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Showing posts with label The Edge Theater. Show all posts
Showing posts with label The Edge Theater. Show all posts

Wednesday, February 6, 2019

OPENING: Hell in a Handbag Productions Announces Casting for POSEIDON! An Upside Down Musical

ChiIL Live Shows on our radar
POSEIDON! An Upside Down Musical




Book & Lyrics by David Cerda
Music by David Cerda & Scott Lamberty
Directed by Derek Van Barham
Music Direction by Andrew Milliken
Choreography by Breon Arzell

March 15 – April 28, 2019 at The Edge Theater


Hell in a Handbag Productions is pleased to announce casting for its revival of the musical that started it all: POSEIDON! An Upside Down Musical, a musical parody and loving homage to the classic 1972 film, The Poseidon Adventure, the grandmother of all disaster films. I'll be out for the press opening March 22nd, so check back soon for my full review.



PHOTO CREDIT: The cast of Hell in a Handbag Productions’ revival of POSEIDON! An Upside Down Musical includes (top, l to r) Ryan Armstrong, Katherine Bellantone, Brittney Brown, Tommy Bullington, Sydney Genco and Caitlin Jackson (center, l to r), Josh Kemper, Elizabeth Lesinski, David Lipschutz, Stevie Love, Nicky Mendelson, Michael S. Miller and Courtney Dane Mize (bottom, l to r), Elissa Newcorn, Marc Prince, Shane Roberie, Scott Sawa, Patrick Stengle and Maiko Terazawa.


POSEIDON! will feature Handbag ensemble members Sydney Genco* (Ensemble), Caitlin Jackson* (Toni/Doctor), Elizabeth Lesinski* (Linda Rogo), David Lipschutz* (Reverend Scott), Stevie Love* (Nonnie Parry) and Michael S. Miller* (Manny Rosen) with Ryan Armstrong (Robin Shelby), Katherine Bellantone (Susan Shelby), Brittney Brown (Ensemble), Tommy Bullington (Belle Rosen), Josh Kemper (Ensemble), Nicky Mendelson (Acres), Courtney Dane Mize (Ensemble), Elissa Newcorn (Lara, Nurse), Marc Prince (Captain Harrison, Ensemble), Shane Roberie (Mike Rogo), Scott Sawa (James Martin), Patrick Stengle (Ensemble) and Maiko Terazawa (Ensemble).

Handbag’s very first show will return March 15 – April 28, 2019 at a venue befitting of an ocean liner: The Edge Theater, 5451 N. Broadway in Chicago. POSEIDON features a book and lyrics by Handbag Artistic Director David Cerda*, music by David Cerda* with Scott Lamberty, direction by Derek Van Barham, music direction by Andrew Milliken, and choreography by Breon Arzell. Tickets are currently available at brownpapertickets.com or by calling (800) 838-3006. 

The original 2002 Chicago production of POSEIDON! was a critical and popular smash and extended for a five-month sold-out run in Chicago, and was accepted into The New York International Fringe Festival, where it was the most attended show of 2003, winning an award of excellence for Best Ensemble. The show was remounted in 2009 at The Chopin Theatre and enjoyed another extended run.

It’s New Year’s Eve and a group of hardcore fans have gathered for their annual viewing of the greatest film ever – The Poseidon Adventure, the story of the capsize of the SS Poseidon on New Year’s Eve, and the handful of misfit passengers that decide to climb to the top of the ship – which is now the bottom. As the story progresses the viewers become one with the film. POSEIDON! An Upside-Down Musical is part parody, part homage – and a look at how movies can leave their mark on you.

The production team includes: Christopher Rhoton (scenic design), Beth Laske Miller (costume design), Cat Wilson* (lighting design), Danny Rockett (sound design), Adrian Hadlock* (props design), Sydney Genco* (make-up design), Keith Ryan (wig design), Madison Smith (assistant director) and Andrew Donnelly (stage manager).

*Denotes Handbag ensemble member.


Location: The Edge Theater, 5451 N. Broadway, Chicago

Dates: Previews: Friday, March 15 at 7:30 pm, Saturday, March 16 at 7:30 pm, Sunday, March 17 at 3 pm and Thursday, March 21 at 7:30 pm

Opening/Press performance: Friday, March 22 at 7:30 pm

Regular run: Saturday, March 23 – Sunday, April 28, 2019

Curtain Times: Thursday, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.

Industry Night: Monday, April 22 at 7:30 pm

Tickets: Previews $22. Regular run $38 in advance, $45 at the door. Group rates $32 for 10 or more. $32 senior and student rates. Tickets are currently available at brownpapertickets.com or by calling (800) 838-3006.

 

About the Artists     
David Cerda (Book, Lyrics, Music) is the Artistic Director and co-founder of Hell in a Handbag Productions. Cerda has written or collaborated on Caged Dames, TROGG- A Rock and Roll Musical, Sexy Baby, Lady X: The Musical, Christmas Dearest, Rudolph the Red-Hosed Reindeer, SCARRIE – The Musical, Snowgirls – The Musical, and many others. He has also worked as a songwriter with Amazon Studios, and as an actor around Chicago. In 2016, Cerda was in inducted into the Chicago GLBT Hall of Fame and in 2017 he received a Lifetime Achievement Jeff Award for his contributions to the Chicago theater community and philanthropic efforts.

Scott Lamberty (Music) has collaborated with David Cerda on several Handbag musicals including Rudolph the Red-Hosed Reindeer, SCARRIE – The Musical, Sexy Baby and Lady X: The Musical. Scott has also worked extensively with Corn Productions on the Tiff and Mom shows, The Bad Seed The Musical, Jesus Camp – The Musical and Snowgirls- The Musical, among many others.

Derek Van Barham (Director) is the Producing Artistic Director of Kokandy Productions and a member of the Red Tape Theatre ensemble. He previously served as Associate Artistic Director of Pride Films & Plays. For PFP, he directed Perfect Arrangement, Angry Fags (Steppenwolf Garage), Songs from an Unmade Bed (Jeff nomination) and (co-directing) PRISCILLA, Queen of the Desert. Other directing credits include The View Upstairs (Circle Theatre), Three Days of Rain (Boho), Miracle! by Dan Savage, Skooby Don't (Hell in a Handbag) and HOT PINK (New American Folk Theatre). Choreography credits include The CiviliTy of Albert Cashier and BITE (PFP), all Black Button Eyes productions, and Salonathon. He was named one of Windy City Times 30 Under 30, recognizing Chicago's LGBTQ+ community.   

Andrew Milliken (Music Director) has been a music director/pianist in the Chicago area since 2016. Poseidon will be his second production with Hell in a Handbag, following 2017's Bewildered. Other favorite credits include Pippin (Mercury Theater), Avenue Q (Metropolis Theater), Vinegar Tom (Northwestern University) and Carousel (Timber Lake Playhouse). 

Breon Arzell (Choreographer) is most commonly known as an actor, however his breakout, and award-winning, premiere as a Chicago choreographer came with Oracle Productions’ The Hairy Ape. This Detroit native received his first training while at Miami University. In Chicago, he has worked as a dancer, choreographer and instructor at Joel Hall Dancers & Center, Porchlight M.T., Vagabond School and The Goodman Theatre (for their Musical Theater Program). Developing his own style of dance (hip-hop, jazz, modern, lyrical, contemporary and body percussion) and storytelling, movement credits include: The Total Bent (Haven Theatre), Rightlynd, The House That Will Not Stand (Victory Gardens Theater); Night Runner, Wig Out (DePaul University); Julius  Caesar (Writers Theatre), Marie Christine (BoHo Theatre), The Wiz  (Kokandy Productions), Scottsboro Boys (Porchlight Music Theatre), and more. His talents have allowed him to work all across the U.S., Canada, England, Italy, Germany, Denmark, Singapore and Malaysia.

About Hell in a Handbag Productions
Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit.

Wednesday, September 19, 2018

FEST ALERT: ARTEMISIA FALL FESTIVAL of Feminist Plays Sept. 24-Oct. 3

ARTEMISIA FALL FESTIVAL 2018 
Sept. 24-Oct. 3
Annual festival of feminist plays will include staged readings of six new works


ARTEMISIA FALL FESTIVAL 2018
September 24-26 and October 1-3, 2018
Mondays – Wednesdays, 7:30 PM each evening
The Edge Theater
5451 N. Broadway, Chicago

Ticket prices for $10 for individual plays or $25 for a VIP Pass good for any three admissions to an Artemisia Theatre event during the 2018-19 season. Tickets can be purchased at www.artemisiatheatre.org or by phone at 312-725-3780.


Here at ChiIL Live Shows and ChiIL Mama we're all about empowering women, giving voice to diverse experiences, and fighting inequity in the arts. As a female theatre critic and small business owner, I adore Artemisia's tag line, Theatre -- About Women For Everyone. Women centered stories are not a niche market to be marginalized. It's about time that the 51% have a say in the stories that define universal human tragedies, triumphs and the relationships in between. It's past time to go beyond just straight, white, male stories as the dominant art form in our culture. I'm particularly excited by Artemisia's festival team, a diverse group of artists who are significant players in the theater community: 

*Jamal Howard, an African-American, has directed for Emerald City and New American Folk Theatre; 
*Carol Ann Tan, an Asian-American, has directed with Haven and Otherworld and is currently a dramaturg on Vietgone at Writers; 
*Aaron Sawyer, founding AD of Red Theater, who directed R&J The Vineyard  (the Romeo & Juliet with hearing-impaired actors)
*Beth Wolf, founding AD of Midsommer Flight (free Shakespeare in the parks)
*Rachel Sledd Iannantuoni, who has acted in Guess Who's Coming to Dinner at Court, and has also acted with Profiles and Shattered Globe
*Julie Proudfoot, founding AD of Artemisia

Ready to check out the next wave of feminist movers, shakers and culture makers?

Six directors and 30 actors from the Chicago theatre community will collaborate to create staged readings of six new feminist plays in the Artemisia Fall Festival 2018, to be performed September 24-26 and October 1-3 at The Edge Theater at 5451 N. Broadway. 

Artemisia Founding Artistic Director Julie Proudfoot and Literary Manager Sharai Bohannon have curated the festival from submissions solicited from writers, agents and literary managers across the US with whom the company has had working professional relationships. One play from the six to be performed will be chosen for further development by Artemisia Artistic Director Proudfoot, who will work closely with the playwright over the next two years to develop their feminist story for a full production in Chicago.

Proudfoot defines “feminist plays” as plays that empower women and challenge audiences to see women differently. In a recent interview, she noted how many plays in the existing canon fail to adequately portray women, saying “We don’t necessarily have feminist three-dimensional characters with all the flaws and virtues and complexities of great male characters. It matters to me because women are long overdue to be recognized on a level equal to men, especially in terms of leadership, humanity, complexity and agency. I think it should matter to everyone because Artemisia’s work inspires gender parity, which has been statistically shown to make for better and safer communities.”

While the scripts selected for this year’s festival all feature women who have agency and who are the center of their own narratives, the plays have a diversity of topics and genres. Themes to be explored include cultural differences between diverse societies in their treatment and status of women, mother-daughter relationships, and tensions between economic classes. The ranges of genres include dramas, satire and thrillers. The writers are not exclusively female – one male playwright will be represented alongside the five women writers. Proudfoot says, “We believe that men as well as women can be feminists.”


Over each of the Festival’s six nights, a different new play is staged as a reading. Talkbacks focusing on empowerment, inclusion and diversity will follow each reading. There will be a closing night party on October 3rd.  



The six plays to be performed, the performance dates, and the artists involved for each are as follows: 

Monday, September 24, 7:30 PM
SCRATCHING THE SURFACE, by Charly Evon Simpson. Directed by Rachel Sledd Iannantuoni.
One woman’s nightmare, one couple’s dream, and the nice female neighbor who likes to drop by unexpectedly with homemade pies collide in this juicy thriller.
Cast: William Burdin, Pauleth Jauregui, Anastacia Narrajos, Brandi Brown

Tuesday, September 25, 7:30 PM
WITCH CAMP, by J. Thalia Cunningham. Directed by Beth Wolf.
When an African-American doctor volunteers at a small health clinic in northern Ghana, she discovers that the women in the camp accused of witchcraft really do have magical powers.
Cast: Charlee Cotton, Myesha-Tiara, RJW Mays, Teresa Champion, Tamarus Harvell, Marz Timms, Sonia Goldberg

Wednesday, September 26, 7:30 PM
CASH COWS, by Anthony Fiorentino. Directed by Jamal Howard.
A group of exploited milk cows launch a hunger strike to change their abusive working conditions and the dairy company's CEO wages a ruthless campaign to crush the rebellion.
Cast: Caron Buinis, Laurie Gauger, Robin Margolis, Emma Sheikh, Tina El Gamal, Tanyce Caraballo, Dekyi Ronge, Blake Holen, David Morgan Shaw

Monday, October 1, 7:30 PM
THINGS THAT ARE ROUND, by Callie Kimball. Directed by Aaron Sawyer.
Two women, a dentist specializing in existential terror, and the worst baby sitter ever who has dreams of becoming an opera singer, square off in a strange ballet of truth or dare.
Cast: Julie Proudfoot, Alejandra Vivanco

Tuesday, October 2, 7:30 PM
MINE AND YOURS, by Carolyn Kras. Directed by Carol Ann Tan.
A foreclosure loophole pits new buyers against former owners in a struggle to claim the house as their home through cohabitation.
Cast: Barbara Roeder Harris, Steve Silver, Isabella Gerasole, Chase Wheaton-Werle

Wednesday, October 3, 7:30 PM
EVERY WAITING HEART, by Lauren Ferebee. Directed by Julie Proudfoot.
A deep and intimate dive into the combative yet unbreakable relationship between an overworked single mother and her rebellious daughter, both pioneer women in 1848.
Cast: Jennifer Cheung, Patty Malaney, Lucy Pearce, John Wehrman, Tamarus Harvell

PLAYWRIGHT BIOS

Charly Evon Simpson (SCRATCHING THE SURFACE) is a playwright and performer from New York City. Her plays include JUMP, SCRATCHING THE SURFACE, HOTTENTOTTED, WHILE WE WAIT, and more. Her work has been seen and/or developed with NNPN at its Kennedy Center MFA Playwright's Workshop, Ensemble Studio Theatre, Ars Nova, The Flea, and others. She's a member of 17/18 Clubbed Thumb Early Career Writers' Group, The Amoralists' 2018-19 'Wright Club, and is The Pack's current playwright-in-residence. Charly holds a Bachelor of Arts from Brown and Master of Fine Arts from Hunter College. www.charlyevonsimpson.com 

J. Thalia Cunningham (WITCH CAMP) is a playwright, travel writer, and photographer.  Her plays have been commissioned, produced, and developed in United States and internationally. She has been published by Smith & Kraus and Applause. She is a proud member of: Actors Studio; League of Professional Theatre Women; The WorkShop Theater Company. J. Thalia holds a Bachelor of Arts from Johns Hopkins University has traveled to 120 countries and has written for national travel publications.

Anthony Fiorentino (CASH COWS) is a Chicago-based playwright whose plays have been produced at the Athenaeum Theatre, Stage 773, Prop Theatre, the American Theatre of Actors, the Actors' Theatre of Santa Cruz, and the Attic Playhouse. His plays ALL MY LOVE and THE FEAST have been nominated for the Jeff Award for Best New Play. He is an affiliated artist with the National New Play Network. He was a finalist for the Stanley Drama Award in 2011, and a Semi-finalist for Eugene O'Neill Theatre Center National Playwright's Conference (2008).

Callie Kimball (THINGS THAT ARE ROUND) is a MacDowell Fellow, a two-time winner of the Rita & Burton Goldberg Award, a finalist for the O'Neill, a semifinalist for the Princess Grace Award, and a four-time nominee for the Susan Smith Blackburn Award. Her plays have appeared in NY, Chicago, LA, and DC, at the Kennedy Center, Portland Stage Company, Lark Play Development Center, Dramatic Repertory Company, Halcyon Theatre, Stoneham Theatre, Echo Theatre, The Brick Theater, Project Y Theatre, Team Awesome Robot, Washington Shakespeare Company, Mad Horse Theatre, and more. She is currently writing a commission for ShadowCatcher Productions inspired by the letters of her grandparents during World War II. THINGS THAT ARE ROUND will have its world premiere this November at Rep Stage. Plays include: SOFONISBA (Clauder Gold Prize Winner, Kilroys' List), RUSH, ALLIGATOR ROAD, DREAMS OF THE PENNY GODS.

Carolyn Kras is an LA-based playwright from Chicago. She was Playwright in Residence at Selladoor Worldwide through the support of the Fulbright LUSK Award to the United Kingdom. Her play The Subject has had 20 readings, including a United Nations Orange Day Reading in London. Carolyn is the recipient of the Visionary Playwright Award, Hamptons International Film Festival Screenwriters' Lab selection, Alfred P. Sloan Screenwriting Award, Aspen Ideas Festival Scholar selection, Disquiet International Short Play Award, and Plume & Pellicule Award.   Her plays have been developed and or produced at The Blank Theatre, The Road Theatre, Chicago Dramatists, Stage Left Theatre, Centenary Stage Company, Pittsburgh Irish & Classical Theatre, 20% Theatre Company Chicago, Williams Street Rep, Theater Masters, Found Stages, and the Edinburgh Festival Fringe.  She is a member of The Playwrights Union LA and holds a Master of Fine Arts from Carnegie Mellon University. www.carolynkras.com

Lauren Ferebee (EVERY WAITING HEART) Lauren's plays have been praised as "exquisite" (Applause, Applause) and "a fine balance between laugh-out-loud absurdity and gut-wrenching human drama" (DC Metro Theater Arts). Her play THE MEETING was recently a national finalist for the Kennedy Center's Gary Garrison 10-Minute Play Award. Previous plays include THE RECKLESS SEASON (finalist, 2016 Princess Grace Award, semi-finalist, 2014 Shakespeare's Sister Fellowship), and SEXUAL GEOGRAPHY (finalist, 2015 Reva Shiner Comedy Award). Smith & Kraus will publish four monologues from THE RECKLESS SEASON in the 2018 Best Stage Monologues Series She was a nominee for the 2016 USA Fellowship in theatre. She holds a Bachelor of Fine Arts from NYU/Tisch. www.laurenferebee.com








Chicago’s premiere professional theatre nurturing feminist playwrights with a one-of-a-kind development process that culminates in remarkable and unforgettable productions.
Join us in bettering our community by empowering women and girls through theatre.  Partnering with Artemisia gives you unique media and marketing opportunities, direct contact with our audience and talent, and the chance to become part of a powerful movement – #ThePresentIsFemale

$100 FALL FESTIVAL SPONSOR
Recognition on Website and Social Media.  Group Logo Ad in Signature Program and signage in lobby throughout the Festival.
$200 ARTEMISIA ANGEL
Free access to all Events for Theatre Season & recognition on Website.
$500 SEASON SPONSOR
Live recognition at Fall Festival, Website Listing & Social Media and Ad in All Programs for Season.
$1,000 ARTEMISIA PARTNERSHIP
Free access to all Events for Theatre Season, Live Recognition at Fall Festival, Website Listing & Recognition in all Media, Press and Programs.
$2,500 PREMIERE PLAYWRIGHT SPONSOR
Guest of honor with free access at all Events for Season, Invitations to Exclusive Play Development Meetings and Rehearsals, Website Listing & Recognition in all Media, Press and Programs.




ABOUT ARTEMISIA: A CHICAGO THEATRE
Founded in 2011, Artemisia, A Chicago Theatre is a professional, not-for-profit theatre that produces all-new, dynamic and empowering plays that center on women who have agency, independence, and are the focal point of their own narratives, to create gender parity both onstage and off. Each season, Artemisia produces its Fall Festival of staged new play readings as well as fully staged productions of new plays it has developed. Artemisia is a 501 c 3 organization and, as such, relies heavily on public support to fund theatre that promotes equality and social justice for all women and girls.  

Artemisia Gentileschi, was a Baroque artist whose paintings depicted violence with fierce honesty and elegance. For centuries after her death, her art was attributed to men. Feminist curators in the late 1970’s rediscovered Artemisia, who is now considered the greatest female painter prior to the modern period. A common theme in Gentileschi’s later work is women in moments of power, or triumph, which is why she is the perfect namesake for Artemisia.

Sunday, April 8, 2018

OPENING: Catch The Regional Premiere of Disaster Via CHICAGO THEATRE WORKSHOP at The Edge Theater

CHICAGO THEATRE WORKSHOP PRESENTS THE REGIONAL PREMIERE OF 
“DISASTER” 
BY SETH RUDETSKY AND JACK PLOTNICK 


Earthquakes, tidal waves, infernos and the unforgettable songs of the '70s take center stage in Broadway’s side-splitting homage to classic disaster films.


Here at ChiIL Live Shows, we're eager to catch Chicago Theatre Workshop's Disaster. We've been impressed with their past offerings and this looks like a hilarious night out. I've known Melissa Young (SHIRLEY) since the mid 90's and she was even in a show I wrote at Blue Rider Theatre back in the day. Even though I review an average of 6 shows a week now, it's still fun to see friends in shows. We also love The Edge Theater space -- comfy seats and cup holders, people! What better way to watch DISASTER unfold? Sadly I'm already booked, reviewing elsewhere on their two press opening dates, but I'll be out shortly after, on the 20th. Check back soon for my full review.

It's 1979, and New York's hottest A-listers are lining up for the opening of a floating casino and discotheque. Also attending is a faded disco star, a sexy nightclub singer with her eleven-year-old twins, a disaster expert, a feminist reporter, an older couple with a secret, a pair of young guys who are looking for ladies, an untrustworthy businessman and a nun with a gambling addiction. What begins as a night of boogie fever quickly changes to panic as the ship succumbs to multiple disasters, such as earthquakes, tidal waves and infernos. As the night turns into day, everyone struggles to survive and, quite possibly, repair the love that they've lost... or at least escape the killer rats.



The CTW cast includes; CHAD - Nathan Cooper, MARIANNE - Shannon McEldowney, SCOTT - Warren Dailey, TED - Dan Gold, TONY - Charlie Ward, JACKIE - Elissa Newcorn, BEN/LISA - Pierce Cleaveland, LEVORA - Jessica Vann, SISTER MARY - Britain Gebhardt, SHIRLEY - Melissa Young, MAURY - Shane Roberie, ENSEMBLE - Marcellus Burt, Kaleb Van Rijswijck, Lily Cox, Kara Schoenhofer.


FULL COMPANY AND CREATIVE TEAM!


The creative team includes; Evan Frank (Set Designer), Jennifer Kules and Collin Helou (Lighting Designers), Shelby Brand (Costume & Prop Design), Mike Patrick (Sound Design), Samantha Kittleson (Assistant Director) Ben Baylon (Director), Megan Farly (Choreographer), Oliver Townsend (Musical Director), Tom Mullen (Artistic Director)

DISASTER opens to previews APRIL 12, 2018. Performances run every Thursday & Friday at 7:30 pm, Saturday’s at 8:00 pm and Sunday’s at 3:00 pm thru May 6th at The EDGE Theater which is located at 5451 N. Broadway, Chicago, IL 60640.




For more information on Chicago Theatre Workshop please visit us at www.chicagotheatreworkshop.org

Friday, December 8, 2017

Klingon Christmas Carol at Raven Theatre Via E.D.G.E THEATRE

E.D.G.E THEATRE PRESENTS   
Klingon Christmas Carol,   
ADAPTED BY 
CHRISTOPHER KIDDER-MOSTROM & SASHA WARREN ,
AT Raven Theatre, November 30th-December 17th


Get your geek on with a rendition of Christmas Carol like no other! Here at ChiIL Live Shows, we caught A Klingon Christmas Carol a few years back and were astonished. It plays out like a foreign language movie with subtitles, yet the carefully crafted script and translation is far from gibberish. The Klingon values of courage and honor shine through and the language is impressive, to say the least. This is a must see for Star Trek fans and anyone who enjoys pop culture, unique takes on holiday classics, and a fun night out.

A Klingon Christmas Carol, written by Christopher Kidder-Mostrom & Sasha Warren, and translated by Laura Thurston, Bill Hedrick, Christopher Kidder-Mostrom & Chris Lipscombe. This production is directed by John Gleason Teske and performs  November 30th-December 17th at Raven Theatre, 6157 N Clark St, Chicago, IL.  

The performance schedule is Thursdays and Saturdays at 8:00PM and Sundays at 2:00PM (with a special Friday performance on December 1st at 8:00PM). Tickets are $22 and may be purchased at edgeoforion.com/purchase-tickets/.

A Klingon Christmas Carol is the first play to be performed entirely in Klingon, a constructed language first appearing in Star Trek. It is the Charles Dickens classic tale of ghosts and redemption, adapted to reflect the Klingon values of courage and honor, and then translated into Klingon (performed with English supertitles).

The cast of  Kllingon Christmas Carol includes  Jamie Spagnola (Narrator); Tony Bunnell SQUJA’ (Scrooge); Matt Calhoun QACHIT (Cratchit); Justin Blankenship VRED (Fred); Andrea Hansen EMLI (Mrs. Cratchit); Alexander C. Ferguson BEN QEYLIS QA' (Christmas Past); Rhys Read DAHJAJ QEYLIS QA' (Christmas Present); Kreg Kennon PIQ QEYLIS QA' (Christmas Yet-To-Come); Angela Rak

SQUJA' QUP (Young Scrooge); Darrick Jackson VESIWIQ (Fezziwig); Mandi Corrao VAN (Fan); Cat McKay BEL (Belle); John Mobley MARLI'(Marley); Erin Caswell SUY (Weapon Merchant/Old Joe); Lucinda Lodder Lindstrom TIMHOM (Tiny   Tim).

The  Klingon Christmas Carol production team includes  Shauna Warren,  stage manager; Rachel Flesher, fight director; Peter McManus, set designer and  David Trudeau, lighting designer.

ABOUT E.D.G.E. THEATRE
E.D.G.E.’s anachronism stands for “Esteem Development through Greater Expectations”. Using the theatre arts, they educate and entertain to foster the tools of social change. E.D.G.E has a goal of finding every participant’s personal best and holding them accountable to it. E.D.G.E. main thrust is developing theatre for marginalized communities and to bring a message of non-violence, civic and social change through exploration of the theatre arts. E.D.G.E.’s four sectors are: E.D.G.E Core, company produced classes offered on a select curriculum in theatre, social skills, history and stage combat; E.D.G.E. Satellite, 

E.D.G.E programs produced, collaborated or sub contracted by an outside produced program; E.D.G.E Troupe, a professional actor program providing a training ground for interns from our marginalized community to observe the highest standards of professionalism and be part of the process and E.D.G.E Workshops, limited time commitment programs are meant to harness their educational and entertainment abilities in a workshop environment. These programs are targeted for school assemblies, conventions, and camps.

Tuesday, December 5, 2017

OPENING: WORLD PREMIERE Steampunk Christmas Carol at Raven Theatre Via E.D.G.E THEATRE 12/6-16

Chi, IL LIVE Shows On Our Radar:

E.D.G.E THEATRE PRESENTS THE WORLD PREMIERE OF Steampunk Christmas Carol, 
ADAPTED BY Jared McDaris, at Raven Theatre
December 6-December 16


Get in gear, break out your top hats and check out Steampunk Christmas Carol. 

E.D.G.E. Theatre is pleased to announce the world premiere of Steampunk Christmas Carol, adapted and directed by Jared McDaris, December 6-December 16 at Raven Theatre, 6157 N Clark St, Chicago, IL. Opening night is December 6. The performance schedule is 12/6, 12/8, 12/15 at 8pm and 12/9, 12/16 at 2pm. Tickets are $18. Tickets may be purchased at https://edgeoforion.com/steampunk-christmas-carol.

Charles Dickens meets Jules Verne (the Father of Science Fiction) in EDGE Theater and Steampunk Chicago's inventive reimagining of the classic holiday tale A Christmas Carol. Set in fanciful Victorian England, mechanized ghosts tell of the fate of a world without Christmas. In this land of industry, populated with strange machines powered by gas, gears and electricity, Scrooge comes to realize that the best investment man can make is in mankind. Witness the revolution of a soul when Jared McDaris' Steampunk Christmas Carol swings into Chicago's Raven Theatre.

The cast of Steampunk Christmas Carol includes X-2: Gilly Guire
The
Engineer: Sarah Franzel
Scrooge:
Joshua Carroll

Fred: Erik Burke
Barb
Ratchet: Elizabeth Quilter
Marley:
Jessica Goforth
Christmas
Past: Kate Lass
Mad
Madam Fizzlewig: Jennifer Mohr Young Scrooge: Seamus McMahon
The
Creation "Claire": Sarah Jean Tilford Christmas Present: Kaelea Rovinsky

The Steampunk Christmas Carol production team includes Roxie Kooi, stage manager; Kate Lass, fight director; Peter McManus, set designer and David Trudeau, lighting designer.

ABOUT E.D.G.E. THEATRE
E.D.G.E.’s anachronism stands for “Esteem Development through Greater Expectations”. Using the theatre arts, they educate and entertain to foster the tools of social change. E.D.G.E has a goal of finding every participant’s personal best and holding them accountable to it. E.D.G.E. main thrust is developing theatre for marginalized communities and to bring a message of non-violence, civic and social change through exploration of the theatre arts. E.D.G.E.’s four sectors are: E.D.G.E Core, company produced classes offered on a select curriculum in theatre, social skills, history and stage combat; E.D.G.E. Satellite, E.D.G.E programs produced, collaborated or sub contracted by an outside produced program; E.D.G.E Troupe, a professional actor program providing a training ground for interns from our marginalized community to observe the highest standards of professionalism and be part of the process and E.D.G.E Workshops, limited time commitment programs are meant to harness their educational and entertainment abilities in a workshop environment. These programs are targeted for school assemblies, conventions, and camps.

Monday, July 10, 2017

Three Shows Only: Catch Aura Curiatlas Physical Theatre at Edge Theatre 7/28-7/30

Chi, IL LIVE Shows On Our Radar:

Aura Curiatlas Physical Theatre
at Edge Theatre

Acrobatic Dance Theatre inspired by the work of astrophysicist Stephen Hawking


Photography: Geoffrey Wade



THREE PERFORMANCES!

Friday, July 28, 8:00 pm

Saturday, July 29, 8:00 pm

Sunday, July 30, 3:00 pm

 

Tickets: $15 student, $20 general, $10 for groups of 10+
On-line: https://www.acphysicaltheatre.com/events

Aura Curiatlas Physical Theatre will present A Life With No Limits at Edge Theatre on July 28, 29, and 30.  This performance is inspired by the work of astrophysicist Stephen Hawking and is created in the company’s signature style blending dance, theatre, and acrobatics.  The evening will begin with a selection of stories and characters from the company’s DREAM LOGIC show. Find enchantment in ordinary situations presented in unexpected ways!  After the show, the performers look forward to talking with members of the audience.

“It's especially gratifying to see companies like Aura Curiatlas Physical Theatre return to Washington with a fascinating new work, A Life With No Limits, dedicated to the ideas of the physicist Stephen Hawking. Aura Curiatlas has developed a unique, intensely physical brand of performance without words, incorporating circus and dance techniques into narratives that are eye-popping in their execution and touching in their meaning.”  (Andy White, BroadwayWorld.com, March 1, 2017)

Aura Curiatlas performs July 28 and 29 at 8:00 pm and July 30 at 3:00 pm at Edge Theatre, 5451 North Broadway, Chicago, IL 60640; Tickets: $20 general, $15 student.


What’s In A Name?
Aura:  Lightness and breath
Curious: Our characters and ourselves
Atlas: Strength and power

“Combine strength and humor, a dash of curiosity, a pinch of whimsy, and a generous dose of inventiveness, mix thoroughly and you have Aura Curiatlas Physical Theatre's compelling brand of storytelling and movement.” (Pamela Roberts, BroadwayWorld.com, March 2016)

 

Meet the Artists
Joan Gavaler (Co-Artistic Director) has choreographed over 50 original works and been a driving force behind four professional companies. She relishes collaborative discovery and has worked with poets, visual artists, composers, musicians, actors, directors, acrobats, and physicists on dance and theatre projects.  She has been invited by over 40 organizations to present and teach in the U.S., Europe, and Asia, including presentations on the Alexander Technique in Lugano, Switzerland, a dance residency at Beijing Normal University, performances for American Dance Guild showcases in New York City, and movement consulting for the Virginia Shakespeare Festival.  Joan is a Professor of Dance, College of William & Mary.


Dan Plehal (Co-Artistic Director) studied and performed physical theatre at the College of William & Mary and with Pig Iron Theatre Company (Philadelphia), FLIC Squola di Circo (Torino), Familie Floz (Berlin), and Accademia dell'Arte (Arezzo).  He has directed and designed movement for Lifeline Theatre and Boho Theatre (Chicago), Red Dot Theatre Company (Arezzo), The Groundswell Players (Philadelphia), and Sinfonicron Light Opera Company (Williamsburg).  He has taken on various roles at Chicago Shakespeare Theatre, the Arden Theatre, Theatre Horizon, and Team Sunshine (Philadelphia).  Dan directs, performs, and teaches in Chicago.

Collaborators: Mickey Lonsdale, an acrobat and dancer based in Stamford, CT; Richie Schiraldi, an acrobat and clown based in Chicago, Fiona Wren Bradley, a handbalancer and acrobat based in Chicago.


Website: www.ACPhysicalTheatre.com
Facebook: www.facebook.com/auracuriatlas


2016-17 grants:

Junior Woman’s Club of Williamsburg

National Endowment for the Arts

Virginia Commission for the Arts

Williamsburg Area Arts Commission

York County Arts Commission

Sunday, April 9, 2017

OPENING: Artemisia Presents The World Premiere of Visiting at The Edge Theater 4/14 - 5/7

Chi, IL LIVE Shows On Our Radar:

ARTEMISIA ANNOUNCES THE WORLD PREMIERE OF 
VISITING, 
APRIL 14  - MAY 7 AT THE EDGE THEATER

Written by Ed Proudfoot and Directed by Carrie Lee Patterson, Visiting, an Exploration of Bipolar Disorder, was chosen by Audiences for a Full Production during Artemisia’s Fall Festival 2015


Here at ChiIL Live Shows, we're eager to catch opening night. Quite a few of our friends and extended family members struggle with bipolar disorder. Check back soon for our full review. 

Artemisia, a Chicago theatre, is proud to announce the world premiere of Visitingby Ed Proudfoot and directed by Carrie Lee Patterson, April 14 – May 7, at The Edge Theater, 5451 N. Broadway. The opening night is Friday, April 14 at 7:30 p.m. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 2 and 7:30 p.m. and Sundays at 6 p.m. Tickets for all performances are $25 and are available at ArtemisiaTheatre.org or by calling 312.725.3780. Group and VIP Passes* are also available.

Featured as one of six plays in Artemisia’s 2015 Fall Festival, Visiting, was the undisputed audience favorite and chosen to receive a full production. Visiting is an unflinching exploration of the impact of bipolar disorder on four generations of women and the life-affirming discoveries a young woman makes about herself and her future.



Visiting by Ed Proudfoot- Artemisia Theatre from KBH Media on Vimeo.

The cast of Visiting includes Maggie Cain, “Carol;” Caitlin Cavannaugh, “Penny;” Millie Hurley, “Rachel,” Julie Proudfoot, “Lauren;” and Carin Silkaitis, “Holly.” Understudies are Jean Marie KoonSherry LegareJustine Serino and Sarah Wisterman.

The production team is Carrie Lee Patterson, director; Nicole Lewter, stage manager; Eric Luchen, set designer; Rebecca A. Barrett, lighting designer, Stefanie Johnsen, costume designer and Brandin Hurley, props and technical director.


ABOUT ED PROUDFOOT, playwright
Ed Proudfoot is a Chicago-based playwright and screenwriter. His play Chewing on Beckett was produced as a world premiere at Artemisia in 2016 and won accolades from audience and critics. Proudfoot’s plays Companion Piece and The Man in the Chair were produced in Los Angeles. He has had two screenplays optioned and has a number of stories for both stage and screen in the works. 

ABOUT CARRIE LEE PATTERSON, director
A member of the Stage Directors and Choreographers Society, Carrie Lee Patterson returns to Artemisia Theatre, where she has directed and performed in the last three Fall Festivals. She was recently awarded an individual artist grant to create All Access: An Equity Library Theatre Reading Series (ELT), which introduces new plays featuring characters that are women, people of color, LGBTQ and differently-abled.  ELT directing credits include Come Back, Any Other Name, and The Goldilocks Zone. Patterson has directed Phoenix (Nomades Theatre), Year of the Rooster (Red Theatre Chicago), I Hate Hamlet (Attic Playhouse), I Do, I Do (Peck Theatre), Lady Windermere’s Fan, Taming of the Shrew (University of Nebraska and On the Verge, She Stoops to Conquer (Graceland University). She is a graduate of Willamette University and earned her MFA from the University of Arizona.

ABOUT MAGGIE CAIN, “Carol”
Maggie Cain recently reprised her appearance as Mrs. Claus in Barney the Elf with The Other Theatre Company. Other credits include Men Should Weep (Jeff Award for Best Play), Kin and Stage Door (Griffin Theatre), The Glass Menagerie (Broadway World Award for Best Ensemble) (Mary-Arrchie Theatre), Pornography and Moment (Steep Theatre), Good Boys and True, Stop Kiss, and Book of Days, (Raven), The Consultant  (Signal Ensemble) and Troll (Fraud and Phony).

ABOUT CAITLIN CAVANNAUGH, “Penny”
Caitlin Cavannaugh returns to Artemisia again, she was previously C in Circular as part of Artemisia’s 2016 Fall Festival.  Recent credits include Juliet in Romeo and Juliet (Texas Shakespeare Festival) and Die Fledermaus (Light Opera Works). International credits include Sabanci International Theatre Festival in Adana, Turkey and Moscow Art Theatre School. She is a proud graduate of Northern Illinois University (BFA Acting) and is represented by Shirley Hamilton Inc. Her next performance is Harvey at Purple Rose Theatre Company.

ABOUT MILLIE HURLEY, “Rachel”
Millie Hurley is honored to be back with Artemisia where she played the “Old Woman” in Chewing on Beckett.  Hurley was last seen as “E.M. Ashford” in Wit (The Hypocrites). Other roles include “Mrs. Garland” in Good for Otto (The Gift Theatre), “Office Randy Osteen” in Superior Donuts (Mary-Arrchie) and in two Horton Foote plays at Raven where her role as “Maggie” in Dancing At Lughnasa garnered her a Jeff Award. She has worked with numerous theaters over the years and is a proud company member of Erasing the Distance.  She also pursues voice over, commercial and film work. 

ABOUT JULIE PROUDFOOT, “Lauren” 
Julie Proudfoot is the founder and executive artistic director of Artemisia, A Chicago Theatre and a proud member of Actors’ Equity Association and SAG-AFTRA.  Proudfoot was last seen in Image, which was one of six plays featured in Artemisia’s 2016 Fall Festival.  She holds an MFA in theatre and has 20 years of experience as a professional actor, director and dramaturge performing in, developing and producing new work.  Proudfoot won critical and audience acclaim for her portrayal of “Viola” in Artemisia’s world premiere of Chewing on Beckett, directed by Steve Scott. 

ABOUT CARIN SILKAITIS, “Holly”
Carin Silkaitis makes her Artemisia Theatre debut in Visiting. She is the founding artistic director of The Other Theatre Company where her credits include I Do Today, The Realm and Other Letters 9 (actor) and OTHERS: A 24 Hour Play Festival, Daughters of Ire, Barney The Elf (director). Notable TV/film credits include: “Chicago Fire,” “Unexpected” and “Blood And Water.” Notable theatre credits include: Lips Together, Teeth Apart (Eclipse Theatre), Sons Of The Prophet (American Theatre Company), Richard III (Oak Park Festival Theatre), Seven Homeless Mammoths Wander New England (u/s Theater Wit), Distracted (u/s American Theatre Company), and Rabbit Hole (u/s Goodman Theatre). Favorite regional credits include: Love Letters, Dangerous Liaisons and A Comedy Of Errors. Silkaitis is a graduate of the School at Steppenwolf, and received her MFA in acting from the Theatre Conservatory at Roosevelt University. She is a proud member of AEA and equally proud to be represented by Gray Talent in Chicago.

ABOUT ARTEMISIA
Artemisia produces plays that empower women, gives playwrights career-altering opportunities and brings groundbreaking new theatre to Chicago audiences, who are engaged as a vital part of Artemisia’s play selection process.

ARTEMISIA VIP PASS*
Artemisia offers a VIP Pass for $25. The VIP Pass allows audiences reserved seating to all performances including Visiting, the Feminist Play Revival, Her Story is Our Story Fall Festival, invitations to post-show receptions, seminars taught by Artistic Director Julie Proudfoot and more. Passes are available at ArtemisiaTheatre.org.


Artemisia is sponsored by The Gaylord and Dorothy Donnelly Foundation Gen Ops Strategy, The MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, Steve Robinson at New Media Productions and Candice Wu, Self Love + Healing.

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