OPENING: Chicago Premiere of The Audience to Open Season 21 for Timeline Theatre

Chi, IL LIVE Shows On Our Radar:

TIMELINE THEATRE COMPANY OPENS 21ST SEASON WITH THE 

CHICAGO PREMIERE OF PETER MORGAN'S INTERNATIONALLY ACCLAIMED PLAY 

THE AUDIENCE, 

DIRECTED BY NICK BOWLING, 

AUGUST 16 - NOVEMBER 12, FEATURING TIMELINE COMPANY MEMBER 

JANET ULRICH BROOKS AS QUEEN ELIZABETH II

Ensemble cast also features Chicago theatre veterans Matt DeCaro, 
David Lively, Carmen Roman and Mark Ulrich, with Sophie Ackerman 
and Audrey Edwards, all making their TimeLine debuts

TimeLine Theatre’s Chicago premiere of THE AUDIENCE by (from left) Peter Morgan, directed by Nick Bowling, and featuring Janet Ulrich Brooks, Matt DeCaro, David Lively, Carmen Roman and Mark Ulrich, with Sophie Ackerman and Audrey Edwards. 

TimeLine Theatre Company announces the first production of its 2017-2018 season—the Chicago premiere of THE AUDIENCE by Peter Morgan, directed by TimeLine Associate Artistic Director Nick Bowling, and featuring TimeLine Company Member Janet Ulrich Brooks in the central role of Queen Elizabeth II, August 24 – November 12, 2017 (previews August 16 – 23) at TimeLine Theatre, 615 W. Wellington Ave., Chicago. Press Night is Wednesday, August 23 at 7:30 p.m.

For tickets and information, visit timelinetheatre.com or call the Box Office at (773) 281-8463 x6. 



TimeLine brings Chicago its first view of Peter Morgan’s “funny and truthful” (The Times) and “hugely enjoyable and cumulatively very affecting” (The Independent) Broadway and West End hit. Known as the author of FROST/NIXON (another TimeLine hit, in 2010) and the Academy Award-nominated screenplay for THE QUEEN, Morgan also created the highly rated Netflix series THE CROWN, inspired by THE AUDIENCE and streaming now.
Every Tuesday afternoon for more than 60 years, Queen Elizabeth II has met with her Prime Ministers in a private audience, a gesture of unity between government and Crown. Through moments of tension, negotiation, war, and unrest, these conversations with political leaders from Winston Churchill to Harold Wilson to Margaret Thatcher have remained a constant across the years. Playwright Peter Morgan re-imagines these meetings, giving us a glimpse at the queen’s role in guiding the circumstances that have shaped Great Britain, and a window into the mystery, compassion and humor of the woman behind the iconic crown. 

Cumulatively, THE AUDIENCE cast members have been nominated 25 times in acting categories at the Joseph Jefferson Awards, and have received eight awards. Leading the cast will be TimeLine Company Member Janet Ulrich Brooks as Queen Elizabeth II. A six-time Jeff Award nominee for roles at TimeLine, including 33 VARIATIONS, A WALK IN THE WOODS and ALL MY SONS, her other recent credits include VANYA & SONIA & MASHA & SPIKE (Jeff Award nomination) at the Goodman Theatre, WOMEN LAUGHING ALONE WITH SALAD (Helen Hayes Award nomination) at Woolly Mammoth Theatre in Washington, D.C., and BAKERSFIELD MIST at TimeLine.

Surrounding Brooks will be a spectacular Chicago ensemble cast all making their TimeLine debuts: Matt DeCaro (Winston Churchill / Harold Wilson / Tony Blair), David Lively (Equerry), Carmen Roman (Margaret Thatcher), and Mark Ulrich (John Major / Gordon Brown / Anthony Eden / David Cameron), with Sophie Ackerman and Audrey Edwards sharing the role of Young Elizabeth. 
The production team for THE AUDIENCE includes Jeff Kmiec (Scenic Designer), Theresa Ham (Costume Designer), TimeLine Associate Artist Keith Parham (Lighting Designer), TimeLine Associate Artist Andrew Hansen (Sound Designer), Amy Peter (Properties Designer), Katie Cordts (Wig Designer), Elise Kauzlaric (Dialect Coach), Jared Bellot (Dramaturg), Carol Ann Tan (Assistant Dramaturg), Helen Young (Associate Director), Brennan T. Jones (Assistant Director) and Luci Kersting (Stage Manager).

SPONSORS
TimeLine’s Chicago premiere of THE AUDIENCE is sponsored in part by Dan and Claudia Cyganowski, in memory of Carol Cyganowski to honor her long-time support of Chicago theater.   

PERFORMANCE SCHEDULE/EVENTS 
PREVIEWS: Wednesday 8/16 through Saturday 8/19 at 8 p.m.; Sunday 8/20 at 4 pm.; Tuesday 8/22 at 7:30 p.m. and Wednesday 8/23 at 7:30 p.m.
PRESS NIGHT: Wednesday 8/23 at 7:30 p.m.
OPENING NIGHT: Thursday 8/24 at 7:30 p.m.
REGULAR RUN, through November 12: Wednesday and Thursday at 7:30 p.m., Friday at 8 p.m., Saturday at 4 p.m. (except 8/26) and 8 p.m. and Sunday at 2 p.m. 

DISCUSSION & ACCESSIBILITY EVENTS:
— Post-Show Discussions: A brief, informal post-show discussion hosted by a TimeLine Company Member and featuring the production dramaturg and members of the cast on Wednesday 8/30, Thursday 9/7, Sunday 9/10, Thursday 9/28, Sunday 10/8, and Wednesday 10/11.

— Pre-Show Discussions: Starting one hour before these performances, a 30-minute introductory conversation hosted by a TimeLine Company Member and the production dramaturg with members of the production team on Sunday 9/17 and Wednesday 9/20.

— Captioned Performance: An open-captioned performance with a text display of words and sounds heard during the performance on Saturday 9/16 at 4 p.m. Partial support of open captioning is provided by Theatre Development Fund.

— Company Member Discussion: A post-show discussion with the collaborative team of artists who choose TimeLine’s programming and guide the company’s mission on Sunday 9/24.

— Sunday Scholars Panel Discussion: A one-hour post-show discussion featuring experts on the themes and issues of the play on Sunday 10/1.
All discussions are free and open to the public. For further details about all planned discussions and events, visit timelinetheatre.com.

BUYING TICKETS
Single ticket prices are $40 (Wednesday through Friday), $49 (Saturday evenings) and $54 (Saturday and Sunday matinees). Preview tickets are $25. Student discount is 35% off regular price with valid ID. TimeLine is also a member of TCG’s Blue Star Theatre Program and is offering $25 tickets to U.S. military personnel, veterans, first responders, and their spouses and family.
Discounted rates for groups of 10 or more are available. Ticket buyers age 18-35 may join TimeLine’s free MyLine program to obtain access to discounted tickets, special events and more. Visit timelinetheatre.com/discounts for more about Blue Star, MyLine and other available discounts.
Advance purchase is recommended as performances may sell out. For tickets and information, visit timelinetheatre.com or call the Box Office at (773) 281-8463 x6.

LOCATION/TRANSPORTATION/PARKING
THE AUDIENCE will take place at TimeLine Theatre, 615 W. Wellington Ave., Chicago. TimeLine Theatre is located near the corner of Wellington and Broadway, inside the Wellington Avenue United Church of Christ building, in Chicago’s Lakeview East neighborhood.
The location is served by multiple CTA trains and buses. TimeLine offers discounted parking at the Standard Parking garages at Broadway Center ($8 with validation; 2846 N. Broadway, at Surf) or the Century Mall ($9 with validation; 2836 N. Clark), with other paid parking options nearby, plus limited free and metered street parking.

ACCESSIBILITY
TimeLine Theatre is accessible to people with disabilities. Two wheelchair lifts provide access from street level to the theatre space and to lower-level restrooms. Audience members using wheelchairs or who need to avoid stairs, and others with special seating or accessibility needs should contact the TimeLine Box Office in advance to confirm arrangements. See DISCUSSION & ACCESSIBILITY EVENTS above for information about the open-captioned performance for patrons who are deaf or hard of hearing.

BIOGRAPHIES

Peter Morgan (Playwright) is an award-winning British film and television screenwriter and playwright. Morgan is best known for writing historical films and plays, including THE QUEEN, FROST/NIXON, THE DAMNED UNITED and RUSH, and is the creator of Netflix's currently running drama series THE CROWN. Other film work includes THE OTHER BOLEYN GIRL; HEREAFTER; 360; MARTHA, MEET FRANK, DANIEL AND LAURENCE; and THE LAST KING OF SCOTLAND. 

Nick Bowling (Director) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre. He is the recipient of seven Jeff Awards for Outstanding Direction (THE HISTORY BOYS, THE NORMAL HEART, FIORELLO!, THIS HAPPY BREED and THE CRUCIBLE at TimeLine, SONDHEIM ON SONDHEIM at Porchlight Music Theatre, and ANOTHER PART OF THE FOREST at Eclipse Theatre) and also received Jeff Award nominations for BLOOD AND GIFTS, THE FARNSWORTH INVENTION, HAUPTMANN and THE LION IN WINTER at TimeLine; CLOSER THAN EVER at Porchlight Music Theatre; CITY OF ANGELS, THE KING AND I and MAN OF LA MANCHA at Marriott Theatre. Other recent credits at TimeLine include A DISAPPEARING NUMBER, THE LAST WIFE, DANNY CASOLARO DIED FOR YOU and JUNO. Other Chicago credits include Marriott’s THE BRIDGES OF MADISON COUNTY, Paramount's A CHRISTMAS STORY, Northwestern University’s CABARET, Porchlight’s A CATERED AFFAIR, Writers Theatre's BACH AT LEIPZIG and Shattered Globe Theatre's TIME OF THE CUCKOO and FROZEN ASSETS.

Janet Ulrich Brooks (Queen Elizabeth II) is a TimeLine Company Member, where she has appeared in more than 10 productions, most recently BAKERSFIELD MIST, with Mike Nussbaum. She has received Jeff Award nominations for her work at TimeLine in 33 VARIATIONS, A WALK IN THE WOODS, ALL MY SONS, NOT ENOUGH AIR, WHEN SHE DANCED and WEEKEND. Other recent credits include The Goodman Theatre’s 2666 and VANYA & SONIA & MASHA & SPIKE (Equity Jeff Award nomination, Actress in a Principal role – Play), and WOMEN LAUGHING ALONE WITH SALAD (Helen Hayes Award nomination, Outstanding Lead Actress in a Play; Woolly Mammoth Theatre, Washington, DC). Other theatre credits include the remount of TimeLine’s TO MASTER THE ART (Chicago Commercial Collective and Broadway in Chicago at the Broadway Playhouse); A TRUE HISTORY OF THE JOHNSTOWN FLOOD, TEDDY FERRARA, and THE SEAGULL (Goodman); NATIVE GARDENS and FAILURE: A LOVE STORY (Victory Gardens); SOUTH OF SETTLING (Steppenwolf); TEN CHIMNEYS (Northlight); and portraying Golda Meir in GOLDA’S BALCONY (Pegasus Players, Non-Equity Jeff Award, Outstanding Solo Performance). Brooks’ television credits include the Netflix series SENSE8, CHICAGO FIRE, BOSS, UNDEREMPLOYED, and THE PLAYBOY CLUB. Film credits include DIVERGENT, CONVICTION, POLISHBAR, ONE SMALL HITCH, THE MIDDLE DISTANCE, I HEART SHAKEY, and Recursive Pictures’ short film FOR A GOOD TIME. Brooks was the first recipient of the Ed See Outstanding Theatre Alumnus Award from the University of Central Missouri. She is a proud member of AEA and SAG/AFTRA and is represented by Gray Talent Group.

ABOUT TIMELINE THEATRE COMPANY
TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. To date over 20 seasons, TimeLine has presented 71 productions, including nine world premieres and 31 Chicago premieres, and launched the Living History Education Program, now in its 11th year of bringing the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 53 Jeff Awards, including an award for Outstanding Production 11 times. 

The rest of TimeLine Theatre’s upcoming 2017-18 season includes: 
— IN THE NEXT ROOM, OR THE VIBRATOR PLAY, Sarah Ruhl’s Victorian-era tale of a woman’s journey to understand herself and find greater equality in her marriage and the world, directed by TimeLine Company Member Mechelle Moe, October 20 – December 17, 2017 at Stage 773, 1225 W. Belmont Ave.
— The Chicago premiere of BOY by Anna Ziegler, inspired by the real-life story of a boy who claims his true identity after being raised as a girl, and finds love, directed by Damon Kiely, January 10 – March 18, 2018 at TimeLine Theatre.
— And the world premiere of TO CATCH A FISH by Chicagoan Brett Neveu, the first play to be produced that was written and developed through TimeLine’s inaugural Playwrights Collective, about a family and a community torn apart by a flawed search for justice, directed by TimeLine Company Member Ron OJ Parson, April 25 – July 1, 2018 at TimeLine Theatre.

TimeLine is led by Artistic Director PJ Powers, Managing Director Elizabeth K. Auman and Board President Eileen LaCario. Company members are Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Lara Goetsch, Juliet Hart, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, Maren Robinson and Benjamin Thiem.

Major corporate, government and foundation supporters of TimeLine Theatre include Alphawood Foundation, Paul M. Angell Family Foundation, Bloomberg Philanthropies, The Chicago Community Trust, The Crown Family, Forum Fund, The Joseph and Bessie Feinberg Foundation, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, The Pauls Foundation, Polk Bros. Foundation, The Seabury Foundation, and The Shubert Foundation. 

TimeLine is a member of the League of Chicago Theatres, Theatre Communications Group, Lakeview East Chamber of Commerce and Chicago’s Belmont Theater District.


Recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions
TimeLine Theatre Company | 773.281.8463 | timelinetheatre.com

SAVE THE DATES: TIMELINE THEATRE COMPANY ANNOUNCES 21ST SEASON FOR 2017-18

Chi, IL LIVE Shows On Our Radar

TimeLine Theatre Company, recipient of the 2016 MacArthur Award for Creative and Effective Institutions and acclaimed for presenting plays inspired by history that connect to today’s social and political issues, announces its 2017-18 season. 

Here at ChiIL Live Shows, we're elated to see that Timeline’s 21st season will feature an even gender balance, with two female and two male playwrights. We're also excited to see works by two Chicago natives and long time favorites of ours, Brett Neveu and Sarah Ruhl. 

This strong season includes the Chicago premiere of an acclaimed play by FROST/NIXON playwright Peter Morgan that has been a hit in both London and New York; a new TimeLine production of a Tony Award-nominated hit by Chicago native Sarah Ruhl; the Chicago premiere of a Kilroys List play by Anna Ziegler that first premiered last year off-Broadway; and the first world premiere developed through TimeLine’s Playwrights Collective, written by Brett Neveu.

TimeLine Theatre’s upcoming 2017-18 season includes:

— The Chicago premiere of THE AUDIENCE by Peter Morgan, the imagined story of Queen Elizabeth II’s weekly meetings with England’s Prime Ministers through decades of history and political strife, directed by TimeLine Associate Artistic Director Nick Bowling and starring TimeLine Company Member Janet Ulrich Brooks as Queen Elizabeth II;

— IN THE NEXT ROOM, OR THE VIBRATOR PLAY, Sarah Ruhl’s Victorian-era tale of a woman’s journey to understand herself and find greater equality in her marriage and the world, directed by TimeLine Company Member Mechelle Moe at Stage 773;

— The Chicago premiere of BOY by Anna Ziegler, inspired by the real-life story of a boy who claims his true identity after being raised as a girl, and finds love, directed by Damon Kiely;

—  And the world premiere of TO CATCH A FISH by Chicagoan Brett Neveu, the first play to be produced that was written and developed through TimeLine’s inaugural Playwrights Collective, about a family and a community torn apart by a flawed search for justice, directed by TimeLine Company Member Ron OJ Parson.

Further casting will be announced at a later date. For a seventh year, one production of TimeLine’s upcoming 2017-18 season will be presented at an alternate location to accommodate the company’s subscriber base and expanding audience. IN THE NEXT ROOM, OR THE VIBRATOR PLAY will be presented at Stage 773, 1225 W. Belmont Avenue in Chicago. All other productions will be staged at TimeLine Theatre’s home at 615 W. Wellington Ave.

Save up to 20% on tickets to TimeLine’s 2017-18 with a 4-Admission FlexPass Subscription. Four different tiers, priced from $88 to $204, are now on sale. For more information and to purchase, call (773) 281-8463 x6 or visit timelinetheatre.com.

“Our 21st season features four plays inspired by history that ignite discussion around several issues that are increasingly critical to confront today,” said TimeLine Artistic Director PJ Powers. “TimeLine’s Company Members are eager to explore these stories about styles of political leadership, women’s equality, gender identity and law enforcement tactics—all through intimate, provocative productions that immerse audiences, letting them walk in others’ shoes and discuss our role in history.”    

THE 2017-18 TIMELINE THEATRE SEASON IS:

Chicago Premiere

THE AUDIENCE

by Peter Morgan

directed by TimeLine Associate Artistic Director Nick Bowling

August 24 – November 12, 2017 (previews 8/16 – 8/23)

Presented at TimeLine Theatre, 615 W. Wellington Ave.      

A portrait of a dynamic and provocative woman—the symbol of a nation—as she weathers decades of history and political strife. Every Tuesday afternoon for more than 60 years, Queen Elizabeth II has met with each of her 12 Prime Ministers in a private audience, a gesture of unity between government and Crown. Through moments of tension, negotiation, war, and unrest, these conversations with political leaders from Winston Churchill to Harold Wilson to Margaret Thatcher have remained a constant across the years. Playwright Peter Morgan re-imagines each of these meetings, giving us a glimpse at the queen’s role in guiding the circumstances that have shaped Great Britain, and a window into the mystery, compassion and humor of the woman behind the iconic crown.

TimeLine’s production will star Company Member Janet Ulrich Brooks, a six-time Jeff Award nominee for roles at TimeLine, including 33 VARIATIONS, A WALK IN THE WOODS and ALL MY SONS, and where she mostly recently appeared opposite Mike Nussbaum in BAKERSFIELD MIST. Her other recent credits include VANYA & SONIA & MASHA & SPIKE (Jeff Award nomination) at the Goodman Theatre, WOMEN LAUGHING ALONE WITH SALAD (Helen Hayes Award nomination) at Woolly Mammonth Theatre in Washington, D.C., and the short film FOR A GOOD TIME.

THE AUDIENCE, previously seen on Broadway and in the West End and acclaimed as “funny and truthful” (The Times) and “hugely enjoyable and cumulatively very affecting” (The Independent), makes its Chicago debut at TimeLine.

Playwright Peter Morgan also penned FROST/NIXON (another TimeLine hit, in 2010) and recently created the Netflix series THE CROWN, inspired by THE AUDIENCE and streaming now.

IN THE NEXT ROOM, OR THE VIBRATOR PLAY

by Sarah Ruhl

directed by TimeLine Company Member Mechelle Moe

October 26 – December 17, 2017 (previews 10/20 – 10/25)

Presented at Stage 773, 1225 W. Belmont Ave.

A story of awakening, equality, and the need for connection that was a finalist for the Pulitzer Prize for Drama. It is the 1880s and Thomas Edison’s invention of the electric light has begun to change the fabric of daily life. Inspired by Edison’s discovery, scientist and inventor Dr. Givings creates a piece of machinery to treat the increasingly common affliction of female hysteria. When he starts to see a new patient regularly, his wife’s curiosity with the invention and what occurs “in the next room” grows, leading to discoveries of her own. This intimate and humorous story of self-discovery debunks the expectation of sexuality as a dirty word and shows that human connection is not simply a means to an end, but a vital part of life itself.

Inspired by the book The Technology of Orgasm by Rachel P. Maines, this fascinating, funny, and evocative Tony Award-nominated play is insightful, relatable, and an “enticing blend of irreverent humor and skewed realism” (San Francisco Chronicle). Previously featured at TimeLine in 2016 in a staged reading in collaboration with The Chicago Inclusion Project, the company is thrilled to re-examine this play that illuminates “how much control men had over women’s lives, bodies and thoughts, even their most intimate sensations” (The New York Times).

Playwright Sarah Ruhl is the Pulitzer Prize Finalist and Tony Award-nominated writer of STAGE KISS, THE CLEAN HOUSE, and DEAD MAN’S CELL PHONE, among many others, and a 2006 recipient of the MacArthur Fellowship.

Chicago Premiere

BOY

by Anna Ziegler

directed by Damon Kiely 

January 18 – March 18, 2018 (previews 1/10 – 1/17)

Presented at TimeLine Theatre, 615 W. Wellington Ave.

A moving and poignant story, inspired by true events, about a search for personal identity and acceptance. In the 1960s, a surgical accident causes a well-intentioned doctor to convince the parents of twin boys to raise one as a girl. Two decades later, the repercussions of that choice continue to unfold, as those involved struggle to connect with each other and themselves, stuck between their hope for the future and their uncertainty about the past. BOY explores the beauty of finding love, the complexity of gender identity, and the consequences of the choices we make for those we love.  

Previously featured in 2014 as part of the company’s TimePieces play reading series, TimeLine is proud to stage the Chicago premiere of BOY, an “insightful, gut-wrenching, and beautiful play” that is “dazzlingly, deliciously alive from start to finish” (Talkin’ Broadway).

Playwright Anna Ziegler is an award-winning playwright whose credits include PHOTOGRAPH 51 (produced in the West End starring Nicole Kidman), ACTUALLY and THE LAST MATCH. The Outer Critics Circle nominated her play BOY for the 2016 John Gassner Award.

World Premiere

TO CATCH A FISH

by Brett Neveu

directed by TimeLine Company Member Ron OJ Parson

May 3 – July 1, 2018 (previews 4/25 – 5/2)

Presented at TimeLine Theatre, 615 W. Wellington Ave.

Inspired by true events, this compelling new play examines how the pursuit of justice—however well intentioned—can devastate a family and a community. In a low-income, residential neighborhood of Milwaukee, Terry Kilbourn has just begun a new job passing out flyers for a discount warehouse. When his bosses start asking more of him, his loved ones begin to question what is really going on. As higher stakes are revealed and relationships tested, the clarity of who to trust and what to believe grows increasingly murky. Both hilarious and heart wrenching, TO CATCH A FISH walks the line between good intentions and deceit, testing the bonds we have to family and community.

This world premiere play was developed through TimeLine’s Playwrights Collective, launched in 2013 to support Chicago-based playwrights in residence and create new work centered on TimeLine’s mission. TO CATCH A FISH—the first play developed through the Collective to receive a full production—is sure to spark dialogue about the dangers of intention versus implementation in law enforcement, and when one may in fact overshadow the other.

Chicago-based playwright Brett Neveu’s play HARMLESS also received its world premiere at TimeLine (in 2007). His other recent plays include HER AMERICA, PILGRIM’S PROGRESS, DETECTIVE PARTNER HERO VILLAIN and THE OPPONENT.

BIOGRAPHIES (in alphabetical order)    

Nick Bowling (Director, THE AUDIENCE) was the founding Artistic Director and is now Associate Artistic Director and a Company Member of TimeLine Theatre. He is the recipient of seven Jeff Awards for Outstanding Direction (THE HISTORY BOYS, THE NORMAL HEART, FIORELLO!, THIS HAPPY BREED and THE CRUCIBLE at TimeLine, SONDHEIM ON SONDHEIM at Porchlight Music Theatre, and ANOTHER PART OF THE FOREST at Eclipse Theatre) and also received Jeff Award nominations for BLOOD AND GIFTS, THE FARNSWORTH INVENTION, HAUPTMANN and THE LION IN WINTER at TimeLine; CLOSER THAN EVER at Porchlight Music Theatre; CITY OF ANGELS, THE KING AND I and MAN OF LA MANCHA at Marriott Theatre. Other recent credits at TimeLine include A DISAPPEARING NUMBER, THE LAST WIFE, DANNY CASOLARO DIED FOR YOU, JUNO, 33 VARIATIONS and MY KIND OF TOWN. Other Chicago credits include Paramount's A CHRISTMAS STORY, Northwestern University’s CABARET, Porchlight’s A CATERED AFFAIR, Writers Theatre's BACH AT LEIPZIG and Shattered Globe Theatre's TIME OF THE CUCKOO and FROZEN ASSETS.

Damon Kiely (Director, BOY) is the Chair of Performance at DePaul’s Theatre School and the author of How to Read a Play: Text Analysis for Directors (Routledge 2016). His production of HANK WILLIAMS: LOST HIGHWAY won the Jeff Award for Musical Production Midsized. He previously directed WEEKEND by Gore Vidal for TimeLine Theatre. Kiely served as Artistic Director for American Theatre Company and has directed for American Blues, American Theatre Company, Route 66, A Red Orchid, Next and many others. His original plays THIEVES LIKE US and THE REVEL were produced by The House Theatre of Chicago. Prior to moving back to Chicago, he taught, produced, and directed in New York City. He is a winner of the 2000-02 NEA/TCG Career Directing Program, the 2000 Drama League Fall Directing Program, and the 1997 Princess Grace Award.

Peter Morgan (Playwright, THE AUDIENCE) is an award-winning British film and television screenwriter and playwright. Morgan is best known for writing historical films and plays, including THE QUEEN, FROST/NIXON, THE DAMNED UNITED and RUSH, and is the creator of Netflix's currently running drama series THE CROWN. Other film work includes THE OTHER BOLEYN GIRL, HEREAFTER, 360, MARTHA, MEET FRANK, DANIEL and LAURENCE, and THE LAST KING OF SCOTLAND.

Mechelle Moe (Director, IN THE NEXT ROOM, OR THE VIBRATOR PLAY) Mechelle Moe is a Company Member at TimeLine, where her credits include directing readings of IN THE NEXT ROOM, OR THE VIBRATOR PLAY in collaboration with The Chicago Inclusion Project, CARDBOARD PIANO in artistic alliance with The Yard, and EXPERIMENT WITH AN AIR PUMP, and appearing in THE APPLE FAMILY PLAYS, MY KIND OF TOWN, THE FRONT PAGE, THE CHILDREN’S HOUR, NOT ENOUGH AIR, and PARADISE LOST. She is co-artistic director of The Yard, a youth-based theater company that produces theater relevant to young people; performed by young people. She is also a founding member of The Hypocrites, and currently is a part of its ensemble. Moe is a Jeff Award recipient for Actress in Principal Role for her performance in MACHINAL (The Hypocrites) and received a Jeff Award nomination for Actress in Principal Role for STAGE DOOR (Griffin). She has directed and devised numerous works at Senn Arts and with The Yard, including MILK LIKE SUGAR, THE 4TH GRADER’S PRESENT AN UNNAMED LOVE SUICIDE, ECLIPSED, OUR AMERICA: GHETTO LIFE 101: REMORSE (which she also adapted) and METAMORPHOSES, both of which were selected for the 2014 and 2015 Illinois High School Theatre Festivals, as well as the docudrama BROKEN TEXT, an original work by Moe based on her interviews with men recently released from incarceration and living in a transitional facility. Moe graduated with honors from the University of Illinois Chicago with both a bachelor’s degree in Theater as well as Anthropology.    

Brett Neveu (Playwright, TO CATCH A FISH) is an alumnus of TimeLine’s Playwright’s Collective (2013-2016), and his play HARMLESS received its world premiere at TimeLine in 2007. He has since been commissioned twice by the company to write new plays. Recent theatre productions include HER AMERICA (The Greenhouse Theatre), PILGRIM’S PROGRESS (A Red Orchid Theatre), RED BUD (Signal Ensemble) and THE OPPONENT (Red Orchid; Bisno Productions; and 59e59, New York). A Sundance Institute Ucross Fellow, Neveu is also a recipient of the Marquee Award from Chicago Dramatists, the Ofner Prize for New Work, the Emerging Artist Award from The League of Chicago Theatres, an After Dark Award for Outstanding Musical (OLD TOWN) and has worked with companies including The Atlantic Theatre Company and The New Group in New York, The Royal Shakespeare Company and The Royal Court in London and The Goodman Theatre, Steppenwolf Theatre Company and Writers Theatre in Chicago. He is a resident-alum of Chicago Dramatists, a proud ensemble member of A Red Orchid Theatre and an alumni member of the Center Theatre Group’s Playwrights’ Workshop in Los Angeles. Neveu has taught writing at DePaul University and The Second City Training Center and currently teaches at Northwestern University. A native of Newton, Iowa, Neveu has a BA degree in Acting and Playwriting from University of Iowa and has an MFA degree in Playwriting from Spalding University.

Ron OJ Parson (Director, THE WORLD AND ME) is a Company Member of TimeLine, where he previously directed A RAISIN IN THE SUN, SUNSET BABY, and the upcoming PARADISE BLUE. He is a native of Buffalo, New York, and a graduate of the University of Michigan’s professional theatre program. He is the co-founder and former Artistic Director of Onyx Theatre Ensemble of Chicago and a co-founder and co-director of Ripe Mango Productions, as well as a Resident Artist at Court Theatre and an Associate Artist with Teatro Vista. Since moving to Chicago from New York in 1994, he has worked as both an actor and director. His Chicago credits include work with The Chicago Theatre Company, Victory Gardens, Goodman, Steppenwolf, Chicago Dramatists, Northlight, Court, Black Ensemble Theatre, Congo Square, Windy City Playhouse, Urban Theatre Company, City Lit Theater, ETA Creative Arts, and Writers Theatre. Regionally, Parson has directed shows at Studio Arena Theatre, Alliance Theatre, Actors Theatre of Louisville, Milwaukee Repertory, South Coast Repertory, Pasadena Playhouse, Geva Theatre, Virginia Stage, Roundabout Theatre, Wilshire Theatre, The Mechanic Theatre, CenterStage, St. Louis Black Repertory, Pittsburgh Public Theater, Pittsburgh Playwrights Theatre, Signature Theatre, and Portland Stage, among others. In Canada, he directed the world premiere of PALMER PARK by Joanna McClelland Glass at the Stratford Festival. Acting credits on television and film include ER, EARLY EDITION, TURKS, AMERICAN PLAYHOUSE, VAMPING, BARBERSHOP 2, PRIMAL FEAR, DROP SQUAD and most recently Starz Network’s BOSS. He is a member of AEA, SAG-AFTRA, and SDC. For more information, visit ronojparson.com.

Sarah Ruhl (Playwright, IN THE NEXT ROOM, OR THE VIBRATOR PLAY) is a Pulitzer Prize Finalist and Tony Award-nominated playwright and has had her work produced across the country. Her plays include STAGE KISS, IN THE NEXT ROOM, OR THE VIBRATOR PLAY (Pulitzer Prize finalist, Tony Award nominee for Best New Play); THE CLEAN HOUSE (Pulitzer Prize Finalist, 2005; The Susan Smith Blackburn Prize, 2004); PASSION PLAY (Pen American award, The Fourth Freedom Forum Playwriting Award from The Kennedy Center); DEAD MAN’S CELL PHONE (Helen Hayes Award); MELANCHOLY PLAY (a musical with Todd Almond); EURYDICE; ORLANDO; DEMETER IN THE CITY (NAACP nomination); LATE: A COWBOY SONG; THREE SISTERS; DEAR ELIZABETH; and most recently, THE OLDEST BOY and FOR PETER PAN ON HER 70TH BIRTHDAY. Her plays have been produced on Broadway at the Lyceum by Lincoln Center Theater, off-Broadway at Playwrights Horizons, Second Stage and Lincoln Center’s Mitzi Newhouse Theater, as well as at Yale Repertory Theater, Berkeley Repertory Theater, and in Chicago at the Goodman Theatre and the Piven Theatre Workshop. Her plays have also been produced internationally and have been translated into more than 12 languages. Originally from Chicago, Ruhl received her MFA degree from Brown University, where she studied with Paula Vogel. An alumna of 13P and of New Dramatists, she received a MacArthur Fellowship in 2006. She was the recipient of the PEN Center Award for a mid-career playwright, the Whiting Writers award, the Feminist Press’ Forty under Forty Award, and a Lilly Award. She served on the executive council of the Dramatist’s Guild for three years, and she is currently on the faculty at Yale School of Drama. Her book of essays on the theater and motherhood, 100 Essays I Don’t Have Time to Write, was a Times Notable book of the year.

Anna Ziegler (Playwright, BOY) is an award-winning playwright whose play PHOTOGRAPH 51 won London’s 2016 WhatsOnStage award for Best New Play. It has also been selected as a “Best of the Year” play by The Washington Post (twice) and The Telegraph. Her play BOY was nominated for the 2016 John Gassner Award by the Outer Critics Circle. In 2017, the Williamstown Theatre Festival and The Geffen Playhouse will co-world-premiere her latest play, ACTUALLY, and The Roundabout Theatre Company will produce the New York premiere of THE LAST MATCH. Her work has been produced on the West End (PHOTOGRAPH 51, starring Nicole Kidman) and at The Old Globe, Seattle Repertory Theatre, The Ensemble Studio Theatre, The Magic Theatre, Playwrights Realm, City Theatre, and many more, and developed at the Sundance Theatre Lab, The O’Neill Playwrights Conference, Soho Rep and the Cape Cod Theatre Project, among others. She is currently writing a television pilot for AMC/Sundance and a screenplay for Scott Free Productions. Oberon Books has published a collection of her work entitled Anna Ziegler: Plays One.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. To date over 20 seasons, TimeLine has presented 70 productions, including nine world premieres and 30 Chicago premieres, and launched the Living History Education Program, now in its 10th year of bringing the company's mission to life for students in Chicago Public Schools. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 53 Jeff Awards, including an award for Outstanding Production 11 times.

TimeLine is led by Artistic Director PJ Powers, Managing Director Elizabeth K. Auman and Board President John M. Sirek. Company members are Nick Bowling, Janet Ulrich Brooks, Behzad Dabu, Lara Goetsch, Juliet Hart, Mildred Marie Langford, Mechelle Moe, David Parkes, Ron OJ Parson, PJ Powers, Maren Robinson and Benjamin Thiem.

Major corporate, government and foundation supporters of TimeLine Theatre include Alphawood Foundation, Paul M. Angell Family Foundation, Bloomberg Philanthropies, The Chicago Community Trust, The Crown Family, Forum Fund, The Joseph and Bessie Feinberg Foundation, Lloyd A. Fry Foundation, Illinois Arts Council Agency, Laughing Acres Family Foundation, MacArthur Fund for Arts and Culture at Prince, The Pauls Foundation, Polk Bros. Foundation, The Seabury Foundation, and The Shubert Foundation.

TimeLine is a member of the League of Chicago Theatres, Theatre Communications Group, Lakeview East Chamber of Commerce and Chicago’s Belmont Theater District.