Showing posts with label Hollis Resnik. Show all posts
Showing posts with label Hollis Resnik. Show all posts

Thursday, October 17, 2019


ChiIL Live Shows on our radar



Winner of the Best Musical Tony Award and Based on the Billy Wilder Academy Award-Winning Film, Sunset Boulevard Features Music by Andrew Lloyd Webber, Lyrics and Book by Don Black and Christopher Hampton, Direction by Porchlight Music Theatre Artistic Director Michael Weber, Choreography by Shanna VanDerwerker and 
Music Directed by Aaron Benham

Guest Review
by Catherine Hellmann

“I AM BIG! It’s the pictures that got small,” declares Norma Desmond, 

Playing an icon from Sunset Boulevard takes a singer of tremendous stature with serious acting chops. Luckily, there is Hollis Resnick. She is mesmerizing in this role as the delusional, larger-than-life, fascinating, and narcissistic silent-film-star-turned-recluse who dreams of returning to her former glory in movies.

From her initial entrance down the staircase of her eerie mansion to her final audition as Salome for her imagined comeback, it’s hard to take your eyes off Ms. Resnick. She is dramatic without being a caricature. Bill Morey’s costumes are just wonderful; I liked seeing what Norma, the aging diva, would be wearing next. 

Norma’s biggest (only?) fan and devoted butler Max von Mayerling is played beautifully by Larry Adams. His reserved demeanor was perfect for Max, and his singing was exquisite.  


Billy Rude does a fine job as struggling writer Joe Gillis who becomes Norma’s editor/lover/boy toy/kept man. The scene where Joe is treated to a new, expensive wardrobe at Norma’s expense was one of my favorites. (“What is this? Mink?” asks his pal later at a party when he takes Joe’s coat.) 

Joe’s writing partner (and eventual love interest) Betty Schaefer is played by the charming Michelle Lauto who has a lovely voice and stage presence. She may not be able to offer Joe gold, engraved cigarette cases, but she is persistent in advocating for his writing career.  

I loved the little inside jokes, like the lyric that “Billy Wilder will know my name,” from the wanna-be actors in Hollywood (Billy Wilder was the writer and director of the original movie) and William Holden’s picture on one of the many projected movie posters (handsome Holden, one of my Hollywood crushes, was the original Joe Gillis.)  All of the projected images constantly remind us of the film noir genre of old Hollywood glam. When Norma visits the movie set to chat with DeMille about her script, a boom microphone is over her head momentarily; Norma pushes it away with disgust, a nice touch to show her disdain for “talkies.”  

Several years ago, my Theater Camp Pal Mary and I saw Sunday in the Park with George because we had never seen that classic before. “That was Porchlight, too,” Mary observed. “They have really hit their stride.” We were enthralled with Porchlight’s End of the Rainbow and Side Show. It’s exciting to have musicals of this caliber being produced in Chicago. Mary had seen Sunset Boulevard in London twenty years ago. But she liked Porchlight’s version better because of the intimacy of the theater space and the performers.  Porchlight is ready to celebrate their 25th anniversary and ready for their “close-up with Mr. DeMille.” 

Sunset Boulevard’s run has already been extended. It’s one of those shows that will go into Chicago theater history. You won’t want to miss it. 

Catherine Hellmann is a long time teacher and theater junkie. One of her absolute favorite movies of all time is Sunset Boulevard. 

Porchlight Music Theatre’s 25th Anniversary Mainstage season launches with 
Sunset Boulevard, 
at The Ruth Page Center for the Arts, 
1016 N. Dearborn Street. 

Featuring music by Andrew Lloyd Webber, lyrics and books by Don Black and Christopher Hampton, Sunset Boulevard stars Hollis Resnik and is directed by Michael Weber, choreographed by Shanna VanDerwerker and music directed by Aaron Benham. 

The regular run performance schedule is Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 3:30 p.m. and 8 p.m. and Sundays at 2 p.m. with weekday matinees on Thursday, Oct. 24 and Nov. 14 at 1:30 p.m. and an added performance Sunday, Nov. 24 at 6 p.m. 

Tickets are $39 - $66 and are available at or by calling the Porchlight Music Theatre box office, 773.777.9884.

The first musical by Andrew Lloyd Webber to be produced at Porchlight, and winner of eight Tony Awards including Best Musical, Best Original Score and Best Book of Musicals, this landmark work has electrified audiences around the world. In her mansion on Sunset Boulevard, faded, silent-screen goddess, Norma Desmond (Hollis Resnik), lives in a fantasy world. When impoverished screenwriter Joe Gillis (Billy Rude) on the run from debt collectors, stumbles into her reclusive domain he is persuaded to work on Norma’s “masterpiece,” a screenplay that she believes will put her back in front of cameras. Seduced by Norma and her luxurious lifestyle, he finds himself trapped in her clutches until his love for another woman leads him to try and break free with shattering consequences. 

Based on the iconic Billy Wilder film, Sunset Boulevard, the musical, has a long and storied history of its own with productions and revivals around the world starring Patti LuPone, Glenn Close, Diahann Carroll, Petula Clark and others. The production also features a rich score including the hit songs “With One Look” and “As if We Never Said Goodbye.” 

The principal cast of Porchlight Music Theatre’s Sunset Boulevard includes: Billy Rude as “Joe Gillis;” Michelle Lauto as “Betty Schaefer;” Larry Adams as “Max Von Meyerling;” Joe Giovannetti as “Artie Green” and David Girolmo as “Cecil B. DeMille.” The ensemble includes Anna Brockman, Marcellus Burt, Justin Cavazos, Shane Roberie, Laz Estrada, Brian Healey, Alex Jackson, Molly Kral, Jerry Miller, Mandy Modic, Michelle Owens, Danny Spagnuolo, Laura Sportello and Ambria Sylvain. 

Sunset Boulevard’s production team includes: Michael Weber, director; Shanna VanDerwerker, choreographer; Aaron Benham, music director; Kevin Barthel, wig design; Anthony Churchill, projection design; Maggie Fullilove-Nugent, lighting design; Robert Hornbostel, sound design; Jeff Kmiec, set design; Bill Morey, costume design and Michael Hendricks, stage manager.

Returning to Porchlight Music Theatre where she was last seen in the Porchlight Revisits production of The Rink, Hollis Resnik is the recipient of 12 Joseph Jefferson Awards, 2 Sarah Siddons Awards, the Helen Hayes Award and was a 2012 recipient of the Lunt-Fontanne Fellowship at Ten Chimneys. Her Chicago theatre credits include One Man, Two Guvnors, The Little Foxes, Travesties, Angels in America, Man of La Mancha, The Cherry Orchard, The Learned Ladies, Titus Andronicus, The Good Book and Carousel (Court Theatre); Grey Gardens and You Can’t Take It with You (Northlight Theatre); Candide, A Little Night Music, Wings, and The House of Martin Guerre (Goodman Theatre); Mame, Anything Goes, Into the Woods, Hairspray (Marriott Lincolnshire); and as “The Beggar Woman” in Sweeney Todd (Ravinia Festival). National tours include Les Misérables, Thoroughly Modern Millie, Dirty Rotten Scoundrels and Sister Act. 

Making his Porchlight Music Theatre Mainstage debut, Billy Rude appeared in the Porchlight Revisits production of They’re Playing Our Song. Recent credits include the National Tour of Million Dollar Quartet as “Jerry Lee Lewis,” a role he has played numerous times regionally at PCPA, Laguna Playhouse, Little Theatre on The Square and Maples Repertory Theatre, Beauty and the Beast (Drury Lane), Murder for Two (Marriott Theatre), Altar Boyz (Theo Ubique) and The Civility of Albert Cashier (Stage 773).  

Michelle Lauto returns to the Porchlight stage were she has appeared in In The Heights and the Porchlight Revisits production of 1776. Lauto is a Jeff Award-winning actor and Porchlight Music Theatre’s education associate. Performance credits include Seussical the Musical, Oklahoma! and Ragtime (Marriott Theatre), HAIR (Mercury Theater), Spamilton (The Royal George, Jeff Award-Best Actress in a Revue), Xanadu (American Theater Co.), 35mm (Circle Theatre), The Boy From Oz (Jeff Nominated-Best Supporting Actress; Pride Films & Plays) and Murder Ballad (Bailiwick Chicago).

ABOUT LARRY ADAMS, “Max Von Meyerling”
Making his Porchlight Music Theatre Mainstage debut, Larry Adams has worked with many of Chicago's leading theatre companies, including: The Goodman Theatre, Chicago Shakespeare Theater, Lyric Opera of Chicago, Drury Lane, The Paramount Theatre, The Marriott Theatre, Theatre at the Center, Light Opera Works and Victory Gardens Theatre. Broadway credits include The Phantom of the Opera. Off Broadway credits include The Hunchback Variations and Photo Op.  National Tours credits include Scrooge. Regional credits include the title role in Sweeney Todd (Fulton Theatre). 

David Girolmo returns to Porchlight where he appeared in Candide, played the title role in Sweeney Todd, the Demon Barber of Fleet Street and, most recently, in the Porchlight Revisits production of Can-Can. Broadway credits include Candide, directed by Hal Prince, and War Paint. Regionally, he has appeared at The Goodman, Chicago Shakespeare, Drury Lane, Marriott Theatre, Northlight, Paramount Theatre, Ravinia, Fulton Theatre, Maine State Music Theatre and more. Film and TV credits include “Crisis,” “Chicago P.D.,” “Chicago Fire, E.R.” and “Death Of A President,” on NBC and “Empire,” on FOX.

ABOUT MICHAEL WEBER, director / artistic director
Michael Weber is the artistic director of Porchlight Music Theatre where, under his leadership, the company has received the Best Production Equity Jeff Award for five consecutive years. He previously served as artistic director for the inaugural season of Drury Lane Theatre Water Tower Place (now The Broadway Playhouse) and at Theatre at the Center (1998 – 2004). Most recently at Porchlight he directed Gypsy starring E. Faye Butler and the Porchlight Revisits production of 1776 and he appeared on stage in  Porchlight Revisits Do Re Mi. His productions of End of the Rainbow, Sweeney Todd, A Funny Thing Happened on the Way to the Forum, Pal Joey, Assassins and Side Show at Porchlight Music Theatre, Grand Hotel at Drury Lane Theatre Water Tower Place and She Loves Me at Theatre at the Center were each nominated for the Joseph Jefferson Award for Best Production. Weber is proud to serve as a Public Television pledge host on WTTW, Channel 11. 

ABOUT AARON BENHAM, music director
Aaron Benham returns to Porchlight where he music directed the Mainstage productions of Merrily We Roll Along and Side Show and the Porchlight Revisits production of City of Angels.  Most recently Benham served as the associate music director on the Broadway National Tour of Beautiful - The Carole King Musical and as music director of The Book of Merman Off-Broadway. Chicago credits include Grand Hotel and Sweet Smell of Success (Kokandy); Marie Christine (BoHo); Bewildered (original score –Hell in a Handbag); Pumpboys and Dinettes (Timberlake Playhouse); Benham has won two Jeff Awards and additional local credits include work with About Face, ATC, Bailiwick Chicago, Chicago Opera Theater, Circle, Montana Shakespeare, Piven, Pride Films, Second City, Theo-Ubique and Writers Theatre. 

Shanna VanDerwerker is an inaugural recipient of The Rachel Rockwell Memorial Fund supporting fierce women behind the table at Porchlight Music Theatre and recently choreographed Porchlight Revisits Can-Can. She received her Bachelor of Arts in Dance from Point Park University and is a Chicago-area choreographer and educator. Locally, she has been the associate choreographer of Pippin at Venus Cabaret Theater as well as Beauty and the Beast and Joseph at Drury Lane Oakbrook. VanDerwerker received a Jeff Nomination for her choreography on Lysistrata Jones for Refuge Theater Project. Other choreography credits include: My Fair Lady, Newsies, 42nd St, South Pacific, Beauty and the Beast and Singin’ In The Rain at The Fireside Theatre in Fort Atkinson, WI. She was Christopher Gattelli’s associate for over 10 years, working on Broadway’s Amazing Grace, High Fidelity, and Silence! The Musical at the NY Fringe Festival. In the summer of 2018 she set his Tony-winning Broadway choreography of Newsies at NewArts in Newtown, CT. Performing credits: Beauty and the Beast at Drury Lane, “Lady in Green” in Singin’ in the Rain at the Fireside Theatre, swing in the Broadway company of Wicked, dance captain of the 1st National Tour of Wicked, company member of with directors Andrew Palermo and Taye Diggs and several other shows at The Fireside. 

Porchlight Music Theatre is proud to be part of the 2019 Year of Chicago Theatre, presented by the City of Chicago and the League of Chicago Theatres. To truly fall in love with Chicago, you must go to our theatres. This is where the city bares its fearless soul. Home to a community of creators, risk-takers and big hearts, Chicago theatre is a hotbed for exciting new work and hundreds of world premieres every year. From Broadway musicals to storefront plays and improv, there’s always a seat waiting for you at one of our 200+ theatres. 

Porchlight Music Theatre is proud to be a member of the vibrant Ruth Page Center for the Arts community and an Artist In-Residence. Central to the Ruth Page Center for the Arts’ programming is the Artists In-Residence program, which is designed to serve organizations looking for a home base while they grow or expand their artistic and organizational capabilities. The Center is committed to nurturing and assisting dance and other performing artists, allowing for exchange and collaborative relationships to develop within the artistic community. The Ruth Page Center for the Arts is a destination for quality performing arts, accessible to a wide community regardless of race, gender, age, education or disability. An incubator of artistic energy and excellence, the Ruth Page Center for the Arts carries forward the vision of its founder, legendary dance icon Ruth Page, to be a platform for developing great artists and connecting them with audiences and community.

As the home for music theatre in Chicago now in its 25th season, Porchlight Music Theatre is nationally recognized for reimagining classic productions, developing new works and showcasing musical theatre’s noted Chicago veterans and rising stars. Porchlight elevates the genre by providing intimate and powerful theatrical experiences of music theatre through the lens of the “Chicago Style.” The 2017–2018 year marked a milestone for Porchlight as the company became an Artist In-Residence at the historic Ruth Page Center for the Arts in Chicago’s Gold Coast. Porchlight’s rich history includes the staging of more than 70 productions with 15 Chicago premieres and five world premieres. Through Porchlight’s “Off the Porch” new works program, the musicals of the next generation are developed and given a first audience. The School at Porchlight is Chicago’s center for music theatre training in the areas of performance, writing and appreciation including the launch of a youth summer “Make Your Own Musical” Camp in 2017. The company’s many accolades include 28 Black Theatre Alliance nominations and 12 awards, as well as a total of 150 Joseph Jefferson Award nominations resulting in 42 Jeff Awards including five consecutive Best Production awards for The Scottsboro Boys (2017), Dreamgirls (2016), Sondheim on Sondheim (2015), Ain’t Misbehavin’ (2014) and A Class Act (2013).

Ms. Resnik's performance is sponsored by Virginia and Gary Gerst.  

Special thanks to June Golin for production support.

The 2019 – 2020 25th Anniversary Season is dedicated to the memory of long-time Board Member George K. “Kim” Sargent. 

Porchlight Music Theatre is partially supported by generous contributions from the Abe and Ida Cooper Foundation, Actors’ Equity Foundation, Allstate, Bayless Family Foundation, Michael Best & Friedrich LLP, Chapman | Spingola, Attorneys at Law, the Gaylord & Dorothy Donnelley Foundation, Elegant Event Lighting, Elevate Energy, James P. and Brenda S. Grusecki Family Foundation, Harris Family Foundation, Hearty Boys, Hopsmith, A.L. and Jennie L. Luria Foundation, the MacArthur Fund for Arts & Culture at the Prince Foundation, the Pritzker Traubert Foundation, Daniel and Genevieve Ratner Foundation, The Saints, the Stuart Family Foundation, and the Topfer Family Foundation. The season program is partially supported by a grant from the Illinois Arts Council Agency, a state agency, and by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events. 

Tuesday, September 18, 2018

OPENING: Nell Gwynn at Chicago Shakespeare September 20–November 4, 2018.

ChiIL Live Shows On Our Radar

Scarlett Strallen and Timothy Edward Kane lead
North American premiere of Olivier Award-winning comedy
featuring stand-out acting company:
David Bedella, Emily Gardner Xu Hall, Hollis Resnik, John Tufts, Natalie West and Larry Yando

 Scarlett Strallen is Nell Gwynn. Photo by Jeff Sciortino.

Here at ChiIL Mama and ChiIL Live Shows we're eager to catch Chicago  Shakespeare Theater's latest, Nell Gwynn, Winner of the Olivier Award for Best New Comedy! With Scarlett Strallen, a two-time Olivier Award nominee  and multiple Jeff Award-winner Timothy Edward Kane on board, this is high on my fall "must see" Chicago theatre list. I'll be out for the press opening September 28th. Check back soon for my full review at  

Timothy Edward Kane is King Charles II and Scarlett Strallen is Nell Gwynn in Chicago Shakespeare Theater’s production of the Olivier Award-winning comedy Nell Gwynn, directed by Christopher Luscombe, in Chicago Shakespeare’s Courtyard Theater, September 20–November 4, 2018. Photo by Jeff Sciortino.

Chicago Shakespeare Theater announces the cast for the North American premiere of Jessica Swale’s exuberant new comedy Nell Gwynn, September 20–November 4, 2018. The music- and dance-filled play took London audiences by storm when it debuted at Shakespeare’s Globe, followed by a celebrated run on the West End. Director of the original London production, Christopher Luscombe, helms the new Chicago Shakespeare production. Star of Broadway and the West End Scarlett Strallen appears as Nell; Chicago leading actor Timothy Edward Kane performs the role of King Charles II.

Winner of the Olivier Award for Best New Comedy, Nell Gwynn tells the extraordinary true story of an unlikely heroine—the beloved mistress to a king. Young Nell Gwynn is selling oranges in the burgeoning West End when she is discovered by a theater troupe, and becomes one of the first women to take center stage as the leading actress of Restoration England. With her quick wit and exceptional beauty, she wins over audiences—and the heart of King Charles II.

Appearing as Nell Gwynn is Scarlett Strallen, a two-time Olivier Award nominee who starred on the West End in She Loves Me, A Chorus Line, Singin’ in the Rain, HMS Pinafore, and in the title role of Mary Poppins—which she reprised on Broadway. Additional Broadway credits include Travesties and A Gentleman’s Guide to Love and Murder. Portraying King Charles II is multiple Jeff Award-winner Timothy Edward Kane in his seventeenth production at Chicago Shakespeare. Kane’s notable performances include Richard III in Tug of War: Civil Strife (2012), Oberon in A Midsummer Night’s Dream (2012), Horatio in Hamlet (2006), and as Poins in Henry IV, Parts 1 and 2 (2005) at Chicago Shakespeare and on tour to the Royal Shakespeare Company’s Complete Works Festival in Stratford-upon-avon.

Two-time Olivier Award-winning actor David Bedella, best known for numerous West End appearances (Jerry Springer – The Opera, In the Heights) and UK television roles, appears as Edward Kynaston, the displaced actor who had played the woman’s roles before Nell’s admission to the troupe. Joining the company are multiple Jeff Award-winners and veterans of National Broadway Tours and Chicago stages: Larry Yando as Charles’ chief minister, Lord Arlington, and Hollis Resnik in the dual roles of Ma Gwynn and the Portuguese Queen. Yando has appeared on the Chicago Shakespeare stage more than 20 times, including recently in Shakespeare in Love, The Tempest, and in the title role of King Lear. Resnik is a twelve-time Jeff Award-winner, including a win for her performance as Carlotta in Chicago Shakespeare’s Follies. She has also appeared in the national touring casts of Les Misérables, Thoroughly Modern Millie, and Dirty Rotten Scoundrels.

Portraying Charles Hart, the leading actor in the King’s Company, is John Tufts—who has appeared in twelve seasons at Oregon Shakespeare Festival, and now returns to Chicago Shakespeare after Love’s Labor’s Lost and the two-part Tug of War saga. Emily Gardner Xu Hall portrays two of Charles’ mistresses: Lady Castlemaine and Louise de Keroualle. In addition to being an award-winning composer/lyricist, Hall’s theatrical credits include In Rooms Such As These at Signature Theater and the US Premiere of Stockholm at Hudson Stageworks. Multiple Jeff Award-winner Natalie West—perhaps best known for her recurring role on the original long-running sitcom, Roseanne—is Nell’s dresser, Nancy.

Emma Ladji appears as Nell’s sister, Rose. Portraying members of the King’s Company are Christopher Sheard as playwright John Dryden and Bret Tuomi as director Thomas Killigrew. Rounding out the ensemble are Jeff Diebold, Dylan Obrochta, Emily Rohm, and Carter Sherman. Making his Chicago Shakespeare debut is canine actor Bentley playing King Charles’ beloved spaniel.

Director Christopher Luscombe is internationally acclaimed for his vibrant productions of Shakespeare, musicals and new works. As an Associate Artist of the Royal Shakespeare Company, Luscombe recently staged a repertory pairing of Love’s Labour’s Lost and Much Ado About Nothing and a production of Twelfth Night, which went on to be broadcast worldwide via RSC Live. His directing credits also include The Madness of George III and Spamalot in the West End, The Comedy of Errors and The Merry Wives of Windsor for Shakespeare’s Globe, and numerous international touring and West End productions of The Rocky Horror Picture Show. Luscombe returns to Chicago Shakespeare after his 2014 production of Henry V.

Joining Luscombe on the creative team is Drama Desk Award-winning Composer Nigel Hess, who has scored more than twenty productions at the Royal Shakespeare Company and on Broadway, and Music Director Jermaine Hill. The lush set and costumes of Restoration England are being created by Emmy and Olivier Award-winning designer Hugh Durrant, who is internationally recognized for his work in theater, opera, and concerts, including Cher’s Farewell Tour. Jeff Award-winning Lighting Designer Greg Hofmannn returns to Chicago Shakespeare where his credits include Mary Stuart, Love’s Labor’s Lost, and Ride the Cyclone. Stephen Ptacek is the production’s Sound Designer; a three-time Jeff Award-winner, Ptacek has designed with Victory Gardens Theater, Gift Theatre, and Northwestern University. The production’s period styles are complimented by designs from Chicago Shakespeare’s resident Wig and Make-up Designer Richard Jarvie, who has created designs for over thirty productions at the Theater. Completing the creative team are Choreographer Amber Mak, Dialect Coach Eva Breneman, and Assistant Director Lanise Antoine Shelley.

For more information, visit

Nell Gwynn is presented in Chicago Shakespeare’s Courtyard Theater, September 20–November 4, 2018. Single tickets are $48–$88. Special discounts are available for groups of 10 or more, as well as CST for $20 tickets for patrons under 35. For more information or to purchase tickets, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at

CST strives to make its facility and performances accessible to all patrons through its Access Shakespeare programs. Accessible performances for Nell Gwynn include:

Open-captioning – Thursday, October 25, 2018 at 1:00 p.m. and 7:30 p.m.
ASL Duo-interpretation – Friday, October 26, 2018 at 7:30 p.m.
Audio-description – Sunday, October 28, 2018 at 2:00 p.m. with optional touch tour at 12:00 p.m.

A global theatrical force, Chicago Shakespeare Theater is known for vibrant productions that reflect Shakespeare’s genius for storytelling, musicality of language, and empathy for the human condition. Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago Shakespeare has redefined what a great American Shakespeare theater can be, putting forward a company that delights in the unexpected and defies theatrical category. A Regional Tony Award winner, the Theater produces acclaimed plays at its home on Navy Pier, throughout Chicago’s schools and neighborhoods, and on stages around the world. In 2017, the Theater unveiled a new stage, The Yard at Chicago Shakespeare. Together with the Jentes Family Courtyard Theater and the Thoma Theater Upstairs at Chicago Shakespeare, The Yard positions Chicago Shakespeare as the city’s most versatile performing arts venue.

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