REVIEW: Oil Lamp Theater's I LOVE YOU BECAUSE Now Playing Through September 13, 2026

Dating Life Underperforming? This Pride & Prejudice Inspired Rom-Com IRL Does Not Disappoint.

ChiIL Live Shows on our Radar:

Oil Lamp Theater's 

I LOVE YOU BECAUSE 

Now Playing Through September 13

The total running time, with intermission, is two hours and 10 minutes.

REVIEW

By Bonnie Kenaz-Mara

Although I've been happily married for 26 years and with the same guy for 31, the majority of my friends are single, so I'm still privy to the horrors of the cesspool... Erm, I mean the dating pool. I Love You Because is a fun Girls Nite Out show or even a great date night conversation starter. Commiserate, empathize, and enjoy. ChiIL Live Shows on Our Radar. Recommended. Three out of four stars. ★★★

Love Jane Austen’s Pride and Prejudice or are Rom-Coms more your jam? This live stage Rom-Com loosely inspired by Austen's iconic work does not disappoint. Other people's love lives or lack thereof can be prime comedic gold. Hope springs eternal, love is timeless, and disappointing dates are universal. That's why Jane Austen’s legendary romance novel, Pride and Prejudice, still resonates today, and so does I Love You Because. 

All production photos by Gosia Matuszewska/Gosia Photography

Shout out to the props and set design teams. This intimate space is chock full of colorful cubicles full of interesting tchotchkes. And clever logos light up to cue the audience in to different New York watering holes, coffee shops and restaurants, without complicated set changes. 

I Love You Because is a lighthearted, playful, laugh out loud delight and worth the trek out to Glenview. We enjoyed watching the leads' romances through the eyes of the bartenders and baristas who spend their workdays immersed in the psychology of it all. 

We're routing for the young lovers, despite their differences. Though major differences in spontaneity, and organizational styles are the stuff that keep marriage councilors in demand. I wanted to tell these characters what I told my own twenty something children. If you're getting serious with someone, road trip with them, and you'll find out fast if you're long term compatible. I'm not so sure these couples would pass the trip test, but the show is entertaining nonetheless. And the old trope "Opposites Attract" is a timeless truism. 

Pros: Well cast with lots of Northwestern University alums and Chicago actors just starting their professional careers. 

Complimentary chocolate chip cookies baked by Misericordia.

The front of house staff is amazing, especially with patrons with mobility issues.

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Fully stocked bar with fun show tie-in drinks. 

Street parking is free and usually plentiful. If street spots are all taken, you can still park for free in the bank lot, a short walk away. Check Oil Lamp's site for parking tips. 

Cons: If you attend a matinee, expect dog barking to bleed through into the performance space from the business next door. It's not so apparent for this show as the music is loud and plentiful. 

Sight-lines can be a challenge and the seats are close together without cup holders so it's not the most comfortable space. On the upside, they're working on renovating a better space, so chip in to their building fund if you can. 

I Love You Because is now playing at Oil Lamp Theater through September 13th so catch it while you can. Book and lyrics by Ryan Cunningham, music by Joshua Salzman and orchestrations by Larry Hochman, directed by Scott Shallenbarger and music directed by Aaron Kahn. Great for all ages, and a fun multigenerational pick.

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and empty nester. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

OIL LAMP THEATER'S

I LOVE YOU BECAUSE

NOW PLAYING THROUGH SEPTEMBER 13th 

DIRECTED BY SCOTT SHALLENBARGER AND MUSIC DIRECTED BY AARON KAHN

The Contemporary Musical About Modern Dating, Based on Jane Austen’s Classic Novel “Pride and Prejudice” Comes to Oil Lamp this Summer

Oil Lamp Theater is proud to bring I Love You Because to audiences through September 13th. Book and lyrics by Ryan Cunningham, music by Joshua Salzman and orchestrations by Larry Hochman. Directed by Scott Shallenbarger with music directed by Aaron Kahn, at Oil Lamp Theater, 1723 Glenview Road. 

The performance schedule is Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, Aug. 19 at 11 a.m. and 3 p.m.; Wednesday Aug. 26 at 7:30 p.m. (Understudy Performance); Wednesday, Sept. 2 at 11 a.m. and 3 p.m. and Wednesday Sept. 9 at 7:30 p.m. Tickets are on sale now for $30 for previews and $55 for the run at OilLampTheater.org.

Modern dating is a mess. Sometimes to find Mr. Right you need to find Mr. Wrong – even if that means seeing someone stuck on their ex, awkward encounters of the intimate kind and lots of bad coffee dates. Opposites attract in this feel-good musical that will transport you into the heart of your favorite guilty pleasure rom-com. Created by acclaimed musical team Ryan Cunningham and Joshua Salzman and inspired by Jane Austen’s gold-standard romance novel “Pride and Prejudice,” this delightful modern musical will make you fall head over heels.

The cast of I Love You Because includes Aiden McCoy (any with respect, Austin Bennet); Maxwell J DeTogne (any with respect, Jeff Bennet); Hannah Kipp (she/her, Marcy Fitzwilliams); Kristin Brintnall (she/her, Diana Bingley); Daria Koon (she/they, NYC Woman); Tommy Rothwells (he/him, NYC Man); Freddy Mauricio (he/him, Austin Bennet U/S); Nic Eastlund (he/him, Jeff Bennet U/S); Kaitie Bonds (she/her, Marcy Fitzwilliams U/S); Dominique Ruffalo (she/her, Diana Bingley U/S); Nikki Holladay (she/her, NYC Woman U/S) and Joe Dennis (he/him, NYC Man U/S).

The production team includes Scott Shallenbarger (he/him, director); Aaron Kahn (he/him, music director/accompanist); Bob Knuth (he/him, scenic designer); Devin Meseke (he/him, properties designer); Maya Reter (she/her, sound designer); Sara Segneri (she/her, stage manager); Danielle Reinhardt (she/her, costume designer); Conner Nicoson (they/them, technical director); Connor Windle (she/her, production manager) and Rose Leisner (she/her, company manager).

ABOUT SCOTT SHALLENBARGER, DIRECTOR

Scott Shallenbarger makes his Oil Lamp debut with I Love You Because. Representative credits include Miracle on South Division Street, I And You, Baby the Musical (Citadel Theatre); Les Miserables (Uptown Music Theatre Company); The Glass Menagerie, Six Degrees of Separation, The Road to Mecca, Hot L Baltimore, The Children’s Crusade (Raven Theatre); Jeffrey and Love, Valor, Compassion (Hubris Productions) and Skyscraper (Piven Theatre). Shallenbarger is a published playwright and teaching artist who would like to thank you, dear audience, for attending live theatre.

ABOUT AARON KAHN, MUSIC DIRECTOR

Aaron Kahn is thrilled to be returning to Oil Lamp after previously working on the productions of It’s A Wonderful Life: A Radio Play and The Marvelous Wonderettes. Kahn is also a private voice teacher at the Christopher Laughlin School of Music in Northbrook and is a staff accompanist at Carthage College. Other favorite music and assistant music direction credits include: Fugitive Songs (Stagedoor Manor); Mel Brooks’ The Producers (Music Theater Works); A Little Night Music (Theo Ubique) and Spring Awakening (4 Chairs Theatre).

MORE FROM FROM OIL LAMP THEATER

Dial M For Murder
October 2 – November 1, 2026

Adapted by Jeffrey Hatcher from the original play by Frederick Knott
Directed by Daniel King

Preview Performances: Friday, Oct. 2 at 7:30 p.m. and Saturday, Oct. 3 at 3 p.m.
Opening Night: Saturday, Oct. 3 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, Oct. 7 at 11 a.m. and 3 p.m.; Wednesday Oct. 14 at 7:30 p.m. (Understudy Performance); Wednesday Oct. 21 at 11:00 a.m. and 3 p.m. and Wednesday, Oct. 28 at 7:30 p.m.

Alfred Hitchcock’s adored, chilling thriller gets a modern twist that no one will see coming. A murderous misstep begins a high-stakes hunt for the real criminal as time is quickly running out. This captivating, heart-racing play leaves audiences on the edge of their seats while the mystery of the year unravels before their eyes. Will the clues unlock the right person, or will an innocent victim pay the price? The suspense is to die for…

It’s A Wonderful Life: A Live Radio Play
November 20 - December 27, 2026

Adapted by Joe Landry
Directed by Becca Holloway

Preview Performances: Friday, Nov. 20 at 7:30 p.m. and Saturday, Nov. 21 at 3 p.m.
Opening Night: Saturday, Nov. 21 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, Dec. 2 at 11 a.m. and 3 p.m.; Wednesday Dec. 9 at 7:30 p.m. (Understudy Performance); Wednesday Dec. 16 at 11:00 a.m. and 3 p.m. and Wednesday, Dec. 23 at 7:30 p.m.

The holiday tradition returns for its 13th year. Audiences may experience unmatched holiday cheer with Frank Capra's beloved classic, “It's a Wonderful Life,” reimagined as a captivating live radio play, complete with foley sound effects and set in our own WBFR radio studio.

Journey to Bedford Falls, where George Bailey's troubles lead him to wish he was never born. Clarence, an angel sent to intervene, steps in to make his wishes come true and George quickly learns just how many lives he has touched and just how blessed he really is.

*All productions, dates, creatives, etc. are subject to change.

All production photos by Gosia Matuszewska/Gosia Photography

ABOUT OIL LAMP THEATER

Oil Lamp Theater is a professional nonprofit performing arts organization in Glenview, Illinois, welcoming over 10,000 patrons annually from more than 225 communities—41% from Glenview and others from across the North Shore and Chicago. Since establishing its intimate 60-seat home in downtown Glenview in 2012, Oil Lamp has grown into a cultural beacon, earning recognition as “Best Live Theatre in the North Shore” for four consecutive years.

With more than 70 productions to date, Oil Lamp is known for its dynamic Mainstage season, special events and its resilience during the pandemic, when it innovated with drive-in performances and outdoor productions. Today, the theatre continues to foster connection, broaden horizons and illuminate the human condition through professional theater and year-round programming.

In addition to its productions, Oil Lamp Theater operates Oil Lamp Academy, its education branch dedicated to “Training for Life Through the Performing Arts.” In 2025 alone, the program served more than 230 students ages three to 97 years old, offering classes that use theater as a pathway to build confidence, creativity and lifelong skills.

This past September, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue with the goal of staying in downtown Glenview. Building on its roots as a scrappy storefront, Oil Lamp is evolving into a more robust organization—without losing the intimacy and warmth that define its theater experience. Oil LampTheater hopes this announcement inspires excitement throughout the community. Stay tuned as additional news is shared in the near future. For information or to support the campaign go to OilLampTheater.org/Light-the-Way or reach out to Oil Lamp at light-the-way@oillamptheater.org.

Ondřej Pšenička in 52 Lovers Wednesdays at Chicago Magic Lounge Through August 26, 2026

 Chi, IL Live Shows on our Radar:

Chicago Magic Lounge Welcomes Back Fan Favorite

Ondřej Pšenička in

52 Lovers

for a limited run this summer

Photo Credit for all: Michael Brosilow

Guest Review

by Dugan Kenaz-Mara

The night started off with the classic Magic parlor experience. My partner and I were led to our seats by a lovely host, ordered drinks from a kind waiter, and then got to experience some close-up sleight-of-hand card magic right at our table. This time around, we had the pleasure of seeing the wonderful work of Abby Segal (https://www.abbysegalmagic.com/), who has a soft and gentle approach to blowing our minds. Even with tricks I had seen before, she made them look and feel personal, which merits a special shout-out at the beginning of this review. 

After about an hour of table magic and getting food and drinks settled, each member of the audience was given a secret little envelope. A handful of lucky audience members were also given an extra card with instructions on it for use throughout the show. This act of inclusion was the start of what I would soon find out is a hallmark of Ondřej’s work: the audience is his best friend. 

As soon as the show began I noticed that he came off differently from other magicians. His focus was not on performing tricks himself and “showing off”, but rather on trying to engage the audience. He wasn’t telling a story on stage, but having a conversation. During the time between tricks he often would ask if the audience had any questions, to which someone would respond and lead into the next trick, always accompanied by a short story about how Ondřej learned magic, some of the things he enjoys, or silly little quips. 

The show itself is fairly leisurely. Pšenička takes a slower pace with a good amount of time between tricks, lacking in background music. But, that dead space is made up for in the unique way he does his tricks. Or rather, gets others to do them. The highlight of much of his magic is that he can get audience members to perform magic without any prior instructions. For example, a trick I am still absolutely baffled by (that was featured on his first appearance of Penn and Teller’s ‘Fool Us’) didn’t even require the magician on stage! For this trick, Ondřej called an audience member on stage, gave them headphones to wear, and sat off to the side eating popcorn while the audience member searched a deck of cards, narrowing it down until he found a specific card, picked at random by another audience member earlier. 

Tricks like that, and the pre-scripted audience interactions, highlight what makes 52 Lovers so interesting: It makes you think about how magic is constructed. When someone other than the magician is able to perform their trick, it forces you to consider how carefully and intentionally everything is set up and really provides perspective on the level of trickery involved. It’s especially interesting in this case because Ondřej is not quiet about when he’s forcing a card, sometimes even openly explaining what he’s doing. It all feels very clever. 

And he even manages to tie everything together at the end. Remember those secret envelopes I mentioned? By the end of the show, everyone in the audience gets to do their own personal little bit of magic with the contents (no spoilers as to what’s inside). 

If you’re interested in a slower-paced, relaxed magic show, I would recommend 52 Lovers. Recommended. Three out of four stars.★★★ 

Dugan Kenaz-Mara is a Chicago based designer, photographer, educator, and graduate of Northwestern University's theatre program.

Chicago Magic Lounge, Chicago’s home for close-up magic, announces the return of world-renowned magician Ondřej Pšenička in a limited run of his hit show 52 Lovers, directed by Stepan Gajdos. Spend an evening with one of magic’s most inventive contemporary voices in 52 Lovers, an intimate performance presented up close in Chicago Magic Lounge’s Harry Blackstone Cabaret theater. Quirky, disarming, and brilliantly original, Pšenička blends offbeat humor with world-class sleight of hand in a style entirely his own.

52 Lovers plays Wednesdays at 7:00pm, July 1 – August 26, 2026. Tickets are priced $44 (Standard) and $50 (Front Row), plus applicable fees. Tickets for all Chicago Magic Lounge shows are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com.

A true innovator, Ondřej combines original creations with expertly curated effects, delivered with a playful unpredictability that keeps audiences leaning in. With a subtle current of absurdism throughout, 52 Lovers is sharp, surprising, and delightfully off-center—showcasing expert technique with an effortless touch that makes the impossible look easy.

Each evening begins with close-up magic performed right at your table by Chicago Magic Lounge’s talented house magicians. Between visits, guests can socialize, enjoy craft cocktails and small plates, and take in the vintage ambiance of the Harry Blackstone Cabaret.

About Ondřej Pšenička (pronounced ON-dray psheh-NEETCH-kuh)

Ondřej Pšenička is a world-renowned magician celebrated for his inventive approach to card magic and close-up performance. Hailing from the Czech Republic, he has performed on stages across the globe and is a regular at the World Famous Magic Castle in Hollywood, California. Known for his quirky humor, subtle surrealism, and technical mastery, Pšenička has baffled audiences worldwide, most notably fooling Penn & Teller three times onPenn & Teller: Fool Us. His creations blend originality, precision, and playfulness, making every performance unforgettable.

Also Happening at Chicago Magic Lounge

The Close-Up Show

Mondays at 7:00pm

Tickets: General Admission $35 - $37

The Showcase

Tuesdays at 7:00pm

Tickets: Standard: $37.50 - $39; Front Row: $42 - $44

The Signature Show

Thursdays-Sundays at 7:00pm, Fridays & Saturdays at 10pm

Tickets: Front Row $89.50 - $103, Premium Main Floor (main floor banquette and main floor cabaret) $76.00 – $95.00, Standard (rail and elevated banquette) $68.50 - $84, Mezzanine $55.00 – $68.00

Tickets for all Chicago Magic Lounge performances are available at the box office, (312) 366-4500 or online at chicagomagiclounge.com. Chicago Magic Lounge is a 21+ venue. Ages 16+ allowed to ticketed evening shows with a legal guardian.

For a complete schedule of performances and more information about Chicago Magic Lounge, resident and guest performers, and more, please visit chicagomagiclounge.com.

REVIEW: The Outsider Now Playing Through February 22 at Oil Lamp Theater

ChiIL Live Shows On Our Radar: 

Oil Lamp's Finding the Funny in Political Theatre 

OIL LAMP THEATER’S 2026 SEASON KICKS OFF WITH 

THE OUTSIDER

NOW PLAYING THROUGH FEBRUARY 22, 2026

DIRECTED BY SCOTT WESTERMAN

A Comedy of Campaign Chaos Kicks Off the New Season

REVIEW

By Bonnie Kenaz-Mara

In the weird microcosm that is Chicago Theatre, you can catch both The Outsider and The Outsiders playing this February. Lest you get confused, the first to open, Oil Lamp Theatre's political comedy, is a laugh out loud slice of hilarious human nature. What a welcome break from the alternating tragedy and absurdist theatre our actual US politics so often descend into these days.  

We were charmed and amused by Ned Newley, a guy too smart, genuine, and nice to be governor. He's been running everything efficiently for years, behind the scenes, while the corrupt governor playboy takes credit for his work and goofs off. When the camera shy, bumbling 2nd in command becomes governor by default, the pr team runs triage and hilarity ensues. Newbie Newley won our hearts, and while the jokes and physical comedy provided a welcome breath of fresh laughter, there's depth and truth to this tale too. It's about time we take another look at slickness over substance; image over integrity, and start picking politicians with brains and a moral compass, over social media fluff that polls well. 

The entire cast brought a high energy, playful vibe to the production, that's well worth a trek to suburban Glenview. Even my husband, a location sound engineer, who's done plenty of political press junkets over the decades, thought it was quite funny and spot on. He's run audio for Joe Biden (ABC: World News Tonight) and George W Bush (CNN),  as well as lots of local politicians, so he found the crew bits particularly funny. 

The Outsider's got our vote! Three out of three stars. ★★★ Recommended. 

Kudos also to Oil Lamp on their recent expansion with the SPARK CENTER, which offers arts education for all ages with a focus on youth. In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue. Here at ChiIL Live Shows, we've been covering Oil Lamp for years and we're excited to see what's next for this intrepid, suburban storefront. We hope they'll continue with the beloved, free chocolate chip cookies from Misericordia, in their new lobby, too. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

Oil Lamp Theater’s first production of its 2026 season, The Outsider, written by Paul Slade Smith and directed by Scott Westerman, is now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road. The running time, including the intermission, is two hours and 15 minutes. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. There will be additional Wednesday performances Jan. 28 and Feb. 11 at 11 a.m. and 3 p.m. and Feb. 18 at 7:30 p.m. There will be an understudy performance on Wednesday, Feb. 4 at 7:30 p.m.Tickets are on sale now for $30 for previews and $55 for the run at OilLampTheater.org.

When the sitting governor gets kicked out of office for, you guessed it, corruption, it’s time for someone new to take the throne… uh...the role. And the polls are in, it's time for an outsider. Enter bumbling brainiac Ned Newley. With bright ideas and hope in his eyes, he’s the perfect candidate - on paper. It will take a team of dedicated pollsters, campaign coordinators and more notecards than one can count, to turn him into a poised politician who can expertly avoid questions like it's his job. This knee-slappingly hilarious play will have the audience reaching across the aisle to share a laugh. Audiences may even find a renewed sense of hope for politics…okay maybe not… but they'll at least enjoy an absolutely hysterical and highly entertaining break from the news.

The cast of The Outsider includes (in alphabetical order) Andrew Bosworth (he/him, Arthur Vance); Sara DiPasquale (she/her, Rachel Parsons); Kenneth D. Johnson (he/him, A.C. Petersen); Michael Morrow (he/they, Dave Riley); Melody Rowland (she/her, Paige Caldwell); William Ryder (he/him, Ned Newley) and Jenna Steege (she/they, Louise Peakes) with understudies Sam Fain (he/they, U/S Ned Newley and U/S Arthur Vance); Stanley King (he/him, U/S A.C. Petersen); Megan Kueter (she/her, U/S Paige Caldwell and U/S Rachel Parsons); Sean Price (he/him, U/S Dave Riley), and Amy Yulish (she/her, U/S Louise Peakes).

The production team includes Scott Westerman (he/him, director); Sara Segneri (she/her, stage manager); Connor Windle (she/her, production manager); Rose Leisner (she/her, company manager); Spencer Donovan (he/him, scenic designer); Ellen Markus (she/her; properties designer); Janelle Smith (she/they; costume designer); Rachel D. Hemm (she/her, lighting designer); Alex Trinh (he/him, sound designer) and Andy Cahoon (he/him, technical director).

ABOUT PAUL SLADE SMITH, Playwright

Paul Slade Smith is an actor and playwright living in Brooklyn, New York with his wife, actress Erin Noel Grennan. He received a Helpmann Award nomination for his performance as “Willy Wonka” in the Australian premiere of the Broadway musical Charlie and the Chocolate Factory. ​Stateside, his acting credits include: the original Broadway casts of Charlie and the Chocolate Factory, Finding Neverland and the 2018 Lincoln Center revival of My Fair Lady; U.S. national tours of Wicked (“Doctor Dillamond”), My Fair Lady (“Jaime”) ​and The Phantom of the Opera; and productions at American Repertory Theatre, The Goodman, Steppenwolf, Chicago Shakespeare Theater, ​Alabama Shakespeare Festival, Paper Mill Playhouse, The Goodspeed, Geva Theatre Center, Asolo Repertory and Theatre Under the Stars in Houston, Texas. His TV credits include NBC's “The Blacklist” and “The Other Two” and “The Gilded Age”, both on HBO. He is the award-winning author of three plays: Unnecessary Farce, The Outsider and Theatre People, or the Angel Next Door.

ABOUT SCOTT WESTERMAN, Director

Scott Westerman is the founding artistic director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between live theatre and film. He created and directed the web series “Hamlet & Ophelia” which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards and Best Mobile Series at the 2022 New Media Film Festival. Westerman has directed stage productions for The Artistic Home, Citadel Theatre, ChiArts, City Lit Theatre, Chimera Theatre Company, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge) and Reverie Theatre Company. He is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group and a teaching artist with Lookingglass Theatre, Writers Theatre and Filament Theatre. He has an MFA from The Shakespeare Theatre Academy. As an actor, he has worked with Steppenwolf Theatre, Writers Theatre, Chicago Shakespeare Theatre, Lookingglass, Northlight Theatre, The Shakespeare Theatre Company and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina and the Barter Theatre in Virginia to name a few. On camera credits include “Chicago Fire,” “Machine Gun Preacher” and “Prison Break.”


MORE FROM FROM OIL LAMP THEATER

Poor Behavior
April 10 – May 10, 2026

By Theresa Rebeck
Directed by Lauren Katz
Preview Performances: Friday, April 10 at 7:30 p.m. and Saturday, April 11 at 3 p.m.
Opening Night: Saturday, April 11 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, April 15 at 11 a.m and 3 p.m.; Wednesday, April 22 at 7:30 p.m.; Wednesday April 29 at 11 a.m. and 3 p.m.; and Wednesday May 6 at 7:30 p.m.

A visit from old friends takes an unexpected turn when a bombshell accusation throws niceties out the window. Hospitality turns to havoc. Sanity shatters into shambles. Manners take a backseat as two couples are pushed to their limits during a weekend in the country. Will they be able to pick up the pieces over wine and muffins or will their poor behavior leave them irrevocably broken? Find out in this sharp-witted play by acclaimed playwright Theresa Rebeck.

The Last 5 Years
June 5 – July 5, 2026

Book, music and lyrics by Jason Robert Brown
Directed by Christina Ramirez
Music Directed by Amy Branahl
Preview performances: Friday, June 5 at 7:30 p.m., Saturday June 6 at 3 p.m.
Opening Night: Saturday, June 6 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, June 10 at 11 a.m. and 3 p.m.; Wednesday June 17 at 7:30 p.m.; Wednesday, June 24 at 11 a.m. and 3 p.m.; and Wednesday July 1 at 7:30 p.m. There are no performances on Saturday July 4.

Straight from Broadway, Jason Robert Brown’s musical masterpiece The Last Five Years comes to Oil Lamp Theater. This widely beloved show takes audiences on the romantic rollercoaster of Jamie and Cathy as they fall in and out of love over the last five years. Told from each individual’s perspective – one chronologically and one backwards – audiences will be swept into the unique storytelling and find an anti-love story full of humor and heart. Hailed as a powerful and intimate production, this Drama Desk Award-winner for Outstanding Music is not to be missed.

I Love You Because
August 14 – September 13, 2026

Book and Lyrics by Ryan Cunningham
Music by Joshua Salzman
Directed by Scott Shallenbarger
Music Directed by Aaron Kahn
Preview Performances: Friday, Aug. 14 at 7:30 p.m. and Saturday Aug. 15 at 3 p.m .
Opening Night: Saturday, Aug. 15 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday Aug. 19 at 11 a.m. and 3 p.m.; Wednesday, Aug. 26 at 7:30 p.m.; Wednesday September 2 at 11 a.m. and 3 p.m.; and Wednesday September 9 at 7:30 p.m.

Modern dating is a mess. Sometimes to find Mr. Right you need to find Mr. Wrong even if that means seeing someone stuck on their ex, awkward encounters of the intimate kind and lots of horrible coffee dates. Opposites attract in this feel-good musical that will transport audiences into the heart of your favorite guilty pleasure rom-com. Created by acclaimed musical team Ryan Cunningham and Joshua Salzman and inspired by Jane Austen’s gold-standard romance novel “Pride and Prejudice,” this delightful musical will make you fall head over heels.

Dial M for Murder
October 2 – November 1, 2026\

Adapted by Jeffrey Hatcher from the original play by Frederick Knott
Directed by Daniel King
Preview Performances: Friday, Oct. 2 at 7:30 p.m. and Saturday Oct. 3 at 3 p.m.
Opening Night: Saturday, Oct. 3 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, Oct. 7 at 11 a.m. and 3 p.m.; Wednesday Oct. 14 at 7:30 p.m.; Wednesday Oct. 21 at 11:00 a.m. and 3 p.m. and Wednesday, Oct. 28 at 7:30 p.m.

Alfred Hitchcock’s adored, chilling thriller gets a modern twist that no one will see coming. A murderous misstep begins a high-stakes hunt for the real criminal as time is quickly running out. This captivating, heart-racing play leaves audiences on the edge of their seats while the mystery of the year unravels before their eyes. Will the clues unlock the right person, or will an innocent victim pay the price? The suspense is to die for…

*All productions, dates, creatives, etc. are subject to change.


ABOUT OIL LAMP THEATER

Oil Lamp Theater is a professional nonprofit performing arts organization in Glenview, Illinois, welcoming over 10,000 patrons annually from more than 225 communities—41% from Glenview and others from across the North Shore and Chicago. Since establishing its intimate 60-seat home in downtown Glenview in 2012, Oil Lamp has grown into a cultural beacon, earning recognition as “Best Live Theatre in the North Shore” for four consecutive years.

With more than 70 productions to date, Oil Lamp is known for its dynamic Mainstage season, special events and its resilience during the pandemic, when it innovated with drive-in performances and outdoor productions. Today, the theatre continues to foster connection, broaden horizons and illuminate the human condition through professional theater and year-round programming.

In addition to its productions, Oil Lamp recently expanded with the SPARK CENTER, which offers arts education for all ages with a focus on youth. These process-driven classes inspire a lifelong love of the arts while equipping students with creativity, confidence and critical life skills.

In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue with the goal of staying in downtown Glenview. Building on its roots as a scrappy storefront, Oil Lamp is evolving into a more robust organization—without losing the intimacy and warmth that define its theater experience. Oil Lamp Theater hopes this announcement inspires excitement throughout the community. Interested community members are invited to learn more by reaching out to the theater and staying tuned as additional news is shared in the near future. For information or to support the campaign go to OilLampTheater.org/Light-the-Way or reach out to Oil Lamp at light-the-way@oillamptheater.org.

Production photo credit: Gosia Matuszewska - GosiaPhotography.com for Oil Lamp Theater’s The Outsider, now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road in Glenview.

REVIEW: Laura Heit: The Matchbox Shows Now Playing Through January 25th, 2026

ChiIL Live Shows On Our Radar

Chicago Puppet Fest presents: 

Laura Heit: The Matchbox Shows

Laura Heit's unmatched!  

We adored this wonderfully weird production. Think that late night, tiny, tabletop puppet fun might be your jam? This show has fire, wind, human created foley noises, and even puppet porn worthy of a 12 year old boy in a bathroom stall. She even becomes her own sequined backdrop with a delightful interplay of light, motion, and projection. 

Portland, Oregon based Heit has 25 years of practice making miniature magic and has perfected her niche craft in a big way. Not one to be boxed in, this microcosm contains dreams, odd stories, and wickedly creative, delightful absurd scenarios. The art is so bad it's good. And her DIY vibe is also inspiring and makes me want to go home and make an entire mini world of oddities in the service of storytelling. Worth the admission price to see the teeny news helicopter with the pinwheel propellor! Recommended. 

Laura Heit also has two nights of shorts playing at Music Box Theatre, which I was unable to get press tickets to review, and a free looping exhibition on the 4th floor of The Fine Arts Building which we loved. Check her out. 

Exhibitions at The Puppet Hub
“Two Ways Down” by Laura Heit

An immersive shadow puppet and hand-drawn animated installation, by visiting puppet artist Laura Heit. Taking inspiration from the Hieronymus Bosch work, Garden of Earthly Delights, this fantastical piece reflects on the momentary nature of life using thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a fleeting world where human-animal hybrids, specters, and body parts morph and flit across the walls.

Laura Heit: The Matchbox Shows

* 25th Anniversary of The Matchbox Shows *

Laura Heit walks on stage with a glass of wine wearing a sequined tube top. She takes her place behind a table and begins to bring to life her miniature cabaret. Playing the part of Miniature raconteur, sequined pyromaniac, Laura Heit performs teeny tiny puppet shows inside matchboxes. 

A dead boyfriend, a sausage fairy, a tiger whisperer, a perfectionist, a bath-loving ghost, and many others play their parts in these uncanny micro plays. The miniature stages come to life with crankies, fire, and pop-up paper engineering. The puppet shows are simultaneously projected on a screen behind the table making the little tiny details of this portable variety show larger than life.

Event Details

Dates/Times:
Thursday, January 22 at 8 p.m.
Thursday, January 22 at 10 p.m.
Friday, January 23 at 8 p.m.
Friday, January 23 at 10 p.m.
Saturday, January 24 at 8 p.m.
Saturday, January 24 at 10 p.m.
Sunday, January 25 at 8 p.m.

Location:
Constellation
3111 N. Western Ave.

Cost:
$25 Regular
$20 Students and Seniors

Ages: 13 and up
Running Time: 50 mins

REVIEW: Lifeline Theatre's World Premiere Production of RABBITS IN THEIR POCKETS Through October 5, 2025

When Life's the Pits, Embrace The Cherries!

Black Joy and Rabbit Luck Abound in Lifeline's World Premiere

ChiIL Live Shows On Our Radar

“RABBITS IN THEIR POCKETS”

Developed in Lifeline’s 2024 BIPOC Workshop: Chicago Playwright’s Debut Production 

Run Time: 90 minutes

REVIEW

By Bonnie Kenaz-Mara

(L to R) Marcus D. Moore (Jasper), Simmery Branch (Harley), and Felicia McNeal (Inola). Improv students Jasper and Inola try a scene as Harley’s ancestors in Lifeline Theatre’s “Rabbits In Their Pockets” Photo credit for all: Josh Bernaski

I've always been fascinated by the idea that homes soak in the energy and emotions of what transpired there. Chicago playwright Kimberly Dixon-Mays, RABBITS IN THEIR POCKETS takes this concept to the next level with the invention of walls that can store up black joy like solar panels. This play hits home in an era where DEI initiatives are being rolled back on the regular, lynchings are resurging, and black joy is under attack. 

It's fantastic that this play came to life through Lifeline’s 2024 BIPOC Developmental Workshop and firmly centers the lives of two very different black siblings and their struggle to reconnect as adults. I applaud the choice of productions outside of the white, male canon, and the strong representation of lead roles for both women and actors of color. Simmery Branch (Harley) and LaKecia Harris (Ash) expertly play siblings, whose conflict and connection is fascinating to see. Felisha McNeal (Inola) is also a hoot in her role as a cryptic ancestor/investor. We also enjoyed watching Marcus D. Moore (Jasper, R) in action.

Since Virginia Woolf's famous essay, the idea of a room of one's own, has captivated imaginations. It's particularly important for mothers, caregivers, and women to have a space of their own to retreat into and recharge, no matter how small, and the sisters saw this as children, in their Mother's cherry wallpapered hidey hole beneath the stairs. In RABBITS IN THEIR POCKETS there's something so joyful and special about reclaiming sacred space, rekindling the bonds of blood, and moving forward together. I love the juxtaposition of old school, low tech, self care with futuristic, cutting edge invention, all in pursuit of joy. 

There's also quite a bit of humor and rabbit fun from an improv assignment to a full body, jump scare inducing bunny suit, complete with a giant furry head. 

Simmery Branch (Harley, L) coaches her improv student Marcus D. Moore (Jasper, R) as he tries to be a rabbit in Lifeline Theatre’s “Rabbits In Their Pockets”

It was such a pleasure to catch opening night of this playfully thought provoking piece. We'll be keeping an eye out for more work from playwright Kimberly Dixon-Mays whose insightful themes on human psychology and family dynamics are at once universal and deeply personal. And if that joy collector wall panel actually works, those wall will be oozing joy after the laughter and applause of opening weekend. 

Sisters LaKecia Harris (Ash, L) and Simmery Branch (Harley, R) meet after a long estrangement in Lifeline Theatre’s “Rabbits In Their Pockets” a world-premiere original comedy by Kimberly Dixon-Mays

ChiIL Live Shows on our radar. Recommended. Three out of four stars. ★★★ 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play sisters who find shared joy in childhood memories 

Lifeline Theatre's World Premiere production of Kimberly Dixon-Mays’ RABBITS IN THEIR POCKETS is directed by Christopher Wayland and running through October 5, 2025 on the Rogers Park theatre’s stage at 6912 N. Glenwood Ave. Tickets ($25 - $45) are now available at https://lifelinetheatre.com/.

(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play siblings with very different approaches to life.

In the pursuit of joy, does method matter? Two siblings–opposites and estranged–take one last shot at putting grief behind them to create the joy they both seek. But their daring project can only succeed if they can accept each other's special magic. A world premiere original play by Chicago playwright Kimberly Dixon-Mays, RABBITS IN THEIR POCKETS began in Lifeline’s 2024 BIPOC Developmental Workshop.

(L to R) LaKecia Harris (Ash) and Simmery Branch (Harley)

RABBITS IN THEIR POCKETS PRODUCTION DETAILS

Title: RABBITS IN THEIR POCKETS

Written By: Kimberly Dixon-Mays

Directed By: Christopher Wayland

Cast: LaKecia Harris (Ash), Simmery Branch (Harley), Marcus D. Moore (Teddy), and Felisha McNeal (Inola)

Production Crew: Maryha Paige (Stage Manager), Shokie Tseumah (Scenic and Props Designer), Joseph Nelson (Lighting and Projections Designer), Emily McConnell (Costume Designer), and Isaac Mandel (Sound Designer)

Dates: Now Playing Through October 5, 2025 

Schedule: Fridays at 7:30 p.m., Saturdays at 2:30 and 7:30 p.m., Sundays at 2:30 p.m.

Location: Lifeline Theatre, 6912 N. Glenwood Ave.

Tickets: General Admission: $45

Military, student, and senior discounts available

Box Office:  info@lifelinetheatre.com or by phone at 773-761-4477

ABOUT LIFELINE THEATRE

Now in its 43rd season, Lifeline Theatre continues to explore, interpret, and reimagine books and other literary works to create stories that move us beyond the margins of our own lives. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s MainStage programs are partially supported by the Carole Oppenheim and Jerome S. Lamet Charitable Fund; Illinois Arts Council Agency; Anonymous; Paul M. Angell Foundation; Rogers Park Social; S&C Electric Company Fund; The Gaylord and Dorothy Donnelley Foundation; The Shubert Foundation; The Saints; and the annual support of businesses and individuals. https://lifelinetheatre.com

(L to R) Simmery Branch (Harley) and LaKecia Harris (Ash) play siblings in Lifeline Theatre’s “Rabbits In Their Pockets” a world-premiere original comedy by Kimberly Dixon-Mays, directed by Christopher Wayland. Now running through Sunday, October 5. Lifeline Theatre is located at 6912 N. Glenwood Ave. Chicago, IL 60626. For tickets visit https://lifelinetheatre.com or call the box office at 773-761-4477. 

REVIEW: MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE! Now Playing Chicago's Broadway Playhouse Through February 19, 2023

 MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE!

RETURNS TO CHICAGO

FOR A LIMITED ENGAGEMENT

BROADWAY PLAYHOUSE AT WATER TOWER PLACE

February 14 - 19, 2023

“First-person, funny domestic tales and retro stand-up comedy based on The New York Times best-seller.”

- THE NEW YORK TIMES

REVIEW:

By Bonnie Kenaz-Mara

T'was the night after Valentine's Day when I headed out to see MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE! for the first time, with my husband of 22 years. When I sprung the surprise on him, that we were going to a show at Broadway Playhouse, he might have rolled his eyes and sighed a bit, but he got dressed up and joined me without too much grumbling. If less than enthused about attending a play, he was happy to discover the fully stocked lobby bar. Live shows pair well with alcohol, and many reluctant attendees of all genders can be more easily persuaded to relax and have fun outside their comfort zone, with drinks in hand. 

As the lights dimmed, Ryan Drummond opened with, "You've noticed I'm not Amadeo Fusca. He's on a shoot with Robert De Niro and will be back tomorrow." Still, even with an understudy, the audience was in capable hands for this one man show. It's not every night you get to spend the evening with a Baywatch boy and the original voice of  “Sonic The Hedgehog”. Ryan Drummond went on to kill it, and provide a laughter fueled, enjoyable evening for all. 

At one point he called for an audience poll by applause, on how many couples there had been together 0-10 years, 10-20, 20-30, and over 30. I was so impressed at the ever increasing clapping, even in the 30+ years together demographic. Over the years, my husband and I have invented a macabre, tongue in cheek game we call "The Last Couple Standing", a real life reality show/dark comedy where we've seen the vast majority of our friends' relationships and marriages implode and dissolve. Just when I though we were a few divorces away from winning it all, it seems we have more competition for "The Last Couple Standing" than I'd imagined, and they were ALL at the Broadway Playhouse in a post Valentine's Day glow. 

For the past 25 years I've managed to entirely avoid the infamous Mars/Venus book and the stage show, but FOMO (fear of missing out) finally got the better of me and I went to see first hand why the 1992 book has sold in excess of 50 million copies, been translated into 40 different languages, and is one of the most recognizable titles in the world. 

My husband played into the "Martian Man" mythos, checking the score of the hockey game enroute to the show and at intermission, promptly forgetting the specifics of what he found hilarious, being minimalist about clothes, excelling at Tetris skills applied to packing boxes, and embracing a world view aimed at fixing things and problems without complex layers of nuance. Many of the stories and anecdotes were spot on for him. 

I've never been a girlie girl though, and the "Venutian" stereotypes mostly missed their mark for me. The tired tropes about women taking a long time to prep to go out, turning down free street parking for a $55 garage space to avoid wrecking a hairdo, getting overly emotional, etc. just didn't apply. And the neurotrash junk science... Wow. Just wow! 

Several taped cameos by book author, John Gray, about male and female differences in blood flow to the brain and gender based dopamine versus serotonin depletion were just cringeworthy. They almost veered into the realm of parody, but he was so earnest and so many millions are swallowing this swill as gospel truth, that I just can't quite find it credible or even funny.

During the pandemic, Gina Rippon, an actual female neuroscientist, published a book of her own, "The Gendered Brain", debunking Gray's myths on our collective grey matter. Rippon says, "I was trying to dispel the stereotypical myths that men are ‘left-brained’ — logical, rational and good at spatial tasks — and women are ‘right-brained’ — emotional, nurturing and good at verbal tasks. We’re not from Mars or Venus (to quote relationship counsellor John Gray’s 1992 book), we’re all from Earth! I assumed that people would thank me and just move on, but it caused an absolute furor and gave me early exposure to media backlash."

Christina Odone in the The Daily Telegraph in London wrote that Rippon's theory “smacks of feminism with an equality fetish”. She was described as the “poor scientist … who was so wrapped up in her work she hadn’t noticed that men and women are different”. She was even called a “grumpy old harridan”.

Neuroscientist Gina Rippon continues, "The book was well received by those who understood that I was not a sex-difference denier and not arguing for all culture and no biology, and that I wanted to comprehend the entangled relationship between sex and gender. But, unsurprisingly, it was not so well received by those who didn’t understand this." 

While the actual female neuroscientist's 2019 book was panned, Gray followed up his 1992 "MEN ARE FROM MARS – WOMEN ARE FROM VENUS" with 17 MORE books and has become a media darling and one of the most trusted relationship authors today, appearing on the national lecture circuit and on such TV shows as “Good Morning America,” “Oprah” and “Larry King Live.”

So... it seems our society has some 'splainin to do, and more than a passing vested interest in perpetuating biology based differences between the sexes! Maybe that would make a fascinating follow up stage show. *Read more about "The Gendered Brain" here (https://www.nature.com/articles/d41586-022-03782-6).

So, back to my review of MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE! Were there tired tropes, junk science, and outmoded gender stereotypes? Sadly yes. Was it funny as hell? Also a resounding yes. After all, in his play "No Exit", Jean-Paul Sartre did infamously say "Hell is other people." 

Despite the pseudoscience, anyone who can get my theatre averse spouse laughing that hard and often is a winner in my book. Whether you 100% buy into author John Gray’s differences between the sexes from a quarter of a century ago, treat it like a period piece, or go to see how far we've evolved on gender as a construct, check it out. If it leads to more laughter, leeway, and love in audience relations, then who am I to hate on this hit. MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE is a fun way to spend a few hours with friends or significant others, and plays like a casual night out with an extra funny friend. Recommended.

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Off-Broadway hit comedy MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE! returns to Chicago for the fifth time since 2014 to play eight performances at Broadway In Chicago’s Broadway Playhouse (175 E. Chestnut) from February 14, 2023 through February 19, 2023. Ticket prices range from $59 - $69. Individual tickets are available at www.BroadwayInChicago.com. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com.

MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE! is a one-man fusion of theatre and stand-up, and is a light- hearted theatrical comedy based on the New York Times #1 best-selling book of the last decade by John Gray. Moving swiftly through a series of vignettes, the show covers everything from dating and marriage to the bedroom.

ABOUT MEN ARE FROM MARS – WOMEN ARE FROM VENUS LIVE!

After beginning in Paris in 2007, Men are From Mars–Women are From Venus LIVE! has been seen by more than one million people around Europe. It debuted in the United States in February 2013 in Raleigh, North Carolina and will be playing to audiences around the United States and Canada throughout the year.

This hysterical show will have couples elbowing each other all evening as they see themselves on stage. Sexy and fast paced, this show is definitely for adults, but will leave audiences laughing and giggling like little kids!

When Mars and Venus collide, the adventures are earth-shatteringly hysterical. It's a great recipe for a night out: a little storytelling blended with some comedy and a dash of sage wisdom from the book. A delicious evening of entertainment! 

Producer, St. Louis based Emery Entertainment has produced or promoted thousands of events around the globe, including superstar attractions Blue Man Group, David Copperfield and James Taylor.

The talented team assembled for this production continues with the award winning playwright Eric Coble, direction by Broadway veteran Mindy Cooper, and animation & video production by the talented animators at Bazillion Productions.

TICKET INFORMATION

Individual ticket prices range from $59 - $69. Current Broadway In Chicago subscribers can add the show to their packages by calling 312-977-1717. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com. For more details, visit www.BroadwayInChicago.com.

PERFORMANCE SCHEDULE

Tuesday, February 14 at 7:30 pm Wednesday, February 15 at 7:30 pm Thursday, February 16 at 7:30 pm Friday, February 17 at 7:30 pm Saturday, February 18 at 2 pm Saturday, February 18 at 7:30 pm Sunday, February 19 at 2 pm Sunday, February 19 at 6:00 pm.

Ryan Drummond 

Born in Ohio, raised in Michigan, and now based in San Francisco, CA, Mr. Drummond is an actor, singer, juggler, mime instructor, and voiceover artist who feels that variety is the spice of a career. He has been performing his whole life, but is most proud of the fact that he has made a living exclusively in “the biz” since 1994. Remember 1994? Cell phones first started, “Pulp Fiction” was in movie theaters, “Friends” was in its first year on television? What a wild ride that lead us all here tonight! 

​A graduate of Eastern Michigan University with emphases on Theatre Arts and Psychology,  Mr. Drummond has been in a world premiere play written by Aaron Sorkin ("The Farnsworth Invention"), made three albums with his acappella quartet ("The A.Y.U. Quartet"), became a certified trainer of Polish and French mime, juggled for orcas and otters at Sea World of San Diego, harmonized mid-ocean on Regency Cruise Lines, tried to audition for  "Pippin" and didn't make the cheer squad in the movie Bring It On, nearly had his nose blown off by a confetti cannon in Kauai, Hawaii (hi ho the glamorous life!), appeared in many commercials (including one where Pat Sajak signed his forehead with a sharpie on the set of Wheel Of Fortune), made his national television debut on BAYWATCH alongside David Hasselhoff and Pamela Anderson, and was the original voice of  “Sonic The Hedgehog” in millions of videogames across the world for Sega Gaming Corp.

Mr. Drummond is a member of AEA, SAG-AFTRA, and AGVA, and distinctly remembers reading "Men Are From Mars. Women Are From Venus" as he was taking the train from JFK airport to Manhattan to appear on "The Rosie O'Donnell Show" back in December of 1998. Almost 2 decades later, here he is to tell you all about it! 

Amadeo Fusca will return to the role from February 16th on.

Originally from Pittsburgh, PA, Amadeo has now performed Men are From Mars Women are From Venus Live! in over 60 cities, over 30 states and in front of 70,000 people and counting. 

In 2013, he won the legendary Friars Club "So You Think You Can Roast?" competition beating out 55 other comedians roasting 80s child star Ricky Schroeder and NBA Hall of Famer Dennis Rodman in the process. As the winner, Amadeo was among the dais to roast Jack Black along with comic legends such as "Roastmaster" General Jeff Ross, Sarah Silverman, Amy Schumer, Bob Saget, Jerry Lewis and more! Amadeo's success at the roast landed him two quotes in Entertainment Weekly's funniest jokes of the event. 

In addition to his theatrical comedy, Amadeo can also be seen in various television and film productions including: Princess Cut on HBO MAX, NCIS on CBS, That Damn Michael Che on HBO MAX, Marvel's Daredevil on Netflix, Boardwalk Empire on HBO, The Holiday Dating Guide on Lifetime, Almost Family on FOX and As the World Turns on CBS. Upcoming in 2023, you can catch him as Lucky Luciano in the new Robert De Niro film Wise Guys directed by Barry Levinson. He currently jumps back and forth between New York and Los Angeles auditioning, writing and performing his new hit character World Renowned Conductor Salvatore Giovanni. 

For more information, please visit his website at www.amadeofusca.com, follow him on Instagram and to access his credit score his Social Security number is 180-54-3...

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and, over the past 22 years, has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago, lights up the Chicago Theater District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop, including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at the Auditorium Theatre.

COVID-19 PROTOCOL

Masks are recommended for all audience members. 

For more information, visit www.BroadwayInChicago.com.

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