Chicago Premiere of HEISENBERG: The Uncertainty Principle Via Griffin Theatre Company at Raven Theatre February 23 – March 26, 2023

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Chicago Premiere!

Griffin Theatre Company Presents

HEISENBERG: The Uncertainty Principle

By Simon Stephens

Directed by Nate Cohen

February 23 – March 26, 2023 at Raven Theatre

 Griffin Theatre Company is pleased to continue its 33rd season with the Chicago premiere drama HEISENBERG: The Uncertainty Principle by Simon Stephens, directed by Nate Cohen, playing February 23 – March 26, 2023 on Raven Theatre’s Schwartz Stage, 6157 N. Clark St. in Chicago. Tickets go on sale Wednesday, January 25 at www.griffintheatre.com or by calling (773) 338-2177. I'll be out for the press opening February 26th so check back shortly after for my full review. 

The cast of Griffin Theatre Company’s Midwest premiere of HEISENBERG: The Uncertainty Principle includes (left to right) Scott Anderson and Laura Coover.

A man sits on a bench in train station in London. A woman from New Jersey impulsively plants a kiss on his neck. What starts as a chance encounter between two strangers turns into a fascinating and life-changing game. The Griffin Theatre returns to the work of Tony Award-winning playwright Simon Stephens with this fascinating Chicago premiere. HEISENBERG lays bare the beauty in the natural unpredictability of human connection. 

The Griffin Theatre previously produced the American premieres of Simon Stephens' On the Shore of the Wide World, Port and the multiple Jeff Award winning Punk Rock. HEISENBERG may be Simon Stephens most intimate play as it reveals in dramatic and comic fashion how opposites attract.

The production team includes Garrett Bell (Scenic and Lighting Designer), Rachel Sypniewski (Costume Designer), L.J. Luthringer (Sound Designer), Paloma Locsin(Properties Designer), Adam Goldstein (Dialect Coach), Matthew Chase(Production Manager) and Jake Snell (Stage Manager).

COVID-19 safety: Raven Theatre will require patrons to wear a face mask at all times inside the building (when not eating or drinking in the lobby). The theatre will no longer require patrons to provide proof of vaccination to attend a production. If you are experiencing symptoms of COVID-19, please contact the box office to reschedule your tickets free of charge. For all of Raven’s current COVID-19 protocols, visitraventheatre.com/covid-19.

Cast (in alphabetical order): Scott Anderson (Alex) and Laura Coover (Georgie).

Location: Raven Theatre’s Schwartz Stage, 6157 N. Clark St., Chicago

Dates: Previews: Thursday, February 23 at 7:30 pm, Friday, February 24 at 7:30 pm and Saturday, February 26 at 7:30 pm

Press performance: Sunday, February 26 at 7 pm

Regular run: Thursday, March 2 – Sunday, March 26, 2023

Curtain Times: Thursdays, Fridays and Saturdays at 7:30 pm; Sundays at 3 pm.Please note: there will not be a 3 pm performance on Sunday, February 26.

Tickets: Previews $30. Regular run $40. Students/active military and veterans $15.Group discounts are available for groups of ten or more. Tickets go on sale Wednesday, January 25 at www.griffintheatre.com or by calling (773) 338-2177.

 

About the Artists

Simon Stephens (Playwright) is an English playwright, whose recent works include The Curious Incident of the Dog in the Night-time (2013 Olivier Award Best New Play, 2015 Tony Award Best Play), Heisenberg (2015 Off-Broadway), numerous adaptations of shows like the National Theatre's 2016 The Threepenny Opera, Chekov's The Seagull (2017) and The Cherry Orchard (2014), plus On the Shore of the Wide World (2006 Olivier Award Best New Play). Stephens ran the Young Writers' Program at the Royal Court Theatre in London, premiering several shows there including Motortown (2006), Country Music (2004), Herons (2001) and Bluebird (1998). Currently Stephens is an Artistic Associate at the Lyric Hammersmith Theatre in London, where his adaptation of The Seagull played in 2017. A father of three, he lives in London with his wife and family.

Nate Cohen (Director) is a director, teacher and activist. He is currently an adjunct professor at Northwestern University in Chicago, where he recently graduated with an MFA in Directing, and an associate member of the Stage Directors and Choreographers Society. Chicago credits include productions with Porchlight Music Theatre (Director - I Am A Camera (upcoming), Dramaturg - Cabaret), Steppenwolf Theatre (AD - Curious Incident of the Dog in the Nighttime, Script Assistant - Linda Vista), Northlight Theatre (AD -Mr Dickens' Hat, The Book of Will and Beauty Queen of Leenane), Collaboraction (Director - Manspread Madness) and the Wirtz Center for the Performing Arts (Director - Peter and the Starcatcher, Winnie-the-Pooh, The Angry Brigade, Midsummer A Play with Songs). Prior to moving to the Midwest, he was a Company Member at Theatre Vertigo, sat on the board of the Portland Area Theatre Alliance and worked extensively in various capacities with companies such as Artists Repertory Theatre, the Portland Experimental Theatre Ensemble, Third Rail Repertory Theatre, Action/Adventure and Theatre Vertigo, where he was a company member and resident director. He was the lead producer of the international touring production of EM Lewis’ The Gun Show and has also directed the world premieres of the KCACTF award-winning plays Middle Names and Alone in a Taxicab in a Snowy Foreign Country at Three in the Morning. Nate is also the author of the viral flow-chart "Should I Direct this Play? A Guide for Well-intentioned Straight White Men". As a teacher, Nate has worked as a lecturer at Northwestern University and as a teaching artist at the Northlight Theatre, Lookingglass, the Institute of Contemporary Performance, Lewis & Clark College, the National High School Institute, Oregon Children's Theatre and more than a dozen public schools in and around Portland. He served for four years as the Program Director of Isinglass and Artists Repertory Theatre's esteemed Egg Summer Theatre Leadership Academy and has taught Non-violent Direct Action, protest safety and bias intervention workshops throughout the United States. 

Griffin Theatre Season Sponsors: Pamela Monaco & Donald Kehne, Barbara & Randy Thomas and Gale Dreas & Tom Brennan

The Griffin Theatre Company is partially supported by the Illinois Arts Council, a state agency, The Gaylord & Dorothy Donnelley Foundation, The MacArthur Funds for Culture, Equity, and the Arts at the Richard H. Driehaus Foundation and the American Rescue Plan.

The Griffin Theatre Company is a Blue Star Theater and is proud to support our military enlisted and veterans. 

 

About Griffin Theatre Company

Established in 1988. the mission of the Griffin Theatre Company is to create extraordinary and meaningful theatrical experiences for both children and adults by building bridges of understanding between generations that instill in its audience an appreciation of the performing arts. Through artistic collaboration the Griffin Theatre Company produces literary adaptations, original work and classic plays that challenge and inspire, with wit, style and compassion for the audience.

The Griffin Theatre Company is the recipient of 125 Joseph Jefferson Award nominations for theater excellence in Chicago. The Griffin was honored with four 2018 Jeff awards for Ragtime including Best Ensemble, Best Musical, Best Director-Musical and Best Performer in a Supporting Role-Musical. Additionally, the company was the repeat winner of the 2016 Jeff Award for Best Production of a Play for London Wallhaving won the same award in 2015 for its production of Men Should Weep.

In addition, the Griffin is a nationally recognized producer of youth touring theatre in the United States. The Griffin’s national audience exceeds 100,000 young people and adults each year. Tours have included such prestigious venues as Cleveland Playhouse Square, Tribeca Performing Arts Center in New York City, Tennessee Center for the Performing Arts in Nashville and the Cerritos Center for the Arts in Cerritos, California. Touring productions have included both youth focused plays, Frindle and The Stinky Cheese Man and the Griffin’s hit adult production of Letters Home—a production that pays tribute to the men and women in the US military, In to America, a play that traces America’s 400 year immigrant history and Ghosts of War. Most recently, the Griffin produced the world premiere production of the Emmy Award-winning children’s television show, Innovation Nation-LIVE. Overall, Griffin’s touring productions have been performed in 45 of our United States.

For additional information, visit www.griffintheatre.com.

REVIEW: Steep Summer Shows Continue with Stephens’ Light Falls at Theater Wit Through Aug 14, 2022

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US Premiere of 

Light Falls

By Simon Stephens

Directed by Robin Witt

Now Playing Through Aug 14, 2022 

Guest Review

by Flo Manolis 

Steep Theater's US Premiere production of Tony Award-winning playwright, Simon Stephens' Light Falls validates the quality of the ensemble we have come to applaud. It was a pleasure to meet the playwright on opening night. This show marks Stephens' fifth production with Steep, with Ensemble Member Robin Witt once again serving as director. Witt has also directed Stephen’s Wastwater, Motortown, Pornography and Harper Regan, Steep’s bestselling production. Simon Stephens remains Steep's Associate Playwright.

All Production Photos by Randall Starr

On opening night, the audience entered the theater to a compelling, multilayered, compartmentalized, stage by set designer, Sotirios Levaditis. Various heavy furniture pieces like a china cabinet and desk were elevated on the walls, with a piano to the left and music sheets suspended on the ceiling, mirroring the weightiness of the action about to occur. 

As the lights dim, a woman, Christine (Kendra Thulin) enters in a blue overcoat and holds our attention with her pensive monologue at the moment she dies. Intricate details pull the audience into this story about family, guilt, love, and death, intertwining five relatives, scattered across the north of England. 

Like an illusion, it rains in the entire country, in spite of a clear blue sky, as she takes her last breath! An impressive vision that mesmerized in wonder…

The characters struggle with their own issues. Jess (Stephane Mattos) needs reassurance as she and Michael (Nate Faust) try to establish their relationship. Bernard (Peter Moore), Christine’s husband,  flirts with two women, Emma (Tina El Gama) and Michaela (Cindy Marker). Steven (Brandon Rivera) is insecure and argues with his lover, Andy (Omer Abbas Salem). 

Ashe (Ashlyn Lozano) a single mom, turns Joe (Debo Balogun) away because he suggests their child to live with his family. Ashe is distraught when she sees her mother Christine, who tells her that it gets easier, leading her to ask Christine if she’s really there or if is she a ghost.

By close of the show, the family gathers for her funeral. Ashe appears wearing her mother’s blue coat, and the family sings “Hymn of the North” for a riveting ending.

OUTSTANDING!! Highly recommended!!

Flo Manolis is a CPS elementary teacher/librarian, hairdresser, and theater/film fanatic who catches hundreds of Chicago shows annually. She volunteers at numerous film venues and theaters.

For one clear moment, rain and light fall from a cloudless sky. For one clear moment, Christine sees the lives of her family, her town, her world stretched before her, beyond her. Simon Stephens’ Light Falls is a haunting tale of resilience, hope, and the impossibly strong bonds of family.

More than two years after beginning work on this play, Steep is excited to resume production of Light Falls after it came to a halt in the spring of 2020. Light Falls will be performed at Theater Wit while the sold-out run of Eboni Booth’s Paris plays at Steep's new home at 1044 West Berwyn through July 23rd. In April, Steep purchased the former Christian Science Reading Room, returning to the Edgewater community it has called home since 2008, and a renovation of the space is planned for the coming year.

We first fell in love with this script in 2019, yet somehow Light Falls fully and exquisitely captures what we've been through and where we are now,' said Artistic Director Peter Moore. "Simon has long been an integral part of Steep's story and I'm grateful that we can share his work in this moment.” 

Light Falls will feature Steep Ensemble Members Debo Balogun, Nate Faust, Cindy Marker, Peter Moore, Brandon Rivera, Omer Abbas Salem, and Kendra Thulin, as well as guest artists Susaan Jamshidi, Ashlyn Lozano, and Stephanie Mattos. August Forman will step into the production beginning July 28th. Forman, Jamshidi, and Mattos make their Steep debuts with this production.

  

WHERE:                

Theater Wit

1229 West Belmont Ave., Chicago, IL 60657

 

WHEN:

July 8 – August 14, 2022

Previews: July 2-7, 2022

Press Opening: Friday, July 8, 7:30pm

 

Schedule:

Thursday, Friday, and Saturday nights at 7:30 pm

Sunday matinees at 3pm

Accessible Performances:

-Audio Description & Touch Tour: July 24

-Open Captioning: July 31

Contact us at access@steeptheatre.com or 773-649-3186 for more information.

Ticket Pricing

General Admission: $30

Reserved Seats: $40

Access Tickets: $10 

(Access tickets are our universal discount available to anyone in need of a discount)

Purchase tickets here: https://steeptheatre.com/lightfalls 

About the Playwright

Simon Stephens’ plays include Fortune, Light Falls, Maria, Fatherland, Rage, Heisenberg, Nuclear War, Song from Far Away; Birdland, Carmen Disruption, Blindsided, Morning, Three Kingdoms, Wastwater, Punk Rock, The Trial of Ubu, Marine Parade, Sea Wall, Harper Regan, Pornography, Motortown, On the Shore of the Wide World, One Minute, Country Music, Christmas, Port, Herons and Bluebird. He has adapted Jose Saramago’s Blindness for the stage and also Mark Haddon's The Curious Incident of the Dog in the Nighttime. He has written English language versions of Jon Fosse’s I Am the Wind; Odon Von Horvath’s Kasimir and Karoline (titled The Funfair); Henrik Ibsen’s A Doll’s House; Anton Chekhov’s The Cherry Orchard and The Seagull and Bertolt Brecht and Kurt Weill’s Threepenny Opera. He has presented four series of the Royal Court Playwright’s Podcast. His book “A Working Diary” is published by Methuen. Simon Stephens has been an Associate at the Royal Court, London and Steep, Chicago and a board member of Paines Plough. He has been an Associate Artist at the Lyric, Hammersmith, a Professor of Scriptwriting at Manchester Metropolitan University and an Associate Professor at the Danish National School of the Performing Arts, Copenhagen. 

 

About the Director

Steep Ensemble Member Robin Witt has been at the helm for many of Steep’s most successful UK imports, including Alistair McDowall’s Pomona and Brilliant Adventures; Penelope Skinner’s Linda; Cordelia Lynn’s Lela & Co.; Simon Stephens’ Wastwater, Motortown, Pornography, and Harper Regan; Dennis Kelly’s Love and Money; Jez Butterworth’s Parlour Song; and Laura Wade’s Breathing Corpses. Her Harper Regan is still the best-selling show in Steep history and was named one of the Top Ten shows of 2010 by both the Chicago Tribune and Timeout Chicago; her Lela & Co was named one of the Tribune’s Top Ten Shows of 2017; and her Breathing Corpses was named one of TimeOut’s Top Ten Shows of 2008. In addition to directing numerous productions at Steep, Robin is also an ensemble member of Griffin Theatre Company where her credits include Ferber and Kaufman’s Stage Door, Terrence Rattigan’s Flare Path, Ena Lamont Stewart’s Men Should Weep, John Van Druten’s London Wall, and W. Somerset Maugham’s For Services Rendered. Witt received the 2015, 2016, and 2018 Jeff Awards for Best Director for Men Should Weep, London Wall, and Lela & Co and was nominated in 2014 for Flare Path and 2011 for Stage Door. She has worked at a variety of Chicago area theatres including Northlight, Goodman, Steppenwolf, Writers Theatre, A Red Orchid, and Artistic Home. She is a graduate of NYU Tisch School of the Arts (BFA) and Northwestern University (MFA). Robin is a Professor of Directing at UNC Charlotte.

 

About Steep Theatre

Founded in 2000 by three actors, Steep has grown into a dynamic ensemble of forty-five theatre artists, supported by a dedicated and inspired team of arts administrators and community members.  Described by Chris Jones of the Chicago Tribune as "the most fearless theater in town," Steep creates powerful productions of plays by today's most exciting writers and features the work of Chicago's hottest theatre artists in an intimate, accessible space. Steep is known as a home for hard-hitting, finely tuned ensemble work. With each production, the company has shepherded a growing community of audiences and artists into bold new territories of story and performance. Steep Theatre is committed to creating an inclusive and anti-racist environment for making and watching theatre. To learn more, please visit https://steeptheatre.com/antiracism. 

CAST:

Debo Balogunˆ

Nate Faustˆ

August Forman (July 28 - August 14)

Susaan Jamshidi*

Ashlyn Lozano

Cindy Markerˆ

Stephanie Mattos

Peter Mooreˆ

Brandon Riveraˆ

Omer Abbas Salemˆ (July 8 - July 24)

Kendra Thulinˆ

 

CREATIVE TEAM

Director – Robin Wittˆ

Stage Manager – Lauren Lassusˆ

Scenic Designer – Sotirios Livaditis

Costume Designer – Alison Sipleˆˆ

Lighting Designers – Brandon Wardellˆ

Sound Designer – Daniel Etti-Williams

Composer & Music Director – Thomas Dixonˆ

Intimacy Choreographer - Micah Figueroa

Dialect Coach - Adam Goldstein

Production Manager – Catherine Allenˆ

Production Electrician – Haley Carr

Technical Director – Evan Sposato

Assistant Director –Lisa Harriman

Casting Director – Lucy Carapetyanˆ

Graphic Designer - Stu Kiesow

 

ˆ Steep Company Member

 ˆˆ Steep Artistic Associate

* Appearing through an Agreement between Steep Theatre and Actors' Equity Association, the Union of Professional Actors and Stage Managers in the United States