Pages

Showing posts with label psych rock. Show all posts
Showing posts with label psych rock. Show all posts

Saturday, October 14, 2023

INCOMING: Mudhoney and Hooveriii To Play Chicago's Avondale Music Hall 10/20/23

 ChiIL Live Shows On Our Radar

Reverbveration.jpeg

HOOVERIII


CONFIRM FALL U.S. TOUR SUPPORTING MUDHONEY

Includes New York City On October 28 And Los Angeles November 14


WEST COAST HEADLINE DATES KICK OFF MARCH 21 + TREEFORT MUSIC FESTIVAL MARCH 25 & 26


A Round Of Applause - Out Via Reverberation Appreciation Society

Psych-rock band Hooveriii have been confirmed as the direct support for Mudhoney on their forthcoming tour of the U.S. I'll be out to shoot stills at the Chicago show (10/20/23 - Chicago, IL - Avondale Music Hall), so check back with ChiIL Live Shows soon for our photo filled recap.


The dates kick off October 13 in Spokane, WA and conclude with a 2-night stand in Seattle, WA on November 18 and 19.  Along the way the tour hits Chicago, New York City, and Dallas, TX.  Hooveriii previously opened for Mudhoney on their 2022 European tour.  On March 21 the band kick off a West Coast headline run in Sacramento, CA that concludes on April 1 with a show at Pappy & Harriet’s in Pioneer Town, CA. Hooveriii are also confirmed to play this year’s Treefort Music Festival in Boise, ID on March 24 and 25.   Tickets are on-sale now and all dates are listed below.  


Hooveriii (pronounced "Hoover Three") released A Round of Applause in the summer of 2022 and featured the singles “Twisted & Vile, “The Pearl” and the album’s opener “See.” 


“a sunny, playful pop song that showcases the six-piece eschewing singer-songwriter self-seriousness in favor of infectious bliss” Flood Magazine


"Glossed with studio sweetened guitar slices, a tumbling rhythm, and vocal harmonies the band pushes closer to fellow L.A. compatriots Communicant and Frankie and the Witch Fingers, with echoes of Ty’s widescreen productions of late"  Raven Sings The Blues


"Their sound is a unique blend of psych-rock and krautrock, and while the band wears obvious influences like Thee Oh Sees or Can heavily on their sleeves they still provide a fresh take on the genre."  New Noise 


"space-rock that’s as boundary-less as space itself."  Buzzbands LA 


"(Hooveriii) explore the crossroads of prog and psych... a lot of fun to listen to."  

When You Motor Away 



Though created in large part by founder Bert Hoover, Hooveriii has grown to include 

Gabe Flores (lead guitar and vocals), Kaz Mirblouk (bass and synths), James Novick (synths), and Owen Barrett (drums).


Photo by Alex Bulli 

Time after time, we all talk about … well, time — often in aphorisms and cliches. X is “a waste of time,” while Y is “time well spent.” We are all apt to lose track of time but, perhaps in equal measure, we have plenty of time on our hands. We think we have all the time in the world -- until we remember that time flies, after which our time runs out and we’re dead (for a long time). 


Since 2020, internal clocks have had to be readjusted with the pace of life ebbing and flowing.  For Los Angeles psych-rock sextet Hooveriii (pronounced "Hoover Three") that adjustment seeped its way into their songwriting and ultimately their forthcoming album, A Round of Applause.


Though created in large part by founder Bert Hoover, Hooveriii has grown to include 

Gabe Flores (lead guitar and vocals), Kaz Mirblouk (bass and synths), James Novick (synths), Casey Sullivan (vocals and synths) and Owen Barrett (drums). Together they looked at this newly found time as a gift. As a result, A Round of Applause isn’t just another “COVID record” that dithers on subjects like isolation and community. Instead, Hoover broadened the scope of the band’s new record by not only reflecting on time as a concept but also allowing the band to flourish creatively.


“There's a struggle with what your relationship to time is,” said the chill, amiable and down-to-earth Hoover. “It's a back and forth. On the one hand, it's like, ‘Fuck it, time doesn't matter.’ But then there's also, ‘Oh shit, I’m running out of time, and I'm scared.’ ” (“Out of My Time,” the second song on the record, is its thematic cornerstone).


Prior to delving into A Round of Applause — Hoveriii’s second album through The Reverberation Appreciation Society —this band of space voyagers stuck to a routine of issuing about two releases a year (including singles, live albums, etc.). The routine worked well, so why tamper with it? Yet after the rise of a certain five-letter word that starts with a C, they realized that time really shouldn’t be taken for granted, cliché be damned. Finding additional inspiration via Nick Cave, who once said that dabbling with new ideas continues to fuel his near-50-year career, the band decidedly took a different approach with their new album and gave themselves the freedom to explore in the studio.   


The end result is A Round of Applause, an expansive and even, at times, experimental record. Across the 11 tracks, Hoover stresses the importance of sequencing, so the record feels inviting instead of jarring - it segue almost seamlessly not only from song to song but within the songs themselves. 


Whereas 2021’s Water for the Frogs was akin to a jam-band record — most of its seven songs are about five minutes long, including a closing track that lasts nearly 10 — A Round of Applause has broader appeal. Hooveriii consider the new record, which occasionally pays homage to the Canterbury scene, to be a palette cleanser of sorts. 


“I am not really a playlist guy or a singles guy,” Hoover admits. “I’m really into the album experience. … So yeah, we made a pop record. But also, to me, this record is very progressive as well, and I thought that that provides a nice balance.”


Hoover previously referred to Water for the Frogs as his band’s equivalent of Iggy Pop’s The Idiot. Playing with that idea he says A Round of Applause is the kindred spirit of Lust For Life.  


The record cherrypicks from an array of genres — pop, girl-group ditties, synth-ish keyboards and funk —but the end result is a cohesive long-player with songs that revolve around the Spanish Inquisition (“Stone Man”); or follow “the legendary Peruvians who run long distances in the Andes Mountains (“The Runner”). “I let my imagination run wild,” Hoover said. Elsewhere on A Round of Applause, the Hooveriii frontman finally recorded a song, “The Pearl,” that he wrote in 2017. “It sounds like a Harry Nilsson jingle like to me, a fantasy song,” he continued. “It's more like a nursery rhyme than a song with an important message. You know, it's just like keeping things fun. … Nilsson didn’t take everything so fucking seriously. We want to avoid that self-seriousness. We're a bunch of goofy musicians.” 


The aforementioned songs deal with external cultures and circumstances, to a large extent. But on “See,” the opening track, Hoover turns inward. “I got a lot of people in my life, including myself, that I feel take things for granted,” he said. “ ‘See,’ to me, is a song about not doing that.”


Finally, Hoover pointed out that “Twisted and Vile” is one of the heavier songs on A Round of Applause. Written around the same time as “The Pearl,” he disclosed that David Bowie’s work inspired the Hooveriii song’s classic-rock-sound. “It’s a song about trying to figure out your place in life,” he said.


Hooveriii derived the album title from the late-‘80s Roky Erickson song “Click Your Fingers Applauding the Play.” “That’s too much of a mouthful,” Hoover qualified. “My title, A Round of Applause, just came one day, and we were like, ‘Yo, that sounds like a Gentle Giant record.’”


Reflecting the mostly lighthearted and uplifting record, A Round of Applause closes cheekily — but not sarcastically — with the sound of people clapping. Hoover adds graciously: “We've been lucky so far. I don't think we really have a, you know, ‘bad song.’ ”


Maybe one will, someday. But Hoover doesn’t dwell on that; after all, his band has more records to make — and time is of the essence.


Hooveriii Tour Dates 

3/21 - Sacramento, CA - The Starlet Room 

3/22 - Arcata, CA - Miniplex

3/23 - Portland, OR - Lollipop Shoppe

3/24 - Boise, ID - Treefort Music Festival 

3/25 - Boise, ID - Treefort Music Festival

3/26 - Seattle, WA - Substation 

3/28 - Bend, OR - Silver Moon Brewing

3/29 - Redding, CA - The Drip

3/30 - Oakland, CA - Stork Club 

4/01 - Pioneer Town, CA - Pappy & Harriet's 


Touring with Mudhoney

10/13/23 - Spokane, WA - Lucky You Lounge

10/14/23 - Missoula, MT - Zootown Arts Community Center

10/15/23 - Billings, MT - The Pub Station Tap Room

10/18/23 - Saint Paul, MN - Turf Club

10/19/23 - Milwaukee, WI - X-Ray Arcade

10/20/23 - Chicago, IL - Avondale Music Hall

10/21/23 - Grand Rapids, MI - The Pyramid Scheme

10/22/23 - Detroit, MI - Magic Bag

10/24/23 - Cleveland, OH - Grog Shop

10/25/23 - Rochester, NY - Photo City Music Hall

10/26/23 - Boston, MA - Brighton Music Hall

10/27/23 - Hamden, CT - Space Ballroom

10/28/23 - New York, NY - Le Poisson Rouge

10/29/23 - Philadelphia, PA - Underground Arts

10/31/23 - Asheville, NC - Grey Eagle Tavern & Music Hall

11/1/23 - Atlanta, GA - EARL

11/2/23 - Nashville, TN - The Basement East

11/3/23 - Memphis, TN - Hi Tone

11/4/23 - Dallas, TX - Sundown at Granada

11/5/23 - Austin, TX - Antone's Nightclub

11/9/23 - Albuquerque, NM - Launchpad

11/10/23 - Phoenix, AZ - Crescent Ballroom

11/11/23 - Tucson, AZ - Club Congress

11/12/23 - San Diego, CA - Casbah

11/14/23 - Los Angeles, CA - Teragram Ballroom

11/15/23 - San Francisco, CA - Great American Music Hall

11/17/23 - Portland, OR - Aladdin Theater

11/18/23 - Seattle, WA - The Crocodile Showroom (21+)

11/19/23 - Seattle, WA - The Crocodile Showroom (All Ages)

hooveriii a round of applause art.jpeg



A Round Of Applause tracklist 

See 

Out of My Time

Twisted and Vile

Water Lily

Time - The Outlaw

My Directive

Stone Men

Iguana 

The Runner

Crusin’

The Pearl

 Find Hooveriii here:

Bandcamp | Instagram | Facebook


Friday, October 13, 2023

NEW ALBUM: HOOVERIII'S POINTE OUT TODAY, OCTOBER 13th, 2023

 

Reverbveration.jpeg

HOOVERIII 


 NEW ALBUM POINTE OUT TODAY, OCTOBER 13 VIA THE REVERBERATION APPRECIATION SOCIETY / LEVITATION 


ON TOUR NOW WITH MUDHONEY

Hooveriii by Alex Bulli 

Today Los Angeles-based Hooveriii released their new album Pointe, via The Reverberation Appreciation Society / Levitation. They teased the LP via “Dreaming,” The Tall Grass,” and “The Ship That I Sail,” a song that teems with fuzzed-out guitar wizardry.  In creating Pointe Hoveriii found themselves drawn to the sounds of ‘60s psychedelic act Pisces to Phil Lynott’s solo releases and pioneering electronic acts like Tangerine Dream. The end result is a collection of songs that is perhaps their most accessible yet.  Thematically the album explores the phenomenon of time, specifically the moment leading up to each decision where, for a brief instant, there are infinite possibilities that have yet to be distilled into a singular outcome.  


This week saw Hooveriii hit the road as the direct support for Mudhoney and the runmakes stops in New York City at Le Poisson Rouge on October 28 and at the Teragram Ballroom in Los Angeles on November 14.  The run concludes in Seattle with a two-night stop at The Crocodile Showroom on November 19 (21+) and November 20 (all ages).  All dates are listed below.

Watch the video for “The Tall Grass” here:

Watch the video for “The Ship That I Sail” here:

Watch the video for “Dreaming” here:

There’s a moment leading up to each decision where, for a brief instant, there are infinite possibilities that have yet to be distilled into a singular outcome. It’s a phenomenon that has been explored over the years by novelists like Graham Greene and a concept that Hooveriii frontman Bert Hoover also feels inexplicably drawn towards. “I find that period in time to be fascinating, maybe I’m in it often, but a lot of these songs take place in that moment and that moment can last for years,” he explains. This idea lies at the conceptual core of Hooveriii’s fourth album Pointe, a collection of songs that features musicians from the band’s past and present and sees them collectively exploring musical geography that Hooveriii hasn’t explored in the past. “We just wanted to do something different,” Hoover says. “We were feeling a little burnt on guitar rock and really wanted to challenge ourselves.” 


The result is an album that was inspired by everything from the ‘60s psychedelic act Pisces to Phil Lynott’s solo releases and pioneering electronic acts like Tangerine Dream, to craft a collection of songs that are more about creating a specific type of feeling than fitting into a specific genre. “I feel like on this album we were bringing a lot of influences to the forefront that we never had the maturity to accomplish before while also leaning into the humor a little bit and avoiding being full-on ‘serious songwriters,’” Hoover adds. Correspondingly, the music roster on Pointe features Hoover, Kaz Mirblouk, James Novick, Owen Barrett, Gabe Flores, Gabriel Salomon, Anna Wallace, Paco Casanova, Matt Zuk, Jon Modaff, Shaughnessy Starr, Olaf Selland and Ari B. Jones and was—and unlike previous Hooveriii releases—was recorded over an extended period of time and was both consciously and subconsciously inspired by the touring the band did in support of 2021’s Water For The Frogs and 2022’s A Round Of Applause. “I’m really grateful for all of the people who contributed to this album and it’s a long list of people but it’s important that they are all listed because we all really pulled together to make this album,” Hoover adds.


“Every record is kind of a response to the last record and I like listening to people’s discographies like that,” Hoover explains. “When we finished A Round Of Applause we were in rock mode playing with a lot of rock and psych bands and I was really thinking about what do you do with a fourth record?” The answer turns out to be something more esoteric and less predictable than a guitar-driven album while retaining the core of the band’s sound, which has made the Los Angeles-based act such an exciting act to watch evolve. From the spacey groove of the opener “Prom” to the expansive, synth-friendly ballad “This Rock” and the epic future-folk experimentation of the album’s closer “Dreaming” (which features vocals by Wallace),  Pointe is an album that references the past while stretching toward an unknown future. “I think that our intuition going forward is to keep ourselves surprised and keep people who like us surprised, hopefully without isolating anyone,” he adds. Correspondingly the falsetto-fueled psychedelia of “The Tall Grass” transcends categorization while “The Ship That I Sail” is a nine-minute-long opus teeming with fuzzed-out guitar wizardry. 



When it comes to the lyrics for Pointe, Hoover says that while some of these are more personal than his previous material, it’s important for him to leave the actual content up to each listener’s own interpretation. “I like songs where people can admit to being deadbeats even if it is more of a character or you’re reflecting on one aspect of your personality,” he explains. “It’s also a transitional record in a lot of ways because sonically we wanted to drift away for album number four.” Correspondingly, Hoover considers “This Rock” to be a love song. But it could just as easily be about existential dread or the way that another person can change one’s orientation to the universe. Or the countless small decisions that can lead up to an outcome and the way our own smallness can be a catalyst for putting something out into the world that can affect so many other people in unexpected and important ways. Or maybe it is about none of these things, it’s whatever it means to you. 


More than anything else Pointe  feels like a full circle moment for Hooveriii, which has evolved from a bedroom solo project into an expansive band that features an army of talented musicians and contributors. “In a lot of ways, Pointe feels like an epilogue to one phase of the band and a prologue to the next one,” Hoover says of how the band’s latest release fits into their musical catalog. Pointe is a collection of songs that weren’t recorded in a linear fashion but that fit together in a way that feels almost cosmic in nature. In other words, it’s Hooveriii at their most creative and undistilled. “I don't really care about trying to push the envelope forward,” However admits, looking back at the long road leading up to completing the album. “I care about making a good record that sounds cohesive—and I feel like with this one, we did a good job.”   



Hooverii tour dates (with Mudhoney)

Oct 13 - Spokane, WA @ Lucky You Lounge

Oct 14 - Missoula, MT @ Zootown Arts Community Center

Oct 15 - Billings, MT @ The Pub Station Tap Room

Oct 18 - Saint Paul, MN @ Turf Club

Oct 19 - Milwaukee, WI @ X-Ray Arcade

Oct 20 - Chicago, IL @ Avondale Music Hall

Oct 21 - Grand Rapids, MI @ The Pyramid Scheme

Oct 22 - Detroit, MI @ Magic Bag

Oct 24 - Cleveland, OH @ Grog Shop

Oct 25 - Rochester, NY @ Photo City Music Hall

Oct 26 - Boston, MA @ Brighton Music Hall

Oct 27 - Hamden, CT @ Space Ballroom

Oct 28 - New York, NY @ Le Poisson Rouge

Oct 29 - Philadelphia, PA @ Underground Arts

Oct 31 - Asheville, NC @ Grey Eagle Tavern & Music Hall

Nov 1 - Atlanta, GA @ EARL

Nov 2 - Nashville, TN @ The Basement East

Nov 3 - Memphis, TN @ Hi Tone

Nov 4 - Dallas, TX @ Sundown at Granada

Nov 5 - Austin, TX @ Antone's Nightclub

Nov 8 - El Paso, TX @ Lowbrow Palace

Nov 9 - Albuquerque, NM @ Launchpad

Nov 10 - Phoenix, AZ @ Crescent Ballroom

Nov 11 - Tucson, AZ @ Club Congress

Nov 12 - San Diego, CA @ Casbah

Nov 14 - Los Angeles, CA @ Teragram Ballroom

Nov 15 - San Francisco, CA @ Great American Music Hall

Nov 17 - Portland, OR @ Aladdin Theater

Nov 18 - Seattle, WA @ The Crocodile Showroom (21+)

Nov 19 - Seattle, WA @ The Crocodile Showroom (All Ages)


Pointe Tracklist 

1 Prom

2 The Tall Grass

3 This Rock

4 Can't You Hear Me Calling?

5 I Am Alive

6 The Game

7 Circling The Square

8 The Ship That I Sail

9 Dreaming

 Find Hooveriii here:

Bandcamp | Instagram | Facebook

Monday, October 2, 2023

INCOMING: FRANKIE AND THE WITCH FINGERS AT BOTTOM LOUNGE TUESDAY, OCTOBER 3rd, 2023


ChiIL Live Shows On Our Radar

FRANKIE AND THE WITCH FINGERS

AT BOTTOM LOUNGE

TUESDAY, OCTOBER 3

Photo Credit: Henry Calvert

We'll be out to shoot Frankie and the Witch Fingers and Wine Lips for ChiIL Live Shows as they perform at Bottom Lounge on Tuesday, October 3rd, so check back soon for our photo filled recap. The Los Angeles psych-rock juggernauts are embarking on an extensive run of headline U.S. tour dates this fall, which include performances at such esteemed venues as Warsaw in Brooklyn and The Troubadour in Los Angeles, in support of their recently released album, Data Doom.


Through six progressively expansive albums, innumerable live dates on an ever-expanding list of continents, and performances with the likes of Thee Oh Sees, Ty Segall, Cheap Trick, ZZ Top and more (to say nothing of their impressive headline dates), Frankie and the Witch Fingers have earned their throngs of global fans with their ecstatically wild live shows and layered, visionary recordings. With Data Doom, the band is poised to welcome even more uninitiated into the fold – it’s their most eclectic work yet, while remaining undeniably cohesive, and they’re supporting it with the biggest headline shows they’ve ever played. 



WATCH THE “EMPIRE” VIDEO

WATCH THE “FUTUREPHOBIC” VIDEO

WATCH THE “MILD DAVIS” VIDEO

LISTEN TO DATA DOOM

Over the past decade Frankie and the Witch Fingers have operated as an outright force of nature, offering up a revelatory form of psych-rock that hits on both a primal and ecstatically mind-bending level. In the making of their new album Data Doom, the Los Angeles-based four-piece forged a sublimely galvanizing sound informed by their love of Afrobeat and proto-punk—a potent vessel for their frenetic meditations on technological change run rampant, encroaching fascism, and corrosive systems of power. Animated by the explosive energy they’ve brought to the stage in sharing bills with such eclectic acts as Ty Segall and ZZ Top, the result is a major leap forward for one of the most adventurous and forward-thinking bands working today. 


Rooted in the cerebral yet viscerally commanding songwriting of co-founders Dylan Sizemore (vocals, guitar) and Josh Menashe (lead guitar, synth), Data Doom marks the first Frankie and the Witch Fingers album created with bassist Nikki “Pickle” Smith (formerly of Death Valley Girls) and drummer Nick Aguilar (previously a touring drummer for punk legend Mike Watt). In crafting their most rhythmically complex work to date, the band drew heavily from each new member’s distinct sensibilities: Smith tapped into her extensive background in West African drumming (an art form she first discovered thanks to her music-instructor parents), while Aguilar leaned into formative influences like longtime Fela Kuti drummer Tony Allen. Self-produced by the DIY-minded band and recorded direct to tape by Menashe, Data Doom ultimately took shape through countless sessions in their Southeast L.A. rehearsal space, with Frankie and the Witch Fingers allowing themselves unlimited time to explore their most magnificently strange impulses.


Once again showcasing the expansive and fantastically eccentric musicality of past efforts like 2020’s Monsters Eating People Eating Monsters...Data Doom encompasses nine high-wattage songs constructed with both dizzying intricacy and unfettered imagination. On “Mild Davis,” for instance, the band shares a gloriously spaced-out track inspired by a piece from Miles Davis’s early-’70s electric period, cycling through a vast whirlwind of rhythms and textures and wildly spellbinding guitar parts. “We worked on that for two weeks straight, puzzle-piecing together different parts into one very weird and stream-of-consciousness song that’s mostly in a 7/4 time signature,” Menashe recalls. Meanwhile, Sizemore’s lyrics shift between savagely despairing the state of the world and resolutely dreaming of a brighter future. “I wrote the lyrics to ‘Mild Davis' in a moment of feeling pessimistic about what technology is doing to our society, especially as AI is creeping to the forefront more and more,” says Sizemore. “But then the bridge comes from a more optimistic perspective, where it’s questioning whether we could reboot the whole system and start all over.”


After opening on the epic majesty of “Empire,” Data Doom launches into the first song the band’s new lineup wrote together: “Burn Me Down,” an irresistibly jittery track that perfectly encapsulates the album’s transcendent collision of blistering riffs and polyrhythmic grooves. On “Electricide,” Frankie and the Witch Fingers unleash the LP’s most unabashedly punk offering, a bombastic rallying cry built on Aguilar’s breakneck drumming. One of several songs featuring Menashe on sax, “Syster System” slips into a hypnotically fluid tempo as Frankie and the Witch Fingers muse on the possibilities of partnership culture (a concept introduced by futurist Riane Eisler in her seminal book The Chalice and the Blade). “Riane Eisler talks about how our society has a very masculine energy that manifests as the need to exert power, which she refers to as dominator culture,” Sizemore explains. “The alternative to that is partnership culture, which has a feminine energy that’s more symbiotic with nature. The idea behind ‘Syster System’ is that if we could bring that energy into technology, it could help make everything more harmonious.” And on “Political Cannibalism,” Data Doom closes out with a dance-ready anti-anthem stacked with so many loopy details, such as a warped and otherworldly guitar part Menashe spontaneously composed in an attic in France.


To create the cover art for Data Doom (a co-release from Greenway Records and the Reverberation Appreciation Society), Frankie and the Witch Fingers reached out to Italian illustrator Carlo Schievano and UK-based graphic designer Jordan Warren, who then joined forces in assembling an elaborate mixed-media piece complete with its own language system and accompanying decoder. “It was really fascinating to see two different artistic voices working together to make something so unique, with all these hidden elements for people to figure out,” says Smith. Not only an echo of the album’s endlessly immersive quality, Data Doom’s visual component reflects the band’s devotion to unbridled collaboration in all aspects of the creative process. “There was no pressure and no real time constraint for this record, and because of that the creativity flowed in a very free way that probably wouldn’t have happened if we’d been on the clock in a studio,” says Sizemore. “It showed us that the more we take the time to communicate and share our ideas with each other, the more it feeds our creative energy and helps us to make something we’re all really excited about.”


CONNECT WITH FRANKIE AND THE WITCH FINGERS:

Monday, March 9, 2020

INCOMING: Monster Magnet’s “Celebration of Powertrip” US Tour Begins March 20th

**Postponed Due to Coronavirus Closures**
All tickets will be honored for a later date TBD

Chi,IL Live Shows On Our Radar:
MONSTER MAGNET 
Kicks Off North American Tour in Two Weeks!
Nebula and Silvertomb to Support


ChiIL Live Shows will be out to catch MONSTER MAGNET in Chicago at The Metro. Don't miss this. 

Psych rock legends MONSTER MAGNET will return to the road in North America this spring to celebrate their historic release, Powertrip.  Their live set will feature select cuts from this seminal album as well as MONSTER MAGNET fan favorites.  Support on the tour will come from Nebula and Silvertomb. The tour begins March 20th in Brooklyn, NY and runs through April 18th in Sayreville, NJ. A complete list of dates can be found below.

MONSTER MAGNET W/ Nebula and Silvertomb:
3/20: Brooklyn, NY @ Elsewhere
3/21: Boston, MA @ Sinclair
3/22: Philadelphia, PA @ Underground Arts
3/24: Pittsburgh, PA @ Rex Theater
3/25: Toronto, ON @ The Opera House
3/27: Flint, MI @ The Machine Shop
3/28: Chicago, IL @ The Metro
3/29: Minneapolis, MN @ Fine Line
3/31: Denver, CO @ The Oriental Theater
4/1: Salt Lake City, UT @ Metro Bar
4/3: Vancouver, BC @ The Rickshaw
4/4: Seattle, WA @ El Corazon
4/5: Portland, OR @ Hawthorne Theater
4/7: San Francisco, CA @ Great American Music Hall
4/8: Los Angeles, CA @ The Fonda
4/9: Las Vegas, NV @ The House of Blues
4/10: San Diego, CA @ Observatory North Park
4/13: Dallas, TX @ Gas Monkey Bar N’ Grill
4/15: Atlanta, GA @ The Masquerade
4/16: Charleston, SC @ The Music Farm
4/17: Baltimore, MD @ Baltimore Sound Stage
4/18: Sayreville, NJ @ Starland Ballroom

The release of Powertrip marked MONSTER MAGNET’s commercial breakthrough, seeing them achieve mainstream success due largely to the hit single, "Space Lord". Other hit songs on the album include "Powertrip", "Temple of Your Dreams", and "See You in Hell". The album itself reached #1 on the Heatseekers Charts, #21 in the German Charts, #65 in the UK Charts, and #97 on the Billboard 200. The album was certified gold by the RIAA on January 25, 1999.

Order MONSTER MAGNET’s latest Napalm Records release, 2018’s Mindfucker, HERE + watch the video for the title track below.






Google Analytics