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Showing posts with label Chicago Dramatists' Grafting Project. Show all posts
Showing posts with label Chicago Dramatists' Grafting Project. Show all posts

Wednesday, September 27, 2017

OPENING: World Premiere of THE MAKING OF A MODERN FOLK HERO Via Other Theatre at Chicago Dramatists

Chi, IL LIVE Shows On Our Radar:

Other Theatre Presents the World Premiere of
THE MAKING OF A MODERN FOLK HERO
By Martín Zimmerman
Directed by Kelly Howe
September 29 – October 29, 2017 at Chicago Dramatists



Presented in association with Chicago Dramatists' Grafting Project

Here at ChiIL Live Shows we're on board with Other Theatre's fabulous and all too necessary mission statement, to tell the stories of persons or groups who are othered by systems of oppression. We too believe in the power of theatre to enact social change. We can't wait to catch their latest new work, the world premiere of THE MAKING OF A MODERN FOLK HERO.

Other Theatre, in association with Chicago Dramatists’ Grafting Project, is pleased to launch its 4th season with the world premiere of Martín Zimmerman’s comedic graphic novel for the stage THE MAKING OF A MODERN FOLK HERO, directed by Kelly Howe, playing September 29 – October 29, 2017 at Chicago Dramatists, 1105 W. Chicago Ave. in Chicago. Single tickets and season subscriptions are currently available at theothertheatrecompany.com. 

THE MAKING OF A MODERN FOLK HERO will feature Celeste Burns, Aida Delaz, Adelina Feldman-Schultz, Robert N. Isaac, Christopher Meister, Becca Sheehan and Hannah Toriumi. 

A congressman entices an old friend (and washed-up actor) to portray a superhero in a publicity stunt designed to stop the unjust bulldozing of a public housing complex. They leave the crowd enthralled, but what happens when the character the politician created goes rogue? This graphic novel for the stage employs a seamless blend of live actors and shadow puppets to interrogate the hopes, fears and social forces that push people to yearn for and believe in the possibility of superheroes.

Comments Artistic Director Carin Silkaitis, “Martín’s play touches on some important ideas – particularly what happens when our politicians are too entrenched in the political ecosystem to be able to enact real change, even if their intentions are in the right place? I am so interested in the fact that the congressman must hire an actor to save this housing complex. He knows the right choice is siding with the disenfranchised, the poverty-stricken, but he is too embedded in the political mess to be able to vocally side with the very people he represents. After conversations with the playwright (and because of Donald Trump's campaign strategy) I am also struck by the way this play grapples with the idea of a person – one who has deep and intense psychological needs for admiration and adoration – hijacking a political movement.”

THE MAKING OF A MODERN FOLK HERO was developed in part through readings and workshops at Chicago Dramatists.

The production team for THE MAKING OF A MODERN FOLK HERO includes: Michael Johannsen (scenic design), Olivia Crary (costume design), Will Coeur (lighting design), Colin Trevor (sound design), Nick Thornton (puppet design & puppet choreography) and Kasey Trouba (stage manager).

Location: Chicago Dramatists, 1105 W. Chicago Ave., Chicago
Dates: Previews: Friday, September 29 at 8 pm, Saturday, September 30 at 8 pm and Sunday, October 1 at 3 pm
Regular run: Friday, October 6 – Sunday, October 29, 2017
Curtain Times: Thursday, Fridays and Saturdays at 8 pm; Sundays at 3 pm Please note: there will be added performances on Wednesday, October 18 at 8 pm and Wednesday, October 25 at 8 pm.

Tickets: Previews: $20 with code “PREVIEW.” Regular run: $25. Students $15 with code “STUDENT.” Industry $15 with code “INDUSTRY.” Single tickets and season subscriptions are currently available at theothertheatrecompany.com.

*Chicago Dramatists Benefit Performances: The performances on Saturday, September 30 at 8 pm and Thursday, October 12 at 8 pm will benefit Chicago Dramatists. Tickets for these performances are available only through chicagodramatists.org.

Creative Team Bios
Martín Zimmerman (Playwright) is a multi-ethnic, bilingual playwright and screenwriter whose plays have been produced or developed at The Kennedy Center, Goodman Theatre, Cincinnati Playhouse In The Park, Oregon Shakespeare Festival, La Jolla Playhouse, Alley Theatre, Roundabout Underground, Rattlestick Playwrights Theater, LCT3, New York Theatre Workshop, Victory Gardens Theater, The Eugene O’Neill Theater Center’s National Playwrights Conference, Philadelphia Theatre Company, Marin Theatre Company, The Playwrights’ Center, Alliance Theatre, A.C.T. (Seattle), PlayPenn, Icicle Creek Theatre Festival, American Theater Company, The Theatre @ Boston Court, Chicago Dramatists, Primary Stages, Teatro Vista, Ojai Playwrights Conference, Playwrights Foundation, Cara Mía Theatre Co, Seven Devils Playwrights Conference and Borderlands Theater, among others. A recipient of the Terrence McNally New Play Award, Steinberg/ATCA New Play Award Citation, Humanitas Prize New Voices Award, Sky Cooper New American Play Prize, McKnight Advancement Grant, Jerome Fellowship, Carl Djerassi Playwriting Fellowship, and the National New Play Network’s Smith Prize, Martín was a Staff Writer on Netflix’s Narcos, is a Story Editor on the upcoming Netflix Series Ozark, has been the Alliance for Latino Theater Artists (ALTA) Artist of the Month, was a member of the 2011-2012 Playwrights’ Unit at Goodman Theatre, is a Playwright in Residence at Teatro Vista, a Resident Playwright at Chicago Dramatists, and is currently under commission at Milwaukee Repertory Theater, La Jolla Playhouse, and Roundabout Theatre Company. MFA in Playwriting: The University of Texas at Austin. BA in Theater Studies, BS in Economics: Duke University.

Kelly Howe (Director) is a theatre faculty member at Loyola University Chicago and Resident Dramaturg at TOTC. Recent directing credits include Sarah Myers' The Realm (TOTC), Gertrude Stein’s Doctor Faustus Lights the Lights, Ellen McLaughlin’s Iphigenia and Other Daughters, Juan Mayorga’s Way to Heaven, Brecht and Weill’s The Threepenny Opera, George Brant’s Elephant’s Graveyard, Martín Zimmerman’s Phoenix Unforgiven and Sarah Myers’ God of the Gaps. Recent dramaturgy for TOTC includes Twilight: Los Angeles, 1992, Daughters of Ire and Threesome. Kelly is a past president of Pedagogy and Theatre of the Oppressed (PTO) and co-organizer of the collective Theatre of the Oppressed and Activism in Chicago. She co-chaired three of PTO's international conferences and the 30th anniversary conference of the Association for Theatre in Higher Education (ATHE) in Chicago. As an artist/scholar, Kelly focuses on activist performance, particularly Theatre of the Oppressed and theatre as feminist organizing. She co-edited Theatre of the Oppressed in Actions (2015) with Julian Boal and Scot McElvany and is working on The Routledge Companion to Theatre of the Oppressed with Julian Boal and José Soeiro. Her writing also appears in Theatre Journal, Theatre Topics, Text and Performance Quarterly, Comparative Drama, etc. She is a member of the advisory board of the Jana Sanskriti International Research and Resource Institute, West Bengal, India. MA/PhD UT-Austin; BA Muhlenberg College. 

About Other Theatre:
Other Theatre is dedicated to telling the stories of persons or groups who are othered by systems of oppression. Othering individuals or groups sustains power and privilege. Othering inherently implies hierarchy. Othering keeps the power in the hands of those who already have it.  Othering is an "us" vs. "them" mentality often centered around race, ethnicity, sexuality, gender, identity, class, religion and ability. Other Theatre is committed to telling these stories in the hope that we can lessen the amount of discrimination and oppression in our world.

We are a collective of artist-activists who believe in the power of theatre to enact social change. We believe in equality for all human beings and we will fight for it. We believe theatre is an excellent conversation starter, and we hope you will come talk with us after the show. We believe radical social change is possible and we will continue to stand up, fight, and resist until it happens.

Other Theatre Artistic Staff: 
Carin Silkaitis, Founder and Artistic Director; Maddie DePorter, Managing Director; Bryan Renaud, Associate Artistic Director; Ashley Pettit, Production Manager; Savanna Rae, Company Manager; Stephen Kossak, Casting Director; Becca Sheehan, Audience Development/Intern Coordinator; Nik Kmiecik, Social Media Coordinator; Kelly Howe, Resident Dramaturg; Tommy Rivera-Vega, Artistic Associate; Hannah Toriumi, Artistic Associate; Gay Glenn, Artistic Associate.

Other Theatre Board of Directors:
Michele Thornton, President; Kelly Soprych, Vice President; Jermaine Hill, Secretary; Stephen Silkaitis, Treasurer; Lisa Wolfe, and Michael Johannsen.

Other Theatre’s 4th Season is presented by generous grants from MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, and The Saints.

About Chicago Dramatists:
Since 1979, Chicago Dramatists has been dedicated to the development and advancement of playwrights. Chicago Dramatists nurtures extraordinary playwrights with the space, resources and collaborators needed to realize new work and thrive as artists. Workshops, readings, classes and special programs provide opportunities for beginning and established dramatists to develop their work, expand their professional affiliations, showcase their plays and collaborate with actors, directors and audiences during the creative process. The Resident Playwright program is a selective program offered at no cost to playwrights who demonstrate talent and dedication to the craft of playwriting. But we also believe that to discover untapped talent and nurture playwriting as a discipline, we need to embrace playwrights wherever they are on their writing path—which is why we offer our Network Playwright program to playwrights at all levels of ability.

Every year, plays developed at Chicago Dramatists earn hundreds of professional accomplishments, including productions, awards, commissions and readings at theatres in Chicago and worldwide. Distinguished alumni of Chicago Dramatists include Tanya Saracho (El Nogalar, How to Get Away with Murder), Andrew Hinderaker (Colossus, Penny Dreadful), Rick Cleveland (The West Wing, Six Feet Under, Mad Men), Rebecca Gilman (Pulitzer nominee, Spinning into Butter, Luna Gale), Keith Huff (A Steady Rain, House of Cards), and many others.

Thursday, April 6, 2017

OPENING: JOHNNY 10 BEERS’ DAUGHTER at CHICAGO DRAMATISTS 5/19-6/18

Chi, IL LIVE Shows On Our Radar:

SOMETHING MARVELOUS, IN ASSOCIATION WITH CHICAGO DRAMATISTS’ GRAFTING PROJECT, PRESENTS 
JOHNNY 10 BEERS’ DAUGHTER, 
STARRING 
RANDY STEINMEYER AND ARTI ISHAK, 
MAY 19 – JUNE 18


Powerful and Poignant Drama, Written by 
Dana Lynn Formby and Directed by Emmi Hilger




(left to right) Randy Steinmeyer (Johnny) and Arti Ishak (Leila). 
Photos by Laura Nash.


 
Something Marvelous and Randy Steinmeyer, in association with Chicago Dramatists’ Grafting Project, present the Johnny 10 Beers’ Daughter. Written by Dana Lynn Formby and directed by Emmi Hilger, Johnny 10 Beers’ Daughter runs May 19 – June 18 at Chicago Dramatists, 1105 W. Chicago Ave. 

Previews are Friday, May 19 and Saturday, March 20 at 8 p.m. Opening performances are Sunday, May 21 at 3 and 7 p.m. Regular performance times are Thursdays - Saturdays at 8 p.m. and Sundays at 3 p.m. Ticket prices are $18 for preview performances, $22 for Thursday and Sunday performances and $28 for Friday and Saturday performances. Tickets may be purchased online at http://www.somethingmarvelous.org/johnny-ten-beers-daughter/.

A father and daughter fish for silence in both the Euphrates and Poudre Rivers after serving in Iraq—a Marine Corp enlistment separated by 16 years. Johnny 10 Beers’ Daughter shares the personal and public struggles created by war. This dialogue-driven drama showcases the battle with post-war life and inner-self capturing the silence and the explosions of anger created by PTSD.

Johnny 10 Beers’ Daughter was a finalist for the 2016 Eugene O’Neill Award, Princess Grace finalist in 2015 and received an honorable mention by Kilroys in 2015.  The cast for Johnny Ten Beers’ Daughter includes: Randy Steinmeyer (Johnny) and Arti Ishak (Leila).

The production team for Johnny 10 Beers’ Daughter includes: Dana Lynn Formby (Playwright), Emmi Hilger (Director, Producer), Adam Greye (Stage Manager), Nicholas Schwartz (Scenic Director), Kara Grimm (Lighting Designer), Barry Bennett (Sound Designer), Jonathan Berg-Einhorn (Props Designer), Uriel Gomez (Costume Designer), Michelle Underwood (Projections Designer), Justin Glombicki (Technical Director) and Gracie Meier (Assistant Producer).


About Randy Steinmeyer (Johnny, Producer)
Johnny 10 Beers’ Daughter marks Steinmeyer 10th world premiere and first time as a producer.  An Associate Artist at Chicago Dramatists, Randy has appeared in:  Chops, McMeekin Finds Out, A Steady Rain (Jeff award for Best Actor), and The Prophet of Bishop Hill, all plays developed at Chicago Dramatists.  He also appeared in The Troll and The Elephant Prince, developed at the Goodman School of Drama/DePaul University, where he received a professional certificate in Acting.  Steinmeyer received a BA in Theater Arts from Blackburn College.  Other new work includes the musicals Larger than Life, All That Entertainment and Psychedelic Sundae, developed at Milwaukee Rep. Additional stage credits include: Man and Superman, The Infernal Machine, The Diviners, The Tempest, A Midsummer Night’s Dream, Wait Until Dark, Reckless, A Wrinkle in Time, Brigidoon, Out of Order, Rough for Theater 2/ Catastrophe, and The Bourgeouis Gentleman. Film work includes Public Enemies, The Babe, Transformers 3 and Game Day. TV work includes Chicago PD, The Playboy Club, The Beast, Early Edition, Turks, The Untouchables, and Mario and the Mob, a made for TV movie. 

About Arti Ishak (Leila)
Ishak is a Chicago theatre artist, transplanted from Detroit, working on stage as well as producing and marketing for various storefront companies. She is a proud graduate of Western Michigan University’s Theatre Performance and Business programs. As an artist she is committed to being a part of and producing pieces that inspire social change and growth. She is specifically passionate about contributing to the growth of a strong female presence in the arts. It is her goal to challenge traditional gender roles and racial stereotypes that are typically associated with women of color in the media today. She believes magical realism can be an incredibly impactful tool as it has the unique ability to ask the worlds' big questions while engaging the audience's sense of wonder Along with being the Communications Manager for Something Marvelous, Ishak also serves as the social media marketing manager for The Strange Bedfellows Theatre.

About Dana Lynn Formby, playwright
Dana Lynn Formby is a resident playwright at Chicago Dramatists. She was a finalist for the 2016 Emory Fellowship in Playwriting as well as a finalist and semi finalist for the 2015 and 2016 Princess Grace Award for playwriting. Formby’s most recent play, The Play That Used To Be Titled ‘1247 Likes’ Decides To Go Dancing In The Cemetery, was commissioned by Theater Emory. The Labeler was a 2016 finalist for the American Blues Theatre Blue Ink Award and will be read at Luna Stage in 2017. Her play American Beauty Shop was read at Steppenwolf’s First Look 2014 and is was published by Bloomsbury Methuen in conjunction with the world premiere at Chicago Dramatists this past spring. Formby is a three-time ‘Kilroy Honorable Mention’ playwright and her plays have been produced, workshopped and read by Pegasus Theatre Chicago, Chicago Dramatists, Mortar Theatre Company, Steep, PICT, Victory Gardens, WordBRIDGE, Florida Studio Theatre, The Alliance Theatre of Atlanta, The Kennedy Center, Theater Emory and New York Theatre Workshop. Her short play A Deck of Monsters was featured in Goodman Theatre's New Play Bake-Off. Her play Until Death was produced in 2015 at Concordia University Chicago in association with Chicago Dramatists. She holds an MFA in playwriting from Ohio University and is represented by The Robert A. Freedman Dramatic Agency in New York.

About Emmi Hilger, Director, Producer
Emmi Hilger currently lives in Chicago where she is the artistic director of Something Marvelous, a festival of magical realism. Relationships are at the heart of every story she tells, and Hilger enjoys collaborating with playwrights to explore theatre's unique ability to inspire imagination. For Something Marvelous, Hilger has directed The Clean House by Sarah Ruhl, References to Salvador Dalí Make Me Hot by José Rivera, the workshop of Koalas by J. Joseph Cox, Sunrise: Ardmore Beach by Hallie Palladino and Sheltered by Laura Nessler.

About Chicago Dramatists’ Grafting Project
Since 1979 Chicago Dramatists has nurtured extraordinary playwrights with the space, resources, and collaborators needed to realize new work and thrive as artists.  Through the Grafting Project, Chicago Dramatists offer companies producing a resident playwright's work free production space.  Resident Playwright Dana Lynn Formby developed Johnny 10 Beers’ Daughter through Chicago Dramatists’ Round Table and Saturday Series programs.  Chicago Dramatists grants 23 Resident Playwrights and 6 Tutterow Fellows developmental programs such as table readings, workshops, and public staged readings. 

About Something Marvelous
Something Marvelous is a theatre company based in Chicago dedicated to creating works of magical realism. Each year the company puts up a full production, conducts workshops of new plays in collaboration with playwrights, curates a series of special events involving local theatre companies and leads a dialogue about imagination in the theatre. 2013 was its inaugural festival, with three readings, a Night of New Works and a production of The Clean House by Sarah Ruhl. In 2014, Something Marvelous presented References to Salvador Dalí Make Me Hot by José Rivera, a Night of New Works, and eight reading series events. The 2015 festival featured six world premieres of ten-minute plays in a fully produced Night of New Works, three workshops culminating in staged readings at the Chicago Cultural Center thanks to the DCASE In the Works residency and four special events geared towards actors, directors and designers. 2016 brought Something Marvelous’ first world premiere, Don't Look by Gina Doherty, as well as a continuation of the workshop series and special events. For more information, please visit www.somethingmarvelous.org.

 

Something Marvelous and Randy Steinmeyer, in association with Chicago Dramatists’ Grafting Project, present the Johnny 10 Beers’ Daughter. Written by Dana Lynn Formby and directed by Emmi Hilger, Johnny 10 Beers’ Daughter runs May 19 – June 18 at Chicago Dramatists, 1105 W. Chicago Ave. Previews are Friday, May 19 and Saturday, March 20 at 8 p.m. Opening performances are Sunday, May 21 at 3 and 7 p.m., press is invited to attend either opening day performances.  Regular performance times are Thursdays - Saturdays at 8 p.m. and Sundays at 3 p.m. Ticket prices are $18 for preview performances, $22 for Thursday and Sunday performances and $28 for Friday and Saturday performances. 

Tickets may be purchased online at http://www.somethingmarvelous.org/johnny-ten-beers-daughter/.

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