REVIEW: Stories With Branches Enlighten in I Do Today at Greenhouse Theater Center

THE GREENHOUSE THEATER CENTER 

PRESENTS THE WORLD PREMIERE OF 

“I DO TODAY” 

Through OCT. 9th

Chicago natives, playwright Sarah Myers and Carin Silkaitis make a stellar story telling team, and this tale has branches and tangents galore. Sarah's family tree has roots and a lineage of Biblical proportions that fills an entire wall! She's delightfully full of contradictions, ordained to marry others, yet cynical about the marriage institution. She's a bisexual woman who has loved other women, yet marries men. Both of her parents are serial divorce/remarriage machines and she's lost track of all the step siblings, relatives never met. Sarah includes an assortment of lovers, crushes, imaginary friends, and religious figures to the mix. Add in the tangle of separating an inescapable Jewish heritage from an optional active Jewish faith, and you've got a unique take on not only Sarah's personal story, but that of modern families as well. 

All photos by Michael Brosilow

Carin does justice to this quirky script with the charisma and character necessary to carry a solo show. The personal is political with this production and I Do Today does an excellent job of highlighting the hypocrisy and hope of society's current marriage issues. I Do Today throws in current legal marriage contradictions, including quotes from "The Notorious RBG", Justice Ruth Bader Ginsburg, and others. Our take away was, stop waiting around and embrace your own unique family past and future. Marry your best friend, someone who accepts the best and worst of you, through doubts, fears and good times. Ultimately this show highlights just how complicated and wonderful relationships, family, religion, sexuality, and the messy business of being human can be. Recommended. 

Chi, IL LIVE Shows On Our Radar:

Failed relationships, former lovers and half-eaten wedding cake clutters the mind of one Jewish woman determined to track the trajectory of love and loss in her life thus far. As the play builds a constantly confounding and quickly changing family tree of many marriages (and even more divorces), it poses questions about how modern marriage fits in with potentially outdated ideals. Bisexuality, Kabbalah and baby teeth dangle from the many branches of this thoughtful play, exploring how we might use our inheritances to reimagine what's possible.

Carin Silkaitis Stars In a One- Person Play Challenging Old Ideals of Love, Sexuality and Commitment

Here at ChiIL Live Shows, we've caught all but 2 of the Solo Celebration Shows so far this season and highly recommend coming out to Greenhouse Theatre for this excellent series. The topics have run the gamut from heartfelt to hilarious and everything in between. All have brought something unique to the table. 

The World Premiere of “I Do Today” will run at the Greenhouse Theater Center (2257 N. Lincoln Ave) through Oct. 9. Co-produced with The Other Theatre Company, written by Sarah Myers and starring Carin Silkaitis, “I Do Today” will be directed by Greenhouse’s Artistic Director Jacob Harvey, making his Chicago directorial debut.   

In “I Do Today,” Silkaitis portrays a Jewish woman determined to uproot a family tree grown wild with multiple marriages, dates and even more divorces. As she delves deeper into her own subconscious, she must grapple with her past, questioning how it has defined her and what it means in this moment. She quickly discovers that she must challenge the notions of love, sexuality and commitment in a world where modern marriage refuses to fit into old ideals.

“This innovative new play about one woman’s internal explorations allows all of us an opportunity to identify and assemble the pieces of ourselves that constitute who we are today and who we might be tomorrow,” said Harvey.  “Myers has crafted a theatrical puzzle that this ensemble of collaborators and I has been able to assemble in an unexpected and captivating evening of theater.”

The performance schedule for “I Do Today” is as follows: Thursday – Saturdays at 7:30 p.m.  and Saturdays and Sundays at 2 p.m. Performances continue through Oct. 9.

Flex passes to the Solo Celebration! series, which offers admissions to three plays for $99 or five plays for $164, are now on sale.  Single tickets, which range in price from $34 – 48 are also on sale.  Flex passes and tickets can be purchased by contacting the box office at 773-404-7336 or by visiting greenhousetheater.org.

Sarah Myers is a Chicago native currently living in Minneapolis. Her work has been produced and developed at the Wild Project (New York); the Side Project with The Other Theatre Company, The Women & Theater Conference (Chicago); FronteraFest, the Off Center, the Blue Theater, the David Mark Cohen New Works Festival (Austin); and Indiana Repertory Theater (Indianapolis), among others. Myers’ published plays include “The Realm” (Bonderman National Youth Playwriting Award), “God of the Gaps” (Pushcart Prize nominee), and “In and Out.” Myers is a former company member of Austin-based theater collective Rude Mechanicals, an associate member of Twin Cities-based Workhaus Collective, and an ongoing collaborator with Sod House Theater, a company that creates adaptations and new works with communities throughout Minnesota.

Carin Silkaitis is the founding Artistic Director of The Other Theatre Company where her credits include “The Realm and Other Letters,” “Others,” “Daughters of Ire” and “Barney the Elf.”  Notable television/film credits include: a co-staring role on “Chicago Fire,” nurse in “Unexpected” and Maggie in the short film “Blood and Water.” Silkaitis recently shot back-to-back commercials for the Arkansas Lottery, a recent spot for The Onion and a commercial for Progressive Insurance and Instant Care. Notable theater credits include Chloe in “Lips Together, Teeth Apart,” “Sons of the Prophet,” Queen Margaret in “Richard III,” Mama/Sherry/Vera in “Distracted” and Izzy in “Rabbit Hole” (Goodman Theatre).

Jacob Harvey is the Artistic Director of the Greenhouse Theater Center. Harvey is also a producer for Your Theatrics International, a full service entertainment production company, specializing in the production of theatrical events around the world. He was awarded the Bret C. Harte Director/Producer Fellowship for Berkeley Repertory Theatre’s 2013/14 Season; served as Associate Producer and Interim Director of Programming for the Drama Desk Award Winning New York Musical Theatre Festival; and served as the Co-Artistic Director of the Ovation Award-Nominated Mechanicals Theatre Group in Los Angeles. He was the co-producer of “Ladyhawks” (NYMF 2013 Best of Fest under the title Volleygirls); the associate producer of Ryan Scott Oliver’s “35MM: A Musical Exhibition” and the director of the Eberhardt and Collyer musical “Right Together, Left Together.”  Other directing credits include, “Mr. Marmalade” (The Theatricians), “The Shape of Things” (Silver Bell Productions), the world premiere of “The Many Selves of Mia Scott” (Carrie Hamilton Theater) and assistant director of the world premiere of Marcus Gardley’s “The House The Will Not Stand” (Berkeley Repertory Theatre). 

About The Other Theatre Company

The Other Theatre Company is dedicated to telling the stories of individuals or groups who are “othered” by systems of oppression. Othering individuals or groups sustains power and privilege and is an "us" vs. "them" mentality often centered around race, ethnicity, sexuality, gender, identity, class, religion, and ability. The Other Theatre Company is committed to telling these stories in the hope that we can lessen the amount of discrimination and oppression in our world. 

An Illinois non-profit, TOTC was founded in 2014 in Chicago, Illinois with their first festival titled “Others: A 24 Hour Play Festival.”  Since then, their season has expanded to include three shows a year, including their annual production of “Barney the Elf” (a musical parody of the film Elf starring Will Ferrell). 

About Solo Celebration! 

 “I Do Today” is one of 12 plays featured in Greenhouse’s “Solo Celebration!,” which includes ten full productions, two limited engagements and other special events running June 2016 through February 2017. Among the other directors connected to solo series are Goodman Theatre Producer and Artistic Collective Member Steve Scott, Writer’s Theatre Resident Director Kimberly Senior, Directors Lab Chicago Artistic Director Elizabeth Margolius and Remy Bumppo Artistic Associate Linda Gillum. Some of the performers confirmed to star in solo works include Jeff Award-winners Kate Buddeke, Gene Weygandt, Linda Reiter acclaimed British actor Simon Slater, Will Allan and Carin Silkaitis. Most productions will be produced in their entirety by Greenhouse, while other plays will be stated with co-producers including Sideshow Theatre Company and The Other Theatre Company. Greenhouse’s “Solo Celebration!” is co-produced by Forum Productions and underwritten by the Wendy and William Spatz Charitable Foundation.

About the Greenhouse Theater Center. 

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N Lincoln Ave, in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room, and Chicago’s only dedicated used theatre book store.

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumpo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce.

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our 8 month long Solo Celebration Series, helmed by Artistic Director Jacob Harvey, we will produce 12 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play.

With new ideas always incubating, the Greenhouse Theater Center is flourishing.

Come grow with us!

SAVE THE DATES: CHICAGO PREMIERE OF “UNCLE PHILIP’S COAT” To Star Gene Weygandt

Chi, IL LIVE Shows On Our Radar:

THE GREENHOUSE THEATER CENTER PRESENTS THE CHICAGO PREMIERE OF “UNCLE PHILIP’S COAT” 

PLAYING NOVEMBER 27 – DECEMBER 31

Chicago/Broadway Actor and 

Three-Time Jeff Award Winner Gene Weygandt 

Stars in this Personal Journey 

of Self-Discovery

Here at ChiIL Mama and ChiIL Live Shows we've adored Gene Weygandt's work since long before we had the chance to catch him for a video interview during his stint as Jean Shepherd in “A Christmas Story, The Musical.”at Chicago Theatre. We can't wait to see his take on “Uncle Philip’s Coat” for Solo Celebration! at Greenhouse.

The Chicago Premiere of playwright Matty Selman’s “Uncle Philip’s Coat” will run at the Greenhouse Theater Center (2257 N. Lincoln Ave) Nov. 27 – Dec. 31. Directed by Elizabeth Margolius and starring Gene Weygandt (best known as The Wonderful Wizard of Oz in “Wicked” in Chicago and on Broadway), “Uncle Philip’s Coat” follows Matty on his humorous and heartfelt journey of personal discovery, sparked by his inheritance of a tattered coat from his eccentric Russian-Jewish immigrant uncle Philip. The press opening will be on Friday, December 2 at 7:30 p.m. 

When Matty, an unemployed actor, is given an old, decrepit coat from his recently deceased great-uncle Philip, he is unsure whether he has been given an heirloom or a heap of rags. Through his attempts to find the answer, he travels across time, territories and tragedies in an effort to uncover the history of an unfaltering dreamer. “Uncle Philip’s Coat” poses larger questions of family, mythology and the inheritance of a Jewish son. How did a man who made it to the land of opportunity become a homeless wanderer, and what can he teach us about the stories that we tell to surround ourselves and keep away the cold?

“This play questions the ways in which we inherit our history, and asks us to follow Matty as he discovers a past that his parents would rather remain a distant yesterday,” said Greenhouse Artistic Director Jacob Harvey.  “I am thrilled to have the incomparable Gene Weygandt in this series and with Elizabeth Margolius at the helm, ‘Uncle Philip’s Coat’ promises to be a vibrant and haunting production.”

Lawrence Van Gelder, reviewing the play for The New York Times, called “Uncle Philip’s Coat”  “funny, insightful and often touching.”  Clive Barnes, reviewing “Uncle Philip’s Coat” in the New York Post called it "a remarkable and virtuosic one-man, one-act play.”  Miriam Rinn, reviewing for The Jewish Standard, called it “riveting and touching, an evocation of a man who deserves our attention, and a poignant assertion of the value of a life.”

The performance schedule for “Uncle Philip’s Coat” is as follows: Wednesday – Saturdays at 8 p.m.  and Saturdays and Sundays at 2:30 p.m. Previews begin Nov. 27, and the opening night is Friday, December 2 at 7:30 p.m. Performances continue through Dec. 31.  The press opening will be on Friday, December 2 at 7:30 p.m. 

Flex passes to the Solo Celebration! series, which offers admissions to three plays for $99 or five plays for $164, are now on sale.  Preview tickets are $34.  Single tickets range in price from $42 – 48.  Flex passes and tickets can be purchased by contacting the box office at 773-404-7336 or by visiting greenhousetheater.org.

Gene Weygandt is one of Chicago’s most acclaimed actors, perhaps best known for his portrayal of The Wonderful Wizard of Oz in “Wicked” in Chicago, and on Broadway. He also starred as Jean Shepherd in “A Christmas Story, The Musical.” Also on Broadway, Weygandt originated the role of Paul in “Big: The Musical.” He is a three-time Jeff Award recipient for “A Day in Hollywood/A Night in The Ukraine,” and “Me and My Girl” at The Marriott Theatre, and for “Little Shop of Horrors.” He received an After Dark Award for his role as Max in the long-running hit, “Lend Me a Tenor” at The Royal George Theatre. Other credits include “Inspecting Carol” at Steppenwolf Theatre Company, “The Taming of the Shrew” at Chicago Shakespeare Theater, and principal roles in “Old Jews Telling Jokes,” “The Miser,” “Arthur: the Musical,” “The Light In The Piazza,” “Hairspray,” “The Music Man,” Don’t Dress for Dinner,” “Little Me,” and “The Man Who Came To Dinner.” Weygandt’s TV and film credits include “The Birdcage,” “The Babe,” and “The Pager,” “Chicago Fire,” “Betrayal,” “Boss,” “Mind Games,” “The Beast,” “Home Improvement,” “Cybill,” “Murphy Brown,” “Drew Carey” and more.

Elizabeth Margolius has worked with theaters and universities in various capacities throughout the country, including the Santa Fe Opera, Florida Studio Theatre, the Virginia Shakespeare Festival, New York’s Encompass New Opera Theatre, Millikin University, the University of Northern Iowa, and the University of Nebraska. In 2015, Margolius was invited back to her alma mater, Converse School of Music in Spartanburg, SC, to direct the world premiere of a new opera/oratorio, “Troiades.” Her Chicago directorial credits include “Sitayana” (Gift Theatre's TEN Festival), “L'Occasione Fa Il Ladro (A Thief by Chance)” and “Twelfth Night” (DePaul Opera Theatre), “The Girl in the Train,” “The Land of Smiles” and “The Cousin from Nowhere” (Chicago Folks Operetta), “Goldstar, Ohio” (American Theater Company), “The Ballad of Baby Doe” (North Park University), “The Merry Wives of Windsor” (Chicago Shakespeare Theater; Assistant Director to Barbara Gaines), “The Mikado” (Savoyaires), “The Last Cyclist” (Genesis Theatrical Productions), “Death Takes a Holiday” for Circle Theatre and “Opus 1861” (City Lit Theater; nominated for three Joseph Jefferson Awards) “Violet” (Bailiwick Chicago; nominated for five Joseph Jefferson Awards), “Broadway Sings the Silk Road” (Silk Road Theatre Project) and “Bernarda Alba” and “Songs for a New World” (Bohemian Theatre Ensemble). Margolius has also directed works at Harper College, Theatre Building Chicago/New Musical Development, Theatre on the Lake, Stage Left Theatre, Live Bait Theater and the Center for Cultural Interchange. Margolius is an alumna of the 2004 and 2005 Lincoln Center Theater Directors Lab in New York, a 2007 recipient of a full directorial scholarship at the Wesley Balk Opera-Music Theater Institute in Minneapolis, a 2009 respondent and workshop artist for the Kennedy Center’s American College Theatre Festival, and a 2010 finalist for the Charles Abbott Fellowship. She is the Co-Founder and Artistic Director of DirectorsLabChicago, a forum for emerging nationally and internationally based stage directors.

Matty Selman is the author of “Uncle Philip’s Coat,” a Herbert Berghof Memorial Play, which is included in the permanent collection of the National Foundation for Jewish Culture. Selman has written three musicals in collaboration with “Agnes of God” playwright John Pielmeier, including “Young Rube” (music and lyrics) “Steeplechase The Funny Place” (music and lyrics) and “Slow Dance with a Hot Pickup” (music and lyrics). Selman was selected by A.R.T. Founder and Artistic Director, Robert Brustein, to write the lyrics for “Lysistrata,” with music by “HAIR” composer, Galt MacDermot, and starring Tony Award winner Cherry Jones. “Lysistrata” was a co-production of A.R.T. in Cambridge, MA and The Prince Music Theatre, Philadelphia, PA.  Galt and Selman then wrote “Goddess Wheel” developed at CAP21 (Collaborative Arts Project 21) and currently, “The Tinderbox,” which had its premiere performance at Carnegie Hall’s Weil Hall.  Selman’s Irish musical, “Parcel From America,” was produced in at the Oregon Cabaret Theatre in Ashland, Oregon. Selman received the Emmy Award for writing and producing the theme and incidental music for “Martha Stewart Living” on CBS and “B. Smith with Style.” Other awards include a playwriting grant from BACA (Brooklyn Arts and Cultural Association). Selman is a writer/publisher member of ASCAP, a member of the Dramatists Guild and serves on the Board of Directors/Script Selection Committee for the New Harmony Project, a not-for-profit organization that supports writers whose work explores the journey of the human spirit.

About Solo Celebration! 

“Uncle Philip’s Coat” is one of 12 plays featured in Greenhouse’s “Solo Celebration!,” which includes ten full productions, two limited engagements and other special events running June 2016 through February 2017. Among the other directors connected to solo series are Goodman Theatre Producer and Artistic Collective Member Steve Scott, Writer’s Theatre Resident Director Kimberly Senior, Directors Lab Chicago Artistic Director Elizabeth Margolius and Remy Bumppo Artistic Associate Linda Gillum. Some of the performers confirmed to star in solo works include Jeff Award-winners Kate Buddeke, Gene Weygandt, Linda Reiter acclaimed British actor Simon Slater, Will Allan and Carin Silkaitis. Most productions will be produced in their entirety by Greenhouse, while other plays will be stated with co-producers including Sideshow Theatre Company and The Other Theatre Company. Greenhouse’s “Solo Celebration!” is co-produced by Forum Productions and underwritten by the Wendy and William Spatz Charitable Foundation.

About the Greenhouse Theater Center. 

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N Lincoln Ave, in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room, and Chicago’s only dedicated used theatre book store.

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumpo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce.

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our 8 month long Solo Celebration Series, helmed by Artistic Director Jacob Harvey, we will produce 12 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play.

With new ideas always incubating, the Greenhouse Theater Center is flourishing. Come grow with us!

REVIEW: Nuanced Noir And Magnificent Misdirection Prevail in Bloodshot

Chi, IL LIVE Shows On Our Radar:

Bloodshot at Solo Celebration

I caught opening night with my 15 year old son and we both loved it! This show is full of magic, mystery, misdirection, miscreants, swallowed razor blades and a few sweet sax solos in the mix too. I've got to admit, Bloodshot is one of our favorites of all the productions currently running citywide. Highly recommended.

THE GREENHOUSE THEATER CENTER PRESENTS THE U.S. PREMIERE OF THE HIT FROM LONDON’S WEST END, 

“BLOODSHOT,” 

RUNNING THROUGH SEPT. 10

Written by award winning Chicago playwright Douglas Post and directed by Patrick Sandford

Greenhouse’s Solo Celebration! Continues with a Thriller Written By Chicago Playwright Douglas Post and Starring Simon Slater. 

Simon Slater was born to play this role... literally. In a part custom written to show off his skills, this jaded 1950's gumshoe takes audiences on a wild ride that runs the gamut from banjo strumming and Vaudeville schtick to nuanced noir and convoluted plots that will captivate till the final curtain call! If you haven't seen it yet, what are you waiting for?! GO already. Highly recommended. 

“Bloodshot” makes its U.S. debut at the Greenhouse Theater Center (2257 N. Lincoln Ave.) Aug. 10 – Sept. 10 as part of Greenhouse’s “Solo Celebration!” series. Starring acclaimed international actor, the multi-talented Simon Slater, written by award winning Chicago playwright Douglas Post and directed by Patrick Sandford, “Bloodshot,” is a one-man murder mystery following the character Derek Eveleigh, a photographer in 1957 London. The thriller is co-produced by Ingenious Purpose Ltd. The press performance for “Bloodshot” is Saturday, August 16 at 7:30 p.m.

“In curating the Solo Celebration series, we were searching for plays that not only celebrated the form but redefined what it could do. Douglas Post has done all of that and more with his one-man thriller,” says Jacob Harvey, Artistic Director. “We are honored to host the premiere of the international efforts of a local playwright, and are thrilled that it brings acclaimed artists Simon Slater and Patrick Sandford to our city.”

The one-man murder mystery “Bloodshot” tells the story of Derek Eveleigh as he is hired by an anonymous client to follow a mysterious showgirl in the streets of London. After witnessing the woman’s murder by an unknown assailant, he begins an investigation through the bowels and backstreets of London where he finds himself falling in love with a dead woman he’s never even met.

Post was commissioned by Slater to write a play to showcase his diverse talents as a singer, actor, magician and musician (equally adept on multiple instruments,) and the product of their partnership was “Bloodshot,” one of the only solo thriller plays written. Charles Spencer of the The Telegraph praised the play, saying “the ingenious writing of Douglas Post … has so cleverly reinvented the possibilities of the stage thriller.” Spencer called the show “a thriller that genuinely holds the spectator in its thrall.” Touring in England and throughout Europe, “Bloodshot” has amazed, thrilled and rattled audiences since 2011.

Simon Slater is an award-winning composer of more than 200 original scores for theater, film, television and radio. As an actor he is a familiar face on British television, as well as having appeared in films and many critically-acclaimed theater productions in London and abroad. Recently, Slater’s theater credits include “Chariots Of Fire,” “Wonderland,” “Bloodshot” (St James' Theatre London, Vertigo Theatre Calgary), “Viva Forever,” and “Mamma Mia!” Slater was nominated for a Betty award in the category of “best performance in a drama” for his role in “Bloodshot.” Slater’s film appearances include “The Iron Lady,” “Dealers,” “The Fool,” and the award winning short film “Detour.” Most recently he was nominated for an Olivier Award for his music for “Constellations,” “Great Expectations,” “Raving,” “The Lady and the Van” and “Romeo and Juliet.”

Doulas Post is a Chicago-based award winning playwright. Post has written works including “Cynical Weathers,” “Blissfield,” “Drowning Sorrows,” “Earth and Sky” and “Murder in Green Meadows.” Post has also written several musicals, which include “God and Country,” “The Real Life Story of Johnny de Facto” and “The Wind in the Willows.” His work have been produced in New York, Chicago, Los Angeles, Canada, England, Wales, Germany, Austria, Russia and China. He has also been commissioned to write screenplays for Warner Bros. and NBC, teleplays for WMAQ­TV, and several radio adaptations of his scripts. On three occasions, he has been selected to develop his work at the O'Neill National Playwrights Conference and once at the O'Neill National Music Theater Conference. He has received the L. Arnold Weissberger Playwriting Award, the Midwestern Playwrights Festival Award, the Cunningham Commission Award, the Blue Ink Playwriting Award and three Playwriting Fellowship Awards from the Illinois Arts Council, and has been nominated for a Jeff Award and an Emmy Award.

Patrick Sandford is a British producer, director and artistic director. Sandford won the UK Theatre Managers Association award for Best Director for “The Winter Wife,” a play by Claire Tomalin, and for Shakespeare's “Much Ado About Nothing.” He has worked extensively across the UK and in London, both in the West End and on the Fringe. His recent work includes “Bully Boy,” a new play by Sandi Toksvig. His production of Chekov's “Three Sisters” was nominated Best Touring Production. He directed A “Midsummer Night's Dream” in Capetown shortly after the ending of Apartheid, “Oedipus Rex” in the ancient outdoor amphitheater in Paphos, Cyprus, and “Twelfth Night,” in French at the Theatre des 2 Rives in Rouen, France.

About Solo Celebration! 

“Bloodshot” is one of 12 plays featured in Greenhouse’s “Solo Celebration!,” which includes ten full productions, two limited engagements and other special events running June 2016 through February 2017. Among the other directors connected to solo series are Goodman Theatre Producer and Artistic Collective Member Steve Scott, Writer’s Theatre Resident Director Kimberly Senior, Directors Lab Chicago Artistic Director Elizabeth Margolius and Remy Bumppo Artistic Associate Linda Gillum. Some of the performers confirmed to star in solo works include Jeff Award-winners Kate Buddeke, Gene Weygandt, Linda Reiter acclaimed British actor Simon Slater, Will Allan and Carin Silkaitis. Most productions will be produced in their entirety by Greenhouse, while other plays will be stated with co-producers including Sideshow Theatre Company and The Other Theatre Company. Greenhouse’s “Solo Celebration!” is co-produced by Forum Productions and underwritten by the Wendy and William Spatz Charitable Foundation.

About the Greenhouse Theater Center. 

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N Lincoln Ave, in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room, and Chicago’s only dedicated used theatre book store.

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumpo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce.

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our 8 month long Solo Celebration Series, helmed by Artistic Director Jacob Harvey, we will produce 12 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play.

With new ideas always incubating, the Greenhouse Theater Center is flourishing.

Come grow with us! 

OPENING: "ROSE" Brings Post Chappaquiddick ROSE FITZGERALD KENNEDY to Solo Celebration series at the Greenhouse Theater Center

Chi, IL LIVE Shows On Our Radar:

“ROSE,” 

LAURENCE LEAMER’S BIOGRAPHICAL PLAY ABOUT ROSE FITZGERALD KENNEDY, TO PLAY GREENHOUSE THEATER CENTER UNDER THE DIRECTION OF STEVE SCOTT, AUG. 19 – SEPT. 25

Award-Winning Actress Linda Reiter Portrays Kennedy Family Matriarch in the Hours Following the Chappaquiddick Tragedy

As part of the Solo Celebration series, the Greenhouse Theater Center (2257 N. Lincoln Ave.) will present “Rose,” the Chicago area premiere of best-selling Kennedy biographer Laurence Leamer’s one-woman play about Rose Fitzgerald Kennedy, Aug. 19 – Sept. 25.  The play is directed by Goodman Theatre Producer and Artistic Collective Member Steve Scott and will star six-time Joseph Jefferson Award recipient Linda Reiter.  The press performance is Wednesday, Aug. 24 at 7:30 p.m.

Based on 40 hours of previously unreleased interviews Rose Kennedy made while working on her ghost-written autobiography, “Rose” is the Kennedy story as told by the matriarch who lived it all. The intimate, one-character drama is set in 1969 at the Kennedy's Hyannis Port compound after Teddy's fateful accident at Chappaquiddick. As Rose struggles with all the tragedies the Kennedys have overcome, she also uncovers new questions about the choices that led to the construction of an American dynasty. “Rose” tells her extraordinary story, in her own words, taking the audience on a fascinating and unexpected journey through our not-so-distant political past.

“The Kennedys are arguably the most fascinating family in American history,” said Greenhouse Artistic Director Jacob Harvey.  “Laurence Leamer was granted unprecedented access to the candid, unflinching words of Rose Kennedy as she speaks to the triumph and tragedy of a life in the public eye.  Steve Scott and Linda Reiter are an unrivaled team of artists who are beautifully bringing this story out of the interview formant and onto the stage.”

Chicago-born author Laurence Leamer is an award-winning journalist and historian who has written fourteen books, many of them bestsellers.  He is widely regarded as one of the world’s foremost experts on the Kennedy family, having written three best-selling books telling their story: “The Kennedy Women,” “The Kennedy Men” and “Sons of Camelot.” He has also written best-selling biographies of other American icons, including Johnny Carson, the Reagan family, and Arnold Schwarzenegger.

Steve Scott is the Producer of Goodman Theatre, where he has overseen more than 200 productions; he is also a member of Goodman’s Artistic Collective.  His Goodman directing credits include “Vanya and Sonia and Masha and Spike,” Horton Foote’s “Blind Date,” “Rabbit Hole,” “Binky Rudich and the Two-Speed Clock” and “No One Will Be Immune” for the David Mamet Festival, “Dinner With Friends,” “Wit,” the world premiere of Tom Mula’s “Jacob Marley’s Christmas Carol,” “A Midsummer Night’s Dream” (co-directed with Michael Maggio) and the 2011 and 2012 editions of “A Christmas Carol.”  He also has directed at Silk Road Rising, American Blues Theatre, A Red Orchid Theatre, Redtwist Theatre, Northlight Theatre, Shattered Globe Theatre, The Next Theatre Company, and many others. He is the recipient of five Jeff nominations, an After Dark Award, the Illinois Theatre Association’s Award of Honor and Eclipse Theatre Company’s Corona Award. 

Linda Reiter debuted in her first solo performance in “The Testament of Mary” at Victory Gardens Theater, for which she received a Joseph Jefferson nomination for best solo performance. She is an ensemble member of Shattered Globe Theatre where she has performed in 41 productions in their 25 years, last appearing in “Marvin's Room.” She has garnered Joseph Jefferson Awards in the non-equity category for the roles in “The Manchurian Candidate,” “Who's Afraid of Virginia Woolf?,” “All My Sons,” “Les Liaisons Dangereuses,” “Invitation to a March” and “Bondagers.” She received nominations in the equity category for “Come Back, Little Sheba,” “The Price” and “The Road to Mecca.” She also has performed at Court Theatre, Remy Bumppo Theatre, Goodman Theatre and Live Bait Theatre.

The creative team includes: Scenic Designer Kevin Hagen, Lighting Designer Cat Wilson, Costume Designer Rachel Lamber, Sound Designer Christopher Kriz and Stage Manager Ashley Bowman.

The preview performance schedule for “Rose” is as follows:  Aug. 19 – 21 at 7:30 p.m. The press performance will be Wednesday, Aug. 24 at 7:30 p.m.  Regular performances are Wednesdays – Saturdays at 7:30 p.m. and Saturdays and Sundays at 2 p.m.

Flex passes to the Solo Celebration! series, which offers admissions to three plays for $99 or five plays for $164, are now on sale.  Single tickets, which range in price from $34 – 48 are also on sale.  Flex passes and tickets can be purchased by contacting the box office at 773-404-7336 or by visiting greenhousetheater.org.

 About Solo Celebration! 

 “Rose” is one of 12 plays featured in Greenhouse’s “Solo Celebration!,” which includes ten full productions, two limited engagements and other special events running June 2016 through February 2017. Among the other directors connected to solo series are Goodman Theatre Producer and Artistic Collective Member Steve Scott, Writer’s Theatre Resident Director Kimberly Senior, Directors Lab Chicago Artistic Director Elizabeth Margolius and Remy Bumppo Artistic Associate Linda Gillum. Some of the performers confirmed to star in solo works include Jeff Award-winners Kate Buddeke, Gene Weygandt, Linda Reiter acclaimed British actor Simon Slater, Will Allan and Carin Silkaitis. Most productions will be produced in their entirety by Greenhouse, while other plays will be stated with co-producers including Sideshow Theatre Company and The Other Theatre Company. Greenhouse’s “Solo Celebration!” is co-produced by Forum Productions and underwritten by the Wendy and William Spatz Charitable Foundation.

About the Greenhouse Theater Center. 

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N Lincoln Ave, in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room, and Chicago’s only dedicated used theatre book store.

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumpo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce.

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our 8 month long Solo Celebration Series, helmed by Artistic Director Jacob Harvey, we will produce 12 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play.

With new ideas always incubating, the Greenhouse Theater Center is flourishing. Come grow with us!

OPENING: US Debut of 1 Man Murder Mystery "Bloodshot" at Greenhouse Theater Center's Solo Celebration!

Chi, IL LIVE Shows On Our Radar:

"Bloodshot" at Solo Celebration

8/10-9/10

“Bloodshot” makes its U.S. debut at the Greenhouse Theater Center (2257 N. Lincoln Ave.) Aug. 10 – Sept. 10 as part of Greenhouse’s “Solo Celebration!” series. Starring acclaimed international actor, the multi-talented Simon Slater, written by award winning Chicago playwright Douglas Post and directed by Patrick Sandford, “Bloodshot,” is a one-man murder mystery following the character Derek Eveleigh, a photographer in 1957 London. The thriller is co-produced by Ingenious Purpose Ltd. 

“In curating the Solo Celebration series, we were searching for plays that not only celebrated the form but redefined what it could do. Douglas Post has done all of that and more with his one-man thriller,” says Jacob Harvey, Artistic Director. “We are honored to host the premiere of the international efforts of a local playwright, and are thrilled that it brings acclaimed artists Simon Slater and Patrick Sandford to our city.”

The one-man murder mystery “Bloodshot” tells the story of Derek Eveleigh as he is hired by an anonymous client to follow a mysterious showgirl in the streets of London. After witnessing the woman’s murder by an unknown assailant, he begins an investigation through the bowels and backstreets of London where he finds himself falling in love with a dead woman he’s never even met.

Post was commissioned by Slater to write a play  to showcase his diverse talents as a singer, actor, magician and musician (equally adept on multiple instruments,) and the product of their partnership was “Bloodshot,” one of the only solo thriller plays written. Charles Spencer of the The Telegraph praised the play, saying “the ingenious writing of Douglas Post … has so cleverly reinvented the possibilities of the stage thriller.” Spencer called the show “a thriller that genuinely holds the spectator in its thrall.” Touring in England and throughout Europe, “Bloodshot” has amazed, thrilled and rattled audiences since 2011.

Simon Slater is an award-winning composer of more than 200 original scores for theater, film, television and radio. As an actor he is a familiar face on British television, as well as having appeared in films and many critically-acclaimed theater productions in London and abroad. Recently, Slater’s theater credits include “Chariots Of Fire,” “Wonderland,” “Bloodshot” (St James' Theatre London, Vertigo Theatre Calgary), “Viva Forever,” and “Mamma Mia!” Slater was nominated for a Betty award in the category of “best performance in a drama” for his role in “Bloodshot.” Slater’s film appearances include “The Iron Lady,” “Dealers,” “The Fool,” and the award winning short film “Detour.” Most recently he was nominated for an Olivier Award for his music for “Constellations,” “Great Expectations,” “Raving,” “The Lady and the Van” and “Romeo and Juliet.”

Doulas Post is a Chicago-based award winning playwright. Post has written works including “Cynical Weathers,” “Blissfield,” “Drowning Sorrows,” “Earth and Sky” and “Murder in Green Meadows.” Post has also written several musicals, which include “God and Country,” “The Real Life Story of Johnny de Facto” and “The Wind in the Willows.” His work have been produced in New York, Chicago, Los Angeles, Canada, England, Wales, Germany, Austria, Russia and China. He has also been commissioned to write screenplays for Warner Bros. and NBC, teleplays for WMAQ­TV, and several radio adaptations of his scripts. On three occasions, he has been selected to develop his work at the O'Neill National Playwrights Conference and once at the O'Neill National Music Theater Conference. He has received the L. Arnold Weissberger Playwriting Award, the Midwestern Playwrights Festival Award, the Cunningham Commission Award, the Blue Ink Playwriting Award and three Playwriting Fellowship Awards from the Illinois Arts Council, and has been nominated for a Jeff Award and an Emmy Award.

Patrick Sandford is a British producer, director and artistic director. Sandford won the UK Theatre Managers Association award for Best Director for “The Winter Wife,” a play by Claire Tomalin, and for Shakespeare's “Much Ado About Nothing.” He has worked extensively across the UK and in London, both in the West End and on the Fringe. His recent work includes “Bully Boy,” a new play by Sandi Toksvig. His production of Chekov's “Three Sisters” was nominated Best Touring Production. He directed A “Midsummer Night's Dream” in Capetown shortly after the ending of Apartheid, “Oedipus Rex” in the ancient outdoor amphitheater in Paphos, Cyprus, and “Twelfth Night,” in French at the Theatre des 2 Rives in Rouen, France.

About Solo Celebration! 

“Bloodshot” is one of 12 plays featured in Greenhouse’s “Solo Celebration!,” which includes ten full productions, two limited engagements and other special events running June 2016 through February 2017. Among the other directors connected to solo series are Goodman Theatre Producer and Artistic Collective Member Steve Scott, Writer’s Theatre Resident Director Kimberly Senior, Directors Lab Chicago Artistic Director Elizabeth Margolius and Remy Bumppo Artistic Associate Linda Gillum. Some of the performers confirmed to star in solo works include Jeff Award-winners Kate Buddeke, Gene Weygandt, Linda Reiter acclaimed British actor Simon Slater, Will Allan and Carin Silkaitis. Most productions will be produced in their entirety by Greenhouse, while other plays will be stated with co-producers including Sideshow Theatre Company and The Other Theatre Company. Greenhouse’s “Solo Celebration!” is co-produced by Forum Productions and underwritten by the Wendy and William Spatz Charitable Foundation.

About the Greenhouse Theater Center. 

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N Lincoln Ave, in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room, and Chicago’s only dedicated used theatre book store.

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumpo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce.

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our 8 month long Solo Celebration Series, helmed by Artistic Director Jacob Harvey, we will produce 12 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play.

With new ideas always incubating, the Greenhouse Theater Center is flourishing.

Come grow with us!

REVIEW: Cathy Schenkelberg's “SQUEEZE MY CANS” at Greenhouse Theater's Solo Celebration

GREENHOUSE THEATER CENTER'S SOLO CELEBRATION PRESENTS  LIMITED ENGAGEMENT RUN OF 

“SQUEEZE MY CANS,” 

JULY 14 – JULY 24

Takes Audiences Through the No-Holds-Barred Tale of Surviving Scientology

It was my great pleasure to catch opening night of Cathy Schenkelberg's “Squeeze My Cans” last Thursday. She's a mom, actress, singer, writer, recovering Scientologist, and all around funny gal. This marks the 3rd show in Greenhouse Theater's excellent Solo Celebration series. 

One woman shows are challenging and intense to write and perform and Schenkelberg pulls it off with humor, grace and style. This piece is particularly compelling because it's even harder for someone to admit she's been conned, and speak of the vulnerability of losing her religion, a small fortune, and a support network of folks she thought were trustworthy long term friends. 

Cathy's brave and crazy enough to share her journey with us in this excellent production. Her downward spiral into the financial, and mental toll of an obsession with Scientology reminded me of a gambling addiction or a high stakes, real world claw game. The more time, money and energy she invested, the more she had to stay in the Scientology game, hoping for rewards and spiritual pay outs. We highly recommend “Squeeze My Cans,” as a must see, cautionary tale, and a highly entertaining and enlightening adult night out.

Tickets are affordable and the talent is terrific. “Squeeze My Cans,” is a short 10 show run, so don't miss this. Check back early and often for the scoop on the coolest theatre, arts and entertainment and more in Chi, IL and beyond. 

The Greenhouse Theater’s “Solo Celebration!” continues with “Squeeze My Cans,” a limited engagement autobiographical solo-play written and performed by Cathy Schenkelberg and directed by Shirley Anderson. Making its Chicago premiere, Schenkelberg shares a glimpse behind the velvet curtain of Scientology in this strangely hilarious and unbelievable story of resilience, loss, and extraterrestrials. “Squeeze My Cans” runs July 14 – July 24 at The Greenhouse Theater Center (2257 N Lincoln Avenue); the press performance is July 14 at 7:30 p.m.

“Cathy’s brave journey through Scientology is at once humorous and shocking, detailing her nearly 20-year experience with America’s foremost intergalactic faith. Through Cathy’s lens, audiences are offered a rare glimpse into this secretive religion, re-living her account of coming into and getting out of the Church of Scientology,” said Artistic Director of the Greenhouse Theater Center, Jacob Harvey. “Together with Shirley and their entire team, Cathy has crafted an intimate story of survival and the power of perseverance, refusing to stay silent.”

“Squeeze My Cans” asks audiences: What do you do if the “carrot of spiritual freedom” was dangled in front of you, waiting to be seized? In this cautionary tale, we learn what chasing the “carrot” got Cathy Shenkelberg, and how after studying and searching to become “more herself,” she could be found blowing alien life forms off her body farther than ever from the person who she had hoped to be.

”Squeeze My Cans” received its first developmental workshop production at Lifeline’s Filet of Solo Festival.

Performance Schedule: 

Thursday, July 14 at 7 p.m.; Friday, July 15 at 7:30 p.m.; Saturday, July 16 at 2 p.m. and 7:30 p.m.; Thursday, July 21 and Friday, July 22 at 7:30 p.m.; Saturday, July 23 at 2 p.m. and 7:30 p.m.; and Sunday, July 24 at 2 p.m. For tickets and additional information, click here.

Flex passes to the Solo Celebration! series, which offers admissions to three plays for $99 or five plays for $164, are now on sale.  Single tickets, which range in price from $25 – $30 are also on sale.  Flex passes and tickets can be purchased by contacting the box office at 773-404-7336 or by visiting greenhousetheater.org.

Cathy Schenkelberg (Performer/Playwright) is a Nebraska native and Chicago/LA-based actress, singer, and voiceover talent. Early on in Chicago, she has been seen in productions such as "Jacque Brel," "Working," "Little Shop of Horrors,” "Noises Off" and "Moms the Word." Schenkelberg also played Chrissy in the National tour of “Hair” and Pepper the Clown on WGN’s “Bozo Show.” She has worked as a dancer/singer at clubs and cruise ships - even impersonating Dolly Parton, Madonna and Marilyn Monroe (all at the same time). In her recent return to the stage, she had the good fortune to play Madame Thenardier in “Les Misérables,” Violet, Zuzu and Ma Hatch in “It’s A Wonderful Life,” and Sue Ellen in “Honky Tonk Angels” at Sierra Repertory Theatre in Sonora CA, as well as Veronica in “God of Carnage” at American Stage in St. Petersberg, Fl. But it has been her work in spoken-word at such venues as Write Club LA, Spark off Rose, and Louder than a Mom where “Squeeze My Cans” was conceived.

Shirley Anderson (Director) is a Northwestern alum who spent the 90s in Chicago, adapting, producing and performing a solo adaptation of Dorothy Parker’s short story “Big Blonde,” at the Red Lion Pub, then in jazz clubs, colleges and theaters in Chicago, Edinburgh and Los Angeles.  Anderson has written and performed as a solo performer ever since in Chicago and Los Angeles.  In 1993, Anderson collaborated with Molly McNett on “Sculpture in Vitro: Growing Up Female in the Age of Liposuction” at Live Bait Theater after premiering the work in cooperation with Lookingglass Theatre and before touring the show to high schools and colleges. She has collaborated with Lookingglass Theatre Company, Plasticene and Studio 108 in Chicago and Sacred Fools, Theater Movement Bazaar, Zoo District, Son of Semele and Theater of NOTE in Los Angeles, where she currently lives and directs business operations for Blum & Poe art gallery. 

About Solo Celebration!

“Squeeze My Cans” is one of 12 plays featured in Greenhouse’s “Solo Celebration!,” which will include ten full productions and two limited engagements running June 2016 through February 2017. Among the other directors connected to solo series are Goodman Theatre Producer and Artistic Collective Member Steve Scott, Writer’s Theatre Resident Director Kimberly Senior, Directors Lab Chicago Artistic Director Elizabeth Margolius and Remy Bumppo Artistic Associate Linda Gillum. Some of the performers confirmed to star in solo works include Jeff Award-winner Kate Buddeke, acclaimed British actor Simon Slater, Karen Rodriguez and Carin Silkaitis.  Most productions will be produced in their entirety by Greenhouse, while other plays will be stated with co-producers including Sideshow Theatre Company and The Other Theatre Company.  Greenhouse’s “Solo Celebration!” is co-produced by Forum Productions and underwritten by the Wendy and William Spatz Charitable Foundation.

About the Greenhouse Theater Center

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N Lincoln Ave, in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room, and Chicago’s only dedicated used theatre book store.

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events, were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumpo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce.

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our 8 month long Solo Celebration Series, helmed by Artistic Director Jacob Harvey, we will produce 10 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play.

With new ideas always incubating, the Greenhouse Theater Center is flourishing. Come grow with us!

OPENING: “SQUEEZE MY CANS” Continues Solo Celebration at Greenhouse Theater

Chi, IL LIVE Shows On Our Radar:

GREENHOUSE THEATER CENTER'S SOLO CELEBRATION PRESENTS  LIMITED ENGAGEMENT RUN OF 

“SQUEEZE MY CANS,” 

JULY 14 – JULY 24

Cathy Schenkelberg Takes Audiences Through the No-Holds-Barred Tale of Surviving Scientology

Tonight we'll be ChiILin' out at Greenhouse Theater for the 3rd show in their Solo Celebration series. Tickets are affordable and the talent is terrific. “Squeeze My Cans,” is a short 10 show run, so don't miss this. Check back early and often for the scoop on the coolest theatre, arts and entertainment and more in Chi, IL and beyond.

The Greenhouse Theater’s “Solo Celebration!” continues with “Squeeze My Cans,” a limited engagement autobiographical solo-play written and performed by Cathy Schenkelberg and directed by Shirley Anderson. Making its Chicago premiere, Schenkelberg shares a glimpse behind the velvet curtain of Scientology in this strangely hilarious and unbelievable story of resilience, loss, and extraterrestrials. “Squeeze My Cans” runs July 14 – July 24 at The Greenhouse Theater Center (2257 N Lincoln Avenue); the press performance is July 14 at 7:30 p.m.

“Cathy’s brave journey through Scientology is at once humorous and shocking, detailing her nearly 20-year experience with America’s foremost intergalactic faith. Through Cathy’s lens, audiences are offered a rare glimpse into this secretive religion, re-living her account of coming into and getting out of the Church of Scientology,” said Artistic Director of the Greenhouse Theater Center, Jacob Harvey. “Together with Shirley and their entire team, Cathy has crafted an intimate story of survival and the power of perseverance, refusing to stay silent.”

“Squeeze My Cans” asks audiences: What do you do if the “carrot of spiritual freedom” was dangled in front of you, waiting to be seized? In this cautionary tale, we learn what chasing the “carrot” got Cathy Shenkelberg, and how after studying and searching to become “more herself,” she could be found blowing alien life forms off her body farther than ever from the person who she had hoped to be.

”Squeeze My Cans” received its first developmental workshop production at Lifeline’s Filet of Solo Festival.

Performance Schedule: 

Thursday, July 14 at 7 p.m.; Friday, July 15 at 7:30 p.m.; Saturday, July 16 at 2 p.m. and 7:30 p.m.; Thursday, July 21 and Friday, July 22 at 7:30 p.m.; Saturday, July 23 at 2 p.m. and 7:30 p.m.; and Sunday, July 24 at 2 p.m. For tickets and additional information, click here.

Flex passes to the Solo Celebration! series, which offers admissions to three plays for $99 or five plays for $164, are now on sale.  Single tickets, which range in price from $34 – 48 are also on sale.  Flex passes and tickets can be purchased by contacting the box office at 773-404-7336 or by visiting greenhousetheater.org.

Cathy Schenkelberg (Performer/Playwright) is a Nebraska native and Chicago/LA-based actress, singer, and voiceover talent. Early on in Chicago, she has been seen in productions such as "Jacque Brel," "Working," "Little Shop of Horrors,” "Noises Off" and "Moms the Word." Schenkelberg also played Chrissy in the National tour of “Hair” and Pepper the Clown on WGN’s “Bozo Show.” She has worked as a dancer/singer at clubs and cruise ships - even impersonating Dolly Parton, Madonna and Marilyn Monroe (all at the same time). In her recent return to the stage, she had the good fortune to play Madame Thenardier in “Les Misérables,” Violet, Zuzu and Ma Hatch in “It’s A Wonderful Life,” and Sue Ellen in “Honky Tonk Angels” at Sierra Repertory Theatre in Sonora CA, as well as Veronica in “God of Carnage” at American Stage in St. Petersberg, Fl. But it has been her work in spoken-word at such venues as Write Club LA, Spark off Rose, and Louder than a Mom where “Squeeze My Cans” was conceived.

Shirley Anderson (Director) is a Northwestern alum who spent the 90s in Chicago, adapting, producing and performing a solo adaptation of Dorothy Parker’s short story “Big Blonde,” at the Red Lion Pub, then in jazz clubs, colleges and theaters in Chicago, Edinburgh and Los Angeles.  Anderson has written and performed as a solo performer ever since in Chicago and Los Angeles.  In 1993, Anderson collaborated with Molly McNett on “Sculpture in Vitro: Growing Up Female in the Age of Liposuction” at Live Bait Theater after premiering the work in cooperation with Lookingglass Theatre and before touring the show to high schools and colleges. She has collaborated with Lookingglass Theatre Company, Plasticene and Studio 108 in Chicago and Sacred Fools, Theater Movement Bazaar, Zoo District, Son of Semele and Theater of NOTE in Los Angeles, where she currently lives and directs business operations for Blum & Poe art gallery. 

About Solo Celebration!

“Squeeze My Cans” is one of 12 plays featured in Greenhouse’s “Solo Celebration!,” which will include ten full productions and two limited engagements running June 2016 through February 2017. Among the other directors connected to solo series are Goodman Theatre Producer and Artistic Collective Member Steve Scott, Writer’s Theatre Resident Director Kimberly Senior, Directors Lab Chicago Artistic Director Elizabeth Margolius and Remy Bumppo Artistic Associate Linda Gillum. Some of the performers confirmed to star in solo works include Jeff Award-winner Kate Buddeke, acclaimed British actor Simon Slater, Karen Rodriguez and Carin Silkaitis.  Most productions will be produced in their entirety by Greenhouse, while other plays will be stated with co-producers including Sideshow Theatre Company and The Other Theatre Company.  Greenhouse’s “Solo Celebration!” is co-produced by Forum Productions and underwritten by the Wendy and William Spatz Charitable Foundation.

About the Greenhouse Theater Center

The Greenhouse Theater Center is a nonprofit performance venue located at 2257 N Lincoln Ave, in Chicago’s Lincoln Park neighborhood. Our complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, an in-house rehearsal room, and Chicago’s only dedicated used theatre book store.

Our mission at the Greenhouse is first and foremost to grow local theatre. We strive to cultivate a fertile environment for local artists, from individual renters to our bevy of resident companies, to develop and produce their work. In 2014 alone, The Greenhouse Theater Center provided space for almost 1,000 ticketed performances, serving more than 54,000 patrons. Among these events, were at least 30 productions by our resident companies, including the celebrated American Blues Theater and Remy Bumpo Theatre Company. Through our Trellis Program, we offer the community affordable access to our work by housing Chicago’s only dedicated used theatre bookstore, located on the second floor of our complex, as well as offering a free reading series each Tuesday night where local artists workshop their latest scripts. Additionally, we also continue to play an active role in cultivating and nurturing our community through continued partnerships with the League of Chicago Theaters and local Chambers of Commerce.

As of 2016, the Greenhouse Theater Center embraced the true spirit of growth and launched its producing entity. With the announcement of our 8 month long Solo Celebration Series, helmed by Artistic Director Jacob Harvey, we will produce 10 solo plays from June 2016 to February 2017. Through this inaugural effort, we hope to expand the solo play cannon while also cultivating a larger conversation about the possibilities of the one-person play.

With new ideas always incubating, the Greenhouse Theater Center is flourishing. Come grow with us!