OPENING: Chicago Premiere of The Roommate at Steppenwolf Theatre Company June 21 – August 5, 2018

Chi IL Live Shows On Our Radar:

Tony Award Winner Phylicia Rashad

Directs Chicago Premiere of 

The Roommate

Written by Jen Silverman

June 21 – August 5, 2018

Featuring Ensemble Members Ora Jones and Sandra Marquez

In a Warm, Funny Story About a Chance Cohabitation That Sets Two Lives Spinning

Steppenwolf Theatre Company presents the Chicago premiere production of The Roommate by Jen Silverman, directed by Tony Award Winner Phylicia Rashad. A unique story that expresses how early-life choices can lead to mid-life challenges and the humorous, touching and unexpected rewards of bridging the divide, the Steppenwolf production will feature ensemble members Ora Jones as Robyn and Sandra Marquez as Sharon.

The Roommate begins previews June 21, 2018 and the production runs through August 5, 2018 in the Downstairs Theatre, 1650 N Halsted St. Press performances are Sunday, July 1 at 6pm and Tuesday, July 3 at 7:30pm; opening night is Sunday, July 1. Single tickets ($20-$93) are currently on-sale through Audience Services at 312-335-1650 or steppenwolf.org.

Sharon is Midwestern nice. But to Robyn, her new roommate from the Bronx, that just means very nosy and very, very talkative. A comical mismatch leads to a surprising and touching friendship in this new comedy about how early-life choices lead to mid-life challenges and the unexpected rewards of bridging the divide. The Roommate is a warm, funny story about a chance cohabitation that sets two lives spinning. Think The Odd Couple meets Breaking Bad. 

Jen Silverman’s The Roommate premiered at the Actor’s Theatre of Louisville in 2015 and has received subsequent productions at South Coast Rep, Williamstown and SF Playhouse. Additional work includes The Moors, Phoebe in Winter, The Dangerous House of Pretty Mbane (Barrymore Award) and Collective Rage: A Play in 5 Boops (Woolly Mammoth). She is a member of New Dramatists, and has developed work with the O’Neill, New York Theatre Workshop, Portland Center Stage, Berkeley Rep and the Royal Court in London. A recipient of the Helen Merrill and Yale Drama Series Awards, she’s also a two-time MacDowell Fellow and 16/17 Playwrights of New York (PoNY) Fellow at the Lark.



Phylicia Rashad (director), one of the entertainment world’s most extraordinary performing artists, has been bringing laughter to millions of television viewers around the world, moving theatre-goers to tears, thrilling movie fans, offering new insights to students by teaching at renowned learning institutions such as Howard University and Julliard, and breaking new ground as a director.

Phylicia Rashad’s directing credits include August Wilson's Gem of the Ocean at the Seattle Repertory Theatre, August Wilson's Ma Rainey's Black Bottom and Joe Turner’s Come and Gone at the Mark Taper Forum in Los Angeles (2014 NAACP Theatre Award for Best Director) and Fences at the Long Wharf Theatre and the McCarter Theatre. This spring Ms. Rashad makes her NYC stage directing debut with the comedy Our Lady of 121st Street, running off-Broadway from May 1 to June 10.

Ms. Rashad received both the Drama Desk and the Tony Award for Best Actress in a Play for her riveting performance in the Broadway revival of Lorraine Hansberry’s A Raisin In The Sun. She received the 2016 Lucille Lortel Award for Outstanding Leading Actress in a Play for her performance in Steppenwolf ensemble member Tarell Alvin McCraney's Head of Passes at the Public Theater, which played at the Mark Taper Forum this fall. She has performed on Broadway in Steppenwolf’s production of ensemble member Tracy Letts’s August: Osage County; Tennessee Williams’s Cat on a Hot Tin Roof (a role that she reprised on the London Stage), August Wilson’s Gem Of The Ocean, (Tony Award nomination) and Cymbeline at Lincoln Center.

Well-known to television audiences for her groundbreaking role of attorney Clair Huxtable on The Cosby Show, her recent film credits include Tyler Perry’s For Colored Girls and the 2015 Rocky spin-off and sequel Creed, and she currently has a featured guest-starring role in Empire.

Ora Jones (Robyn) is a Steppenwolf ensemble member and was recently seen in Studio Theatre’s production of Curve of Departure and on Broadway last season as Madame de Volanges in Les Liaisons Dangerueses at the Booth Theatre in New York. She also appeared as Mrs. Phelps in Matilda the Musical, both at the Shubert Theatre in New York, and in the first National tour. At Steppenwolf she is in the upcoming production of The Doppelgänger (an international farce) and appeared in The Wheel, Three Sisters, Middletown, The Brother/Sister Plays, The Unmentionables, The Violet Hour, The Crucible, Carter's Way and Morning Star. Some favorite Chicago roles include Katherine of Aragon in Henry VIII, Queen Charlotte in The Madness of George III, Maria in Twelfth Night, Lucienne in A Flea in Her Ear and Mistress Ford in The Merry Wives of Windsor for Chicago Shakespeare Theater; Mrs. Rittenhouse in Animal Crackers, Claire in Proof, Mrs. Fezziwig and Mrs. Cratchit in A Christmas Carol, Madeleine Beck in Boy Gets Girl and Elizabeth I in The Beard of Avon for Goodman Theatre; Jaclyn in Rasheeda Speaks for Rivendell Theatre; Rita Jeffries in My Kind of Town for Timeline Theatre; the Stage Manager in Our Town for Writers Theatre; Gwen in Execution of Justice for About Face Theatre; Bird/Turtle in A Year With Frog and Toad for Chicago Children's Theatre. Regional and other New York credits include performances at Long Wharf Theatre, Yale Repertory, Manhattan Theatre Club, Public Theatre, Weston Playhouse, Milwaukee Repertory and Next Act. Film and television appearances include Chicago Fire, Betrayal, Consumed, Were the World Mine and Stranger than Fiction.

Sandra Marquez (Sharon) joined the Steppenwolf ensemble in spring 2016 and is in the upcoming Steppenwolf production of The Doppelgänger (an international farce). She recently appeared in the Steppenwolf productions of Mary Page Marlowe and The Motherf**ker with the Hat. Other credits at Steppenwolf include A Streetcar Named Desire, Sonia Flew, and One Arm. At Teatro Vista, where she is a longtime company member, she directed Fade, My Mañana Comes, Breakfast Lunch & Dinner and Our Lady of the Underpass and has acted in numerous productions, including A View from the Bridge for which she received a Jeff Award. Last fall she completed a three-year arc playing Clytemnestra in what was billed as Court Theater's Iphigenia Cycle (Iphigenia at Aulis, Electra and Agamemnon). Film and television credits include Boss, Empire, Chicago Med, Chicago Justice and Timer. Marquez is on the theater faculty at Northwestern University. 

The Roommate production team includes John Iacovelli (scenic design), Samantha C. Jones (costume design), Xavier Pierce (lighting design) and Rob Milburn and Michael Bodeen (sound design). Additional credits include Laura Glenn (stage manager), Christine D. Freeburg (assistant stage manager), JC Clementz (casting director) and Hallie Gordon (artistic producer).

Dates: June 21 – August 5, 2018
Previews: June 21 – June 30, 2018
Press Performances: Sunday, July 1 at 6pm and Tuesday, July 3 at 7:30pm
           Opening: July 1, 2018
Regular Run: July 3 – August 5, 2018
Accessible Performances:
American Sign Language Interpretation: Sunday, July 22 at 7:30pm
Open Captioning: Saturday, August 4 at 3pm
Audio Description and Touch Tour: Sunday, July 29 at 1:30pm
Curtain Times: Tuesday – Friday at 7:30pm, Saturdays and Sundays at 3pm and 7:30pm

Ticket prices:
Previews: $20 – $54, Regular Run: $20 – $93. Prices subject to change
20 for $20: Twenty $20 tickets are available for all main series shows on the day of the performance at 11am (Mon – Sat) and 1pm (Sun), by phone only at 312-335-1650. Limit 2 per person.

Rush Tickets: Half-price rush tickets are available one hour before each main series show.

Student Discounts: Limited $15 student tickets are available online. (Limit 2 tickets. Must present a valid student ID for each ticket). For additional student discounts, visit steppenwolf.org/students.

Group Tickets: All groups of 10 or more receive a discounted rate for any performance.

Black Card Memberships are for audiences interested in extreme flexibility. Cards include six tickets for use any time, for any production including the LookOut Series. The tickets are valid for one year with the option to add additional tickets as needed. Perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing.

Red Card Memberships are available for theatergoers under 30.

More info at steppenwolf.org/memberships

Audience Services:
For tickets or more information, contact Audience Services (1650 N Halsted St) at
312-335-1650 or steppenwolf.org.

Visitor Information
Steppenwolf is located at 1650 N Halsted St near all forms of public transportation, bike racks and Divvy bike stands. The parking facility ($12 or $14, cash or card) is located just south of our theater at 1624 N Halsted. Valet parking service ($14 cash) is available directly in front of the main entrance starting at 5pm on weeknights, 1pm on weekends and at 12noon before Wednesday matinees. Limited street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at 312.335.1774.

Accessibility
Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance and the Downstairs and 1700 Theatres are each equipped with an induction hearing loop. All theaters feature wheelchair accessible seating and restrooms, and Front Bar features a push-button entrance, all-gender restrooms and accessible counter and table spaces.

Sponsor Information
United Airlines is the Official and Exclusive Airline of Steppenwolf.

Front Bar: Coffee and Drinks
Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering a warm, creative space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open Tuesdays – Sundays from 8am to midnight, Front Bar serves artisanal coffee and espresso is provided by La Colombe and food prepared by Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. www.front-bar.com.



Steppenwolf Theatre Company 
is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble represents a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr. 

Phylicia Rashad to Direct Steppenwolf's 2017-18 Season finale, The Roommate

Chi, IL LIVE Shows On Our Radar:

PHYLICIA RASHAD TO DIRECT 

THE ROOMMATE

BY JEN SILVERMAN

STEPPENWOLF ANNOUNCES FINAL DIRECTOR FOR 

2017/18 SEASON

Steppenwolf Theatre Company announced acclaimed director, actor, singer and 2017 Steppenwolf Women in the Arts honoree Phylicia Rashad will direct Steppenwolf’s Chicago premiere production of The Roommate, a comedy by Jen Silverman. Featuring ensemble members Ora Jones and Sandra Marquez, this touching comedy will be the final slot in the 2017/18 season, June 21 – August 21, 2018 in the Downstairs Theatre (1650 N Halsted St). Subscription and Flex memberships for the 2017/18 season are currently available through Audience Services at 312-335-1650 and steppenwolf.org.

“We are thrilled to have the phenomenal Phylicia Rashad join us next season. Her captivating artistry spans theater, television and film, and her work continues to break boundaries. Steppenwolf’s relationship with Phylicia began when she portrayed Viola Westin in August: Osage County on Broadway and has deepened through her work in ensemble member Tarell Alvin McCraney’s Head of Passes. It was a true joy to pay honor to her at this year’s Women in the Arts luncheon, and we look forward to welcoming her back to direct this beautiful play,” shares Artistic Director Anna D. Shapiro.

Sharon is Midwestern nice. But to Robyn, her new roommate from the Bronx, that just means nosy and very, very talkative. A comical mismatch leads to a surprising and touching friendship in The Roommate, a new comedy about how early-life choices lead to mid-life challenges and the unexpected rewards of bridging the divide.

Whether she is bringing laughter to millions of television viewers around the world, moving theatre-goers to tears, thrilling movie fans, offering new insights to students by teaching at renowned learning institutions such as Howard University and Julliard, or breaking new ground as a director, Phylicia Rashad is one of the entertainment world's most extraordinary performing artists.

Phylicia Rashad’s directing credits include August Wilson's Gem of the Ocean at the Seattle Repertory Theatre, August Wilson's Ma Rainey's Black Bottom and Joe Turner’s Come and Gone at the Mark Taper Forum in Los Angeles (2014 NAACP Theatre Award for Best Director) and Fences at the Long Wharf Theatre and the McCarter Theatre.

Ms. Rashad received both the Drama Desk and the Tony Award for Best Actress in a Play for her riveting performance in the Broadway revival of Lorraine Hansberry’s A Raisin In The Sun. She received the 2016 Lucille Lortel Award for Outstanding Leading Actress in a Play for her performance in ensemble member Tarell Alvin McCraney's Head of Passes at the Public Theater, which opens at the Mark Taper Forum this fall. She has performed on Broadway in Steppenwolf’s production of Tracy Letts’s August: Osage County; Tennessee Williams’s Cat on a Hot Tin Roof (a role that she reprised on the London Stage), August Wilson’s Gem Of The Ocean, (Tony Award nomination) and Cymbeline at Lincoln Center.

Well-known to television audiences for her groundbreaking role of attorney Clair Huxtable on The Cosby Show, her recent film credits include Tyler Perry’s For Colored Girls and the 2015 Rocky spin-off and sequel Creed, and she currently has a featured guest-starring role in Empire.

Jen Silverman’s The Roommate premiered at the Actor’s Theatre of Louisville in 2015, and has received subsequent productions at South Coast Rep, Williamstown and SF Playhouse. Additional work includes The Moors, Phoebe in Winter, The Dangerous House of Pretty Mbane (Barrymore Award) and Collective Rage: A Play in 5 Boops (Woolly Mammoth). She is a member of New Dramatists, and has developed work with the O’Neill, New York Theatre Workshop, Portland Center Stage, Berkeley Rep and the Royal Court in London. A recipient of the Helen Merrill and Yale Drama Series Awards, she’s also a two-time MacDowell Fellow and 16/17 Playwrights of New York (PoNY) Fellow at the Lark.

Ora Jones has been a Steppenwolf ensemble member since 2007, and was most recently seen in Les Liaisons Dangereuses at the Booth Theatre in New York. Sandra Marquez has been an ensemble member since 2016, and returns to Steppenwolf after last being seen in Tracy Letts’s Mary Page Marlowe.

Membership Information
Last season Steppenwolf expanded from a 5-play to 7-play season and with that has expanded the ways in which audiences can experience all the offerings. Steppenwolf Flex Card Memberships include the Steppenwolf Black Card and the Red Card. The Black Card provides six ticket credits that can be used at any time for any production; credits are valid for one year with the option to add on credits as needed. Membership perks include easy and free exchanges, access to seats before the general public, savings on single ticket prices and bar and restaurant discounts for pre- and post-show socializing. The Red Card offers audiences under the age of 30 the option to purchase six ticket credits at a discounted price to use towards any play, anytime.

Steppenwolf’s Subscription Memberships allow audiences to lock in dates, confirm seats in advance and receive all the membership perks. Options include 7-Play, 6-Play and 5-Play Subscription Memberships, in addition to discounted Student/Educator Series and Accessible Series.

To purchase a 2017/18 Subscription Membership, visit Audience Services at 1650 N Halsted St, call 312-335-1650 or visit steppenwolf.org/memberships. Single tickets to the 2017/18 will go on sale at a later date.

Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble has grown to 48 members who represent a remarkable cross-section of actors, directors and playwrights who continue to redefine the landscape of acting and performance. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the School at Steppenwolf for actors; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.

Steppenwolf To Honor Phylicia Rashad and Salute Women In The Arts Monday February 6th

Help Out:

Support Women In The Arts At 

Steppenwolf's annual fundraiser luncheon

TONY AWARD-WINNING ACTOR, SINGER AND STAGE DIRECTOR 

PHYLICIA RASHAD TO BE HONORED AT 

STEPPENWOLF SALUTES WOMEN IN THE ARTS FUNDRAISER 

MONDAY, FEBRUARY 6

Steppenwolf Theatre Company proudly announces stage director, singer and Tony Award-winning actress Phylicia Rashad as the 2017 honoree at the annual Steppenwolf Salutes Women in the Arts fundraising luncheon on Monday, February 6, 2017 at 12noon at Radisson Blu Aqua Hotel, 221 N Columbus Dr. Ms. Rashad joins Steppenwolf Artistic Director Anna D. Shapiro for a riveting conversation about her multifaceted career and her role as a leader in the field.

Phylicia Rashad is a close collaborator with the Steppenwolf ensemble, having starred as Violet Weston in the Shapiro-helmed 2009 Broadway production of August: Osage County and more recently, in ensemble member Tarell Alvin McCraney’s Head of Passes alongside ensemble member Alana Arenas and directed by ensemble member Tina Landau at the Public Theater. Her powerful work on stage has garnered much acclaim. Ms. Rashad was the first African American actor to win the Tony Award for Best Actress in a Play, which she received for her performance of Lena Younger in a revival of A Raisin in the Sun in 2004.

Best known to television audiences for her groundbreaking role of attorney Clair Huxtable on The Cosby Show, for which she received two N.A.A.C.P. Image Awards and two Emmy nominations, Phylicia Rashad returns to television this season with a featured guest-starring role in Empire. Recent film credits include Tyler Perry’s For Colored Girls and the 2015 Rocky spin-off and sequel Creed.

The eighth annual Women in the Arts luncheon brings together nearly 400 leaders from Chicago’s business and civic communities to honor Ms. Rashad for her indelible contribution to the field. The event raises funds for Steppenwolf’s professional development programs, including Steppenwolf for Young Adults, the nationally recognized education program, the School at Steppenwolf, as well as the Professional Leadership Programs, providing apprenticeships, fellowships and internships for the next generation of arts managers and producers.

Table sponsorships, starting at $5,000 for Women in the Arts are currently available. Individual tickets, start at $200. To purchase tickets or learn about table sponsorship opportunities, contact Steppenwolf’s Special Events Department at 312-654-5632 or specialevents@steppenwolf.org.

Lead sponsor of the 2017 Women in the Arts luncheon is BMO Harris Bank. United Airlines is the Official and Exclusive Airline Partner of Steppenwolf Theatre Company.

Previous honorees for Steppenwolf Salutes Women in the Arts include ensemble members Joan Allen, Laurie Metcalf and Martha Plimpton, along with Claire Danes, Juliette Lewis, Julianna Margulies, Margo Martindale, Julianne Nicholson and Mary-Louise Parker.

About the Honoree

Whether she is bringing laughter to millions of television viewers around the world, moving theatre-goers to tears, thrilling movie fans, offering new insights to students by teaching Master Classes at renowned learning institutions that include Howard University, Julliard, and Carnegie Mellon, serving on Boards of prestigious organizations, or breaking new ground as a director, Phylicia Rashad is one of the entertainment world's most extraordinary performing artists.

A native of Houston, Texas, Rashad graduated Magna Cum Laude from Howard University. A versatile performer, Rashad became a household name when she portrayed “Claire Huxtable” on The Cosby Show, a character whose appeal has earned her numerous honors and awards for over two decades. She teamed up with Bill Cosby again on television as “Ruth Lucas” on Cosby. Currently, she has a recurring role as “Diana Dubois'” on the popular Fox TV series Empire and is slated to appear in the upcoming Amazon series,Jean Claude Van Johnson.

While television was a catalyst in the rise of Rashad's career, she has also been a force on the stage, appearing both on and off-Broadway, often in projects that showcase her musical talent such as Jelly's Last Jam, Into The Woods, Dreamgirls and The Wiz.

Inducted into the Theater Hall of Fame in 2016, Ms. Rashad received the 2016 Lucille Lortel Award for Outstanding Leading Actress in a Play for her performance as “Shelah” in Tarell Alvin McCraney's Head of Passes at the Public Theater. She has performed on Broadway as “Violet Weston” in August Osage County, “Big Mama” in Tennessee Williams’ Cat on a Hot Tin Roof (a role that she reprised on the London Stage), “Aunt Ester” in August Wilson’s Gem Of The Ocean, (Tony Award nomination) and “Queen Britannia” in Shakespeare’s Cymbeline at Lincoln Center. Ms. Rashad received both the Drama Desk and the Tony Award for Best Actress in a Play for her riveting performance as “Lena Younger” in the Broadway revival of Lorraine Hansberry’s A Raisin In The Sun. She appeared in Ryan Coogler's Creed, Tyler Perry's Good Deeds and starred in Perry's highly acclaimed film version of Ntozake Shange’s For Colored Girls Who Have Considered Suicide When The Rainbow Is Enuf.

Ms. Rashad made her directorial debut at the Seattle Repertory Theater with August Wilson's Gem of the Ocean. Critics gave her first foray into the directing world rave reviews, saying "Rashad steers Seattle Rep's show with great sensitivity and understanding - for both the text and actors."

Of her work at the helm of The Ebony Repertory Theatre’s production of A Raisin in the Sun in the Spring of 2011, the Los Angeles Times hailed Rashad’s California directing debut by stating that she “…nails the play's rich humor in a solidly rendered production." She remounted the production at the Kirk Douglas Theatre in Los Angeles and at the Westport County Playhouse in Westport, Connecticut. Ms. Rashad has also directed August Wilson's Ma Rainey's Black Bottom and Joe Turner’s Come and Gone at the Mark Taper Forum in Los Angeles (2014 NAACP Theatre Award for Best Director) and Fences at the Longwharf Theatre and the McCarter Theatre. She returned to the Mark Taper Forum in 2015 to direct Paul Oakley Stovall's Immediate Family.

Respected in the academic world, Ms. Rashad is the first recipient of the Denzel Washington Chair in Theatre at Fordham University. She received an Honorary Doctorate from Spelman College where First Lady Michelle Obama delivered the 2011 commencement address. Ms. Rashad conducted Master Classes at the prestigious Ten Chimneys Foundation for the 2015 Lunt Fontanne Fellows. She also holds Honorary Doctorates from Fordham University, Carnegie Mellon University, Howard University, Providence College, Morris Brown College, Clark Atlanta University, Barber Scotia College, St. Augustine College and Brown University.

In 2015, Ms. Rashad received the BET Honors Theatrical Arts Award, Chicago Shakespeare Theatre's Spirit of Shakespeare Award and the Inaugural Legacy Award of the Ruben Santiago Hudson Fine Arts Learning Center. Among the other awards that decorate her walls and shelves are the 2014 Mosaic Woman Legend Award of Diversity Woman Magazine, the Texas Medal of Arts, the National Council of Negro Women's Dorothy L. Height Dreammaker Award, AFTRA’s AMEE Award for Excellence in Entertainment, the Board of Directors of New York Women In Film and Television's Muse Award for Outstanding Vision and Achievement, Dallas Women In Film Topaz Award, Peoples’ Choice Awards, several NAACP Image Awards, and the Pan African Film Festival's Lifetime Achievement Award.

Ms. Rashad serves on the Advisory Board of the PRASAD Project and the Board of Directors of True Colors Theatre, the Broadway Inspirational Voices, The Actors Center, the Center for African American Studies at Princeton University and the ADEPT Center which is steering the restoration of the historic Brainerd Institute.

Steppenwolf Theatre Company is the nation’s premier ensemble theater—redefining the landscape of acting and performance. Formed by a collective of actors in 1976, the ensemble has grown to 46 members who represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead to August: Osage County—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programing includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 14,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. Steppenwolf’s own Front Bar: Coffee and Drinks serves coffee, cocktails and a menu curated in partnership with the Boka Restaurant Group day and night. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees. 

For additional information, visit steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr