Chi, IL LIVE Shows On Our Radar:
CASTING ANNOUNCED FOR FIRST TWO SHOWS OF 17/18 SEASON:
THE REMBRANDT BY JESSICA DICKEY
THE CRUCIBLE BY ARTHUR MILLER
Photo: B Kenaz-Mara
ALSO ANNOUNCED: THE REMBRANDT, FEATURING ENSEMBLE MEMBERS FRANCIS GUINAN AND JOHN MAHONEY, WILL EXTEND TWO WEEKS DUE TO HIGH DEMAND
Steppenwolf Theatre Company announces complete casting for the first two shows of its 2017/18 season: The Rembrandt by Jessica Dickey, directed by Hallie Gordon and Steppenwolf for Young Adults’ production of The Crucible by Arthur Miller, directed by Jonathan Berry.
Also announced—Due to high demand, The Rembrandt will extend its run for two weeks, now closing on Sunday, November 5, 2017. Tickets are available now with purchase of 17/18 Membership. Flexible and Classic Memberships to the 17/18 Season are currently available for purchase through Audience Services at steppenwolf.org/memberships and 312.335.1650. Single tickets to The Rembrandt go on sale to the public on Friday, August 4 at 11am.
The Rembrandt by Jessica Dickey (September 7 – November 5, 2017)
In September, Steppenwolf opens its 42nd season with The Rembrandt, a Chicago premiere by Jessica Dickey, directed by Hallie Gordon in the Upstairs Theatre (September 7 – November 5, 2017). The cast features ensemble members Francis Guinan as Henry/Rembrandt and John Mahoney as Simon/Homer with Ty Olwin (Dodger/Titus), Karen Rodriguez (Madeline/Henny) and Gabriel Ruiz (Jonny/Martin).
When a museum guard decides to touch a famous Rembrandt painting, a remarkable journey across the ages ensues. Spanning centuries of human experience, Jessica Dickey’s The Rembrandt movingly explores the power of creative expression and the sacrifices we make in the pursuit of love and beauty, reminding us that though our beliefs may die with the sound of our voice, it’s the love we share—and the art that love inspires—that finds eternity.
The Rembrandt begins previews September 7, 2017 the production opens September 17 and with the newly announced extension will now run through November 5, 2017. Press performances are September 17 and 19. Single tickets ($20 - $99) are available through Audience Services at 312-335-1650 or steppenwolf.org beginning August 4; 2017/18 Memberships are now available and can be used for extension dates.
Jessica Dickey is an award-winning actor and playwright most known for her play The Amish Project, which opened Off-Broadway at the Rattlestick Playwrights Theater (Helen Hayes Award, Barrymore Award, among others). The Rembrandt was commissioned and produced (then titled The Guard) by the Ford’s Theatre as part of the Women’s Voices Festival and was awarded the Stavis Award for Playwriting.
Hallie Gordon is an Artistic Producer at Steppenwolf and the Artistic Director for Steppenwolf for Young Adults, where she has directed many productions for the program including Monster by Walter Dean Myers; George Orwell’s 1984 and Animal Farm; The Book Thief; To Kill a Mockingbird; and the world premiere of Toni Morrison’s The Bluest Eye. She has directed for Northlight Theatre and is an ensemble member for Rivendell Theatre where she directed the critically acclaimed Dry Land and Eat Your Heart Out.
SYA Presents The Crucible by Arthur Miller (October 7 – 21, 2017)
In October, Steppenwolf for Young Adults (SYA) presents The Crucible by Arthur Miller, directed by Jonathan Berry from October 7 – October 21, 2017 in the Downstairs Theatre. The cast features Echaka Agba (Tituba/Judge Hathorne), Larry Baldacci (Giles Corey/Sarah Good), Taylor Blim (Mary Warren), Naima Hebrail Kidjo (Abigail Williams), Erik Hellman (Reverend Hale), Millie Hurley (Francis Nurse/Rebecca Nurse), Travis Knight (John Proctor), Peter Moore (Reverend Parris), Avi Roque (Ezekiel Cheever/Mercy Lewis), Stephanie Shum (Ann Putnam/Susanna Walcott/Martha Corey), Michael Patrick Thornton (Deputy Danforth), Kristina Valada-Viars (Elizabeth Proctor/Betty Parris) and Philip Winston (Thomas Putnam/John Willard).
The people of Salem are whipped into a bloodthirsty frenzy by a series of escalating misinterpretations after a group of teenage girls are accused of dancing devilishly in the woods. Fearing retribution, the girls begin a chain of finger-pointing until neighbor turns against neighbor, whispers become testimony, fabrications become facts, and a once powerless teenage girl suddenly has the ability to decide the fate of all those around her. As the hearts of the townsfolk become poisoned, even John Proctor, a principled farmer and family man, must wrestle with a corrupt court and his own transgressions to protect his innocent wife and his family’s good name.
Since its premiere in 1953, Arthur Miller’s The Crucible, a masterful and chilling portrayal of the historic Salem Witch Trials and an allegory for the rise of McCarthyism in the late 1940s, has rightfully become an American classic serving as both a cautionary tale and provocation that compels each generation to reflect upon the harrowing world it portrays.
Public performances for The Crucible are Saturday, October 7 at 3pm and 7:30pm; Sunday, October 8 at 3pm; Friday, October 13 at 7:30pm; Saturday, October 14 at 3pm and 7:30pm; and Saturday, October 21 at 3pm and 7:30pm. The press performance is Saturday, October 7 at 3pm. Weekday performances are reserved for school groups only. Tickets to public performances ($20; $15 with student I.D.) are currently available through Audience Services (1650 N Halsted St), 312-335-1650 and steppenwolf.org.
Jonathan Berry joined the Steppenwolf staff as Artistic Producer and Director of The School at Steppenwolf in June 2015. A prolific director, he began his work in Chicago as Steppenwolf’s Artistic Office intern in 1998, and has continued a strong relationship with the company since. His Steppenwolf directing credits include Nick Payne’s Constellations, Melinda Lopez's Gary for First Look and A Separate Peace for Steppenwolf for Young Adults, as well as assisting on The Weir, The Man Who Came to Dinner, Mother Courage and Her Children and This is Our Youth. Since 2009, Berry has taught Viewpoints for the School at Steppenwolf. A company member of both Steep and Griffin Theatres, Berry has also directed for many Chicago companies, including Goodman Theatre, Steep, Griffin, Remy Bumppo, Redtwist, Lifeline, and The Gift.
Steppenwolf for Young Adults’ unique approach combines play production with educational components to enhance arts education for young audiences, as well as their teachers and families. SYA creates two full-scale professional productions each season specifically for teens.
Visitor Information & Accessibility
Steppenwolf is located at 1650 N Halsted St near all forms of public transportation and is wheelchair accessible. The parking facility consists of both a covered garage ($11 cash or card) and an open-air lot, located just south of our theater at 1624 N Halsted. Valet parking service ($14 cash) is available directly in front of the main entrance at 1650 N Halsted St starting at 5pm on weeknights, 1pm on weekends and at 12 noon before Wednesday matinees. Street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at 312.335.1774.
Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language interpretation, open captioning and audio description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance. With the expertise of Assistive Hearing Systems Ltd., Steppenwolf installed an induction loop on both the main and balcony levels of our Downstairs Theatre in 2015. There is also an induction loop installed in the 1700 Theatre.
Northern Trust is a sponsor on The Rembrandt. United Airlines is the Exclusive Airline of Steppenwolf and ComEd is the Official Lighting Sponsor for the 17/18 season.
Now playing is the world premiere of Pass Over by Antoinette Nwandu, directed by Danya Taymor through July 9, 2017, followed by the final show of the 16/17 season, the Chicago premiere of Hir by Taylor Mac, directed by Hallie Gordon (June 29 – August 20, 2017).
Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble has grown to 49 members who represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.
For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.
