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Showing posts with label Medea Material. Show all posts
Showing posts with label Medea Material. Show all posts

Tuesday, June 21, 2022

EXTENDED: Trap Door Theatre's Medea Material Extended by Popular Demand June 23-July 2, 2022

Get excited for 2 more weeks of Medea Material! 

Join us June 23-July 2 for our extension!

Medea Material

Written by: Heiner Müller Translated and Adapted by: Sarah Tolan-Mee Directed by: Max Truax

Music Composed by: Jonathan Guillen



Heiner Müller (Playwright) was one of the most important playwrights of the twentieth century European theater; he was also one of the most controversial and outspoken artists of his time. He was born in 1929 in Saxony, a state in eastern Germany and, apart from writing plays and directing shows, he was a journalist, critic, poet, and philosopher. He received many literary prizes including the Lessing Prize, Germany’s highest literary honor. Müller’s work emerged from the rubble of postwar Europe and its political and economic decay. The division of Germany, the Cold War, and the building of the Berlin Wall in 1961 were important events that contributed to his literary oeuvre. His theatrical models include the ancient Greek tragedians, Shakespeare, and Brecht, but he will be best remembered as the creator of the post-dramatic, non-linear, image-driven synthetic fragment intended to disintegrate the “fourth wall.” Müller’s themes concern human beings in a state of flux due to sociopolitical displacement and, like Brecht, he wanted his audience to ponder and, if necessary, to choose. His best-known plays are Cement (1972), The Hamletmachine (1977), The Mission (1979), Quartet (1981), Medea Material (1982) and Death Destruction Detroit II (1987). Müller died in 1995.

Medea Ensemble. Photo by J. Michael Griggs

Max Truax (he/him/his) has been a Resident Director at Trap Door since 2008. For Trap Door, he has directed many critically acclaimed productions, including No Matter How Hard We Try, The Balcony, They Are Dying Out, A Couple of Poor Polish-Speaking Romanians, and No Darkness Round My Stone. His production of A Couple of Poor Polish-Speaking Romanians went on to perform in both Poland and Romania. He also directed Trap Door's 2011 production of Heiner Muller's Hamletmachine, which he conceived as an opera in collaboration with composer Jonathan Guillen. Max served as Artistic Director for Oracle Productions from 2011 to 2016, where he directed No Beast So Fierce, The President, The Mother, Woyzeck, Ghost Sonata, and Termen Vox Machina. His production of The Mother received 7 Jeff Awards, including awards for “Best Production”, “Best Adaptation”, and “Best Ensemble”. In addition to Chicago, Max has directed for multiple stages in Los Angeles and at the Krannert Center at the University of Illinois Urbana-Champaign. He studied visual art, performance art, and choreography at Oberlin College and he received his MFA in theater directing from California Institute of the Arts. Max currently serves as Artistic Director for Red Tape Theatre.

Assistant Director and Choreography: Claire Bauman / Set Designer: J. Michael Griggs / Lighting Designer: Hannah Wein / Music Composer: Jonathan Guillen / Costume Designer: Rachel Sypniewski / Sound Designer: Danny Rockett / Make-up Designer: Zsofia Otvos / Graphic Designer: Michal Janicki / Stage Manager: Audrey Ney / Assistant Stage Manager: Shannon Rourke

Steven Schaeffer, Miguel Long, Keith Surney, and Emily Nichelson. Photo by J. Michael Griggs

Runs: Thursdays, Fridays, and Saturdays at 8PM, and Sundays at 7PM beginning May 15

Admission: $25, with 2 for 1 admission on Thursdays. https://trapdoor.ticketleap.com/medea-material/

Where: Trap Door Theatre is located at 1655 W. Cortland St.

What: Resident Director Max Truax returns to Trap Door to direct another Heiner Müller piece, after his triumphant production of Hamletmachine, which “calculated chaos and mastered madness with purpose, conviction, theatrical artistry, and artistic integrity.”

Medea Material explores the story of Euripedes’ Medea and its surrounding mythology, and will engage Müller’s poetry and complex intersectionality in a dance theatre spectacle.



Alexis DawTyne and Miguel Long. Photo by J. Michael Griggs


“Under Max Truax’s able direction, this group of actors makes often complicated feelings utterly palpable. I don’t know how they did that and don’t want to ask, but I’m grateful to them for working their dark magic.” -Dmitry Samarov, Chicago Reader  

Featuring: Venice Averyheart, Alexis DawTyne, Catrina Evans, Miguel Long, Emily Lotspeich, Laura Nelson, Emily Nichelson, Steven Schaeffer, and Keith Surney.


Chicago and Trap Door COVID-19 Protocol:

To view the current Trap Door COVID-19 protocol, please visit:

https://trapdoortheatre.com/chicago-and-trap-door-covid-19-protocol/

This protocol is subject to change as the League of Chicago Theaters updates their recommendations for indoor theater performances.

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