About Face Theatre Announces Local and National Partnerships for 30th Anniversary Season

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About Face Theatre Announces Local and National Partnerships for 30th Anniversary Season

Plans include a new “choose your own adventure” play ready to tour the region

About Face Theatre begins its 30th season with programming to advance LGBTQ+ equity through community building, education, and performance. The company’s upcoming programs feature local and national partnerships to expand its impact and elevate LGBTQ+ voices. A new touring show about gender, consent, and healthy relationships, a 30th Anniversary Party, and a national partnership elevating Black Trans Women playwrights kick off the year.

About Face’s 2024-2025 season will kick off with a special engagement two-weekend run of its next touring show, We Could Be in association with Rivendell Theatre. Building on the company’s 29 year history of touring new plays and education programs to schools, community organizations, conferences, and workplaces, We Could Be is currently available for bookings in 2025. Next, the company is thrilled to celebrate its 30th Anniversary Season with a party that includes the presentation of Leppen Leadership Awards and introduces a new award in honor of one of the founding company members, Brian Goodman. To wrap up the fall, About Face is partnering with Long Wharf Theatre of New Haven CT, for the 5th year of Black Trans Women at the Center, a new work development program and virtual play festival.

“We are proud to enter our 30th anniversary season with partnerships and vibrant community events that serve our mission,” states Megan Carney, About Face Theatre’s Artistic Director. “We designed the season to expand our reach and offer different and meaningful ways to connect, grow, and create change together. We’re excited to be out and about during this landmark year.”

ABOUT FACE THEATRE’S 2024-2025 SEASON

We Could Be

in association with Rivendell Theatre

Conceived by & Creative Producer by About Face Theatre Education Manager Dionne Addai Written by Kirsten Baity and Teddy Thomas

Directed by Alyssa Vera Ramos

October 16-27, 2024 | Opening: Friday, October 18

Showtimes: Mon (10/21 only), Thurs & Fri @ 8:00pm, Sat @ 4:00pm & 8:00pm, Sun @ 6:00pm at Rivendell Theatre, 5779 N Ridge Ave, Chicago

Pay-what-you-can tickets ($5 – $35) on sale September 20, 2024, through the About Face Theatre website: aboutfacetheatre.com and the Rivendell Theatre website and box office.

The short run will be followed by a tour. About Face Theatre began touring interactive theatre productions to schools in 1997 to open up dialogue about sexuality and gender with young people and their allies. We Could Be is the latest offering available for bookings by contacting About Face Theatre.

What if building your identity, seeking out knowledge, and facing conflict felt more like... a video game? Join two siblings as they navigate their curiosities and needs around crushes, gender, and feeling safe and confident in their bodies. Though they’ll meet shame – and their own anxieties – along the way, a solid support system keeps them resourced on their journey ... and that includes YOU! Incorporating true stories from Illinoisians of all ages, mindfulness practices for everyday life, and honest conversation, We Could Be is an interactive new play that asks: In a world where societal expectations lay out your path, do you dare to choose your own adventure?

30th Anniversary Party

Thursday, November 7, 2024

6:00pm Cocktails, Cocktails and Supper

7:00pm Entertainment and Presentation of Awards Venue West, 221 N Paulina St, Chicago, IL 60612

The Board, staff, and major donors of About Face are hosting a special festive event to celebrate the company’s 30th Anniversary Season. The event promises to bring together multiple generations of the company’s supporters, artists, and staff with performances, presentation of Leppen Leadership Awards, and the introduction of the Brian Goodman Shooting Stars Awards. Tickets are on sale now at aboutfacetheatre.com.

Black Trans Women at the Center: A Virtual New Play Festival Co-produced by Long Wharf Theatre, The Theater Offensive, and Breaking the Binary Theatre, in partnership with About Face Theatre, National Queer Theater, and Portland Center Stage

Curated by Long Wharf Theatre Artistic Ensemble member Lady Dane Figueroa

Black Trans Women at the Center Chicago watch party: Wednesday, November 20, 2024 5:00pm-7:00pm at Brave Space Alliance, 1515 E 52nd Pl, 3rd Floor, Chicago Admission is free and open to the public; food will be provided.

Experience the electrifying creativity and visionary talent of Black trans women playwrights as they take center stage in a captivating digital showcase of new plays. Black Trans Women at the Center is part of Long Wharf Theatre’s 60th Anniversary Season. To honor this fifth round of new work, Long Wharf Theatre Artistic Ensemble member Lady Dane Figueroa Edidi and team established partnerships with other theatres to expand the reach of the festival and introduce new audiences to the power and artistry of these plays. In Chicago, About Face Theatre Artistic Director Megan Carney and Education Manager Dionne Addai participated in planning meetings with the Long Wharf team. They also read through four years of plays from the project along with this year’s new work. After that, they collaborated with Lady Dane to select two of the plays for production through About Face.

The festival will premiere on November 18 and be available to stream for free for three days. About Face Theatre, in partnership with Brave Space Alliance, will present a watch party of select works on Wednesday, November 20. This watch party will be free and open to the public.

The season continues in 2025

More information on the rest of About Face Theatre’s 30th anniversary season, including its third Re/Generation Studio and productions will be announced this fall.

ABOUT FACE THEATRE’S 30-YEAR HISTORY

About Face Theatre was founded in 1995 to address the lack of lesbian, gay, bisexual, transgender, questioning, and queer (LGBTQ+) voices in the American theatrical canon. The company has evolved and adapted in many ways while staying true to the core principles of producing remarkable new plays, offering groundbreaking educational and leadership programs for and with queer young people, and demonstrating an unwavering commitment to advancing LGBTQ+ equity through community building, education, and performance.

In 1998, the company launched About Face Youth Theatre and other education programs to provide arts-based community building and resources for LGBTQ+ youth. The programs became nationally recognized and continue to build community and opportunities across generations. Education programs at About Face include original play development, onsite workshops and skill building, employment and leadership development, and touring shows. About Face has continued to adapt its educational programming over the years to meet the evolving needs of LGBTQ+ youth and their allies.

The company started the Leppen Leadership Awards in 2001. Named in honor of founding supporter and consultant Michael Leppen, award recipients are people and organizations that lead with creativity and purpose to advance LGBTQ+ equity. Over the years, Leppen Leadership Award recipients have included Affinity Community Services, Emmanuel Garcia, Precious Brady Davis, Jane M. Saks, Windy City Media Group, Art Johnston and Pepe Peña, Victor Salvo of the Legacy Project, and Gloria “Mama Gloria” Allen, among others.

The company works with nationally recognized and emerging artists. About Face has a strong track record of launching world premiere plays that have big impact and go on to successful productions around the country. The company’s inaugural season opened with an adaptation of the Jim Grimsley novel DREAM BOY, written by AFT founder Eric Rosen, that went on to enjoy productions in Atlanta, Chapel Hill, and San Francisco. In 2002, the company produced I AM MY OWN WIFE with Moises Kaufman and Doug Wright which became a Tony and Pulitzer Prize-winning production and went on to international acclaim. Following its 2003 premiere with

About Face, Patricia Kane’s lesbian musical PULP has been produced in San Diego, Boston, Madison, Cleveland, and Los Angeles. In 2004, Tectonic Theater Project and Steppenwolf Theatre Company formed a collaborative partnership with AFT to produce an adaptation of Tennessee Williams’s ONE ARM, which advanced to an Off-Broadway run. AFT’s 2011 world premiere production of Philip Dawkins’s THE HOMOSEXUALS enjoyed great box office success in Chicago prior to full productions in Detroit, Raleigh-Durham, Philadelphia, Los Angeles, San Francisco, and Buffalo. In 2012, AFT premiered the holiday musical WE 3 LIZAS, which has since been seen in Richmond and Des Moines. In the same season, the company co-produced Paul Oakley Stovall’s IMMEDIATE FAMILY which then had a run in Houston as well as at Los Angeles’ Mark Taper Forum in 2015. AFT’s 2016 world premiere of Philip Dawkins’s LE SWITCH was subsequently produced in Minneapolis and San Francisco. In the 2021-2022 season, AFT workshopped and produced THE MAGNOLIA BALLET, written by Terry Guest which enjoyed a year-long rolling world premiere through the National New Play Network. Through the years, multiple new plays created by ensembles in the About Face Youth Theatre have been adapted and toured throughout the region accounting for 50% of the company’s reach in audiences. 

As of the completion of the 2023-24 season, AFT has achieved 94 productions

including 52 world premieres

About Face has been recognized with numerous industry awards including Jeff Awards, After Dark Awards, and recognitions from the Black Theater Alliance and the American Theatre Wing. The company has also received the Esteem Award for Artistic Expression from PrideIndex.com, Special Recognition Award from PFLAG National (Parents, Families, and Friends of Lesbians and Gays National), the Illinois Theatre Association Award of Excellence in Professional Theatre, the Human Rights Campaign Community Equality Award, a Human First Award from Horizons Community Services, a Champions Award from Gay Games – Chicago, and Induction into City of Chicago’s LGBT Hall of Fame.

ABOUT THE ARTISTS

Dionne Addai (they/she): We Could Be Creative Producer

Dionne Addai is a performer, writer, director, and teaching artist local to Chicago. They’re a passionate advocate for reproductive rights, racial justice, and free comprehensive sex education. Their artistic practice centers on educating in order to encourage sociopolitical action and mutual aid. As a performer, Dionne has multiple on-camera credits and has worked with over 20 renowned theatre companies in the U.S. (Merrimack Repertory, Raven Theatre, Filament Theatre; etc). Prior to joining About Face Theatre as Education Manager, she worked with AFT as an actor, director, and writer (Kickback Festival, Power in Pride, Re/Generation Studio). Dionne is represented by Actors Talent Group

Megan Carney (she/her): AFT Artistic Director

Megan’s work thrives at the intersection of making theatre and building community. As the Artistic Director for About Face Theatre she combines her love for directing, producing, and teaching. Prior to working with About Face in this role, Megan served as the Director of the Gender and Sexuality Center at the University of Illinois at Chicago and was one of the founders of About Face Youth Theatre. She is a certified mediator with the Center for Conflict Resolution, earned an MFA in Theatre with a focus on Directing and Public Dialogue from Virginia Tech, and a BA from Kalamazoo College, where her ideas about art and activism began to take shape. Recent Chicago directing credits include The Gulf, 20/20, and Time Is On Our Side (About Face), Winter, Grizzly Mama, Danielle Pinnock’s Body/Courage, American Wee Pie, and The Walls (Rivendell). Plays based on extended oral history projects including Women At War (Rivendell); Open Systems (Goodman Theatre); and Let Them Eat Cake (Dixon Place, NYC). Megan designed and teaches a Queer Theatre class for Columbia College Chicago and has been an adjunct instructor at DePaul University. Her work has been recognized with multiple After Dark Awards, the GLSEN Pathfinder Award, an APA Presidential Citation, induction into Chicago’s LGBT Hall of Fame, and a Rockefeller Foundation MAP Grant, among others.

Alyssa Vera Ramos (she/her/ella): We Could Be Director

Alyssa is a theatre director, devising artist, cultural strategist, and blossoming intimacy director dedicated to dreaming—and living into—a liberated world. Her always-collaborative artistic work explores themes of bodily autonomy and delight, racial justice and decolonization, collective learning, and her Boricua heritage. Directing and lead developer credits include: Epic Tales From the Land of Melanin (FEMelanin at Latinx Theatre Commons’ International TYA Festival and Free Street Theater), Expectation (For Youth Inquiry), Meeting Our Desires (Night Out In the Parks – also a podcast!), and You Can’t Cover the Sky With Your Hand (Pivot Arts’ The Memory Place), in-development with her mother, novelist Marisel Vera. For many years, she served as the Artistic Director of For Youth Inquiry Performance Company at the Illinois Caucus for Adolescent Health (ICAH), where she also co-facilitated the youth organizing cohort and helped win major legislation for abortion access. Alyssa is a practitioner of Theatre of the Oppressed, Creative Drama, and Participatory Theatre. She co-authored The Sex Ed Playbook: Participatory Theatre for Health Education and is a contributor to the upcoming volumes Applied Theatre and Gender Justice and Into Abolitionist Theatre: A Guidebook for Liberatory Theatre-making. She is also a proud curator of Swarm Artist Residency and a dedicated student at La Escuelita Bombera de Corazón — two of her cultural homes.

About Brave Space Alliance

Brave Space Alliance is the first Black-led, trans-led LGBTQ+ Center located on the South Side of Chicago, dedicated to creating and providing affirming, culturally competent, for-us by-us resources, programming, and services for LGBTQ+ individuals on the South and West sides of the city. They strive to empower, embolden, and educate each other through mutual aid, knowledge-sharing, and the creation of community-sourced resources as we build toward the liberation of all oppressed peoples.

About Rivendell Theatre Ensemble

Founded in 1994, Rivendell Theatre Ensemble advances the lives of women through theatre. Rivendell cultivates the talents of women artists—writers, actors, directors, designers and technicians—by seeking out innovative plays that explore unique female experiences and producing them in an intimate salon environment. The company employs women theatre artists, offers mind-expanding experiences with new voices and perspectives, and sparks dialogue and action on critical issues in the lives of women and their communities. In its 25+ year history, Rivendell has earned 12 Joseph Jefferson Awards and nearly four dozen nominations. They are recognized as a national force in new play development and a home for women theatre artists, and the company engages about 200 artists and 3,000+ audience members each year through their mainstage season and new work development.

About Long Wharf Theatre

Founded in 1965, Long Wharf Theatre (Jacob G. Padrón, Artistic Director; Kit Ingui, Managing Director) is a Tony Award-winning company of international renown. It was founded on the notion that New Haven deserves an active culture that is locally created, supported by community leaders and patrons of the arts. It is recognized for a historic commitment to commissioning, developing, and producing new plays and musicals that have become a part of the modern American canon. More than 30 of its productions have transferred to Broadway or Off-Broadway runs, three of which—Wit, The Shadow Box, and The Gin Game—won Pulitzer Prizes for Drama. It was among the earliest recipients of the Tony Award for Outstanding Regional Theatre (1978) and its productions have won numerous accolades, including Tony, New York Drama Critics' Circle, and Obie Awards; a Margo Jones Award; and nominations and Connecticut Critics Circle Awards in nearly every category.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. Learn more at aboutfacetheatre.com

The Midwest Premiere of The Brightest Thing in the World Via About Face Theatre March 14-April 13, 2024

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About Face Theatre to produce

the Midwest premiere of 

The Brightest Thing in the World

directed by Keira Fromm

March 14-April 13, 2024 

About Face Theatre continues its 29th season with the Midwest premiere of The Brightest Thing in the World by Leah Nanako Winkler, directed by AFT Artistic Associate Keira Fromm. The show will run March 14 through April 13, 2024, at The Den Theatre. The Brightest Thing in the World starts as a bubbling romantic comedy between barista Lane and her regular Steph, charting their growing relationship as they encounter real-world challenges like teen pregnancy, parenting, and addiction. This play is a celebration of love, family, and the people in our lives who shine the brightest.

THE BRIGHTEST THING IN THE WORLD

Written by Leah Nanako Winkler

Directed by AFT Artistic Associate Keira Fromm

March 14 – April 13, 2024 | Press opening: Friday, March 22

All performances will take place at The Den Theatre, 1331 N Milwaukee Ave, Chicago

Showtimes: Thurs and Fri at 8:00pm, Sat at 3:00pm and 8:00pm, Sun at 3:00pm

Please note: There is no matinee performance on Saturday, March 16

Open Captioning performances: Dates TBD.

Masks Required performances: Saturday matinees on March 30 and April 6 will require every attendee to wear a mask.

Pay-what-you-can tickets ($5 – $35) on sale now at The Den Theatre box office or About Face Theatre’s website.

 

TICKETS

Tickets are on sale now online at AboutFaceTheatre.com, by calling 773.697.3830, or in-person at The Den Theatre box office. Ticket prices range from $5 to $35. 

AFT offers a ticket pricing system that allows each patron to decide the price that they can comfortably afford to pay for a ticket. Ultimately, About Face wants everyone who wants to attend a show to be able to do so. Please note: there are limited quantities available at each pricing level.

THE PLAY

Charmingly free-spirited barista Lane is determined to win over her new regular, the reserved and intellectual Steph. Delightful romantic comedy ensues with poetry, homemade desserts, and sparks flying. But both women are carrying life-changing secrets involving addiction, past relationships, and family. What happens when the giddy romance wears off and Lane and Steph must do the work of building a lasting relationship out of honesty, compassion, and courage? The Brightest Thing in the World is a funny, heartfelt new play delving into the people we think we know and the people we know we love.

“I love Leah Nanako Winkler’s use of language and the smart, messy, recognizable women at the center of the story,” says director Keira Fromm. “She has created a play that manages to be both a funny queer rom-com and a devastating portrait of addiction and the ways we’re all constantly in a state of recovery.”

The Brightest Thing in the World was commissioned by Yale Repertory Theatre in 2019, where it received its world premiere in 2022.

 

CAST

Blakewell (Della)

Claire Kaplan (Lane)

Jojo Brown (Steph)

 

PRODUCTION TEAM

Dramaturg, Casting Director        Catherine Miller

Choreographer                              Jenn Freeman

Intimacy & Violence Designer     Sheryl Williams

Assistant Director                         Aimy Tien

Scenic Designer                           Sotirios Livaditis

Lighting Designer                         Conchita Avitia

Sound Designer                           Christopher Kriz

Costume Designer                       Gregory Graham

Properties Designer                     Amanda Herrmann

Technical Director                        Becca Venable

Stage Manager                            Jean Compton

Assistant Stage Manager            B Valek

Production Manager                    Audrey Kleine

Keira Fromm (she/her): director

Keira is a Chicago-based, Jeff-award nominated director. She is also an Artistic Associate with About Face Theatre where she directed Bull in a China Shop, Significant Other, Bright Half Life, and A Kid Like Jake. Other directing credits include: Who’s Afraid of Virginia Woolf (Milwaukee Chamber Theatre), The Moors, A Phoenix Too Frequent, and A Doll’s House (American Players Theatre), The Last Match (Writers Theatre); At the Wedding and Miss Bennet: Christmas at Pemberley (TheatreSquared); Top Girls and hang (Remy Bumppo); The Columnist (American Blues Theater); Charles Ives Take Me Home (Strawdog); The How and the Why (TimeLine Theatre); Broadsword (The Gift Theatre); and Fallow (Steep Theatre.) She received her MFA from DePaul University, her BFA from Boston University, is an alumna of Lincoln Center Theater Directors Lab, and a member of SDC, the professional directors union. Keira will be directing The Liar at American Players Theatre this upcoming summer. www.keirafromm.com

Cyd Blakewell (she/her): “Della”

Cyd was most recently seen in Northlight Theatre’s Birthday Candles. She is a proud ensemble member of The Gift Theatre. Gift Theatre credits: The Locusts, Pillowman, Doubt, A Life Extra Ordinary, Good For Otto, Body + Blood, Broadsword, Mine, and TEN. Other Chicago credits: The Snare (Jackalope); Balm In Gilead and Port (Griffin); Buddy Cop 2, breaks & bikes, and Milk Milk Lemonade (Pavement Group); Sweet Confinement and Ivanov (SiNNERMAN Ensemble); Orange Flower Water (Interrobang); Lies & Liars and Mimesophobia (Theatre Seven); Rewind (The Side Project). Last summer she wrapped on a short film called Fairground and can also be seen in Jeri’s Grille. Next, you can see her in the World Premier of Obliterated by Andrew Hinderaker, co-starring Michael Patrick Thornton. Cyd got her BFA from Southwestern University in Georgetown, TX and is a graduate of the School at Steppenwolf. She is represented by Promote Talent Agency.

Jojo Brown (she/her): “Steph”

Jojo Brown is a stage and screen actor who was born and raised in Chicago. Off-Broadway credits include CHARM and 7 Minutes. Television credits include her recurring role as Mindy on Freeform's “Single Drunk Female” and appearances on NBC, Showtime, Comedy Central, FX, and Paramount Plus. 

Claire Kaplan (she/her): “Lane”

Claire is a theater-maker, actor, and teacher from Long Beach, CA. Regional credits include South Coast Rep, La Jolla Playhouse, and East West Players. Claire is co-artistic director of The West, an experimental theatre company formerly based in LA, now creating work in Chicago and Berlin. She is directing Theatre Unspeakable's touring show introducing Shakespeare to kids and is teaching devised theater at UIC. She recently helped create the musical world for Backroom Shakes' The Winter's Tale.

Leah Nanako Winkler (she/her): playwright

Leah Nanako Winkler is an award-winning playwright and TV writer from Kamakura, Japan, and Lexington, Kentucky. Her plays include God Said This, Two Mile Hollow, Kentucky, Hot Asian Doctor Husband, and The Brightest Thing in the World, as well as many short plays all produced Off-Broadway and regionally. Accolades and fellowships: Yale Drama Series Prize, Mark O’Donnell Prize from The Actors Fund and Playwrights Horizons, Audible’s Emerging Playwrights Fund, Jerome New York Fellow at the Lark, Francesca Primus Prize, and a 2020 Steinberg Playwright Award. She is published by American Theater Magazine, Nanjing University’s Stage and Screen Reviews, Yale University Press, Backstage, Smith and Krauss, Samuel French, and Dramatists Play Service. TV credits include Michael Moore’s TV NATION, New Amsterdam, A24’s Ramy on Hulu (where she along with the other writers won a Peabody Award), Love Life on HBO MAX, and currently on projects at Apple, Warner and Amazon.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. AFT envisions an affirming and equitable world in which all LGBTQ+ individuals are thriving and free from prejudice and discrimination. About Face Theatre is also dedicated to being an intentionally and increasingly anti-racist organization. Due to the intersectionality of our identities, we understand our work to advance LGBTQ+ equity as directly connected to movements for racial justice.

 

About Face Theatre's 2023-2024 Season To Feature Two Regional Premieres

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About Face Theatre 

Announces 2023-2024 Season

AFT’s 29th season will feature two regional premieres alongside

touring workshops and community building

About Face Theatre announces plans for its 29th season. Dedicated to advancing LGBTQ+ equity through community building, education, and performance, About Face will present two regional premiere productions at The Den Theatre in Wicker Parker, as well as the return of its popular workshop reading series Re/Generation Studio and touring performances and workshops.

About Face’s 2023-2024 season will begin in October with Re/Generation Studio, a free three-week reading workshop series charting the future of LGBTQ+ theatre. AFT first presented Re/Generation Studio in its 2022-2023 season and featured such plays as Roger Q. Mason’s Lavender Men, Steven Strafford’s The Model Congressman, and Derek Lee McPhatter’s underdrown, among others. Plays and workshops in this season’s Re/Generation Studio will be announced in August. The season will continue in 2024 with the Midwest premiere of The Brightest Thing in the World by Leah Nanako Winkler, directed by AFT Artistic Associate Keira Fromm. The Brightest Thing in the World charts the evolution of a lesbian couple’s rom-com courtship through struggles with honesty and addiction. The season will conclude with the Midwest premiere of Lavender Men by Roger Q. Mason, directed by Lucky Stiff, starting in April 2024. In Lavender Men, contemporary gender non-conformist Taffeta plays post-mortem matchmaker to Abe Lincoln and his queer legal assistant Elmer Ellsworth, only to realize she is the one who needs real love healing. During the season, About Face will also offer customized touring workshops and performances throughout Chicagoland designed to increase a sense of belonging, invite brave dialogue, and move individuals and groups toward equity and action. 

“We are at a fraught moment in history where it is vital that we continue elevating LGBTQ+ stories and amplifying queer voices,” says AFT Artistic Director Megan Carney. “About Face’s mission is all about advancing LGBTQ+ equity through community building, education, and performance. And this season features some truly unique stories that will bring audiences together and incite our imaginations in the ways that only great theatre can.”

  

ABOUT FACE THEATRE’S 2023-2024 SEASON

The Brightest Thing in the World

Written by Leah Nanako Winkler

Directed by AFT Artistic Associate Keira Fromm

March 14 – April 13, 2024 | Press opening: Friday, March 22

Showtimes: Thurs & Fri @ 8:00pm, Sat @ 3:00pm & 8:00pm, Sun @ 3:00pm

All performances will take place at The Den Theatre, 1331 N Milwaukee Ave, Chicago 

Pay-what-you-can tickets ($5 – $35) on sale September 15, 2023, at The Den Theatre box office or About Face Theatre’s website.

Charmingly free-spirited barista Lane is determined to win over her new regular, the reserved and intellectual Steph. Delightful romantic comedy ensues with poetry, homemade desserts, and sparks flying. But both women are carrying life-changing secrets involving addiction, past relationships, and family. What happens when the giddy romance wears off and Lane and Steph must do the work of building a lasting relationship out of honesty, compassion, and courage? The Brightest Thing in the World is a funny, heartfelt new play delving into the people we think we know and the people we know we love. 

“I love Leah Nanako Winkler’s use of language and the smart, messy, recognizable women at the center of the story,” says director Keira Fromm. “She has created a play that manages to be both a funny queer rom-com and a devastating portrait of addiction and the ways we’re all constantly in a state of recovery.” The Brightest Thing in the World was commissioned by Yale Repertory Theatre in 2019, where it received its world premiere in 2022. About Face’s production will be the play’s Midwest premiere.

  

Lavender Men

Written by Roger Q. Mason

Directed by Lucky Stiff

May 9 – June 8, 2024 | Press opening: Friday, May 17

Showtimes: Thurs & Fri @ 8:00pm, Sat @ 3:00pm and 8:00pm, Sun @ 3:00pm

at The Den Theatre, 1331 N Milwaukee Ave, Chicago

Pay-what-you-can tickets ($5 – $35) on sale September 15, 2023, at The Den Theatre box office or About Face Theatre’s website.

Taffeta is a fat, multi-racial femme with a unique form of queer magic: she can conjure dead historical figures. In this energetic and surreal play, Taffeta invites audiences along as she summons none other than President Abraham Lincoln and his handsome young law clerk Elmer Ellsworth to her stage. Playing every other character in Abe and Elmer’s gay narrative, Taffeta uses this fantasia to confront issues of visibility, race, and LGBTQ+ inclusion. But is any of this historically accurate? Sit down, honey, that’s not what we’re here for. Lavender Men is an embrace to every queer, fat person of color who has been ignored, neglected, or erased for unapologetically being themselves.

Lavender Men was first produced at Skyline Theatre in Los Angeles in 2022 with playwright Roger Q. Mason in the role of Taffeta. About Face Theatre introduced the play to audiences last season through our Re/Generation Studio workshop series, featuring playwright Roger Q. Mason and director Lucky Stiff. Audience reaction was so enthusiastic that About Face is now thrilled to present a full production of this new work in our 29th season.

“Lavender Men was born from my time living and studying in Chicago, almost 10 years ago,” says playwright Roger Q. Mason. “The city's vibrant embrace of LGBTQIA+ life liberated me personally and artistically, and I emerged a proud plus-sized, queer, POC playwright in the American Theatre. About Face Theatre is a leader, locally and nationally, in queer storytelling, and I am honored to partner with them to bring Lavender Men home to its birthplace—Chicago.”

  

Re/Generation Studio

An intergenerational workshop series building the future of queer theatre

Nov 30 – Dec 16, 2023

Individual workshop days & times TBD

at The Den Theatre, 1331 N Milwaukee Ave, Chicago

All workshops are free and open to the public.

Re/Generation Studio is About Face Theatre’s invitation to build the future of queer theatre together. This welcoming series of public workshops is shaped as a collective dreaming space for connecting with each other, learning about new plays, world-building, and exploring new production models. Each workshop will be grounded by staged readings of sections of new plays designed to invite conversation, collaboration, and creation in a shared space. Facilitators will offer key questions and considerations raised by the playwrights and directors and encourage participants to work together to brainstorm and develop creative solutions.

About Face premiered Re/Generation Studio in February 2023 as a vehicle for reconnecting, restoring, and recreating with audiences and artists after the pandemic. The overwhelming response from participants proved to us that these kinds of creative events are necessary to build and rebuild our communities. AFT is thrilled to be bringing the series back to continue engaging audiences and artists directly with up-and-coming new LGBTQ+ plays.

“Re/Generation Studio is all about taking the risk of coming together and sharing experiences,” says co-curator Pen Wilder. “The perspective I gained through the workshops as an artist, a playwright, and a person were invaluable. Every great play was once a new play, and being there for so many different beginnings, middles, and ends is something really special. I’m thrilled to be involved and look forward to dreaming bigger this upcoming season.”

Touring Workshops and Performances

About Face teaching artists offer fun and accessible workshops for groups throughout the year. In collaboration with schools, churches, workplaces, clubs, and community groups, these sessions can increase a sense of belonging, invite brave dialogue, and move groups toward equity and action goals. The company’s facilitators work with group leaders to identify key goals and then present activities in mindfulness, listening, and storytelling. Interested parties can learn more at AboutFaceTheatre.com/education/touring-programs.

ABOUT THE ARTISTS

Keira Fromm (she/her): The Brightest Thing in the World director

Keira is a Chicago-based, Jeff Award-nominated director. She is also an Artistic Associate with About Face Theatre where she directed Bull in a China Shop, Significant Other, Bright Half Life, and A Kid Like Jake. Other directing credits include: Who’s Afraid of Virginia Woolf (Milwaukee Chamber Theatre), The Moors, A Phoenix Too Frequent, and A Doll’s House (American Players Theatre), The Last Match (Writers Theatre); At the Wedding and Miss Bennet: Christmas at Pemberley (TheatreSquared); Top Girls and hang (Remy Bumppo); The Columnist (American Blues Theater); Charles Ives Take Me Home (Strawdog); The How and the Why (TimeLine Theatre); Broadsword (The Gift Theatre); and Fallow (Steep Theatre.) She received her MFA from DePaul University, her BFA from Boston University, is an alumna of Lincoln Center Theater Directors Lab, and a member of SDC, the professional directors union. Keira will be directing The Liar at American Players Theatre this upcoming summer. www.keirafromm.com

Leah Nanako Winkler (she/her): The Brightest Thing in the World playwright

Leah Nanako Winkler is an award-winning playwright and TV Writer from Kamakura, Japan, and Lexington, Kentucky. Her plays include God Said This, Two Mile Hollow, Kentucky, Hot Asian Doctor Husband, and The Brightest Thing in the World, as well as many short plays all produced Off-Broadway and regionally. Accolades and fellowships: Yale Drama Series Prize, Mark O’Donnell Prize from The Actors Fund and Playwrights Horizons, Audible’s Emerging Playwrights Fund, Jerome New York Fellow at the Lark, Francesca Primus Prize, and a 2020 Steinberg Playwright Award. She is published by American Theater Magazine, Nanjing University’s Stage and Screen Reviews, Yale University Press, Backstage, Smith and Krauss, Samuel French, and Dramatists Play Service. TV credits include Michael Moore’s TV NATION, New Amsterdam, A24’s Ramy on Hulu (where she along with the other writers won a Peabody Award), Love Life on HBO MAX, and currently on projects at Apple, Warner and Amazon.

Roger Q. Mason (they/them): Lavender Men playwright

Roger Q. Mason is a writer and performer who uses the lens of history to disrupt the biases that divide rather than unite us. Their playwriting has been seen on Broadway (Circle in the Square Reading Series); Off and Off-Off-Broadway; and regionally. Mason's world premiere of Lavender Men was lauded by the Los Angeles Times as "evoking the mingled visions of Suzan-Lori Parks, Jeremy O. Harris, and Michael R. Jackson." As a filmmaker, Mason has been recognized by the British Film Institute, Lonely Wolf International Film Festival, SCAD Film Festival, AT&T Film Award, and Atlanta International Film Festival. Their films have been screened in the US, UK, Poland, Brazil, and Asia. Mason holds degrees from Princeton University, Middlebury College, and Northwestern University. They are a member of the Dramatists Guild of America and Ma-Yi’s Writing Lab, and are an alum of Page 73’s Interstate 73 Writers Group and Primary Stages Writing Cohort. Mason has co-hosted the podcast Sister Roger’s Gayborhood and hosted This Way Out Radio's Queerly Yours: Portraits in Courage. They are a lead mentor of The Marsha P. Johnson Institute’s Starship Fellowship, the New Visions Fellowship, and the Shay Foundation Fellowship. Instagram: @rogerq.mason

Lucky Stiff (they/them): Lavender Men director

Lucky Stiff is a trans and nonbinary director, writer, and performer working in Chicago and New York. They build original experiences that combine nightclub culture and performance art which have been featured at the Museum of Contemporary Art Chicago, Steppenwolf Theatre Company, Blue Man Group Chicago, Boy Friday Dance Company, and Bushwig Festival of Drag, among many others. They hold an MFA in Directing for Theater from Northwestern University and have lectured in performance and directing at UC Santa Cruz, UC Santa Barbara, Northwestern University, University of Illinois at Chicago, and the School of the Art Institute of Chicago. luckystiffdrag.com

Pen Wilder (they/them): Re/Generation Studio co-creator

Pen is a playwright, aspiring dramaturg, and artist with a focus in queer storytelling. They contribute to various literary publications and have been seen in journals such as Mulberry Literary and the ChillFiltr Review. In their free time, they also can be seen performing as part of indie rock group Cowboy Neal. Their play Switch Hitta was featured in last season’s Re/Generation Studio, and they are currently working on their next full-length play, Earthshine.

Megan Carney (she/her): AFT Artistic Director, Re/Generation Studio co-curator

Megan’s work thrives at the intersection of making theatre and building community. As the Artistic Director for About Face Theatre she combines her love for directing, producing, and teaching. Prior to working with About Face in this role, Megan served as the Director of the Gender and Sexuality Center at the University of Illinois at Chicago and was one of the founders of About Face Youth Theatre. She is a certified mediator with the Center for Conflict Resolution, earned an MFA in Theatre with a focus on Directing and Public Dialogue from Virginia Tech, and a BA from Kalamazoo College, where her ideas about art and activism began to take shape. Recent Chicago directing credits include The Gulf, 20/20, and Time Is On Our Side (About Face), Winter, Grizzly Mama, Danielle Pinnock’s Body/Courage, American Wee Pie, and The Walls (Rivendell). Plays based on extended oral history projects including Women At War (Rivendell); Open Systems (Goodman Theatre); and Let Them Eat Cake (Dixon Place, NYC). Megan designed and teaches a Queer Theatre class for Columbia College Chicago and has been an adjunct instructor at DePaul University. Her work has been recognized with multiple After Dark Awards, the GLSEN Pathfinder Award, an APA Presidential Citation, induction into Chicago’s LGBT Hall of Fame, and a Rockefeller Foundation MAP Grant, among others.

Logan Jones (he/him): AFT Managing Director

Logan is a Chicago-based artist, administrator, and consultant. He has frequently collaborated with multiple theatre companies while utilizing his artistic and technical skills, organizational capabilities, and highly-collaborative working style. Logan has worked with Ensemble Consulting as Facilitator and Project Manager on various leadership transitions and organizational development projects since 2015. As a stage manager and production manager, he has helmed multiple productions for About Face Theatre, American Theater Company, The House Theatre of Chicago, Windy City Playhouse, Denver Center for the Performing Arts, 13Exp, and the American Music Theatre Project, among others. Logan holds a BA in Theatre and BA in Modern Languages from Kansas State University, a certificate in Equity, Diversity, and Inclusion in the Workplace from University of South Florida, and is a graduate of the Axelson Center Bootcamp for Nonprofit CEOs at North Park University.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. AFT envisions an affirming and equitable world in which all LGBTQ+ individuals are thriving and free from prejudice and discrimination. About Face Theatre is also dedicated to being an intentionally and increasingly anti-racist organization. Due to the intersectionality of our identities, we understand our work to advance LGBTQ+ equity as directly connected to movements for racial justice.

 

FREE With RSVP: Queer Theatre Workshops Via About Face Theatre every Saturday from January 28 – March 18, 2023, at The Den Theatre

  About Face Theatre to present

a public intergenerational workshop series 

Re/Generation Studio

charting the future of Queer Theatre

About Face Theatre continues its 28th season with Re/Generation Studio, a series of innovative, intergenerational workshops focused on new works and the future of queer theatre. The goal of the workshops is to bring together people of diverse ages and backgrounds to reconnect and imagine new ways of producing theatre. Each workshop will be grounded by staged readings of sections of new plays that invite conversation, collaboration, and creation in a shared space. Facilitators will offer key questions and considerations raised by the playwrights and directors and encourage participants to work together to brainstorm and develop creative solutions.

All workshops are free and open to the public. Workshops will be presented every Saturday from January 28 – March 18, 2023, at The Den Theatre, 1331 N Milwaukee Ave, in Wicker Park (subject to change). More information can be found at aboutfacetheatre.com.

The artistic producer of Re/Generation Studio is theatre artist AJ Schwartz. Schwartz is a theatre director and producer who has previously worked with About Face on Time Is On Our Side and This Bitter Earth, as well as curating AFT’s OUT Front play reading series. They have also worked with Haven Chicago, Steep Theatre, First Floor Theatre, The New Coordinates, SideShow Theatre, and The Syndicate. The creative team for the series additionally includes casting director Catherine Miller and stage manager Rebecca Walker. Featured artists include Dionne Addai, Kirsten Baity, Mikael Burke, Roger Q. Mason, Derek Lee McPhatter, Lucky Stiff, and Steven Strafford.

“One of the major issues that has come up for theatre artists over the last few years is having regular shared space where we can collaborate,” said About Face Theatre Artistic Director Megan Carney. “We know we are stronger together. So Re/Generation Studio addresses that need. It is an invitation to gather across generations and explore the stories we want to tell going forward. This is just one of the ways About Face Theatre is dedicated to the future of the field. “

Re/Generation Studio

January 28 – March 18, 2023

Saturdays 2:00-5:00pm

All workshops are free and open to the public. 

Reservations are recommended and can be made at aboutfacetheatre.com.

This winter, About Face Theatre opens its doors for people across generations to gather in a series of public workshops exploring new plays and new models of play production. This will be a collective dreaming space for connecting with each other, learning about new plays, world-building, and exploring new production models. Each session will feature a new play and invite conversation, collaboration, and creation around key questions it raises. We’ll also have some food and time to catch up with each other.

 

Individual events:

Re/Generation Studio: Love and Nappiness

Saturday, January 28, 2023, 2:00-5:00pm

at About Face Theatre rehearsal studio, 5252 N Broadway Ave, Chicago, IL 60640

Featuring readings from Love and Nappiness by Kirsten Baity, directed by Dionne Addai.

In Love and Nappiness, when Meraki’s girlfriend brings her to a queer owned hair salon as a bonding exercise, the experience quickly devolves into an exercise in dealing with micro-aggressions and the intricacies of interracial dating.

 

Re/Generation Studio: Lavender Men

Saturday, February 18, 2023, 2:00-5:00pm

at The Den Theatre, 1331 N Milwaukee Ave, Chicago, IL 60622

Featuring readings from Lavender Men by Roger Q Mason, directed by Lucky Stiff.

Lavender Men is a genre-pushing play that courageously re-imagines one of America’s most beloved historical icons, President Abraham Lincoln, through a queer person of color’s storytelling lens. Taffeta, a self-proclaimed "fabulous queer creation of color," invades Honest Abe’s private world to confront issues of visibility, race, and LGBTQ+ inclusion that still challenge us today. Lavender Men is an embrace to every queer, fat person of color who has been ignored, neglected, or erased for being themselves unapologetically in this world. They are beautiful; they are essential; they are perfect - just the way they are.

 

Re/Generation Studio: The Model Congressman

Saturday, February 25, 2023, 2:00-5:00pm

at The Den Theatre, 1331 N Milwaukee Ave, Chicago, IL 60622

Featuring readings from The Model Congressman by Steven Strafford, directed by AJ Schwartz.

In The Model Congressman, it’s 1994, and Kevin’s just a kid hoping to win a big scholarship and get enough money to go to the school of his dreams. It’s 1994, and Kevin’s just a closeted kid who secretly goes on adults-only chat rooms looking for men. It’s 1994, and Kevin’s just an ambitious, closeted kid who has to decide how far he’s willing to go to impress the man who can change or ruin his life. It’s time to go to the 1994 Model Congress!

 

Re/Generation Studio: underdrown

Saturday, March 4, 2023, 2:00-5:00pm

at The Den Theatre, 1331 N Milwaukee Ave, Chicago, IL 60622

Featuring readings from underdrown by Derek Lee McPhatter, directed by Mikael Burke.

As climate catastrophe reshapes Chicago, a queer black intellectual confronts a lover, a computer, and a mysterious visitor on his quest for truth in virtual worlds. The lines between the digital world and “real life” blur as our blackademic grows obsessed with researching a problematic video game.

 

Re/Generation Studio: TBA

Saturday, March 11, 2023, 2:00-5:00pm

at  The Den Theatre, 1331 N Milwaukee Ave, Chicago, IL 60622

Featuring readings from a new play; title and director to be announced soon.

 

Re/Generation Studio: TBA

Saturday, March 18, 2023, 2:00-5:00pm

at The Den Theatre, 1331 N Milwaukee Ave, Chicago, IL 60622

Featuring readings from a new play; title and director to be announced soon.

  

ARTIST BIOS

DIONNE ADDAI (she/they), Director (Love and Nappiness)

Dionne Addaiis a director, actor, writer, and teaching artist local to Chicago. Their artistic practice centers on educating in order to encourage political action and mutual aid. As a director, she’s worked on Meeting Our Desires, Botticelli, and Sexuality Out Loud. Recent acting credits include Nina Simone: Four Women (Merrimack Repertory Theatre), The Secret Yes (Filament Theatre), Eclipsed (Pegasus/Theater on the Lake), and We are Pussy Riot (Red Tape Theatre). She is represented by Actor’s Talent Group.

KIRSTEN BAITY (they/them), Playwright (Love and Nappiness)

Kirsten Baity is a Chicago-based playwright, deviser, and intimacy director. Their work mainly explores race and gender politics within queer spaces. Their plays include Forest Friends & the First Day of Spring (Theatre Between Addresses), This Is Normal (Quaranstream Theatre Festival), Rage Isn’t Free: A participatory play (Youth Empowerment and Performance Project), and Tonin Town, Minstrelsy 2.0 (Columbia College Chicago). They have devised plays with  Goodman Theatre's Playbuild and Intergen Ensembles, About Face Youth Theatre, For Youth Inquiry, and Free Street Theater. Kirsten is a proud member of the Intimacy Coordinators of Color cohort and an About Face Theatre Green Room Collective alum. For more info, check out kirstenbaity.com

MIKAEL BURKE (he/him), Director (underdrown)

Mikael Burke is a Chicago-based director and educator and served as Associate Artistic Director with About Face from 2020 through 2022. A Princess Grace Award-winner in Theatre and Jeff Award-nominated director, Mikael’s worked with Goodman Theatre, About Face Theatre, Victory Gardens Theatre, Northlight Theatre, Raven Theatre, Jackalope Theatre Company, First Floor Theater, American Theatre Company, Chicago Dramatists, The Story Theatre, and Windy City Playhouse in Chicago, and regionally with Milwaukee Chamber Theatre, Indiana Repertory Theatre, Asolo Repertory Theatre, Geva Theatre Center, Phoenix Theatre Indianapolis. Recent credits include the American premiere of Routes by Rachel De-Lahay, The Wanderers by Anna Ziegler, Shakespeare’s Richard III, The Magnolia Ballet by Terry Guest (2022 Jeff Award Winner - Production, Short Run); Fireflies by Donja R. Love (Black Theatre Alliance Award - Best Direction of an Ensemble). | mklburke.com

ROGER Q. MASON (they/them), Playwright (Lavender Men)

Roger Q. Mason was dubbed by Theatre Mania as "a major voice in the theatrical vanguard."  Their playwriting has been seen on Broadway (Circle in the Square Reading Series); Off and Off-Off-Broadway; and regionally.  Mason's critically-acclaimed world premiere of Lavender Men was recently lauded by the LA Times as "a daring theatrical talent on display...evoking the mingled visions of Suzan-Lori Parks, Jeremy O. Harris and Michael R. Jackson."   As a filmmaker, Mason has been recognized by the British Film Institute, Lonely Wolf International Film Festival, SCAD Film Festival, AT&T Film Award, and Atlanta International Film Festival. Their films have screened in the US, UK, Poland, Brazil, and Asia.  Mason holds degrees from Princeton University, Middlebury College, and Northwestern University. They are a member of the Dramatists Guild of America, Page 73’s Interstate 73 Writers Group, and Primary Stages Writing Cohort; the co-host of Sister Roger’s Gayborhood podcast; the host of This Way Out Radio's Queerly Yours: Portraits in Courage; and lead mentor of the Marsha P. Johnson Starship Fellowship, Shay Foundation Fellowship, and New Visions Fellowship.

DEREK LEE McPHATTER (he/him), Playwright (underdrown)

Derek Lee McPhatter is committed to new work at intersections of race, class, gender, sexuality and technology. A 2021 Creative Capital Awardee, Derek is currently developing the NightQueen Performance Suite as a triptych of evening-length works spanning theater, music, opera, spoken word and new media.  The project has been supported by a 2022 Chicago Performance Commission from the Museum of Contemporary Art Chicago, as well as additional residency and developmental support from Chicago Dramatists, Prop Thtr, Perceptions Theatre and Primary Stages. Derek served as librettist, book-writer and/or lyricist for five new music-theatre works with the Lyric Opera of Chicago, as well as various theater projects with JACK, Hi-ARTS, and The Drama League, among others. His work has been supported by grants and prizes from the Jerome Foundation, the Chicago Digital Media Production Fund, the Puffin Foundation, the Propeller Fund, the Chicago Department of Cultural Affairs and Special Events, and the United States Embassy in the United Kingdom, to name a few. He is a native of Pickerington Ohio and currently splits his time between Chicago, NYC and Los Angeles. www.derekleemcphatter.com

AJ SCHWARTZ (they/them), Artistic Producer / Director (The Model Congressman)

AJ Schwartz is a theatre director and producer in Chicago, making work focused on queerness, relationships, and the fall of the American Empire. You may have seen their production of How You Kiss Me Is Not How I Like To Be Kissed by Dan Giles at Haven Chicago. They have also worked with storefront companies in Chicago including About Face Theatre, Steep Theatre, First Floor Theater, The New Coordinates, Sideshow Theatre Company, and The Syndicate. In their free time they enjoy photography and hosting dinner parties.

LUCKY STIFF (they/them), Director (Lavender Men)

Lucky Stiff is a trans and nonbinary director, writer, and performer working in Chicago and New York. They build original experiences that combine nightclub culture and performance art which have been featured at the Museum of Con­temporary Art Chicago, Steppenwolf Theatre Company, Blue Man Group Chicago, Boy Friday Dance Company, and Bushwig Festival of Drag, among many others. They hold an MFA in Directing for Theater from Northwestern University and have lectured in performance and directing at UC Santa Cruz, UC Santa Barbara, Northwestern University, University of Illinois at Chicago, and the School of the Art Institute of Chicago. luckystiffdrag.com

STEVEN STRAFFORD (he/him), Playwright (The Model Congressman)

Steven Strafford is grateful to be a part of this festival and to return to working with About Face Theatre where he performed his award-winning solo play, Methtacular! He has performed that show across the country for a long time now, and he loves it every single time. Methtacular! was recorded at Steppenwolf Theatre’s 1700 Space in 2019. His play Small Jokes About Monsters won the New American Voices Contest in 2016, was a semifinalist for The O’Neill, and won the 2022 Ready-to-Publish Award and will be published and licensed by Broadway Licensing later this year. Small Jokes About Monsters was produced at Landing Theatre in Houston (Nominated, Outstanding New Play), 16th Street Theater in Chicago, and at Lamb Theatre in Sioux City. His play The Match Game won the 2022 Jackie Demaline Award at Ensemble Theatre of Cincinnati. His play Greater Illinois was semifinalist at The O’Neill in 2021. The play was an official selection of Tantum East’s New Play Development, MATC, Great Plains Theatre Conference, and received a workshop with The Road Theatre in Los Angeles in 2022. His essays have been published on various sites and in the book The Anatomy of Silence. He has an MFA in Playwriting from Ohio University.  As an actor, he's been across the globe on fancy and less fancy stages. He has been on TV, in commercials and movies, and one time played Hepatitis A for an industrial, which is a performance he still receives emails about...so, go figure.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. AFT envisions an affirming and equitable world in which all LGBTQ+ individuals are thriving and free from prejudice and discrimination. About Face Theatre is also dedicated to being an intentionally and increasingly anti-racist organization. Due to the intersectionality of our identities, we understand our work to advance LGBTQ+ equity as directly connected to movements for racial justice.

About Face Theatre announces 2022-2023 Season Advancing LGBTQ+ Equity

AFT’s 28th season will include two world-premiere plays building on its mission to advance LGBTQ+ equity

About Face Theatre is excited to announce plans for its 28th season. Dedicated to advancing LGBTQ+ equity through community building, education, and performance, AFT will present two world-premiere productions at The Den Theatre in Wicker Park, as well as workshops and projects in development.

About Face’s 2022-2023 season will begin in November 2022 with the world premiere of Omer Abbas Salem’s new play Mosque4Mosque, directed by Sophiyaa Nayar. Mosque4Mosque is a family comedy about a queer Arab-American Muslim man navigating his first real relationship while his relentlessly caring immigrant mother tries to find the perfect man for him to marry. In May 2023 the company will present the world premiere of Gender Play, or what you Will, a new one-person performance co-created by Will Wilhelm and Erin Murray. Gender Play, or what you Will is a highly personal exploration of the works of William Shakespeare through a gender-imaginative lens.

Clockwise, from upper left: Omer Abbas Salem, Sophiyaa Nayar, Erin Murray, Will Wilhelm.  

Throughout the year, About Face Theatre will continue its commitment to leadership development, intergenerational collaboration, and learning opportunities. AFT’s Green Room Collective will enter its second full year supporting early career LGBTQ+ arts leaders with part-time staff roles. In addition, creative workshops will explore new possibilities for programs asking, "Who are we becoming? What are our collective dreams? How will we grow together?" Further details will be available on the website later this fall.

“Connect, grow, and find joy with us”, invites About Face Theatre Artistic Director, Megan Carney. “The stories in our upcoming season combine bravery and humor to deepen community connections and move us toward a more just world. These productions combined with signature About Face programs and new work development promise a year of visionary collaborations ahead.”

 

ABOUT FACE THEATRE’S 2022-2023 SEASON

Mosque4Mosque

Written by Omer Abbas Salem

Directed by Sophiyaa Nayar

 

November 17 - December 17, 2022  |  Press opening: Mon, Nov 21, 2022 @ 7:30pm

Typical showtimes: Thurs & Fri @ 7:30pm, Sat @ 3:00pm and 7:30pm, Sun @ 3:00pm

Check the calendar for schedule details around holidays. All performances will take place at The Den Theatre, 1331 N Milwaukee Ave, Chicago

 

Pay-what-you-can tickets ($5-$35) will go on sale in the coming weeks at The Den Theatre box office or About Face Theatre’s website.

Ibrahim is an average 30-something queer Arab-American Muslim who is constantly being reminded how unmarried he is by his relentlessly caring immigrant mother, Sara. Having helped raise his smart, popular, cheerleading hijabi younger sister, Ibrahim has always been comfortable sinking into the background. Normal job, quiet life, easy men. But on the precipice of finding what could be his first real relationship, Sara feels compelled to take Ibrahim's future into her own hands by attempting to find the perfect man for him to marry. Mosque4Mosque is a comedy about a normal Muslim American family that asks us to wrestle with what we believe normal to be.

Mosque4Mosque was workshopped and performed virtually through the Criminal Queerness Festival and Dixon Place in July 2020, directed by Sharifa Elkady. It was selected to be Steppenwolf Theatre's SCOUT Development play for 2020 and received a 30-hour workshop and a fully produced reading in March of 2021. This world premiere production at About Face Theatre will receive dramaturgical and community engagement support from Silk Road Rising.

Director Sophiyaa Nayar says “Activist and author adrienne maree brown describes visionary fiction as centering marginalized peoples, ‘aiming neither for utopia nor dystopia, but that harder, more realistic place in the middle.’ Mosque4Mosque does exactly that -- it reimagines what our relationship with religion, queerness, and family could look like. It dismantles stereotypes about Arab, Muslim, and immigrant families, which are often harmfully painted in the media as violent caricatures or side-plot comedic relief.

“I can see myself in Abbas’ work. I see my family in it,” she continued. “I see Arab friends I've grown up with and their families in it. He paints these characters with such concrete detail and infuses them with so much life that it’s hard not to root for them. A friend once talked about how you can smell his plays when you read them, and I think that holds especially true with Mosque4Mosque.”

 

Gender Play, or what you Will

Co-Created by Will Wilhelm and Erin Murray

Performed by Will Wilhelm

Directed by Erin Murray

May 4 - June 3, 2023  |  Press opening: Fri, May 12, 2023

Typical showtimes: Thurs & Fri @ 7:30pm, Sat @ 3:00pm and 7:30pm, Sun @ 3:00pm

at The Den Theatre, 1331 N Milwaukee Ave, Chicago

Pay-what-you-can tickets ($5-$35) will go on sale in the coming weeks at The Den Theatre box office or About Face Theatre’s website.

The classic works of Shakespeare are filled with queerness: cross-dressing, homoeroticism, the fluidity of masculine and feminine gender roles, and so many phallic puns! In this one-person show, actor Will Wilhelm conjures the spirit of playwright William Shakespeare to examine the Bard’s works through their own queer perspectives and life experiences. Together, Will & Will propose a new reason to keep these old stories alive: not as a relic of what our society has been, but as a testament to seeing ourselves reflected in history. Gender Play, or what you Will invites guests to share a mystical evening of laughter, poetry, and tarot that coalesces into a celebration of queer joy.

Gender Play, or what you Will explores fresh, contemporary pathways into the classics. The play was developed with support from About Face Theatre, Island Shakespeare Festival, Northwestern University and the Arts Midwest’s Grow, Invest, Gather Fund.

“I love the conversation of Gender Play,” says director Erin Murray. “It is a smart exchange about how and why we continue to stage classic theatre that leaves the viewer feeling inspired and informed. Will Wilhelm is as vivacious as they are provocative.”

“And yet,” she says, “if you haven't picked up a play since your 9th grade R&J reading assignment, this show will happily carry you on its back and serve you a smile. It asks you to be gentle with yourself and those around you as it secures you into a wild ride through history and personal stories. In Gender Play, or what you Will, the audiences will find new peace in being once again part of a collective.”

 

LEADERSHIP AND EDUCATION

Leadership and education programming at About Face Theatre will include programs and workshops that combine storytelling and theatre making with wellness practices and community connections. Participants in the next cohort of the Green Room Collective leadership program will contribute in meaningful ways on projects throughout the season while strengthening their individual skills. The year ahead will also feature a unique play reading series that explores different models for production.

 

ABOUT THE ARTISTS

Sophiyaa Nayar (she/her): Mosque4Mosque director

Sophiyaa is from New Delhi, India. She creates interdisciplinary and genre-bending work that centers (im)migrants. She is a member of the WP Lab 2020-22, 3Arts Make a Wave Grantee, a Definition Theatre ensemble member, a member of Directors' Lab Chicago 2017, and a resident in Milwaukee Rep’s 2017/18 season. Recent directing credits: MODERN WOMEN by Omer Abbas Salem (Playwrights Unit Reading, Goodman Theatre), PLURAL (LOVE) by Jen Goma and Haruna Lee (WP, Pipeline Festival), SHAKUNTALA by Lavina Jadhwani (Future Labs, Goodman Theatre). LOVE IN THE TIME OF JONESTOWN: A RADIO PLAY by Omer Abbas Salem (New Coordinates), GOOD YEARS by Ada Alozie (Film, Definition Theatre), PRETTY SHAHID by Omer Abbas Salem (Jackalope Theatre). Recent AD credits: SEARCH FOR SIGNS OF INTELLIGENT LIFE… with Cecily Strong (Leigh Silverman), NOLLYWOOD DREAMS (Saheem Ali). She was part of the SDC Foundation’s Observership Class, through which she worked on SOFT POWER by Jeanine Tesori and David Henry Hwang at The Public. Her production of ETHIOPIANAMERICA By Sam Kebede (Definition Theatre) won Black Theatre Alliance Awards for Best Play, Featured Actor and Actress, and a Jeff award for Fight Choreography. She has developed work with Steppenwolf,  Center Theatre Group, The Shed, American Players Theatre, Writers Theatre, Jackalope, Milwaukee Rep, and MCC theatre. Her recent touring show, MOVEMENT LIVE is headed to Lincoln Center in 2023. More on sophiyaanayar.net.

Abbas Salem (he/him): Mosque4Mosque playwright

Omer Abbas Salem is a Chicago actor and playwright. As an actor, he's worked with Goodman Theatre, Steppenwolf Theatre, The New Coordinates, Jackalope Theatre, Steep Theatre, Silk Road Rising, Griffin Theatre, The House, Bailiwick Chicago, Actors Theatre of Louisville, St. Louis Rep, Roundabout Theater, and The Atlantic Theater. As a playwright, his work has been developed and produced at Steppenwolf Theatre, Goodman Theatre, Jackalope Theatre, First Floor Theater, DePaul University, National Queer Theater, Definition Theatre, About Face Theater, and The New Coordinates. He is the winner of Steppenwolf's SCOUT Development Project (20/21), Definition Theatre's Amplify Commission (20/21), Goodman Theatre's Future Labs Development (21), The Cunningham Commission at DePaul Theatre School (21/22), Goodman Theatre's Playwrights Unit (21/22) and First Floor Theater's Blueprint Commission (21/22). He was an apprentice of the Actors Theatre of Louisville (17/18) and is also a proud ensemble member with Jackalope Theatre, Steep Theatre, First Floor Theater, and The New Coordinates. He is a graduate of the University of Illinois Urbana Champaign and the University of Chicago. During the day, he's a Client Strategist in new-tech. Abbas is represented by DDO Artist Agency and The Gersh Agency. More at omerabbassalem.com.

Will Wilhelm (they/them): Gender Play, or what you Will co-creator

Will Wilhelm is a Chicago-based actor, writer, and educator. They were most recently seen as Angel in RENT (Portland Center Stage). Select Chicago credits include MR. BURNS (Theater Wit), STRAIGHT WHITE MEN (Steppenwolf Theatre), NOTEBOOKS OF LEONARDO DA VINCI (Goodman Theatre), and MY WONDERFUL BIRTHDAY SUIT (Chicago Children’s Theatre). Other regional credits include OKLAHOMA!, AS YOU LIKE IT, and MACBETH (Oregon Shakespeare Festival), where they were the first non-binary company member in the festival’s history. With Erin Murray, they are also the co-creator of the video podcast series TEACAKES & TAROT, produced by Island Shakespeare Festival and HowlRound Theatre Commons. In 2020, Will wrote “Gender is Performance” for HowlRound and was featured in the Chicago Tribune. A proud Northwestern graduate, Will is represented by Gray Talent Group. WillWilhelm.com

Erin Murray (she/her): Gender Play, or what you Will co-creator

Erin has directed both nationally and internationally in her twenty-year directing career. In 2005, Erin directed the Irish premiere of HEDWIG AND THE ANGRY INCH (Best Production at the Speigeltent) which was remounted at Project Arts Centre in 2006. Erin was Staff Director for Ireland's Opera Theatre Company for three seasons and toured six fully staged English translation productions internationally. Favorite directing credits include Anne Washburn’s THE INTERNATIONALIST (Steppenwolf Garage), the Chicago premiere of Suzanne Heathcote’s I SAW MY NEIGHBOR ON THE TRAIN AND I DIDN’T EVEN SMILE (Redtwist), and the Seattle premiere of Annie Baker’s JOHN (ArtsWest). She was the Executive Producer on the sold-out 2012 world premiere of Ariel Zetina's PINK MILK: A MAGIC TRAGEDY BASED ON THE LIFE OF ALAN TURING at New York International Fringe and Chicago Fringe Festival. Erin has also adapted and created new work for audiences of all ages. She celebrated the world premiere of her adaptation, CYRANO DE BERGERAC: A QUEEROIC COMEDY WITH MANY ACTS, with Island Shakespeare Festival in July 2022; her adaptation of Henrik Ibsen's GHOSTS premiered in Chicago in 2018. Erin worked with Seattle artivist Ana Maria Campoy to adapt and direct Seattle Shakespeare Company's first bilingual school WA state tours TAMING OF THE SHREW/ LA FIERECILLA DOMADA (2017) and TWELFTH NIGHT/DUODÉCIMA NOCHE (2018). Additional collaborations with Will Wilhelm include the video podcast series TEACAKES & TAROT: CONVERSATIONS WITH QUEER FUTURISTS produced by Island Shakespeare Festival in 2020 and later in association with HowlRound Theatre Commons. Guests include Robert O'Hara, Bill Rauch, P Carl, and Lisa Wolpe with episodes available wherever you enjoy your podcasts.  Education: MFA Theatre Directing, Northwestern University; BA, Trinity College Dublin. ErinMurrayDirects.com.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. Learn more at aboutfacetheatre.com

Chicago Premiere of THE MAGNOLIA BALLET Via About Face Theatre May 12 through June 11, 2022 at the Den Theatre

 ChiIL Live Shows On Our Radar

About Face Theatre Brings Local Playwright Terry Guest’s


THE MAGNOLIA BALLET 

To Chicago

About Face Theatre continues its 27th season with the Chicago premiere of Terry Guest’s haunting new drama THE MAGNOLIA BALLET, running May 12 through June 11, 2022, at the Den Theatre. Following the story of a young Black man in Georgia who finds a shocking discovery among his grandfather's letters, THE MAGNOLIA BALLET explores the need to tear down the rules that are killing us in order to finally live. Associate Artistic Director Mikael Burke premiered this new work in March 2022 at Phoenix Theatre in Indianapolis and now brings the play to Chicago with playwright Terry Guest in the lead role. I'll be out for the press opening Friday, May 20th, so check back shortly for my full review. 

Pictured left - right: Terry Guest, Wardell Julius Clark, Sheldon D. Brown, Ben Sulzberger.

PERFORMANCE TIMES

Previews:  Thursday, May 12 – Thursday, May 19

Press Opening:  Friday, May 20

Performance Run: Saturday, May 21 – Saturday, June 11

Thursdays through Saturdays at 7:30pm and Sundays at 3:00pm

TICKETS

Tickets are on sale now online at AboutFaceTheatre.com, by calling 773.697.3830, or in-person at the Den Theatre box office. Ticket prices range from $5 to $35.

AFT offers a ticket pricing system that allows each patron to decide the price that they can comfortably afford to pay for a ticket. Ultimately, About Face wants everyone who wants to attend a show to be able to do so. Please note, there are limited quantities available at each pricing level.

Left-right: Sheldon D. Brown, Terry Guest, Wardell Julius Clark. 

Photo by Nathanael Filbert

THE PLAY

Ezekiel is a Black teenager with a secret that threatens to destroy his already broken home. He’s haunted by the ghosts of racism, homophobia, and toxic masculinity–the same ghosts that have plagued men in Georgia for generations, including his emotionally distant father. But when he discovers a trove of forbidden love letters among his late grandfather’s belongings, Ezekiel  begins to believe that the only way to fight these multi-generational ghosts is to burn everything to the ground. The Magnolia Ballet is a Southern Gothic fable that melds high drama, dance, poetry, and spectacle to explore masculinity, racism, and the love between a queer kid and his father.

“As a queer Black man raised in the American south, this play is hugely important to me,” says director Mikael Burke. “No young person should ever be made to feel the way I did, like they are wrong simply for existing. This play forces all of us to reckon with the legacies of toxic masculinity and racism in this country. It’s a play that demands that we all wrestle with the ghosts of our prejudices and recognize where the rules we once set in order to survive have become the killers of a new generation.”

CAST

Terry Guest as Ezekiel “Z” Mitchell VI

Wardell Julius Clark as Ezekiel Mitchell V

Sheldon D. Brown as Apparition

Ben Sulzberger as Danny

PRODUCTION TEAM

Assistant Directing and Dramaturgy by Vic Wynter, Choreography by Jenn Freeman, Intimacy and Violence Choreography by Jyreika Guest, Scenic Design by Steven Abbott, Scenic Design Advising by Regina Garcia, Lighting Design by Eric Watkins, Sound Design by Brian Grimm, Costume Design by Jos N. Banks, Properties Design by Caitlin McCarthy, Stage Management by Lucy Whipp, Assistant Stage Management by Cecilia Koloski, Production Management by Audrey Kleine, Technical Direction by Becca Venable.

ARTIST BIOS

TERRY GUEST (he/him): Playwright, Ezekiel “Z” Mitchell VI

Terry Guest is a Chicago based playwright, actor and teaching artist. He wrote and starred in AT THE WAKE OF A DEAD DRAG QUEEN, which was the recipient of the 2018 Out Front Spectrum Series Grant and had its World Premiere in Chicago at The Story Theatre (directed by Mikael Burke). Other work includes: A GHOST IN SATIN (The Williamstown Theatre Festival, directed by Wardell Julius Clark), MARIE ANTIONETTE AND THE MAGICAL NEGROS (The Story Theatre), THE MADNESS OF MARY TODD (Goodman Theatre Playwrights Unit Commission), MICHAEL JACKSON AND THE DEVIL’S BOOK (Jackalope) and ANDY WARHOL PRESENTS: THE COCAINE PLAY. More in for at terrycguest.com

MIKAEL BURKE (he/him): Director

Mikael is a Chicago-based director and educator, and About Face Theatre’s Associate Artistic Director. A Princess Grace Award-winner in Theatre and Jeff Award-nominated director, Mikael’s most recently worked with Victory Gardens Theatre, Northlight Theatre, Jackalope Theatre Company, Windy City Playhouse, About Face Theatre, First Floor Theater, American Theatre Company, Chicago Dramatists, and The Story Theatre in Chicago, and regionally with Indiana Repertory Theatre, Asolo Repertory Theatre, Geva Theatre Center, and Phoenix Theatre. For About Face, he has directed KICKBACK, an all-virtual play festival, and THIS BITTER EARTH. Other recent directing credits include the world premiere of THE MAGNOLIA BALLET by Terry Guest; FIREFLIES by Donja R. Love; MRS. HARRISON by R. Eric Thomas; WE ARE CONTINUOUS by Harrison David Rivers; KILL MOVE PARADISE by James Ijames; THE AGITATORS by Mat Smart. mklburke.com

WARDELL JULIUS CLARK (he/him): Ezekiel Mitchell V

Wardell is an award-winning actor, director, producer, and activist who hails from Fairfield, Alabama, but now calls Chicago home. He earned his BFA from The Theatre School at DePaul University. Wardell is a Company Member with TimeLine Theatre. He is also an Ensemble Member at Sideshow Theatre. Select acting credits include GEM OF THE OCEAN (Goodman Theatre), FLYIN’ WEST (American Blues), SUDDENLY LAST SUMMER (Raven), SILENT SKY (First Folio), OTHELLO (Theater at Monmouth), and THE GOSPEL ACCORDING TO JAMES (Victory Gardens). His television and film credits include PROVEN INNOCENT, SHAMELESS, and CHICAGO FIRE seasons 1 & 4. Wardell directed the world premieres of BLACK MOON LILITH, A GHOST IN SATIN, and DON'T GET GOT last summer as part of the Solo Play Festival Celebrating the Black Radical Imagination at Williamstown Theatre Festival. Select Chicago directing credits include KILL MOVE PARADISE (Timeline Theatre - 2020 Jeff Award Winner - Best Director, large), SHEEPDOG (Shattered Globe), HIS SHADOW (16th Street), THE SHIPMENT (Red Tape), DUTCH MASTERS (Jackalope), THE WATSONS GO TO BIRMINGHAM -1963 (Chicago Children's Theatre), INSURRECTION: HOLDING HISTORY (Stage Left). Wardell was the Newcity Magazine 2020 - Player of the Moment, and a recipient of the 2021 3Arts Foundation Make a Wave grant! wardelljuliusclark.com

SHELDON D. BROWN (he/him): Apparition

Sheldon is overjoyed to return to About Face where he previously performed in THIS BITTER EARTH and TIME IS ON OUR SIDE. His other credits include the TRAGEDY OF OTHELLO THE MOOR OF VENICE, OEDIPUS REX, and MAN IN THE RING (Court Theatre); A WONDER IN MY SOUL (Victory Gardens Theatre), THE SHIPMENT (Red Tape Theatre); 1980 (Jackalope Theatre) and more. He also has numerous credits in Boston including THE GRAND INQUISITOR, directed by Peter Brook through ArtsEmerson. His film/screenwriting credits include CICADA (Spirit Award Nominated, Best First Screenplay), THE CANYONLANDS, and MY NAME IS ALEX. Sheldon is also a queer educator having taught with Steppenwolf, Northlight Theatre, and The League of Chicago Theatres. Sheldon received his BFA in Acting from Emerson College and is a proud Artistic Associate at About Face!

BEN SULZBERGER: Danny

Ben is thrilled to be making his Chicago theatre debut in THE MAGNOLIA BALLET. He graduated from the University of Iowa in 2020 with a degree in theatre arts and cinema. Some of his favorite roles have included Christopher in THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME, Flute in A MIDSUMMER NIGHT’S DREAM and Jason in SWEAT.

ABOUT FACE THEATRE advances LGBTQ+ equity through community building, education, and performance. AFT envisions an affirming and equitable world in which all LGBTQ+ individuals are thriving and free from prejudice and discrimination. About Face Theatre is also dedicated to being an intentionally and increasingly anti-racist organization. Due to the intersectionality of our identities, we understand our work to advance LGBTQ+ equity as directly connected to movements for racial justice.