Iceboy! Sneak Peek Into Goodman's Rehearsals With Megan Mullally And Nick Offerman

Chi, IL Live Shows on our Radar:

Iceboy! Now in Rehearsals

A PEEK INTO REHEARSALS OF THE NEW MUSICAL ICEBOY!WITH MEGAN MULLALLY AND NICK OFFERMAN, GREY HENSON, CEDRIC YARBROUGH, SARAH STILES, ALEX GOODRICH & MORE 

***WITH MUSIC BY MARK HOLLMAN, LYRICS BY HOLLMAN AND JAY REISS, BOOK BY ERIN QUINN PURCELL AND REISS, ICEBOY! STARTS JUNE 20—MARC BRUNI DIRECTS, JOANN M. HUNTER CHOREOGRAPHS***

Rehearsals are underway for the musical event of the summer: Iceboy! Or, The Completely Untrue Story of How Eugene O‘Neill Came to Write The Iceman Cometh. With music by Mark Hollmann, lyrics by Mark Hollmann and Jay Reiss, and book by Erin Quinn Purcell and Jay Reiss, the world-premiere production is at once the capstone to The Goodman’s Centennial Season and its latest in a longtime history of premiering new large-scale American musicals. 

Iceboy Rehearsals: (L-R) Alex Goodrich, Sarah Stiles, Cedric Yarbrough, Megan Mullally, Nick Offerman, Grey Henson.

Iceboy Rehearsals: (L-R) Mark Hollmann, JoAnn M. Hunter, Erin Quinn Purcell, Jay Reiss, Marc Bruni. Photos by Todd Rosenberg

Marc Bruni (Broadway’s The Great Gatsby and Beautiful: The Carole King Musical) directs with choreography by JoAnn M. Hunter (The Penelopiad). Iceboy! Or The Completely Untrue Story of How Eugene O’Neill Came to Write The Iceman Cometh appears in the 856-seat Albert Theatre June 20 – July 26. Opening night is June 29. For tickets ($44 - $189, subject to change) call 312.443.3800 or purchase online at GoodmanTheatre.org/Iceboy. The Goodman is grateful for the support of its Iceboy! sponsors: Edgerton Foundation (New Play Award), Mayer Brown (Lead Corporate Sponsor) and Athletico (Physical Therapy Provider).

Iceboy Rehearsals: (L-R) Jay Reiss, Sarah Stiles.

"It began as a scrappy little play called Hooray for Iceboy, which Jay and I co-wrote with the adobe theatre company in New York City. Audiences responded right away, which encouraged us to keep going. In 2012, we brought Mark on board—and here we are today,” said playwright Erin Quinn Purcell. "As someone from Illinois, working at The Goodman feels like a theatrical mecca. And there’s something exciting about creating Iceboy! in a place with such a rich history with Eugene O’Neill’s work, for audiences who are so smart and savvy. We hope we live up to that—in a fun way.”

Iceboy Rehearsals: (L-R) Nick Offerman, Megan Mullally.

Broadway’s brightest star of 1938, Vera Vimm  (Megan Mullally), is at the top of her game.  But when she adopts a 40,000-year-old Neanderthal discovered frozen in the Arctic, the spotlight begins to shift.  As  Iceboy (Grey Henson)  thaws, he unexpectedly becomes a theatrical sensation, inspiring the “father of the American drama” Eugene O’Neill (Nick Offerman) and challenging his legendary mother for center stage. It’s All About Eve...if only Eve  was  a caveman.

Iceboy Rehearsals: (L-R) Grey Henson, Megan Mullally, Nick Offerman, Cedric Yarbrough.

“The late 1930s were such a strange time—people would go to the theater at 8:30pm, be out by 11, and then head to a supper club...on a weeknight. When did they sleep? It’s fun to cherry-pick history to suit the story,” said Jay Reiss, the creator of the Tony Award-winning musical The 25th Annual Putnam County Spelling Bee (with Rachel Sheinkin and William Finn). "Iceboy! is still evolving, but together we hope to create something unique and special that we can’t wait for audiences to experience.”

Iceboy Rehearsals: (L-R) Cedric Yarbrough, Alex Goodrich, Donterrio.

The cast stars Emmy Award winners Megan Mullally (NBC’s Will & Grace) and Nick Offerman (NBC’s Parks and Recreation), Tony Award nominee Grey Henson (Broadway’s Mean Girls), Cedric Yarbrough (Comedy Central’s Reno 911!), Tony Award nominee Sarah Stiles (Broadway’s Tootsie) and Alex Goodrich (Marriott Theatre’s Hero: The Musical), together with Donterrio (Nightbirds), Melanie Brezill (A Christmas Carol), Will Koski (Paramount Theatre’s Into the Woods), Linda Mugleston (Broadway’s The Music Man), Shawn Pfautsch (The Matchbox Magic Flute), Andrea San Miguel (The Penelopiad), Will Lidke (Theo Ubique’s Hedwig and the Angry Inch), Leah Morrow(Marriott Theatre’s Heartbreak Hotel) and Jeff Parker (Betrayal). Casting note: Shawn Pfautsch will appear as Eugene O’Neill, the role typically played by Nick Offerman, at the June 20, 21, 23 and 24 preview performances.

Iceboy Rehearsals: (L-R) Vadim Feichtner

“Bringing this new musical to The Goodman during its Centennial Season is especially meaningful for me. I grew up in downstate Illinois and spent my early adulthood in Chicago working in storefront theaters, dreaming of one day working at The Goodman. I learned so much by seeing world premieres here—so it’s an honor to now have one of my own musicals premiere on this stage,” said Mark Hollmann, Tony Award-winning creator of the musical Urinetown (with Greg Kotis).

ABOUT THE ARTISTS

Megan Mullally (Vera Vimm) created the role of Karen Walker on Will & Grace, a role for which she went on to win two Emmys and four SAG awards. On Broadway, she has starred in How to Succeed in Business, Young Frankenstein, and Grease, in addition to Guys and Dolls at Carnegie Hall, opposite Nathan Lane. On-screen credits include Chasing Summer, Dicks: The Musical, The Righteous Gemstones, Party Down, Reservation Dogs, Bobs’s Burgers, Childrens Hospital, Parks and Recreation, and the upcoming film Goodbye Girl. She tours worldwide with her band Nancy And Beth as creator, lead singer and choreographer.

Nick Offerman (Eugene O’Neill) is an actor, author, humorist and woodworker whose credits include the Emmy award-winning role of Bill in The Last of Us (HBO), Ron Swanson on NBC’s Parks and Recreation, Forest in Devs (FX), and Jinx in Margo’s Got Money Troubles (Apple). Stage credits include the role of Ignatius J. Reilly in A Confederacy of Dunces at the Huntington Theatre, Ulysses in Sharr White’s Annapurna, opposite Megan Mullally as Emma at The Odyssey/Evidence Room in LA and The New Group Off-Broadway, Adding Machine at The Minetta Lane (Off-Broadway) and many Chicago credits at Defiant Theatre (Founding Member), Steppenwolf, A Red Orchid, Wisdom Bridge, Chicago Shakespeare and, of course, his 1994 Goodman debut as The Keeper/Fight Captain in Richard II. Recent screen projects include Death by Lightning (Netflix), Sovereign, Voicemails For Isabel (Netflix), Civil War (written and directed by Alex Garland), The Pout Pout Fish, Origin (written and directed by Ava DuVernay), Mission: Impossible - The Final Reckoning, Fargo (FX), Smurfs, The Umbrella Academy (Netflix), and NBC’s Making It (co-host and executive producer). He is the voice of Beef Tobin in the FOX animated series The Great North and audiobook narrator for Wendell Berry’s latest, The Need to Be Whole.

Grey Henson (Iceboy) was most recently seen as Bigfoot in Bigfoot! The Musical Off-Broadway, for which he earned a Drama League Award nomination. Broadway credits include Buddy in the 2024 revival of Elf The Musical (Drama Desk Award nomination), Damian in Mean Girls The Musical (Tony and Drama Desk nominations), Storyteller 2 in Shucked, and Elder McKinley in The Book of Mormon, a role that he originated on the first national tour. Other credits include Michael in tick, tick… BOOM! at the Kennedy Center and Tate in the Netflix series Girls5Eva. Carnegie Mellon University Drama.

Cedric Yarbrough (Floyd) is a multi-hyphenate performer recently seen in Clint Eastwood's latest film Juror #2, the Netflix film Unfrosted and the AMC series Lucky Hank. He starred in ABC's Speechless, The Goldbergs, CBS’ Carol's Second Act, Curb Your Enthusiasm and Key and Peele. The Minnesotan began his career with 8 seasons of Comedy Central’s hit Reno 911! as “Deputy S. Jones.” He was seen in The 40-Year-Old Virgin, The House, The Boss and Black Dynamite. Yarbrough is also a talented voice-over artist whose work includes Bob’s Burgers, Family Guy, Bojack Horseman, Kung Fu Panda 4 and the Peabody Award-winning The Boondocks.

Sarah Stiles (Lambert) is a two-time Tony Award-nominated actor for Tootsie and Hand to God. Other Broadway: On a Clear Day You Can See Forever, Avenue Q and The 25th Annual Putnam County Spelling Bee. Off-Broadway: The Imaginary Invalid (Red Bull); Into the Woods (Delacorte); Vanities (Second Stage). Stiles stars opposite Kevin James in the Netflix comedy The Crew, is Gladys in the critically acclaimed EPIX Original Series Get Shorty and Bonnie on Showtime’s Billions. She voices Spinel in Steven Universe (Cartoon Network) and Mimzy in Hazbin Hotel (Amazon). Film: Transformers: Rise of the Beast, This Will Never Work, Unsane.

Alex Goodrich (Frankenstein) is thawed to make his Goodman Theatre debut! Chicago credits include several shows at Court Theater, Marriott Theater, Chicago Shakespeare, Northlight, Royal George, Drury Lane and Writers Theater. He’s been nominated several times for a Jeff award and won once. TV credits include Chicago Fire and Shining Girls on Apple TV+.

Mark Hollmann (Music and Lyrics) won the Tony Award®, the Obie Award, and the National Broadway Theatre Award for his music and lyrics to Urinetown The Musical, which went from the 1999 New York International Fringe Festival (FringeNYC) to receive 10 Tony Award® nominations and 11 Drama Desk Award nominations and win the Outer Critics Circle, the Drama League and the Lucille Lortel Awards for best musical.  His other shows as composer/lyricist include The Sting (Paper Mill Playhouse), ZM (Village Theatre Beta Series), Yeast Nation (FringeNYC), Bigfoot and Other Lost Souls (Perseverance Theatre), and The Girl, The Grouch and The Goat (University of Kansas Theatreand Chance Theatre).  For TV, he has written songs for the Disney Channel’s Johnny and the Sprites.  He received his A.B. in music from the University of Chicago, where he won the Louis J. Sudler Award in the Performing and Creative Arts.  He has taught at Princeton University, Columbia College Chicago and the Dramatists Guild Institute.  He is a member of the American Society of Composers, Authors, and Publishers (ASCAP) and the Dramatists Guild of America, and has served on the council of the Dramatists Guild as well as on the Tony Award® Nominating Committee.

Jay Reiss (Book and Lyrics) is one of the creators of The 25th Annual Putnam County Spelling Bee, which won two Tony awards, and made his Broadway acting debut as the Bee’s word pronouncer, Vice Principal Douglas Panch. He co-wrote the screenplay for The Oranges, which premiered at the Toronto Film Festival, and starred Hugh Laurie, Allison Janney, Oliver Platt and Catherine Keener. He wrote the documentary New Wave: Dare To Be Different, about legendary NY radio Station WLIR. It premiered at the Tribeca Film Festival and later on Showtime. Reiss is a graduate of The Juilliard School’s playwriting program.

Native Illinoisan Erin Quinn Purcell (Book) has been a mainstay in New York’s downtown theater scene for more than 30 years. She was one of the founding members of the critically acclaimed adobe theatre company, and participated as an actor, writer and/or director in countless productions. Writingcredits include Duet! A Romantic Fable (Broadway Play Publishing), The Fiona Apple Kwanzaa Explosion (PSNBC), the musical A Fish Story (Jonathan Larson Foundation award) and the Russ Meyer inspired Go-Go Kitty, Go! (Outstanding Play, 2005 New York Fringe Festival).

Marc Bruni (Director) helmed The Great Gatsby (Broadway, West End, Korea) as well as the Tony, Grammy, and Olivier Award-winning Beautiful: The Carole King Musical (Broadway, West End, US and UK Tours, and in Australia- Helpmann Award Best Director). Other credits include Billie Jean(Chicago Shakes), The Sound of Music (Chicago Lyric), Bull Durham (Paper Mill), A Little Night Music (Geffen Hall), Trevor: The Musical (Stage 42, Disney+), Bye Bye Birdie, Guys and Dolls, The Music Man, How to Succeed in Business..., 50 Years of Broadway (Kennedy Center), and Hey, Look Me Over!, Paint Your Wagon, Pipe Dream and Fanny (City Center Encores!), Tale of Despereaux (Old Globe, Berkeley), Love All (La Jolla), The Explorers Club (MTC), Ordinary Days (Roundabout), 9 shows for the St. Louis MUNY.  

Company of Iceboy! Or The Completely Untrue Story of How Eugene O’Neill Came to Write The Iceman Cometh

Music By Mark Hollmann
Lyrics by Mark Hollmann and Jay Reiss
Book by Erin Quinn Purcell and Jay Reiss
Directed by Marc Bruni
Choreographed by JoAnn M. Hunter

Alex Goodrich...Frankenstein
Grey Henson... Iceboy
Megan Mullally...Vera Vimm
Nick Offerman...Eugene O’Neill
Sarah Stiles...Lambert
Cedric Yarbrough...Floyd Richards

Donterrio, Melanie Brezill, Will Koski, Linda Mugleston, Shawn Pfautsch, Andrea San Miguel…Ensemble 

Will Lidke, Leah Morrow, Jeff Parker…Swing

Iceboy Rehearsals: (L-R) Andrea San Miguel, Shawn Pfautsch, Linda Mugleston.

CREATIVE TEAM
Set Designer...Paul Tate dePoo III
Lighting Designer...Jen Schriever
Costume Designer...Linda Cho
Wig & Hair Designer...Charles “Chuck” LaPointe
Sound Designer...Connor Wang
Music Director and Conductor/Pianist...Vadim Feichtner
Orchestrations...Bruce Coughlin
Music Preparation...John Blane
Voice & Dialect...Michelle Lopez-Rios
Violence & Intimacy...Chels Morgan
Associate Director...Keira Fromm
Associate Sound Designer...Emily Hayman
Associate Choreographer...Liz Ramos
Associate Costume Designer...Patrick Bevilacqua
Associate Wig & Hair Designer/Makeup Designer...Rachael Geier
Associate Lighting Designer...Paul Vaillancourt
Associate Set Designer...Kaitlyn Peterson
Assistant Director...Lo Williams
Assistant Music Director and Cover Conductor...Jo Ann Daugherty
Music Assistant...Jordan Klein
Assistant Sound Designer...Emily Lynch
Assistant Lighting Designer...Emma Berry
Script and Production Assistant...Molly Rosen
Production Assistant...Tuesday Thacker
Line Producer...Malkia Stampley
Second Line Producer...Adam Belcuore

Casting by Lauren Port, CSA and NY Casting by Jim Carnahan, CSA and Jason Thinger, CSA.Jennifer Gregory is the Production Stage Manager. Nikki Blue and Beth Koehler are the Stage Managers.

ENHANCED AND ACCESSIBLE PERFORMANCES

Visit GoodmanTheatre.org/Access for more information about The Goodman’s accessibility efforts.

ASL-Interpreted...July 17 at 7:30pm – An ASL interpreter signs the action/text as played.
Audio-Described...July 18 at 2pm; Touch Tour; 12:30pm – Action audibly enhanced via headset.
Spanish-Subtitled...July 18 at 7:30pm – Spanish-translated dialogue via LED sign.
Open-Captioned...July 19 at 2pm – LED sign presents dialogue in sync with the performance.

ABOUT THE GOODMAN

Since 1925, The Goodman has been more than a stage. A theatrical home for artists and a gathering space for community, it’s where stories come to life—bold in artistry and rich in history, deeply rooted in the city it serves.

Led by Walter Artistic Director Susan V. Booth and Executive Director John Collins, The Goodman sparks conversation, connection and change through new plays, reimagined classics and large-scale musicals. With distinctions including nearly 200 world or American premieres, two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, The Goodman is proud to be the first theater to produce all 10 plays of August Wilson’s “American Century Cycle.” In addition, the theater frequently serves as a production partner—with national and international companies to Chicago’s Off-Loop theaters—to help amplify theatrical voices.

But The Goodman believes a more empathetic, more connected Chicago is created one story at a time, and counts as its greatest legacy the community it’s built. Generation-spanning productions and programs offer theater for a lifetime; from Theater for the Very Young (plays designed for ages 0-5) to the long-running annual A Christmas Carol, which has introduced new generations to theater over five decades, The Goodman is committed to being an asset for all of Chicago. Education and Engagement programs led by Clifford Director of Education and Engagement Jared Bellot and housed in the Alice Rapoport Center use the tools of theater to spark imagination, reflection and belonging. Each year, these programs reach thousands of people (85% from underserved communities) as well as educators, artists and lifelong learners across the city.

The Goodman stands on the unceded homelands of the Council of the Three Fires—the Ojibwe, Odawa, and Potawatomi Nations—and acknowledges the many other Nations for whom this land now called Chicago has long been home, including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo, and Mascouten. The Goodman is proud to partner with the Gichigamiin Indigenous Nations Museum (Gichigamiin-Museum.org) and the Center for Native Futures (CenterForNativeFutures.org)—organizations devoted to honoring Indigenous stories, preserving cultural memory, and deepening public understanding.

The Goodman was founded by William O. Goodman and his family to honor the memory of Kenneth Sawyer Goodman—a visionary playwright whose bold ideas helped shape Chicago’s early cultural renaissance. That spirit of creativity and generosity endures today. In 2000, through the commitment of Mr. Goodman’s descendants—Albert Ivar Goodman and his late mother, Edith-Marie Appleton—The Goodman opened the doors to its current home in the heart of the Loop.

Marsha Cruzan is Chair of the Goodman Theatre Board of Trustees; Diane Landgren is Women’s Board President; and Kelli Garcia is president of the Scenemakers Board for Young Professionals.

Iceboy Rehearsals: (L-R) Kiera Fromm, Marc Bruni

All Rehearsal Photos by Todd Rosenberg

Iceboy! Or, The Completely Untrue Story of How Eugene O’Neill Came to Write The Iceman Cometh
Music By Mark Hollmann 
Lyrics by Mark Hollmann and Jay Reiss 
Book by Erin Quinn Purcell and Jay Reiss 
Directed by Marc Bruni 

Choreographed by JoAnn M. Hunter 

June 20 – July 26, 2026 in the Albert Theatre

REVIEW: The OLDest PROfession Now Playing Theater WIT Through May 27, 2026

The Oldest Profession: Solo Comedy Show About Sex Worker History 

Three nights only at Theater Wit

May 25, 26 & 27

Running Time: 1 hour 30 minutes with no intermission 

GUEST REVIEW

By Barbara Belcore

I was so pleased to see The Oldest Profession at Theater Wit, with my daughter last night, and with only two nights left, I’d absolutely hurry to get a seat. Kaytlin Bailey delivers a fast paced one woman show that somehow manages to be hilarious, deeply informative, personal, and genuinely moving all at once.

Blending stand up, storytelling, and art history, Bailey traces 10,000 years of sex worker history while making the subject incredibly accessible, even for audience members who may know very little about it going in. The show balances humor with serious social commentary in a way that never feels preachy. I found myself laughing one minute and sitting with something profoundly uncomfortable or thought provoking the next.

One of the most powerful threads throughout the show was the comparison between Bailey’s experience as a sex worker and her father’s experience as a soldier, especially the irony that his profession was statistically far more dangerous. Her reflections on how society assigns morality and value to different kinds of labor were sharp and memorable.

The historical sections were fascinating too, from discussions of virginity tests and the weaponization of the word “whore” starting in childhood, to debunking myths like Mary Magdalene being a sex worker. Bailey also explores how institutions, particularly the church, shaped attitudes toward sexuality, women, queer people, and sex workers over centuries.

The opener, Lauren, was fantastic too and set the tone perfectly with a warm, funny set before Bailey took the stage.

It’s rare to see a show that is this funny, this smart, and this human all at the same time. I left entertained, challenged, and still thinking about it hours later.

Barbara is a Chicago-area home birth midwife, maker, theater enthusiast, avid reader, and mom of two quirky, creative teens. She is currently snuggling three cats who are perpetually convinced that they have never been fed.

The Oldest Profession is a solo comedy show by Kaytlin Bailey who is a comedian, former sex worker, and host of the acclaimed podcast of the same name. Bailey offers a new angle on the world’s oldest profession, reframing the story of western civilization in a fast-paced and profoundly moving solo show. The performance is enhanced by a projected art history slideshow.

Blending stand-up, storytelling, and lived experience with meticulously researched history, the show races through 10,000 years of sex worker history in a funny yet thought provoking hour. The performance makes use of a projected art history slideshow.

Check out The Oldest Profession HERE for more information and upcoming show dates: https://theoldestprofession.org/

Review: Lazy Susan Theatre Co's Moonwatchers Now Playing Through May 17, 2026

 ChiIL Live Shows On Our Radar

LAZY SUSAN THEATRE CO. PRESENTS THE CHICAGO PREMIERE OF

MOONWATCHERS

APRIL 30 - MAY 17

AT THE GREENHOUSE THEATER CENTER

A Puppet Filled Tale of a Moon Heist, a Lovelorn Cow, and The Night Everything Changes

Written by Corey Farrell & Nigel Berkeley. 

Directed by Co-Artistic Director Nealie Tinlin

The total running time is one hour, no intermission

 Please note, this production contains some mature language, humor, and the use of fog and strobe effects.

All Production Photography by Mollie Menuck

REVIEW

By Dugan Kenaz-Mara

Everyone knows what it's like to work a minimum wage job. You show up, give a short greeting to your coworker, then have to deal with the monotony of the same routine night after night. And it's no different watching the moon. It's especially harrowing when you and your only coworker don't quite get along. But, when the focal point of your job suddenly goes missing? Everything might just get a lot more exciting. 

I am not exaggerating when I say that Moonwatchers is an absolute masterpiece when it comes to whimsy. It packs all of the joy, silliness, action, and simple puns of a TYA show into a story that any adult can relate to. The performance prominently features a kazoo battle, sock puppet murder, and character sound effect gags that had the audience laughing the whole way through. 

Elijah J. Jones (Allen) and Renzo Vicente (Rocko) share incredible chemistry on stage, pulling off the "opposite personality coworker duo" dynamic with ease. They each also play over-the-top side characters, like Johnny Rumble - the Meanest Moon Rustler in the solar system, and Bessie - the Cow who jumps over the moon each night. Two characters who have a shared past that we get to witness reconnect on stage as well. Both actors are funny, charming, and good musicians, singing multiple hilarious songs throughout the 55 minute performance. 

As a theater designer myself I couldn't help notice a neat aesthetic that scenic designer Jon Yawn and props designer Pierce Julian Howard pulled together. The Supergraphic '70's stripes' across the set and the 50s 'Atomic star' designs presented a space age vibe, that reinforced the feeling of a repetative workday in need of some variety. The costumes by Ephraim Page, lighting by Emma Berry and sound by Matthew Masino did the opposite, infusing the fun back into the show, and leaving opportunity for the space to transform into a western-inspired space desert or a crazy comet-fishing area. And despite the limited playing space of the intimate theater, the designers were able to transport us on a grand space adventure. 

If you're in the mood for an adult show that makes you feel like a kid again, I would definitely recommend this one! 

ChiIL Live Shows On Our Radar. Four out of Four Stars. Highly Recommended ★★★★

Dugan Kenaz-Mara is a Chicago based designer, photographer, educator, and graduate of Northwestern University's theatre program.

It is Rocko and Allen’s job to watch the moon, and it is really quite boring. Night after night, they time the sequences exactly - the cow jumps, the comet soars, but NEVER the alien spaceship. This is until the dastardly space criminal Johnny Rumble steals the moon, taking it to the far-off space desert of the Midnight Sun. This course of events sends the moonwatchers on an intergalactic space odyssey filled with music, love, new friendships, and epic showdowns to win back the one, the only, the Moon.

For tickets click here: https://lazysusantheatreco.org/moonwatchers

Cast and Crew:

Elijah J. Jones

“Allen”

Renzo Vicente

“Rocko”

Nicholas Ford Kinney

“Allen” u/s

Jack Humphrey

“Rocko” u/s

Nigel Berkeley

Playwright

Corey Farrell

Playwright

Nealie Tinlin*

Director

Dominic Rincker*

Music Director

Jon Yawn*

Scenic Designer

Emma Berry

Lighting Designer

Ephraim Page

Costume Designer

Matthew Masino*

Sound Designer

Pierce Julian Howard*

Prop Designer

Jacob Sousley

Stage Manager

Maeve Carroll

Asst. Stage Manager

At Lazy Susan Theatre Co., we embrace the importance of the artistic process by creating a space that is celebratory of the art. From the early stages to the final performance, we work to cultivate an environment where both audience and artist feel a sense of home and humanness.  We believe the need to create is a reason to create.  We work to grow our theatrical community and foster a safe and inclusive place for artists to learn and explore.

We believe the need to create is a reason to create. As a theatre company rooted in the vibrant city of Chicago, we are dedicated to creating bold, inclusive, and thought-provoking productions. Your generosity keeps the light shining and the stories unfolding. Lazy Susan Theatre Co is a 501(c)(3) non-profit; your donation is fully tax deductible.