Cincinnati 1990) is a playwright, set designer and visual artist with a background in printmaking and performance art. Their work delves into questions about identity, hierarchy, cultural deviance, relationships and grief. Evans has a BFA in printmaking and art history from Montserrat College of Art (2013). They have shown visual work at the Lily Pad (Cambridge MA), the Crane Estate of Ipswich (MA), SOWA open studios (Boston), the Boston Printmakers Biennial, Roots and Culture and Archer Beach House (Chicago) and unofficially made live work at places such as the Cincinnati Art Museum, Boston Museum of Fine Arts, Mass MoCa, and Smith College Museum of Art.

Their first script, Childhood Beauty, was produced at Trap Door Theatre in 2019. In 2021 they wrote for adevised work at Trick Lock Theater (Albuquerque). Evans designed the set for Antigonik, directed at Trap Door by Anna Klos in 2024. Their puppetry work has also been performed at several YUCK! shows in Chicago in collaboration with Klos. 

Evans is committed to making work that examines their own childhood of fundamental Christian upbringing. Whether it’s deep dives into the impacts of pro-life ideology or obsessions with cultural moments such as Jane Fonda Workout videos, their plays are all in consideration of understanding what got us to the present. Ghost Fetus was written a year before Roe v.Wade was overturned by the Supreme Court. As Evans creates work about a life that feels far removed from a progressive city like Chicago we are reminded that ideas of the body, the reproduction system, and societal control are strongly rooted in our American culture.

Anna Klos (Director) (they/them) has worked with Trap Door for the last five seasons, and during thattime they have explored a myriad of projects, including: Antigonick (Director), The Ugly One (Assistant Director), Trap Door's 25/25 (Event Manager), Old Woman Broods (Actor), and Monsieur D'Eon is a Woman, The White Plague, Lipstick Lobotomy, Queen C, Decomposed Theater, The Martyrdom of PeterOhey (Chicago run and New York tour), Jeanne et le Feu, and Bowie in Warsaw (Stage Manager). Anna is grateful for clowns, their Trap family, and their partner, Suz.

About the Trap Open Series

The Trap Open Series explores non-traditional forms of playmaking, while developing and giving voice to the next generation of groundbreaking theater artists. In keeping with the promise to foster innovative forms of expression, Trap Door opens up its space to company members, as well as guest artists, to develop new work that exists outside the realm of a traditional theatrical run. These performances occur sporadically throughout the prime-time season as additional offerings during the week and late nights. Whether it is a workshop of a bold new play, a daylong performance installation, or a collaboration with artists from other mediums, Trap Open offers audiences thrilling, unexpected experiences while granting artists the opportunity to take risks that push their artistic practices to new heights.

About Trap Door Theatre

Trap Door Theatre is committed to seeking out challenging and obscure works. Whether a forgotten European classic, an international project rarely seen in the United States, or an untarnished piece of American literature, Trap Door seeks diverse voices and presents them through innovative expression. We mix established and imaginative techniques to illustrate theabsurdities of living in today’s society.

Trap Door Theatre is funded in part by The Paul M Angell Family Foundation, The CliffDwellers Foundation, The Illinois Arts Council Agency, The Gaylord and Dorothy Donnelley Foundation, The John R Halligan Charitable Fund, The Reva and David Logan Foundation, and the generosity of individual donors.

For additional information, visit trapdoortheatre.com

Tuesday, September 16, 2025

REVIEW: Lifeline Theatre's World Premiere Production of RABBITS IN THEIR POCKETS Through October 5, 2025

When Life's the Pits, Embrace The Cherries!

Black Joy and Rabbit Luck Abound in Lifeline's World Premiere

ChiIL Live Shows On Our Radar

“RABBITS IN THEIR POCKETS”

Developed in Lifeline’s 2024 BIPOC Workshop: Chicago Playwright’s Debut Production 

Run Time: 90 minutes


REVIEW

By Bonnie Kenaz-Mara

(L to R) Marcus D. Moore (Jasper), Simmery Branch (Harley), and Felicia McNeal (Inola). Improv students Jasper and Inola try a scene as Harley’s ancestors in Lifeline Theatre’s “Rabbits In Their Pockets” Photo credit for all: Josh Bernaski

I've always been fascinated by the idea that homes soak in the energy and emotions of what transpired there. Chicago playwright Kimberly Dixon-Mays, RABBITS IN THEIR POCKETS takes this concept to the next level with the invention of walls that can store up black joy like solar panels. This play hits home in an era where DEI initiatives are being rolled back on the regular, lynchings are resurging, and black joy is under attack. 

It's fantastic that this play came to life through Lifeline’s 2024 BIPOC Developmental Workshop and firmly centers the lives of two very different black siblings and their struggle to reconnect as adults. I applaud the choice of productions outside of the white, male canon, and the strong representation of lead roles for both women and actors of color. Simmery Branch (Harley) and LaKecia Harris (Ash) expertly play siblings, whose conflict and connection is fascinating to see. Felisha McNeal (Inola) is also a hoot in her role as a cryptic ancestor/investor. We also enjoyed watching Marcus D. Moore (Jasper, R) in action.

Since Virginia Woolf's famous essay, the idea of a room of one's own, has captivated imaginations. It's particularly important for mothers, caregivers, and women to have a space of their own to retreat into and recharge, no matter how small, and the sisters saw this as children, in their Mother's cherry wallpapered hidey hole beneath the stairs. In RABBITS IN THEIR POCKETS there's something so joyful and special about reclaiming sacred space, rekindling the bonds of blood, and moving forward together. I love the juxtaposition of old school, low tech, self care with futuristic, cutting edge invention, all in pursuit of joy. 

There's also quite a bit of humor and rabbit fun from an improv assignment to a full body, jump scare inducing bunny suit, complete with a giant furry head. 

Simmery Branch (Harley, L) coaches her improv student Marcus D. Moore (Jasper, R) as he tries to be a rabbit in Lifeline Theatre’s “Rabbits In Their Pockets”

It was such a pleasure to catch opening night of this playfully thought provoking piece. We'll be keeping an eye out for more work from playwright Kimberly Dixon-Mays whose insightful themes on human psychology and family dynamics are at once universal and deeply personal. And if that joy collector wall panel actually works, those wall will be oozing joy after the laughter and applause of opening weekend. 

Sisters LaKecia Harris (Ash, L) and Simmery Branch (Harley, R) meet after a long estrangement in Lifeline Theatre’s “Rabbits In Their Pockets” a world-premiere original comedy by Kimberly Dixon-Mays

ChiIL Live Shows on our radar. Recommended. Three out of four stars. ★★★ 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play sisters who find shared joy in childhood memories 

Lifeline Theatre's World Premiere production of Kimberly Dixon-Mays’ RABBITS IN THEIR POCKETS is directed by Christopher Wayland and running through October 5, 2025 on the Rogers Park theatre’s stage at 6912 N. Glenwood Ave. Tickets ($25 - $45) are now available at https://lifelinetheatre.com/.

(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play siblings with very different approaches to life.

In the pursuit of joy, does method matter? Two siblings–opposites and estranged–take one last shot at putting grief behind them to create the joy they both seek. But their daring project can only succeed if they can accept each other's special magic. A world premiere original play by Chicago playwright Kimberly Dixon-Mays, RABBITS IN THEIR POCKETS began in Lifeline’s 2024 BIPOC Developmental Workshop.

(L to R) LaKecia Harris (Ash) and Simmery Branch (Harley)


RABBITS IN THEIR POCKETS PRODUCTION DETAILS

Title: RABBITS IN THEIR POCKETS

Written By: Kimberly Dixon-Mays

Directed By: Christopher Wayland

Cast: LaKecia Harris (Ash), Simmery Branch (Harley), Marcus D. Moore (Teddy), and Felisha McNeal (Inola)

Production Crew: Maryha Paige (Stage Manager), Shokie Tseumah (Scenic and Props Designer), Joseph Nelson (Lighting and Projections Designer), Emily McConnell (Costume Designer), and Isaac Mandel (Sound Designer)

Dates: Now Playing Through October 5, 2025 

Schedule: Fridays at 7:30 p.m., Saturdays at 2:30 and 7:30 p.m., Sundays at 2:30 p.m.

Location: Lifeline Theatre, 6912 N. Glenwood Ave.

Tickets: General Admission: $45

Military, student, and senior discounts available

Box Office:  info@lifelinetheatre.com or by phone at 773-761-4477

ABOUT LIFELINE THEATRE

Now in its 43rd season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s MainStage programs are partially supported by the Carole Oppenheim and Jerome S. Lamet Charitable Fund; Illinois Arts Council Agency; Anonymous; Paul M. Angell Foundation; Rogers Park Social; S&C Electric Company Fund; The Gaylord and Dorothy Donnelley Foundation; The Shubert Foundation; The Saints; and the annual support of businesses and individuals. https://lifelinetheatre.com


(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play siblings in Lifeline Theatre’s “Rabbits In Their Pockets” a world-premiere original comedy by Kimberly Dixon-Mays, directed by Christopher Wayland. Now running through Sunday, October 5. Lifeline Theatre is located at 6912 N. Glenwood Ave. Chicago, IL 60626. For tickets visit https://lifelinetheatre.com or call the box office at 773-761-4477. 


Thursday, September 4, 2025

Citadel’s Cast and Production Team Announced for MISERY, Playing September 10 -October 12, 2025

ChiIL Live Shows On Our Radar 

Citadel Theatre's 

MISERY 

By William Goldman.

Based on the novel by Stephen King

Directed by Scott Westerman

Scott and Ellen Phelps to play the leads in stage adaptation of the Stephen King novel

Citadel Theatre’s 2025-26 season will open with William Goldman’s adaptation of the Stephen King novel MISERY. The three-hander about a novelist who is rescued from a car crash by an obsessed fan and held captive after she discovers he killed off her favorite character, will be performed by Scott and Ellen Phelps, co-founders of the theatre, and Jonathan Cortez. Scott Westerman, director of last spring’s A JUKEBOX FOR THE ALGONQUIN, as well as Citadel’s previous productions of SEX WITH STRANGERS, THE CHRISTIANS, and THE MOUSETRAP, is directing. MISERY will open to the press on Friday, September 12 at 7:30 pm, following previews on September 10 and 11, and play through October 12. 

MISERY, one of Stephen King’s most successful novels, was adapted for the stage by two-time Academy Award-winner William Goldman, who won Oscars for BUTCH CASSIDY AND THE SUNDANCE KID and ALL THE PRESIDENTS MEN. Goldman also authored the screenplay of the 1990 film of MISERY. His stage adaptation was produced on Broadway in 2015, starring Bruce Willis as Paul, and in a Tony Award-nominated performance, Laurie Metcalf as Annie.

Ellen Phelps, whose many roles at Citadel include Sharon in THE ROOMMATE, Miss Hannigan in ANNIE, and Sonia in VANYA AND SONYA AND MASHA AND SPIKE, will play the deranged fan Annie Wilkes. Scott Phelps, whose professional acting career began at the Actors Theatre of Louisville, will be the production’s Paul Sheldon. At Citadel, Scott has played  such iconic roles as Oscar Hubbard in THE LITTLE FOXES, George in OF MICE AND MEN, and with Ellen Phelps, the married couple Mel and Edna Edison in THE PRISONER OF SECOND AVENUE.  The third member of the cast is Jonathan Cortez, who has played Tom Collins in RENT and Curtis in SISTER ACT. Cortez will be Buster, the sheriff investigating Paul’s disappearance. Elizabeth Bushell and Jason Clark will understudy the roles of Annie and Paul.

Top Row L-R: Ellen Phelps, Scott Phelps, Jonathan Cortez.

The production team, in addition to Westerman as director, includes Bob Knuth (Set Designer),  Danielle Reinhardt (Costume Designer), Jodi Williams (Lighting Designer), Petter Wahlback (Sound Designer), Patrick McGuire (Properties Designer), Mitchell Pollitt (Master Carpenter), David Blixt (Violence and Intimacy Director), Alex Trinh (Run Crew), and Bobby Lee (Stage Manager).

The regular performance schedule is Thursdays – Saturdays at 7:30 pm and Sundays at 3:00 pm, with additional matinees on Wednesdays September 17 and October 3. There are no performances on Fridays September 19 and October 3. Subscriptions and single tickets priced at $45 are now on sale at www.citadeltheatre.org.Season subscriptions are available for the full four-show season at $120.00, or as flex passes that can be used for the patron’s choice of either three shows for $100.00 or two shows for $70.00. Preview flex passes are also available for $40 (two shows), $50 (three shows), or $60 (four shows).

Citadel Theatre is in residence in the West Campus of the Lake Forest School District at 300 S. Waukegan Road, Lake Forest. Further information and ticketing is available on the company’s website at www.citadeltheatre.org.

PRODUCTION DETAILS

Friday, September 12 – Sunday, October 12, 2025

(Previews September 10 and 11 @ 7:30 pm)

PRESS OPENING Friday, September 12 at 7:30 pm

Thursdays, Fridays and Saturdays at 7:30 pm, Sunday matinees at 3 pm, Wednesday matinees at 1 pm on September 17 and October 1. No performances Fridays September 19 and October 3.

Preview ticket prices $20. Regular run prices $45.00. Discounts available for groups, seniors and students.

Citadel Theatre, located in the West Campus building of the Lake Forest School District 300 S. Waukegan Road, Lake Forest, IL

Tickets available online at www.citadeltheatre.org or by phone at 847-735-8554, ext. 1

In this stage adaptation of Stephen King’s novel, romance novelist Paul Sheldon is rescued from a car crash by his obsessed fan, Annie Wilkes, and held captive after she discovers he killed off her favorite character. Forced to rewrite his novel under her watch, Paul finds himself trapped in a nail-biting cat-and-mouse game that will have you at the edge of your seat.

BIOS

Scott Westerman (Director) makes, does, and teaches theatre and film in and around Chicago. At Citadel, he has directed  A JUKEBOX FOR THE ALGONQUIN, THE MOUSETRAP, THE CHRISTIANS and SEX WITH STRANGERS. Scott is the founding Artistic Director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between theatre and film. He created and directed the web series HAMLET & OPHELIA which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards, and Best Mobile Series at the 2022 New Media Film Festival. Scott has directed stage productions for The Artistic Home, ChiArts, City Lit Theatre, Chimera Theatre Company, Citadel Theatre, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge), National High School Institute (Cherubs), and Reverie Theatre Company. Scott is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group, and a teaching artist with Writers Theatre and The Theatre School at DePaul University. He has an MFA from The Shakespeare Theatre Academy. As an actor, Scott has worked with Chicago Shakespeare Theatre, Lookingglass, Northlight, The Shakespeare Theatre and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina, and the Barter Theatre in Virginia to name a few. On Camera credits include MACHINE GUN PREACHER, PRISON BREAK, and HEIST 88 which will premiere in 2023. More about Scott can be perused at www.ScottWesterman.org.

William Goldman (Playwright) was a legendary American screenwriter, novelist, and playwright celebrated for his sharp dialogue, genre versatility, and storytelling brilliance. Born in Highland Park, Illinois, Goldman began his career as a novelist in the 1950s before transitioning to screenwriting in the mid-1960s. He won two Academy Awards: one for BUTCH CASSIDY AND THE SUNDANCE KID (1969) and another for ALL THE PRESIDENT’S MEN (1976), cementing his reputation in Hollywood. His novel THE PRINCESS BRIDE (1973), which he also adapted for film in 1987, became a cult classic, blending fantasy, romance, and satire.  Beyond film, Goldman authored over 20 novels and several influential nonfiction works, including ADVENTURES IN THE SCREEN TRADE, where he famously declared, “Nobody knows anything” about Hollywood. His career spanned decades, influencing generations of writers with his wit, candor, and craftsmanship. His stage plays include BLOOD, SWEAT AND STANLEY POOLE (1961), co-written with his brother James Goldman; A FAMILY AFFAIR (1962), a musical co-written with James Goldman and composer John Kander: and MISERY (2012). 

Ellen Phelps (Annie Wilkes).  Ellen Phelps (Annie Wilkes) Co-Founder, Managing Director, Director, and Actor at Citadel Theatre. Most recently seen at Citadel Theatre in A JUKEBOX FOR THE ALGONQUIN.  Other past productions at Citadel include THE CHRISTIANS, IT RUNS IN THE FAMILY, ANNIE, THE ROOMMATE, VANYA SONIA MASHA AND SPIKE, ELEMENO PEA, ‘TIL THE FAT LADY SINGS, PRISONER OF 2ND AVENUE, SOMETHING’S AFOOT, SIRENS, OTHER DESERT CITIES , and A FUNNY THING HAPPENED ON THE WAY TO THE FORUM . Other theatre credits include COMPANY, RUMORS, THE BOY FRIEND, and THE GLASS MENAGERIE

Scott Phelps (Paul Sheldon, Artistic Director) Scott is now in his 23rd year as the Artistic Director of Citadel, the North Shore theatre he co-founded in 2002 with his friend and lifelong companion, Ellen. Over the past 2.3 decades, he has acted in and directed dozens of Citadel productions, continuing to bring his passion and vision to the stage year after year.

In 2023, Scott took on the leading role of Pastor Paul in THE CHRISTIANS. His career has also taken him to New York City and his home state of California, where he has both acted and directed. He trained as an actor at the Pacific Conservatory of the Performing Arts in Santa Maria, CA, pursued a BFA at the University of Utah, and completed an apprenticeship with the renowned Actors Theatre of Louisville.

In addition to his theatre work, Scott spent 18 years with a promotional company while raising his three daughters and son in Lake Forest. Now entering a new chapter of life, he has embraced his latest role—“Beepa” to his growing crew of grandchildren (almost seven and counting). While he’s not entirely convinced he’s old enough for the part, he’s enjoying the challenge.

Jonathan Cortez (Buster). “A shining element…” Jonathan is excited to join the stage for his first production with Citadel Theatre. Jonathan is a University of Illinois in Urbana-Champaign alumnus, who studied Vocal Performance under Jerold Siena. Alongside this show, Jonathan is currently music directing BEAUTIFUL: THE CAROLE KING MUSICAL and HADESTOWN. Jonathan keeps busy with his involvement in Second City, Chicago Fringe Opera’s premiere improv group OP*ERRATIC, previewing works with South Shore Opera, and vocal directing musicals in the Chicagoland area. Other credits include Tom Collins in RENT, Curtis in SISTER ACT, Leporello in Mozart’s DON GIOVANNI, and Fasolt in Wagner’s DAS RHEINGOLD. He also sings with Consonance - Chicago Choral Artists and the Chicago Gay Men’s Chorus.

Citadel Theatre is one of Chicagoland’s premier live theatres, producing hundreds of performances annually and inspiring audiences for nearly 24 years. Founded by Scott and Ellen Phelps in 2002, Citadel Theatre is comprised of its Main Stage performances and its theatre acting classes for children. A proud member of the League of Chicago Theatres and the Lake Forest/Lake Bluff ArtsLink, Citadel Theatre offers a unique intimate theatre experience that transports you to another setting and leaves you feeling exhilarated and wanting more. A recognized 501(c)3 non-profit organization, Citadel can accept tax-deductible donations. For more information, ticketing, and to donate, please visit Citadel online at www.citadeltheatre.org or call 847.735.8554.

Wednesday, August 27, 2025

MARRIOTT THEATRE UNVEILS THRILLING 2026 SEASON OF TIMELESS CLASSICS AND NEW FAVORITES

Save the Dates: 

ChiIL Live Shows On Our Radar

Marriott Theatre, Chicagoland’s longest running musical theatre, is proud to unveil its 2026 season, featuring a dynamic lineup of beloved classics and exciting new productions. 


Under the leadership of Executive Producer Peter Blair and Artistic Director Peter Marston Sullivan, the season includes the cult favorite Little Shop of Horrors, the electrifying Elvis bio-musical Heartbreak Hotel, Stephen Sondheim’s romantic masterpiece A Little Night Music, the uplifting true story Come From Away, and Disney’s magical phenomenon Frozen The Broadway Musical. Complementing the 2026 lineup is a vibrant Theatre for Young Audiences series, plus an exciting concert series, ensuring that Marriott Theatre continues delivering world-class musical entertainment.

The 2026 season opens with the long-requested cult favorite Little Shop of Horrors, directed and choreographed by Tommy Rapley (Marriott Theatre: James and the Giant Peach, Big Fish). The deviously delicious smash hit musical from Howard Ashman and Alan Menken (Disney’s Aladdin, The Little Mermaid, and Beauty and the Beast) follows meek plant store attendant Seymour, his co-worker crush Audrey, her sadistic dentist boyfriend, and the man-eating plant that threatens them all. A quirky, tongue-in-cheek comedy packed with sci-fi charm and unforgettable songs, Little Shop of Horrors previews January 21, opens January 28, and runs through March 15th.

Next up, for the first time on the Marriott stage, comes Heartbreak Hotel, directed and choreographed by Deidre Goodwin (Marriott Theatre: Beehive: The 60’s Musical, Catch Me If You Can). The official Elvis Presley bio-musical takes a closer look at the rock star and incomparable icon whose impact shaped the history of music and culture. Featuring over 40 hits including “Heartbreak Hotel,” “Jailhouse Rock,” “Blue Suede Shoes,” and “Love Me Tender,” this musical journey explores the highs, the lows, and the treasured music that made “The King” a legend. Heartbreak Hotel previews April 8, opens April 15, and runs through May 31.

Summer brings wit and romance in A Little Night Music, directed by Nick Bowling (Marriott Theatre: 1776, Man of La Mancha, Ragtime; recipient of eight Jeff Awards for outstanding direction) and choreographed by Katie Johannigman (Marriott Theatre: The Magic School Bus, Cinderella). Set in 1900 Sweden, Stephen Sondheim’s Tony Award-winning masterpiece explores the tangled web of affairs surrounding actress Desirée Armfeldt and the men who love her. With heartbreak, humor, and the haunting song “Send in the Clowns,” this sumptuous musical is a celebration of love and second chances. A Little Night Music previews June 17, opens June 24, and runs through August 9.

In the fall, Marriott Theatre presents the hit musical Come From Away, directed by Jessica Fisch (Marriott Theatre: Catch Me If You Can, Beautiful: The Carole King Musical) and Choreographed by Katie Spelman (Broadway: The Notebook; Marriott Theatre: The Music Man). Based on the remarkable true story of the small town of Gander, Newfoundland, which welcomed thousands of stranded travelers on September 11, 2001, this uplifting musical celebrates the power of kindness, community, and music in the face of tragedy. Come From Away previews August 26, opens September 2, and runs through October 18.

The 2026 season closes with the epic Disney phenomenon Frozen The Broadway Musical, directed by Ashley Rodbro (Worldwide Supervising Associate Director of Moulin Rouge!, Resident Director of Hamilton, Associate Director of Oh, Hello on Broadway) and choreographed by Katie Spelman (Broadway: The Notebook; Marriott Theatre: The Music Man). Based on the Academy Award-winning film, Disney’s Frozen features beloved songs like “Let It Go”, “Love is an Open Door,” and “Do You Want to Build a Snowman?,” plus new music written for the stage. A magical tale of sisterhood, acceptance, and true love, Disney’s Frozen previews November 4, opens November 11, and runs through January 3.

The magic continues for families at Marriott Theatre for Young Audiences, which will bring family favorites to life in 2026. The season kicks off with the whimsical wonder of Roald Dahl’s Charlie and the Chocolate Factory, directed and choreographed by Amber Mak, running February 13 through March 29. Summer brings A Year with Frog and Toad, directed by Elizabeth Romero, from July 10 through August 9. Rounding out the year is The SpongeBob Musical, directed and choreographed by Justin Brill and Shanna VanDerwerker, running November 20 through January 3.

Concert Series highlights include Feelin’ Groovy: Michael Mahler Sings Paul Simon on March 16-17, Let’s Hang On: A Rock n’ Soul Party on June 1-2, Friends in Low Places: Brandon Bennett Sings Garth Brooks on September 14-15, and A Motown Christmas Celebration with Chester Gregory on December 14-15.

Subscriptions for the 2026 season, as well as single tickets for all upcoming shows and concerts, are available September 15. For more information on Marriott Theatre or to purchase tickets to the current hit musical, Catch Me If You Can, please visit MarriottTheatre.com or follow the theatre on social media @marriotttheatre.

ABOUT MARRIOTT THEATRE

Founded in 1975, Marriott Theatre is known for presenting new and classic musicals, often direct from Broadway and has staged more than 260 productions before an estimated 12,000,000 people in its history. Marriott Theatre has received a record 380 Joseph Jefferson Award nominations and has employed more than 6,000 artists. In addition to the presentation of classic American musical theatre, Marriott Theatre has become a driving force in the development of original and re-imagined musicals.

Monday, August 18, 2025

REVIEW: DUNGEONS & DRAGONS The Twenty Sided Tavern Playing Broadway In Chicago’s Broadway Playhouse Through September 28, 2025

ChiIL Live Shows On Our Radar

ALL-NEW PRODUCTION OF

DUNGEONS & DRAGONS THE TWENTY-SIDED TAVERN

D&D: The Twenty-Sided Tavern national tour, 2025. Photo by André Chung.
Pictured: (clockwise from top left) RJ Christian, Alex Stompoly, R. Alex Murray, Madelyn Murphy, William Champion, Diego F. Salinas, Conner Marx, Cassidy Sledge, Jasmin Malave.

DUNGEONS & DRAGONS THE TWENTY-SIDED TAVERN RETURNS TO CHICAGO 

FOR SEVEN WEEKS ONLY THROUGH SEPTEMBER 28

PLAYING AT BROADWAY IN CHICAGO’S BROADWAY PLAYHOUSE AT WATER TOWER PLACE

Conner Marx, photo credit Bronwen Sharp

GUEST REVIEW

By Dugan Kenaz-Mara

Seeing The Twenty Sided Tavern is any nerd’s dream. I would know, as I found no less than 13 of my friends and acquaintances in the audience on the night I saw the performance. The production was able to bring together performers from the Renaissance Faire, professional Dungeon Masters, convention cosplayers, and actors. But it also welcomed in those who had never played D&D before. At the top of the show, the actors asked how many people had never played the role-playing game, and approximately a third of the patrons raised their hands. As an experienced player, it worried me a little because I know the rules can be very dense, but miraculously, the whole audience was engaged and enthusiastic the entire time!

For those who know nothing about the show, the Twenty Sided Tavern is a live-action, acted-out version of a short single-session game of Dungeons and Dragons. Like a regular game of D&D, the production has a few players, each acting as a character in the game. The story is narrated and led by a dungeon master, and most of the actions the characters take are decided by a roll of the dice. Unlike a normal game, though, the audience gets a say in how the story plays out. Each audience member receives a randomly assigned color that corresponds to a player, who they help decide on actions. Then, when a player comes to a point where they need to make a decision, they will throw out two cleverly-worded options and let the audience vote on them. This way of making decisions brings out the genius of the show – the two options throw a layer of obscurity on the decision, allowing everyone to engage, not just those who know the rules. 

Madelyn Murphy, Photo credit Bronwen Sharp

But it’s not just through voting on your phone that the audience gets to help. The show is also filled with mini games. Some are virtual, like a quick-time tapping game that requires the audience to collectively hit a certain number of taps to succeed. Some others are physical, like a game of “uh oh block fall down” (legally distinct from Jenga) that 3 audience members get to participate in on stage. There were even some riddles thrown in as well. 

Alex Stompoly, Photo credit Bronwen Sharp

Twenty Sided Tavern does a great job of structuring its games to account for those who love and hate audience interaction. I was able to participate in the performance without ever needing to say a word or stand up in front of an audience of people. I especially enjoyed one section where they allowed each person to vote whether or not they would feel comfortable going on stage to read some lines. 

Part of the joy of an improvised show like this one is that every show is completely different from the previous one. On top of the random chance from dice rolls and audience challenges, there are also elements of classical improvisation. The audience gets to vote on which character each player gets to perform as, and they get to throw out suggestions of items that the players might find for loot. 

Alex Stompoly, Conner Marx, Photo credit Bronwen Sharp

They also get to name some of the non-player characters which can lead to interesting choices in and of themselves. For example, the wizard NPC was named “Saint Bernard” and because of that the entire show the DM played him as a dog, rather than a human wizard. On top of that, the cast gathered mad-libs-style suggestions before the show that were used in the final scene, which also has its own rippling consequences. The previous night’s outcome determined how good or bad some situations were for the current performance. The skilled improvisers are also able to flawlessly include jokes and pop-culture references to the things that happen on stage in a way no scripted show could hope to. 

To that point, it was truly spectacular to see the show in Chicago. The cast has various deep ties to the city that let them pursue niche references in their comedy. At one point, thanks to the roll of a 100-sided die, the actors were required to pander to the city, so you may also be lucky enough to get loads of very specific Chicago jokes if you see it before the show heads off on the rest of its tour. 

Thanks to the high-energy, creative cast and clever design, the show is infinitely rewatchable. They seem to be prepared for any occasion. Armed with a video-screen set that can change to different locations at will, and a fun costume and prop pile positioned on-stage, the actors are ready for anything. The show I saw featured giraffe horns, a graduation cap, a horse, and a red Beanie Baby that was a suspiciously close representation of a half-eaten hotdog character that spawned from an audience suggestion. 

The Twenty Sided Tavern is truly a unique experience. I highly recommend seeing it while you have the chance. ★★★★ Four out of four stars.

Dugan Kenaz-Mara is a designer, photographer, educator, and graduate of Northwestern University's theatre program.


PERFORMANCE SCHEDULE

Performances are Tuesday through Thursday at 7:00 p.m., Fridays at 7:30 p.m., Saturdays at 2:00 p.m. & 7:30 p.m., and Sundays at 1:00 p.m. and 6:30 p.m.

TICKET INFORMATION

Individual tickets for DUNGEONS & DRAGONS The Twenty-Sided Tavern are on sale now and range from $50.00 - $70.00 with a select number of premium tickets available. Additional fees apply for online purchases. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more information, visit www.BroadwayInChicago.com

Broadway in Chicago and DUNGEONS & DRAGONS The Twenty-Sided Tavern are thrilled to announce the launch of the North American Tour of DUNGEONS & DRAGONS The Twenty-Sided Tavern begins performances today with an all-new production playing at Broadway In Chicago’s Broadway Playhouse at Water Tower Place (175 E. Chestnut St., Chicago) for seven weeks only through September 28. For more information, visit www.BroadwayInChicago.com.

As previously announced, Anjali Bhimani and Aabria Iyengar will join the North American Tour cast for select performances during the tour’s official opening run at Chicago’s Broadway Playhouse. Award-winning global stage and screen actress, Anjali Bhimani, will join the Tavern from August 12 – 24, and world-renowned Dungeon Master, Aabria Iyengar, will join from August 26 – September 7.

Award-winning voiceover artist Erika Ishii will join the Tavern in the role of “Might” from September 9 – September 14. Actor, writer, and director Damien Haas will appear in a special guest role on September 16 and join in the role of “Might” from September 17 – September 21. Celebrated circus performer and social media personality Jack Lepiarz (“Jacques ze Whipper”) will join the Tavern as “Mischief” from September 23 – September 28.

Anjali Bhimani, Aabria Iyengar, Erika Ishii, Damien Haas, and Jack Lepiarz will join cast members all direct from the recent ground-breaking New York City production, including Will Champion, RJ Christian, Jasmin Malave, Conner Marx, R. Alex Murray, Madelyn Murphy, Diego F. Salinas, Cassidy Sledge and Alex Stompoly.

DUNGEONS & DRAGONS, the World’s Greatest Roleplaying Game®, introduces DUNGEONS & DRAGONS The Twenty-Sided Tavern. This award-winning immersive theater experience takes audiences beyond the tabletop and onto the stage where each performance combines comedy, emotion, and thrilling moments to deliver a unique narrative shaped by the audience.

Conner Marx, Photo credit Bronwen Sharp

DUNGEONS & DRAGONS The Twenty-Sided Tavern has captivated audiences worldwide since premiering in New York City in May 2024, before making its international debut at the iconic Sydney Opera House in December 2024. During the recent New York engagement, DUNGEONS & DRAGONS The Twenty-Sided Tavern received rave reviews. TimeOut NY hailed “★ ★ ★ ★!  Whether or not you know much about D&D going in, it’s an adventuring party you won't want to miss.”  Variety noted, “a cacophony of huzzahs from the crowd, for the nail-biting and thrilling Twenty-Sided Tavern!” Nerdist stated that DUNGEONS & DRAGONS The Twenty-Sided Tavern is, “RIP-ROARINGLY FUNNY.” Rolling Stone called it, “a show that weaves the UNPREDICTABILITY of improv and the game itself into a feat of controlled chaos.”

NYC Production of D&DTST, Diego F. Salinas, photo credit Bronwen Sharp2

DUNGEONS & DRAGONS The Twenty-Sided Tavern was created by David Carpenter and co-produced by David Carpenter and Showpath Entertainment Ltd under license by Hasbro and Wizards of the Coast.

TheTwentySidedTavern.com 

Follow The Twenty-Sided Tavern on Instagram, TikTok, and Facebook.

Join the party on Discord!

SPECIAL GUEST BIOS

ANJALI BHIMANI (Special Guest) is an award-winning actor whose career spans across Broadway, feature films, television, video games, animation, and digital content. Anjali is a globally recognized talent in the gaming industry, perhaps best known for her roles as Symmetra in Overwatch and Rampart in Apex Legends, the Grammy-nominated Stray Gods, the Fallout series, Starfield , and many more. Anjali is a familiar face in the world of tabletop roleplaying games, appearing in wildly popular series like Critical Role and their side campaigns Exandria Unlimited and Candela Obscura and Dimension 20’s The Ravening War.

AABRIA IYENGAR (Special Guest) is a storyteller, performer, writer and podcaster, and a trailblazing force in the world of liveplay tabletop role-playing games. In addition to her groundbreaking roles as both player and gamemaster on prominent TTRPG platforms Critical Role and Dimension 20 , she is the author of the comic book THE FADE with artist Mari Costa, and co-founder of the acclaimed podcast Worlds Beyond Number. A sought-after collaborator and guest, Aabria has contributed her talents as a performer to a diverse range of projects, from Apple TV's Mythic Quest to the hit game, Starfield.

ERIKA ISHII (Special Guest, Might) (all pronouns) is a notorious figure in games, animation, and comedy. This October 2025 will play the titular lead in the much-anticipated Ghost of Yōtei and already available, they star as Rook in Dragon Age: The Veilguard, Sektor in Mortal Kombat 1, Valkyrie in Apex Legends. Erika is considered an especially chaotic regular cast member on comedy streamer Dropout’s shows including “Dimension 20,” Game Changer,” and “Make Some Noise.” They have appeared with Critical Role, hosted Marvel red carpets, and will soon join a star-studded cast in Muppets Take Scripthatten at the Bell House in Brooklyn. Erika is the proud co-creator of the record-breaking narrative play and storytelling collective Worlds Beyond Number along with Aabria Iyengar, Brennan Lee Mulligan, and Lou Wilson.

DAMIEN HAAS (Special Guest, Might) is a voice actor, sketch comedian, and lifelong fan of all things gaming. He's known for such voice roles as Laios in “Delicious in Dungeon,” Kiyoka Kudou in “My Happy Marriage,” Shez in “Fire Emblem: Three Hopes,” Heller in “Starfield,” Van Arkride in “Trails Through Daybreak 1&2,” Ryoga in “Ranma 1/2,” and many others. When he's not just a disembodied voice, he can be found streaming on Twitch multiple times per week or being an internet clown on the YouTube channel Smosh. @damienhaas

JACK LEPIARZ (Special Guest, Mischief) famously known as “Jacques Ze Whipper,” is a celebrated circus performer and social media personality. Renowned for his whip-cracking stage shows at Renaissance festivals, Jack has captivated over three million fans online. @jacqueszewhipper

CAST BIOS

Will Champion (he/him) is making his National Tour debut! Repped by Buchwald for Animation and VO, Will was recently featured as the voice of Vision and Starfox in Marvel’s WHAT IF…? An Immersive Story. Other notable credits include Edward in Stephen King’s I Know What You Need (SDCC Film Fest.), the voice of Tiberius in Barbarians (Netflix), and the current DM over at the “Bards of New York” D&D podcast. Love to Emily, Calzone, and his family! @willthechamp

RJ Christian rolled really well and is excited to join the D&DTST family on tour. RJ Contributed Music and Lyrics to the Ratatouille TikTok Musical and can be heard as Macgyver on the Macgyver the Musical Cast Album. RJ is the cofounder and resident composer for The Hearty Meal Theatre company. He’s repped by Hells Kitchen Agency.

Jasmin Malave is a lifelong nerd and longtime immersive actor, and is absolutely tickled to be making her National Tour debut with something as on brand as D&DTST!  RomCom lovers can check out her podcast Shenanigans Ensue, and gamers can hear her voice in The Unbeatable Path. Outside interests include re-reading Chekhov, video games with friends, tending her many plants, and eating nice things.

Conner Marx is best known as Ben Meyer on NBC’s “New Amsterdam,” but notable nerd cred includes Resident Evil: Village, Marvel’s Midnight Suns, The Gamers: Hands of Fate, Mana Screwed, and Peter Adkison’s Chaldea. TV: “Z Nation” (SyFy), “NCIS” (CBS), “NCIS: LA” (CBS), “Criminal Minds” (CBS), “The Young and the Restless” (CBS), “Leverage” (TNT). Film: Eephus, If There’s a Hell Below, Lucky Them, Kimi. Regional: Jekyll & Hyde (NCRT), Twelfth Night (Pioneer Theatre Company), Stravinsky’s Firebird (LA Philharmonic). He is a graduate of the Experimental Theatre of Vassar College. @conner_marx

R. Alex Murray is a Brooklyn based actor, musician, comedian, and raconteur.  He's performed with D&DTST productions in Pittsburgh, Chicago, and NYC, and he is thrilled to be telling these tales with audiences nationwide. Off Broadway: Race: The Movie: The Play, D&DTST   Regional: Good Monsters, Go, Dog. Go. TV: "Boardwalk Empire" "Divorce" Socials: @ralexmurray 

Madelyn Murphy is an actor, improviser, and event host with a focus on genre storytelling and immersive theater. She is a founding member of the Chicago-based High Stakes Productions (highstakesproductions.org ), known for its original work blending improv, narrative, and spectacle. Her latest stage credit is the 15-month Off-Broadway run of The Twenty-Sided Tavern, where she made her New York debut as a professional nerd. She is reprising her role for the show’s upcoming national tour. Madelyn’s work has spanned new play development, longform improv, print, and commercials. She recently expanded into voiceover and video game performance, bringing her character-forward instincts to new platforms. Offstage, she’s a well-read chaos gremlin who is always down for a book recommendation, a niche beer menu, and a well-organized Google Drive. For Angela, Nick, and RMG. 

Diego F. Salinas is a Chicago-based actor and professional Dungeon Master making his off-Broadway debut with the talented D&DTST team. National Tours: Tomás and the Library Lady(Tomás), Maddi’s Fridge (Luis). Chicago: Drunk Shakespeare (Macbeth, Banquo), La Pinche India (Fernando). Diego is one half of the Dungeon Busters podcast. Rep: Shirley Hamilton Talent | Join my table: ForeverDM.xyz

Cassidy Sledge (she/they) is thrilled to be performing on tour with the Twenty Sided Tavern! Cassidy joined the company as one of the original cast members in its Off-Broadway run. While she may have gained a reputation for being a rather bloodthirsty Dungeon Master in New York City, it is no secret that she absolutely adores her fellow cast mates and has the time of her life rolling dice across the country with them. Previous favorite credits include Maria/Margaretta on the Broadway Asia international tour of The Sound of Music, Mortimer in The Fantasticks! at the Depot Theatre, and Sasha/Boblin in Here There Be Dragons at the Players Theatre in NYC. Fat shout out to Shelby, Carp, and the team, and big ol’ kisses to the fam and friends. Northwestern Alum. Go ‘cats! www.cassidysledge.com IG: @cassidysledge

Alex Stompoly, You, yes you! Thank you for being here and supporting live theatre! Original Off-Broadway: Dungeons and Dragons: The Twenty-Sided Tavern; Regional: The Play that Goes Wrong (Broadway World Award); The Cottage; The Holiday Channel Christmas Movie Wonderthon; The Violet Hour; All of Us (World Premier); The Comedy of Errors; Curtains; Into the Woods; Uncle Vanya; A Midsummer Night’s Dream; Tartuffe. All my love to my family for their unwavering support and to coffee my first and true love for getting me through the day. Want more? @astompoly alexstompoly.com


ABOUT DUNGEONS & DRAGONS THE TWENTY-SIDED TAVERN

At DUNGEONS & DRAGONS The Twenty-Sided Tavern, the audience is not just a viewer but the "fourth player, "influencing key decisions via Gamiotics , a browser-based software that allows you to vote on where the story will go — what characters appear, what experiences they explore, and more. With a cast of five actors and over 30 playable characters, audiences will experience an expansive fantasy world set in the Forgotten Realms, and face riddles, puzzles, combat, and more, to help shape the story. Laughter flows like ale and with the audience in full control and exciting reveals around every corner, no two shows are alike! For those seeking a more daring experience, there are opportunities to join the action onstage and test your strength (or dexterity, or wisdom, or charisma) through a variety of rollicking games, including trivia, charades, and the ever-popular Fantasy Beer Pong. Featuring behind-the-scenes talent from popular theatrical shows such as Dimension 20, Marvel’s Rogers: The Musical, Beavis and Butthead and more, DUNGEONS & DRAGONS The Twenty-Sided Tavern is the game you know and the experience you’ll love but bigger and better than ever.

ABOUT DAVID CARPENTER

David is the Executive Producer and Creator of DUNGEONS & DRAGONS The Twenty-Sided Tavern and the Founder and CEO of Gamiotics, Inc which is bringing gamification to the live entertainment experience. The platform allows for the next generation of live experience story-telling by putting agency into the audiences hands. A Tony-nominated Broadway producer, he has spent nearly 25 years working on and off-Broadway and is excited to bring a whole new way of interactive stories to the live stage. www.Gamiotics.com

ABOUT SHOWPATH ENTERTAINMENT LTD

As the Live Stage Production arm of The Path Entertainment Group, Showpath pushes the boundaries of exceptional theater in order to reach a global audience. With a sharp focus on an innovative range of largescale live stage productions which span international markets including North America, Australia, Asia and Europe. Showpath works with both existing titles and IP, such as The SpongeBob Musical, to develop, nourish and push the boundaries of world class live stage Productions.

ABOUT HASBRO

Hasbro is a leading games, IP and toy company whose mission is to create joy and community through the magic of play. With over 164 years of expertise, Hasbro delivers groundbreaking play experiences and reaches over 500 million kids, families and fans around the world, through physical and digital games, video games, toys, licensed consumer products, location-based entertainment, film, TV and more. Through its franchise-first approach, Hasbro unlocks value from both new and legacy IP , including MAGIC: THE GATHERING, DUNGEONS & DRAGONS, MONOPOLY, HASBRO GAMES, NERF, TRANSFORMERS, PLAY-DOH and PEPPA PIG, as well as premier partner brands. Powered by its portfolio of thousands of iconic marks and a diversified network of partners and subsidiary studios, Hasbro brings fans together wherever they are, from tabletop to screen. For more than a decade, Hasbro has been consistently recognized for its corporate citizenship, including being named one of the 100 Best Corporate Citizens by 3BL Media, a 2025 JUST Capital Industry Leader, one of the 50 Most Community-Minded Companies in the U.S. by the Civic 50, and a Brand that Matters by Fast Company. For more information, visit https://corporate.hasbro.com or @Hasbro on LinkedIn.

ABOUT WIZARDS OF THE COAST

Wizards of the Coast develops and publishes legendary games that inspire creativity, forge friendships and build communities of global fans. A division of Hasbro, a leading games, IP and toy company (NASDAQ: HAS), Wizards delivers premium experiences for gamers across tabletop, video games, and digital platforms based on both new and time-honored brands, including its best-known franchises MAGIC: THE GATHERING and DUNGEONS & DRAGONS, and from Hasbro’s unparalleled portfolio of thousands of iconic marks. Wizards’ diverse studio network includes first-party developers Archetype Entertainment, Invoke Studios, Atomic Arcade and Skeleton Key as well as co-venture and license partners. Headquartered in Renton, Washington, Wizards fosters world-class talent to create unforgettable play experiences on all platforms. To learn more about Wizards, visit https://company.wizards.com or Wizards of the Coast on LinkedIn.


ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 25 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, The Auditorium, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place.

For more information and tickets, visit www.BroadwayInChicago.com.

Follow @BroadwayInChicago on

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#broadwayinchicago



Thursday, August 14, 2025

WORLD PREMIERE OF UNCLE CARLOS EXPLAINS Via SUBTEXT THEATER COMPANY September 5-27, 2025

ChiIL Live Shows On Our Radar 

SUBTEXT THEATER COMPANY PRESENTS THE WORLD PREMIERE OF 

UNCLE CARLOS EXPLAINS

THE STORY OF NEW ORLEANS MOB BOSS CARLOS MARCELLO’S BATTLE AGAINST BOBBY KENNEDY AND HIS ROLE IN THE JFK ASSASSINATION

September 5-27, 2025

This September Subtext Theater Company (STC) will stage a new work by Leigh Johnson, Uncle Carlos Explains. His name now lost to history, New Orleans mobster Carlos Marcello was at one time perhaps the most powerful mafioso in the country, his criminal empire stretching from the parishes of Louisiana to Dallas, Texas. In his own words, this proud, vicious man regales us with his criminal rise, his running afoul of Attorney General Robert Kennedy, and the almost inconceivable revenge he extracted against his hated nemesis.

In turn beguiling, accommodating, amusing, but ultimately terrifying, Chicago actor Andrew Pond skillfully portrays Marcello as a proud man consumed by his hatred of Bobby Kennedy and his single-minded purpose to “take this stone out of my shoe.” Sam Brittan (left) and Vito Vittore (right) round out the cast, portraying a variety of government officials and a rogue gallery of Marcello underlings.

The production is directed by STC Artistic Director and founding member Jonathan “Rocky” Hagloch. Managing Director/Artistic Director and founding member John Oster is producing and Sean Smyth is serving as the production stage manager. The set design is by Hagloch and Oster.  

Leigh Johnson is a long-time Chicago playwright, his numerous productions mainly exploring historical and familial issues. He is also a novelist and screenwriter. Leigh has received critical praise for his scripts A Brother’s Keeper (2015) A Prayer for the Sandinista’s (2017) A Bump on the Leg (2023) all produced by STC, Lefties (2013), Lotto Fever in the Sucker State (2014) and Little Stones (2018) all produced by the Saint Sebastian Players and Khe Sanh Bagman (2000) at Center Theatre.


STC is a professional, non-Equity 501c3 that was founded in 2015 and is dedicated to bringing powerful stories to the stage through an exploration of the meanings found inside, under and between the authors’ words. For more information about the company and its founders visit subtextnfp.org.

Performances are Thursdays, Fridays and Saturdays at 8 p.m. and Sundays at 2 p.m. at St. Bonaventure Theater, 1625 W. Diversey, at Marshfield just west of Ashland, in Chicago. For a full list of production dates visit subtextnfp.org. Free parking is available in two lots. There are stairs but no elevator in the building. Full-priced Single tickets are $30; Sr/student tickets are 25.00, group rates are $20.00 for a group of ten or more. Ticketing at http://www.subtextnfp.org/box-office.html

All programming is subject to change. For information, call 773-908-6124 or visit subtextnfp.org.


Saturday, August 9, 2025

SARAH RUHL’S HOW TO TRANSCEND A HAPPY MARRIAGE VIA REDTWIST THEATRE AUGUST 14 - SEPTEMBER 21

ChiIL Live Shows On Our Radar

REDTWIST THEATRE’S 21st SEASON, “DEFIANT FEMMES,” KICKS OFF WITH SARAH RUHL’S HOW TO TRANSCEND A HAPPY MARRIAGE, AUGUST 14 - SEPTEMBER 21

Directed by Elizabeth Swanson with Movement Direction by Sarah Scanlon, How to Transcend … Challenges the White Picket Ideal, Blurs the Line Between Friends and Lovers and Asks all of us to Grow Beyond the Constraints of Monogamy. 

Award-winning Redtwist Theatre is proud to announce the cast and creative team for How to Transcend a Happy Marriage, the launch of its 2025 - 2026 season, “Defiant Femmes.” How to Transcend a Happy Marriage, is written by Sarah Ruhl, directed by Elizabeth Swanson and movement directed by Sarah Scanlon, August 14 - September 21 at its home in Edgewater, the newly renovated Redtwist Theatre, 1044 W. Bryn Mawr Ave. 

Previews are Thursday, Aug. 14 - Saturday, Aug. 16 at 7:30 p.m. with the press opening Sunday, Aug. 17 at 3:30 p.m. The performance schedule is Thursdays - Saturdays at 7:30 p.m. and Sundays at 3:30 p.m. with a total running time of two hours including a 15 minute intermission. There will be two understudy performances on Sunday, Aug. 31 at 3:30 p.m. and Thursday, Sept. 11 at 7:30 p.m. Single tickets are now on sale at RedtwistTheatre.org with discounts available for seniors, students and industry professionals and pay-what-you-can for all Friday performances. 

George is meandering through the American dream - she has a house in the suburbs, a loving husband and a young daughter. What more could she want? Isn’t she on the road to a happy ending? In How to Transcend a Happy Marriage, Sarah Ruhl (Chicago native and author of Eurydice and In The Next Room, or the Vibrator Play) challenges the white picket ideal, blurs the line between friends and lovers and asks all of us to grow beyond the constraints of monogamy. 

The How to Transcend a Happy Marriage cast includes Carlos Treviño (he/him, Paul),  Joshua Servantez* (he/him, David), Monique Marshaun* (she/her, Jane), Nate Hall (he/him, Freddie), Shaina Toledo (she/her, Pip), Tatiana Pavela (she/her, George), Elonie Quick (she/her, Jenna), Joe Zarrow (he/him, Michael), Sam Ramirez (he/him, Paul U/S), Jeremy Neale Cox (he/they, David U/S), Arabella DeLucco (she/her, Jane U/S), Drake St Pierre (he/him, Freddie U/S), Aneshia Morishita (she/her, Pip U/S), Emilie Soghomonian (she/her, George U/S), Kelcy Taylor (she/her, Jenna U/S) and Jeff Brain* (he/him, Michael U/S). 

The How to Transcend a Happy Marriage production team includes Elizabeth Swanson (they/she, director); Sarah Scanlon (she/her, movement director);  Shay Gordon (they/them, production stage manager) Kendall Phillips (she/her, assistant director);Marquecia Jordan (she/her, costumer designer); Paige Bosler (she/her, props designer); Caleb McAndrew (he/him, technical director); Harper Justus (she/her, sound designer); Korey Joseph (he/him, dramaturg), Rose Johnson (they/them, scenic designer); Eric Watkins (he/him, lighting designer), Raine DeDominici* (they/she,  production manager); Dusty Brown* (they/them, executive artistic director) and Eileen Dixon* (she/they, casting director/producing artistic director). 

*indicates Redtwist Theatre Ensemble Member


ABOUT SARAH RUHL, playwright

Sarah Ruhl (she/her) is an award-winning playwright, poet and essayist. Her plays include The Clean House (Pulitzer Prize finalist), In the Next Room, or the Vibrator Play (Pulitzer Prize finalist, Tony Award finalist for best play), Eurydice (named one of the best productions over the past 25 years by The New York Times.) Her plays have been translated into 14 languages and have been performed around the world, on Broadway, off-Broadway and across the country. She has been the recipient of a MacArthur “genius” grant, a Whiting Award, a PEN award and a Susan Smith Blackburn Award. Her books include “Letters from Max: A Book of Friendship” (with Max Ritvo), “Smile, A Memoir, “44 Poems for You,” “100 Essays I Don't Have Time to Write: On Umbrellas and Sword Fights, Parades and Dogs, Fire Alarms, Children, and Theater” and “Love Poems in Quarantine.” Her play Eurydice has been made into an opera, performed at the Metropolitan Opera and she’s currently working on a musical with Elvis Costello. She has taught at the David Geffen School of Drama at Yale for the past 12 years and has also taught courses at Yale College in theater studies. She has had the honor of premiering five of her plays at Yale Repertory theater under James Bundy. She is currently working on a book called “Lessons from My Teachers,” portraits of her teachers from preschool to the present day, including portraits of the excellent students who have taught her so much at Yale. She lives in Brooklyn with her family.

ABOUT ELIZABETH SWANSON, director

Elizabeth Swanson (they/she) is a director and playwright specializing in rehydrating classic works and developing new plays and musicals. Recent directing credits include A Streetcar Named Desire (Paramount Theatre, featured in Chicago Tribune’s “Top 10 Chicago Theater of 2024), The Importance of Being Earnest (co-adapted with Dusty Brown, Strawdog Theatre), Head Over Heels (Kokandy Productions) and I Know My Own Heart (North American premiere, Pride Arts Center). They are co-writing the award-winning musical-in-development Saint Hildegard. Swanson teaches in Columbia College Chicago’s musical theatre program and holds an M.F.A. from the Lir National Academy of Dramatic Arts at Trinity College, Dublin.

ABOUT SARAH SCANLON, movement and intimacy director

Sarah Scanlon (she/her) is a certified intimacy director and coordinator (IDC, SAG registry), movement specialist and actor with a career spanning theatre, television and higher education. Her intimacy work includes Showtime’s “The Chi,” Apple TV+’s “Shining Girls” and FX’s “Fargo.” Onstage, she has collaborated with Chicago Shakespeare Theater, Paramount Theatre, Drury Lane and Notre Dame Shakespeare Festival, creating artist-centered spaces rooted in trust and transparency. Scanlon holds an MFA in acting from the American Repertory Theater Institute/Moscow Art Theatre School at Harvard and has taught at nearly every major university theatre program in Chicago. She is passionate about empowering bold, authentic storytelling and is thrilled to reunite with Elizabeth Swanson following their award-winning A Streetcar Named Desire.

MORE FROM REDTWIST’S “DEFIANT FEMMES” SEASON

Collective Rage: A Play In 5 Betties; In Essence, A Queer And Occasionally Hazardous Exploration; Do You Remember When You Were In Middle School And You Read About Shackleton And How He Explored The Antarctic?; Imagine The Antarctic As A Pussy And It’s Sort Of Like That

October 19 - November 23 

By Jen Silverman

Directed by Producing Artistic Director Eileen Dixon

In this phenomenally femme play, five women explore everything from pussy to Shakespeare. Whether you’re a rich Betty, a lonely Betty, a butch Betty, a Betty who loves cars or a Betty who just needs to punch someone, Jen Silverman’s Collective Rage: A Play In 5 Betties; In Essence, A Queer And Occasionally Hazardous Exploration; Do You Remember When You Were In Middle School And You Read About Shackleton And How He Explored The Antarctic?; Imagine The Antarctic As A Pussy And It’s Sort Of Like That will leave you satisfied.

Confederates

February 1 - March 8, 2026

By Dominique Morriseau

Directed by Aja Singletary

Sandra is an accomplished professor, comfortable in her position until a racist cartoon is nailed to her office door; Sara is a slave in the Deep South, fighting for her freedom and spying for the union as the nation is pulled into Civil War. Despite the century between them, both women raise their voice against the institutions of racism and misogyny that hold them back. Dominique Morriseau’s (author of Detroit ’67 and Skeleton Crew) Confederates leaps through time to trace the identities of these two Black American women and the truths that bond them.

’night, Mother

April 5 - May 10, 2026

by Marsha Norman

Directed by Executive Artistic Director Dusty Brown

Life has beaten Jessie down. Spiraling between a failed marriage, a cruel son and an aging parent, Jessie is determined to take control over the one sliver of life left to her. When new horrors batter at her daily; when society isolates her and the world turns to chaos; when a promised future dwindles and her hope fades: Jessie digs up her father’s old pistol. Marsha Norman’s Pulitzer Prize winning play catapults through a mother and daughter’s darkest day together. 

Productions, participants and dates are subject to change. 


ABOUT REDTWIST THEATRE

Redtwist, now celebrating its 21st anniversary, is an award-winning theatre company that stages up close and personal contemporary dramas annually in its intimate black box theatre housed proudly within the heart of Edgewater’s Bryn Mawr Historic District. 

Intimate performances at Redtwist are designed to place the theatre patron in the midst of the stories being told, making them accessible and riveting. Redtwist strives for excellence with every project and endeavors to take risks while offering opportunities for up-and-coming actors, designers and directors to work with established talent. Redtwist provides the very best Chicago storefront theatre experience from excellence on stage, to warm hospitality in a clean, friendly environment.

Award-winning Redtwist Theatre is proud to announce the cast and creative team for How to Transcend a Happy Marriage, the launch of its 2025 - 2026 season, “Defiant Femmes.” How to Transcend a Happy Marriage, is written by Sarah Ruhl, directed by Elizabeth Swanson and movement directed by Sarah Scanlon, August 14 - September 21 at its home in Edgewater, the newly renovated Redtwist Theatre, 1044 W. Bryn Mawr Ave. Previews are Thursday, Aug. 14 - Saturday, Aug. 16 at 7:30 p.m. with the press opening Sunday, Aug.17 at 3:30 p.m. The performance schedule is Thursdays - Saturdays at 7:30 p.m. and Sundays at 3:30 p.m. with a total running time of two hours including a 15 minute intermission. There will be two understudy performances on Sunday, Aug. 31 at 3:30 p.m. and Thursday, Sept. 11 at 7:30 p.m. 

Single tickets are now on sale at RedtwistTheatre.org with discounts available for seniors, students and industry professionals and pay-what-you-can for all Friday performances. 

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