Pegasus Theatre Chicago Remounts Hit Production of “Shakin’ the Mess Outta Misery” To Honor Late Playwright Shay Youngblood May 15 – June 15, 2025

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Pegasus Theatre Chicago announces cast for its revival of 

Shakin’ the Mess Outta Misery

Pegasus Theatre Chicago revives its 2017 hit to honor the late playwright Shay Youngblood

Pegasus Theatre Chicago and Director ILesa Duncan proudly announce the casting for the revival of playwright Shay Youngblood’s Shakin’ the Mess Outta Misery, which follows “Daughter”, who returns home to eulogize the last of the women who raised her in 1960s Georgia. Shakin’ the Mess Outta Misery runs at the Chicago Dramatists’ Russ Tutterow Theatre, 798 N. Aberdeen, from May 15 through June 15, 2025. Tickets are $15-$35 and can be purchased at pegasustheatrechicago.org. Group sales may be arranged by contacting boxoffice@pegasustheatrechicago.org.

Audiences will engage with “Daughter” who, after losing her mother, is brought up by a community of women, some blood-related, some not. Her 'Big Mamas' prepare her for womanhood by sharing stories while the child re-lives vivid memories of growing up, recalling rituals, faith healings, and lessons she learned about survival, healing, deep faith, and mystery. 

Cast members include Caitlin Dobbins, Felisha McNeal, Africa Brown, Sharyon Culberson, Stacie Doublin, Justice Ford, Destynee McMichaels, and debrah neal. The creative team includes Harrison Ornelas (scenic), Josh Wroblewski (lights), Shawn Wallace (music direction), Steve Labedz (sound) Tanji Harper (choreographer), Marquecia Jordan (costumes), Sheryl Williams (TIE Consultant), Carrie Hardin (dialects), and Wendy Huber (props design). 

Photo Credits: L-R Row 1 Caitlin Dobbins, Felisha McNeal, debrah neal, Stacie Doublin

Row 2: Sharyon Culberson, Africa Brown, Justice Ford, Destynee McMichaels

To honor playwright Shay Youngblood, who passed away in June of 2024, Pegasus Theatre Chicago dedicates this production to her and offers upcoming community engagement activities around healing and self-care. Supported by a grant from Healing Illinois, engagement activities and events will include a series of community Healing Circles, performance, and post-performance events from April through June 2025.  

About ILesa Duncan, Director

ILesa Duncan is Pegasus Theatre’s Executive and Producing Artistic Director and the former Artistic Director and an Ensemble Member at Lifeline Theatre. At Pegasus, she has directed Dontrell, Who Kissed the Sea, and Jeff Award-nominated productions of Eclipsed, Rutherford’s Travels (co-adaptor), The Green Book, For Her as a Piano, and Blacula: Young, Black & Undead. At Lifeline, she directed the Jeff-nominated, Native Son, and Neverwhere, as well as From the Mississippi Delta, and Blue Shadow (2010 KidSeries Premiere). A producer, director, writer, educator, and theater-maker, Duncan is an avid collaborator on new work. She has worked with The Goodman, Writers Theatre, Congo Square, Rivendell Theatre Ensemble, Stage Left and Chicago Dramatists, as well as Contemporary American Theatre Company (Ohio), The Alliance Theatre (Atlanta), Arena Stage (Washington D.C.) and Lincoln Center Theater (New York). As an educator, she has led youth development and arts education programs in Chicago for more than 13 years. She is a past awardee of an NEA/TCG Directing fellowship and a 3 Arts Ragdale’s Fellowship. She is a member of the Lincoln Center Theatre Director’s Lab and the Chicago Director’s Lab and is an associate artist with Chicago Dramatists (where she previously served as education and community engagement director).

About Shay Youngblood, Playwright 

Shay Youngblood penned novels, poetry, children’s books, and plays, creating powerful Southern Black women characters who were unapologetically self-possessed and free in ways not typically seen in women characters in general, and Black women in particular, in the U.S. In 1989, Youngblood published her first book, The Big Mama Stories, which she adapted into the seminal play Shakin’ the Mess Outta Misery. Youngblood lived all over the world, joining the Peace Corps after graduating from Clark Atlanta University and serving in Dominica, working as an au pair and model in Paris, and living in Japan as a U.S.-Japan Creative Artist Fellow. Throughout her travels, Youngblood built strategic partnerships with theatres and created opportunities for women artists.

About Shawn Wallace, Music Director

Shawn Wallace studied Music Theory and Composition at the University of Illinois at Urbana-Champaign and currently serves as Musical Director for two New Thought congregations: The Emmaus Center and the Namaste Center for Spiritual Living-Chicago. Shawn has worked for several years as a Teaching Artist throughout Chicago schools teaching record production and theatre tech.  Wallace’s work with Pegasus Theatre includes composition and music direction for Rutherford’s Travels, the 2017 production of Shakin’ The Mess Outta Misery and with Ilesa on Middle Passage at Lifeline Theatre. He has worked with luminary artists such as Common, Ice Cube, Bobby Brown, Dwele, Johnny Gill, Jon B., Bilal, Estelle, Julie Dexter, Rene Neufville, Rakim, Eric Roberson, Maggie Brown, Ugochi and Cherisse Scott. 

About Tanji Harper, Choreographer 

Tanji Harper is a choreographer and teaching artist from the South Side of Chicago. Harper was trained by the Joseph Holmes Chicago Dance Theater, Chicago Dance Medium, Homer Bryant, and Joel Hall, and is an alumna of The Chicago Academy of the Arts under the instruction of Anna Paskevska, Winifred Haun, Claire Bataille, Roger Turner, and Randy Duncan. After high school, she trained in both Los Angeles and New York, then started dancing for both R&B and Hip Hop mainstream music acts. Her resume includes R. Kelly, Sparkle, Do or Die, Avant, and Busta Rhymes from 1997 to 1999. After touring and performing all over the country. Harper came home and began teaching in Chicago. She landed a life-changing position that would grow her into the position of Artistic Director at The Happiness Club and began piloting dance programs that grew into apprenticeships through After School Matters for Chicago Public School teens aged 14-18.

SCHEDULE

Previews: May 15th through 18th at 7 p.m.

Opening: Monday, May 19th at 7 p.m.

Regular Run: May 19th – June 15th

TICKET INFORMATION

Tickets are $35 for General Admission, $25 for seniors, and $15 for students ages 21 and under. Tickets to Shakin’ the Mess Outta Misery  are on sale at https://ci.ovationtix.com/216/production/1225929 

About Pegasus Theatre Chicago

Pegasus Theatre Chicago is a professional, nonprofit theater that has been supporting Chicago’s diverse community for over forty years in the promotion and development of new artists for the stage. Pegasus Theatre Chicago is invested in theatre that provokes dialogue and inspires a shift in thinking. Pegasus Theatre Chicago produces theatre that examines social issues and engages in arts education programs that develop the next generation of writers, thinkers, and game changers.

Casting Announced for Chicago Shakespeare’s Production of Hymn April 29–May 25 in the Courtyard Theater

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Casting announced for Chicago Shakespeare’s production of

Hymn

Directed by three-time Jeff Award winner Ron OJ Parson

Starring Chicago actors Chiké Johnson and James Vincent Meredith

April 29–May 25 in the Courtyard Theater

Chicago Shakespeare Theater (CST) announces today the cast of Hymn. Legendary Chicago director Ron OJ Parson leads a powerhouse Chicago cast and creative team to bring this deeply resonant tribute to male friendship to the stage, starring Chiké Johnson and James Vincent Meredith. Playwright Lolita Chakrabarti has transposed her play to the South Side of Chicago following an acclaimed premiere at London’s Almeida Theatre, hailed by The Standard as a “Rich and moving ode to male friendship.” The creative team also includes scenic and projection designer Rasean Davonté Johnson, costume designer Yvonne Miranda, lighting designer Jason Lynch, and sound designer and composer Willow James. The production runs April 29–May 25, 2025, in the Jentes Family Courtyard Theater.

Two men from two very different neighborhoods meet as strangers, but before long—they’re singing the same tune. Benny is a loner anchored by his wife and children. Gil longs to fulfil his potential. They form a deep bond, but as cracks appear in their fragile lives, they start to realize that true courage comes in different forms. Set on Chicago’s South Side and brimming with the sounds of R&B, gospel, and house music, this soulful play takes an honest look at love, faith, and friendship in all of life’s beautiful complexities.

Chiké Johnson plays Benny, making his Chicago Shakespeare debut. Johnson is a company member of Remy Bumppo Theatre and has worked on many stages in Chicago and around the country, including Broadway credits Time to Kill and Wit. His recent Chicago credits include Toni Stone at Goodman Theatre, Northlight’s production of Birthday Candles, Remy Bumppo’s world premiere production of Galileo’s Daughter, and the world premiere of When Harry Met Rehab at the Greenhouse Theater Center. Johnson’s other credits include Ma Rainey’s Black Bottom and King Lear at American Player’s Theatre, Ruined at Manhattan Theatre Club, RunBoyRun at New York Theatre Workshop, and New York City Center’s Encores Lost in the Stars.

James Vincent Meredith plays Gil. Meredith returns to Chicago Shakespeare with credits including the title role in Othello, Much Ado About Nothing, The Merchant of Venice, Measure for Measure, and Julius Caesar. He is a Steppenwolf ensemble member with 19 credits including John Proctor in The Crucible and most recently Noises Off. His Broadway credits include The Book of Mormon, The Minutes, The Skin of Our Teeth, and Superior Donuts. Meredith’s other Chicago theater credits include work at the Goodman Theatre, Lookingglass Theatre, Writers Theatre, Victory Gardens Theatre, and Court Theater, and he has appeared on TV in Chicago Med (NBC), Your Honor (Showtime) FBI (CBS) and Fargo (FX).

Ron OJ Parson is the co-founder and former artistic director of Onyx Theatre Ensemble, a resident artist at Court Theatre, and an ensemble member at TimeLine Theatre. In 2022, he received the Zelda Fichandler Award from the Stage Directors and Choreographers Foundation and was recognized as the Chicago Tribune’s Chicagoan of the Year for Theater. He has won three Jeff Awards for directing for Relentless at TimeLine Theatre, and Blues for an Alabama Sky and Fences at Court Theatre. Other credits include East Texas Hot Links, The Lion In Winter, Arsenic and Old Lace, Two Trains Running, King Hedley II, Radio Golf, Five Guys Named Moe, Gem of the Ocean, Seven Guitars, Jitney, and The Piano Lesson at Court Theatre, Trouble in Mind, Too Heavy For Your Pocket, and A Raisin in the Sun at TimeLine Theatre Company, Toni Stone and Sweat at Goodman Theatre, and Ma Rainey’s Black Bottom and East Texas Hot Links at Writers Theatre.

“I’ve long admired the work at Chicago Shakespeare, during my theater journey here in Chicago,” said Parson. “I am truly honored to be working on Hymn by world-renowned playwright Lolita Chakrabarti. As my journey continues, what better play than a play about brothers, family, love, faith, and hope. What the world needs a lot of. Peace.”

CST artistic director Edward Hall said, "In my brief time in Chicago it has not taken me long to get acquainted with the work of the brilliant Ron OJ Parson. Both Lolita and I felt he was the missing piece in this delicate jigsaw, and I am deeply happy that the play resonated so powerfully with him. This will be Ron’s Chicago Shakespeare debut, and I am delighted to be welcoming the director of such a huge and important body of work into our company."

Lolita Chakrabarti won the Olivier Award for Best New Play for her adaptation of Yann Martel’s novel Life of Pi, which later went on to a Tony Award-winning Broadway run and a national tour. Her adaptation of Maggie O’Farrell’s novel Hamnet premiered at the Royal Shakespeare Company and the West End last year. Chakrabarti’s debut play Red Velvet enjoyed an acclaimed run at CST in 2017.

“I wanted to write a story of two Black men who find love with each other—a familial, platonic love,” says Chakrabarti. “My own male friends have often surprised me with their sensitivity, femininity, fussiness, insecurities, fun, kindness, and warmth—the list goes on. Hymn was born out of my desire to tell a different story. To reframe this play for Chicago is very exciting indeed, and I believe it will lend itself beautifully to this city’s rich culture.” 

Parson is joined on the creative team by scenic and projection designer Rasean Davonté Johnson, a two-time Jeff Award winner returning to Chicago Shakespeare after Measure for Measure and It Came From Outer Space, with other recent credits including Romeo and Juliet at Oregon Shakespeare Festival, Lucha Teotl at Goodman Theatre, and Her Honor Jane Byrne at Lookingglass Theatre; costume designer Yvonne Miranda, who makes her CST debut with recent credits including Leroy & Lucy at Steppenwolf Theatre, Primary Trust at Goodman Theatre, and The Hot Wing King at Writers Theatre; lighting designer Jason Lynch, a Jeff Award winner returning to CST after Beauty and the Beast, with other credits including Layalina and the ripple, the wave that carried me home at Goodman Theatre and Choir Boy at Steppenwolf Theatre; and sound designer and composer Willow James, who returns to CST after Twelfth Night, with other credits including A Christmas Carol, The Penelopiad, and The Nacirema Society at Goodman Theatre.

I'll be out for the press opening for Hymn on May 3rd so check back soon after for my full review.

More information at chicagoshakes.com/hymn or on social media at @chicagoshakes.  

CHICAGO SHAKESPEARE THEATER (CST)

A Regional Tony Award recipient, Chicago Shakespeare Theater produces a bold and innovative year-round season that includes Shakespeare, original plays, musicals, family programming, and international theatrical events. CST is committed to serving as a cultural center across its three stages—the 700+ seat Yard, 500 seat Jentes Family Courtyard Theater, and the 200 seat Carl and Marilynn Thoma Upstairs Studio as well as in classrooms, neighborhoods, and venues around the world. CST has a deep commitment to education and lifelong learning with robust programming for students, teachers, and lifelong learners, and engagement with communities across the city. Onstage, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare is a multifaceted theater—inviting audiences, artists, and community members to share powerful stories that illuminate the complexities, ambiguities, and wonders of our world. www.chicagoshakes.com

Drury Lane Theatre Presents Chicago Premiere of The Da Vinci Code April 9 – June 1, 2025

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Drury Lane Theatre announces casting for

 Chicago Premiere of

 The Da Vinci Code

Adapted by Rachel Wagstaff and Duncan Abel

Based on the novel by Dan Brown

April 9 – June 1, 2025

Drury Lane Theatre is pleased to announce the cast for its thrilling Chicago Premiere of The Da Vinci Code, based on the novel by Dan Brown, adapted by Rachel Wagstaff and Duncan Abel, and directed by Elizabeth Margolius. Witness the action-packed novel live on stage as Professor Robert Langdon, played by Chicago theatre favorite Jeff Parker and cryptologist Sophie Neveu, played by Vaneh Assadourian, race against the clock to unlock the secrets of Da Vinci, April 9 – June 1, 2025 at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace. I'll be out for the press opening April 17th, so check back soon after for my full review.

“I can’t think of a more provocative play than The DaVinci Code to kick off our thrilling 2025-2026 season,” comments Managing Director Wendy Stark Prey. “Visionary director Elizabeth Margolius - who brought our groundbreaking production of Fiddler on The Roof to life - is telling this electrifying story of ancient secrets and deadly conspiracies in a way never before seen on the Drury Lane stage.”

Based on the best-selling novel of the century, Dan Brown's The Da Vinci Code transforms into a thrilling new immersive experience. Innovative staging and dynamic effects plunge you into a world where renowned professor Robert Langdon and cryptologist Sophie Neveu race through a labyrinth of ancient clues and modern dangers. As shadows hold secrets, surveillance lurks at every turn, and centuries-old conspiracies emerge in real time, you'll discover The Da Vinci Code as you've never encountered it before. What truths hide behind sacred walls? What deadly traps await those who dare to seek answers? Experience the theatrical event of the year that transforms one of the most captivating thrillers ever told into a pulse-pounding journey of revelation.

Jeff Parker leads the cast of the Regional Premiere of The Da Vinci Code at Drury Lane Theatre

Starring Jeff Parker (Robert Langdon) and Vaneh Assadourian (Sophie Neveu), the cast of The Da Vinci Code includes Bradley Armacost (Sir Leigh Teabing), Jennifer Cudahy (Vernet/Docent/Church Volunteer), John Drea (Rémy/Philip), Ray Frewen (Jaques Saunière), Anthony Irons (Bezu Fache), Shane Kenyon (Silas), Janice O'Neill (Sister Sandrine/Marie), Leslie Ann Sheppard (Collet), and understudies Kroydell Galima and Charence Higgins.

The creative team includes Elizabeth Margolius (director-last directed Drury Lane’s groundbreaking production of The Fiddler on The Roof), Scott Penner (scenic designer), Nicole Boylan (costume designer), Lee Fiskness (lighting designer), Joshua Schmidt (original music & sound designer), Anthony Churchill (co-video designer), Mike Tutaj (co-video designer), Cassy Schillo (properties designer), Bridget Rzymski (wig and hair designer), Rick Sordelet (violence choreographer), Eva Breneman (dialect designer), Daren Leonard (associate director), Larry Baker (production stage manager).

The Da Vinci Code will be presented at Drury Lane Theatre, 100 Drury Lane in Oakbrook Terrace, April 9 – June 1, 2025. Single tickets are on sale now and are available by phone at (630) 530-0111 or online at DruryLaneTheatre.com. Groups of 10 or more can receive special group pricing.

Dates:  April 9 – June 1, 2025

Press Opening: Thursday, April 17, 2025 at 7pm

 

Schedule:                                       

Wednesdays: 1:30 p.m.

Thursdays: 1:30 p.m. and 7:00 p.m.

Fridays: 7:00 p.m.

Saturdays: 3:00 p.m. and 8:00 p.m.

Sundays: 2:00 p.m. and 6:00 p.m.                               

 

Location:                                        

Drury Lane Theatre at 100 Drury Lane in Oakbrook Terrace

Tickets:                                              

Tickets range from $75 - $150

Group discounts available to groups of 10 or more

Dining and show packages available

Senior discounts available

Box Office:                                       

100 Drury Lane in Oakbrook Terrace; (630) 530-0111; Monday through Sunday from 10am to 5pm or visit DruryLaneTheatre.com

Season and Membership Information

The 2025/2026 season opens with the Chicago premiere of The Da Vinci Code (April 9 – June 1, 2025), followed by a love letter to a country music icon in Always…Patsy Cline (June 11 - August 3, 2025); the riveting thriller Dial M for Murder (September 3 - October 26, 2025); the divine feel-good musical comedy Sister Act (November 12, 2025 - January 11, 2026) and the exhilarating music of the Miami Sound Machine in On Your Feet! The Story of Emilio & Gloria Estefan (January 28 - March 22, 2026). 

Drury Lane Theatre’s performance schedule for the 2025/2026 season is as follows: Wednesdays at 1:30 p.m., Thursdays at 1:30 p.m. and 7:00 p.m., Fridays at 7:00 p.m., Saturdays at 3:00 p.m. and 8:00 p.m., and Sundays at 2:00 p.m. and 6:00 p.m.

Lock in your seats for a season of spectacular theatre with Drury Lane’s new Membership Program! Members have exclusive access to uniquely tailored benefits designed to enrich their Drury Lane experience, all at a cost savings of more than 50% off single ticket prices. Membership includes Tier One seating for all five Drury Lane Theatre productions, free ticket exchanges, dedicated dining credits at Lucille Restaurant, exclusive event invitations, Member pre-sales and unlimited single ticket discounts. Membership prices range from $229.25 - $260.75. For more information, visit DruryLaneTheatre.com.

Group tickets start at $45 and Student group tickets start at just $35. On-site dining is available at Lucille Restaurant with convenient pre-show or post-show prix fixe menus. To book a group of 10 people or more, call Group Services at 630-570-7272 or email Groups@DruryLane.com.

Gift certificates to Drury Lane can be purchased in any denomination, never expire, and can be used for performances, at Lucille Restaurant or for Drury Lane Events. Gift certificates can be purchased online at drurylanetheatre.com/gift-certificates or by calling the box office.

Dining and Special Events

Excellence isn’t limited to the stage at Drury Lane! Before or after the show, theatergoers can indulge in delicious onsite dining at Lucille Restaurant featuring seasonal pre-fixe menus and an elevated atmosphere to complete their experience. Boasting over a century of collective expertise in hospitality, the dedicated team ensures that you will be cared for with freshly prepared meals, handcrafted cocktails, and exceptional service. At Drury Lane, everything is in one place, so you will never be late for your performance.

 

About Drury Lane Theatre  

Built from scratch. Built in Oakbrook. Built for you. 

Founded by Anthony DeSantis over 70 years ago, Drury Lane remains a family-run organization under the leadership of President Kyle DeSantis. Drury Lane Theatre continues as a major force in the Chicagoland theatre scene, producing world-class theatre in collaboration with some of the nation’s leading actors, directors, and creative minds. Drury Lane Theatre produces the highest quality theatrical experience that immerses and supports our artists and audiences in the exploration of what it means to be human and to experience the transcending power of the performing and visual arts. Drury Lane strives to create an environment in which every individual or group is welcomed, respected, supported, valued and able to fully experience and participate in this transformative art form. 

The theatre has staged more than 2,000 productions and has been nominated for over 360 Joseph Jefferson Awards. Drury Lane proudly employs thousands of professional actors, musicians, designers, and crew members to entertain upwards of nine million audience members and counting.

Definition Theatre Presents the Chicago Premiere of Splash Hatch on the E Going Down March 14 to April 13, 2025

ChiIL Live Shows On Our Radar

Definition Theatre Announces Casting for the Chicago Premiere of

Splash Hatch on the E Going Down

by Kia Corthron

Directed by Cheryl Lynn Bruce

jada jackson, jabari khaliq, stetson pierre, quenna barrett, & rita wicks

Company Also Announces $500,000 Donation from the Paul M. Angell Family Foundation in Support of Definition’s New Building in Woodlawn

Definition Theatre announces the cast of its next show, the Chicago premiere of Kia Corthron’s powerful drama Splash Hatch on the E Going Down. Helmed by lauded Chicago artist Cheryl Lynn Bruce, the production features Quenna Barrett, Jada Jackson, Jabari Khaliq, Stetson Pierre and Rita Wicks. Splash Hatch on the E Going Down runs from March 14 to April 13, 2025 at Definition at 55th, located at 1160 E 55th St in Hyde Park. 

In a cramped Harlem apartment, fifteen-year-old A-student Thyme faces the challenges of impending motherhood. Supported by her teenage husband and best friend, Thyme balances her intellectual curiosity with the harsh realities of her surrounding life. As she meticulously studies fetal development and dreams of a water birth, she becomes aware of the environmental injustices in her community. When tragedy strikes Thyme must confront the personal impact of her research, questioning what it truly means to prepare for the future. Explore this raw, poetic exploration of love, resilience, and the impact of environmental injustice on communities of color.

Jada Jackson plays Thyme, a brilliant but overwhelmed 15-year-old who is navigating both the complexities of teenage pregnancy and the weight of her growing obsession with the urban environment and social justice. Jabari Khaliq is Erry, Thyme’s 18-year-old husband, Rita Wicks as Shaneequa, Thyme’s best friend and mother of an infant. With Stetson Pierre as Ollie and Quenna Barrett as Marjorie.

Directed by Cheryl Lynn Bruce, the team includes assistant to the director Ashley Keys, production manager Ellen Willett, stage manager Ariel Beller, and a talented group of designers and assistants. The creative team also includes scenic designer Brian Bembridge, costume designer Janelle Smith, lighting designer Conchita Avitia, sound designer Willow James, and props designer Lonnae Hickman, with Maya Vinice Prentiss serving as intimacy and fight designer.

Tickets are on sale now and start at $25. For more information about Splash Hatch on the E Going Down and the full schedule, please visit https://www.definitiontheatre.org/shows/splash.

Capital Donation from Paul M. Angell Foundation

Definition Theatre is thrilled to announce a generous $500,000 capital donation from the Paul M. Angell Family Foundation in support of its new theater, community center, and business incubator in Woodlawn. This transformative gift marks a significant step toward Definition Theatre’s $15 million fundraising goal, reinforcing its mission to create a vibrant cultural and economic hub on Chicago’s South Side. With this investment, the organization moves closer to establishing a permanent home that will provide artistic opportunities, entrepreneurial support, and community-driven programming, fostering long-term impact and sustainable growth in the neighborhood.

ABOUT DEFINITION THEATRE

Definition Theatre has been a vibrant force for over a decade, celebrating stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibilities found at the intersection of art, innovation, and education. Known for bold and impactful productions, we’ve brought to life plays by Oscar-winner Tarell Alvin McCraney, Pulitzer Prize-winners James Ijames and Jackie Sibblies Drury, and Tony Award-winner Branden Jacobs-Jenkins. We strive to promote equity, foster empathy, and enhance the quality of life for our community members by offering opportunities for creative, entrepreneurial, and cultural expression. Our work emphasizes collaboration in theater-making and raises awareness of career paths in the arts. In 2024, Definition leased and equipped a storefront space in Hyde Park, enabling us to engage artists and expand programs as we prepare for our permanent home in Woodlawn on the southside of Chicago. This new theater, community center, and business incubator will amplify and preserve BIPOC voices, promote social justice, and empower the next generation of artists, entrepreneurs, and changemakers to drive positive progress through the transformative power of the arts.

Definition Ensemble members include: Adia Alli, Owais Ahmed, Ariel Beller, Jared Bellot, Carley Cornelius, Ari Craven, Julie Jachym, Willow James, Martasia Jones, Slick Jorgensen, Yeaji Kim, Kristy Hall, James Ijames, Julie Jachym, Willow James, Kiki Layne, Kelson Michael McAuliffe, Victor Musoni, Neel McNeill, Sophiyaa Nayar, Karyn Oates, Alexandra Oparka, Julian Parker, Maya Vinice Prentiss, Tyrone Phillips, Ireon Roach, Jacqueline Rosas, Christopher Sheard, and Dujon Smith.

Definition Artistic Advisory Board members include: director May Adrales, Steppenwolf ensemble member Alana Arenas, actress Shannon Cochran, actor Brandon Dirden, actor Jason Dirden, actor Jon Michael Hill, director Pam Mackinnon, Equity Quotient CEO Keryl McCord, professor JW Morrissette, director Ron OJ Parson, professor/lighting designer Kathy Perkins, media producer and host Troy Osborne Pryor, Tony Award-winning actress and stage director Phylicia Rashad, and Goodman Theatre director in residence Chuck Smith. Tyrone Phillips is the Artistic Director, Neel McNeill is the Executive Director, Willow James is the Civic Engagement Director. 

For additional information, visit definitiontheatre.org and @definitiontheatre on Facebook and Instagram #stayinit

Chicago debut of FAT HAM: A GOODMAN CO-PRODUCTION WITH DEFINITION THEATRE JANUARY 11 – FEBRUARY 23, 2025

 ChiIL Live Shows On Our Radar

TRUMANE ALSTON, SHELDON BROWN, E. FAYE BUTLER, RONALD L. CONNER, VICTOR MUSONI, IREON ROACH & ANJI WHITE CAST IN 

FAT HAM

A GOODMAN CO-PRODUCTION WITH DEFINITION THEATRE

Chicago debut with an all-Chicago cast

JANUARY 11 – FEBRUARY 23

**TYRONE PHILLIPS DIRECTS THE CHICAGO PREMIERE OF JAMES IJAMES’S PULITZER PRIZE-WINNING PLAY**

***TICKETS ON SALE NOV. 1 WITH EVENTS INCLUDING PRIDE NIGHT (JAN. 14) AND BLACK AFFINITY NIGHT (FEB. 7)***

Here at ChiIL Live Shows, we're SO excited for Fat Ham. We dig James Ijames wonderful work. You're in for a treat, whether you're a longtime fan or you're just hearing about this Pulitzer Prize-winning and Tony Award nominated playwright. We've also adored Tyrone Phillips' expert directing skills for years. Don't miss this! 

Come to the barbecue! James Ijames’s Pulitzer Prize-winning, five-time Tony Award-nominated play Fat Ham—an “uproarious reimagining of ‘Hamlet’” (The New Yorker)—makes its Chicago debut with an all-Chicago cast led by Trumane Alston. The Chicago- premiere production is directed by Tyrone Phillips—Founding Artistic Director of Chicago’s famed Definition Theatre, who co-produces Fat Ham at the Goodman—and also features Sheldon Brown, E. Faye Butler, Ronald L. Conner, Victor Musoni, Ireon Roach and Anji White. Fat Ham appears January 11 – February 23. I'll be out for opening night on January 21st, so check back shortly after for my full review. 

Tickets ($25 - $85; subject to change) are on sale November 1 at GoodmanTheatre.org/Ham or by phone at 312.443.3800. Goodman Theatre is grateful for the support of ITW (Corporate Sponsor Partner) and the Elizabeth Morse Charitable Trust (Lead Sponsor of IDEAA Programming).

“I am thrilled to bring this production to life with some of Chicago’s finest artists on and off the stage,” said Director Tyrone Phillips. This cast is extraordinary, and I can’t wait to get to be in the room with each one of them as we explore this beautiful coming of age story. I’m also thrilled to collaborate once again with Definition ensemble members Ireon Roach and Victor Musoni.”

A boisterous Southern cookout sets the scene for a Black, queer discovery of self and resilience in this Pulitzer Prize-winning, five-time Tony nominated coming-of-age story. As Juicy grapples with his identity and his family at a backyard barbecue, his father’s ghost shows up asking for revenge—on Juicy’s uncle, who has married his widowed mom—bringing his quest for joy and liberation to a screeching halt. James Ijames has reinvented Shakespeare’s masterpiece, creating what the New York Times hails as “a hilarious yet profound tragedy, smothered in comedy,” where the only death is the patriarchy. 

Special events for the production include Pride Night (January 14), a celebration of the LGBTQ+ community that includes a discounted ticket, specialty drink, light refreshments and music. In addition, Black Affinity Night (February 7) celebrates the richness of Black culture and community at a special pre-show reception and conversation, followed by the evening performance.

James Ijames is a Pulitzer Prize-winning and Tony Award nominated playwright, director and educator. Ijames’ plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, Wilma Theatre, Theatre Exile, Azuka Theatre (Philadelphia, PA), The National Black Theatre, JACK, The Public Theater (NYC), Hudson Valley Shakespeare Theater, Steppenwolf Theatre, Definition Theatre, Timeline Theater (Chicago IL) Shotgun Players (Berkeley, CA) and have received development with PlayPenn New Play Conference, The Lark, Playwright’s Horizon, Clubbed Thumb, Villanova Theater, Wilma Theater, Azuka Theatre and Victory Garden. Ijames is the 2011 F. Otto Haas Award for an Emerging Artist recipient, and two Barrymore Awards for Outstanding Direction of a Play for The Brothers Size with Simpatico Theatre Company and Gem of the Ocean with Arden Theatre. Ijames is a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ….Miz Martha, a 2017 recipient of the Whiting Award, a 2019 Kesselring Prize for Kill Move Paradise, a 2020 and 2022 Steinberg Prize, the 2022 Pulitzer Prize in Drama recipient and a 2023 Tony nominee for Best Play for Fat Ham. James was a founding member of Orbiter 3, Philadelphia’s first playwright producing collective. He received a BA in Drama from Morehouse College in Atlanta, GA and a MFA in Acting from Temple University in Philadelphia, PA. James is an Associate Professor of Theatre at Villanova University. He resides in South Philadelphia. 

Tyrone Phillips is a first generation Jamaican-American artist, Founding Artistic Director of Chicago’s Definition Theatre and a proud member of the NAACP, SAG-AFTRA and SDC. Recipient of the 2022 Alumni Association Award for Diversity & Inclusion, he is an honors graduate of the Fine and Applied Arts college at the University of Illinois (Urbana-Champaign) and has studied abroad at Shakespeare’s Globe. Tyrone is currently leading a capital campaign for the development of Definition’s new theater, community center and entrepreneur incubator in Woodlawn. Past directing and associate directing credits include: Purpose (Steppenwolf Theatre), Twelfth Night, I,Cinna (Chicago Shakespeare Theater); Fairview (Jeff Nomination), Byhalia, Mississippi (Jeff Nomination), Dutchman (Definition Theatre), An Octoroon (Goodman Theatre/Definition Theatre) and The MLK Project (Writers Theatre). Regional: The Royale (American Players Theatre) and The Tale of Despereaux (Old Globe, Berkeley Rep). Off–Broadway: Trevor, the Musical. Awards and Honorable Mention: Arts Midwest’s Peter Capell Award for Midwestern Creativity & Entrepreneurship (2022) and Newcity Stage Hall of Fame (2024).  

Full Company of Fat Ham (in alphabetical order)

By James Ijames

Directed by Tyrone Phillips

Trumane Alston…Juicy

Sheldon Brown…Larry

E. Faye Butler…Rabby

Ronald L. Conner…Rev/Pap

Victor Musoni…Tio

Ireon Roach…Opal

Anji White…Tedra

Understudies for this production include Blake Hamilton Currie, Marquise De’Jahn, TayLar, Joseph Primes and Jazzy Rush.

Creative Team

Set Designer…..Arnel Sancianco

Costume Designer ……Jos N. Banks

Lighting Designer…..Jason Lynch

Sound Designer….. Willow James

Illusion Consultant…Benjamin Barnes

Fight and Intimacy…Gaby Labotka

Casting is by Lauren Port, CSA. Jared Bellot is the Dramaturg. Patrick Fries is the Production Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

ASL-Interpreted Performance: Friday, January 31 at 7:30pm – Professional ASL interpreter signs the action/text as played.

Touch Tour* and Audio-Described Performance: Saturday, February 1, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

Spanish-Subtitled Performance: Saturday, February 1 at 7:30pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Open-Captioned Performance: Sunday, February 2 at 2pm – An LED sign presents dialogue in sync with the performance.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Full Casting Announced for Steppenwolf Theatre's World Premiere of LEROY AND LUCY October 24 – December 15, 2024

ChiIL Live Shows On Our Radar

Full Casting Announced for

Steppenwolf Theatre's World Premiere of 

LEROY AND LUCY

By Ngozi Anyanwu

Directed by Awoye Timpo

Featuring ensemble member Jon Michael Hill with Brittany Bradford

October 24 – December 15, 2024

in Steppenwolf’s in-the-round Ensemble Theater 

The cast of Steppenwolf Theatre’s world premiere of "Leroy and Lucy" includes (l to r) ensemble member Jon Michael Hill with Brittany Bradford.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to present the second production of its 49th season: Ngozi Anyanwu’s world premiere of Leroy and Lucy, a bluesy and seductive play with music, directed by Awoye Timpo, playing October 24 – December 15, 2024 in Steppenwolf’s in-the-round Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St. in Chicago. Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

Tony Award-nominated ensemble member Jon Michael Hill (Elementary, Pass Over) returns following his critically acclaimed performance in Steppenwolf’s world premiere of Purpose, joined by Obie Award-winning stage actor Brittany Bradford, also known for her TV roles in Julia, The Watcher and Dead Ringers.

Two lost souls meet at a crossroads, in the dead of night, deep in the Mississippi of it all. With a yearning guitar between them, they tell secrets and conjure a sound once forgotten – a tune pitched with Leroy’s longing and the sweet purr of Lucy’s desires. In this sultry world premiere, the Delta Blues fill the air, the future lies just down the road and we are everywhere and nowhere all at once. 

The creative team includes Andrew Boyce (Scenic Design), Yvonne Miranda (Costume Design), Heather Gilbert (Lighting Design), Connor Wang (Sound Design), Jeremy Jones (Music Director & Composer), Adesola Osakalumi (Choreographer & Cultural Consultant), Arminda Thomas (Dramaturg), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Michelle Medvin (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, click here.

Production Details:

Location: Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago

Dates: Previews: Thursday, October 24 – Saturday, November 2, 2024

Regular run: Tuesday, November 5 – Sunday, December 15, 2024

Curtain Times: Tuesdays, Wednesdays, Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not 7:30 pm performances on Tuesday, October 29, Wednesday, November 6, Tuesday, November 12, Wednesday, November 13, Thursday, November 14, Tuesday, November 19, Wednesday, November 20, Thursday, November 21, Thursday, November 28 and Tuesday, December 10; there will be an added 2 pm matinee on Wednesday, November 27.

Tickets: Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy ($20 - $92) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.

Education and Engagement:

Throughout the 2024/25 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. Programming includes dedicated student matinee performances during four of the five Membership Series productions including Noises Off, Leroy and Lucy, Fool for Love and The Book of Grace, in-school residencies in partnership with Chicago Public schools, workshops, panels and events specifically geared towards teens, as well as professional development trainings and resources for educators. Additionally, Steppenwolf is reimagining their community engagement and will pilot new public programming, continue accessibility programming and offer opportunities for deeper explorations for audiences throughout the season. For additional information about Steppenwolf’s Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education.

Accessible Performance Dates:

Audio-described and touch tour: Sunday, November 24 at 3 pm (1:30 pm Touch Tour)

Open-captioned: Saturday, November 23 at 3 pm & Thursday, December 5 at 7:30 pm

ASL-interpreted: public performance: Friday, December 6 at 7:30 pm

Artist Biographies:

Brittany Bradford (Lucy) Broadway: Bernhardt/Hamlet. Off-Broadway: The Comeuppance (Obie Award, Signature Theater), Wedding Band (Obie Award, TFANA), Fefu and Her Friends (TFANA), Mac Beth (Hunter Theatre Project), Merrily We Roll Along (Roundabout/Fiasco Theater), TV: Julia (HBO Max), The Watcher (Netflix), The Gilded Age (HBO Max), Dead Ringers (Amazon), Fire Country (CBS), Fear the Walking Dead (AMC), New Amsterdam (NBC). Film: The Same Storm (dir. Peter Hedges). Classix member and HomeBase Theater Collective co-founder. Training: Juilliard.

Jon Michael Hill (Leroy) joined the Steppenwolf Theatre Company ensemble in 2007. Steppenwolf Theatre Company: Purpose, True West, Pass Over, Constellations, Head of Passes, The Hot L Baltimore, The Tempest, Kafka on the Shore, The Unmentionables. Broadway: Superior Donuts, Pass Over. Off-Broadway: The Refuge Plays (New York Theatre Workshop) Pass Over (Lincoln Center). Film: Pass Over, Widows, In the Radiant City, No Pay, Nudity. Television: Upcoming: A Man in Full (Netflix), Elementary (CBS), Detroit 1-8-7 (ABC), Eastbound & Down (HBO), Law & Order: Special Victims Unit (NBC) and Person of Interest (CBS).

Ngozi Anyanwu (Playwright) is a playwright, storyteller, and most recently a 2020 Steinberg Playwright Award winner. Her newest play, Last of the Love Letters, premiered at the Atlantic theater fall 2021. Previous productions include Good Grief (Vineyard Theatre in NYC / Center Theatre Group in LA) and The Homecoming Queen (sold-out world premiere run at the Atlantic Theatre). Good Grief was on the Kilroys List 2016 and a semi finalist for the Princess Grace Award, and won the Humanitas Award. The Homecoming Queen was on the Kilroys List 2017 and was a Leah Ryan Finalist. Her play Nike… (Kilroys List 2017) was workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm. Ngozi also has commissions with NYU, The Old Globe, Two Rivers Theatre, The Atlantic Theatre and Steppenwolf. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film and Page 73. She attended Point Park University (BA) and received her MFA in Acting from University of California, San Diego.

Awoye Timpo (Director) is a Brooklyn-based director and producer. Her recent New York credits include Elyria by Deepa Purohit (Atlantic Theater), Wedding Band by Alice Childress (Theatre for a New Audience), In Old Age by Mfoniso Udofia (New York Theatre Workshop), The Loophole by Jay Adana and Zeniba Britt (Public Theater), Carnaval by Nikkole Salter (National Black Theatre), Good Grief by Ngozi Anyanwu (Vineyard Theatre and Audible) and The Homecoming Queen by Ngozi Anyanwu (Atlantic Theater Company). Regionally she has directed The Bluest Eye (Huntington), Pipeline (Studio Theatre), Paradise Blue (Long Wharf), Everybody Black (Actors Theatre of Louisville), School Girls (Berkeley Rep), Jazz (Marin Theatre Company). Other projects include concert performances for independent artists as well as for the NBA, Ndebele Funeral (59E59, Edinburgh, South African Tour), “Black Picture Show” (Artists Space/Metrograph) and Bluebird Memories (Audible). Awoye is a Creative Arts Consultant for the African American Policy Forum and the Founding Producer of CLASSIX, theclassix.org.

Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access or e-mail access@steppenwolf.org.

Sponsor Information

Leroy and Lucy is supported in part by Conagra Brands Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown, CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.  

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions — from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays — have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown — Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

World Premiere of Thriller Highway Patrol at Goodman Theatre January 20 – February 18, 2024

 DANA DELANY, DOT-MARIE JONES AND 

THOMAS MURPHY MOLONY CAST IN 

HIGHWAY PATROL 

A GROUND-BREAKING NEW THRILLER CREATED FROM HUNDREDS OF DELANY’S TWEETS AND DIRECT MESSAGES

**CO-CREATED WITH AWARD-WINNING ARTISTS JEN SILVERMAN, DANE LAFFREY AND DIRECTOR MIKE DONAHUE, THE WORLD-PREMIERE PRODUCTION APPEARS 

AT THE GOODMAN JANUARY 20 – FEBRUARY 18, 2024**

***TICKETS ON SALE TODAY!***

Part love story part ghost story—all true story. Emmy Award-winning actor Dana Delany (China Beach, Desperate Housewives) stars in her new thriller at Goodman Theatre this winter, appearing alongside three-time Emmy Award nominee Dot-Marie Jones (Glee’s Coach Beiste) and emerging Chicago actor Thomas Murphy Molony (A Christmas Story, The Musical at Marriott Theatre and Fun Home at Paramount) in the world-premiere production. Using Delany’s digital archives of hundreds of tweets and direct messages, co-creator Jen Silverman arranges and curates the text of the play from exchanges over Twitter—in collaboration with co-creators Dane Laffrey and Mike Donahue, who also directs. Casting is by Lauren Port, CSA. Highway Patrol appears in the 856-seat Albert Theatre January 20 – February 18, 2024. Tickets ($25 – 90; subject to change) are available at GoodmanTheatre.org/Highway or by phone at 312.443.3800.

“We live in an age where a whole lot of people have more meaningful relationships online than they do ‘IRL’. Dana’s brave, extraordinary new piece, which arrives 10 years after her remarkable lived experience, delves into the expansiveness of love, and the frailty that results in our dogged desire to hope for it,” said Goodman Artistic Director Susan V. Booth. “I’m thrilled to welcome her, along with Dot-Marie Jones and Thomas Murphy Molony, to the Goodman stage for this world-premiere production from a handful of deeply talented co-creators.”

Delany met artists Jen Silverman, Mike Donahue and Dane Laffrey while appearing in Silverman’s Collective Rage: A Play in Five Betties at MCC Theater. For the past four years, they have collectively created Highway Patrol.

“Highway Patrol is a true story about an incident in my life that happened while I was appearing in Body of Proof for ABC, who had asked me to go on Twitter to support the show. Though I initially had no interest in Twitter, it was a time when this platform was the new frontier—and I ended up loving it, meeting people I never met, forming my own little niche,” said Dana Delany. “In developing this story for the stage with Jen, Mike and Dane, I think a lot of people will relate to the play in this moment, when so many of us have online relationships and use social media every day. It’s a chance to look at them in a deeper, communal way.”

TIMESTAMP: October, 2012: “@DanaDelany, Are you married? If not, I’d marry you.” When Cam, a 13-year-old fan in a desperate medical situation captures actress Dana Delany’s attention on Twitter, she’s quickly swept into an intense, around-the-clock online friendship. But when Cam starts receiving messages from beyond, Dana is thrust into a world where unexpected revelations raise the question of how far we go to love and be loved.

ABOUT THE CAST AND CREATORS

Dana Delany (Dana) made her mark as Army nurse Colleen McMurphy on ABC-TV’s critically acclaimed series China Beach, for which she received two Emmy Awards and four nominations for Best Dramatic Actress. Over the course of her career, Delany has taken on a number of high-profile television roles, from playing a brilliant medical examiner in ABC’s Body of Proof to starring as Katherine Mayfair on ABC’s Desperate Housewives. She co-starred with Ron Perlman in the Amazon Studios drama Hand of God, played Edith Roosevelt to Aidan Quinn’s TR in The American Guest on HBO and is currently costarring with Sylvester Stallone in the new hit series, Tulsa King on Paramount +. She has also been the voice of Lois Lane on Superman:TAS, The Batman and Justice League. On film she was the voice of Andrea Beaumont in the cult favorite Batman: Mask of the Phantasm and appeared in several features including Light Sleeper, Housesitter, Tombstone and Fly Away Home to name a few. Following her graduation from Wesleyan University, Delany went to New York where she soon debuted on Broadway in Hugh Leonard’s A Life. Critical acclaim in a number of off-Broadway productions including Nicholas Kazan’s Blood Moon led to her arrival in Los Angeles for the west coast production of the controversial drama. Additional theater credits include Translations (Broadway), Much Ado About Nothing at the Old Globe Theatre and the Pulitzer prize-winning play Dinner With Friends, alternating roles in NY, LA and Boston. Delany also starred in the premiere of The Parisian Woman at South Coast Repertory, The Night of the Iguana at A.R.T. and most recently, the premiere of Good Night Nobody at the McCarter Theater.

Dot-Marie Jones (Andi) has received three consecutive Emmy Award nominations (2011, 2012, 2013) for her role as football coach ‘Shannon Beiste’ on FOX’s megahit television show Glee. In its third season, the show received a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. With an expansive list of diverse film and television credits, Jones is known for her poignant roles including Universal's Bros and Peacock's Killing It.

Thomas Murphy Molony, he/him (Cam) is honored to make his Goodman Theatre debut. Chicago credits include A Christmas Story! (Marriott Theatre) and Fun Home (Paramount Theatre). Television credits include American Rust (Showtime).

Jen Silverman, they/them (Creator and Text Arrangement and Curation) is a playwright, novelist and screenwriter. Plays include Spain (Second Stage Theater); The Moors (Yale Rep, Playwrights Realm); Collective Rage: A Play in 5 Betties (Woolly Mammoth, MCC Theater, Southwark Playhouse London); The Roommate (Humana Festival, Williamstown, Steppenwolf, etc); Witch (Writer’s Theatre, Geffen, Huntington) and Highway Patrol (Goodman). Books include the debut novel We Play Ourselves (named one of the best books of the year by Buzzfeed; a finalist for the Lambda Literary Award), story collection The Island Dwellers (finalist for a PEN/Robert W. Bingham Prize), and poetry chapbook Bath (selected by Traci Brimhall for Driftwood Press). Silverman is a three-time MacDowell Fellow, a member of New Dramatists and a Scholar of Note at the American Library in Paris. They wrote The Miranda Obsession as a narrative podcast for Audible, starring Rachel Brosnahan. They also write for television and film, including Tales of the City (Netflix) and Tokyo Vice (HBO/Max). Honors include fellowships from the National Endowment for the Arts and the Guggenheim. Silverman's new novel There’s Going to be Trouble is upcoming from Random House in April 2024. 

Mike Donahue (Creator and Director)’s OSCAR® qualifying debut short film, Troy, premiered at the 2022 Tribeca Film Festival and has gone on to screen at another 70 festivals internationally, including the 2023 Sundance Film Festival. It has won numerous awards, including the Jury Award for Best Comedy at Aspen Shortfest 2023, the Audience Award for Best Narrative Short at Outfest 2022 and the Vimeo 'Unofficial Award' for Best US Narrative Short at Sundance. Troy is featured online in The New Yorker’s Screening Room. Donahue and writer Jen Silverman are currently working on their first feature, with Pacific Electric producing. For the past decade, Mike has worked as a theater director, primarily in New York and Los Angeles. Select credits include: the LA premiere of Matthew Lopez’s The Inheritance (Geffen Playhouse); Little Shop of Horrors with MJ Rodriguez, George Salazar and Amber Riley (Pasadena Playhouse); and the World Premieres of Matthew Lopez’s The Legend of Georgia McBride (MCC, The Geffen, Denver Center), Silverman’s Collective Rage (MCC, Woolly Mammoth), and Ana Nogueira’s Which Way To The Stage (MCC).

Dane Laffrey (Creator) is a designer and creative based in New York. On Broadway, his credits include last season’s Parade (2023 Tony for Best Revival of a Musical) and A Christmas Carol, which he co-conceived with Michael Arden as well as designing set and costumes. Other Broadway credits include the 2018 Tony-winning revival of Once on this Island, Deaf West’s Spring Awakening and Sam Shepard’s Fool For Love. Dane also designs the set for Disney’s Hercules (The Public, Paper Mill and upcoming in Hamburg). Laffrey’s work with Jen Silverman and Mike Donahue includes Collective Rage…, Wink, The Moors, The Roommate and Troy, which premiered at the 2022 Tribeca Film Festival and screened at Sundance 2023 as well as 70 other festivals. Laffrey won a 2017 Obie Award for Sustained Excellence in Set and Costume design and has been nominated for 2 Tony Awards, 2 Drama Desk Awards, 9 American Theatre Wing Henry Hewes Design Awards, 4 Ovation Awards (LA) and a Sydney Theatre Award (Australia), as well as numerous regional accolades. danelaffrey.com 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large-scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

The Goodman was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

American Blues Theater announces casting for The World Premiere of Alma September 22 – October 22, 2022

ChiIL Live Shows On Our Radar 

September 22 – October 22, 2022  

By Benjamin Benne

Directed by Ana Velazquez

Featuring Jazmín Corona and Bryanna Ciera Colón  

American Blues Theater, under the continued leadership of Artistic Director Gwendolyn Whiteside, announces the World Premiere production of Alma, in cooperation with Center Theatre Group. The production will run at Rivendell Theatre Ensemble, 5779 Ridge Avenue in Chicago, September 22 – October 22, 2022. I'll checking out the opening performance September 29th, so check back soon for my full review. 

Tickets will be available beginning September 1 at (773) 654-3103 and www.amercanbluestheater.com.

Alma is the winner of the Blue Ink Award & National Latinx Playwriting Award and is presented in association with Chicago Latino Theater Alliance as part of the 5th Annual Destinos Festival.

Alma crossed the border 17 years ago in search of the American Dream. Now, on the eve of her U.S.-born daughter Angel’s SAT, Alma believes all their sacrifices and hard work will pay off. There’s one problem – Angel has very different plans for her future. Told in real time, playwright Benjamin Benne’s Alma is a heartfelt and complex exploration of the immigrant generation and their first-generation children.

The cast is: Jazmín Corona (Alma) and Bryanna Ciera Colón (Angel).

The creative team is: Tara A. Houston (scenic design), Rachel West* (lighting design / master electrician), Lily Walls* (costume design), Eric Backus* (sound design), Verity Neely (properties design), Gaby Labotka (fight & intimacy direction), Manny Ortiz* (technical director), Ana Maria Campoy (Spanish translations), and Shandee Vaughan* (production & stage manager).

*Denotes Ensemble Member or Artistic Affiliate of American Blues Theater

 

About the Artists

BENJAMIN BENNE he/him (Playwright) is newly graduated from the David Geffen/Yale School of Drama MFA Playwriting program and represented by Paradigm Talent Agency. He is a member of the Dorothy Strelsin New American Writers Group at Primary Stages and currently under commission from South Coast Repertory Theatre and Seattle Repertory Theatre. His plays include Alma (Center Theatre Group & ArtsWest; forthcoming: Curious Theatre Company & Central Square Theater) and In His Hands (Mosaic Theater Company). His work has been developed by the O’Neill National Playwrights Conference, Playwrights Realm, The Lark, The Public, Roundabout, Denver Center, The Old Globe, Two River, Boston Court Pasadena, New Harmony Project, SPACE on Ryder Farm, Pillsbury House Theatre, Parley, among many others. Benjamin has been the recipient of Portland Stage’s Clauder Competition Gold Prize, Arizona Theatre Company’s National Latinx Playwriting Award, Kennedy Center/KCACTF Latinx Playwriting Award, American Blues Theater’s Blue Ink Playwriting Award, Chesley/Bumbalo Playwriting Award, Playwrights’ Center’s McKnight Fellowship in Playwriting and Many Voices Fellowship. www.benjaminbenne.com

ANA VELAZQUEZ she/her (Director) is a Mexican American director and teaching artist in her native Chicago. Her directing experience is deeply tied to new play development and is often in collaboration with playwrights exploring underrepresented stories. Her directing credits include A Los Angeles Mural for Wrights of Spring Festival at The Theatre School at DePaul; I Come From Arizona staged reading for Vittum Theater’s grand reopening at Adventure Stage Chicago; La Ofrenda at Adventure Stage Chicago; Alma for Blue Ink Festival at American Blues Theater; El Pico for A Night of New Works at Something Marvelous; Macha for Tutterow Fellows Showcase at Chicago Dramatists; Oak & Pallets for Peacebook at Collaboraction; Los Frikis for El Semillero at Victory Gardens Theater; Meet Juan(ito) Doe (co-directed) at Free Street Theater; Everybody Loves Big E for Our Chicago Project at Collaboraction; Art House and The Scream for Scrapbook 2017 at Chicago Dramatists; Epic Tales with FEMelanin for Kid’s Fringe 2016 and Raisin Puffs for Black Lives, Black Words at Black Ensemble Theatre. She received the 2018 Alta Award for Outstanding Director of Play for Meet Juan(ito) Doe (co-directed). Ana is a PlayMakers Laboratory company member. Her teaching artist experience includes Disney Musicals in Schools and PlayBuild Youth Intensive Program with Goodman Theatre; TimeLine South Living History Program with Timeline Theatre and Young Playwrights Festival with Pegasus Theatre. Ana recently completed her second residency with Teatro Comunal, a new youth program created through We the Many with Arts Midwest and The Honeywell Foundation in Wabash & North Manchester, Indiana. She received her BA in Theatre from the University of Illinois at Chicago.

JAZMÍN CORONA she/her (Alma) previously appeared in Hurricane Diane (Theater Wit); Zulema (Goodman/Sones de Mexico); Roe (Goodman Theatre); Shrew’d and Macbeth (First Folio Theatre); I’m Not Your Perfect Mexican Daughter and The Compass (u/s, Steppenwolf Theatre); 1776 (Porchlight Music Theatre); Women of 4G (Babes With Blades); A Work Of Art (Chicago Dramatists); Two Mile Hollow (First Floor Theater); Gender Breakdown (Collaboraction); Sherlock Holmes and the Case of the Christmas Goose (Raven Theatre). TV credits include Chicago Fire (NBC). 

BRYANNA CIERA COLÓN she/her (Angel) is making her American Blues Theater debut in ALMA as Angel. The Chicago based performer made her national tour debut in the hit holiday musical The Elf on The Shelf: A Christmas Musical (Ella) fresh out of high school. She then went on to do In the Heights (Yolanda, Nina US, Ensemble) at the Arts Center of Costal Carolina on Hilton Head Island right after. Some of her other credits include episodes in the critically acclaimed NBC TV series Chicago Fire and the FOX TV series The Big Leap.

Dates:  Previews September 22-25, 2022

Opens September 28 and 29, 2022

Runs through October 22, 2022

Schedule:        

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 3:00pm and 7:30pm

Sundays: 2:30pm

 

Location: Rivendell Theatre Ensemble, 5779 Ridge Avenue in Chicago

Ticket prices: $25-$45

Box Office: Buy online at www.amercanbluestheater.com or (773) 654-3103

Group Sales discounts and Blue Card Memberships available now by calling (773) 654-3103 or visiting www.amercanbluestheater.com

About American Blues

Winner of the American Theatre Wing’s prestigious National Theatre Company Award, American Blues Theater is a premier arts organization with an intimate environment that patrons, artists, and all Chicagoans call home. American Blues Theater explores the American identity through the plays it produces and communities it serves.

The diverse and multi-generational artists have established the second-oldest professional Equity Ensemble theater in Chicago. As of 2022, the theater and artists received 221 Joseph Jefferson Awards and nominations that celebrate excellence in Chicago theater and 44 Black Theatre Alliance Awards. The artists are honored with Tony Award and Pulitzer Prize nominations, Academy Awards, Golden Globe Awards, Emmy Awards and numerous other accolades.   

Casting Announced for Broken Nose Theatre's AFTER THE BLAST - May 13 – June 11, 2022

ChiIL Live Shows On Our Radar 

 Broken Nose Theatre

Announces Casting for Chicago Premiere of

AFTER THE BLAST

Written by Zoe Kazan

Directed by Ensemble Member JD Caudill

May 13 – June 11, 2022 at The Den Theatre

 

PHOTO CREDIT: The cast of Broken Nose Theatre’s Chicago premiere of After The Blast includes (top, l to r) Kim Boler, Ruben Carrazana and Teresa Kuruvilla (bottom, l to r) Arielle Leverett, David W. Lipschutz and Ana Ortiz-Monasterio Draa.

Broken Nose Theatre, one of Chicago’s premier Pay-What-You-Can theatre companies, is pleased to announce casting for its Chicago premiere of Zoe Kazan’s smart and incisive sci-fi drama After The Blast, directed by ensemble member JD Caudill.

The cast includes ensemble members Kim Boler*, Teresa Kuruvilla* and Arielle Leverett* with Ruben Carrazana, David W. Lipschutz and Ana Ortiz-Monasterio Draa.

After The Blast, will play May 13 – June 11, 2022 at BNT’s resident home, The Den Theatre (2A), 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are currently available at brokennosetheatre.com and thedentheatre.com. Tickets for all Broken Nose Theatre performances are “Pay-What-You-Can,” allowing patrons to set their own price. I'll be out for the press performance May 15th, so check back then for my full review. 

Generations after a global disaster has driven humankind into underground cities, partners Anna and Oliver are hoping to have a child – even though Anna's struggles with depression may prevent them from gaining the government approval needed to become parents. But when Oliver brings home a small robot – a new companion they name "Arthur" – their lives are changed forever. Zoe Kazan's smart and incisive play asks, "When the future seems bleak, how do we form bonds and build lives in the face of uncertainty?"

BNT Artistic Director E.M. Davis and Managing Director Rose Hamill comment, "Our ensemble immediately took to this story when we read it two years ago – but after everything we've all been through in that intervening time, what playwright Zoe Kazan has to say about isolation, connection through technology, climate change and pursuing parenthood in an uncertain future has only deepened our appreciation for this excellent play. Bringing puppetry to the BNT stage for the very first time to depict our protagonist's robotic companion, ensemble member JD Caudill and the fantastic production team will bring to life this story that begs the question, 'When outside circumstances have driven us underground and apart, how far will we go to maintain the well-being of our closest loved ones?’” 

The production team includes Therese Ritchie* (scenic design), Jessica Van Winkle (costume design), Cat Davis* (lighting design), Rae Delali (sound design), Andrew "AJ" Morley (props design), Jabberwocky Marionettes (puppet design), Jen Mickleson (intimacy consultant), Rose Hamill* (production manager), Evan Sposato (technical director), Adriana Rodriguez (stage manager) and Jacob Shaffer (assistant stage manager).

 

COVID guidelines: In the interest of keeping patrons and staff safe, and in accordance with the League of Chicago Theatres, The Den will continue to require proof of vaccination to attend any event for the indefinite future. While masking is no longer required, The Den strongly encourages patrons to continue wearing a mask when not eating or drinking. For the most current information on The Den’s COVID guidelines, visit thedentheatre.com/covid19-policy.

 

Cast (in alphabetical order): Kim Boler* (Anna), Ruben Carrazana (Oliver), Teresa Kuruvilla* (Carrie), Arielle Leverett* (Arthur, Sam), David W. Lipschutz (Patrick, Lowes) and Ana Ortiz-Monasterio Draa (Margarita).

 *Denotes Broken Nose Theatre ensemble members

Understudies: Taylor B. Hill, Julie Mitre, Christian Siebert, Faiz Siddique and Carlos Wagener-Sobrero.

 

Location: The Den Theatre (2A), 1331 N. Milwaukee Ave., Chicago

Dates: Previews: Friday, May 13 at 7:30 pm and Saturday, May 14 at 7:30 pm

Press Opening: Sunday, May 15 at 3 pm

Opening: Monday, May 16 at 7:30 pm

Regular run: Thursday, May 19 – Saturday, June 11, 2011

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm

Industry night: Monday, May 30 at 7:30 pm

Understudy night: Wednesday, June 8 at 7:30 pm

Tickets: Pay-what-you-can. Tickets are currently available at brokennosetheatre.com and thedentheatre.com.

About the Artists

Zoe Kazan’s (Playwright) first full-length play, Absalom, was performed at the Actor’s Theatre of Louisville as a part of the 2009 Humana Festival, and is now available through Dramatists Play Service. Her second play, This Thing of Darkness, was commissioned by Manhattan Theatre Club. As an actress, Zoe has appeared on Broadway in A Behanding in Spokane, Come Back Little Sheba and The Seagull, which garnered her a Drama Desk Award nomination. Her Off-Broadway acting credits include Angels in America (parts 1 and 2); The Prime of Miss Jean Brodie, starring Cynthia Nixon; Things We Want; and 100 Saints You Should Know (Drama Desk and Lucille Lortel nominations). Her film work includes Revolutionary Road; The Private Lives of Pippa Lee; Me and Orson Welles; It’s Complicated; HappyThankYouMorePlease; Meek’s Cutoff; and The Exploding Girl (Best Actress, Tribeca Film Festival). Zoe received a BA from Yale University.

JD Caudill (Director) is a queer director, literary manager and music director whose recent direction includes Southern Comfort (Pride Films and Plays); Bechdel Fests 4-6 + 8, Book of Shadows (Broken Nose Theatre), and other plays at The New Coordinates, Haven, The Runaways Lab Theatre, New American Folk Theatre, Hobo Junction, 20% Theatre, Paragon Theatre, Otherworld Theatre, Arc Theatre, 16th Street Theatre, Stage Left, The Syndicates and Red Theater. They are a proud ensemble member of Hell in a Handbag, where they have music directed countless shows, and literary manager at Broken Nose Theatre.

About Broken Nose Theatre

Broken Nose Theatre is a Pay-What-You-Can theatre company. Founded in 2012, BNT was the 2018 recipient of the Emerging Theater Award, presented by the League of Chicago Theatres and Broadway in Chicago. The company has produced and developed 30 full-length plays (including 12 Chicago or world premieres) and over 60 new short plays through our annual Bechdel Fest. We strive to spark conversation, cultivate empathy, and amplify underrepresented voices, and are committed to making new, exciting and relevant theatre that is economically accessible to all audiences. For more information, please visit brokennosetheatre.com.