NOMINATIONS FOR THE 52nd NON-EQUITY THEATER JEFF AWARDS

THE JEFF AWARDS ANNOUNCES NOMINATIONS 

FOR THE 52nd ANNIVERSARY 

NON-EQUITY THEATER AWARDS 

Celebrating its 52nd anniversary awarding recognition for Non-Equity theater, the Joseph Jefferson Awards announces its nominations for theater excellence among Non-Equity theater during the 2025 season. In keeping with governing Jeff Awards procedures, ballots compiled throughout the entire Non-Equity season are comparatively analyzed to determine the nominees who will be represented in each category. This year’s Non-Equity awards spotlight 147 theater artists across 26 categories of excellence in theater production among shows from 26 companies. During the most recent season, which ran from January 1, 2025, to December 31, 2025, Jeff Awards members attended 102 Non-Equity productions. From these, 47 productions became Jeff Recommended and, therefore, eligible for award nominations.

Theaters well known for their musicals garnered the most total nominations. Theo Ubique Cabaret Theatre led the awards with 20 nominations for three productions, including “Diana the Musical” (10), “Urinetown” (9) and “Tell Me On A Sunday” (one). Kokandy Productions received a total of 17 nominations for “Jekyll and Hyde” which is tied for the largest number for a single production (10) with Theo Ubique’s “Diana: The Musical”, and an additional seven nominations for “Amélie”. Multiple productions at both Invictus Theatre Company and Red Theater earned their institutions 14 and 8 nominations, respectively.

Among New Work, five world premiere plays are in award consideration. In addition, Short Run Productions (nine to 17 performances) have nominees for Production, Direction, New Work, Performers in Principal and Supporting Roles and Design.

“Continuing our mission to recognize artistic and technical excellence on theater stages across Chicagoland we are thrilled to announce the nominees for the upcoming Non-Equity Awards,” said Paulette Petretti, Jeff Awards Chair. “As one of the most active and engaged theater awards organizations in the country, The Jeff Awards is professionally independent and voting members of the committee are unaffiliated with any theater companies or producing organizations. For decades, The Jeff Awards has judged thousands of plays and musicals and honored theatrical work across dozens of categories for eligible theater companies which have invited the organization to evaluate for awards consideration. We are honored to share this year’s nominations.”

2025 NON-EQUITY JEFF AWARD NOMINEES

PRODUCTION – PLAY
“Angels in America” – Invictus Theatre
“At the Wake of a Dead Drag Queen” – The Story Theatre
“Girls & Boys” – Griffin Theatre Company
“One Party Consent” – First Floor Theater
“The Pilon” – Red Theater
“The School for Scandal” – Idle Muse Theatre Company

PRODUCTION – MUSICAL
“Amélie” – Kokandy Productions
“Diana: The Musical” – Theo Ubique Cabaret Theatre
“Jekyll & Hyde” – Kokandy Productions
“Urinetown” – Theo Ubique Cabaret Theatre

ENSEMBLE – PLAY
“Angels in America” – Invictus Theatre Company
“The Pilon” – Red Theater
“The School for Scandal” – Idle Muse Theatre Company
“Shakin’ the Mess Outta Misery” – Pegasus Theatre Chicago
“Strange Cargo: The Doom of the Demeter” – City Lit Theater Company

ENSEMBLE – MUSICAL
“Amélie” – Kokandy Productions
“Diana: The Musical” – Theo Ubique Cabaret Theatre
“Jekyll & Hyde” – Kokandy Productions
“Urinetown” – Theo Ubique Cabaret Theatre

NEW WORK
Zach Barr – “The Pilon” – Red Theater
Susan H. Pak – “The F*ck House” – Strawdog Theatre Company
Omer Abbas Salem – “One Party Consent” – First Floor Theater
Lisa Sanaye Dring – “Kairos” – Red Theater
Chase Wheaton-Werle – “The Curious Circumstances of Louis Le Prince” – The Factory Theater

DIRECTOR – PLAY
Charles Askenaizer – “Angels in America” – Invictus Theatre
Mikael Burke – “At the Wake of a Dead Drag Queen” – The Story Theatre
Jessica Love – “The Pilon” – Red Theater
Nadya Naumaan – “One Party Consent” – First Floor Theater
Robin Witt – “Girls & Boys” – Griffin Theatre Company

DIRECTOR – MUSICAL
Fred Anzevino & Brenda Didier – “Diana: The Musical” – Theo Ubique Cabaret Theatre
Danny Kapinos – “Urinetown” – Theo Ubique Cabaret Theatre
Derek Van Barham – “Amélie” – Kokandy Productions
Derek Van Barham – “Jekyll & Hyde” – Kokandy Productions

PERFORMER IN A PRINCIPAL ROLE – PLAY
Kirk Anderson (Hamm) – “Endgame” – Facility Theatre
William Delforge (Gary) – “Gary: A Sequel to Titus Andronicus” – Redtwist Theatre
Terry Guest (Courtney / Anthony) – “At the Wake of a Dead Drag Queen” – The Story Theatre
Ryan Hake (Prior Walter) – “Angels in America” – Invictus Theatre
Brookelyn Hébert (Hedda Gabler) – “Hedda Gabler” – The Artistic Home
Lenin Izquierdo (Angel Cruz) – “Jesus Hopped the ‘A’ Train” – City Lit Theater Company
Olivia Lindsay (Steff) – “The F*ck House” – Strawdog Theatre Company
David Lovejoy (Galileo) – “Galileo” – Trap Door Theatre
Seoyoung Park (Eliza) – “Tom & Eliza” – TUTA Theatre
Bradford Stevens (Lucius Jenkins) – “Jesus Hopped the ‘A’ Train” – City Lit Theater Company
Scott Westerman (Arthur Pryszbyszewski) – “Superior Donuts” – The Artistic Home

PERFORMER IN A PRINCIPAL ROLE – MUSICAL
Jesús Barajas (Pablo) – “Kid Prince and Pablo” – Lifeline Theatre
Evan Bradford (Giorgio Bachetti) – “Passion” – Blank Theatre Company
Brittney Brown (Fosca) – “Passion” – Blank Theatre Company
Teah Kiang Mirabelli (Charity Hope Valentine) – “Sweet Charity” – Blank Theatre Company
David Moreland (Dr. Henry Jekyll and Mr. Edward Hyde) – “Jekyll & Hyde” – Kokandy Productions
Kate McQuillan (Diana) – “Diana: The Musical” – Theo Ubique Cabaret Theatre
Luke Nowakowski (Bobby Strong) – “Urinetown” – Theo Ubique Cabaret Theatre
Aurora Penepacker (Amélie Poulain) – “Amélie” – Kokandy Productions
Joshua Zambrano (Kid Prince) – “Kid Prince and Pablo” – Lifeline Theatre

SOLO PERFORMER
Cynthia Marker (Woman) – “Girls & Boys” – Griffin Theatre Company
Dani Pike (Emma) – “Tell Me on a Sunday” – Theo Ubique Cabaret Theatre

PERFORMER IN A SUPPORTING ROLE – PLAY
Patrick Blashill (Clarence Seward / Thomas Edison) – “The Curious Circumstances of Louis Le Prince” – The Factory Theater
Amber Dow (Paulina) – “The Winter’s Tale” – Invictus Theatre Company
Caty Gordon (Lady Teazle) – “The School for Scandal” – Idle Muse Theatre Company
Michael D. Graham (Roy M. Cohn) – “Angels in America” – Invictus Theatre Company
Dakota Hughes (Liza Minnelli) – “Queen for a Day” – Hell in a Handbag Productions
Delia Kropp (Rhonda) – “The Pilon” – Red Theater
Cynthia Marker (Wendy Lee Evans) – “One Party Consent” – First Floor Theater
Hanna Rhode (Janice) – “Gary: A Sequel to Titus Andronicus” – Redtwist Theatre
Paul Michael Thomson (Vickie / Hunter) – “At the Wake of a Dead Drag Queen” – The Story Theatre
Anne Trodden (Harper Amaty Pitt) – “Angels in America” – Invictus Theatre Company
Todd Wojcik (Jorge Tessman) – “Hedda Gabler” – The Artistic Home

PERFORMER IN A SUPPORTING ROLE – MUSICAL
Joe Giovannetti (Nino Quincampoix) – “Amélie” – Kokandy Productions
Jacqueline Grandt (Queen / Barbara) – “Diana: The Musical” – Theo Ubique Cabaret Theatre
Rachel Guth (Clara) – “Passion” – Blank Theatre Company
Ava Lane Stovall (Lucy Harris) – “Jekyll & Hyde” – Kokandy Productions
Emily McCormick (Emma Carew) – “Jekyll & Hyde” – Kokandy Productions
Amanda Rodriguez (Hope Cladwell) – “Urinetown” – Theo Ubique Cabaret Theatre
Jack Saunders (Charles) – “Diana the Musical” – Theo Ubique Cabaret Theatre
Ryan Stajmiger (Officer Lockstock) – “Urinetown” – Theo Ubique Cabaret Theatre
Maya Tanaka Allwardt (Little Sally) – “Urinetown” – Theo Ubique Cabaret Theatre
Colette Todd (Camilla) – “Diana: The Musical” – Theo Ubique Cabaret Theatre
Shaina Toledo (Langhorne) – “Kid Prince and Pablo” – Lifeline Theatre Company

MUSIC DIRECTION
T.J. Anderson & Anna Wegener – “Amelie” – Kokandy Productions
Carolyn Brady – “Diana: The Musical” – Theo Ubique Cabaret Theatre
Aaron Kaplan – “Passion” – Blank Theatre Company
Aaron Kaplan – “Urinetown” – Theo Ubique Cabaret Theatre
Nick Sula – “Jekyll & Hyde” – Kokandy Productions

SCENIC DESIGN
Kevin Hagan – “Hedda Gabler” – The Artistic Home
Tatiana Kahvegian – “Tom & Eliza” – TUTA Theatre
Sotirios Livaditis – “Girls & Boys” – Griffin Theatre Company
Ruby Lowe – “Strange Cargo: The Doom of the Demeter” – City Lit Theater Company
Manuel Ortiz – “The Pilon” – Red Theater
Kevin Rolfs – “The House That Will Not Stand” – Invictus Theatre

COSTUME DESIGN
Terrie Devine – “The House That Will Not Stand” – Invictus Theatre
Patty Halajian – “Diana: The Musical” - Theo Ubique Cabaret Theatre
Victoria Jablonski – “The School for Scandal” – Idle Muse Theatre Company
Rachel Lambert – “Hedda Gabler” – The Artistic Home
Jennifer Mohr – “The Blood Countess” - Idle Muse Theatre Company
Racquel Postigilione – “At the Wake of a Dead Drag Queen” – The Story Theatre

CHOREOGRAPHY
Kasey Alfonso – “Kid Prince and Pablo” – Lifeline Theatre
Brenda Didier & Cameron Turner – “Diana: The Musical” – Theo Ubique Cabaret Theatre
Brenda Didier – “Jekyll & Hyde” – Kokandy Productions
Brenda Didier – “Urinetown” – Theo Ubique Cabaret Theatre
Lauryn Schmelzer – “Sweet Charity” – Blank Theatre Company

SOUND DESIGN
Joe Griffin – “Strange Cargo: The Doom of the Demeter” – City Lit Theater Company
Joe Griffin – “War of the Worlds” – Lifeline Theatre
L.J. Luthringer – “The Blood Countess” – Idle Muse Theatre Company
Matt Reich – “Jekyll & Hyde” – Kokandy Productions
Petter Wahlbäck – “Angels in America” -Invictus Theatre

LIGHTING DESIGN
Brenden Marble – “At the Wake of a Dead Drag Queen” – The Story Theatre
G. "Max" Maxin IV – “Amélie” – Kokandy Productions
G. "Max" Maxin IV – “Jekyll & Hyde” – Kokandy Productions
Keith Parham – “Tom & Eliza” – TUTA Theatre
Brandon Wardell – “Angels in America” – Invictus Theatre
Levi J. Wilkins – “The House That Will Not Stand” – Invictus Theatre

PROJECTION DESIGN
DJ Douglass – “Strange Cargo: The Doom of the Demeter” – City Lit Theater Company
G. "Max" Maxin IV – “Angels in America” – Invictus Theatre
David Sajewich – “The Curious Circumstances of Louis Le Prince” – The Factory Theater

ARTISTIC SPECIALIZATION
Jeremiah Barr – Puppet Design – “Strange Cargo: The Doom of the Demeter” – City Lit Theater Company
David Blixt – Fight Choreography – “Superior Donuts” – The Artistic Home
Ayanna Bria Bakari – Wig Design – “At the Wake of a Dead Drag Queen” – The Story Theatre
Victoria Jablonski – Wig Design – “The School for Scandal” – Idle Muse Theatre Company
Rachel Livingston – Properties Design – “The Curious Circumstances of Louis Le Prince” – The Factory Theater
Robin Manganaro – Properties Design – “Gary: A Sequel to Titus Andronicus” – Redtwist Theatre
Chas Mathieu – Properties Design – “The Pilon” – Red Theater
Keith Ryan – Wig Design – “The Real Housewives of the North Pole” – Hell in a Handbag Productions
Petter Wahlbäck – Original Music – “The Winter’s Tale” – Invictus Theatre Company

PRODUCTION – SHORT RUN
“Bernhardt/Hamlet” – Edge of the Wood Theatre
“The Drowning Girls” – Three Crows Theatre
“Helena & Hermia in the Enamored Odyssey” – The Impostors Theatre Co.
“Mr. Parker” – Open Space Arts

DIRECTOR – SHORT RUN
Daniel King – “The Drowning Girls” – Three Crows Theatre
Tony Lawry – “Matt & Ben” – Theatre Above the Law
Stefan Roseen – “Helena & Hermia in the Enamored Odyssey” – The Impostors Theatre Co.
David G. Zak – “Mr. Parker” – Open Space Arts

NEW WORK – SHORT RUN
Dominick Alesia – “Helena & Hermia in the Enamored Odyssey” – The Impostors Theatre Co.
Greta Geiser – “The Pyg Hypothesis” – Theatre Above the Law

PERFORMER IN A PRINCIPAL ROLE – SHORT RUN
Courtney Abbott (Sarah Bernhardt) – “Bernhardt/Hamlet” – Edge of the Wood Theatre
Connar Brown Sprenger (Matt & Ben) – “Matt & Ben” – Theatre Above the Law
Andrew Kain Miller (Terrence) – “Mr. Parker” – Open Space Arts
Shannon McEldowney (Hermia) – “Helena & Hermia in the Enamored Odyssey” – The Impostors Theatre Co.
Cameron Raasdal-Munro (Junior) – “Gangsta Baby” – Open Space Arts
Kendal Romero (Matt & Ben) – “Matt & Ben” – Theatre Above the Law

PERFORMER IN A SUPPORTING ROLE – SHORT RUN
Riley Capp (Justin) – “Mr. Parker” – Open Space Arts
Abby Denault (Maureen) – “Rent” – Suring Films & Theatrics
Stephen Loch (Constant Coquelin) – “Bernhardt/Hamlet” – Edge of the Wood Theatre
Josh Odor (Senior) – “Gangsta Baby” – Open Space Arts
Ian Rigg (Nick Bottom) – “Helena & Hermia in the Enamored Odyssey” – The Impostors Theatre Co.
Sarah Wisterman (Professor Pickering) – “The Pyg Hypothesis” – Theatre Above the Law

DESIGN – SHORT RUN
Elizabeth Niemczyk, Costume Design – “Bernhardt/Hamlet” – Edge of the Wood Theatre
Toria Olivier, Costume Design – “Helena & Hermia in the Enamored Odyssey” – The Impostors Theatre Co.
Jae Robinson, Sound Design – “Pussy Sludge” – Facility Theatre


MULTIPLE NOMINATIONS

By Company
Theo Ubique Cabaret Theatre 20
Kokandy Productions 17
Invictus Theatre Company 14
Red Theater 8
City Lit Theater Company 7
Idle Muse Theatre Company 7
The Story Theatre 7
The Artistic Home 6
Blank Theatre Company 6
The Impostors Theatre Co. 6
Open Space Arts 6
Lifeline Theatre 5
Theatre Above the Law 5
Edge of the Wood Theatre 4
First Floor Theater 4
Griffin Theatre Company 4
The Factory Theater 4
Redtwist Theatre 3
TUTA Theatre 3
Facility Theatre 2
Hell in a Handbag Productions 2
Strawdog Theatre Company 2
Three Crows Theatre 2

By Production

“Diana: The Musical” 10
“Jekyll & Hyde” 10
“Angels in America” 9
“Urinetown” 9
“Amélie” 7
“At the Wake of a Dead Drag Queen” 7
“The Pilon” 7
“Helena & Hermia in the Enamored Odyssey” 6
“The School for Scandal” 5
“Strange Cargo: The Doom of the Demeter” 5
“Bernhardt/Hamlet” 4
“The Curious Circumstances of Louis Le Prince” 4
“Girls & Boys” 4
“Hedda Gabler” 4
“Kid Prince and Pablo” 4
“Mr. Parker” 4
“One Party Consent” 4
“Passion” 4
“Gary: A Sequel to Titus Andronicus” 3
“The House That Will Not Stand” 3
“Matt & Ben” 3
“Tom & Eliza” 3
“The Blood Countess” 2
“The Drowning Girls 2
“The F*ck House” 2
“Gansta Baby” 2
“Jesus Hopped the ‘A’ Train” 2
“The Pyg Hypothesis” 2
“Superior Donuts” 2
“Sweet Charity” 2
“The Winter’s Tale” 2

By Individual
Brenda Didier 4 (1 w/Fred Anzevino, 1 w/ Cameron Turner)
G “Max” Maxin IV 3
Joe Griffin 2
Victoria Jablonski 2
Aaron Kaplan 2
Cynthia Marker 2
Derek Van Barham 2
Petter Wahlbäck 2

ABOUT THE JEFF AWARDS

The Jeff Awards is one of the most active and engaged theater awards organizations in the country evaluating hundreds of theatrical productions annually and holding two awards ceremonies highlighting work over the past Equity and Non-Equity seasons. Through our recommendations, awards, and honors we help foster the growth of companies, encourage artists, bring new appreciation for diverse storytelling, and cultivate civic pride in the achievements of the Chicago theater community. Originally chartered in 1968 to recognize Equity productions, the Jeff Awards Non-Equity Wing was established in 1973 to celebrate outstanding achievement in non-union theater. he Jeff Awards is professionally independent and voting members of the committee are unaffiliated with any theater companies or producing organizations. For more information, visit www.jeffawards.org.


ADDITIONAL INFORMATION ON NOMINATIONS AND THE AWARDS PROGRAM

The Jeff Awards website lists all current nominees, previous recipients and nominations, and other Jeff Awards information and news. Visit www.jeffawards.org.

The 52nd Anniversary Jeff Awards for Non-Equity Theater will be held Monday, March 23, 2026, at the Harris Theater in Chicago, IL. Doors will open at 6:00pm with a cash bar available, and the awards will begin at 7:00pm. Early Bird tickets will become available February 17, 2026, at www.jeffawards.org. General Admission tickets are $62.30 (includes ticket + required fees). A group rate of $54.25 (includes ticket + required fees) is available for parties of 10 or more by contacting the Harris Theater box office at 312-334-777. Festive cocktail attire is suggested, and the public is cordially invited. An after-party will be held at the theater with light food and a cash bar.

REVIEW: The Outsider Now Playing Through February 22 at Oil Lamp Theater

ChiIL Live Shows On Our Radar: 

Oil Lamp's Finding the Funny in Political Theatre 

OIL LAMP THEATER’S 2026 SEASON KICKS OFF WITH 

THE OUTSIDER

NOW PLAYING THROUGH FEBRUARY 22, 2026

DIRECTED BY SCOTT WESTERMAN

A Comedy of Campaign Chaos Kicks Off the New Season

REVIEW

By Bonnie Kenaz-Mara

In the weird microcosm that is Chicago Theatre, you can catch both The Outsider and The Outsiders playing this February. Lest you get confused, the first to open, Oil Lamp Theatre's political comedy, is a laugh out loud slice of hilarious human nature. What a welcome break from the alternating tragedy and absurdist theatre our actual US politics so often descend into these days.  

We were charmed and amused by Ned Newley, a guy too smart, genuine, and nice to be governor. He's been running everything efficiently for years, behind the scenes, while the corrupt governor playboy takes credit for his work and goofs off. When the camera shy, bumbling 2nd in command becomes governor by default, the pr team runs triage and hilarity ensues. Newbie Newley won our hearts, and while the jokes and physical comedy provided a welcome breath of fresh laughter, there's depth and truth to this tale too. It's about time we take another look at slickness over substance; image over integrity, and start picking politicians with brains and a moral compass, over social media fluff that polls well. 

The entire cast brought a high energy, playful vibe to the production, that's well worth a trek to suburban Glenview. Even my husband, a location sound engineer, who's done plenty of political press junkets over the decades, thought it was quite funny and spot on. He's run audio for Joe Biden (ABC: World News Tonight) and George W Bush (CNN),  as well as lots of local politicians, so he found the crew bits particularly funny. 

The Outsider's got our vote! Three out of three stars. ★★★ Recommended. 

Kudos also to Oil Lamp on their recent expansion with the SPARK CENTER, which offers arts education for all ages with a focus on youth. In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue. Here at ChiIL Live Shows, we've been covering Oil Lamp for years and we're excited to see what's next for this intrepid, suburban storefront. We hope they'll continue with the beloved, free chocolate chip cookies from Misericordia, in their new lobby, too. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

Oil Lamp Theater’s first production of its 2026 season, The Outsider, written by Paul Slade Smith and directed by Scott Westerman, is now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road. The running time, including the intermission, is two hours and 15 minutes. The performance schedule is Thursdays and Fridays at 7:30 p.m., Saturdays at 3 and 7:30 p.m. and Sundays at 3 p.m. There will be additional Wednesday performances Jan. 28 and Feb. 11 at 11 a.m. and 3 p.m. and Feb. 18 at 7:30 p.m. There will be an understudy performance on Wednesday, Feb. 4 at 7:30 p.m.Tickets are on sale now for $30 for previews and $55 for the run at OilLampTheater.org.

When the sitting governor gets kicked out of office for, you guessed it, corruption, it’s time for someone new to take the throne… uh...the role. And the polls are in, it's time for an outsider. Enter bumbling brainiac Ned Newley. With bright ideas and hope in his eyes, he’s the perfect candidate - on paper. It will take a team of dedicated pollsters, campaign coordinators and more notecards than one can count, to turn him into a poised politician who can expertly avoid questions like it's his job. This knee-slappingly hilarious play will have the audience reaching across the aisle to share a laugh. Audiences may even find a renewed sense of hope for politics…okay maybe not… but they'll at least enjoy an absolutely hysterical and highly entertaining break from the news.

The cast of The Outsider includes (in alphabetical order) Andrew Bosworth (he/him, Arthur Vance); Sara DiPasquale (she/her, Rachel Parsons); Kenneth D. Johnson (he/him, A.C. Petersen); Michael Morrow (he/they, Dave Riley); Melody Rowland (she/her, Paige Caldwell); William Ryder (he/him, Ned Newley) and Jenna Steege (she/they, Louise Peakes) with understudies Sam Fain (he/they, U/S Ned Newley and U/S Arthur Vance); Stanley King (he/him, U/S A.C. Petersen); Megan Kueter (she/her, U/S Paige Caldwell and U/S Rachel Parsons); Sean Price (he/him, U/S Dave Riley), and Amy Yulish (she/her, U/S Louise Peakes).

The production team includes Scott Westerman (he/him, director); Sara Segneri (she/her, stage manager); Connor Windle (she/her, production manager); Rose Leisner (she/her, company manager); Spencer Donovan (he/him, scenic designer); Ellen Markus (she/her; properties designer); Janelle Smith (she/they; costume designer); Rachel D. Hemm (she/her, lighting designer); Alex Trinh (he/him, sound designer) and Andy Cahoon (he/him, technical director).

ABOUT PAUL SLADE SMITH, Playwright

Paul Slade Smith is an actor and playwright living in Brooklyn, New York with his wife, actress Erin Noel Grennan. He received a Helpmann Award nomination for his performance as “Willy Wonka” in the Australian premiere of the Broadway musical Charlie and the Chocolate Factory. ​Stateside, his acting credits include: the original Broadway casts of Charlie and the Chocolate Factory, Finding Neverland and the 2018 Lincoln Center revival of My Fair Lady; U.S. national tours of Wicked (“Doctor Dillamond”), My Fair Lady (“Jaime”) ​and The Phantom of the Opera; and productions at American Repertory Theatre, The Goodman, Steppenwolf, Chicago Shakespeare Theater, ​Alabama Shakespeare Festival, Paper Mill Playhouse, The Goodspeed, Geva Theatre Center, Asolo Repertory and Theatre Under the Stars in Houston, Texas. His TV credits include NBC's “The Blacklist” and “The Other Two” and “The Gilded Age”, both on HBO. He is the award-winning author of three plays: Unnecessary Farce, The Outsider and Theatre People, or the Angel Next Door.

ABOUT SCOTT WESTERMAN, Director

Scott Westerman is the founding artistic director of Go To Productions, a 501©3 nonprofit which develops projects that explore the nexus between live theatre and film. He created and directed the web series “Hamlet & Ophelia” which won Best Picture at the New York Film Awards, Best Web Series at the LA Film Awards and Best Mobile Series at the 2022 New Media Film Festival. Westerman has directed stage productions for The Artistic Home, Citadel Theatre, ChiArts, City Lit Theatre, Chimera Theatre Company, Beyond This Point, Barter Theatre, Stage Left Theatre, The Smithsonian Institution, American Theatre Company (Bridge) and Reverie Theatre Company. He is a member of the Screen Actors Guild, an ensemble member with The Artistic Home, represented by Gray Talent Group and a teaching artist with Lookingglass Theatre, Writers Theatre and Filament Theatre. He has an MFA from The Shakespeare Theatre Academy. As an actor, he has worked with Steppenwolf Theatre, Writers Theatre, Chicago Shakespeare Theatre, Lookingglass, Northlight Theatre, The Shakespeare Theatre Company and Ford’s Theatre in DC, Everyman Theatre in Baltimore, the Warehouse Theatre in South Carolina and the Barter Theatre in Virginia to name a few. On camera credits include “Chicago Fire,” “Machine Gun Preacher” and “Prison Break.”


MORE FROM FROM OIL LAMP THEATER

Poor Behavior
April 10 – May 10, 2026

By Theresa Rebeck
Directed by Lauren Katz
Preview Performances: Friday, April 10 at 7:30 p.m. and Saturday, April 11 at 3 p.m.
Opening Night: Saturday, April 11 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, April 15 at 11 a.m and 3 p.m.; Wednesday, April 22 at 7:30 p.m.; Wednesday April 29 at 11 a.m. and 3 p.m.; and Wednesday May 6 at 7:30 p.m.

A visit from old friends takes an unexpected turn when a bombshell accusation throws niceties out the window. Hospitality turns to havoc. Sanity shatters into shambles. Manners take a backseat as two couples are pushed to their limits during a weekend in the country. Will they be able to pick up the pieces over wine and muffins or will their poor behavior leave them irrevocably broken? Find out in this sharp-witted play by acclaimed playwright Theresa Rebeck.

The Last 5 Years
June 5 – July 5, 2026

Book, music and lyrics by Jason Robert Brown
Directed by Christina Ramirez
Music Directed by Amy Branahl
Preview performances: Friday, June 5 at 7:30 p.m., Saturday June 6 at 3 p.m.
Opening Night: Saturday, June 6 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, June 10 at 11 a.m. and 3 p.m.; Wednesday June 17 at 7:30 p.m.; Wednesday, June 24 at 11 a.m. and 3 p.m.; and Wednesday July 1 at 7:30 p.m. There are no performances on Saturday July 4.

Straight from Broadway, Jason Robert Brown’s musical masterpiece The Last Five Years comes to Oil Lamp Theater. This widely beloved show takes audiences on the romantic rollercoaster of Jamie and Cathy as they fall in and out of love over the last five years. Told from each individual’s perspective – one chronologically and one backwards – audiences will be swept into the unique storytelling and find an anti-love story full of humor and heart. Hailed as a powerful and intimate production, this Drama Desk Award-winner for Outstanding Music is not to be missed.

I Love You Because
August 14 – September 13, 2026

Book and Lyrics by Ryan Cunningham
Music by Joshua Salzman
Directed by Scott Shallenbarger
Music Directed by Aaron Kahn
Preview Performances: Friday, Aug. 14 at 7:30 p.m. and Saturday Aug. 15 at 3 p.m .
Opening Night: Saturday, Aug. 15 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday Aug. 19 at 11 a.m. and 3 p.m.; Wednesday, Aug. 26 at 7:30 p.m.; Wednesday September 2 at 11 a.m. and 3 p.m.; and Wednesday September 9 at 7:30 p.m.

Modern dating is a mess. Sometimes to find Mr. Right you need to find Mr. Wrong even if that means seeing someone stuck on their ex, awkward encounters of the intimate kind and lots of horrible coffee dates. Opposites attract in this feel-good musical that will transport audiences into the heart of your favorite guilty pleasure rom-com. Created by acclaimed musical team Ryan Cunningham and Joshua Salzman and inspired by Jane Austen’s gold-standard romance novel “Pride and Prejudice,” this delightful musical will make you fall head over heels.

Dial M for Murder
October 2 – November 1, 2026\

Adapted by Jeffrey Hatcher from the original play by Frederick Knott
Directed by Daniel King
Preview Performances: Friday, Oct. 2 at 7:30 p.m. and Saturday Oct. 3 at 3 p.m.
Opening Night: Saturday, Oct. 3 at 7:30 p.m.

Performance schedule: Thursdays and Fridays at 7:30 p.m.; Saturdays at 3 p.m. and 7:30 p.m. and Sundays at 3 p.m. with additional Wednesday performances Wednesday, Oct. 7 at 11 a.m. and 3 p.m.; Wednesday Oct. 14 at 7:30 p.m.; Wednesday Oct. 21 at 11:00 a.m. and 3 p.m. and Wednesday, Oct. 28 at 7:30 p.m.

Alfred Hitchcock’s adored, chilling thriller gets a modern twist that no one will see coming. A murderous misstep begins a high-stakes hunt for the real criminal as time is quickly running out. This captivating, heart-racing play leaves audiences on the edge of their seats while the mystery of the year unravels before their eyes. Will the clues unlock the right person, or will an innocent victim pay the price? The suspense is to die for…

*All productions, dates, creatives, etc. are subject to change.


ABOUT OIL LAMP THEATER

Oil Lamp Theater is a professional nonprofit performing arts organization in Glenview, Illinois, welcoming over 10,000 patrons annually from more than 225 communities—41% from Glenview and others from across the North Shore and Chicago. Since establishing its intimate 60-seat home in downtown Glenview in 2012, Oil Lamp has grown into a cultural beacon, earning recognition as “Best Live Theatre in the North Shore” for four consecutive years.

With more than 70 productions to date, Oil Lamp is known for its dynamic Mainstage season, special events and its resilience during the pandemic, when it innovated with drive-in performances and outdoor productions. Today, the theatre continues to foster connection, broaden horizons and illuminate the human condition through professional theater and year-round programming.

In addition to its productions, Oil Lamp recently expanded with the SPARK CENTER, which offers arts education for all ages with a focus on youth. These process-driven classes inspire a lifelong love of the arts while equipping students with creativity, confidence and critical life skills.

In September 2025, Oil Lamp launched Light The Way, a transformative fundraising campaign designed to expand arts education, strengthen essential staff and establish a larger performance venue with the goal of staying in downtown Glenview. Building on its roots as a scrappy storefront, Oil Lamp is evolving into a more robust organization—without losing the intimacy and warmth that define its theater experience. Oil Lamp Theater hopes this announcement inspires excitement throughout the community. Interested community members are invited to learn more by reaching out to the theater and staying tuned as additional news is shared in the near future. For information or to support the campaign go to OilLampTheater.org/Light-the-Way or reach out to Oil Lamp at light-the-way@oillamptheater.org.

Production photo credit: Gosia Matuszewska - GosiaPhotography.com for Oil Lamp Theater’s The Outsider, now playing through February 22 at Oil Lamp Theater, 1723 Glenview Road in Glenview.

REVIEW: Laura Heit: The Matchbox Shows Now Playing Through January 25th, 2026

ChiIL Live Shows On Our Radar

Chicago Puppet Fest presents: 

Laura Heit: The Matchbox Shows

Laura Heit's unmatched!  

We adored this wonderfully weird production. Think that late night, tiny, tabletop puppet fun might be your jam? This show has fire, wind, human created foley noises, and even puppet porn worthy of a 12 year old boy in a bathroom stall. She even becomes her own sequined backdrop with a delightful interplay of light, motion, and projection. 

Portland, Oregon based Heit has 25 years of practice making miniature magic and has perfected her niche craft in a big way. Not one to be boxed in, this microcosm contains dreams, odd stories, and wickedly creative, delightful absurd scenarios. The art is so bad it's good. And her DIY vibe is also inspiring and makes me want to go home and make an entire mini world of oddities in the service of storytelling. Worth the admission price to see the teeny news helicopter with the pinwheel propellor! Recommended. 

Laura Heit also has two nights of shorts playing at Music Box Theatre, which I was unable to get press tickets to review, and a free looping exhibition on the 4th floor of The Fine Arts Building which we loved. Check her out. 

Exhibitions at The Puppet Hub
“Two Ways Down” by Laura Heit

An immersive shadow puppet and hand-drawn animated installation, by visiting puppet artist Laura Heit. Taking inspiration from the Hieronymus Bosch work, Garden of Earthly Delights, this fantastical piece reflects on the momentary nature of life using thrown shadows from tabletop dioramas and reflected and refracted animated projections to create a fleeting world where human-animal hybrids, specters, and body parts morph and flit across the walls.

Laura Heit: The Matchbox Shows

* 25th Anniversary of The Matchbox Shows *

Laura Heit walks on stage with a glass of wine wearing a sequined tube top. She takes her place behind a table and begins to bring to life her miniature cabaret. Playing the part of Miniature raconteur, sequined pyromaniac, Laura Heit performs teeny tiny puppet shows inside matchboxes. 

A dead boyfriend, a sausage fairy, a tiger whisperer, a perfectionist, a bath-loving ghost, and many others play their parts in these uncanny micro plays. The miniature stages come to life with crankies, fire, and pop-up paper engineering. The puppet shows are simultaneously projected on a screen behind the table making the little tiny details of this portable variety show larger than life.

Event Details

Dates/Times:
Thursday, January 22 at 8 p.m.
Thursday, January 22 at 10 p.m.
Friday, January 23 at 8 p.m.
Friday, January 23 at 10 p.m.
Saturday, January 24 at 8 p.m.
Saturday, January 24 at 10 p.m.
Sunday, January 25 at 8 p.m.

Location:
Constellation
3111 N. Western Ave.

Cost:
$25 Regular
$20 Students and Seniors

Ages: 13 and up
Running Time: 50 mins

REVIEW: The Harlem Doll Palace at The 8th Chicago International Puppet Theater Festival Now Playing Through January 4, 2026

 ChiIL Live Shows On Our Radar

Alva Puppet Theater: The Harlem Doll Palace

REVIEW: 

By Bonnie Kenaz-Mara

Don't let the demure looking tea party fool you. This show is full of harrowing true life tales of a contemporary break in, a theft, an assault, a flood, and generational family trauma dating back to the days of legalized slavery. It's also full of endurance, joy, famous visitors, and a passion for collecting thousands of valuable, historical dolls that borders on obsession. Welcome to The Harlem Doll Palace, based on the true story of Lenon Holder Hoyt, better known as Aunt Len, a public school art teacher for 40 years who created a doll museum in her Harlem brownstone. 

We're huge fans of stories about interesting people and are so happy the story of Aunt Len and her passion project is being preserved. We weren't expecting the wonderful contemporary songs and the depth and breadth this historical puppet piece covers. Framing her story as a puppet show and anthropomorphizing her collection is strongly effective storytelling. We found this show not only informative, but entertaining as well, with strongly positive social justice, black, and queer elements. Highly recommended. 

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly).

Chicago Puppet Fest and Reva & David Logan Center for the Arts at the University of Chicago present:

Alva Puppet Theater: The Harlem Doll Palace

Join the dolls from the “dollection” inside Aunt Len’s Doll and Toy Museum as they recreate their journeys to the museum and seek to keep its beloved founder alive while Harlem deteriorates around her. 

Event Details

Dates/Times:
Thursday, January 22 at 4 p.m.
Thursday, January 22 at 7:30 p.m.
Friday, January 23 at 4 p.m.
Friday, January 23 at 7:30 p.m.
Saturday, January 24 at 6 p.m.

Location:
Reva & David Logan Center for the Arts, Theater East, UChicago
915 E. 60th St.

Cost:
$43 Regular
$35 Students and Seniors

Ages: 10 and up

Running Time: 80 mins

Click here for video and full details.

Marriott Theatre Presents Little Shop of Horrors January 21 Through March 15, 2026

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Peter Blair, Executive Producer

Peter Marston Sullivan, Artistic Director

Presents

The Sci-Fi Cult Musical Favorite

Chicagoland’s longest-running musical theatre, Marriott Theatre, opens its highly anticipated 2026 season with the long-requested fan favorite, Little Shop of Horrors, previewing Wednesday, January 21, opening Wednesday, January 28, and running through Sunday, March 15. Directed and choreographed by Tommy Rapley (Marriott Theatre:James and the Giant Peach, Big Fish) and featuring music direction by Jeff Award winner Ryan T. Nelson, this production brings the beloved, darkly comic musical to life with a blend of sci-fi flair, 1960s pop, and outrageous theatrical imagination. I'll be out to review on Wednesday, February 11th, so check back shortly after for our full coverage. 

Little Shop provides a tasty musical theatre recipe: start with well-intended people in dire and seemingly inescapable circumstances. Add a healthy handful of love, plenty of greed, a touch of murder, and a dash of carnivorous magicalplant from outer space. Mix well with a banging score by Alan Menken and the incredible talents of this Chicago-based cast, and you have yourself a rollicking good time. Puppets are the icing on the cake.

“I hope that audiences leave the theatre with guts sore from laughing, with hearts heavy for our tragic and loveable lovers, and with ears joyfully ringing with this delectable score,” said director and choreographer Tommy Rapley. “And also, with a little more empathy for the folks who are desperately trying to get by-well-intended people in dire and seemingly inescapable circumstances who haven’t succumbed to the murderous temptations of a man-eating plant… yet. Perhaps if we build better roads in and out of Skid Row, and care more for the people who live there, we can save the world before The Plant consumes us all.”

Little Shop of Horrors stars Jackson Evans as “Seymour” (Marriott Theatre: Singin’ in the Rain, A Christmas Story, Charlie Brown); Maya Rowe as “Audrey” (Marriott Theatre: Beautiful: The Carole King Musical, Disney's Finding Nemo; Theo Ubique: A Little Night Music–Jeff Award Winner, Best Supporting Actress); Andrew Mueller as “Orin & Others” (Marriott Theatre: Beautiful: The Carole King Musical–Jeff Award, Man of La Mancha, For The Boys); Mark David Kaplan as “Mr. Mushnik” (Marriott Theatre: Titanic, Oliver!, Anything Goes); Lorenzo Rush Jr. as “Audrey II (Voice)” (Marriott Theatre:Joseph…,A Christmas Story, The Wizard of Oz); with Lydia Burke, Daryn Harrell, Miciah Lathan, and Garrett Lutz; Ensemble Jordan Anthony Arredondo, and Ed Kross; and understudies Marta Bady, Dan Gold, Darryl D'Angelo Jones, and Arwen-Vira Marsh. Starting March 4th the role of “Audrey” will be played by Amanda Walker.

The artistic team features Costume Design by Amanda Vander Byl, Lighting Design by Jesse Klug, Sound Design by John Johnson, Scenic Design by Milo Bue, Props Design by Ivy Thomas, Puppet Design by Jesse Mooney-Bullock, Wig Design by Miguel Armstrong and Stage Manager Richard Strimer.
Little Shop of Horrors is scheduled to run Wednesdays at 1 p.m. and 7:30 p.m., Thursdays at 7:30 p.m., Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m., and Sundays at 1 p.m. and 5 p.m., with select Thursday 1:00 p.m. shows. 

Call for dinner-theatre, student, senior, and military discounts. Free parking is available at all performances. 

To reserve tickets or become a Marriott Theatre subscriber, please call the Marriott Theatre Box Office at 847.634.0200 or go to www.tickets.marriotttheatre.com. Visit www.MarriottTheatre.com for more information. To make a restaurant reservation, please call 847.634.0100.

The Auditorium Philms Concert Series continues with The Holiday in Concert with the Chicago Philharmonic, December 20th

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THE AUDITORIUM PHILMS CONCERT SERIES continues with

The Holiday in Concert

with the Chicago Philharmonic

One night only, Saturday, December 20 at 7:30 PM at The Auditorium

The Chicago Philharmonic performs the Hans Zimmer score live to film

Tis the season for holiday fun with family and friends, or maybe even a special date. It's also cuffing season, ya know. What better way to set the mood than with a fun romcom and a live orchestra? Here at ChiIL Live Shows, we adore The Auditorium Philms Concert Series. This blend of iconic movies and live accompaniment by the Chicago Philharmonic makes for an incomparable live-to-film experience. Cut the clutter this season and make some memories with an experiential gift instead. 

The Auditorium (Chicago’s landmark stage at 50 E. Ida B. Wells Drive) and the Chicago Philharmonic bring a live-to-film experience of the beloved romcom The Holiday in Concert this festive season. The Chicago Philharmonic takes the Christmas classic and the score of world-renowned composer Hans Zimmer to new heights. The one-night-only presentation takes place Saturday, December 20 at 7:30 PM at The Auditorium, 50 E Ida B Wells Dr. 

Tickets are limited, starting at $48, and are available at auditoriumtheatre.org or by calling The Auditorium’s Ticket Service Center at 312.341.2300

The popular Nancy Meyers romcom The Holiday stars Cameron Diaz, Jude Law, Kate Winslet and Jack Black. The film tells the story of Amanda, who lives in LA as a movie trailer editor, and Iris, who lives in Surrey as a journalist. The two decide to swap houses for two weeks at Christmas – both trying to forget their troubled love lives, until love finds them anyway. The Holiday premiered in 2006 and was a commercial success, grossing $205.8 million worldwide. The upcoming live-to-film experience at The Auditorium with the Chicago Philharmonic brings the beloved holiday classic and Hans Zimmer’s score to Chicagoans for an unforgettable live holiday experience under the direction of long-time collaborator conductor Thiago Tiberio.

“Once again, we’re thrilled to welcome guests for another truly magical movie night,” said The Auditorium CEO Rich Regan. “Hans Zimmer’s unforgettable score from The Holiday will be brought to life by the Chicago Philharmonic in a way you’ve never experienced before. We invite everyone to come celebrate the season with music, warmth, and holiday joy here at The Auditorium.”

“We can't wait to bring this movie and score to The Auditorium,” said Chicago Philharmonic Executive Director Terell Johnson. “It's a beautiful, nostalgic way to celebrate the holidays, and another opportunity to show new audiences the magic of live symphonic performance."

About The Chicago Philharmonic Society

Founded by musicians of the Lyric Opera Orchestra in 1989, The Chicago Philharmonic Society is on a mission to reimagine the orchestra concert experience. With nearly 200 musician members and a unique system of musician governance, the organization is one of the most versatile, innovative, and ambitious orchestras in the country.

Chicago Philharmonic proudly collaborates with the greatest artists of our time, in every genre. Past collaborations have included The Joffrey Ballet, English National Ballet, Kishi Bashi, Lady Gaga, Tony Bennett, Joshua Bell, Tank and the Bangas, William Basinski, the American Ballet Theatre, Ryan Speedo Green, and more.

In 2021, Crain’s Business Chicago 40 Under 40 awardee Terell Johnson joined the organization as Executive Director. Since then, the orchestra has become a force for innovation and inclusion in the city’s performing arts ecosystem with a series of increasingly high-profile events. 2024 brought the orchestra’s debut at Lollapalooza Chicago with Icelandic jazz/pop sensation Laufey as the first orchestra to ever perform at the famed festival; a highly anticipated return to Ravinia Festival with a World Premiere tribute to Whitney Houston and a concert with the Violent Femmes; and the World Premiere tour of An Evening with Sleeping At Last culminating in a sold-out debut at Carnegie Hall. Learn more at www.chicagophil.org.


About Thiago Tiberio

Mr. Tiberio is a specialist in musical synchronization to film, having conducted orchestras in scoring sessions during most of his career. This naturally led to positions in live-to-picture concert productions, such as Star Wars Live in Concert, Pixar in Concert, Danny Elfman: Music from the Films of Tim Burton, The Nightmare Before Christmas, Lord of the Rings: Live to Projection, and others. He premiered the fully orchestrated version of Coco in Concert for Disney, closing the 2019 Ravinia Festival, with the Chicago Philharmonic.

Tiberio is the official conductor of America’s Wonders, the world’s first 3-dimensional, IMAX-style cinematic journey with live orchestra—a celebration of America’s most breathtaking national parks and cities with classical, pop, and original music meticulously synchronized to picture. He also composed and orchestrated a large portion of the music in the show.

About The Auditorium

The Auditorium, located at 50 E. Ida B. Wells Drive in Chicago, is an Illinois not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization is also committed to the continued restoration and preservation of this National Historic Landmark that originally opened in 1889. The Auditorium’s 2025-26 performance season features a dynamic mix of cultural events from ballet to rock and roll and everything in between. For more information on The Auditorium and a complete listing of events at The Auditorium please visit AuditoriumTheatre.org. 

Theater Grottesco Presents ACTION AT A DISTANCE… IN 2025 NOVEMBER 13 - 16 AT FACILITY THEATER

SIX PLAYS, FOUR ACTORS, ONE STAGE: COLLIDE IN 

ACTION AT A DISTANCE… IN 2025 

A BOLD THEATRICAL CHICAGO PREMIERE OF A FAY|GLASSMAN PERFORMANCE STAGED WITH THE COLLABORATION OF THEATER GROTTESCO

NOVEMBER 13 - 16 AT FACILITY THEATER 

Santa Fe’s celebrated physical theater ensemble, Theater Grottesco, proudly announces a limited Chicago engagement for Action at a Distance … in 2025, November 13 - 16 at Facility Theater, 1138 N. California Ave. Action at a Distance … in 2025 is a bold theatrical experiment from Fay|Glassman Performance crafted in collaboration with Theater Grottesco. 

This new production, graphically scored in detail, offers a kaleidoscopic theatrical experience that is closer to music composition and dance, blending six simultaneous plays performed on a 10ft x 10ft stage by four actors. In 2018, the two companies received a national grant from the Network of Ensemble Theaters for five weeks of outlandish theatrical research and development. 

After four months of intensive work in 2025, the fully-developed production comes to Chicago for a limited engagement. The performance schedule is Thursday, Nov. 13 - Saturday, Nov. 15 at 8 p.m. and Sunday, Nov. 16 at 3 and 8 p.m. 

Theater Grottesco and Fay|Glassman Performance are committed to making the performances accessible. As part of this commitment, the companies welcome audiences with a sliding scale of ticket prices from $15 - $30.

 Tickets are on sale now and available at: LisaFayAndJeffGlassmanDuo.org/tickets. Action at a Distance ... in 2025 is an original work of new theatrical form that breaches several of theatre’s conventional boundaries. Using techniques often found in film, musical composition and dance such as innovative physical “jump cuts” and “gestural choreography,” characters and actions depart from common representations of time and space, to create moments of astonishing synchronicity, while actors fluidly transform among multiple characters and interact across disparate scenes. 

This dynamic, multilayered performance challenges traditional storytelling, immersing audiences in a constantly shifting mosaic of interactions and emotions. Action at a Distance … in 2025 follows the structural truths when people distraught and disconnected from one another live together, in imperceptible yet finely-tuned synchronicity, as do the actors on this stage. Much like the bustle of a crowded airport, Action at a Distance captures the unpredictability within human connections. 

Six original plays happen simultaneously as performed by four dynamic actors who seamlessly switch between narratives using some of the techniques invented by the Fay|Glassman Performance duo, creating an ever-shifting structural mosaic of simultaneous stories, with juxtaposition, montage, irony and satire, brought to life on a 10ft x 10ft stage. 

Six plays. One tiny stage. All happening at once. But what does that actually mean? The plays: 1. A family with a crying child frantically prepares to evacuate their home in advance of a hurricane. 2. An international human rights lawyer flees her international arms-dealing partner. 3. A filmmaker interviews a doctor who volunteered at the Occupy Wall Street tent camp in 2011. 4. A union local hosts an address by a revolutionary Venezuelan union leader. 5. An artist prepares a gallery installation of the UN negotiator's office for the 1948 Palestine Mandate, just before the negotiator’s assassination by the Stern Gang. 6. A financial mogul is unnerved by a rock, with a photo attached, smashing his window. 

The Action at a Distance … in 2025 cast includes John Flax (he/him), Apollo Garcia Orellana (he/they), Elizabeth Glass (she/her) and Danielle Louise Reddick (she/her). The creative team includes Jeff Glassman (he/him, composition/director); Lisa Fay (she/her, composition); Elizabeth Glass (she/her, Santa Fe directing assistance); William Miglino (he/him, Santa Fe rehearsal manager); Richard Norwood (he/him, lighting, Chicago); Joshua Billiter (he/him, lighting, Santa Fe); Julie Williams (she/her, production manager and consultant, Chicago); Stefan Brun (he/him, production manager and consultant, Chicago); Marc Romanelli (photography) and Mariah Olesen (she/her, media materials, consulting and photography). 

ABOUT THE LISA FAY AND JEFF GLASSMAN DUO (FAY|GLASSMAN PERFORMANCE) The Lisa Fay and Jeff Glassman Duo are known for creating theatre that ranges from humorous and disarming to mesmerizing and disorienting. Their work applies composed structures to ordinary human behavior, just as electronic music applies composed structures to ordinary sounds. The techniques they’ve developed over 40 years allow us to observe methodically re-organized behavior in social space. The reflections can be cathartic and awakening, opening windows on new ways of seeing humanity. New doubts and new truths arise about what’s happening “right now.” 

ABOUT THEATER GROTTESCO Founded in Paris in 1983, Theater Grottesco is known internationally for visual and explosive physical productions. The Grottesco Ensemble rekindles interest in live performance by juxtaposing classical and modern theatrical styles with daring, poetic research of culture and imagination, giving voice to marginal elements of contemporary society and taking audiences to the brink of emotional wonder and soulful reflection. Theater Grottesco is celebrating its 29th year in Santa Fe and is a 2017 award winner of the National Theater Program. 

ABOUT THE CREATIVE PROCESS Both companies create collaboratively, involving intensive workshops, improvisation and experimentation with an eye toward making a new work of art instead of crafting an already existing play. Devising a new play often takes years. As for the work's rigorous movement, Glassman has said, “Theater Grottesco is the only company I know of that could handle the strange physicality of this work.” Special thanks for media and publicity materials and advising to Mariah Olesen, Santa Fe; to artists Myriah Duda and Koppany Pusztai, Santa Fe; to Estevan Vigil on lights, Santa Fe; Fay|Glassman Performance for their production support and to Lisa Fay for her keen and cracking good, decades long, artistic consultation and enduring support for this project.

This program supported in part by a grant from the Illinois Arts Council

HUBBARD STREET DANCE CHICAGO'S SEASON 48 FALL SERIES RETURNS NOVEMBER 14–23, 20

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HUBBARD STREET DANCE CHICAGO RETURNS TO STEPPENWOLF THEATRE COMPANY FOR

SEASON 48 FALL SERIES

NOVEMBER 14–23, 2025

HUBBARD STREET DANCE CHICAGO RETURNS TO STEPPENWOLF THEATRE COMPANY FOR SEASON 48 FALL SERIES, NOVEMBER 14–23, 2025 Program features Ohad Naharin’s Black Milk, Bob Fosse’s Percussion IV, Aszure Barton’s A Duo and Johan Inger’s IMPASSE Tickets for the Season 48 Fall Series Are Available Now at Hubbardstreetdance.com.

Linda-Denise Fisher-Harrell, Artistic Director of Hubbard Street Dance Chicago (Hubbard Street), and Executive Director David McDermott are proud to announce programming for the company’s Season 48 Fall Series, marking Hubbard Street’s return to Steppenwolf Theatre Company following last season’s sold-out debut. The engagement runs Friday, November 14 through Sunday, November 23, 2025 in Steppenwolf’s intimate Downstairs Theater (1650 N. Halsted St.). 

Following a record-breaking, landmark year of bold premieres and historic collaborations, Hubbard Street Dance Chicago launches Season 48 with a program that showcases the company’s extraordinary physicality, range, and commitment to presenting both fresh voices and iconic works. The Fall Series includes Ohad Naharin’s Black Milk, described by the Chicago Tribune as “by turns elegant and feral”; Percussion IV, originally choreographed by Bob Fosse for his Broadway hit Dancin’ and returning to the company as part of its ongoing collaboration with The Verdon Fosse® Legacy; A Duo, a dynamic duet by Resident Artist Aszure Barton continuing her creative residency, now in its third season; and IMPASSE, Johan Inger’s theatrical, exuberant favorite brimming with joy and inventive movement. 

The return of Percussion IV to Hubbard Street marks a meaningful full-circle moment. Gwen Verdon’s admiration for the company began in the 1980s when she sought to adapt Bob Fosse’s works for concert dance, a vision that included staging Percussion IV for Hubbard Street during Fisher-Harrell’s tenure as a company dancer. Last season’s Fall Series marked the launch of a historic partnership with The Verdon Fosse® Legacy, making Hubbard Street the only company in the world authorized to hold a Bob Fosse work in its repertoire—a distinction that continues in Season 48. 

“This program brings together four works that, collectively, speak to the vast possibilities of contemporary dance,” said Fisher-Harrell. “From the raw, elemental power of Naharin’s Black Milk to the precision and lineage embodied in Fosse’s Percussion IV, the inventiveness of Barton’s A Duo, and the exuberance of Inger’s IMPASSE, each piece challenges our artists in distinct ways while offering audiences an expansive journey through movement and emotion.” 

Season 48 subscriptions and tickets are available now online or by calling the Hubbard Street Box Office at 312-850-9744, ext. 5. Tickets range from $23 to $128.80 (including fees). For ticket information, program details, or to learn more about how you can join in the movement, visit Hubbardstreetdance.com.

Hubbard Street is grateful to our Season 48 Partners Athletico Physical Therapy and the Illinois Arts Council for their continued support. 

The Season 48 Fall Series performance schedule is as follows: 

Fall Series at Steppenwolf Theatre Company (Downstairs Theater) November 14-23, 2025 

Featuring: Black Milk by Ohad Naharin Percussion IV by Bob Fosse 

A Duo by Resident Artist Aszure Barton 

IMPASSE by Johan Inger 

About Hubbard Street Dance Chicago 

Hubbard Street Dance Chicago’s mission is to awaken the human spirit through contemporary dance, envisioning a dance landscape that is relevant and accessible to all. 

For 48 years, Hubbard Street has been one of the most original forces in contemporary dance – bringing top choreographers and works to Chicago and beyond. Hubbard Street’s ever-evolving repertory, created by today’s leading choreographic voices, makes them a company that dancers aspire to join and performance venues all over the world are eager to host. To date, the main company has performed globally in 19 countries and 44 U.S. states. 

At home in Chicago, Hubbard Street performs 20 times a year and delivers renowned education programs in 50 classrooms across 17 Chicagoland schools. Hubbard Street Education utilizes the choreographic process to teach essential problem-solving skills, creativity, and collaboration - expanding our reach beyond traditional concert dance audiences, ensuring that everyone has access to world-class dance and instruction. 

Hubbard Street Dance Chicago grew out of the Lou Conte Dance Studio in 1977, and Conte served as Artistic Director for 23 years. Linda-Denise Fisher-Harrell began her tenure at the company in March 2021. In January 2022, Hubbard Street moved to their new home in Water Tower Place on Michigan Avenue and acclaimed choreographer Aszure Barton was named Resident Artist in January 2023. Visit Hubbardstreetdance.com for more information. 

About The Verdon Fosse® Legacy 

The mission of The Verdon Fosse Legacy® is to promote, preserve, and protect the artistic and intellectual property of Bob Fosse® and Gwen Verdon. Through its range of educational programs, Legacy-sanctioned teachers and reconstructeurs teach Fosse® style, technique, and work ethic to students and professionals in the US & internationally. The Legacy aims to foster and educate performers, directors, and choreographers, as well as scholars and students interested in American film and musical theatre. It partners with universities, dance studios, museums, libraries, publishing companies, film screenings, and non-profit organizations to honor the work and methodology of Gwen Verdon and Bob Fosse. The Verdon Fosse Legacy Professional Training Program’s mission is to empower today’s artists through diverse dance training, instilling the original integrity and intent of Bob Fosse and Gwen Verdon’s work to build uniquely powerful entertainers for tomorrow. The Verdon Fosse Legacy oversees the licensing of Bob Fosse’s work for non-profit and for-profit commercial use. The Legacy protects the image, artistic, and intellectual property of Gwen Verdon and Bob Fosse and owns the trademarks for Fosse® and Bob Fosse® whose indelible influences can be seen across pop culture today. 

About Steppenwolf Theatre Company 

Steppenwolf Theatre Company is the nation’s premier Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions have made this theatre legendary. From the 1980 phenomenon of Balm in Gilead, to The Grapes of Wrath, August: Osage County, Downstate, The Brother/Sister Plays, and now, the 2025 Pulitzer Prize and Tony Award-winning Purpose, Steppenwolf Theatre has had a long-running and undeniable impact on American Theater and Chicago's cultural landscape. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 14 Tony Awards, two Pulitzer Prize-winning commissions and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair Keating Crown — Steppenwolf continually redefines the boundaries of live theater and pushes the limits of acting and performance. Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Court Theatre presents Shakespeare's The Taming of the Shrew November 14 – December 14, 2025

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Court Theatre announces complete cast and creative team for Marti Lyons' adaptation of 

The Taming of the Shrew

November 14 – December 14, 2025

Under the leadership of Marilyn F. Vitale Artistic Director Avery Willis Hoffman and Executive Director Angel Ysaguirre, Court Theatre is proud to present William Shakespeare’s The Taming of the Shrew, adapted and directed by Marti Lyons (with Associate Director Daira Rodriguez). This production will run from November 14 – December 14, 2025 at Court Theatre, 5535 S. Ellis Ave. 

Welcome to a tale of deception, disguise, and desire. The richest man in town has two daughters and one big problem: he refuses to marry the youngest, Bianca, until the eldest, Katherina, is married first. Much to her family’s dismay, Katherina repeatedly—and violently— rejects the men interested in her and her wealth, and refuses to sacrifice her independence. When a mysterious gentleman enters the mix, suddenly Kate sees that surrender is no sacrifice. Perhaps there is strength in submission.

Artistic Director of Remy Bumppo Theatre Company Marti Lyons turns William Shakespeare’s classic inside out, with a fresh interpretation focused on feminine desire. This is not your standard Shrew.

“​​I was drawn to adapt The Taming of the Shrew because of its unnerving timeliness,” shares Director and Adaptor Marti Lyons. “It is a piece that brims with contradictions that are urgent and resonant. This complex study of power continues to intrigue even as it provokes. I am thrilled to craft this production at Court Theatre with this superb company of artists, and I cannot wait for audiences to join us on this journey.”

Marilyn F. Vitale Artistic Director Avery Willis Hoffman adds: "One of Shakespeare’s earliest comedies, The Taming of the Shrew has been reimagined countless times because it invites us to debate vital questions about the complexity of human relationships and gender dynamics. We revere it as a classic precisely because of these complexities and perhaps because we all need a little bit of comic virtuosity to help us navigate ever-challenging times. As the first production of my tenure at Court, I look forward to diving into Shakespeare's canonical battle of wits alongside our audiences.”

The cast of The Taming of the Shrew includes Ryder Dean McDaniel (Tranio/Ensemble); Mark L. Montgomery (Baptista/Petruchio’s Servant/Ensemble); Melisa Soledad Pereyra (Katherina/Ensemble); Nate Santana (Lucentio/Ensemble); Samuel Taylor (Hortensio/Ensemble); Netta Walker (Bianca/Ensemble); Alex Weisman (Grumio/Ensemble); Monica West (Widow/Ensemble); Jay Whittaker (Petruchio/Ensemble); and Dexter Zollifcoffer (Gremio/Ensemble).

The creative team includes Jackie Fox (Scenic Designer): Kotryna Hilko (Costume Designer); Maximo Grano De Oro (Lighting Designer), with Sierra Walker (Associate Lighting Designer); Matthew Chapman (Sound Designer); Ethan Korvne (Composer); Tanya Palmer (Production Dramaturg); Becca McCracken, CSA (Director of Casting and Artist Cultivation), with Celeste M. Cooper (Associate Casting Director); Danny Fender (Production Stage Manager); and Anna Vu (Assistant Stage Manager).

Tickets and subscription packages including The Taming of the Shrew are on sale now, and can be purchased online at CourtTheatre.org or by calling the Box Office at (773) 753-4472.

Complementing this production, Court is proud to partner with Jenn Freeman/Po’Chop on a presentation of their performance, THICK: a crumbling freak show. This event is free and open to the public, and reservations are highly encouraged. More information and tickets will be available at CourtTheatre.org or by calling the Box Office at (773) 753-4472.

About the Artists
WILLIAM SHAKESPEARE (Playwright, 1564–1616) was an English poet and playwright. He is widely considered to be the greatest writer in the English language. He wrote 38 plays and 154 sonnets. His early plays were mainly comedies (e.g. Much Ado about Nothing, A Midsummer Night’s Dream) and histories (e.g. Henry V). By the early seventeenth century, Shakespeare had begun to write plays in the genre of tragedy. These plays— such as Hamlet, Othello, and King Lear—often hinge on some fatal error or flaw in the lead character and provide fascinating insights into the darker aspects of human nature. These later plays are considered Shakespeare’s finest achievements.

MARTI LYONS (Director and Adaptor) is thrilled to return to Court Theatre, where she most recently directed Guess Who’s Coming to Dinner?. Other recent credits include the world premiere of John Proctor is the Villain by Kimberly Belflower at Studio Theatre in Washington, D.C., the world-premiere of Witch by Jen Silverman at Writers Theatre and the subsequent award-winning production at Geffen Playhouse in L.A., Botticelli in the Fire by Jordan Tannahill at Woolly Mammoth Theatre, her co-adaptation of Cymbeline at American Players Theatre, and ‘ART’ by Yasmina Reza at Remy Bumppo Theatre Company, where she is Artistic Director. Lyons is also an ensemble member at The Gift Theatre and a member of Stage Directors and Choreographers Society.

RYDER DEAN MCDANIEL (Tranio/Ensemble) is excited to be making his Court Theatre debut! He received his B.A. from Northwestern University in theatre and musical theatre. Recent credits include Hairspray (Uptown Theatre), Disaster! (Big Noise Theatre), Bacchanal (Fowl Players), Throbbin’ Wood (PrideArts), as well as As You Like It, Night Side Songs, and Cock Envy (Northwestern University). He sends a big thank you to this team, his roommates, and family. Represented by Big Mouth Talent and Asteria Artists.

MARK L. MONTGOMERY (Baptista/Petruchio’s Servant/Ensemble) has appeared in Court’s Iphigenia in Aulis, Agamemnon, and M. Butterfly. Chicago credits include Outside Mullingar (Jeff Award nominee – Performer in a Principal Role) and Brooklyn Laundry (Northlight); Camino Real, Stage Kiss, and A Christmas Carol (Goodman); Fascination (About Face); Want, The Time of Your Life, and The Wheel (Steppenwolf); In the Next Room (or The Vibrator Play) and Equivocation (Victory Gardens); Hedda Gabler and The Letters (Writers). He has also appeared in more than a dozen productions with Chicago Shakespeare Theater and recently completed a tour of Julius Caesar throughout France with Théâtre National de Bretagne.

MELISA SOLEDAD PEREYRA (Katherina/Ensemble) is making her Court Theatre debut. Chicago credits: A Midsummer Night’s Dream (Chicago Shakespeare), Blood Wedding (Lookingglass). Broadway credits: A Doll’s House (Hudson Theatre). Regional credits: Anna in the Tropics, The River Bride, Love’s Labour’s Lost, Macbeth, As You Like It, Romeo and Juliet, among others (American Players Theatre Core Company). Other regional work includes Huntington Theatre, Utah Shakespeare Festival, Illinois Shakespeare Festival, Indiana Repertory Theatre, South Coast Rep, among others. Upcoming television debut on an acclaimed sci-fi series on Apple TV. Represented by Gray Talent Group.

NATE SANTANA (Lucentio/Ensemble) is an Artistic Collective member at Teatro Vista and Creative Producer at Shattered Globe, where he recently directed Lobby Hero. Theatre: Ironbound (Raven Theatre); The Thanksgiving Play, Ironbound (Steppenwolf); The Legend of Georgia McBride, Georgiana and Kitty: Christmas at Pemberley (Northlight); Frankenstein, Sense and Sensibility (Indiana Repertory); Short Shakespeare! Romeo and Juliet, Short Shakespeare! Twelfth Night (Chicago Shakespeare); Marvin’s Room (Shattered Globe); Balm in Gilead, Golden Boy (Griffin); The Abuelas, White Tie Ball (Teatro Vista); The Rainmaker (BoHo). Television: Chicago Med, Chicago P.D., Suits, and The Exorcist. He studied at the School at Steppenwolf, the Moscow Art Theatre, and received his B.A. from Valparaiso University.

SAMUEL TAYLOR (Hortensio/Ensemble) returns to Court Theatre, having previously appeared in The Lady from the Sea. He is an Artistic Associate at Lookingglass Theatre. Other Chicago credits include work at Steppenwolf, TimeLine, Redmoon, and Chicago Shakespeare Theater. He is a Co-Founder of the Back Room Shakespeare Project and author of the book My Life with the Shakespeare Cult. Regional credits include work at American Players Theatre, Actors Theatre of Louisville, Syracuse Stage, and the Guthrie Theater. On-camera credits include recurring roles on Boardwalk Empire, Red Line, and Crisis.

NETTA WALKER (Bianca/Ensemble) returns to Court after appearing in The Lion in Winter. Other Chicago credits include: How to Defend Yourself (Victory Gardens); Yen (Jeff Award – Performer in a Supporting Role, Raven Theatre); Hamlet, The Grapes of Wrath (The Gift); No Child (Definition Theatre); Continuity (Goodman); among many others. Film: Come As You Are, Whole. She played Keisha for three seasons on All American and All American: Homecoming, and has appeared in The Chi, The Big Leap, and Chicago Fire. Her original play keerah is being workshopped by Definition Theatre’s Amplify Festival, and she was selected as the playwright for the Blueprint Commission with First Floor Theater. Proudly represented by Paonessa Talent.

ALEX WEISMAN (Grumio/Ensemble) was previously in The Good Book at Court. Recent Chicago credits: Prayer For the French Republic (Northlight/Theater Wit) and An Act of God (Paramount). He is a two-time Jeff Award winner for The History Boys and Hand to God. Broadway: Harry Potter and the Cursed Child (OBC). Select television: Frank on Sesame Street (GLAAD New Media Award), Chicago Fire/Med/P.D., Ted Lasso, New Amsterdam, Empire, Inventing Anna. Film: A Complete Unknown, An Acceptable Loss, and others. Founding stakeholder with Back Room Shakespeare and NU grad.

MONICA WEST (Widow/Ensemble) is making her Court Theatre debut. Chicago credits include Hand to God (Paramount Theatre); The Matchbox Magic Flute, The Music Man (Goodman Theatre); Eastland, Moby Dick (Lookingglass Theatre Company). Off-Broadway: The Glass Menagerie (Roundabout Theatre Company); Red Light Winter (Barrow Street Theatre); Germans in Paris (59E59). International: Dirty Dancing: The Classic Story on Stage (Royal Alexandra Theatre). Regional highlights: Guthrie Theater, Shakespeare Theatre Company, Actors Theatre of Louisville, Westport Country Playhouse. TV: Chicago Med, Chicago Fire, Law & Order, Underemployed. Ms. West is a graduate of Marquette University and an M.F.A. candidate in writing at the School of the Art Institute of Chicago.

JAY WHITTAKER (Petruchio/Ensemble) returns to Court Theatre, having previously appeared in The Romance Cycle, Travesties, Cyrano, The Glass Menagerie, and The Wild Duck. Jay has worked at Goodman, Steppenwolf, Chicago Shakespeare Theater, and Northlight. Off-Broadway: Frank’s Home at Playwrights Horizons and Rose Rage at The Duke on 42nd Street. Regionally: Huntington, Shakespeare Theatre, and the Old Globe. Film: Unexpected Treasures, Gray Matter, Let’s Go to Prison, Death of a President, Dust Clouds, The Sea. Television: The Orville, Scream Queens, Chicago P.D., Prison Break, Early Edition. Jay recently wrote a short film that has premiered at five film festivals, and he is currently producing the feature film.

DEXTER ZOLLICOFFER (Gremio/Ensemble) has appeared at Court Theatre in Our Lan’ (2025 Spotlight Reading Series), The Lady from the Sea, King Hedley II, Guess Who’s Coming to Dinner, and others. Other theatre credits: Joe Turner’s Come and Gone, The Little Foxes, Dartmoor Prison (Goodman); Charm (Jeff Award – Actor in a Principal Role, Northlight); To Kill a Mockingbird, A Lesson Before Dying (Steppenwolf); Relatively Close, Knock Me a Kiss (Victory Gardens); and The Overwhelming (Next). Television and film credits include: Ghostlight, South Side, Joe Pera Talks to You, Chicago Fire, Chicago Med, Detroit 1-8-7, The Killing of Kenneth Chamberlain, and Who Gets the Dog.

Dates: Previews: November 14 – November 21, 2025

Press Opening: November 22, 2025 at 7:30pm

Regular Run: November 23 – December 14, 2025

Schedule: Wed/Thurs/Fri: 7:30 p.m.

Sat/Sun: 2:00 p.m. & 7:30 p.m.

Accessible ASL Interpretation on Saturday, December 6, 2025 at 2:00pm

Performances: Touch Tour on Sunday, December 7, 2025 at 12:30pm
Open Captioning and Audio Description on Sunday, December 7, 2025 at 2:00pm

Location: Court Theatre, 5535 S. Ellis Ave.

Tickets: $42.00 – $74.00 Previews
$60.00 – $90.00 Regular Run

Student, group, and military discounts available
Box Office: Located at 5535 S. Ellis Avenue, Chicago; (773) 753-4472 or www.CourtTheatre.org.

Winner of the 2022 Regional Theatre Tony Award, Court Theatre reimagines classic theatre to illuminate our current times. In residence at the University of Chicago and on Chicago’s historic South Side, we engage our audiences with intimate and provocative experiences that inspire deeper exploration of the enduring questions that confront humanity and connect us as people.

WildDoor Theater Makes Chicago Debut With SMOKEFALL At Theater WIT November 10 – December 21, 2025

ChiIL Live Shows On Our Radar

WILD DOOR THEATER MAKES ITS CHICAGO DEBUT WITH

NOAH HAIDLE’S SMOKEFALL 

AT THEATER WIT,

NOVEMBER 10 – DECEMBER 21

Gallant Directs the Poetic Meditation on how Families Fracture, Endure and Find Grace in the Ordinary

A new voice joins Chicago’s vibrant theater scene this fall as Wild Door Theater proudly launches its inaugural production, Smokefall, November 10 - December 21, by Noah Haidle and directed by Andrew Gallant, at Theater Wit, 1229 W. Belmont Ave. Performed in the round for an intimate and immersive audience experience, Smokefall marks Wild Door Theater’s debut, signaling the company’s mission to create bold, heartfelt work that bridges theatrical imagination and emotional truth. 

The performance schedule is Thursdays - Saturdays at 7:30 p.m. and Sundays at 2:30 p.m. There are no Thursday performances, Nov. 13 and Nov. 27 and an added performance, Wednesday, Nov. 26 at 7:30 p.m. The running time, including intermission, is two hours. Tickets are $25–$39 and are available at WildDoorTheater.com.

Blending magical realism with aching humanity, Smokefall unfolds inside a crumbling Midwestern home where three generations navigate love, loss and the passage of time. Talking fetuses debate existence, a father vanishes and an apple tree grows through the home — all in a poetic meditation on how families fracture, endure and find grace in the ordinary.

Smokefall defies easy categorization: part family drama, part philosophical meditation and part surreal dreamscape. As Violet prepares to bring twin boys into the world, unseen forces swirl around her—the past and future, birth and decay, love and loss. With scenes shifting between heartbreak and humor, Smokefall explores what it means to begin again even when everything seems to fall apart.

“What moves me most about Smokefall,” says Director Andrew Gallant, “is how each character faces the quiet unraveling of their own small corner of the world — and yet, amidst that growing darkness, they find hope, courage and strength in one another. That’s what makes this play both timely and timeless.”

Performed in the round for an intimate and immersive audience experience, Smokefall marks Wild Door Theater’s debut — signaling the company’s mission to create bold, heartfelt work that bridges theatrical imagination and emotional truth.

The cast of Smokefall includes Isabella Isherwood (she/her, ensemble); Lucky Star (he/they, ensemble); Vilmarie Rosario (she/her, ensemble); Richard Schumacher (he/him, ensemble); Lauren Secrest (she/her, understudy); Katie Hope Noble (she/her, understudy) and Noah Moulton (he/him, understudy).

The production team is Andrew Gallant (he/him, director); Lauren Secrest (she/her, assistant director/assistant stage manager); Joshua Bennett (he/him, stage manager); Spencer Donovan (he/him, scenic designer); Saawan Tiwari (she/they, costume designer); Andy Cahoon (he/him, technical director); Kate Schnetzer (she/her, sound designer); Josiah Croegaert (he/him, lighting designer) and Adanna Eziri (she/her, props designer).


ABOUT NOAH HAIDLE, Playwright

Noah Haidle’s plays have been produced at South Coast Repertory, The Long Wharf Theater, The Goodman Theater, The Woolly Mammoth Theatre, The Huntington Theater and The Roundabout Theatre Company. Haidle has been commissioned by The Goodman Theater and written a screenplay for Scott Rudin Productions. He is a graduate of Princeton University and The Juilliard School, where he was a Lila Acheson Wallace playwright-in-residence. He is the recipient of three Lincoln Center Le Compte Du Nouy Awards, the 2005 Helen Merrill Award for Emerging Playwrights and an NEA/TCG theater residency grant.


ABOUT ANDREW GALLANT, Director

Andrew Gallant holds an M.F.A in acting from DePaul University, a postgraduate diploma from the Liverpool Institute for Performing Arts, a BA in theatre from UW-Madison and is a proud member of Actor’s Equity. For the last 15 years, Gallant has worked professionally in Chicago as an actor, playwright, director and artistic director. His plays I Wish to Apologize to the People of Illinois, At the Center and Out of Tune Confessional were staged at The Agency Theater and his play Mackerel Sky is currently being adapted into a short film with festival submissions pending.




ABOUT WILD DOOR THEATER

Wild Door Theater embraces bold theatrical storytelling to create transformative experiences for Chicago audiences. With roots in the city’s storefront theater scene, they value truthful, ensemble-driven performances as they reimagine classics and develop new works that challenge, connect and inspire the community. On stage and beyond, they are committed to cultivating emerging talent, championing unexpected perspectives and recentering theater as vital to civic life.