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Showing posts with label remount. Show all posts
Showing posts with label remount. Show all posts

Thursday, April 4, 2019

SANDRA DELGADO’S HIT LA HAVANA MADRID RETURNING MAY 11-JUNE 22 AT THE DEN

ChiIL Live Shows on our radar

CAST, PRODUCTION TEAM ANNOUNCED FOR RETURN OF 
LA HAVANA MADRID, 
SANDRA DELGADO’S LIVE THEATER+MUSIC SENSATION ABOUT AN ACTUAL 1960s CHICAGO NIGHTCLUB AND LATINO MELTING POT, 
MAY 11-JUNE 22 AT THE DEN

New Teatro Vista/Collaboraction co-production pairs
much of the original cast with rising new Latinx talent,
in an even more immersive nightclub setting

La Havana Madrid stars (top, from left) playwright Sandra Delgado as La Havana Madrid, Marvin Quijada as Carpacho, Tommy Rivera-Vega as Henry, Ayssette Muñoz as Maria, (bottom) Mike Oquendo as Tony, Ilse Zacharias as Myrna, Alix Rhode as Maruja and
Victor Musoni as Carlos. 

I caught the initial opening of La Havana Madrid, and was completely enchanted by Sandra Delgado's delightful, music filled immigrant story. It's a heartfelt ode to a beloved Chicago gathering space, where the displaced found community, support, love, and a melding of song and dance from numerous cultures. I'll be out again for the press opening of La Havana Madrid's enhanced remount May 17th. Check back soon after for my full review.


Anticipation is building for the spring return of 
La Havana Madrid, 
Chicago Latinx playwright and actor Sandra Delgado’s 
smash hit, all-immersive theatrical event 
inspired by true stories of a 1960’s Chicago nightclub 
and immigrant melting pot, La Havana Madrid.


La Havana Madrid, returning as an an enhanced co-production between Teatro Vista and Collaboraction, will be remounted May 11-June 22 in the Heath Mainstage at the Den Theatre, 1331 N. Milwaukee Ave., in Chicago’s Wicker Park neighborhood. 

Tickets, $30-$60, are on sale now. Visit thedentheatre.com or call the Den Theatre Box office, (773) 697-3830, for tickets and information.

Back by popular demand, La Havana Madrid transports audiences back to a popular 1960s Chicago nightclub of the same name, where Latin0 immigrants new to Chicago found refuge to gather, meet, sing, dance, dine, find love and discover their destinies. Inspired by real stories of Cuban, Puerto Rican and Colombian immigrants, La Havana Madrid recreates a special time and place in Chicago history by immersing audiences in the lively music of that decade. Throughout, La Havana Madrid reveals how and why Latinos originally migrated to the shores of Lake Michigan, only to be pushed further west – away from the lake – by the forces of gentrification and racism.

Today, Collaboraction and Teatro Vista announced the cast and design team for the return of La Havana Madrid. Sandra Delgado, both a Teatro Vista ensemble member and a founding company member of Collaboraction, will reprise her role as La Havana Madrid, the evening’s lead singer and mystical mistress of ceremonies who channels audiences through a series of true stories of Latino immigrants in Chicago, how and why they arrived here, the barriers they overcame, and their lasting impact from generation to generation still today.

Teatro Vista ensemble members Tommy Rivera-Vega and Marvin Quijada will return as young immigrants new to Chicago who each met, danced, loved and lost at La Havana Madrid. Chicago actor and comedian Mike Oquendo also returns as Tony Quintana, the once owner of La Havana Madrid and host of the 1960s Chicago radio show “Tony’s Latin A-Go-Go.”

Also back is legendary Colombian-American musician Roberto "Carpacho" Marin and his band of 30 years, Carpacho y Su Super Combo. Together with Delgado and the cast, Carpacho y Su Super Combo chronicles the history of Caribbean Latino music, live, from mambo, to cumbia, to the birth of salsa. And yes, by the end of the show, audience members need little encouragement to get on their feet and dance right along.

New to the cast are Teatro Vista ensemble members Ayssette Muñoz as Maria, one of 14,000 unaccompanied minors who made a mass exodus to the U.S. in the early 1960s as part of Operation Peter Pan, and Ilse Zacharias as Myrna, a force-of-nature Puerto Rican beauty queen with big plans to break through the glass ceiling of Chicago’s Latino community. Victor Musoni is cast as Carlos, a streetwise Puerto Rican teen from Lincoln Park who has a political awakening through his photography. Alix Rhode will play Maruja, Henry’s long-distance Colombian bride who he saves and sends for to join him in Chicago.

Teatro Vista ensemble member Cheryl Lynn Bruce, who directed the 2017 world premiere, returns to re-stage Delgado’s theatrical, cinematic and musical history of Latino Caribbeans in Chicago.

Planned updates to the physical production include a reimagined, more immersive set and video design that will evoke an actual night out at a real Chicago 1960s Latino nightclub, complete with cabaret seating, a dance floor and a small stage for the live band.

Original designers returning to help Bruce, the cast and the band re-realize this enhanced immersive environment are Collaboraction company members Elsa Hiltner (costumes) and Liviu Pasare (projections), along with Heather Skye Sparling (lights) and Teatro Vista ensemble member Jennifer Aparicio (production manager). New to the La Havana Madrid production team are Jose Manuel Diaz (set), Robert Hornbostel (sound) and Collaboraction company member Caitlin Body (stage manager). 



Original Production Photos: credit Joel Maisonet

Teatro Vista’s 2017 world premiere of La Havana Madrid resonated deeply with Chicagoans from all different backgrounds and ages. It played to capacity crowds at Steppenwolf’s 1700 Theatre and The Miracle Center in Hermosa and then transferred for an extended summer run in the Goodman’s Owen Theatre that drew record attendance.




Chicago’s leading Latinx newspaper Hoy wrote “La obra tiene la magia de conectar a la comunidad, de revivir recuerdos” (“the work has the magic of connecting to the community, of reliving memories.”) New City and Time Out Chicago hailed La Havana Madrid one of the “Best of 2017.” Time Out’s readers named it “Best New Work.” The Chicago Tribune hailed La Havana Madrid “heartfelt and fascinating…bursting with music and warmth." 

“I am thrilled that my two artistic homes are coming together to bring
La Havana Madrid back to life. Both companies have a long history of collaborating and La Havana Madrid fits perfectly into their complementary missions, that of telling Latinx stories and uniting Chicagoans,” said Delgado.




“I am especially excited to be in the Heath Mainstage at the Den Theatre for the evolution of the La Havana Madrid experience. This malleable space is exactly what I have always envisioned for La Havana Madrid. With the combined strength of two companies, we will be able to fully realize the vision I have always had in mind, complete with immersive staging and evocative projections, that will transport audiences back to 1960's Chicago.”


PERFORMANCE SCHEDULE AND TICKET INFORMATION

Previews of La Havana Madrid are Saturday, May 11 at 7:30 p.m., Sunday,
May 12 at 3 p.m., and Wednesday and Thursday, May 15 and 16 at 7:30 p.m. Press opening is Friday, May 17 at 7:30 p.m. Performances run though June 22: Thursdays and Fridays at 7:30 p.m.; Saturdays at 4 p.m. and 8 p.m., and Sundays at 3 p.m.

Tickets are $30 general admission, $50 table seat and $60 front row table seat. Tickets are on sale now at thedentheatre.com or call the Den at
(773) 697-3830. Group discounts available.

The Den Theatre is located at 1331 N. Milwaukee Avenue in the heart of Chicago’s Wicker Park neighborhood. Metered street parking is available on Milwaukee and surrounding side streets. Street parking can be difficult to find, so arrive early to secure a spot and then come by The Den for a pre-show drink at the bar. The Den is close to the CTA Blue Line Division Street stop, and the 9 Ashland, 70 Division and 56 Milwaukee CTA bus lines. For more information, visit thedentheatre.com.

 Sandra Delgado | La Havana Madrid
"This is ultimately a Chicago story. This is our story, our story as a city." - Sandra Delgado

Flash back to Goodman Theatre's video trailer for La Havana Madrid, circa summer 2017:




ABOUT TEATRO VISTA

Teatro Vista shares and celebrates the riches of Latinx culture with Chicago audiences. The company provides work and professional advancement opportunities for Latinx theatre artists, with special emphasis on the company’s ensemble members, and seeks to enhance the curricular goals of Chicago students through theater.

Teatro Vista was founded in 1990 by Edward Torres and Henry Godinez with a primary focus to produce new works by Latinx theatre artists and classic plays featuring artists of color. The company’s current leadership team is Ricardo Gutiérrez, Executive Artistic Director, and Sylvia Hevia, Managing and Development Director.

Teatro Vista is supported by Alphawood Foundation, Paul M. Angell Family Foundation, The MacArthur Fund for Arts & Culture at the Richard H. Driehaus Foundation, Bloomberg Philanthropies, the Department of Cultural Affairs and Special Events of the City of Chicago, Art Works, Illinois Arts Council, Lester and Hope Abelson, The Shubert Foundation, The Gaylord and Dorothy Donnelly Foundation, the Bayless Family Foundation and Vidal & Associates. Purple Group is Teatro Vista’s Headline Season Sponsor.

For more, visit teatrovista.org, or follow the company on Twitter, Facebook or Instagram.


ABOUT COLLABORACTION

Collaboraction, Chicago’s social contemporary theater, collaborates with a diverse community of Chicagoans, artists and community activists to create original theatrical experiences that push artistic boundaries and explore critical social issues. Since the company’s founding in 1996, Collaboraction has worked with more than 3,000 artists to bring more than 60 productions and events to more than 150,000 audience members.

For the past five years, Collaboraction has partnered with the Chicago Park District through their Night Out in the Parks program, returning each year to cultivate relationships and theater in Englewood, Austin and Hermosa through the Crime Scene, PEACEBOOK and Encounter tours. Production highlights also include its series of Crime Scene productions responding to Chicago’s crime epidemic; 15 years of the SKETCHBOOK Festival; and the YO SOLO Festival of Latino Solo Shows, co-produced with Teatro Vista in 2012.

Collaboraction is led by Artistic Director Anthony Moseley, Managing Director Dr. Marcus Robinson, a company of 20 talented Chicago theater artists, and a dedicated staff and board of directors. The company’s vision is to utilize theater to cultivate dialogue and action around our most critical social issues throughout Chicago.

Collaboraction is supported by The Chicago Community Trust, The Joyce Foundation, The Field Foundation, the National Endowment for the Arts, DCASE and the Wicker Park & Bucktown SSA #33 Chamber of Commerce. This program is partially supported by a grant from the Illinois Arts Council, a state agency.

For more, visit collaboraction.org, follow the company on Twitter, Facebook, YouTube or Instagram, or call the Collaboraction box office, (312) 226-9633.

 
Sandra Delgado by Joe Mazza/brave lux. Photo 

Sandra Delgado is a Colombian-American actor, writer, and producer born and raised in Chicago. She wrote and starred in La Havana Madrid, a Teatro Vista production at both the Steppenwolf Theatre and The Goodman Theatre. La Havana Madrid, Teatro Vista’s best-selling show in its 25-year history, played to sold out houses, and deeply resonated with Chicagoans from all different backgrounds. La Havana Madrid received recognition as one of the best plays of 2017 by Time Out Chicago (including the audience award for Best New Work) and New City Chicago. It was nominated by the Alliance of Latinx Theatre Artists (ALTA) for the Maria Irene Fornes New Play Award and received an ALTA Award for Best Production.

In addition to her writing, Delgado is also a respected veteran of the stage, with a career spanning almost two decades. She most recently starred in La Ruta at Steppenwolf Theatre. Acting highlights include Jocasta in Oedipus El Rey at The Public Theater, the titular character in La Havana Madrid, the epic five-hour 2666 at The Goodman Theatre, her star turn as Veronica opposite Jimmy Smits in Motherf**ker with the Hat at Steppenwolf Theatre, and Mojada at Victory Gardens Theater, where her portrayal of Medea earned distinction as one of the Top Ten performances of 2013 by the Chicago Tribune.

Delgado is also deeply committed to mentoring, advocating, and creating opportunities for her fellow Latinx theatre artists as a producer. Her groundbreaking YO SOLO Festival of Latino Solo Shows, co-produced by Collaboraction and Teatro Vista in 2012, was the first of its kind in the country. She co-curated Steppenwolf’s LookOut series during the run of her show La Havana Madrid, bringing dozens of Latinx artists to perform at Steppenwolf for the first time, and in the process creating community and a cultural hub for Latinx Chicagoans. Saints and Sinners, her new storytelling and music series, is also an extension of her drive to create more opportunities for writers and performers of color and provide a space to cultivate connection and understanding. Her advocacy work also includes serving on the Actors’ Equity Association EEO Committee since 2005 and co-chairing their annual Spirit, A Celebration of Diversity for the last three years as well as serving on the Latinx Theatre Commons advisory committee, a national advocacy organization for Latinx Theatre artists, since 2014.

In addition to being an ensemble member of Teatro Vista (Associate Artistic Director from 2006-2008), Delgado is a founding ensemble member of Collaboraction (est. 1997), and is devoted to their mission of creating new works around Chicago’s most critical social issues. She is the recipient of a 2018 3Arts Award, the Joyce Award, The Theater Communications Group (TCG) Fox Foundation Resident Actor Fellowship in the Extraordinary Potential Category, a two-time Chicago Department of Cultural Affairs and Special Events grantee, a 3Arts 3AP Project Grantee, and received the 2017 Latina Professional of the Year Award from the Chicago Latino Network. Delgado is a resident playwright at Chicago Dramatists, a member of ALTA's Semillero Playwright's Circle, and a 2015/2016 member of the Goodman Theatre’s Playwright’s Unit. She is one of the 20 women of Chicago arts and culture honored in Kerry James Marshall's mural RUSH MORE on the facade of the Chicago Cultural Center. Her new play, Felons and Familias, the inaugural "In the Works" commission for Theatre on the Lake, received a workshop production as part of TOTL's 2018 season and was featured in The Goodman Theatre’s New Stages Festival this past fall under the new title, Hundreds and Hundreds of Stars. sandradelgado.net


Cheryl Lynn Bruce (director) is a Teatro Vista ensemble member, and like Delgado, she is one of the 20 women of Chicago arts and culture honored in Kerry James Marshall's mural RUSH MORE on the facade of the Chicago Cultural Center. She directed the world premiere of La Havana Madrid, and served as assistant director of Teatro Vista’s productions of Tamer of Horses and A View From the Bridge. She recently won the African American Arts Alliance Black Excellence Award and a 2018 Jeff nomination for directing Congo Square’s Jitney. She has performed on stages across the country and internationally, including recently at Steppenwolf Theatre in Familiar. Bruce created the role of Elizabeth Sandry for Steppenwolf’s Tony Award-winning production of The Grapes of Wrath, adapted and directed by Frank Galati for Broadway’s Cort Theatre, Britain’s National Theatre and La Jolla Playhouse. She also workshopped and premiered in RACE, Lookingglass Theatre’s inaugural production directed by David Schwimmer and Joy Gregory.

Bruce received a 3Arts Award (2010), a 3Arts fellowship to support a five-week Rauschenberg residency (2015), a Jane Addams Hull House Association’s Woman of Valor Award (2010) and a Yale Research Residency (2011). She was awarded the 2002 African American Arts Alliance Black Excellence Award and Black Theatre Alliance Award for Outstanding Direction of Endesha Ida Mae Holland’s From The Mississippi Delta at Congo Square Theater. Other directing credits include Resurrection by Daniel Beaty and Drip by Gloria Bond Clunie at eta Creative Arts Foundation, Milkweed: A Solo Play by Misty De Berry for Columbia College at Links Hall and Northwestern University, Spunk by Zora Neale Hurston at University of Illinois at Chicago and Congo Square Theater, Cage Rhythm by Kia Korthron for University of Illinois at Chicago and Theatre School at DePaul University, and Permanent Collection by Thomas Gibbons for Indiana University Northwest. In 2006 she was an Inaugural Fellow of the Institute for the Study of Women and Gender in the Arts and Media at Columbia College. In 2007 Bruce traveled to Japan to study Bunraku puppetry for her staging of Rythm Mastr, Kerry James Marshall’s urban comic which premiered at the Wexner Center for the Arts.

 
Marvin Quijada (Carpacho) is a Chicago based electronic music producer/composer, iOS musician, DJ, theatrical actor, and a clown/mime. He's excited to return to the world of La Havana Madrid. His theatrical credits in Chicago include: Pericles, Short Shakespeare! The Comedy of Errors, Romeo and Juliet, and Othello (Chicago Shakespeare) Season on the Line (The House Theatre), The Dueling Gentlemen (Silent Theatre Company) which he wrote and directed, among others. His New York credits include: Lulu: A Black and White Silent Play (Silent Theatre) which won best play at the NY Fringe Festival in 2005. TV credits include Chicago Fire and Chicago P.D. He is an ensemble member with Teatro Vista and Silent Theater. Follow him on soundcloud and instagram at SILENT MARVIN.

 
Tommy Rivera-Vega, Teatro Vista ensemble member, recently played Ezekiel in Goodman Theatre’s Lottery Day. Chicago credits include La Havana Madrid, Parachute Men, Between You Me and the Lampshade, A View From the Bridge and Momma’s Boyz (Teatro Vista); Support Group for Men, Mother Road (Goodman Theatre); Frederick (Chicago Children's Theatre); West Side Story (Drury Lane); In the Heights (Skylight Music Theatre); In the Heights and My Fair Lady (Paramount Theatre); Three Sisters (Steppenwolf); Kiss of the Spiderwoman (BoHo Theatre); Augusta & Noble (Adventure Stage); Pippin (Music Theatre Company) and CATS (Theo Ubique Cabaret Theatre). Puerto Rico credits include Spring Awakening and Footloose (Black Box Theatre).

 
Ayssette Muñoz moved to Chicago in 2013 from a small Texas border town in the Rio Grande Valley. She was featured in the Chicago Tribune's “Top 10 Hot New Faces of Chicago Theatre” in 2015, due to her appearance as Catherine in A View From the Bridge with Teatro Vista. She quickly became an Artistic Associate with the company in 2014, and is now a proud ensemble member. Since then, she originated the role of Miranda in Ike Holter’s Wolf at The End of the Block, Amparo in Raul Castillo’s Between You, Me, and the Lampshade, and Maria Teresa in Caridad Svich's In the Time of the Butterflies. Other Chicago credits include Muriel McComber in Ah Wilderness (Goodman Theatre) and Mary Whitney in Alias Grace (Rivendell Theatre Ensemble). She understudied and performed in Steppenwolf’s critically acclaimed production The Doppelganger, alongside Rainn Wilson and fellow Teatro Vista ensemble member Sandra Marquez. Other understudy credits include Lookingglass Theatre's Plantation!, and Chicago Shakespeare Theatre’s Romeo and Juliet. TV/film credits include Chicago P.D. and the award-winning feature En Algun Lugar (Iconoclast Films).


 
Mike Oquendo is a Chicago born comedy show host and theater producer who stages over 80 shows a year in Chicago and across the country. His shows have been featured on The View, Telemundo, Univision, People en Español, Broadway World and the Chicago Tribune. He is one a handful of Latinos to have trained in New York’s Commercial Theater Institute. His recent production of the off-Broadway hit Made in Puerto Rico with Comedian Eli Castro sold out seven weeks in New York City. He continues to host his Mikey O Comedy Shows in Chicago.

 
Ilse Zacharias (Myrna) is thrilled to be returning to Teatro Vista. Chicago credits include The Abuelas, The Madres and Wolf at the End of the Block u/s (Teatro Vista), Anna Karenina (Lifeline Theatre), Crime and Punishment (Shattered Globe); Into the Beautiful North (16th Street Theater); and Shrewish u/s (Artemisia Theatre). She has also worked with Chicago Shakespeare Theatre, Court Theater, American Blues Theater, Water People, The Bridge Theater and Something Marvelous. TV credits include The Exorcist. Zacharias received her BFA in Acting from Roosevelt University. She can currently be heard as the title role in BRAVA, a podcast produced by the co-author of Hamilton, Jeremy McCarter and the Make-Believe Association.

 
Alix Rhode, a Chicago native, is making her professional debut in La Havana Madrid. She is currently a junior at the Chicago College of Performing Arts pursuing her BFA in Musical Theatre.


Victor Musoni is a freshman at UIC studying to receive his BFA in theater. He is an ensemble member of The Yard Theatre Company. He was last seen in The Q Brothers Rome Sweet Rome (UIC main stage). He has recently appeared in Back The Night (UIC Studio Theatre), Fun Harmless War Machine (The New Colony), NO CHILD (Definition Theatre Company), Blood at the Root (Jackalope Theatre), Columbinus (Steppenwolf/The Yard),The Toilet (Haven Theatre), Race to the Finish (Kuumba Lynx), Snack Break 1&2 (The Yard), staged reading of Cardboard Piano (Timeline Theatre), How We Got On (Haven Theatre), staged reading of The Stories of us (Visión Latino Theatre Company). Film credits include Run Boy Run Girl, Brujos Web Series and 6x9 (Cinema Libertad). Music videos include Young Lost Love by Appleby and Sinner by Ric Wilson.

Wednesday, May 30, 2018

TICKETS ON-SALE TODAY AT NOON: IONESCO'S VICTIMS OF DUTY REMOUNT VIA RED ORCHID THEATRE

Chi IL Live Shows On Our Radar:
                                                           
A RED ORCHID THEATRE ANNOUNCES CASTING FOR
VICTIMS OF DUTY
BY EUGENE IONESCO
DIRECTED BY SHIRA PIVEN


FEATURING ORIGINAL CAST MEMBERS
ENSEMBLE MEMBERS MICHAEL SHANNON AND GUY VAN SWEARINGEN
PLUS KAREN ALDRIDGE, RICH COTOVSKY AND ENSEMBLE MEMBER MIERKA GIERTEN

July 11 – August 5, 2018

**TICKETS ON-SALE WEDNESDAY, MAY 30 AT NOON**

Here at ChiIL Live Shows we're so very excited for this remount for too many reasons to count. I've adored Ionesco since my college intro to his Theatre of the Absurd began with Rhinoceros. I'm also quite fond of Shira Piven's work, Michael Shannon, Guy Van Swearingen (original cast members)... and the rest of this cast of Chicago's finest. A Red Orchid Theatre is at it again, bringing vividly stunning works and star power to their intimate Old Town storefront. This is where theatre gets real. Don't miss this! Book ASAP. This run is sure to sell out.

A Red Orchid Theatre presents a special summer engagement of Victims of Duty by Eugene Ionesco and directed by Shira Piven. Victims of Duty runs July 11 – August 5, 2018 at A Red Orchid Theatre, 1531 N Wells in Chicago.

The cast of Victims of Duty includes original cast members Ensemble Members Michael Shannon (The Detective) and Guy Van Swearingen (Choubert), as well as Karen Aldridge (Madeleine), Rich Cotovsky (Nicolas D’eu), and Ensemble Member Mierka Gierten (The Lady).

Much of the original 1995 team come together to revisit Ionesco's absurd masterpiece. Choubert, the archetypal bourgeois everyman, and his wife Madeleine are spending a quiet evening at home when the Detective arrives to enlist their help in finding the previous tenant. A roller-coaster ride of high comedy and horrific tragedy as Choubert examines his past present and future in a quest to find out where Mallot could be hiding.

“Victims of Duty was the very first show I ever saw at A Red Orchid,” says Artistic Director Kirsten Fitzgerald. “I am not entirely sure Ionesco's investigation of a life made logical sense to me at the time, but it made perfect emotional sense and was viscerally stunning.  So much so, that I knew I needed to work with these people in this space.  That was 1996.  With many of the originals returning (including Director Shira Piven, Production Designer Danila Korogodsky, and actors Guy Van Swearingen and Michael Shannon) the investigation promises to go even deeper.”

In addition to Director Shira Piven, the creative of Victims of Duty includes Danila Korogodsky (Production Designer), Ensemble Member Mike Durst (Lighting Designer), and Brando Triantafilou (Sound Designer).

Tickets, priced at $50, will go on-sale Wednesday, May 30 at noon and may be purchased at the A Red Orchid Theatre Box Office (1531 N. Wells Ave, Chicago) by calling (312) 943-8722, or online www.aredorchidtheatre.org.


About the Artists

EUGENE IONESCO (Playwright) was a Romanian-born French playwright. He studied in Bucharest and Paris, where he lived from 1945. His first one-act antiplay, The Bald Soprano (1950), inspired a revolution in dramatic techniques and helped inaugurate the Theatre of the Absurd. He followed it with other one-act plays in which illogical events create an atmosphere both comic and grotesque, including The Lesson (1951), The Chairs (1952), and The New Tenant (1955). His most popular full-length play, Rhinoceros (1959), concerns a provincial French town in which all the citizens are metamorphosing into rhinoceroses. Other plays include Exit the King (1962) and A Stroll in the Air (1963). He was elected to the Acadmie Franaise in 1970.



SHIRA PIVEN (Director) is a director of both stage and film.  She was the child of theatre people and established herself originally as an actress and stage director in Chicago in the 90's.  Shira has directed numerous stage productions, many of them original adaptations, in New York, Chicago, LA, and Washington D.C. She was the director and a founding member of Burn Manhattan spontaneous theatre, a groundbreaking group performing entirely improvised physical theatre throughout New York City.  In Los Angeles Shira developed and directed the plays Little and All Cake No File at the Actor’s Gang Theatre and Fully Loaded at UCB Theatre. Her first foray into film combined live theatre with film sequences in Water's show Death of a Judge in 2003.  Shira completed her second feature film, Welcome To Me, starring Kristen Wiig in 2015. Her first feature Fully Loaded won the audience favorite feature award at Palm Beach International Film Festival as well as best feature at both The River's Edge International and Carmel Art and Film Festivals. It was also featured at the Boston, San Luis Obispo, Talking Pictures and Newport Beach film festivals and released by Starz. She also directed a short documentary The Beast and The Angel that premiered at the Lincoln Center Film Society and aired on PBS.



MICHAEL SHANNON (The Detective) is a founding member of A Red Orchid Theatre. He directed the world premiere of Traitor by Brett Neveu earlier this year and made his directing debut here with Ionesco’s Hunger and Thirst. He has been seen on stage at A Red Orchid in Pilgrim’s Progress, Simpatico, Mistakes Were Made, Gagarin Way, Mr. Kolpert, BUG, 'Tis Pity She's a Whore, The Killer, The Persecution of Arnold Petch, Canus Lunis Balloonis, Victims of Duty, and Drinking in America. Elsewhere around Chicago, he has worked at Steppenwolf, Lookingglass, Northlight, Famous Door (RIP), and the Next Lab, birthplace of Killer Joe, in which he originated the role of Chris Smith and performed it a gillion times all over God's green earth. Mike currently lives in NYC where he Performed in Ionesco's The Killer with Theatre for a New Audience and made his Broadway debut in Grace at the Cort Theatre. He also played Astrov in Annie Baker's adaptation of Uncle Vanya at Soho Rep, directed by Sam Gold.  Film credits include Groundhog Day, Chicago Cab, The Ride, Jesus' Son, Cecil B. Demented, Tigerland, Pearl Harbor, 8 Mile, Bad Boys II, Kangaroo Jack, Grand Theft Parsons, The Missing Person, Zamboni Man, Revolutionary Road, My Son My Son What Have Ye Done?, Shotgun Stories, Take Shelter, Mud, Machine Gun Preacher, Premium Rush, The Iceman, Man of Steel, 99 Homes, Free Held, Elvis & Nixon, The Shape of Water, Fahrenheit 451 and more. On TV: Boardwalk Empire, and the recent miniseries Waco. 



GUY VAN SWEARINGEN (Choubert) is founding Artistic Director and Ensemble Member of A Red Orchid Theatre where he has appeared in over a dozen productions, including Traitor, The Nether, Red Handed Otter, The Sea Horse (Jeff Nomination), Simpatico (Jeff Nomination) and the World Premiere of The Opponent (which was also produced at 59E59 in NYC).  Regional credits include Simpatico at the McCarter Theatre, The Sign in Sidney Brustein’s Window at the Goodman Theatre, the World Premiere of Taking Care and a revival of The Time of Your Life at Steppenwolf (which transferred to Seattle Rep and A.C.T.) and Eleven Rooms of Proust (a Lookingglass/About Face/Goodman Theatre collaboration).  Other local theatres he’s appeared with include Defiant, Plasticene, Famous Door and Mary Arrchie.  Film credits include Captive State (2018 release), The Dilemma, The Merry Gentleman, Take Shelter, Public Enemies, The Weatherman, Ali, Janie Jones and The Unborn. TV credits include Chicago Fire (NBC), Boss (STARZ), Sirens (USA), Detroit 1-8-7 (ABC), Gifted Hands: The Ben Carson Story (TNT), The Beast (A&E), Turks and Early Edition (CBS). 



KAREN ALDRIDGE (Madeleine) is a critically acclaimed theater artist consistently starring in productions at Chicago's most prestigious theaters such as The Goodman Theatre, Steppenwolf Theatre and Chicago Shakespeare Theatre. Karen originated the role of "Mrs. Phelps" in Matilda on Broadway.  She also toured around the world in Le Costume with the Theatre des Bouffes du Nord. Karen has been nominated for two Joseph Jefferson Awards.  On television, Karen has appeared in a recurring role as "Dr. Kendra" on NBC's CHICAGO FIRE and as "Dr. Ella Harris" in the Golden Globe winning series BOSS.  Other television & film credits include CBS' Blue Bloods, CBS' Unforgettable and Ron Howard's THE DILEMMA.  



RICH COTOVSKY (Nicolas D’eu) directed the very first show at A Red Orchid Theatre in 1993.  He was the founder and Artistic Director of Mary Arrchie Theatre Company for all of it’s 30 years.  Cotovsky has performed in or directed more than 50 productions at Mary-Arrchie and other theaters, along with the occasional film, television, and commercial gig. Among his favorites: a record-setting run as the Hellcab cabbie and the role of Arthur in Mary-Arrchie's 2012 production of Tracy Letts's Superior Donuts, which he workshopped and understudied at Steppenwolf.  Though Rich and Guy and Mike have collaborated many times, this is the first time they will share the stage outside of the occasional late-night talk show at Mary Arrchie’s Abby Hoffman Died for our Sins festival.


MIERKA GIRTEN (The Lady) is an ensemble member at A Red Orchid, where she has been seen in over thirteen productions, including The Room, The Mutilated, Simpatico, Red Handed Otter, Mud Blue Sky and Abigail’s Party among others. Mierka was honored to reprise her role in Simpatico last fall with A Red Orchid at The McCarter Center in Princeton NJ.   She played Maria Callas in Master Class at The Human Race Theatre Company in Dayton Ohio.  Additionally, she has worked with The Hypocrites, Rivendell Theatre, Porchlight Music Theatre, Cobalt Ensemble, Apple Tree, Provision, Strawdog, Circle Theatre, American Blues, Mary-Arrchie, Live Bait, Roadworks, Steppenwolf and The Goodman. She played Esther in Mistakes Were Made both here at A Red Orchid and in the Off-Broadway Barrow Street Theatre production with friend Mike Shannon. Her voice can be heard on national broadcast and web commercials.

DANILA KOROGODSKY (Production Designer) is a director and stage designer. He is the Artistic Director of Pokoleniy Theater in St. Petersburg, Russia and serves as the head of set design at California State University, Long Beach.  Born into a theatrical family, his father Zinovy Korogodsky, a Stanislavsky prize winner, was one of the most important directors and theater pedagogues in Soviet Union. His mother, Liah Danilina, was a playwright. Danila grew up and was educated in the Soviet Union. He graduated from Leningrad Theater Academy in 1977 as a stage and costume designer, and after graduation worked as a resident designer at the Leningrad TYS (Theater for Young Spectators) - a premier company for young audiences in the Soviet Union. During that time he also worked as a freelance designer for theaters around the country designing more than 80 productions for various companies such as Baku Youth Theater, Tallin Drama Theater, Leningrad Comedy Theater, Novy Drama Theater, Mossoviet Theater, Ilkhom Theater, and Tashkent. In 1989 he was invited to design a show at Honolulu Theater for Youth. Since then he has worked in the United States as a stage designer and design professor. He designed more than 250 productions in the United States and around the world. He also started designing for the opera, and has worked with Chicago Lyric Opera, Opera Bielefeld and Opera Dessau in Germany, Opera Nantes in France, The Spoleto Festival and Opera Theater of Pittsburgh. Other theatrical design work has been with NYC Japan Society, A Noise Within, Actors Gang, Pittsburgh Playhouse, Minneapolis Children Company, ACT, Wheelock Theater, and more.  At Pokoleniy Theater in St. Petersburg, Russia. He has directed Without Lear based on King Lear by Shakespeare, Far Away on Lake Tchad, The Table, Peter-Burg, Songs of Love and Death, The Light Bulb all conceived and developed by the company, which were well received by the Russian and international press. He developed a project based on a play by Maxim Gorky The Summer Folks, which opened in Theater Pokoleniy in October 2012.

Dates:
Previews: July 11-14, 2018
Wednesday, July 11 at 7:30 p.m.
hursday, July 12 at 7:30 p.m.
Friday, July 13 at 7:30 p.m.
Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Press Performances: Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Opening:Sunday, July 15 at 7:00 p.m. 

Regular Run:
July 17 – August 5, 2018           
Tuesday, July 17 at 7:30 p.m.
Thursday, July 19 at 7:30 p.m.
Friday, July 20 at 7:30 p.m.
Saturday, July 21 at 3:00 p.m. and 7:30 p.m.
Sunday, July 22 at 3:00 p.m.
Wednesday, July 25 at 7:30 p.m.
Thursday, July 26 at 7:30 p.m.
Saturday, July 28 at 3:00 p.m. and 7:30 p.m.
Sunday, July 29 at 3:00 p.m. and 7:30 p.m.
Tuesday, July 31 at 7:30 p.m.
Wednesday, August 1 at 7:30 p.m.
Friday, August 3 at 7:30 p.m.
Saturday, August 4 at 3:00 p.m. and 7:30 p.m.
Sunday, August 5 at 3:00 p.m.

Schedule:
Tuesdays:7:30 p.m. (July 17 & 31)
Wednesdays: 7:30 p.m. (July 11 & 25)
Thursdays: 7:30 p.m. (July 12, 19 & 26)
Fridays: 7:30 p.m. (July 13 & 20 and August 3)
Saturdays: 3:00 p.m. (July 21 & 28 and August 4)
and 7:30p.m. (July 14, 21 & 28 and August 4)
Sundays:
3:00 p.m. (July 22, 29 and August 5)

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $50
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org

Concluding our 25th season of ambitious and powerful storytelling, we continue to champion A Red Orchid Theatre’s Red League, which is a gift $1k or more, and the Founders Circle, which is a gift of $5k or more annually for a three-year pledge. These donors represent a community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.


About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 25 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to a Youth Project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.

Sunday, January 21, 2018

REVIEW: Rose Blossoms Again At Greenhouse Theater Bringing Kennedy Family's Dark History to Light

Chi, IL LIVE Shows On Our Radar: 

"ROSE" Brings Post Chappaquiddick ROSE FITZGERALD KENNEDY to Greenhouse Theater Center 


“ROSE,” 
By Laurence Leamer
Directed by Steve Scott
Starring Linda Reiter

January 12 – March 11, 2018

Running Time: 1hr, 30mins


Review:

In this brilliant remount, acclaimed Chicago actress, Linda Reiter effortlessly channels Rose Fitzgerald Kennedy, from her iconic pearls and fabulous fashion sense, to her unsettling family revelations. She is truly a treat to listen to, and keeps the audience's rapt attention for the duration. The Kennedy saga is fascinating in and of itself, but also as a microcosm of America's story. Theirs is an all American rags to riches, tale of immigrants made good. They lost sons in war, and political assassinations. They lost daughters prioritizing religion, propriety, and appearances over familial love. 

Rose was intelligent, ambitious, and upwardly mobile, grooming her sons for greatness from birth, yet very much an American woman constrained by her era. While I chaffed at her ingrained sexism and the infidelity she endured and ignored in her husbands and later in her sons, she has a lovely outburst where she rails again her choices that's nothing short of cathartic and redeeming. 



I particularly enjoyed the use of photo albums, projected on the stage curtain, as a storytelling device. Reiter does a lovely job creating a sympathetic character, showcasing Rose's parenting style, and embracing the travails of life in the public eye. History comes to life in this engaging solo show, with Kennedy matriarch as hostess and consumate story teller. Prior to this show, I was familiar with the JFK assassination, Chappaquiddick, and a smattering of Kennedy lore, but in this historical piece directed by Steve Scott so much more was revealed about the lives, loves, and deaths of the many Kennedy siblings, and this period of American history. Rose is well worth seeing, and now playing at Chicago's Greenhouse Theater Center through March 11th.  


The Greenhouse Theater Center Presents
ROSE


Jeff Award Winner – Best Solo Performance! 





Following its hit production of MACHINAL, Greenhouse Theater Center is pleased to continue its 2017-18 season with the return of Laurence Leamer's critically acclaimed drama ROSE. Recently honored with a 2017 Equity Joseph Jefferson Award for Best Solo Performance, celebrated Chicago actress Linda Reiter reprises her role as matriarch Rose Fitzgerald Kennedy in this intimate piece directed by Steve Scott. ROSE will play January 12 – March 11, 2018 at the Greenhouse Theater Center (Downstairs Main Stage), 2257 N. Lincoln Ave. in Chicago. Tickets are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. Season Flex passes are also available. 


An intimate portrait of Rose Fitzgerald Kennedy, Camelot’s “queen mother,” as she retraces the rise and fall of her great family. A break-out hit during the 2016 Solo Celebration! Series following its successful Off-Broadway run, ROSE is based on never-before-heard interviews compiled by distinguished Kennedy biographer Laurence Leamer. 

“A lot has transpired in our nation’s political landscape since the first time that we mounted Rose, as part of last year’s Solo Celebration! Series,” comments Artistic Director Jacob Harvey. “The story of Rose Kennedy and her remarkable family has taken on a new resonance, assuring audiences that although our nation can face moments of turmoil and uncertainty, we have the ability to build a brighter future by exploring and understanding our collective past.”

The production team for ROSE includes: Kevin Hagan (scenic design), Rachel Lambert (costume design), Cat Wilson (lighting design) and Christopher Kriz (sound design) and Kasey Trouba (stage manager).

Location The Greenhouse Theater Center (Downstairs Main Stage), 2257 N. Lincoln Ave, Chicago

Dates: Previews: Friday, January 12 at 7:30 pm, Saturday, January 13 at 2:30 pm and Sunday, January 14 at 7:30 pm

Regular run: Thursday, January 18 – March 11, 2018
Curtain times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm. Please note: there will be added matinee performances at 2:30 pm on Saturday, January 27, Wednesday, January 31, Saturday, February 10, Wednesday, February 14, Saturday, February 24, Wednesday, February 28 and Saturday, March 10.

Tickets: Regular run: $35 - $45. Students and industry: $15. Tickets on sale at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. Season Flex Passes are also available.



About The Artists
Laurence Leamer (Playwright) Rose is Laurence Leamer’s first play. Leamer is an award-winning journalist and historian who has written 14 books, many of them bestsellers. He has experienced many different lives. As a college student, he worked in a French factory. He was a Peace Corps Volunteer in Nepal stationed two days from a road. As a young journalist, Leamer worked in a coal mine in West Virginia and covered the war in Bangladesh for Harper’s. His one novel, Assignment, is about drug trafficking in Peru, where Leamer lived for two years. Most of his career Leamer has written nonfiction. His trilogy on the Kennedys – The Kennedy Women, The Kennedy Men and Sons of Camelot – were all New York Times best sellers. John Grisham called Leamer’s most recent book, The Price of Justice: A True Story of Greed and Corruption, “superb…This is a book I wish I had written.”  The journalist’s new book, The Lynching: The Epic Courtroom Battle that Brought Down the Klan, was published in June. 

Steve Scott (Director) is the Producer of Goodman Theatre, where he has overseen more than 200 productions; he is also a member of Goodman’s Artistic Collective. His Goodman directing credits include Ah, Wilderness!; Vanya and Sonia and Masha and Spike; Horton Foote’s Blind Date; Rabbit Hole; Binky Rudich and the Two-Speed Clock and No One Will Be Immune for the David Mamet Festival; Dinner With Friends; Wit; the world premiere of Tom Mula’s Jacob Marley’s Christmas Carol; A Midsummer Night’s Dream (co-directed with Michael Maggio); and the 2011 and 2012 editions of A Christmas Carol. Other recent directing credits include Rose for the Greenhouse Theatre; Chewing on Beckett for Artemisia Theatre; Yellow Face, The DNA Trail and Yohen at Silk Road Rising; American Myth at American Blues Theatre; The Mandrake at A Red Orchid Theatre; Death of a Salesman, The Seedbed, Clybourne Park, Elemeno Pea, Elling, A Delicate Balance,  Lettice and Lovage and Shadowlands for Redtwist Theatre; Mothers and Sons, Souvenir and Black Pearl Sings at Northlight Theatre; The Beauty Queen of Leenane, Buried Child and Dealer’s Choice for Shattered Globe Theatre; Frozen for The Next Theatre Company; A Midsummer Night’s Dream and Much Ado About Nothing for the St. Lawrence (Ontario) Shakespeare Festival; The Teapot Scandals of 1923 and Falsettos for Porchlight Theatre; Angels in America, You Can’t Take It with You, The Grapes of Wrath, A Streetcar Named Desire, Execution of Justice, Ah, Wilderness!, God’s Country and Judgment at Nuremberg for the Theatre Conservatory at Roosevelt University’s College of Performing Arts (where he is a faculty member); and a number of productions for the Eclipse Theatre (where he is an ensemble member), including Stephen Adly Guirgis’s The Little Flower of East Orange, Terrence McNally’s The Lisbon Traviata, Lynn Nottage’s Intimate Apparel, Alan Ayckbourn’s Woman in Mind, Arthur Miller’s After the Fall,  John Guare’s Six Degrees of Separation,  Rebecca Gilman’s Boy Gets Girl, Keith Reddin’s Big Time, Neil Simon’s Plaza Suite and Lanford Wilson’s The Moonshot Tapes.  He has directed for a variety of other companies, including Theatre Wit, the Buffalo Theatre Ensemble, National Jewish Theatre, Theater at the Center, Lifeline Theatre, Organic Touchstone Theatre, the Lyric Opera Center for American Artists and the Creede (Colorado) Repertory Theatre, where he was artistic director from 1976 through 1978. Mr. Scott was one of six resident directors for WBEZ’s series Stories on Stage, and has contributed articles to a variety of publications, including the Encyclopedia of Chicago.  He is the recipient of six Jefferson Award nominations, an After Dark Award, the Illinois Theatre Association’s Award of Honor and Eclipse Theatre Company’s Corona Award; he received a special Jeff Award honoring his 37-year career as a producer, director and teacher. 

Linda Reiter (Rose Fitzgerald Kennedy) is pleased to be reviving her performance of Rose, for which she received a Joseph Jefferson Award for Best Solo Performance. Linda is an ensemble member of Shattered Globe Theatre where she was seen most recently as Mary Todd Lincoln in The Heavens are Hung in Black. Last spring, she portrayed Queen Elizabeth in Shakespeare in Love at Chicago Shakespeare Theater. Linda’s first solo performance was in The Testament of Mary at Victory Gardens Theater, for which she also received a Joseph Jefferson nomination for Best Solo Performance. Linda has garnered Joseph Jefferson Awards in the non-Equity category for the roles of Eleanor Iselin in The Manchurian Candidate, Martha in Who’s Afraid of Virginia Woolf?, Kate in All My Sons, Mme. De Merteuil in Les Liaisons Dangereuses, Dee Dee in Invitation to a March and Sarah in Bondagers. She received nominations in the Equity category for Bessie in Marvin’s Room, Lola in Come Back, Little Sheba, Esther in The Price and Elsa in The Road to Mecca, all SGT productions. Some of her favorites outside SGT include Lottie in Lettice & Lovage at Court Theatre, Hannah in Arcadia at Remy Bumppo Theatre, Gillian in Marriage Play at the Goodman Theatre “Albeefest”, Flyovers and Immoral Imperatives at Victory Gardens Theater and Lea de Lonval in Cheri at Live Bait Theatre. Linda’s TV credits include Chicago Med, Chicago P.D. and The Beast. Her voiceover credits include over 30 episodes of The Twilight Zone Radio Dramas, hosted by Stacy Keach, and she played opposite Kelsey Grammer in The Manchurian Candidate radio drama produced by Chicago Theatres On-the-Air. Linda is represented by Paonessa Talent Agency.

About the Greenhouse Theater Center
The Greenhouse Theater Center is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our mission is first and foremost to grow local theatre.
The Greenhouse Theater began its producing life in 2014 with the smash hit Churchill, after which came 2016’s much-lauded Solo Celebration!, an eight month, 16 event series highlighting the breadth and depth of the solo play form. This year, the Greenhouse announced a full subscription season, with a mix of multi-character and solo plays. With a focus on our community, the Greenhouse has also launched the Trellis Residency Initiative, an initiative designed to cultivate the next generation of Chicago theatre creators, as well as the MC-10, an ensemble of mid-career playwrights whose works will be included in future Greenhouse programming.
As a performance venue, our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies and an in-house rehearsal room. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, and to develop and produce their work. In 2016, the Greenhouse announced a new residency program, which offers a reduced rate to local storefront companies while giving the Greenhouse a stake in the resident’s success. We house Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex. 

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

Wednesday, January 10, 2018

OPENING: Acclaimed Rose Remount at Greenhouse Theatre Through 3/11/18

Chi, IL LIVE Shows On Our Radar:

"ROSE" Brings Post Chappaquiddick ROSE FITZGERALD KENNEDY to Greenhouse Theater Center 


“ROSE,” 
LAURENCE LEAMER’S BIOGRAPHICAL PLAY ABOUT ROSE FITZGERALD KENNEDY, TO PLAY GREENHOUSE THEATER CENTER UNDER THE DIRECTION OF STEVE SCOTT


Back in the summer of 2016, we began running advance press coverage of Rose, at Greenhouse Theatre's Solo Celebration here at ChiIL Live Shows, but we didn't have time to catch that critically acclaimed run. We're elated to have a second chance, and this time around, we wouldn't miss it for the matriarch's pearls. I'll be out Friday, January 19th, so check back soon after for my full review.



Jeff Award Winner – Best Solo Performance! 





The Greenhouse Theater Center Presents
ROSE
By Laurence Leamer
Directed by Steve Scott
Starring Linda Reiter
January 12 – March 11, 2018

Following its hit production of MACHINAL, Greenhouse Theater Center is pleased to continue its 2017-18 season with the return of Laurence Leamer's critically acclaimed drama ROSE. Recently honored with a 2017 Equity Joseph Jefferson Award for Best Solo Performance, celebrated Chicago actress Linda Reiter reprises her role as matriarch Rose Fitzgerald Kennedy in this intimate piece directed by Steve Scott. ROSE will play January 12 – March 11, 2018 at the Greenhouse Theater Center (Downstairs Main Stage), 2257 N. Lincoln Ave. in Chicago. Tickets are currently available at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. Season Flex passes are also available. The press opening is Monday, January 15, 2018 at 7:30 pm.

An intimate portrait of Rose Fitzgerald Kennedy, Camelot’s “queen mother,” as she retraces the rise and fall of her great family. A break-out hit during the 2016 Solo Celebration! Series following its successful Off-Broadway run, ROSE is based on never-before-heard interviews compiled by distinguished Kennedy biographer Laurence Leamer. 

“A lot has transpired in our nation’s political landscape since the first time that we mounted Rose, as part of last year’s Solo Celebration! Series,” comments Artistic Director Jacob Harvey. “The story of Rose Kennedy and her remarkable family has taken on a new resonance, assuring audiences that although our nation can face moments of turmoil and uncertainty, we have the ability to build a brighter future by exploring and understanding our collective past.”

The production team for ROSE includes: Kevin Hagan (scenic design), Rachel Lambert (costume design), Cat Wilson (lighting design) and Christopher Kriz (sound design) and Kasey Trouba (stage manager).

Location The Greenhouse Theater Center (Downstairs Main Stage), 2257 N. Lincoln Ave, Chicago

Dates: Previews: Friday, January 12 at 7:30 pm, Saturday, January 13 at 2:30 pm and Sunday, January 14 at 7:30 pm

Regular run: Thursday, January 18 – March 11, 2018
Curtain times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 2:30 pm. Please note: there will be added matinee performances at 2:30 pm on Saturday, January 27, Wednesday, January 31, Saturday, February 10, Wednesday, February 14, Saturday, February 24, Wednesday, February 28 and Saturday, March 10.

Tickets: Preview: $20. Regular run: $35 - $45. Students and industry: $15. Tickets go on sale Monday, November 13, 2017 at greenhousetheater.org, in person at the box office or by calling (773) 404-7336. Season Flex Passes are also available.

About The Artists
Laurence Leamer (Playwright) Rose is Laurence Leamer’s first play. Leamer is an award-winning journalist and historian who has written 14 books, many of them bestsellers. He has experienced many different lives. As a college student, he worked in a French factory. He was a Peace Corps Volunteer in Nepal stationed two days from a road. As a young journalist, Leamer worked in a coal mine in West Virginia and covered the war in Bangladesh for Harper’s. His one novel, Assignment, is about drug trafficking in Peru, where Leamer lived for two years. Most of his career Leamer has written nonfiction. His trilogy on the Kennedys – The Kennedy Women, The Kennedy Men and Sons of Camelot – were all New York Times best sellers. John Grisham called Leamer’s most recent book, The Price of Justice: A True Story of Greed and Corruption, “superb…This is a book I wish I had written.”  The journalist’s new book, The Lynching: The Epic Courtroom Battle that Brought Down the Klan, was published in June. 

Steve Scott (Director) is the Producer of Goodman Theatre, where he has overseen more than 200 productions; he is also a member of Goodman’s Artistic Collective. His Goodman directing credits include Ah, Wilderness!; Vanya and Sonia and Masha and Spike; Horton Foote’s Blind Date; Rabbit Hole; Binky Rudich and the Two-Speed Clock and No One Will Be Immune for the David Mamet Festival; Dinner With Friends; Wit; the world premiere of Tom Mula’s Jacob Marley’s Christmas Carol; A Midsummer Night’s Dream (co-directed with Michael Maggio); and the 2011 and 2012 editions of A Christmas Carol. Other recent directing credits include Rose for the Greenhouse Theatre; Chewing on Beckett for Artemisia Theatre; Yellow Face, The DNA Trail and Yohen at Silk Road Rising; American Myth at American Blues Theatre; The Mandrake at A Red Orchid Theatre; Death of a Salesman, The Seedbed, Clybourne Park, Elemeno Pea, Elling, A Delicate Balance,  Lettice and Lovage and Shadowlands for Redtwist Theatre; Mothers and Sons, Souvenir and Black Pearl Sings at Northlight Theatre; The Beauty Queen of Leenane, Buried Child and Dealer’s Choice for Shattered Globe Theatre; Frozen for The Next Theatre Company; A Midsummer Night’s Dream and Much Ado About Nothing for the St. Lawrence (Ontario) Shakespeare Festival; The Teapot Scandals of 1923 and Falsettos for Porchlight Theatre; Angels in America, You Can’t Take It with You, The Grapes of Wrath, A Streetcar Named Desire, Execution of Justice, Ah, Wilderness!, God’s Country and Judgment at Nuremberg for the Theatre Conservatory at Roosevelt University’s College of Performing Arts (where he is a faculty member); and a number of productions for the Eclipse Theatre (where he is an ensemble member), including Stephen Adly Guirgis’s The Little Flower of East Orange, Terrence McNally’s The Lisbon Traviata, Lynn Nottage’s Intimate Apparel, Alan Ayckbourn’s Woman in Mind, Arthur Miller’s After the Fall,  John Guare’s Six Degrees of Separation,  Rebecca Gilman’s Boy Gets Girl, Keith Reddin’s Big Time, Neil Simon’s Plaza Suite and Lanford Wilson’s The Moonshot Tapes.  He has directed for a variety of other companies, including Theatre Wit, the Buffalo Theatre Ensemble, National Jewish Theatre, Theater at the Center, Lifeline Theatre, Organic Touchstone Theatre, the Lyric Opera Center for American Artists and the Creede (Colorado) Repertory Theatre, where he was artistic director from 1976 through 1978. Mr. Scott was one of six resident directors for WBEZ’s series Stories on Stage, and has contributed articles to a variety of publications, including the Encyclopedia of Chicago.  He is the recipient of six Jefferson Award nominations, an After Dark Award, the Illinois Theatre Association’s Award of Honor and Eclipse Theatre Company’s Corona Award; he received a special Jeff Award honoring his 37-year career as a producer, director and teacher. 

Linda Reiter (Rose Fitzgerald Kennedy) is pleased to be reviving her performance of Rose, for which she received a Joseph Jefferson Award for Best Solo Performance. Linda is an ensemble member of Shattered Globe Theatre where she was seen most recently as Mary Todd Lincoln in The Heavens are Hung in Black. Last spring, she portrayed Queen Elizabeth in Shakespeare in Love at Chicago Shakespeare Theater. Linda’s first solo performance was in The Testament of Mary at Victory Gardens Theater, for which she also received a Joseph Jefferson nomination for Best Solo Performance. Linda has garnered Joseph Jefferson Awards in the non-Equity category for the roles of Eleanor Iselin in The Manchurian Candidate, Martha in Who’s Afraid of Virginia Woolf?, Kate in All My Sons, Mme. De Merteuil in Les Liaisons Dangereuses, Dee Dee in Invitation to a March and Sarah in Bondagers. She received nominations in the Equity category for Bessie in Marvin’s Room, Lola in Come Back, Little Sheba, Esther in The Price and Elsa in The Road to Mecca, all SGT productions. Some of her favorites outside SGT include Lottie in Lettice & Lovage at Court Theatre, Hannah in Arcadia at Remy Bumppo Theatre, Gillian in Marriage Play at the Goodman Theatre “Albeefest”, Flyovers and Immoral Imperatives at Victory Gardens Theater and Lea de Lonval in Cheri at Live Bait Theatre. Linda’s TV credits include Chicago Med, Chicago P.D. and The Beast. Her voiceover credits include over 30 episodes of The Twilight Zone Radio Dramas, hosted by Stacy Keach, and she played opposite Kelsey Grammer in The Manchurian Candidate radio drama produced by Chicago Theatres On-the-Air. Linda is represented by Paonessa Talent Agency.

About the Greenhouse Theater Center
The Greenhouse Theater Center is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood. Our mission is first and foremost to grow local theatre.
The Greenhouse Theater began its producing life in 2014 with the smash hit Churchill, after which came 2016’s much-lauded Solo Celebration!, an eight month, 16 event series highlighting the breadth and depth of the solo play form. This year, the Greenhouse announced a full subscription season, with a mix of multi-character and solo plays. With a focus on our community, the Greenhouse has also launched the Trellis Residency Initiative, an initiative designed to cultivate the next generation of Chicago theatre creators, as well as the MC-10, an ensemble of mid-career playwrights whose works will be included in future Greenhouse programming.
As a performance venue, our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies and an in-house rehearsal room. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, and to develop and produce their work. In 2016, the Greenhouse announced a new residency program, which offers a reduced rate to local storefront companies while giving the Greenhouse a stake in the resident’s success. We house Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex. 

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!



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