Chicago debut of FAT HAM: A GOODMAN CO-PRODUCTION WITH DEFINITION THEATRE JANUARY 11 – FEBRUARY 23, 2025

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TRUMANE ALSTON, SHELDON BROWN, E. FAYE BUTLER, RONALD L. CONNER, VICTOR MUSONI, IREON ROACH & ANJI WHITE CAST IN 

FAT HAM

A GOODMAN CO-PRODUCTION WITH DEFINITION THEATRE

Chicago debut with an all-Chicago cast

JANUARY 11 – FEBRUARY 23

**TYRONE PHILLIPS DIRECTS THE CHICAGO PREMIERE OF JAMES IJAMES’S PULITZER PRIZE-WINNING PLAY**

***TICKETS ON SALE NOV. 1 WITH EVENTS INCLUDING PRIDE NIGHT (JAN. 14) AND BLACK AFFINITY NIGHT (FEB. 7)***

Here at ChiIL Live Shows, we're SO excited for Fat Ham. We dig James Ijames wonderful work. You're in for a treat, whether you're a longtime fan or you're just hearing about this Pulitzer Prize-winning and Tony Award nominated playwright. We've also adored Tyrone Phillips' expert directing skills for years. Don't miss this! 

Come to the barbecue! James Ijames’s Pulitzer Prize-winning, five-time Tony Award-nominated play Fat Ham—an “uproarious reimagining of ‘Hamlet’” (The New Yorker)—makes its Chicago debut with an all-Chicago cast led by Trumane Alston. The Chicago- premiere production is directed by Tyrone Phillips—Founding Artistic Director of Chicago’s famed Definition Theatre, who co-produces Fat Ham at the Goodman—and also features Sheldon Brown, E. Faye Butler, Ronald L. Conner, Victor Musoni, Ireon Roach and Anji White. Fat Ham appears January 11 – February 23. I'll be out for opening night on January 21st, so check back shortly after for my full review. 

Tickets ($25 - $85; subject to change) are on sale November 1 at GoodmanTheatre.org/Ham or by phone at 312.443.3800. Goodman Theatre is grateful for the support of ITW (Corporate Sponsor Partner) and the Elizabeth Morse Charitable Trust (Lead Sponsor of IDEAA Programming).

“I am thrilled to bring this production to life with some of Chicago’s finest artists on and off the stage,” said Director Tyrone Phillips. This cast is extraordinary, and I can’t wait to get to be in the room with each one of them as we explore this beautiful coming of age story. I’m also thrilled to collaborate once again with Definition ensemble members Ireon Roach and Victor Musoni.”

A boisterous Southern cookout sets the scene for a Black, queer discovery of self and resilience in this Pulitzer Prize-winning, five-time Tony nominated coming-of-age story. As Juicy grapples with his identity and his family at a backyard barbecue, his father’s ghost shows up asking for revenge—on Juicy’s uncle, who has married his widowed mom—bringing his quest for joy and liberation to a screeching halt. James Ijames has reinvented Shakespeare’s masterpiece, creating what the New York Times hails as “a hilarious yet profound tragedy, smothered in comedy,” where the only death is the patriarchy. 

Special events for the production include Pride Night (January 14), a celebration of the LGBTQ+ community that includes a discounted ticket, specialty drink, light refreshments and music. In addition, Black Affinity Night (February 7) celebrates the richness of Black culture and community at a special pre-show reception and conversation, followed by the evening performance.

James Ijames is a Pulitzer Prize-winning and Tony Award nominated playwright, director and educator. Ijames’ plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon, Wilma Theatre, Theatre Exile, Azuka Theatre (Philadelphia, PA), The National Black Theatre, JACK, The Public Theater (NYC), Hudson Valley Shakespeare Theater, Steppenwolf Theatre, Definition Theatre, Timeline Theater (Chicago IL) Shotgun Players (Berkeley, CA) and have received development with PlayPenn New Play Conference, The Lark, Playwright’s Horizon, Clubbed Thumb, Villanova Theater, Wilma Theater, Azuka Theatre and Victory Garden. Ijames is the 2011 F. Otto Haas Award for an Emerging Artist recipient, and two Barrymore Awards for Outstanding Direction of a Play for The Brothers Size with Simpatico Theatre Company and Gem of the Ocean with Arden Theatre. Ijames is a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for ….Miz Martha, a 2017 recipient of the Whiting Award, a 2019 Kesselring Prize for Kill Move Paradise, a 2020 and 2022 Steinberg Prize, the 2022 Pulitzer Prize in Drama recipient and a 2023 Tony nominee for Best Play for Fat Ham. James was a founding member of Orbiter 3, Philadelphia’s first playwright producing collective. He received a BA in Drama from Morehouse College in Atlanta, GA and a MFA in Acting from Temple University in Philadelphia, PA. James is an Associate Professor of Theatre at Villanova University. He resides in South Philadelphia. 

Tyrone Phillips is a first generation Jamaican-American artist, Founding Artistic Director of Chicago’s Definition Theatre and a proud member of the NAACP, SAG-AFTRA and SDC. Recipient of the 2022 Alumni Association Award for Diversity & Inclusion, he is an honors graduate of the Fine and Applied Arts college at the University of Illinois (Urbana-Champaign) and has studied abroad at Shakespeare’s Globe. Tyrone is currently leading a capital campaign for the development of Definition’s new theater, community center and entrepreneur incubator in Woodlawn. Past directing and associate directing credits include: Purpose (Steppenwolf Theatre), Twelfth Night, I,Cinna (Chicago Shakespeare Theater); Fairview (Jeff Nomination), Byhalia, Mississippi (Jeff Nomination), Dutchman (Definition Theatre), An Octoroon (Goodman Theatre/Definition Theatre) and The MLK Project (Writers Theatre). Regional: The Royale (American Players Theatre) and The Tale of Despereaux (Old Globe, Berkeley Rep). Off–Broadway: Trevor, the Musical. Awards and Honorable Mention: Arts Midwest’s Peter Capell Award for Midwestern Creativity & Entrepreneurship (2022) and Newcity Stage Hall of Fame (2024).  

Full Company of Fat Ham (in alphabetical order)

By James Ijames

Directed by Tyrone Phillips

Trumane Alston…Juicy

Sheldon Brown…Larry

E. Faye Butler…Rabby

Ronald L. Conner…Rev/Pap

Victor Musoni…Tio

Ireon Roach…Opal

Anji White…Tedra

Understudies for this production include Blake Hamilton Currie, Marquise De’Jahn, TayLar, Joseph Primes and Jazzy Rush.

Creative Team

Set Designer…..Arnel Sancianco

Costume Designer ……Jos N. Banks

Lighting Designer…..Jason Lynch

Sound Designer….. Willow James

Illusion Consultant…Benjamin Barnes

Fight and Intimacy…Gaby Labotka

Casting is by Lauren Port, CSA. Jared Bellot is the Dramaturg. Patrick Fries is the Production Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

ASL-Interpreted Performance: Friday, January 31 at 7:30pm – Professional ASL interpreter signs the action/text as played.

Touch Tour* and Audio-Described Performance: Saturday, February 1, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

Spanish-Subtitled Performance: Saturday, February 1 at 7:30pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Open-Captioned Performance: Sunday, February 2 at 2pm – An LED sign presents dialogue in sync with the performance.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Announcing FREE Tickets With RSVP for Goodman Theatre’s 20th Annual New Stages Festival December 11 – 15, 2024

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ANNOUNCING THE 20TH ANNUAL 

NEW STAGES FESTIVAL 

FEATURING PLAYWRIGHTS DOLORES DÍAZ, LEE KIRK, EDUARDO MACHADO & JACINTA CLUSELLAS, DAEL ORLANDERSMITH AND MARCO ANTONIO RODRIGUEZ

***PUBLIC READINGS OF EACH WORK-IN-DEVELOPMENT TAKE PLACE DECEMBER 11 – 15; FREE TICKET RESERVATIONS OPEN NOVEMBER 15***

Five new works—four developmental plays plus one musical in free public readings—are on tap this December for Goodman Theatre’s 2024 New Stages Festival, under Artistic Susan V. Booth and Director of New Works Kat Zukaitis. The 20th year for this annual celebration of new-plays-in-process kicks off with a new musical, Broken Eggs (based on Eduardo Machado’s plays Broken Eggs and Fabiola) co-adapted by Machado (Book and Lyrics) and Jacinta Clusellas (Music), directed by Henry Godinez, followed by four new play readings: Ashland Avenue by Lee Kirk, directed by Booth; George Washington’s Mexican Birthday by Dolores Díaz; Rave by Dael Orlandersmith, directed by Neel Keller; and a new English-language adaptation of The Brief Wondrous Life of Oscar Wao by Marco Antonio Rodriguez, directed by Wendy Mateo. 

In addition, Booth and Zukaitis invite American theater industry professionals to join for “Industry Weekend,” including special events and opportunities for networking. Goodman Theatre’s 20th annual New Stages Festival appears December 11 - 15 in the 350-seat Owen Theatre; reservations for free tickets open on November 15 at GoodmanTheatre.org/Festival or by phone at 312.443.3800 (12noon – 5pm, daily). 

Theater professionals interested in attending Industry Weekend should RSVP by November 25 at GoodmanTheatre.org/Professionals; for questions, contact Lena Romano (312.553.7253 or LenaRomano@GoodmanTheatre.org). 

“It’s exhilarating to meet a play at the beginning of its adventure, when it’s without a pedigree or history to tell us what those before us have felt/thought/experienced, and to have the opportunity to forge meaningful collaboration and dialogue with its creator,” said Artistic Director Susan V. Booth. “I’m proud of the projects that New Stages has helped launch along its own two-decade adventure and am continually inspired by our audiences’ enthusiasm and hunger for new work.”

Over the past two decades, New Stages has offered Chicago audiences a first-look at more than 120 plays—the majority of which have premiered at the Goodman or its peer theaters across the country since 2004. The New Stages Festival is made possible by The Joyce Foundation, which provides Major Support for Diverse Artistic and Professional Development. The Goodman is grateful for the generosity of its New Work sponsors, including: Pritzker Pucker Family Foundation and the Harold and Mimi Steinberg Charitable Trust, Major Support of New Work; Ruth D. and Ken M. Davee New Works Fund, Major Support of New Play Development; The Glasser and Rosenthal Family, Mayer Brown LLP, and Shaw Family Supporting Organization, Support of New Work.

“I’m thrilled to welcome the emerging and established artists involved in this season’s five New Stages readings, and for Chicago to experience a first-look at their unique plays-in-process—works that are inspiring, trenchant, provocative, hilarious and beautiful,” said Kat Zukaitis, Director of New Works. “Some of the Goodman’s most exciting creative collaborations over the past 20 years have originated in this festival. We’re proud to share the excitement of this celebration with industry professionals from our peer theaters to see these new plays as they begin their journey.” 

THE 2024 NEW STAGES FESTIVAL LINE-UP

Broken Eggs

Book and Lyrics by Eduardo Machado

Music by Jacinta Clusellas

Directed by Henry Godinez

Based on Broken Eggs and Fabiola by Eduardo Machado

December 11 and 13 at 7:30pm

You can’t make an omelet without shattering a few cherished family illusions—especially when your family won’t let go of their idyllic memories of pre-Revolutionary Cuba. It’s 29 years after Sonia’s fairytale wedding in Havana, and now it’s her turn to be the Mother of the Bride. But her husband has left her for a younger woman, her son is perpetually high, and her daughter just wants to be American. In Broken Eggs, composer Jacinta Clusellas teams up with legendary Cuban playwright Eduardo Machado to adapt his 1984 hit play into a new musical about love, loss and learning to let go.

Ashland Avenue

By Lee Kirk

Directed by Susan V. Booth

December 14 at 10am

“Sometimes I sit here, store’s empty, and I think, how is this the same place where there used to be a line around the corner? I’m busy taking care of my customers, same routine, day by day, year by year...until suddenly one day I’m drowning.” Pete was never a Chicago legend. But as the owner of an iconic local chain of television shops, he was the next best thing. Now, there’s just one store left, and he’s struggling to keep it afloat. Playwright and screenwriter Lee Kirk presents a stunning new play that explores dying dreams, new beginnings and the inevitability of change.

George Washington’s Mexican Birthday

By Dolores Díaz

Directed by TBA

December 14 at 2pm

“American Indian or Alaskan Native. Asian. Black or African American. Native Hawaiian or Other Pacific Islander. White.” These are the five categories U.S inhabitants must navigate on the U.S. census. How does the box you check inform your national identity? Playwright Dolores Díaz explores the intersection of identity for Latine-Americans for whom checking the “right” demographic box can make all the difference. Viewed through the month-long George Washington’s Birthday Celebration in Laredo, Texas, the play explores community, radicalization, and the past, present, and future of fluid identities in the United States.

The Brief Wondrous Life of Oscar Wao

Adapted by Marco Antonio Rodriguez

Directed by Wendy Mateo

December 14 at 7:30pm

“I have heard from a reliable source that no Dominican male has ever died a virgin. I shall be the first.” Oscar knows that a nerdy Dominican college freshman isn’t anyone’s idea of a romantic hero. But with the encouragement of his new roommate, Yunior, Oscar is going to give love another chance... and then another... and then another. There’s just one problem: a dark “fukú” has haunted his family for generations, following their epic journey from Santo Domingo to the USA. A vivid new stage adaptation based on the Pulitzer Prize-winning novel by Junot Díaz.

Rave

By Dael Orlandersmith

Directed by Neel Keller

December 12 at 7:30pm and December 15 at 11:30am

What are you scared to say? What does free speech mean when what you say can cost you your reputation, your livelihood and your place in the world? In her brand-new piece, Rave, Goodman favorite and Pulitzer-Prize finalist Orlandersmith wrestles with whether it is possible to speak truth in a world in which people are unwilling to examine their own beliefs, and where a speaker’s intent counts for less than the hearer’s perception. In her signature poetic style, the playwright and performer asks the audience to reconsider the ideas they may be reluctant to engage with—and why that matters.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals. 

THE MAGIC PARLOUR IS SET TO THRILL INTO 2025 AS DENNIS WATKINS OPENS A NEW BLOCK OF PERFORMANCES

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THE MAGIC PARLOUR 

Tickets are now on sale for performances between 

January – March 2025

DENNIS WATKINS OPENS A NEW BLOCK OF PERFORMANCES FOLLOWING UNPRECEDENTED SUCCESS IN HIS FIRST YEAR AT 50 W. RANDOLPH

***THIS MONTH, SPECIAL MAGIC SHOWS INCLUDE THE DESTINOS FESTIVAL (THRU OCT. 20) FEAT. SIEGFRIED TIEBER, LUIS CARREON AND MAGO GOZNER, AND WATKINS’ HALLOWEEN STAND, “THE SPIRIT CABINET” (OCT. 30-31)***

The Magic Parlour is recommended for audiences ages 12+; while there is no inappropriate content, this elegant experience is designed for adults

It’s been one year since third generation magician Dennis Watkins welcomed the first audiences to his new custom magic theater, established in partnership with Goodman Theatre and Petterino’s—and opened the doors to unprecedented success. After nearly 300 public and private performances for double the number of audience members served in any previous year, “Chicago’s premiere resident magician” (Chicago Tribune) proudly announces that The Magic Parlour at 50 W. Randolph will continue to astound and delight audiences into the new year: tickets are now on sale for performances between January – March 2025.

In partnership with Chicago Latino Theater Alliance’s 2024 Destinos Festival, Watkins turns the spotlight on three world-class Latine magicians—Siegfried Tieber, Luis Carreon and Mago Gozner—when these artists take over The Magic Parour for Chicago Latino Theater Alliance’s 2024 Destinos Festival, through October 20. Tickets for Siegfried Tieber are $70 (general admission) and $95 (includes a 25-minute VIP Encore Room experience following the show). The 3-Card Monte performance, featuring Tieber, Luis Carreon and Mago Gozner (October 16) is $70. To purchase, call the Goodman Theatre Box Office at 312.443.3800 (12 Noon – 5pm daily) or visit TheMagicParlourChicago.com/Destinos.

This Halloween, Watkins also offers audiences a very special treat as a spookier form of magic that Chicago hasn’t seen in decades creeps into “The Spirit Cabinet.” Dennis Watkins’ two-performance Halloween engagement takes place October 30 at 7:30pm and October 31 at 8pm. Tickets are $95 (general admission) and $125 (includes a 25-minute VIP Encore Room experience following the show).

Performances of The Magic Parlour, now on sale through March 31, 2025, take place every Thursday through Sunday. Tickets are $85 (includes the 90-minute performance + complimentary beverage) or $115 (includes the performance, beverage and “The Encore Room” 25-minute VIP experience). To purchase tickets, call the Goodman Theatre Box Office at 312.443.3800 (12 Noon – 5pm daily) or visit TheMagicParlourChicago.com. 

Hailed as a “star attraction dazzling audiences in an elegant underground Loop parlor” (WBEZ), The Magic Parlour is “90 minutes of mind-boggling fun that would make Houdini proud, offer(ing) warmth, intimacy and a great close-up view of the magic being performed right before your eyes” (WGN Radio). In a first-of-its-kind creative collaboration, Watkins teamed up with Goodman Theatre and Petterino’s restaurant to establish a permanent home for Chicago’s longest-running magic show—an intimate evening of classic magic and mind-reading previously hosted for more than a decade at the Palmer House (opened on New Year’s Eve, 2011). The audience participates in much of the performance as Watkins wows the room with classic sleight of hand, unbelievable mind-reading and magical wisdom passed down from his grandfather. The space at 50 W. Randolph, situated adjacent to the Goodman in Petterino’s transformed lower-level area, continues Watkins’ famed tradition of the VIP experience in The Encore Room, an upgraded ticket option for guests seeking an exclusive 25-minute interaction following the performance. Immediately following the performance, up to 20 guests are escorted to a private space where Watkins performs up-close magic.

A co-founder of The House Theatre of Chicago, Dennis Watkins has collaborated as an actor, writer, director and/or designer on 30+ world-premiere plays with companies including Lookingglass, Steppenwolf and Goodman Theatre. After studying theater at Meadows School of the Arts and the British American Drama Academy in London, he launched The House Theatre with Artistic Director Nathan Allen and cohorts from school on Halloween of 2001. His appearance in the title role of Death and Harry Houdini—including performing Houdini’s infamous Water Torture Cell escape in every show—earned him a Joseph Jefferson Award.

ABOUT THE PARTNERS

The Chicago Latino Theater Alliance (CLATA) is a leading advocate organization for Latine theater in Chicago. Supporting the development of emerging and established Latine playwrights, actors, directors and theater professionals is central to its mission. CLATA’s goal is to cultivate a vibrant and inclusive theater community, by presenting and producing Latine theater that celebrates and promotes the richness and diversity of our Latinidad. CLATA’s signature program is Destinos, the Chicago International Latino Theater Festival, an annual, citywide festival showcasing Chicago's Latine theater artists and companies alongside top Latine artists from the U.S. and Latin America. This year’s Destinos runs September 30-November 12, showcasing 22 productions from Argentina, Brazil, Chile, Mexico the U.S. and Chicago at theaters large and small all over the city. For tickets and information, visit clata.org, or follow CLATA on Facebook, Instagram and Threads at @latinotheater.

Petterino’s has been a beloved downtown icon in the Chicago community for 20+ years, continuing to offer the same spirit and tradition that diners know and love. Enjoy timeless flavors, authentic Italian fare, comfortable interiors and warm hospitality. Our passion for creating memorable dining experiences aligns perfectly with the mystique of magic. The synergy between the culinary artistry of our chefs and the magical prowess of Dennis Watkins promises an evening of unparalleled wonder and flavor. We've joined forces with the Goodman and this talented magician to bring you a dining experience like no other. Blend the flavors of Italy with the wonder of magic, by dining at Petterino’s before or after the show. You may also consider booking a private or corporate event in conjunction with a show. Whether you're celebrating a special occasion, a romantic evening, or simply seeking an escape from the ordinary, our magical collaboration guarantees an enchanting escape into a world where delectable cuisine dances with spellbinding illusions.

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large-scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

The Goodman was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

EXTENDED: Sanaz Toossi’s Pulitzer Prize-winning Play, English Now Playing at Goodman Theatre Through June 16, 2024

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PULITZER PRIZE-WINNING 

ENGLISH


By Sanaz Toossi


Directed by Hamid Dehghani


May 10 – June 16, 2024
 

OPENS TONIGHT AND EXTENDS BY POPULAR DEMAND

(In front) Shadee Vossoughi and (in back) Roxanna Hope Radja.

All Production Photos by Liz Lauren

Here at ChiIL Live Shows and ChiIL Mama we love to see the influx of immigrant stories and first generation dramas on Chicago's stages. I'm the daughter of an ESL teacher, and our home was always filled with students and families from all over the world. It gave me an early and lasting appreciation for diversity and multiculturalism. Theatre is an excellent vehicle for transporting audiences into realities far different from our own. Catch a show. It might not just entertain, but expand your empathy and understanding as well.

Tonight, Goodman Theatre opens Sanaz Toossi’s Pulitzer Prize-winning play English in a co-production with Guthrie Theater—and adds five performances due to high demand for tickets. The cast of Iranian director Hamid Dehghani‘s Chicago-premiere production features Sahar Bibiyan, Nikki Massoud, Roxanna Hope Radja, Pej Vahdat and Shadee Vossoughi. 

(L-R) Nikki Massoud, Shadee Vossoughi, Pej Vahdat and Roxanna Hope Radja.

“English only” is the governing mantra in a classroom of four Iranian adults studying to take a language exam—one of the many barriers standing in the way of the next chapter of their lives. Chasing fluency through a maze of word games, listening exercises and show-and-tell sessions, the four students soon realize that learning a new language can lead to the unraveling of their sense of identity. 

(L-R) Pej Vahdat and Roxanna Hope Radja.

Sahar Bibiyan

A co-production with Guthrie Theatre, English appears through June 16 with five performances just added on June 13 at 7:30pm, June 14 at 7:30pm, June 15 at 2pm and 7:30pm and June 16 at 2pm. Tickets ($15 - $55; subject to change) are available at GoodmanTheatre.org/English or by phone at 312.443.3800. Goodman Theatre is grateful for the support of ITW (Corporate Sponsor Partner), Jenner & Block LLP (Contributing Sponsor), Image Star (Technology Sponsor), and The Elizabeth Morse Charitable Trust (Lead Funder of IDEAA Programming).

Roxanna Hope Radja

“The reason I wanted to direct this show is because I know these characters, I know that room and that experience,” said director Hamid Dehghani, who earned an MA from Northwestern University after receiving degrees from theater school at Tehran University of Art. “It’s about rediscovering the world based on our shared culture and lived experiences—and feels like a reunion not just with fellow Iranian artists but with my very identity as a theater director. I am excited to invite our audience into this world, to let them feel Iran, think about language and identity and consider what it’s like learning English through the lens of many immigrants in this country.”

(L-R) Shadee Vossoughi, Pej Vahdat, Nikki Massoud and Roxanna Hope Radja.

Four adult students in Karaj, Iran are studying for the Test of English as a Foreign Language—the key to their green card, medical school admission or family reunification. As they gather and support one another in their quest for fluency, adamant that English will make them whole, they soon learn that it might be splitting them each in half.

Full Company of English (in alphabetical order)

By Sanaz Toossi

Directed by Hamid Dehghani

Sahar Bibiyan…..Roya

Nikki Massoud……Elham

Roxanna Hope Radja…..Marjan

Pej Vahdat……Omid

Shadee Vossoughi……Goli

Creative Team

Set Designer…..Courtney O’Neill

Costume Designer ……Shahrzad Mazaheri

Lighting Designer…..Jason Lynch

Sound Designer ….Mikaal Sulaiman

Assistant Lighting Designer…..Andrew Vance

Assistant Director….Jamal Howard

Casting is by Lauren Port, CSA. Yasmin Zacaria Mikhaiel is the Dramaturg. Patrick Fries is the Production Stage Manager.

Nikki Massoud and Shadee Vossoughi.

***ENHANCED AND ACCESSIBLE OPPORTUNITIES INCLUDE FARSI- AND SPANISH- SUBTITLED, ASL-INTERPRETED, AUDIO-DESCRIBED (WITH TOUCH TOUR) AND OPEN-CAPTIONED PERFORMANCES*** 

ENHANCED AND ACCESSIBLE PERFORMANCES AT GOODMAN THEATRE

Farsi-Subtitled Performance: June 7 at 7:30pm – An LED sign presents Farsi-translated dialogue in sync with the performance.

ASL-Interpreted Performance: June 7 at 7:30pm – Professional ASL interpreter signs the action/text as played.

Touch Tour* and Audio-Described Performance: June 8, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset.

Spanish-Subtitled Performance: June 8 at 7:30pm – An LED sign presents Spanish-translated dialogue in sync with the performance.

Open-Captioned Performance: June 9 at 2pm – An LED sign presents dialogue in sync with the performance.

Visit Goodman theatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

(L-R) Pej Vahdat, Sahar Bibiyan and Roxanna Hopen Radja.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

(L-R) Pej Vahdat, Sahar Bibiyan, Roxanna Hope Radja, Nikki Massoud and Shadee Vossoughi.

World Premiere of Thriller Highway Patrol at Goodman Theatre January 20 – February 18, 2024

 DANA DELANY, DOT-MARIE JONES AND 

THOMAS MURPHY MOLONY CAST IN 

HIGHWAY PATROL 

A GROUND-BREAKING NEW THRILLER CREATED FROM HUNDREDS OF DELANY’S TWEETS AND DIRECT MESSAGES

**CO-CREATED WITH AWARD-WINNING ARTISTS JEN SILVERMAN, DANE LAFFREY AND DIRECTOR MIKE DONAHUE, THE WORLD-PREMIERE PRODUCTION APPEARS 

AT THE GOODMAN JANUARY 20 – FEBRUARY 18, 2024**

***TICKETS ON SALE TODAY!***

Part love story part ghost story—all true story. Emmy Award-winning actor Dana Delany (China Beach, Desperate Housewives) stars in her new thriller at Goodman Theatre this winter, appearing alongside three-time Emmy Award nominee Dot-Marie Jones (Glee’s Coach Beiste) and emerging Chicago actor Thomas Murphy Molony (A Christmas Story, The Musical at Marriott Theatre and Fun Home at Paramount) in the world-premiere production. Using Delany’s digital archives of hundreds of tweets and direct messages, co-creator Jen Silverman arranges and curates the text of the play from exchanges over Twitter—in collaboration with co-creators Dane Laffrey and Mike Donahue, who also directs. Casting is by Lauren Port, CSA. Highway Patrol appears in the 856-seat Albert Theatre January 20 – February 18, 2024. Tickets ($25 – 90; subject to change) are available at GoodmanTheatre.org/Highway or by phone at 312.443.3800.

“We live in an age where a whole lot of people have more meaningful relationships online than they do ‘IRL’. Dana’s brave, extraordinary new piece, which arrives 10 years after her remarkable lived experience, delves into the expansiveness of love, and the frailty that results in our dogged desire to hope for it,” said Goodman Artistic Director Susan V. Booth. “I’m thrilled to welcome her, along with Dot-Marie Jones and Thomas Murphy Molony, to the Goodman stage for this world-premiere production from a handful of deeply talented co-creators.”

Delany met artists Jen Silverman, Mike Donahue and Dane Laffrey while appearing in Silverman’s Collective Rage: A Play in Five Betties at MCC Theater. For the past four years, they have collectively created Highway Patrol.

“Highway Patrol is a true story about an incident in my life that happened while I was appearing in Body of Proof for ABC, who had asked me to go on Twitter to support the show. Though I initially had no interest in Twitter, it was a time when this platform was the new frontier—and I ended up loving it, meeting people I never met, forming my own little niche,” said Dana Delany. “In developing this story for the stage with Jen, Mike and Dane, I think a lot of people will relate to the play in this moment, when so many of us have online relationships and use social media every day. It’s a chance to look at them in a deeper, communal way.”

TIMESTAMP: October, 2012: “@DanaDelany, Are you married? If not, I’d marry you.” When Cam, a 13-year-old fan in a desperate medical situation captures actress Dana Delany’s attention on Twitter, she’s quickly swept into an intense, around-the-clock online friendship. But when Cam starts receiving messages from beyond, Dana is thrust into a world where unexpected revelations raise the question of how far we go to love and be loved.

ABOUT THE CAST AND CREATORS

Dana Delany (Dana) made her mark as Army nurse Colleen McMurphy on ABC-TV’s critically acclaimed series China Beach, for which she received two Emmy Awards and four nominations for Best Dramatic Actress. Over the course of her career, Delany has taken on a number of high-profile television roles, from playing a brilliant medical examiner in ABC’s Body of Proof to starring as Katherine Mayfair on ABC’s Desperate Housewives. She co-starred with Ron Perlman in the Amazon Studios drama Hand of God, played Edith Roosevelt to Aidan Quinn’s TR in The American Guest on HBO and is currently costarring with Sylvester Stallone in the new hit series, Tulsa King on Paramount +. She has also been the voice of Lois Lane on Superman:TAS, The Batman and Justice League. On film she was the voice of Andrea Beaumont in the cult favorite Batman: Mask of the Phantasm and appeared in several features including Light Sleeper, Housesitter, Tombstone and Fly Away Home to name a few. Following her graduation from Wesleyan University, Delany went to New York where she soon debuted on Broadway in Hugh Leonard’s A Life. Critical acclaim in a number of off-Broadway productions including Nicholas Kazan’s Blood Moon led to her arrival in Los Angeles for the west coast production of the controversial drama. Additional theater credits include Translations (Broadway), Much Ado About Nothing at the Old Globe Theatre and the Pulitzer prize-winning play Dinner With Friends, alternating roles in NY, LA and Boston. Delany also starred in the premiere of The Parisian Woman at South Coast Repertory, The Night of the Iguana at A.R.T. and most recently, the premiere of Good Night Nobody at the McCarter Theater.

Dot-Marie Jones (Andi) has received three consecutive Emmy Award nominations (2011, 2012, 2013) for her role as football coach ‘Shannon Beiste’ on FOX’s megahit television show Glee. In its third season, the show received a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. With an expansive list of diverse film and television credits, Jones is known for her poignant roles including Universal's Bros and Peacock's Killing It.

Thomas Murphy Molony, he/him (Cam) is honored to make his Goodman Theatre debut. Chicago credits include A Christmas Story! (Marriott Theatre) and Fun Home (Paramount Theatre). Television credits include American Rust (Showtime).

Jen Silverman, they/them (Creator and Text Arrangement and Curation) is a playwright, novelist and screenwriter. Plays include Spain (Second Stage Theater); The Moors (Yale Rep, Playwrights Realm); Collective Rage: A Play in 5 Betties (Woolly Mammoth, MCC Theater, Southwark Playhouse London); The Roommate (Humana Festival, Williamstown, Steppenwolf, etc); Witch (Writer’s Theatre, Geffen, Huntington) and Highway Patrol (Goodman). Books include the debut novel We Play Ourselves (named one of the best books of the year by Buzzfeed; a finalist for the Lambda Literary Award), story collection The Island Dwellers (finalist for a PEN/Robert W. Bingham Prize), and poetry chapbook Bath (selected by Traci Brimhall for Driftwood Press). Silverman is a three-time MacDowell Fellow, a member of New Dramatists and a Scholar of Note at the American Library in Paris. They wrote The Miranda Obsession as a narrative podcast for Audible, starring Rachel Brosnahan. They also write for television and film, including Tales of the City (Netflix) and Tokyo Vice (HBO/Max). Honors include fellowships from the National Endowment for the Arts and the Guggenheim. Silverman's new novel There’s Going to be Trouble is upcoming from Random House in April 2024. 

Mike Donahue (Creator and Director)’s OSCAR® qualifying debut short film, Troy, premiered at the 2022 Tribeca Film Festival and has gone on to screen at another 70 festivals internationally, including the 2023 Sundance Film Festival. It has won numerous awards, including the Jury Award for Best Comedy at Aspen Shortfest 2023, the Audience Award for Best Narrative Short at Outfest 2022 and the Vimeo 'Unofficial Award' for Best US Narrative Short at Sundance. Troy is featured online in The New Yorker’s Screening Room. Donahue and writer Jen Silverman are currently working on their first feature, with Pacific Electric producing. For the past decade, Mike has worked as a theater director, primarily in New York and Los Angeles. Select credits include: the LA premiere of Matthew Lopez’s The Inheritance (Geffen Playhouse); Little Shop of Horrors with MJ Rodriguez, George Salazar and Amber Riley (Pasadena Playhouse); and the World Premieres of Matthew Lopez’s The Legend of Georgia McBride (MCC, The Geffen, Denver Center), Silverman’s Collective Rage (MCC, Woolly Mammoth), and Ana Nogueira’s Which Way To The Stage (MCC).

Dane Laffrey (Creator) is a designer and creative based in New York. On Broadway, his credits include last season’s Parade (2023 Tony for Best Revival of a Musical) and A Christmas Carol, which he co-conceived with Michael Arden as well as designing set and costumes. Other Broadway credits include the 2018 Tony-winning revival of Once on this Island, Deaf West’s Spring Awakening and Sam Shepard’s Fool For Love. Dane also designs the set for Disney’s Hercules (The Public, Paper Mill and upcoming in Hamburg). Laffrey’s work with Jen Silverman and Mike Donahue includes Collective Rage…, Wink, The Moors, The Roommate and Troy, which premiered at the 2022 Tribeca Film Festival and screened at Sundance 2023 as well as 70 other festivals. Laffrey won a 2017 Obie Award for Sustained Excellence in Set and Costume design and has been nominated for 2 Tony Awards, 2 Drama Desk Awards, 9 American Theatre Wing Henry Hewes Design Awards, 4 Ovation Awards (LA) and a Sydney Theatre Award (Australia), as well as numerous regional accolades. danelaffrey.com 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large-scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

The Goodman was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Goodman's THE NACIREMA SOCIETY To Kick Off Citywide “PEARL CLEAGE FESTIVAL” Starting September 16th, 2023

ChiIL Live Shows On Our Radar

THE NACIREMA SOCIETY 

STARTS TOMORROW, KICKS OFF CITYWIDE “PEARL CLEAGE FESTIVAL” 

AND LAUNCHES SUSAN V. BOOTH’S FIRST SEASON AS 

GOODMAN THEATRE ARTISTIC DIRECTOR

***LILI-ANNE BROWN DIRECTS THE CHICAGO-PREMIERE PRODUCTION OF MS. CLEAGE’S ROMANTIC COMEDY***

I'll be out to review at the press opening for The Nacirema Society on September 26th, so check back soon for my full review. I'm also eager to review Remy Bumppo Theatre Company's Blues for an Alabama Sky on September 18th at Theater Wit. 

Artistic Director Susan V. Booth launches her first curated Goodman Theatre season with Pearl Cleage’s The Nacirema Society. The season-opening production directed by Lili-Anne Brown kicks off the month-long celebration honoring the prolific playwright’s distinguished career, which spans 40 years and more than 30 plays, novels, poems and essays. The festival, conceived by Booth, curated by Goodman Theatre BOLD Artistic Producer Malkia Stampley and produced in partnership with Chicago’s famed Off-Loop companies, features the following 10 works by Ms. Cleage:

The Nacirema Society (Goodman Theatre)

Blues for an Alabama Sky (Remy Bumppo Theatre Company)

Mad at Miles featuring music by Chicago West Community Music Center (Black Ensemble Theater)

Angry, Raucous and Shamelessly Gorgeous (Congo Square Theatre)

A Song for Coretta (Definition Theatre)

Chain (eta Creative Arts Foundation)

Bourbon at the Border (MPAACT)

Letters, Potions and Promises (Remy Bumppo and American Writers Museum)

Pointing at the Moon (Goodman Theatre)

What I Learned in Paris (Goodman Theatre)

Pearl Cleage is currently the Distinguished Artist in Residence at Atlanta’s Tony Award winning Alliance Theatre. Her new play Angry, Raucous, and Shamelessly Gorgeous, had its world premiere as a part of the theatre’s 50th anniversary season in 2019 and recently completed a successful run at Hartford Stage. Both productions were directed by Susan V. Booth. Her other plays premiered at the Alliance include What I Learned in Paris, Blues for an Alabama Sky, and Flyin’ West. Cleage’s latest play Something Moving: A Meditation on Maynard was commissioned by Ford Theatre’s Lincoln Legacy Project and will premiere at Ford’s Theatre this fall—September 22 – October 15. Her first of eight novels, What Looks Like Crazy On An Ordinary Day, was an Oprah Book Club pick and spent nine weeks on the New York Times bestseller list. Ms. Cleage currently serves as Atlanta’s first Poet Laureate.

THE 2023 “PEARL CLEAGE FESTIVAL”

PRODUCTIONS, READINGS, WORKSHOPS, EVENTS AND CONVERSATIONS

SEPTEMBER 14 – OCTOBER 15, 2023

For tickets and more information about each event, visit GoodmanTheatre.org/Pearl

PRODUCTIONS

Blues for an Alabama Sky

Directed by Mikael Burke

Through October 15

Remy Bumppo Theatre Company at Theater Wit (1229 W. Belmont)

It’s Summer 1930 in Harlem, and jazz singer Angel has just been fired from The Cotton Club. As she hopes for her next big break, her flatmate friends pursue their own dreams amidst daily realities: costume designer Guy imagines sewing dresses in Paris while Delia brings family planning centers to the community. But sparks fly when Angel encounters Alabama-transplant Leland, tossing all of their aspirations into jeopardy. The Harlem Renaissance is the backdrop of Pearl Cleage’s poignant drama, and though “the Great Depression has crashed the party, the creative spirit is not easily quelled” (Los Angeles Times).

The Nacirema Society

Directed by Lili-Anne Brown

September 16 - October 15

Goodman Theatre (170 N. Dearborn)

It’s 1964 Montgomery, Alabama, and the Nacirema Society prepares for its annual introduction of six elegant African-American debutantes to a world of prosperity, privilege and social responsibility. This centennial year, the Society’s grande dame, Grace Dunbar, will have nothing less than perfection for her granddaughter Gracie’s debut. And with young love brewing, old family skeletons rattling, national media attention abounding and a blackmail plot bubbling…what would dare go awry? The Goodman is grateful for the support of JP Morgan Chase & Co. (Lead Corporate Sponsor) and Allstate (Major Corporate Sponsor). For images, bios and additional information about the artists, visit the Play Detail Page

STAGED READINGS

Bourbon at the Border

Directed by Lauren Wells-Mann

September 19 at 7:30pm

MPAACT at the Greenhouse Theater Center (2257 N. Lincoln)

When May and Charles join hundreds of Americans in a massive voter registration drive in 1964 Mississippi, they could not imagine the violence that would meet them there. Years later, they are still searching for healing after that "Freedom Summer." Bourbon at the Border remembers the unsung heroes of the civil rights movement and honors the sacrifice and price they paid.

Pointing at the Moon

Directed by Lydia R. Diamond

September 28 at 7pm

Goodman Theatre (170 N. Dearborn)

Jenny Anderson is a well-respected 50-something scholar, literary critic and tenured college faculty member who finds herself reluctantly drawn into the swirl of change post-2016 American Presidential election. Despite best intentions to stay above the fray, she suddenly finds everything she’s worked for threatened by efforts to censor and suppress creative work—including her own. Late one night, a young activist shows up on her doorstep with an urgent request for help, and Jenny must choose between her own comfort and her deeply held beliefs about the nature of freedom.

Mad at Miles

Directed by Daryl D. Brooks

October 2 at 6pm (cocktail reception, cash bar) 7pm performance featuring Chicago West Community Music Center

Black Ensemble Theater (4450 N. Clark)

Distinguished performer, playwright and producer Jackie Taylor stars in a reading of Cleage’s Mad at Miles—a moving choreopoem that gives voice to the difficult subject of women abuse and empowerment—with appearances from other Chicago spoken-word artists and featuring music by Chicago West Community Music Center, led by Darlene Sandifer and Howard Sandifer.

Chain

Reading + Art Exhibit

Directed by Ted Williams III

October 6 at 7pm

eta Creative Arts Foundation (7558 S. South Chicago)

Rosa Jenkins is 16-years-old, foul-mouthed and addicted to crack–and currently chained to a radiator, in a desperate intervention attempt from her parents. Inspired by real-life events, Chain presents the realities of addiction from a clear-eyed, unsentimental and startlingly humorous perspective. Following the staged reading, stay for a discussion and the opportunity to browse artwork in the gallery. Content Advisory: Adult language and frank descriptions of drug abuse, sexual content and abusive relationships between parents and children.

Angry, Raucous and Shamelessly Gorgeous

Directed by Ericka Ratcliff

October 8 at 2pm

Congo Square Theatre (Location TBA)

Following a 25-year self-imposed exile, actress Anna Campbell returns to the U.S. when her ground-breaking Black feminist theater piece—monologues performed in the nude—is announced for a major revival. But what promises to be a triumphant homecoming goes sideways when the diva discovers that a younger actress (and adult entertainer) has been cast to recreate her legendary performance. In this bold and funny story of ambition, post-feminism and who has a right to tell our stories, two women of different generations must confront assumptions about each other, and themselves, in time for opening night.

A Song for Coretta

Directed by Malkia Stampley

Definition Theatre (Location TBA)

It’s close to midnight as five determined, disparate Black women at the end of a long line of mourners at Ebenezer Baptist Church share stories while waiting to pay respect to the widow of Dr. Martin Luther King, Jr. An inspiring tribute to Coretta Scott King (1927 - 2006), “Pearl Cleage’s lovely, image-soaked testament to the civil rights icon brims with wit, personality and life-affirming energy” (Atlanta Journal-Constitution).

What I Learned in Paris

Directed by TaRon Patton

October 14 at 6pm

Goodman Theatre (170 N. Dearborn)

Pearl Cleage’s funny and insightful tangled web of romantic intrigue is set against the backdrop of Maynard Jackson’s historic win as Atlanta’s first African American mayor. Lawyer J.P. Madison is riding high after his hard-fought election victory, celebrating with his new wife, his stalwart campaign manager and his junior partner. But when his ex-wife sweeps back into town, bringing with her the temptation of knowledge from far-flung corners of the world, each character must confront their expectations, obligations and human emotions—with the pull and tug that destiny has on our lives.

WORKSHOPS, EVENTS AND CONVERSATIONS

“Chicago’s Black Jewels”

Pre-Show Affinity Space and Reception

September 16 at 6pm

Goodman Theatre (170 N. Dearborn)

Pearl Cleage’s body of work offers roles and opportunities of all genres for Black actresses. Hosted by artist Kelcey Anya, the Goodman invites these talented women–Chicago’s jewels–to gather, uplift and celebrate prior to the first preview of The Nacirema Society. Light appetizers and drinks will be served. The reception is free with RSVP (space is limited) and discounted $30 tickets to the performance are available for purchase.

Divine 9 Night

Pre-Show Reception and Performance

September 23 at 6pm followed by The Nacirema Society at 7:30pm

$50 (Reception and Performance)

Goodman Theatre (170 N. Dearborn)

Celebrate the dynamic culture and legacy of the Black Greek Letter Organizations of the National Pan-Hellenic Council, collectively known as The Divine 9. Represent in your organization’s apparel while you mingle with other sororities and fraternities at a pre-show reception, including complimentary hors d’oeuvres and drinks, followed by the performance.

Behind the Curtain: The Nacirema Society

Presented by Goodman Theatre

September 24 at 5pm

Goodman Theatre (170 N. Dearborn)

Join the creative forces behind The Nacirema Society for a lively, wide-ranging discussion about this Chicago-premiere production’s journey to the stage, and the enduring relevance of Pearl Cleage’s work in our city and beyond.

In Conversation with Pearl Cleage: Playwright, Poet, and Author

A Zoom Discussion

Presented by Remy Bumppo Theatre Company and American Writers Museum

September 26 at 6pm

In partnership with the American Writers Museum, Remy Bumppo hosts a conversation with Pearl Cleage over Zoom. Artistic Director Marti Lyons sits down with Ms. Cleage for a chat about her career and impact.

Between the Lines

A lecture presented by Remy Bumppo Theatre Company

October 1 at 1:30pm

Theater Wit (1229 W. Belmont)

Dr. Martine Kei Green-Rogers, dramaturg for Blues for an Alabama Sky, presents a lecture on the themes related to the play, and participates in a talkback with artists and audience following the performance.

Letters, Potions and Promises

A Writing Workshop presented by Goodman Theatre and Remy Bumppo Theatre Company

Led by Dr. Martine Kei Green-Rogers and Lachrisa Grandberry

October 3 and 7 at 6pm at Remy Bumppo (3759 N. Ravenswood)

October 10 at 6pm at Goodman Theatre (170 N. Dearborn)

Twelve early-career and emerging women and femme BIPOC writers are invited to a three-day deep-dive into the work of Pearl Cleage, with each day led by a different facilitator. Apply now to join this affinity space for writers of all disciplines to find community, inspiration and discover new ways of approaching work through the lineage of a Black American writer.

From Delia’s Clinic to CARLA: The Fight for Reproductive Rights

A panel discussion presented by Remy Bumppo Theatre Company

October 14 at 5pm

Theater Wit (1229 W. Belmont)

Journalist Natalie Moore and members of the Chicago Abortion Fund join Remy Bumppo Creative Producer Christina Casano for a discussion, delving into Blues for an Alabama Sky, the history of reproductive rights and the work currently being done in Illinois and beyond.

ABOUT THE PEARL CLEAGE FESTIVAL PARTNERS

As one of the most unique Chicago museums downtown, the American Writers Museum’s mission is to celebrate the enduring influence of American writers on our history, identity, culture, and daily lives. As the only museum devoted to American writers and their works, AWM connects visitors with their favorite authors and writings from more than five centuries, while inspiring the discovery of new works of every type – poetry, lyrics, speeches, drama, fiction, nonfiction, journalism, and more.

Black Ensemble Theater (BET), founded in 1976 by the phenomenal actress, producer, and playwright Jackie Taylor, has grown from a small community arts organization to a vibrant nationally and internationally renowned arts institution. A leader and innovator in the African-American and mainstream arts communities, Black Ensemble Theater is recognized as one of the most diverse theaters in the country, producing excellent musical theater.

Chicago West Community Music Center, a 501c3 non-profit organization located in East Garfield Park, provides music education and performance opportunities to children and families in underserved communities in Chicago and the Western Suburbs. The mission of CWCMC is to "Enhance Lives and Community Through Music." Our goal is to reduce the music related achievement gaps between minority and non-minority students and between economically disadvantaged students and their more advantaged peers. 

Congo Square Theatre Company is an ensemble dedicated to producing transformative work rooted in the African Diaspora. Congo Square is a haven for artists of color to challenge and redefine the theatrical canon by amplifying and creating stories that reflect the reach and complexities of Black Culture and is one of only two African American Actors’ Equity theater companies in Chicago. Founded in 1999 with a mission to provide a platform for Black artists to present work that exemplified the majesty, diversity, and intersectionality of stories from the African Diaspora, Congo Square’s guiding principles are radical generosity, radical community, and radical expansion.

eta Creative Arts Foundation was incorporated in 1971 as a non-profit, tax exempt organization to provide training and performance opportunities for youth and adults.  In the past 52 years, eta has evolved to become a recognized cultural treasure not only in the city of Chicago, but nationally and internationally. The organization has a commitment to the production of new works that “tell our story” in the first voice. eta houses a 200-seat theater, art studio and event space with stage.  Our annual programming features five plays, 8-week Summer Arts camp for the youth, Multiple pop-up workshops, acting, dance and playwriting classes for young adults and a host of community events and performances.

The Ma’at Production Association of Afrikan Centered Theater (MPAACT) is a professional, not-for-profit theater association founded in 1990. Our mission is to develop, nurture, and sustain original Afrikan Centered Theater (ACT) as a multi-disciplinary art form of American Theater. ACT is a genre of artistic expression grounded in the many cultures and traditions of the Afrikan continent and its diaspora. With a vision focused upon new works and collaborative art, MPAACT shall produce and educate with the goal of bringing forth an understanding and appreciation of Afrikan Centered Theater and its inter-related disciplines.

Definition Theatre celebrates stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibility found at the intersection of art, innovation, and education.

Remy Bumppo Theatre Company expands and enriches our community’s view of the world, and our own, by producing both the great plays of the past and the important plays of today. Our critically and publicly respected reputation is built on our consistent, high-quality presentations of the works of seminal playwrights, staged intimately and with the focus on expressing complex ideas in a clear, entertaining and moving manner. An ensemble theatre founded in 1996, we author a more humane culture as we listen to, and seek to understand, the voices, the ideas, and the stories of one another.

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000. Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

Chicago Premiere of ANTONIO’S SONG/I WAS DREAMING OF A SON at Goodman's Owen Stage April 28 – May 28, 2023

ChiIL Live Shows On Our Radar 

ANTONIO EDWARDS SUAREZ STARS IN 

ANTONIO’S SONG/

I WAS DREAMING OF A SON

HIS TOUR-DE-FORCE SOLO WORK, CO-WRITTEN WITH PULTIZER PRIZE FINALIST DAEL ORLANDERSMITH

***MARK CLEMENTS DIRECTS THE CHICAGO PREMIERE OF THIS “DEEP AND PERSONAL DIVE INTO THE FORMATION OF A MAN” (MILKWAUKEE JOURNAL SENTINEL) IN THE OWEN THEATRE, APRIL 28 – MAY 28***

Poetry, music and movement unite on the Owen Stage to bring an “honest and empathetic look at fatherhood” amidst the implications of identity, art and culture in Dael Orlandersmith and Antonio Edwards Suarez’s Antonio’s Song/I Was Dreaming of a Son, directed by Mark Clements. Following an accomplished run at Milwaukee Repertory Theatre, the acclaimed solo piece makes its Chicago debut and features Antonio Edwards Suarez as he considers—using his own lived experiences—the immense weight of raising a son in a world rife with ethnic and gender stereotypes. Antonio’s Song/I Was Dreaming of a Son appears April 28 – May 28, 2023 in the 350-seat flexible Owen Theatre.

I'll be out for opening night, Monday, May 8th, so check back shortly after for my full review. Tickets ($15 –$50, subject to change) are available at GoodmanTheatre.org/Antonio or by phone at 312-443-3800. The Goodman is grateful for the support of The Elizabeth Morse Charitable Trust (Lead Funder of IDEAA Programming).

“Having my son, I thought to myself, 'this is going to be tough, raising a boy in today’s world'," said Antonio Edwards Suarez.  “So much of what is shown on television and the news are boys and men struggling and acting out many of those struggles in destructive ways. My son’s birth also made me start to reflect and examine how I was raised, my mother and father’s hopes and dreams, how were they raised, the boys, girls, men and women who influenced me and the generations of neighborhoods we all grew up in. Am I going to pass some of the destructive behaviors I experienced on to my son? Will he, my son, go through what I went through?”

Dael Orlandersmith, Goodman Artistic Associate and Alice Center Resident Artist who co-wrote the piece with Suarez, said, “We rarely see men portrayed vulnerably. We rarely see men question themselves and grapple with parenting the way this character does—recognizing how he must break the chains of the past.”

From Brooklyn to Massachusetts to Russia, Antonio struggles to reconcile multiple ethnic identities. He wrestles with the legacy of stereotypes of masculinity while discovering there is beauty in manhood and becoming a father. Powerful poetry intermixed with original movement, music and projected imagery creates an evocative, wholly unique performance. The creative team includes Luciana Stecconi (Set Design); Peggy McKowen (Costume Design); John Ambrosone (Lighting Design); Andre Pluess (Sound Design); Jared Mazzocchi (Projection Design); Alexandra Beller (Movement Direction). Malkia Stampley is the Line Producer and Patrick Fries is the Production Stage Manager.

Dael Orlandersmith’s plays include Stoop Stories, Black n’ Blue Boys/Broken Men, Horsedreams, Bones, The Blue Album, Yellowman, The Gimmick, Monster and Forever. Orlandersmith was a Pulitzer Prize finalist and Drama Desk Award nominee for Yellowman and the winner of the Susan Smith Blackburn Prize for The Gimmick. Dael is the recipient of a New York Foundation for the Arts grant, The Helen Merrill Award for Emerging Playwrights, a Guggenheim, along with several other awards and honors. Her play, FOREVER, was commissioned and performed at the Mark Taper Forum/Kirk Douglas Theatre in Fall 2014, followed by performances at the Long Wharf Theatre in Winter 2014/15, New York Theatre Workshop in Spring 2015 and at Portland Center Stage in Winter 2016. Her play Until the Flood appeared at St Louis Repertory in Fall 2016, Rattlestick Theatre in 2018, Milwaukee Rep in 2019, Portland Center Stage, ACT Seattle, the Arcola Theatre in London, the Galway Arts Festival at the Druid Theatre and the Traverse at Edinburgh Festival. The play was performed in Berlin at the Schaubuhne Theatre in April 2022 and at the Spoleto Festival in Charleston, SC in June 2022. Ms. Orlandersmith is working on a commission for Rattlestick Theatre called Watching the Watcher and had two plays opening at Milwaukee Repertory Theatre in 2022: New Age directed by Jade King Carroll and Antonio’s Song/I Was Dreaming of a Son, directed by Mark Clements. Orlandersmith‘s new play Spiritus/Virgin’s Dance, commissioned by Merrimack Theater in Massachusetts will be appear at CATF Theatre in West Virginia in Summer 2023 and Rattlestick and Merrimack Theaters in 2024. Orlandersmith is currently working with writer/performer David Cale and director Robert Falls on a play called You Don’t Know the Lonely One. Ms. Orlandersmith received a Doris Duke Award in 2020. She is currently working on two commissions for Artists Repertory Theatre in Portland and Milwaukee Repertory Theatre.

Antonio Edwards Suarez’ Broadway credits include American Buffalo, directed by Robert Falls. New York credits include Chaucer in Rome (Lincoln Center Theater), directed by Nicholas Martin; Entertaining Mr. Sloane; The Resistible Rise of Arturo Ui; Dogg’s Hamlet, Cahoot’s Macbeth; The Trial (Phoenix Theatre Ensemble); This One Girl’s Story (New York Musical Theatre Festival, Award for Best Ensemble); Points of Departure (INTAR) and Richard III (National Black Theatre). Other credits include Food Acts (Lions Theatre); The Hamlet Project (Mac Wellman Theater); Trespass (Producers Club II); Fuente (Cherry Lane Alternative); Waiting for Godot (Chashama) and Mother (La MaMa E.T.C.). International and regional credits include Antonio’s Song/I Was Dreaming of a Son (Milwaukee Repertory Theater and Contemporary American Theater Festival); Leandro in the international tour of The King Stag (directed by Andrei Serban, choreographed by Julie Taymor); The Night is a Child (Milwaukee Rep); A Midsummer Night’s Dream; The Taming of the Shrew; The Tempest; Julius Caesar (Commonwealth Shakespeare Company); Havana is Waiting (Cincinnati Playhouse in the Park); Spinning into Butter (Repertory Theatre of St. Louis) and Idiots Karamazov (American Repertory Theater). Film and television credits include The EndGame; The Tested; Elementary; several episodes of Law & Order; The Good Wife; Rookie Blue; Person of Interest; One Life to Live; As the World Turns; Flight of the Conchords (HBO); Curb Your Enthusiasm and Stan the Orderly (recurring) on Royal Pains (USA Network).

Mark Clements is a multi-award-winning international theater director whose work has appeared in over 100 major theaters throughout Europe and the United States. He began his tenure as artistic director of Milwaukee Rep, with the 2010/11 season, by bringing musicals to the mainstage and introducing the John Jack D. Lewis New Play Development Program, a vibrant and eclectic new works initiative that seeks to produce one new work in each of the Rep’s three performance spaces per season. This includes Antonio’s Song, which he developed in collaboration with Contemporary American Theatre Festival. Milwaukee Rep directing credits include the world premieres of One House Over; his own adaptation of the current A Christmas Carol in the Pabst Theatre; Five Presidents and American Song; Things I Know To Be True; Junk; The Glass Menagerie; Of Mice and Men; Othello; Death of a Salesman; The History of Invulnerability; End of the Rainbow; Clybourne Park and Bombshells. Select New York and international work includes Speaking in Tongues for Roundabout Theatre Company and Hampstead Theatre in London; The Milliner; Blunt Speaking; Obie Award winning musical The Thing About Men, in addition to creating and directing the West End and UK National Tours of Soul Train. Prior to joining Milwaukee Rep, Mark served as an associate artistic director for several UK theater companies, but most notably, as artistic director for the award-winning Derby Playhouse in the UK from 1992-2002, where he directed over 40 productions. He has been nominated for an Olivier Award and several UK Theater Awards, and has won three Barrymore Awards from his time at Walnut Street Theatre in Philadelphia. Mark is currently working with Ayad Akhtar on adapting his critically acclaimed novel American Dervish for the stage to make its world premiere at Milwaukee Rep in an upcoming season, along with Run Bambi Run, an original new rock musical penned by Eric Simonson and Gordon Gano from the Violent Femmes.

THE COMPANY OF Antonio’s Song/I Was Dreaming of a Son 

Antonio ……Antonio Edwards Suarez

Set Design by Luciana Stecconi

Costume Design by Peggy McKowen

Lighting Design by John Ambrosone

Sound Design by Andre Pluess

Projection Design by Jared Mazzocchi

Movement Direction by Alexandra Beller

Line Production by Malkia Stampley

Patrick Fries is the Production Stage Manager.

ENHANCED AND ACCESSIBLE PERFORMANCES

Visit Goodmantheatre.org/Access for more information about Goodman Theatre’s accessibility efforts.

Touch Tour and Audio-Described Performance: Sunday, May 21, 12:30pm Touch Tour; 2pm performance – The action/text is audibly enhanced for patrons via headset. NOTE: Touch Tours for the 2022/2023 Season will not have access to the stage due to current health and safety protocols, but will feature alternate pre-show sensory introductions.

ASL-Interpreted: Saturday, May 27 at 2pm – An American Sign Language interpreter signs the action/text as played.

Spanish Subtitles: Saturday May 27 at 8pm.

Open-Captioned: Sunday, May 28 at 2pm – An LED sign presents dialogue in sync with the performance.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. The theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Today, Goodman Theatre is led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer. Theater leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Dael Orlandersmith, Henry Godinez, Steve Scott, Kimberly Senior, Chuck Smith and Mary Zimmerman. Jeff Hesse is Chairman of Goodman Theatre’s Board of Trustees, Fran Del Boca is Women’s Board President and Craig McCaw is President of the Scenemakers Board for young professionals.