REVIEW: Peter Samelson’s Magic, Love, Mystery Now Playing at Chicago Magic Lounge Wednesdays Through March 27, 2024

ChiIL Live Shows On Our Radar

Chicago Magic Lounge Presents

Peter Samelson’s

Magic, Love, Mystery

Wednesdays beginning January 10, 2024

Production Photos Courtesy of Chicago Magic Lounge unless otherwise noted.

Chicago Magic Lounge Also Announces Full Slate of 

Winter Programming

Review

By Guest Critic, Dugan Kenaz-Mara 

Prepare yourself for a night of charm at Peter Samelson's Magic, Love, Mystery at The Magic Lounge. 

Dugan and Kit (photo by Kit)

In typical Magic Lounge fashion, the night begins with pre-show table performances as magicians bring close-up tricks directly to your table. Despite arriving after the table magic started we still managed to catch 2 different magicians who completely wowed us. I was especially excited to see some of our favorites who have taken the main stage at previous performances. 

 photo by Dugan Kenaz-Mara

Once Samelson took the stage the atmosphere completely transformed. With the help of slide projections, dim lights, and gentle jazz music, the audience was taken into a detective’s office straight out of a noir film. It was here that we got our role - the audience would be working together with the magician to solve a mystery throughout the course of the show.

Samelson does a great job of tying each of his tricks to the case we are collectively exploring. He sometimes introduces tangential ticks through voice-over narration and clever slides and uses the rest of the tricks to find clues, like names, dates, and locations relating to the case. While the narrative itself was difficult to follow it was still a useful tool, and what the magician lacked in storytelling ability he made up for with skill and experience as a magician.

Theatergoers who appreciate magic and have seen other magicians will recognize some of the tricks in this show but will be surprised at how he adds his own twist to them. Magic, Love, Mystery incorporates a good mix of old and new tricks, as well as variety within the tricks from card magic and restoration to mentalism and predictions. The show even includes props I’ve never seen in a magic show, like the prize inside a box of cracker jacks.

The show does include a lot of audience participation (which is to be expected at a parlor magic show). I appreciate that Samelson brings some of his acts out to individual tables to demonstrate a few stage tricks up close, and I think he does a wonderful job of including as many people as possible. He takes care not to invite the same few people up to the stage and actively seeks willing participants. It is worth noting that his instructions are not always clear and some audience members were uncomfortable being asked to do things onstage (like dancing), but for the most part, everyone had a good time.

Dugan and Kit (photo by Dugan)

Dugan Kenaz-Mara is a designer, photographer, educator, and recent graduate of Northwestern University.

Chicago Magic Lounge, Chicago’s home for close-up magic, kicks off its 2024 Artist-In-Residence series with Peter Samelson’s Magic, Love, Mystery. In this mesmerizing performance, Samelson takes you on a journey through the enigmatic world of love, exploring its many forms and revealing its secrets. Magic, Love, Mystery runs Wednesdays at 7:00pm, January 10 – March 27, 2024. Tickets for all Chicago Magic Lounge shows are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com.

Experience the mystery of love through the eyes of a magician with Peter Samelson's one-man show, Magic, Love, Mystery.

Through his masterful storytelling, Peter explores how love can inspire us, transform us from the inside out, and even transcend death. Minds will be read, the imperceptible bond between soul mates will be revealed, and the boundaries of loss and mortality will be crossed, uncovering how memories shape our past and future.

Prepare for an unforgettable evening filled with laughter, entertainment, and wonder as Peter Samelson takes you on a whimsical journey through the mystery of love. Get ready to experience pure magic and unlock the secrets of love.

About the Artists

Peter Samelson insists he doesn’t do magic, he only helps people to see it. He is an illusionist/entertainer/philosopher, blending simplicity and sophistication as he provokes thought and inspires wonder.

Recently appearing on Penn & Teller's Fool Us, the pair praised Peter Samelson as "one of the greatest living magicians." Samelson, master magician and off -Broadway star, literally wrote the book on Theatrical Magic. Co-founder of New York City's longest running off -Broadway magic show Monday Night Magic and frequent performer at Speakeasy Magick, one of NY's hottest new shows at the McKittrick Hotel, Peter has been hailed as New York's most distinguished illusionist, entertainer, and philosopher. 

Christened “the soft-spoken conceptualist of sorcery” by the New York Times, Peter Samelson is a recipient of the Merlin Award for Lifetime Achievement, Peter is one of the most sought-after theatrical wizards. He has created magic for some of Broadway's biggest plays and musicals including Leap of Faith, Harvey, The Cherry Orchard, The Winter’s Tale, the National Tour of Pippin, the musical Houdini, Carnival at the Papermill Playhouse, Tom Stoppard's Travesties, and the Menotti opera The Consul. Additionally, Peter has created and starred in three critically acclaimed one-man off -Broadway shows: The Magician, PaperWork, and Radnevsky's Real Magic.

What distinguishes Peter from other artists in the field of Illusion is his commitment to making Magic an Art. His performance is more than mere entertainment, touching the hearts of his audiences in a way few evenings can.

Magic, Love, Mystery will be presented on Wednesdays at 7:00pm, January 10 – March 27, 2024. Tickets are priced $42.50 (Main Floor) and $47.50 (Front Row).

Also Happening at Chicago Magic Lounge

Music & Magic

Mondays at 7:00pm

Tickets: General Admission $30

 

The Showcase

Tuesdays at 7:00pm

Tickets: Standard: $35 - $37.50; Front Row: $40 - $42

The Signature Show

Thursdays-Sundays at 7:00pm, Fridays and Sundays at 10pm

Tickets: Front Row $85 - $96, Premium Main Floor (main floor banquette and main floor cabaret) $72.50 – $82.50, Standard (rail and elevated banquette) $65 - $75, Mezzanine $52.50 – 61.50. 

 

Family Show

Sundays at 3:00pm, November 19, December 3 & 17, January 7 & 21

Tickets: Standard: $40; Front Row: $50

Tickets for all Chicago Magic Lounge performances are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com. Chicago Magic Lounge is a 21+ venue. Ages 16+ allowed to ticketed evening shows with a legal guardian. Ages 5+ are allowed to The Family Show. Children must be supervised by an adult at all times. The staff and performers of the Chicago magic lounge are fully vaccinated for covid 19. Ticket holders must attest to being fully vaccinated against covid-19 or have tested negative within 48 hours prior to your visit to enter the premises.

For a complete schedule of performances and more information about Chicago Magic Lounge, resident and guest performers, and more, please visit chicagomagiclounge.com.

 

LAST CALL: The Dolphin Show’s Highly Recommended 81st production: Kinky Boots! Ends Tonight! 1/27/24

 The Dolphin Show

AMERICA’S LARGEST STUDENT PRODUCED MUSICAL PRESENTS…

KINKY BOOTS THE MUSICAL

WINNER OF 6 TONY AWARDS INCLUDING BEST MUSICAL!

With Book by Harvey Fierstein and Music & Lyrics by Cyndi Lauper

Recommended for Ages 10+

Review

By Guest Critic, Dugan Kenaz-Mara 

Sometimes a two-and-a-half-hour show feels daunting, and you fear you may get tired and bored, wanting to leave before the second act is through. But fear not, you will find yourself completely immersed in every second of The Dolphin Show’s 81st production: Kinky Boots! I had the pleasure of catching it last night. Overall, it is a stunning show, and I highly recommend you see the final performance tonight.

The show had many wonderful features, including:

Flashy costumes for all of the angels worthy of a runway show all to themselves.

Over-the-top makeup that builds in intensity, resulting in an expressive explosion in the finale.

An incredible versatile set with moving pieces that adapt easily to every scene.

Dramatic lights and sound that pull the audience into the world of the show.

And brilliant actors who shine on stage with their vocal talent, and guide the audience effortlessly through the highs and lows of the musical.

You can tell by the cheers, gasps, and standing ovation that this production really touches the audience, and it is incredibly clear how much dedication went into the show from every producer, designer, actor, and other member of the Dolphin team.

Over 90% sold out for the closing performance. Only 100 tickets are left for the final show. Don't miss this! Click here for more information and photos on Instagram.

Dugan Kenaz-Mara is a designer, photographer, educator, and recent graduate of Northwestern University.

The 81st Annual Dolphin Show is gearing up to bring you an electrifying performance of Kinky Boots the Musical! 

Get ready to be dazzled by this spectacular show filled with fabulous music, incredible designs, sensational choreography, and a heartwarming story that will leave you cheering for more. Our team of over 150 students cannot wait to bring this relevant and powerful narrative to Northwestern’s campus and continue our educational workshops, community outreach efforts, and more. 

Whether you're a fan of musical theater or just looking for a night of pure entertainment, this is an event you won't want to miss. Save the date and join us for a night of unforgettable entertainment that's sure to knock your boots off!

GET TICKETS NOW

Tickets can be purchased online from Northwestern Box Office or in person at the Norris University Center front desk at 1999 Campus Drive, Evanston, IL 60201.

How do I access my tickets?

Tickets will be emailed to you after you make a purchase. Please present this PDF either on your screen or printed out when entering the theatre. Make sure to pull up the QR code.

What age is the show recommended for?

Kinky Boots is officially recommended for children ages 10 and older, but children younger than 10 may be suited for the production based on maturity levels and parental involvement. For more information, please visit our parent guide here.

Are there special discounts available for tickets?

Northwestern Students can access $10 tickets to performances by logging in with their Northwestern email. Limit 2 tickets per performance.

Northwestern Faculty can access $20 tickets to performances by logging in with their Northwestern email. Limit 2 tickets per performance.

Children under age 18 can access $10 tickets by applying the code TDSstudent10 at checkout. Limit 2 tickets per order.

Seniors over age 65 can access $20 tickets by applying the code TDSsenior20 at checkout. Limit 2 tickets per order. 

How can I bring a group to see Kinky Boots?

Group tickets are available for purchase for all performances. Orders with 10 or more tickets will receive a 10% discount on the order. If you are interested in group booking, please reach out to sales@nudolphinshow.org for booking assistance. Group tickets can only be paid for via check (made out to “Northwestern University” with the memo line “Dolphin Show - Group Tix”) or in person with a credit card at the Norris Center front desk.

What if purchasing tickets is a financial burden for me, as a Northwestern student?

The 81st Annual Dolphin Show has partnered with The Student Activities Assistance Fund to offer “pay what you can tickets” to financially support students in attending our upcoming production of Kinky Boots The Musical.

Tickets for undergraduate and graduate Northwestern students are $10. If this is a financial burden, please email sales@nudolphinshow.org to access pay what you can tickets, where you will have the option to pay as little as $0.

What is the Dolphin Show?

The Dolphin Show at Northwestern University is a non-profit student theatre organization that annually produces the largest student-produced musical in the country. It celebrates the diverse talents of the Northwestern undergraduate community by providing opportunities to learn and excel in all artistic and administrative fields. Every year, The Dolphin Show presents a professional-caliber production led by over 150 undergraduate students. Learn more about Dolphin’s mission on our About page.

Where did the Dolphin Show get its name?

The Dolphin Show was named after the Dolphin Swim Club, the Northwestern swim team who presented the first annual Dolphin Show in the Northwestern swimming pool as a fundraiser for their team to travel to competitions. Visit our About page for Dolphin Show’s full history. 

Who can get involved with The Dolphin Show?

Northwestern University undergraduate students of all backgrounds, majors, and experience levels are welcome to work on the Dolphin Show. Students can work on the production in many capacities, including on the business team, the artistic team, the production team, in the cast, or in the orchestra. Dolphin Show’s annual productions are open to the public. 

Click here for information, show photos, tickets and more. 

REVIEW: Lyric Opera's The Flying Dutchman Now Playing Through October 7th, 2023

ChiIL Live Shows On Our Radar

Lyric Opera's The Flying Dutchman 

Review 

By Catherine Hellmann, Guest Critic 

Two and a half hours for an opera by Richard Wagner? One act? I’m out the door by 10:00? Sign me up! (I already have my Ring Cycle Merit badge, thank you very much.) 

Tamara Wilson as Senta and Tomasz Konieczny as The Dutchman.

All Photos: Todd Rosenberg

“The Flying Dutchman,” sung in German with English subtitles, as conducted by the charismatic Music Director Enrique Mazzola, is a delight. Based on an old myth about a ghost ship that must sail the seven seas forever, the doomed captain made a deal with the devil (hello, Faust?) during a storm. Now he must find true love to lift the burden of this curse. Every seven years, he is able to reappear and try to convince a woman to love him and break the spell. (My date commented, ”He’s in search of True Love.” I replied, “He has to find a sucker to stop the spell.” Hmmm…maybe I need to check my cynicism.) 

The overture was suspenseful and set the stage for events to come. There is drama on the high seas where there is no promise of return. The Dutchman may be lost forever, and his dismal crew (lit underneath the stage in red lights) will be adrift for eternity. 

Tomasz Konieczny as The Dutchman.

The set by Allen Moyer, who also designed the costumes, is on a disorienting tilt to portray the rocking waves of the water. The singers do a great job of lilting to the sides to simulate the turbulence of the sea. The opera chorus is always fabulous. The men portray the sailors and crew of the ghost trip while the women’s chorus represent the weavers working spinning wheels and the monotony of textile factories. 

Tomasz Konieczny as the Dutchman was powerful and mesmerizing. (Although the “Kool Ghoul” makeup was spooky but odd.) Local hometown star Tamara Wilson was incredible as Senta, the woman who yearns to save the doomed Dutchman (“sucka,” I’m thinking…Don’t do it, Senta!!). Not every opera singer is also a convincing actor, but they both were wonderful. I wasn’t wowed by the costumes, and Ms. Wilson was clearly visible but should ask the wardrobe crew about the Bozo wig.  

By the end of the show, I glanced at my watch and was amazed two hours had passed. That’s a very positive sign for a lengthy opera. The music is glorious. 

Wonderful start to the new Lyric Season.

Catherine Hellmann spends her life at school, the theater, and out walking in the city. 

Mika Kares as Daland, Tomasz Konieczny as The Dutchman,  and the Company of The Flying Dutchman. What You Need to Know About Wagner’s The Flying Dutchman

The Chicago cultural season begins with Music Director Enrique Mazzola conducting his first Wagner opera at Lyric September 23 – October 7, 2023

Wagnerian opera makes a grand return to Chicago whenThe Flying Dutchman docks at Lyric Opera of Chicago from September 23 to October 7, 2023. Considered to be composer Richard Wagner’s first masterpiece,The Flying Dutchman is legendary for its eerie storyline, complex themes of sacrifice and redemption, and soaring melodies. More than 165 musical and dramatic artists — including some of the world’s most sought-after soloists — bring this riveting odyssey to life on Chicago’s biggest stage. Opera’s most thrilling ghost story sets sail. Not seen at Lyric in more than 20 years, The Flying Dutchman is perhaps Wagner’s most haunting opera. This tempestuous work tells the story of a sailor known as the Dutchman, who is doomed to roam the seas forever. The Dutchman’s only hope to break the curse is (*drumroll please*) true love. Senta, a young Norwegian woman, falls quickly and deeply in love with the Dutchman and, well, the story only sinks from there. Through recurring musical themes (known as leitmotifs) and a rich orchestration, Wagner leaves the audience holding their breath to see what comes next for the love-struck couple.  Enrique Mazzola kicks off a season of historic "firsts." In his third season as Lyric’s Music Director, Enrique Mazzola leads the esteemed Lyric Opera Orchestra through a series of momentous firsts. This season opener, brought to life with a 72-piece orchestra, will mark Mazzola’s first time conducting Wagner at Lyric. In January, Terence Blanchard and Michael Cristofer’s Champion will mark his first contemporary work at Lyric, and he finishes Lyric’s opera season with his first-ever production of Aida, which also marks the 100th opera of his storied career. In a final "first" of the 2023/24 Season, Mazzola will conduct Mozart’s Requiem, his first foray into Mozart at Lyric. This diverse season allows Mazzola to showcase his broad repertoire and the Orchestra to display its mastery of a variety of musical styles.  An opera that lets the Chorus shine. Wagner’s score of The Flying Dutchmanhighlights the exceptional Lyric Opera Chorus, with contrasting men’s and women’s (and even ghosts’) choruses throughout the opera. Led by Michael Black, Lyric’s Chorus Director and Head of Music, the powerful 90-member Chorus has a staggering impact on this haunting story.  A star-studded cast comes aboard. Bass-baritone Tomasz Konieczny and soprano Tamara Wilson give entrancing portrayals of the Dutchman and Senta. Hailed as "The Breakout Star of the Met Opera’s Ring" by The New York Times, Konieczny returns to Lyric following his acclaimed portrayal of the title role inWozzeck in the 2015/16 Season. Wilson, a stand-out Verdian in recent seasons at Lyric — who was also deemed "quite the Wagnerian" by The New York Times — returns following her most recent headlining role as Elvira in Ernani in the 2022/23 Season. With piercing arias, longing duets, and energizing dialogues, this captivating pair and their fiery vocal power make The Flying Dutchman a must-see. Experienced and emerging artists round out the cast. Renowned bass Mika Kares returns to Lyric as Senta’s father Daland. The cast also features tenorRobert Watson as Erik and mezzo-soprano Melody Wilson as Mary, both in their Lyric debuts. Ryan Capozzo, a third-year member of Lyric’s Ryan Opera Center Ensemble, returns to the mainstage as the Steersman. Sets, costumes, and lighting combine for a theatrically spellbinding production. Director Christopher Alden’s production creates the illusion of a haunted galleon battling raging waters; it is bold and modern while retaining the authenticity of the story itself. (Wagnerian spectacle must run in the family — Alden’s twin brother and fellow opera director, David Alden, directed a new production of The Flying Dutchman at Sante Fe Opera this past summer). Allen Moyer’s creative sets and costumes combine to create a spooky atmosphere, andAnne Militello’s shadowy lighting design gives the production its eerie finishing touches, in her Lyric debut.  Wagner returns to Lyric with drama on the high seas. In an intense return to Lyric, Wagner’s first famous opera does what all of Wagner’s operas do: It draws you in with a captivating story, layered musical composition, and soaring vocal lines written for richly drawn characters. (And at just 2 hours and 20 minutes, it does it all in half the usual time for a Wagner opera.) Ryan Capozzo as Steersman, Tomasz Konieczny as The Dutchman,  and the Company of The Flying Dutchman. Important to know ·        Five chances to see The Flying Dutchman: September 23, 27, October 1 matinee, 4 matinee, and 7, 2023. ·        A running time of 2 hours and 20 minutes; performed without intermission. ·        Sung in German, with easy-to-follow English translations projected above the stage. ·        Information and tickets: visit lyricopera.org/dutchman or call 312.827.5600.

Lyric’s presentation of Wagner’s The Flying Dutchman is generously made possible by an Anonymous Donor, Josef & Margot Lakonishok, and Bulley & Andrews. Maestro Enrique Mazzola is generously sponsored by Alice & John Butler, H. Gael Neeson, Sylvia Neil & Daniel Fischel, and the Robert and Penelope Steiner Family Foundation as members of the Enrique Circle. The Enrique Circle is comprised of Lyric's most dedicated supporters who are committed to championing Maestro Enrique Mazzola's exciting artistic vision and legacy. Lyric Opera of Chicago thanks its Official Airline, American Airlines, and acknowledges support from the Illinois Arts Council Agency.

About Lyric Lyric Opera of Chicago is committed to redefining what it means to experience great opera. The company is driven to deliver consistently excellent artistry through innovative, relevant, celebratory programming that engages and energizes new and traditional audiences. Under the leadership of General Director, President & CEO Anthony Freud and Music Director Enrique Mazzola, Lyric is dedicated to reflecting, and drawing strength from, the diversity of Chicago. Lyric offers, through innovation, collaboration, and evolving learning opportunities, ever-more exciting, accessible, and thought-provoking audience and community experiences. We also stand committed to training the artists of the future, through The Patrick G. and Shirley W. Ryan Opera Center; and to becoming increasingly diverse across our audiences, staff, programming, and artists—magnifying the welcoming pull of our art form, our company, and our city. Through the timeless power of voice, the splendor of a great orchestra and chorus, theater, dance, design, and truly magnificent stagecraft, Lyric is devoted to immersing audiences in worlds both familiar and unexpected, creating shared experiences that resonate long after the curtain comes down. Join us @LyricOpera on Twitter, Instagram, TikTok, Youtube, and Facebook. #LongLivePassion For more information, visit lyricopera.org.

REVIEW: The Innocence of Seduction at City Lit Now Playing Through October 8, 2023

ChiIL Live Shows On Our Radar

THE INNOCENCE OF SEDUCTION

Written and directed by Mark Pracht

WORLD PREMIERE

August 25- October 8, 2023

Left to right: Robin Treviño, Sean Harklerode, Paul Chakrin

All Production Photos by Steve Graue

 REVIEW

By Bonnie Kenaz-Mara

Banned book week, October 1-7th, is rapidly approaching and City Lit's world premiere of The Innocence of Seduction is a great way to celebrate. As much as I adore graphic novels, comics, and pop culture, I was largely unaware of this critical slice of history in the culture wars. This play introduces audiences to the 1950s Congressional investigation into the supposed link between comic books and juvenile delinquency. Flash forward over half a century to 2023 where the religious right and the US government are still engaged in endlessly ongoing attempts to censor art and literature from the local to the federal level. Book bans and burnings are ramping up again at an alarming rate, making Prachts piece all too timely. 

John Blick

The Innocence of Seduction is both written and directed by Chicago playwright, Mark Pracht, and is part of his Four-Color Trilogy, which also include THE MARK OF KANE, which premiered at City Lit in fall 2022, and THE HOUSE OF IDEAS, about the 1960s rise of Marvel.

Left to right: Zach Kunde, Sean Harklerode, Chuck Munro, Charlie Diaz

Astonishingly enough for 1950's America, this production doesn't focus exclusively on white, cis males, but manages a bit of diversity regarding gender, race, and sexual orientation. It's fascinating to see the effect of the investigation on the careers of three persons: William Gaines, the originator of the horror genre of comic books; Matt Baker, a Black closeted gay artist of romance comics; and Janice Valleau, creator of a pioneering comics feature starring a woman detective. The cast does an excellent job bringing humor and humanity to what could be dry subject matter, in what is at once a cautionary tale and an homage to the founding of Mad Magazine. This ensemble showcases the mental and physical toll it takes to fight for a career against ridiculously restrictive regulations, petty bureaucrats, and the righteous indignation of the religious right. Sometimes it takes a creative pivot to do an end run around all that nonsense and thrive creatively and financially. Kudos to all involved for filling in education gaps and bringing this niche history to life for a new generation. Recommended.

Left to right: Andrew Bosworth, Megan Clarke 

  Brian Bradford (lying down), Andrew Bosworth (kneeling)  

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Regular run Through October 8, 2023

Fridays and Saturdays at 7:30 pm; Sundays at 3 pm; Mondays Sept 25 and Oct 2 at 7:30 pm.

Regular run ticket prices $34.00, seniors $29.00, students and military $12 (all plus applicable fees)

Performances at City Lit Theater, 1020 W. Bryn Mawr Ave. Chicago 60660

Info and tickets at www.citylit.org and by phone at 773-293-3682.

Left to right: Brian Bradford, LaTorious Givens.

Cast and crew for world premiere of Mark Pracht’s THE INNOCENCE OF SEDUCTION

Pracht to direct the second part of his FOUR-COLOR TRILOGY of plays 

about the comic book industry

Left to right: Sean Harklerode, Charlie Diaz

Left to right: Zach Kunde, Chuck Munro, Sean Harklerode, Charlie Diaz, Paul Chakrin

Full casting and production team have been announced for City Lit’s forty-third season opener - the world premiere of THE INNOCENCE OF SEDUCTION by Chicago playwright Mark Pracht. It is the second play in his projected “Four-Color Trilogy” of plays set during the early years of the comic book industry. The first play in the trilogy, THE MARK OF KANE, opened City Lit’s forty-second season. THE INNOCENCE OF SEDUCTION examines the 1950s Congressional investigation into the supposed link between comic books and juvenile delinquency, and the effect of the investigation on the careers of three persons:  William Gaines, the originator of the horror genre of comic books; Matt Baker, a Black closeted gay artist of romance comics; and Janice Valleau, creator of a pioneering comics feature starring a woman detective.  

Left to right: Zach Kunde, Laura Coleman, Sean Harklerode

Leading the cast will be Sean Harklerode (THE MARK OF KANE, The Artistic Home’s REQUIEM FOR A HEAVYWEIGHT) as William Gaines), Brian Bradford (City Lit’s FUENTE OVEJUNA and THE BLOODHOUND LAW) as Matt Baker, and Megan Clarke  as Janice Valleau. Also in the cast are Charlie Diaz (Invictus Theatre’s THE CRUCIBLE) as Al Feldstein, Frank Nall (Invictus Theatre’s THE CRUCIBLE, The Artistic Home’s MALAPERT LOVE) as Dr Frederic Wertham, Zach Kunde (Invictus Theatre’s THE CRUCIBLE) as Lyle Stuart, Artistic Home ensemble member Laura Coleman as Shirley Norris, Ron Quade (Citadel Theatre’s BRIGHTON BEACH MEMOIRS) as Max Gaines, LaTorious Givens (Invictus Theatre’s THE CRUCIBLE) as Connie, John Blick  (Promethean Ensemble Theatre’s BLUE STOCKINGS) as Archer St John and Henry Valleau, Invictus Theatre Company member Chuck Munro as Judge Charles F Murphy and Barry Walsh, Paul Chakrin (THE SAFE HOUSE and many other roles at City Lit) as John L Goldwater and Senator Robert C Hendrickson, Robin Trevino (Invictus Theatre’s WHO’S AFRAID OF VIRGINIA WOOLF) as Everett M "Busy" Arnold and Senator Estes Kefauver, Andrew Bosworth as Frank Guisto, Reed Crandall and Jack Davis, and Jessica Lauren Fisher (Black Button Eyes’ MARY ROSE) as Jessie Gaines and  Gertrude St John.

Left to right: Andrew Bosworth, Robin Treviño, Megan Clarke

The production team includes G. "Max" Maxin IV (Scenic, Lighting and Projection Design), Beth Laske-Miller (Costume Designer), Petter Wahlbäck (Composer and Sound Design), Alison Dornheggen (Violence and Intimacy Design), Jeff Brain (Props Design), and Zachary Osterman (Stage Manager).

Frank Nall

Single tickets for THE INNOCENCE OF SEDUCTION are priced at $30 for previews and $34 for regular performances and are on sale now at www.citylit.org or by phone at 773-293-3682. Senior prices are $25 for previews and $29 for regular performances. Students and military are $12.00 for all performances. City Lit Season 43 subscriptions are available at $99.00, good for all performances, or $77.00 for preview performances.

 

Left to right: Robin Treviño, Sean Harklerode, Paul Chakrin

HEALTH PRECAUTIONS AT CITY LIT

City Lit requires masks for the Sunday matinee performances. Masks are encouraged but no longer required for Friday, Saturday and our two Monday performances. City Lit staff will continue to mask for all performances. City Lit will of course comply with the full set of whatever official health guidelines are in place at any time.

ABOUT MARK PRACHT 

Mark Pracht (Playwright, Director) has worked as an actor, director and playwright in Chicago since 2001. THE INNOCENCE OF SEDUCTION is part of his Four-Color Trilogy, which also include THE MARK OF KANE, which premiered at City Lit in fall 2022, and THE HOUSE OF IDEAS, about the 1960s rise of Marvel. He has appeared on stage at City Lit in the title role of PROMETHEUS BOUND, as The Creature in FRANKENSTEIN, and as Milt Shanks in THE COPPERHEAD, among other roles. Most recently, he appeared as John Proctor in THE CRUCIBLE with Invictus Theatre Company. He was a company member of the Shelterbelt Theatre in Omaha, where he helped develop and produce seven world premiere productions, including his own full-length play, NEON.He is an ensemble member of The Artistic Home, where he won a Jeff Award for Leading Performer in a Play for REQUIEM FOR A HEAVYWEIGHT.

ABOUT CITY LIT THEATER COMPANY

City Lit is the seventh oldest theatre company in Chicago, behind only Goodman, Court, Northlight, Oak Park Festival, Steppenwolf, and Pegasus theatres.  It was founded in 1979 with $210 pooled by Arnold Aprill, David Dillon, and Lorell Wyatt.  For its current season, its 43rd, it operates with a budget slightly over $260,000.  It was the first theatre in the nation devoted to stage adaptations of literary material.  There were so few theatres in Chicago at the time of its founding that at City Lit’s launch event, the founders were able to read a congratulatory letter they had received from Tennessee Williams.

For four decades and counting, City Lit has explored fiction, non-fiction, poetry, memoirs, songs, essays and drama in performance.  A theatre that specializes in literary work communicates a commitment to certain civilizing influences—tradition imaginatively explored, a life of the mind, trust in an audience’s intelligence—that not every cultural outlet shares.

City Lit is located in the historic Edgewater Presbyterian Church building at 1020 West Bryn Mawr Avenue. Its work is supported in part by the MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, the Gaylord and Dorothy Donnelley Foundation, the Ivanhoe Theater Foundation, the Illinois Arts Council Agency and is sponsored in part by A.R.T. League.  An Illinois not-for-profit corporation and a 501(c)(3) federal tax-exempt organization, City Lit keeps ticket prices below the actual cost of producing plays and depends on the support of those who share its belief in the beauty and power of the spoken written word.

Celebrate City Lit's Favorite Holiday! 18th Annual Books on the Chopping Block

 

FREE readings all over Chicago and suburbs throughout

Banned Books Week. Dates, locations and times found here.