Pages

Showing posts with label WORLD PREMIERE. Show all posts
Showing posts with label WORLD PREMIERE. Show all posts

Monday, February 5, 2024

World Premiere of What the Weird Sisters Saw Via Idle Muse Theatre Company March 14 - April 14, 2024

ChiIL Live Shows On Our Radar

IDLE MUSE THEATRE COMPANY 

ANNOUNCES A NEW VERSION OF 

WHAT THE WEIRD SISTERS SAW

PREMIERING AT THE EDGE OFF-BROADWAY THEATER 

MARCH 14 - APRIL 14, 2024

 Top row (L to R) Caty Gordon (she/her, Murron); Jennifer Mohr (she/her, Dana); Jamie Redwood (she/her, Alastriona), Elizabeth MacDougald (she/her, Hecate) and Joel Thompson (he/him, Macbeth)

Second row (L to R) Mara Kovacevic (she/her, Lady Macbeth); Troy Schaeflein (he/him, Banquo); Brendan Hutt (he/him, Porter); Watson Swift (he/him, Macduff); Erik Schnitger (he/him, Duncan)

Third row (L to R) Orion Lay-Sleeper (he/him, Malcolm) and understudies Merrick McWherter (she/her), Katy Crow (she/her), Boomer Lusink (he/him) and John Wilson (he/him).

After 15 years; Idle Muse Returns to the Mists and Blasted Heaths of Medieval Scotland with a Reimagined Tale Based on The Tragedy of Macbeth filled with Mystery, Dark Fantasy and Horror

Idle Muse Theatre Company’s 2023 - 2024 season continues with an all-new version of What the Weird Sisters Saw at the Edge Off-Broadway Theater, 1133 W. Catalpa Ave., March 14 - April 14. This world premiere based on Shakespeare’s The Tragedy of Macbeth as told from the perspective of the three witches is adapted by Artistic Director Evan Jackson and Tristan Brandon and directed by Jackson. The performance schedule for What the Weird Sisters Saw includes two preview performances Thursday, March 14 and Friday, March 15 at 8 p.m. with the press night Saturday, March 16 at 8 p.m. The performance schedule is Thursdays - Saturdays at 8 p.m. and Sundays at 3 p.m. General admission tickets are on sale now for $30, general admission; $20, students and seniors, and $20, industry, at IdleMuse.org or the Idle Muse Theatre Company Box Office, 773.340.9438. 

In 2009, a three-year old Idle Muse Theatre Company produced its first adaptation of a Shakespeare text. Based on William Shakespeare’s The Tragedy of Macbeth and reframed from the perspective of the three witches, What The Weird Sisters Saw told the story of three young druidesses as they followed visions of bloody deeds to uncover the prophecy of a tyrant's ambition. 

From this small production at what is now the Jarvis Square Theater, the first ensemble of Idle Muse Theatre Company was born–as well as the company's long standing mission to create works of theater which transport audiences to worlds of magic and mystery. This year, the 15th anniversary of this landmark production, that same ensemble, now a broad collective of theater artists, returns to the stage in a new version.

“This is more than just a remount. The 2024 version of What The Weird Sisters Saw is a complete rewrite and workshop of the original text,” said Artistic Director Jackson. “The same creative team that produced Idle Muse's most beloved "graphic novels on stage" including The Strange Case of Dr. Jekyll And Mr. Hyde and The Last Queen Of Camelot are back together again for another tale of mystery and dark fantasy.”

The cast of What the Weird Sisters Saw includes Caty Gordon (she/her, Murron); Jennifer Mohr (she/her, Dana); Jamie Redwood (she/her, Alastriona); Elizabeth MacDougald(she/her, Hecate); Joel Thompson (he/him, Macbeth); Mara Kovacevic (she/her, Lady Macbeth); Troy Schaeflein (he/him, Banquo); Brendan Hutt (he/him, Porter); Watson Swift(he/him, Macduff); Erik Schnitger (he/him, Duncan); Orion Lay-Sleeper (he/him, Malcolm) and understudies Merrick McWherter (she/her), Katy Crow (she/her), Boomer Lusink(he/him) and John Wilson (he/him).

The creative team of What the Weird Sisters Saw includes Evan Jackson (he/him, director and co-adaptor); Tristan Brandon (he/him, co-adaptor; properties designer & health safety officer); Shellie DiSalvo (she/her, production manager); Libby Beyreis (she/her, assistant director and violence designer) Laura Wiley (she/her, lighting & projection designer); L.J. Luthringer (he/him, music & sound designer); Jennifer Mohr (she/her, costume designer); Stina Taylor (she/her, scenic designer); Breezy Snyder (she/her, scenic artist); Cori Lang (she/they, dramaturg); Becky Warner (she/her, stage manager); Line Bower (they/them, technical director); Lindsey Chidester (she/her, assistant stage manager); Michael Dalberg (he/him, iterary director); Mara Kovacevic (she/her, treasurer/box office manager); Kati Lechner(she/her, director of fundraising/health safety officer) and Jinni Barak (she/her, social media).

ABOUT EVAN JACKSON, ADAPTOR/DIRECTOR

Evan Jackson serves as the artistic director of Idle Muse Theatre Company, a position he has had the honor of holding since the company’s inception. He has directed 15 previous productions for Idle Muse Theatre Company, including last season's The Last Queen of Camelot and Upon this Shore: A Tale of Pericles and the Daughters of Tyre, Best for Winter, being a short Shakespeare adapted from the Winter’s Tale and other works and Equivocation,The Lion in Winter and Sherlock Holmes: The Final Adventure (both Jeff-Recommended), The Hound of the Baskervilles, The Talking Cure, Rites and Sacrifices, a world premiere by Chicago playwright Jennifer L. Mickelson, Enchanted April, The Scullery Maid. He was also director and co-adapter of Shotgun Shakespeare: What the Weird Sisters Saw with Idle Muse company member Tristan Brandon. Outside directing projects include several short plays in the Martin de Maat New Works Festival at Boxer Rebellion Theatre and two summers serving as assistant director for Shakespeare on the Green in Lake Forest. Jackson is a graduate of The Theatre School at DePaul University, where he received his MFA in directing.

ABOUT IDLE MUSE THEATRE COMPANY

Idle Muse Theatre Company’s mission is to produce theatre that is transporting, timely and true. The company was established in 2006 by theatre artists interested in exploring the relationship between individuals and the worlds they inhabit. Seeking to create production opportunities for themselves and other artists, they established a modern ‘guild’ of players and environment where theatre artists of different experiences and backgrounds could develop their craft. Today, Idle Muse remains focused on the following core values: 

Transporting: We believe that great theatre removes both audience members and artists from their respective reality and transports them to another world. 

Timely: We believe that human connection can be accomplished through meaningful, relevant,and accessible storytelling here and now. 

True: We believe in unflinching honesty in the playing and storytelling. 

In 2022, Idle Muse Theatre Company also began a profit share model with artists and team members for each production. In addition to any stipend or payment for services, a full 50% of all box office revenue is reserved and divided evenly among the cast and production team.

COVID policy: At this time, Idle Muse is not requiring masks or proof of vaccination from audience members. However, Idle Muse is continuing to monitor the evolving public health situation and will update this guidance as necessary to protect the safety of our audience, cast and production team. 



Wednesday, January 31, 2024

World Premiere of Judy’s Life’s Work Via Definition Theatre February 2–25, 2024

 ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar

Definition Theatre Presents the World Premiere of

Judy’s Life’s Work 

by Loy A. Webb

Directed by Michelle Renee Bester

Definition Theatre opens its 2024 season with the world premiere of Judy’s Life’s Work by Loy A. Webb, directed by Michelle Renee Bester, running February 2–25, 2024 at the company’s newly announced storefront theater called Definition @ 55th at 1160 E 55th in Hyde Park. I'll be out for the press opening February 8th, so check back soon for my full review.

“To say it is an absolute honor to work with Definition Theatre and Loy A. Webb, would be an understatement. Both are such impactive engines of knowledge, creativity, and empowerment,” comments Director Michelle Renee Bester. “Definition Theatre has done some incredible work already in the city of Chicago, more specifically, the Southside, where there is an obvious void. Loy Webb has done tremendous work bringing to light Black legacy and Black excellence, and always writing beautiful Black stories for all to enjoy and learn from. The opportunity to direct such a piece as Judy’s Life’s Work with both entities is such a fulfillment for me, and I’m beyond excited to breathe life into this project along with the fantastically talented cast! My mission as a director is to not only entertain but to educate, and thankfully this project is allowing me to do just that plus more!” 

Loy Webb is a Chicago-born playwright, attorney, and theatre journalist. Her play The Light garnered an Outer Critics Circle nomination for Outstanding New Off-Broadway Play and a Joseph Jefferson Award. 

ABOUT THE PLAY 

February 2—25, 2024 

Tickets: Starting at $25

Only a month after their mother’s death, Xavier, a highly praised ex-boxer, and his sister Charli, a brilliant pre-med student, fight to determine the future of their mother’s groundbreaking medical notes. As they work through the grief, heartbreak, pain, and unresolved trauma of their childhoods, we discover a story of the healing power of sibling love. 

Judy’s Life’s Work features actors Rashun Carter, Cereyna Jade Bougouneau, and Kenesha Kristine Reed. 

The production team for Judy’s Life Work  includes Jessica Moore (Assistant Director), Alyssa Moon Thompson (Scenic Design), Janelle Smith (Costume Design), David Goodman - Edberg (Lighting Design), Kyle Cortes (Co-Sound Design), ensemble member Willow James (Co-Sound Design), Mariah Bennett (Props Design), ensemble member Maya Vinice Prentiss (Intimacy & Fight Choreography), Kenya Hall (Dramaturg), ensemble member Julie Jachym (Production Manager), ensemble member Ariel Beller (Stage Manager), Octavio Montes De Oca (Assistant Stage Manager), Tesla Sokolin-Maimon (Technical Director), Louis Lothan (Lead Electrician), ensemble member, Devan Castle (Sound Engineer), Victor Hugo Jaimes (Scenic Painter), Megan O’Brien (Lighting Overhire), and PR Casting (Casting). 

ABOUT DEFINITION THEATRE

Definition Theatre is a culturally diverse theater dedicated to telling language-driven, relationship-oriented, socially relevant stories about and created with underrepresented communities in Chicago. Our ensemble is a collective of artists, art administrators, educators, and designers who prioritize working towards and representing a more equitable theatre industry. 

Definition has built its reputation on work that reflects its unique voice. It shared the words of Academy Award- Winner Tarell Alvin McCraney in The Brothers Size; it grooved with Amiri Baraka’s whirlwind story of a chance meeting on a train in Dutchman. In partnership with, The New Colony staged the world premiere of Byhalia, Mississippi, which starred Academy Award nominee ensemble member Kiki Layne. In association with the Goodman Theatre, Definition staged the Chicago premiere of Branden Jacobs-Jenkins’ An Octoroon, a subversive take on race in America that captivated audiences. Definition sent us all to the moon with ensemble member James Ijames’s Moon Man Walk, explored the challenges of America’s public-school system through Nilaja Sun’s No Child… and highlighted the first- generation experience in the world premiere of Sam Kebede’s ETHIOPIANAMERICA. The company returned to the stage and inspected white privilege, racial politics and the fine line between appropriation and opportunity in ensemble member James Ijames’s WHITE. In 2023, they examined the dark and sweet spots of Black American identity with the choreopoem, ALAIYO and is a searing examination of families, drama, family dramas, and the insidiousness of white supremacy in FAIRVIEW. 

Definition Ensemble members include: Adia Alli, Owais Ahmed, Ariel Beller, Jared Bellot, Carley Cornelius, Ari Craven, Danielle Davis, Julie Jachym, Willow James, Martasia Jones, Slick Jorgensen, Yeaji Kim, Kristy Hall, James Ijames, Kiki Layne, Kelson Michael McAuliffe, Victor Musoni, Neel McNeill, Sophiyaa Nayar, Karyn Oates, Alexandra Oparka, Julian Parker, Maya Vinice Prentiss, Tyrone Phillips, Ireon Roach, Jacqueline Rosas, Christopher Sheard, and Dujon Smith. 

Definition Artistic Advisory Board members include: director May Adrales, Steppenwolf ensemble member Alana Arenas, actress Shannon Cochran, Erica Daniels, actor Brandon Dirden, actor Jason Dirden, director Pam Mackinnon, Equity Quotient CEO Keryl McCord, professor JW Morrissette, director Ron OJ Parson, professor/lighting designer Kathy Perkins, media producer and host Troy Osborne Pryor, Tony Award-winning actress and stage director Phylicia Rashad, and Goodman Theatre director in residence Chuck Smith. Tyrone Phillips is the Artistic Director and Neel McNeill is the Executive Director. 

For tickets and additional information, visit definitiontheatre.org and @definitiontheatre on Facebook and Instagram #stayinit


Thursday, January 4, 2024

The Plagiarists Present World Premiere of When You Awake You Will Remember Everything!

ChiIL Live Shows On Our Radar

When You Awake You Will Remember Everything! 

World Premiere! A brand new play by Plagiarists founding member Gregory Peters.

This will be The Plagiarists’ final production, so don’t miss your last chance to experience this smart, quirky, and innovative Chicago theatre company!



Image by Sir Pea Green Studios



WHAT:

World Premiere! A brand new play by Plagiarists founding member Gregory Peters!

This will be The Plagiarists’ final production, so don’t miss your last chance to experience this smart, quirky, and innovative Chicago theatre company!

A proud part of Chicago Theatre Week 2024!

A superhero called The Titan is exiled by his arch-foes to another dimension, a monstrous evil makes a final gambit to destroy the universe, supervillains give interviews, a comics publisher finds out her missing brother may be alive, a henchman betrays his boss, and a therapist encounters a unique case: a man who wakes from a coma and claims to be a superhero named "The Titan." It’s up to a fiendish super scientist, a martial arts master who names her kicks, a petty crook who can see the future, and a man who doesn’t believe any of it is real to get over themselves and save the universe! That is, of course, if any of it is real. Drawn from a love of comics and paired with a keen sense of the theatrical, this one will surely knock the socks off of audiences of all kinds!

Click here for tickets and more on the production.


WHO:

The Plagiarists steal from literature, visual art, history, and the culture at large to create new theatre that finds the familiar in the strange, the unique in the commonplace and ultimately enlarges the world.


WHERE:

The Edge Theater Off Broadway, 1133 W Catalpa Ave, Chicago, IL 60640


WHEN:

Previews Friday February 2 and Saturday, February 3 at 8:00 pm, and Sunday, February 4 at 2:00 pm

Show Runs February 8-March 2 - Thursday - Saturday nights at 8:00 pm, Sunday Matinees at 2:00 pm.

Runtime 1 hr. 45 min, one ten minute intermission


TICKETS:

Click here for tickets and more on the production

Ticketing questions, please email: reservations@theplagiarists.org

Tickets are Pay What You Can! ($15 suggested)


CAST: 

Bryan Breau, Julia Stemper, Katie Bevil, Tess Galbiati, Stephen McClure, Joe Feliciano

Understudies: Andre Colin, Theresa Liebhart, Paul Kastner, Katharine Jordan, Bill Daniel, Markley Bortz


PRODUCTION TEAM: 

Playwright: Gregory Peters

Director: Jack Dugan Carpenter

Stage Manager: Emily Szymanski

Set/Props Designer / Technical Director: Andy Cahoon

Lighting Designer: Ellie Humphrys

Sound Designer/Composer: Hunter Leach

Costume Designer: Cindy Moon


Friday, November 17, 2023

World Premiere of Thriller Highway Patrol at Goodman Theatre January 20 – February 18, 2024

 DANA DELANY, DOT-MARIE JONES AND 

THOMAS MURPHY MOLONY CAST IN 

HIGHWAY PATROL 

A GROUND-BREAKING NEW THRILLER CREATED FROM HUNDREDS OF DELANY’S TWEETS AND DIRECT MESSAGES

**CO-CREATED WITH AWARD-WINNING ARTISTS JEN SILVERMAN, DANE LAFFREY AND DIRECTOR MIKE DONAHUE, THE WORLD-PREMIERE PRODUCTION APPEARS 

AT THE GOODMAN JANUARY 20 – FEBRUARY 18, 2024**

***TICKETS ON SALE TODAY!***


Part love story part ghost story—all true story. Emmy Award-winning actor Dana Delany (China Beach, Desperate Housewives) stars in her new thriller at Goodman Theatre this winter, appearing alongside three-time Emmy Award nominee Dot-Marie Jones (Glee’s Coach Beiste) and emerging Chicago actor Thomas Murphy Molony (A Christmas Story, The Musical at Marriott Theatre and Fun Home at Paramount) in the world-premiere production. Using Delany’s digital archives of hundreds of tweets and direct messages, co-creator Jen Silverman arranges and curates the text of the play from exchanges over Twitter—in collaboration with co-creators Dane Laffrey and Mike Donahue, who also directs. Casting is by Lauren Port, CSA. Highway Patrol appears in the 856-seat Albert Theatre January 20 – February 18, 2024. Tickets ($25 – 90; subject to change) are available at GoodmanTheatre.org/Highway or by phone at 312.443.3800.

“We live in an age where a whole lot of people have more meaningful relationships online than they do ‘IRL’. Dana’s brave, extraordinary new piece, which arrives 10 years after her remarkable lived experience, delves into the expansiveness of love, and the frailty that results in our dogged desire to hope for it,” said Goodman Artistic Director Susan V. Booth. “I’m thrilled to welcome her, along with Dot-Marie Jones and Thomas Murphy Molony, to the Goodman stage for this world-premiere production from a handful of deeply talented co-creators.”

Delany met artists Jen Silverman, Mike Donahue and Dane Laffrey while appearing in Silverman’s Collective Rage: A Play in Five Betties at MCC Theater. For the past four years, they have collectively created Highway Patrol.

“Highway Patrol is a true story about an incident in my life that happened while I was appearing in Body of Proof for ABC, who had asked me to go on Twitter to support the show. Though I initially had no interest in Twitter, it was a time when this platform was the new frontier—and I ended up loving it, meeting people I never met, forming my own little niche,” said Dana Delany. “In developing this story for the stage with Jen, Mike and Dane, I think a lot of people will relate to the play in this moment, when so many of us have online relationships and use social media every day. It’s a chance to look at them in a deeper, communal way.”

TIMESTAMP: October, 2012: “@DanaDelany, Are you married? If not, I’d marry you.” When Cam, a 13-year-old fan in a desperate medical situation captures actress Dana Delany’s attention on Twitter, she’s quickly swept into an intense, around-the-clock online friendship. But when Cam starts receiving messages from beyond, Dana is thrust into a world where unexpected revelations raise the question of how far we go to love and be loved.


ABOUT THE CAST AND CREATORS

Dana Delany (Dana) made her mark as Army nurse Colleen McMurphy on ABC-TV’s critically acclaimed series China Beach, for which she received two Emmy Awards and four nominations for Best Dramatic Actress. Over the course of her career, Delany has taken on a number of high-profile television roles, from playing a brilliant medical examiner in ABC’s Body of Proof to starring as Katherine Mayfair on ABC’s Desperate Housewives. She co-starred with Ron Perlman in the Amazon Studios drama Hand of God, played Edith Roosevelt to Aidan Quinn’s TR in The American Guest on HBO and is currently costarring with Sylvester Stallone in the new hit series, Tulsa King on Paramount +. She has also been the voice of Lois Lane on Superman:TAS, The Batman and Justice League. On film she was the voice of Andrea Beaumont in the cult favorite Batman: Mask of the Phantasm and appeared in several features including Light Sleeper, Housesitter, Tombstone and Fly Away Home to name a few. Following her graduation from Wesleyan University, Delany went to New York where she soon debuted on Broadway in Hugh Leonard’s A Life. Critical acclaim in a number of off-Broadway productions including Nicholas Kazan’s Blood Moon led to her arrival in Los Angeles for the west coast production of the controversial drama. Additional theater credits include Translations (Broadway), Much Ado About Nothing at the Old Globe Theatre and the Pulitzer prize-winning play Dinner With Friends, alternating roles in NY, LA and Boston. Delany also starred in the premiere of The Parisian Woman at South Coast Repertory, The Night of the Iguana at A.R.T. and most recently, the premiere of Good Night Nobody at the McCarter Theater.

Dot-Marie Jones (Andi) has received three consecutive Emmy Award nominations (2011, 2012, 2013) for her role as football coach ‘Shannon Beiste’ on FOX’s megahit television show Glee. In its third season, the show received a Screen Actors Guild Award for Outstanding Performance by an Ensemble in a Comedy Series. With an expansive list of diverse film and television credits, Jones is known for her poignant roles including Universal's Bros and Peacock's Killing It.

Thomas Murphy Molony, he/him (Cam) is honored to make his Goodman Theatre debut. Chicago credits include A Christmas Story! (Marriott Theatre) and Fun Home (Paramount Theatre). Television credits include American Rust (Showtime).

Jen Silverman, they/them (Creator and Text Arrangement and Curation) is a playwright, novelist and screenwriter. Plays include Spain (Second Stage Theater); The Moors (Yale Rep, Playwrights Realm); Collective Rage: A Play in 5 Betties (Woolly Mammoth, MCC Theater, Southwark Playhouse London); The Roommate (Humana Festival, Williamstown, Steppenwolf, etc); Witch (Writer’s Theatre, Geffen, Huntington) and Highway Patrol (Goodman). Books include the debut novel We Play Ourselves (named one of the best books of the year by Buzzfeed; a finalist for the Lambda Literary Award), story collection The Island Dwellers (finalist for a PEN/Robert W. Bingham Prize), and poetry chapbook Bath (selected by Traci Brimhall for Driftwood Press). Silverman is a three-time MacDowell Fellow, a member of New Dramatists and a Scholar of Note at the American Library in Paris. They wrote The Miranda Obsession as a narrative podcast for Audible, starring Rachel Brosnahan. They also write for television and film, including Tales of the City (Netflix) and Tokyo Vice (HBO/Max). Honors include fellowships from the National Endowment for the Arts and the Guggenheim. Silverman's new novel There’s Going to be Trouble is upcoming from Random House in April 2024. 

Mike Donahue (Creator and Director)’s OSCAR® qualifying debut short film, Troy, premiered at the 2022 Tribeca Film Festival and has gone on to screen at another 70 festivals internationally, including the 2023 Sundance Film Festival. It has won numerous awards, including the Jury Award for Best Comedy at Aspen Shortfest 2023, the Audience Award for Best Narrative Short at Outfest 2022 and the Vimeo 'Unofficial Award' for Best US Narrative Short at Sundance. Troy is featured online in The New Yorker’s Screening Room. Donahue and writer Jen Silverman are currently working on their first feature, with Pacific Electric producing. For the past decade, Mike has worked as a theater director, primarily in New York and Los Angeles. Select credits include: the LA premiere of Matthew Lopez’s The Inheritance (Geffen Playhouse); Little Shop of Horrors with MJ Rodriguez, George Salazar and Amber Riley (Pasadena Playhouse); and the World Premieres of Matthew Lopez’s The Legend of Georgia McBride (MCC, The Geffen, Denver Center), Silverman’s Collective Rage (MCC, Woolly Mammoth), and Ana Nogueira’s Which Way To The Stage (MCC).

Dane Laffrey (Creator) is a designer and creative based in New York. On Broadway, his credits include last season’s Parade (2023 Tony for Best Revival of a Musical) and A Christmas Carol, which he co-conceived with Michael Arden as well as designing set and costumes. Other Broadway credits include the 2018 Tony-winning revival of Once on this Island, Deaf West’s Spring Awakening and Sam Shepard’s Fool For Love. Dane also designs the set for Disney’s Hercules (The Public, Paper Mill and upcoming in Hamburg). Laffrey’s work with Jen Silverman and Mike Donahue includes Collective Rage…, Wink, The Moors, The Roommate and Troy, which premiered at the 2022 Tribeca Film Festival and screened at Sundance 2023 as well as 70 other festivals. Laffrey won a 2017 Obie Award for Sustained Excellence in Set and Costume design and has been nominated for 2 Tony Awards, 2 Drama Desk Awards, 9 American Theatre Wing Henry Hewes Design Awards, 4 Ovation Awards (LA) and a Sydney Theatre Award (Australia), as well as numerous regional accolades. danelaffrey.com 


ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large-scale musical theater works and reimagined classics. Artists and productions have earner two Pulitzer Prizes, 22 Tony Awards and nearly 200 Joseph Jefferson Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the traditional homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten—and remains home to many Native peoples today. While we believe that our city’s vast diversity should be reflected on the stages of its largest theater, we acknowledge that our efforts have largely overlooked the voices of our Native peoples. This omission has added to the isolation, erasure and harm that Indigenous communities have faced for hundreds of years. We have begun a more deliberate journey towards celebrating Native American stories and welcoming Indigenous communities.

The Goodman was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.


Thursday, October 26, 2023

WORLD PREMIERE OF NYRA’S DREAMS VIA PROP THTR & SURTAAL DANCE OCTOBER 27 - NOVEMBER 19, AT CHICAGO DRAMATISTS

ChiIL Live Shows On Our Radar 

PROP THTR AND SURTAAL DANCE PRESENT THE WORLD PREMIERE OF 

NYRA’S DREAMS

OCTOBER 27 - NOVEMBER 19,

AT CHICAGO DRAMATISTS 

Prop Thtr’s New Residency at Chicago Dramatists Launches with the Movement Play Nyra’s Dreams


Prop Thtr and SurTaal Dance are proud to announce the world premiere of Nyra’s Dreams, created and performed by Shalaka Kulkarni and directed by Stefan Brun, October 27 - November 19 at Chicago Dramatists, 1109 W. Chicago Ave. The co-production of Nyra’s Dreams incorporates contemporary dance and traditional Indian classical dance, media and varied characters to bring Nyra and her quest to life. Opening night is Friday, Oct. 27 at 8 p.m. The performance schedule is Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. with Industry Nights, to be announced. Tickets are suggested price of $20 or pay-what-you-can at Shalakak.com/surtaaldance. I'll be there on opening night, so check back soon after for my full review.

A co-production of Prop Thtr and SurTaal Dance, Nyra’s Dance, a movement play incorporates multiple story-telling vessels to tell of Nyra, who walks between different worlds and connects within her fragmented mind to women who teach her about resilience, frailty and hope, helping her realize her real quest to find her way back home to Dyavaprthivi, that resides between heaven and earth.  Nyra is a character devised out of myths/mythological stories found in Indian culture and documented experiences about the Devadasi (temple dancer) system and its existence now.

Shalaka Kulkarni 

All photos by Rich Rankin

Nyra’s Dreams is another step in SurTaal Dance’s exploration of how to employ Indian classical dance vocabulary to celebrate female experience in nontraditional performances. This world premiere is the culmination of text, travel, collaboration, film, choreography and composition - of which an experimental 10-minute film, completed in April 2023, has premiered in Paris, Seoul and Assam. 

The production of Nyra’s Dreams is the inaugural presentation of Prop Thtr’s leadership team project. This project’s goal is to  find new forms and structures outside of traditional show business to generate, incubate, develop, produce and give continued life to new work in the performing arts.

ABOUT SHALAKA KULKARNI, creator and performer

Shalaka Kulkarni (she/her/hers) is an interdisciplinary dance artist. Trained in Indian Classical dances- Bharatanatyam and Kathak, she creates experiences that bridge the ancient and contemporary, uplifting marginalized voices. She is interested in creating and presenting a hybrid movement form that fuses techniques of Bharatnatyam and Kathak with other movement influences, text, film and technology. She has performed in India, US and Europe and is excited to present her first solo play with Stefan Brun and Prop Thtr in Chicago, her second hometown.  


ABOUT STEFAN BRUN, director

Stefan Brun (he/him/his) is executive director of Prop Thtr. He co-founded the company with Scott Vehill in 1981 and has also directed plays and related performing art events and television in the United States and Germany.  He has continuously designed stage-lighting and been a performer on stage and film.  Together with Prop Thtr, from 1998 on, Brun took part in the founding and development of the National New Play Network, of which Prop Thtr is a charter core member. Serving as artistic director for most of Prop’s 15 year residency on Elston Avenue, he directed many productions including the long running Chicago hit, HIzzoner, written by and starring Neil Giuntoli. He currently leads Prop’s new “Leadership Team Pilot Program.” Married with Jenny Magnus, he is the father of Lena. Brun is devoted to mentoring and empowering those from whom we have not heard and new works for the stage. 


ABOUT PROP THTR

Prop Thtr creates and presents live and online experiences at the intersection of laboratory, education and community building. Prop Thtr believes that theater and theater education are not luxuries but tools for living. They attempt to open resources for others to use these tools.

Prop Thtr is focused on the development of new work, supporting theatre artists of all backgrounds and experience levels as well as Chicago theatre companies and is invested in Chicago stories told by Chicago communities with the support of our resources, knowledge, and talent.


ABOUT SURTAAL DANCE

SurTaal Dance is proud to offer an innovative and contemporary take on Indian classical dance. Their projects are dedicated to pushing creative boundaries and experimenting with new forms of expression. The performances showcase the unique beauty, versatility and grace of Indian dance vocabulary. SurTaal Dance invites you to experience the magic of SurTaal Dance and share in their passion for this beautiful art form.

Nyra’s Dreams is supported by a federal award to the City of Chicago by the United States Treasury Department, the City of Chicago’s Department of Cultural Affairs and Special Events (DCASE), the Illinois Arts Council, a state agency and High Concept Labs, See Chicago Dance, TAPS Chicago Performance Lab at the University of Chicago and audiences’ donations.

Wednesday, September 27, 2023

REVIEW: The Innocence of Seduction at City Lit Now Playing Through October 8, 2023


ChiIL Live Shows On Our Radar

THE INNOCENCE OF SEDUCTION

Written and directed by Mark Pracht

WORLD PREMIERE

August 25- October 8, 2023




Left to right: Robin Treviño, Sean Harklerode, Paul Chakrin
All Production Photos by Steve Graue


 REVIEW

By Bonnie Kenaz-Mara

Banned book week, October 1-7th, is rapidly approaching and City Lit's world premiere of The Innocence of Seduction is a great way to celebrate. As much as I adore graphic novels, comics, and pop culture, I was largely unaware of this critical slice of history in the culture wars. This play introduces audiences to the 1950s Congressional investigation into the supposed link between comic books and juvenile delinquency. Flash forward over half a century to 2023 where the religious right and the US government are still engaged in endlessly ongoing attempts to censor art and literature from the local to the federal level. Book bans and burnings are ramping up again at an alarming rate, making Prachts piece all too timely. 


John Blick

The Innocence of Seduction is both written and directed by Chicago playwright, Mark Pracht, and is part of his Four-Color Trilogy, which also include THE MARK OF KANE, which premiered at City Lit in fall 2022, and THE HOUSE OF IDEAS, about the 1960s rise of Marvel.


Left to right: Zach Kunde, Sean Harklerode, Chuck Munro, Charlie Diaz

Astonishingly enough for 1950's America, this production doesn't focus exclusively on white, cis males, but manages a bit of diversity regarding gender, race, and sexual orientation. It's fascinating to see the effect of the investigation on the careers of three persons: William Gaines, the originator of the horror genre of comic books; Matt Baker, a Black closeted gay artist of romance comics; and Janice Valleau, creator of a pioneering comics feature starring a woman detective. The cast does an excellent job bringing humor and humanity to what could be dry subject matter, in what is at once a cautionary tale and an homage to the founding of Mad Magazine. This ensemble showcases the mental and physical toll it takes to fight for a career against ridiculously restrictive regulations, petty bureaucrats, and the righteous indignation of the religious right. Sometimes it takes a creative pivot to do an end run around all that nonsense and thrive creatively and financially. Kudos to all involved for filling in education gaps and bringing this niche history to life for a new generation. Recommended.


Left to right: Andrew Bosworth, Megan Clarke 


  Brian Bradford (lying down), Andrew Bosworth (kneeling)  

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 





Regular run Through October 8, 2023

Fridays and Saturdays at 7:30 pm; Sundays at 3 pm; Mondays Sept 25 and Oct 2 at 7:30 pm.

Regular run ticket prices $34.00, seniors $29.00, students and military $12 (all plus applicable fees)

Performances at City Lit Theater, 1020 W. Bryn Mawr Ave. Chicago 60660

Info and tickets at www.citylit.org and by phone at 773-293-3682.

Left to right: Brian Bradford, LaTorious Givens.


Cast and crew for world premiere of Mark Pracht’s THE INNOCENCE OF SEDUCTION

Pracht to direct the second part of his FOUR-COLOR TRILOGY of plays 

about the comic book industry

Left to right: Sean Harklerode, Charlie Diaz

Left to right: Zach Kunde, Chuck Munro, Sean Harklerode, Charlie Diaz, Paul Chakrin

Full casting and production team have been announced for City Lit’s forty-third season opener - the world premiere of THE INNOCENCE OF SEDUCTION by Chicago playwright Mark Pracht. It is the second play in his projected “Four-Color Trilogy” of plays set during the early years of the comic book industry. The first play in the trilogy, THE MARK OF KANE, opened City Lit’s forty-second season. THE INNOCENCE OF SEDUCTION examines the 1950s Congressional investigation into the supposed link between comic books and juvenile delinquency, and the effect of the investigation on the careers of three persons:  William Gaines, the originator of the horror genre of comic books; Matt Baker, a Black closeted gay artist of romance comics; and Janice Valleau, creator of a pioneering comics feature starring a woman detective.  

Left to right: Zach Kunde, Laura Coleman, Sean Harklerode

Leading the cast will be Sean Harklerode (THE MARK OF KANE, The Artistic Home’s REQUIEM FOR A HEAVYWEIGHT) as William Gaines), Brian Bradford (City Lit’s FUENTE OVEJUNA and THE BLOODHOUND LAW) as Matt Baker, and Megan Clarke  as Janice Valleau. Also in the cast are Charlie Diaz (Invictus Theatre’s THE CRUCIBLE) as Al Feldstein, Frank Nall (Invictus Theatre’s THE CRUCIBLE, The Artistic Home’s MALAPERT LOVE) as Dr Frederic Wertham, Zach Kunde (Invictus Theatre’s THE CRUCIBLE) as Lyle Stuart, Artistic Home ensemble member Laura Coleman as Shirley Norris, Ron Quade (Citadel Theatre’s BRIGHTON BEACH MEMOIRS) as Max Gaines, LaTorious Givens (Invictus Theatre’s THE CRUCIBLE) as Connie, John Blick  (Promethean Ensemble Theatre’s BLUE STOCKINGS) as Archer St John and Henry Valleau, Invictus Theatre Company member Chuck Munro as Judge Charles F Murphy and Barry Walsh, Paul Chakrin (THE SAFE HOUSE and many other roles at City Lit) as John L Goldwater and Senator Robert C Hendrickson, Robin Trevino (Invictus Theatre’s WHO’S AFRAID OF VIRGINIA WOOLF) as Everett M "Busy" Arnold and Senator Estes Kefauver, Andrew Bosworth as Frank Guisto, Reed Crandall and Jack Davis, and Jessica Lauren Fisher (Black Button Eyes’ MARY ROSE) as Jessie Gaines and  Gertrude St John.

Left to right: Andrew Bosworth, Robin Treviño, Megan Clarke

The production team includes G. "Max" Maxin IV (Scenic, Lighting and Projection Design), Beth Laske-Miller (Costume Designer), Petter Wahlbäck (Composer and Sound Design), Alison Dornheggen (Violence and Intimacy Design), Jeff Brain (Props Design), and Zachary Osterman (Stage Manager).

Frank Nall

Single tickets for THE INNOCENCE OF SEDUCTION are priced at $30 for previews and $34 for regular performances and are on sale now at www.citylit.org or by phone at 773-293-3682. Senior prices are $25 for previews and $29 for regular performances. Students and military are $12.00 for all performances. City Lit Season 43 subscriptions are available at $99.00, good for all performances, or $77.00 for preview performances.

 

Left to right: Robin Treviño, Sean Harklerode, Paul Chakrin


HEALTH PRECAUTIONS AT CITY LIT

City Lit requires masks for the Sunday matinee performances. Masks are encouraged but no longer required for Friday, Saturday and our two Monday performances. City Lit staff will continue to mask for all performances. City Lit will of course comply with the full set of whatever official health guidelines are in place at any time.

ABOUT MARK PRACHT 

Mark Pracht (Playwright, Director) has worked as an actor, director and playwright in Chicago since 2001. THE INNOCENCE OF SEDUCTION is part of his Four-Color Trilogy, which also include THE MARK OF KANE, which premiered at City Lit in fall 2022, and THE HOUSE OF IDEAS, about the 1960s rise of Marvel. He has appeared on stage at City Lit in the title role of PROMETHEUS BOUND, as The Creature in FRANKENSTEIN, and as Milt Shanks in THE COPPERHEAD, among other roles. Most recently, he appeared as John Proctor in THE CRUCIBLE with Invictus Theatre Company. He was a company member of the Shelterbelt Theatre in Omaha, where he helped develop and produce seven world premiere productions, including his own full-length play, NEON.He is an ensemble member of The Artistic Home, where he won a Jeff Award for Leading Performer in a Play for REQUIEM FOR A HEAVYWEIGHT.

ABOUT CITY LIT THEATER COMPANY

City Lit is the seventh oldest theatre company in Chicago, behind only Goodman, Court, Northlight, Oak Park Festival, Steppenwolf, and Pegasus theatres.  It was founded in 1979 with $210 pooled by Arnold Aprill, David Dillon, and Lorell Wyatt.  For its current season, its 43rd, it operates with a budget slightly over $260,000.  It was the first theatre in the nation devoted to stage adaptations of literary material.  There were so few theatres in Chicago at the time of its founding that at City Lit’s launch event, the founders were able to read a congratulatory letter they had received from Tennessee Williams.

For four decades and counting, City Lit has explored fiction, non-fiction, poetry, memoirs, songs, essays and drama in performance.  A theatre that specializes in literary work communicates a commitment to certain civilizing influences—tradition imaginatively explored, a life of the mind, trust in an audience’s intelligence—that not every cultural outlet shares.

City Lit is located in the historic Edgewater Presbyterian Church building at 1020 West Bryn Mawr Avenue. Its work is supported in part by the MacArthur Funds for Arts and Culture at the Richard H. Driehaus Foundation, the Gaylord and Dorothy Donnelley Foundation, the Ivanhoe Theater Foundation, the Illinois Arts Council Agency and is sponsored in part by A.R.T. League.  An Illinois not-for-profit corporation and a 501(c)(3) federal tax-exempt organization, City Lit keeps ticket prices below the actual cost of producing plays and depends on the support of those who share its belief in the beauty and power of the spoken written word.


Celebrate City Lit's Favorite Holiday! 18th Annual Books on the Chopping Block


 
FREE readings all over Chicago and suburbs throughout

Friday, May 19, 2023

World Premiere of LANE CALL: A NIGHT OF CLOSING Via The Factory Theater JUNE 9 - JULY 22

ChiIL Live Shows On Our Radar 

THE FACTORY THEATER ANNOUNCES CAST AND CREATIVE TEAM FOR 

LANE CALL: A NIGHT OF CLOSING 

JUNE 9 -  JULY 22

WRITTEN BY LEN FOOTE AND SCOTT OKEN AND DIRECTED BY SCOTT OKEN



The Factory Theater, 1623 W. Howard St., is proud to announce the cast and creative team for the final production in its 28th season, Lane Call: A Night of Closing, June 9 - July 22, written by Len Foote and Scott OKen** and directed by Scott OKen.** Previews for Lane Call: A Night of Closing are Friday, June 9, and Saturday, June 10 at 8 p.m. and Sunday, June 11 at 3 p.m. The Press Opening is Friday, June 16 at 8 p.m. and the performance schedule through July 22 is Fridays and Saturdays at 8 p.m. and Sundays at 3 p.m. including two Thursday performances July 13 and 20 at 8 p.m. and an understudy performance Sunday, July 9 at 3 p.m.  Tickets for Lane Call: A Night of Closing are $25 and may be purchased through the Box Office by calling 312-275-5757 or by visiting TheFactoryTheater.com

It’s 1984 and Becky, Billy and the gang have the closing shift at the local Venture and the store has to be ready in the morning for a big inspection. There is a huge party happening after work and they just might have to figure out their future. They all join forces to get all the work done which means facing end caps of Speed Stick and racing to get those carts collected. 

The Lane Call: A Night of Closing cast includes Alex Poe+ (Billy Bibby); Danny Mulae+ (Vince); Katy Campbell * (Becky); Allison Cain*** (Diana); Garrett Wiegel+ (Remi); Lizzy Mosher* (Lisa); Ryan Hake+^ (Todd the SMA Trainee); Ian Saderholm+ (Glynn Coppins/Bob the Pharmacist);  Abbi Bryson* (Gladys); Matt Chester+ (Paul); Timothy C. Amos+~  (Greg Gerstenberger/Customers); Theresa Liebart* (Val Tangora/Customers); Ryan Cason+ (Billy U/S); Frank Menolascino+ (Vince U/S); Haley Peters* (Becky U/S); Hanna Beth Mitchell* (Diana U/S); David Wiesenhahn+ (Remi U/S); Heather Bohan* (Lisa U/S); Austin Millard+ (Todd U/S); Eric Frederickson+~ (Paul/Greg U/S); and Sean Price+ (Glynn/Bob U/S).

The Lane Call: A Night of Closing production team includes Len Foote (playwright); Scott OKen** (playwright and director); Jennifer Betancourt~ (assistant director); Lindsey Chidester (stage manager); Bradford Stevens~ (production manager); Evan Sposato (technical director); Rose Johnson (set design); Ellie Humphrys✝ (light design); Sebby Woldt (sound design); Henry Bender (props design); CW Van Baale~ (master electrician); and Grant McCan (house manager).

~ denotes Factory Ensemble,  ✝ denotes Factory Artistic Associate, 

 **Denotes Factory Theater Ensemble Emeritus

Pronoun Key: + (he/him/his); * (she/her/hers); ^ (they, them, theirs). = (any with respect)


ABOUT LEN FOOTE, playwright

Len Foote (he/him) is excited to see the play he co-wrote with Scott OKen on The Factory Theater stage. He acted in two plays at The Factory, “Siskel and Ebert Save Chicago” (2007) and “Mop Top Festival” (2009) and is in the improv/sketch group HippoHorsey DonkeyMonkey, who are celebrating their 20th anniversary with a reunion show on July 29, location currently TBD.


ABOUT SCOTT OKEN**, playwright and director

Scott OKen (he/him/OKen) is very pleased to be returning as a guest Playwright and Director to The Factory Theater. OKen was artistic director from 2007-2018 and his Factory credits include “Oh Sh#t! It’s Haunted,”  “Xmas Endgame” and “Fight City” among countless others.  


ABOUT THE FACTORY THEATER

For 30 years, the Factory has created its shows from scratch, doing exactly the kind of theater they wanted to do. From writing workshops to the closing night bash, Factory shows are a unique experience that fits its exacting standards: original, bold, and full-tilt. Its shameless ensemble are ambassadors of a good time, making certain that Chicago remains heartily entertained.

There will be a May 11 launch party from 6:30 - 9:30 p.m. at The Factory Theater, which is a free, fundraising event and will include refreshments, raffle prizes and games. Tickets for Lane Call: A Night of Closing are $25 and may be purchased through the Box Office by calling 312-275-5757 or by visiting TheFactoryTheater.com


Tuesday, April 25, 2023

SEASON ANNOUNCED: Raven Theatre's 41st Season To Kick Off With Night Watch In October and Include 2 World Premieres

ChiIL Live Shows On Our Radar: Save the Dates


Night Watch

By Lucille Fletcher

Directed by Georgette Verdin


 

World Premiere!

brother sister cyborg space

By Paul Michael Thompson


 

World Premiere!

Untitled: The Third Installment of the “Grand Boulevard Trilogy”

By Joshua Allen

 


 

Chicago playwrights and directors featured in Raven Theatre’s 2023-24 season

include (left to right) Georgette VerdinPaul Michael Thomson and Joshua Allen.

 

Raven Theatre is excited to announce its 41st Season, kicking off this fall with an ingenious and hair-raising revival of Lucille Fletcher’s drama Night Watch directed by Georgette Verdin. The 2023-24 season continues next winter with Paul Michael Thomson’s captivating and nuanced world premiere brother sister cyborg spacecommissioned by Raven. The season concludes next spring with another Raven commission, a yet-to-be-titled world premiere by Chicago playwright Joshua Allen, the third and final installment of his “Grand Boulevard Trilogy,” which also includes The Last Pair of Earlies and The October Storm.

 

Raven Theatre is located at 6157 N. Clark St. (at Granville) in Chicago's Edgewater neighborhood. A variety of flexible 2022-24 subscription packages are currently available at raventheatre.com or by calling (773) 338-2177.

 

Comments Raven Interim Artistic Director Sarah Slight, “In our 41st Season, Raven will continue to produce a combination of revivals and new plays that speak to our current moment. In addition to the gripping revival of the 1970 hit Broadway play Night Watch, we will produce two of our four commissioned plays. Thank you to the generous donors who support our new play fund for making these exciting world premieres possible. I cannot wait to share all three of these plays with you!”

 

Raven Theatre’s 2023-24 Season:

 

October 5 – November 12, 2023

Night Watch

By Lucille Fletcher

Directed by Georgette Verdin

Press opening: Monday, October 9, 2023 at 7:30 pm

 

What’s more nightmarish: not being able to trust those around you… or not being able to trust yourself? Moonlit streets, a restless mind and a large window have become Elaine’s nightly routine in her luxurious city townhouse. But insomnia is the least of her worries when a dead body appears in the window of an abandoned, squalid unit across the street. To make matters worse, the body disappears before her husband, best friend or maid have a chance to witness the atrocity. This suspenseful revival is filled to the brim with tricks and twists, leaving audiences on a psychological rollercoaster until the very. last. second.

 

February 8 – March 17, 2024

brother sister cyborg space – World Premiere!

By Paul Michael Thompson 

Press opening: Monday, February 12, 2024 at 7:30 pm

 

In the too-close-for-comfort future, an environmental justice organizer named Giselle and her billionaire baby brother Elon are (unsurprisingly) at odds. She believes the earth and her people are worth saving; he marvels at the potential in starting over somewhere new. Meanwhile, his virtual assistant Ava has some very nuanced opinions of her own. (Who programmed her to talk so much?!) Set against the backdrop of a rapidly-accelerating climate crisis, brother sister cyborg space explores political divisions within families, an expanding definition of humanity and what we'll do when time runs out.

 

April 26 – June 9, 2024

Untitled: The Third Installment of the “Grand Boulevard Trilogy” – World Premiere!

By Joshua Allen

Press opening: Monday, May 6, 2024 at 7:30 pm

 

From the writer that brought you The Last Pair of Earlies and The October Storm comes the third and final installment in The Grand Boulevard Trilogy. Chicago writer Joshua Allen continues to explore the complex and rich history of Black families living on Chicago’s South Side throughout the 20th century. Set in 1919 during the Chicago Race Riots, this world premiere play explores one woman’s conflicting allegiances – to a promising career with a controversial lover or to the home her family has worked hard to build.

 

About the Artists

 

Lucille Fletcher (Playwright, Night Watch) was born in Brooklyn, NY, in 1912 and was a frequent recipient of literary prizes throughout her early education and at Vassar College. Fletcher started off with a modest job at CBS typing scripts, acting as a music cataloger and writing publicity notices. Fletcher wrote and broadcast more than twenty radio plays, many inspired by actual events in her life, such as The Hitch Hiker and Sorry, Wrong Number. Fletcher wrote novels and stories long after Radio's Golden Age had given way to television. Her books include And Presumed Dead, The Strange Blue Yawl, The Girl in Cabin B54, Blindfold, and her final novel Mirror Image. She passed away on August 31, 2000.

 

Georgette Verdin (Director, Night Watch, she/her) is a queer, Cuban-American director based in Chicago. She currently serves as the Associate Artistic Director of Northlight Theatre and is a proud company member with Rivendell Theatre Ensemble. Recent directing credits include: A Mile in the Dark (Interrobang Theatre Project/Rivendell Theatre), Enough to Let the Light In (Teatro Vista) and Chagall in School (Grippo Stage Company). 

 

Since 2015, she has served as Managing Artistic Director of Interrobang Theatre Project, an award-winning storefront theatre known for its gutsy productions that tackle socially-relevant and morally ambiguous subject matter. Georgette was recently profiled in the Chicago Reader's Best of Chicago 2022 by Kerry Reid and as one of 50 artists in Newcity Magazine’s 2023 edition of “Players: Who Really Performs for Chicago Right Now.” In 2022, she was named the Michael Maggio Directing Fellow at Goodman Theatre, and received Joseph Jefferson Award nominations for Director of a Play (Midsize) for both the Chicago premiere of This Wide Night (Shattered Globe/Interrobang Theatre Project) and the world premiere of Spay (Rivendell Theatre). Georgette holds a Bachelor of Arts in Theatre Performance from McNeese State University in Lake Charles, LA and a Master in Directing from the Chicago College of Performing Arts at Roosevelt University. She was a 2021 recipient of a 3Arts Make-A-Wave grant and is an associate member of Stage Directors and Choreographers Society. Learn more at georgetteverdin.com

 

Paul Michael Thomson (Playwright, brother sister cyborg space, he/him) is a Chicago-based theatre artist, producer and interdisciplinary scholar. His plays include: What a Time to Be Alive (You Say That Every Time) (Definition Theatre, Great Plains Theatre Commons); Fremont Junior High Is NOT Doing Oklahoma! (Good Company Theatre, Live Theatre Workshop); The G.O.A.T., or Who Is Ximone? (Theatre L'Acadie); Same Sects! (Haven Theatre, North Central College, Other Theatre Company); Artemis Books & the Well-Meaning Man (Avalanche Theatre, Live Theatre Workshop); (and i feel fine) (The Impostors Theatre Co.), and Leave Me Alone! (The Story Theatre). As an actor, he has worked with Steppenwolf Theatre, Urbanite Theatre, Chicago Shakespeare Theatre, Drury Lane Theatre and The Story Theatre, among others. Paul Michael is proud to be a founding Governing Ensemble member of The Story Theatre, an award-winning storefront company dedicated to developing and producing world-premiere plays. Currently pursuing his PhD in Afro-American Studies from the University of Massachusetts Amherst, Paul Michael has been awarded research fellowships from the Black Metropolis Research Consortium and the W.E.B. Du Bois Center. He is deeply grateful to Raven Theatre for the commission of and belief in brother sister cyborg space, and he cannot wait to share this story with Chicago. paulmichaelthomson.com

 

Joshua Allen’s (Playwright, Untitled: The Third Installment of The Grand Boulevard Trilogy, he/him) plays include The October Storm, The Last Pair of Earlies and Chrysalis. His work has been produced and developed at Raven Theatre, Hudson Stage, Cape Cod Theater Project, Primary Stages, The Lark Play Development Center and The John F. Kennedy Center for the Performing Arts. An alumnus of New Dramatists, he has also been a member of the Ars Nova Play Group and the Dorothy Strelsin New American Writers’ Group at Primary Stages. His television writing and producing credits include Hostages (CBS), Empire (FOX), Almost Family (FOX), From Scratch (Netflix), In Treatment (HBO) and The Morning Show (Apple TV)Joshua is a graduate of the University of Southern California and the Juilliard School. 




About Raven Theatre

 

Raven Theatre tells stories of today and the past that connect us to our cultural landscape. Through its plays, as well as its educational programming, Raven is committed to serving our communities’ needs through the arts.

 

Raven Theatre Company is funded in part by The MacArthur Fund for Culture, Equity, and the Arts at Prince, Polk Bros Foundation, The Shubert Foundation, S&C Electric Company Fund, Paul M. Angell Foundation, The Gaylord and Dorothy Donnelley Foundation and the Illinois Arts Council, a state agency.

 

 


Google Analytics