Lucid Theater To Stage WORLD PREMIERE of Comedy BUDDHA’S BIRTHDAY August 1-17 at The Edge Theatre

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Lucid Theater's World Premiere of

BUDDHA’S BIRTHDAY 

by WELLS AND WELLES playwright Amy Crider

Directed by Iris Sowlat 

Opening August 2 at the Edge Theatre

An anxiety-ridden college professor faces crises in her career, her marriage and her family relationships while planning an 80th birthday party for her overbearing mother.

Featuring Kristie Berger, Kathleen Ruhl, Christopher Hainsworth, and Ada Grey

Iris Sowlat will direct Kristie Berger, Kathleen Ruhl, Christopher Hainsworth, and Ada Grey in World Premiere comedy

Lucid Theater will present the world premiere of BUDDHA’S BIRTHDAY by Chicago playwright Amy Crider, whose WELLS AND WELLES was a breakout hit of summer 2024. In BUDDHA’S BIRTHDAY, an anxiety-ridden college professor faces crises in her career, her marriage and her family relationships while planning an 80th birthday party for her overbearing mother. Neither medication, meditation, nor the tenets of Buddhism are enough to soothe her anxiety over the upcoming party or the ongoing challenges in her life. BUDDHA’S BIRTHDAY will be performed at the Edge Theatre, 5451 N. Broadway, Chicago from August 1 – 17. I'll be out for the Press Opening Saturday, August 2nd, so check back soon for my full review. 

BUDDHA’S BIRTHDAY will be performed by a cast of Chicago stage veterans, led by Actors Equity member Kristie Berger as the insecure professor Pamela. Berger’s career includes roles at the Goodman, Steppenwolf, and Victory Gardens; as well as productions at storefronts including City Lit, Lifeline, Strawdog, and many others. Pamela’s difficult mother Roberta will be played by Kathleen Ruhl, an ensemble member at Redtwist Theatre, where she has performed in nine plays. Ruhl’s decades-long career includes two Jeff Awards (for supporting actress in DOLLY WEST’S KITCHEN and ensemble for THIS HAPPY BREED, both with TimeLine), and roles with Piven Theatre, Writers, and Shattered Globe. For Shattered Globe, she played the title role in FOR PETER PAN ON HER 70TH BIRTHDAY, written for her by her daughter Sarah Ruhl.

Pamela’s husband Lawrence, a self-assured philosophy professor, will be played by Christopher Hainsworth, a Lifeline Theatre ensemble member who has also performed with The Gift Theatre, Remy Bumppo, Chicago Shakespeare Theatre, The Factory, Strawdog Theatre Company, and The House Theatre of Chicago, among others. Ada Grey will play Jennifer, niece of Pamela and a free spirit who has returned from abroad for her grandmother’s party.  A pesky raccoon that is an habitual irritant to Pamela’s routine will be created and performed by Emilie Wingate of Flying Leap Productions.

Top Row L-R: Kristie Berger, Kathleen Ruhl.

Lower Row L-R: Christopher Hainsworth, Ada Grey

Iris Sowlat, a Chicago-based director who holds an MFA in Theatre Directing from University of Massachusetts Amherst, where she directed Sarah Ruhl’s ORLANDO and Lauren Gunderson’s EMILIE: LA MARQUISE DU CHATELET DEFENDS HER LIFE TONIGHT, will direct BUDDHA’S BIRTHDAY. Sowlat’s previous Chicago directing credits include productions with Accidental Theatre Company, PrideArts, Piven, and others. Alvaro Ledesma is creating the sound and lighting design.

BUDDHA’S BIRTHDAY has been in development for over a decade, starting as a ten-minute play written for a Scene Shop Showcase at Chicago Dramatists in 2014. Crider expanded it into a full-length play for a Chicago Dramatists’ Master Class in 2020, and it has received several readings since then.

Tickets for BUDDHA’S BIRTHDAY are $38.00 and are on sale at  www.lucidtheater.com. Performances will be Thursdays, Fridays, and Saturdays at 7:30, and Sundays at 3:00, from August 1 – 17 at the Edge Theatre, 5451 N. Broadway, Chicago.

MORE INFORMATION

BUDDHA’S BIRTHDAY

WORLD PREMIERE

Written by Amy Crider

Directed by Iris Sowlat.

Produced by Lucid Theater Company

August 1 - 17, 2025

Press Opening Saturday, August 2 at 7:30 pm

Thursday, Friday, and Saturday at 7:30, and Sunday at 3:00

Edge Theatre, 5451 N, Broadway, Chicago

Tickets: $38, on sale at www.lucidtheater.com

Please visit www.lucidtheater.com for more information.

BUDDHA’S BIRTHDAY is a comedy about anxiety, enlightenment, and raccoons. Pamela, an insecure history professor, is pressed by her husband to try medication for anxiety. She’s always counted on the benefits of meditation. Stressed by her overbearing mother and some relentless animals, she learns that liberation is open to all of us in a moment of grace. In the end, her journey is only beginning, and the raccoons will always be with us.  

BIOS

Amy Crider (Playwright) studied comedy at Second City, and attended workshops with Chicago Dramatists, Jackalope Theatre, and LaMaMa. Her last production, WELLS AND WELLES, produced in Chicago in July/August 2024, was a nominee for the 2025 ATCA/Steinberg Award. Her plays have won the Tennessee Williams One Act Play Contest, Word Wave, and New Plays from the Heartland. Two of her plays have been published by TRW. She is also the author two novels published by the University of New Orleans Press. Her podcast Continuous Dream is on Spotify. You’re welcome to find out more at www.amycrider.com

Iris Sowlat (Director) is a Chicago-based director who holds an MFA in Theatre Directing from University of Massachusetts Amherst, where she directed Sarah Ruhl’s ORLANDO and Lauren Gunderson’s EMILIE: LA MARQUISE DU CHATELET DEFENDS HER LIFE TONIGHT. This year, she directed Gunderson’s THE BOOK OF WILL for Triton College (as Adjunct Faculty) and will direct COME ALONG FOR THE RIDE by Rozina Kanchwala for Eco Logic (June 2025). Favorite Chicago directing credits include ROMEO AND JULIET (Accidental Shakespeare Company), JOAN OF ARC and UNDERWORLD ANTHEM (RhinoFest), THE DAYS ARE SHORTER (Pride Arts), ABCD (Piven Theatre) and NARRATIVES OF ACHROMATOPSIA and TURN THAT THING AROUND, (Chicago Fringe Festival), and three different sold-out fundraiser readings of Paula Kamen’s JANE: ABORTION AND THE UNDERGROUND. She has also worked with Northlight Theatre, About Face Theatre, American Theatre Company, Chicago Dramatists, Collaboraction, Broken Nose, Stage Left Theatre (former Artistic Associate), Possibilities Theatre Company, NoPassport Theatre Alliance, and many others. Iris is one half of the leadership (with Allison Fradkin) of the DIY queer feminist theatre Violet Surprise. In 2018, she was named one of WINDY CITY TIMES  “30 Under 30.” Find her on the web at www.IrisSowlat.com.

Kristie Berger (Pamela) last appeared in THE MOUSETRAP at Citadel Theatre. Regional theater credits include Barbara Fordham in AUGUST: OSAGE COUNTY and Frankie in  FRANKIE & JOHNNY IN THE CLAIR DE LUNE at The Human Race Theatre in Dayton; the long-running national tour of THE ODD COUPLE: FEMALE VERSION starring Barbara Eden; VANYA AND SONIA AND MASHA AND SPIKE, CIRCLE MIRROR TRANSFORMATION, BUS STOP, and RESIDENT ALIEN at Nebraska Repertory Theatre.  Chicago area credits include Diane in THE BIRDS, Citadel Theatre; Jeanette in THE LAST OF THE RED HOT LOVERS, Illinois Theatre Center; THE VAGINA MONOLOGUES, ALWAYS…PATSY CLINE, and THE ODD COUPLE: FEMALE VERSION, Apollo Theater. Other theaters she has worked with include the Goodman, Steppenwolf, Victory Gardens, Equity Library Theater, City Lit, Lifeline, Strawdog, Mary-Arrchie, Touchstone, Center Theater, and Absolute.  She also works in TV, voice-overs, commercials, films, and industrial films. Kristie is a proud member of Actors’ Equity. 

Ada Grey (Jennifer). Television credits include THE RED LINE (CBS), SHRINK (NBC), SIRENS (USA), and CHICAGO FIRE (NBC). Most recent credits at the London Academy of Dramatic Arts (LAMDA) include: DANCE NATION (LAMDA), CHAOS, SAINT GEORGE AND THE DRAGON, and OUR HOUSE. Chicago stage credits include NO HOME FOR BEES (20% Theatre), OUR TOWN (Redtwist Theatre), THE HAVEN PLACE and I AND MY IPHONE (A Red Orchid Youth), SCARCITY (Redtwist Theatre, Broadway World Chicago Nomination Best Actress), THE AWAKE (First Floor Theatre), THE HAMMER TRINITY (The House Theatre), TO KILL A MOCKINGBIRD (Oak Park Festival Theatre), JANE EYRE (Lifeline Theatre), MEN SHOULD WEEP (Griffin Theatre, Jeff Award Best Production), and SIX CHARACTERS IN SEARCH OF AN AUTHOR (The Hypocrites).  She recently graduated from London Academy of Music and Dramatic Art with a BA in acting. 

Christopher Hainsworth (Lawrence) is a Lifeline Theatre ensemble member, where he has performed in TREASURE ISLAND, NEVERWHERE, THE COUNT OF MONTE CRISTO, THE THREE MUSKETEERS, THE KILLER ANGELS, A TALE OF TWO CITIES, MISS HOLMES, FRANKENSTEIN and MISS HOLMES RETURNS; and penned the adaptations of HUNGER, MONSTROUS REGIMENT, MIDNIGHT COWBOY and FABLE-OUS! He has also worked for The Gift Theatre, Remy Bumppo, Chicago Shakespeare Theatre, The Factory, Strawdog Theatre Company, and The House Theatre of Chicago, among others.

Kathleen Ruhl (Roberta) Over many years in Chicago, Kathleen Ruhl has been lucky enough to have performed on a lot of stages with many wonderful actors and directors. She started on the Chicago City Players stage (four shows) which later became the TimeLine stage (three shows), where she won Jeffs for best supporting actor (DOLLY WEST’S KITCHEN) and member of a Best Ensemble (THIS HAPPY BREED). Kathleen did Shakespeare at the outdoor Court Theatre at the University of Chicago (MACBETH, TWELFTH NIGHT, and AS YOU LIKE IT) and Noel Coward at the “new” Court Theatre (HAY FEVER). She studied with Joyce Piven and performed in seven shows directed by Joyce at the Piven Theatre. Some of the other stages she has trod in Chicago and the northern suburbs include those at Writer’s Theatre (HEDDA GABLER), the Attic playhouse in Highwood (three shows), Shattered Globe (Peter Pan in FOR PETER PAN ON HER SEVENTIETH BIRTHDAY) and Music Theatre of Hyde Park (Sarah Brown in GUYS AND DOLLS). Kathleen is currently a company member at Redtwist, where she has done nine shows.

ABOUT LUCID THEATER COMPANY

Lucid Theater Company has been producing plays since 2017. Previous productions include LEDA (2017), CHARLIE JOHNSON READS ALL OF PROUST (2019), METADATA (2021), and A LEGACY (Rhinofest, 2023). The company also produces the podcast series of audio plays CONTINUOUS DREAM.

Mission:

Lucid Theater produces original plays with a broad range of subjects and styles. We center ideas and emotions to evoke thoughtful reflection, courageous choices, and compassion. Our goal is to fight against numbness and awaken our audiences to the richness and depth of emotional experience. Rather than replicate reality, we seek to reveal subjective experience for its dreamlike sensibility.

Values:

We honor the artist by paying everyone involved.

We commit to a respectful work environment.

We strive to hire female directors and leadership.

We pledge to listen deeply and question authentically.

We vow to uplift the human spirit.

World Premiere of Artemis Books & the Well-Meaning Man Via The Village Theater at Rivendell Theatre July 17 - August 2, 2025

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The Village Theater Presents the World Premiere of 

Artemis Books & the Well-Meaning Man

by Paul Michael Thomson

Directed by Clara Zucker

Poster design by Andi Muriel

The Village Theater's inaugural production is playing 

July 17th Through August 2nd at Rivendell Theatre Ensemble

Regina (Reggie) runs a femme-centric feminist bookstore in Tucson, AZ. Artemis Books is a safe space for queer people, free expression, and womxn of all kinds. When her boss unexpectedly jumps ship, Reggie is stuck with a new hire: straight, white, cis-male JJ. Workplace romances, existential anxieties, and some questionable spell-casting abound as Reggie tries to reclaim her safe space. Does identity have to influence ideology? Does colonialism ever stop? And what in the actual hell is a “good guy”?

The production will run from July 17-August 2 at Rivendell Theatre Ensemble. Tickets can be purchased via the-village-theater.com/artemisbooks.

"Artemis Books and the Well-Meaning Man" will run from July 18 to August 3 at the Rivendell Theatre 5779 N. Ridge Ave. Please join us for our post-show dialogues following select matinee performances on July 19, July 20, and August 2-- beverages will be provided!

*PREVIEW IS THURSDAY, JULY 17. Discounted tickets available.*

*UNDERSTUDY PERFORMANCE IS WEDNESDAY, JULY 23.*

*INDUSTRY NIGHT IS MONDAY, JULY 28. Use code INDUSTRY for $10 tickets*

Seating is GA for Access and Standard Ticket levels. For Donor level tickets, seats will be reserved. The house will open 30 minutes before the performance's scheduled start time. If you have any questions or need accommodations, please email us at villagetheaterchi@gmail.com.

Performance Schedule

July 17th – August 2nd

7:30pm Thursday, July 17th, Preview Performance

8:00pm Friday, July 18th, Opening

8:00pm Thursdays and Fridays

3:00pm and 8:00pm Saturdays

3:00pm Sunday, July 20th

8:00pm Saturday, August 2nd Closing

Additional Performances

8:00pm Wednesday, July 23rd Understudy Performance

8:00pm Monday, July 28th Industry Night Performance

ARTEMIS BOOKS & THE WELL-MEANING MAN will be performed at:

Rivendell Theatre Ensemble

5779 N. Ridge Avenue

Chicago, IL 60660

Tickets:the-village-theater.com/artemisbooks

Phone: (872) 529-6792

Email: villagetheaterchi@gmail.com

Tickets follow a pay-as-you-are model:

● Access tickets (limited quantity): $12

● Standard tickets: $25

● Donor tickets (includes a reserved seat): $50

ARTEMIS BOOKS & THE WELL-MEANING MAN is a topical and comedic examination of morality, identity, and community in a capitalist and patriarchal society. Set in a feminist bookstore in Tucson, AZ, the show follows the chaos that ensues when JJ, a straight, white, cis man, joins the staff. For The Village Theater’s debut performance, director Clara Zucker, also the co-artistic director of The Village, has selected a show that reflects The Village Theater’s values of amplifying marginalized voices, championing local organizations, and allowing the audience to engage with difficult questions.

Creative Team

Playwright: Paul Michael Tomson

Director: Clara Zucker*

Assistant Director: Carmia Imani

Stage Manager: Amanda Tancioco Rokosz

Scenic Designer: Katelyn Montgomery

Sound Designer: Satya Chávez

Lighting Designer: Joseph Nelson

Props Master: Averly Sheltraw

Costume Designer: Maggie McGlenn

Dramaturg: Naomi Kalter*

Intimacy Coordinator: Bailey McWilliams-Woods*

Producers: Lena Romano and Emily Newmark*

*denotes Village Team Member

Cast

Regina - Daniela Martinez (u/s Teri Talo)

Asha - Tierra Matthews (u/s Aysia Slade)

Emerson - Phoebe Jacobs (u/s Janey Elliott)

JJ - Kyle Roth (u/s Bryce Miller)

Paul Michael Thomson is a playwright, performer, producer, and PhD candidate based in Chicago. Nationally produced plays include: brother sister cyborg space (Raven Theatre); Fremont Junior High Is NOT Doing Oklahoma! (Good Company Theatre, Live Theatre Workshop); What a Time to Be Alive (You Say That Every Time) (Definition Theatre, Great Plains Theatre Commons); Leave Me Alone! (The Story Theatre); The G.O.A.T., or Who Is Ximone? (Theatre L'Acadie, O'Neill Center NPC Finalist); and more. 

As an actor, Paul Michael has worked onstage at Steppenwolf, Goodman, Chicago Shakespeare, and Drury Lane, and his on-camera work includes: All Happy Families, Drawn Back Home, Chicago Med, and Chicago Justice. Paul Michael is a proud co-founder and Governing Ensemble member of The Story Theatre, where his producing credits include: At the Wake of a Dead Drag Queen, the love object, Marie Antoinette & the Magical Negroes, and The (W)rites of Summer new play festivals. He is a PhD candidate in Afro-American Studies through the University of Massachusetts Amherst, and his scholarly work has been published in Theatre History Studies, the Black Theatre Review, and Theatre Annual. He is represented by Gray Talent Group. Paul Michael's play Pot Girls will premiere with The Story Theatre in February 2026, in collaborative conversation with Raven Theatre's production of Top Girls by Caryl Churchill. He is honored to be a part of The Village Theater's inaugural production and stands in awe of this brilliant team and the village they're creating.

paulmichaelthomson.com @paulmichaelt

Clara Zucker*- Director (Co-Artistic Director of The Village Theater)

Clara Zucker is a Chicago-based director, playwright, and dramaturg. She is passionate about utilizing theater as a tool for social change and firmly believes in theater’s ability to uplift and unify diverse voices. 

Directing credits include the Midwest premiere of The Lacy Project (The Understudy), Sophie Sucks Face (Edinburgh Fringe Festival, shortlisted for best show for Edinburgh Comedian's Choice Awards), Doom Tank (Under St. Mark’s Theatre), Shayna Punim, The Aliens, Athena, Mr. Marmalade (Oberlin College). Past playwriting credits include Fishing for Whales (2024 Cherry Picking, New York, NY), and Shayna Punim (Oberlin College, Oberlin Ohio). Clara currently serves as the literary and dramaturgy apprentice at Goodman Theatre and is the dramaturg for the upcoming world premiere of Ashland Avenue (Dir. Susan Booth, Goodman Theatre). Clara holds a B.A. in Theater and American Studies from Oberlin College and is the recipient of the Nash Drama Award for exceptional achievement in Oberlin Theater. She would like to thank her family for making the trek from NYC and her community here in Chicago. It takes a village!

ARTEMIS BOOKS & THE WELL-MEANING MAN is the first production of The Village Theater’s inaugural season.

The production will run from July 18-August 2 at Rivendell Theatre Ensemble. Tickets can be purchased via the-village-theater.com/artemisbooks.

The Village Theater of Chicago is a director-driven collective that harnesses theater as an instrument for cultivating community. Through intimate storytelling, community partnerships, and post-show dialogues, we reveal the profound magic of human connection. Transformative art emerges from collaboration. After all, it takes a village.

Stay updated with The Village at our website https://www.the-village-theater.com/ and follow us on Instagram @the.village.theater

World Premiere of Billie Jean at Chicago Shakespeare Theater July 18–August 10, 2025 in The Yard

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Chicago Shakespeare Theater’s Electrifying World Premiere Play 

Billie Jean

Based on the life of sports icon and equality champion Billie Jean King

by Lauren Gunderson and directed by Marc Bruni

Starring Chilina Kennedy in the title role

July 18 Through August 10, 2025 in The Yard

Chicago Shakespeare Theater (CST) presents the world premiere play Billie Jean, about sports icon and equality champion Billie Jean King. Playwright Lauren Gunderson, one of the most-produced playwrights in the US, and director Marc Bruni (Broadway’s The Great Gatsby and Beautiful: The Carole King Musical), team up to stage this empowering new look at a legend who shattered glass ceilings on and off the court. Following her path to becoming a sports icon, from her record-breaking victories to her relentless fight for equal pay and equal rights, Billie Jean explores the cost of public battles and private struggles—bringing us closer than ever before to a woman whose battle for identity and equality inspired and continues to inspire generations. The production runs July 18–August 10, 2025, in The Yard at Chicago Shakespeare Theater.

Chilina Kennedy stars as Billie Jean King, leading a cast that also includes Dan Amboyer, Julia Antonelli, Elena Hurst, Courtney Rikki Green, Wynn Harmon, Carolyn Holding, Jürgen Hooper, Callie Rachelle Johnson, Lenne Klingaman, Nancy Lemenager, and Murphy Taylor Smith.

Named one of the “100 Most Important Americans of the 20th Century” by Life magazine, Billie Jean King is the first woman athlete to receive the Presidential Medal of Freedom and the first individual woman athlete to be awarded the Congressional Gold Medal. She is the founder of the Women’s Sports Foundation, the Women’s Tennis Association and the Billie Jean King Foundation. She is part of the ownership groups of the Los Angeles Dodgers and Angel City FC and a member of the Advisory Board of the Professional Women’s Hockey League (PWHL). In 2020, King became the first woman to have an annual global team sports event named in her honor when Fed Cup, the women’s world cup of tennis, was rebranded as the Billie Jean King Cup. The National Tennis Center, home of the US Open, was renamed the USTA Billie Jean King National Tennis Center in 2006 in honor of her accomplishments on and off the court.

Chicago Shakespeare Theater’s world premiere production of Billie Jean is developed by special arrangement with four-time Tony-winning producer Harriet Newman Leve (Beautiful: The Carole King Musical, War Horse, Stomp) and Stephanie Sandberg (Country Lane Productions), with Lily Tomlin and Jane Wagner (powerhouse creative duo in television, sound recording, film, theater, and animation for more than 40 years). 

Chilina Kennedy is best known for playing Carole King in Beautiful: The Carole King Musical on Broadway for over 1,200 performances. Her Broadway credits include Myrtle in The Great Gatsby, Annie in Paradise Square, and Mary Magdalene in Jesus Christ Superstar, and she starred in the first national tour of The Band’s Visit (Toronto Critics Award). Kennedy’s other selected credits include the Off-Broadway world premiere of This Ain’t No Disco, the world premiere of A Gentleman’s Guide to Love and Murder (Hartford Stage/The Old Globe in San Diego), and the one-woman play The Human Voice (filmed for Toronto’s Ontario International College). She spent three seasons each at the Shaw Festival Theatre and the Stratford Festival, with credits including Rose of Sharon in The Grapes of Wrath.

The cast also features Dan Amboyer (Netflix’s Survival of the Thickest and Uncoupled, TV Land’s Younger, NBC’s Blacklist: Redemption) as Larry King, Julia Antonelli (Ari Aster’s Beau Is Afraid, Netflix’s Outer Banks, Nickelodeon’s Every Witch Way and WITS Academy) as Young Billie Jean, and Elena Hurst (Becoming A Man and Twilight: Los Angeles, 1992 at American Repertory Theater) as Rosie Casals, as well as Courtney Rikki Green (Henry V at CST, Romeo and Juliet at the Oregon Shakespeare Festival), Wynn Harmon (Porgy and Bess on Broadway), Carolyn Holding (HBO’s The Gilded Age, STARZ/Netflix’s Heels), Jürgen Hooper (The Comedy of Errors, Amadeus, and more at CST, Brighton Beach Memoirs on Broadway), Callie Rachelle Johnson (Hamlet at CST, Next to Normal at Drury Lane, Pal Joey at Porchlight), Lenne Klingaman (Waitress on Broadway and first national tour, The Underlying Chris at Second Stage), Nancy Lemenager (McNeal, Chicago, Never Gonna Dance, and more on Broadway), and Murphy Taylor Smith (A Transparent Musical at Center Theatre Group).

Understudies include Miles Borchard, Sydney Feldman, Kelli Harrington, Nathe Rowbotham, Hannah Ruwe, Marlene Slaughter, and Jocelyn Zamudio.

“It’s so exciting to be announcing this brilliant cast for Lauren Gunderson’s play about the heroic Billie Jean King,” shared Chicago Shakespeare’s artistic director Edward Hall. “Bringing thought-provoking and original drama into our repertoire alongside Shakespeare gives us and our audiences such a wonderful opportunity to explore the connections between Shakespeare’s world and ours. Billie Jean has left and continues to leave her mark on our world, helping to shape our thoughts and challenge accepted societal norms. It is a joy and a privilege to be bringing this play to CST first.”

Playwright Lauren Gunderson has been one of the most produced playwrights in America since 2015, topping the list thrice. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the William Inge Distinguished Achievement in Theatre Award, the Lanford Wilson Award, and a finalist for the Susan Smith Blackburn Prize. Her plays have been translated into a dozen languages and are produced across the world including the West End. Her anthology, Revolutionary Women, is published by Bloomsbury, where her play I and You is a “modern classic.”

Gunderson shared, “CST is the perfect place to launch this new play about Billie Jean King, her activism, and her ongoing impact on the world. Her story is a hero’s journey, and the house of Shakespeare’s heroes is a fitting home for this theatrical debut about excellence, equality, and heart. We want this play to be an exploration of contrast: instantly recognizable and also deeply surprising; athletic and also theatrical; heartfelt and heroic. I am honored and thrilled to have Billie Jean be a part of CST’s season.”

Director Marc Bruni’s credits include The Great Gatsby, currently running on Broadway and the West End as well as the Tony, Grammy, and Olivier Award-winning Beautiful: The Carole King Musical on Broadway, in the West End, US and UK Tours, and in Australia. He also directed Trevor: The Musical which was filmed Off-Broadway at Stage 42 and now streams on Disney+. Bruni was Jeff Award-nominated for Chicago credits Trevor at Writers Theatre and Old Jews Telling Jokes at the Royal George, and his many additional credits include Bye Bye Birdie, Guys and Dolls, The Music Man, How to Succeed in Business..., 50 Years of Broadway (Kennedy Center), and Hey, Look Me Over!, Paint Your Wagon, Pipe Dream and Fanny (City Center Encores!).

Billie Jean features movement direction by Steph Paul (Sanctuary City at Steppenwolf Theatre, Nobody Loves You at American Conservatory Theater), scenic design by Wilson Chin (Cost of Living and Pass Over on Broadway), costume design by Linda Cho (Two Noble Kinsmen, Othello, and Mary Stewart at CST, Tony Award winner for The Great Gatsby and A Gentleman's Guide to Love and Murder on Broadway), lighting design by Jen Schriever (Tony Award nominee for A Strange Loop and Death of a Salesman on Broadway), sound design by Jane Shaw (credits at Theater for a New Audience, Roundabout Theatre Company, Playwrights Horizons and many more), and video and projection design by David Bengali (Tony Award nominee for Water for Elephants). The creative team also includes Chels Morgan (Intimacy Coordinator), Eva Breneman (Dialect Coach), Tom Watson (Hair & Makeup Designer),The Telsey Office | Karyn Casl CSA & Charlie Hano CSA (Casting), Bob Mason (Chicago Casting), Amy Marie Seidel (Associate Director), Lily Tomasic (Assistant Scenic Designer),

Herin Kaputkin (Assistant Costume Designer), Colleen Doherty (Assistant Lighting Designer), Taylor Edelle Stuart (Associate Video Designer), Kristi J. Martens (Production Stage Manager, Amanda Blanco (Assistant Stage Manager), and Ethan Coon (Production Assistant).

More information at chicagoshakes.com/billiejean or on social media at @chicagoshakes.

Billie Jean By Lauren Gunderson

Directed by Marc Bruni

July 18 – August 10, 2025

The Yard at Chicago Shakespeare Theater

PERFORMANCE DETAILS

• Tuesdays at 7:30 p.m.

• Wednesdays at 1:00 p.m. and 7:30 p.m. (no matinee July 23)

• Thursdays at 7:30 p.m.

• Fridays at 7:30 p.m.

• Saturdays at 2:30 p.m. and 7:30 p.m.

• Sundays at 2:30 p.m.

Chicago Shakespeare strives to make its facility and performances accessible to all patrons. Accessible seating, assistive

listening devices, large-print and Braille programs, and sensory tools are available at every performance. Enhanced

performances include:

• Audio-described performance – Sunday, August 3 at 2:30 p.m.

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision.

• Open captioned performance – Wednesday, August 6 at 1:00 p.m. and 7:30 p.m.

A text display of the words and sounds heard during a play, synced live with the action onstage.

• ASL interpreted performance – Friday, August 8 at 7:30 p.m.

All dialogue and lyrics are translated into American Sign Language by two certified interpreters

Creative Team

Lauren Gunderson - Writer

Marc Bruni - Director

Steph Paul – Movement Director

Wilson Chin - Scenic Designer

Linda Cho - Costume Designer

Jen Schriever - Lighting Designer

Jane Shaw - Sound Designer

David Bengali - Video & Projections Designer

Chels Morgan - Intimacy Coordinator

Eva Breneman - Dialect Coach

Tom Watson - Hair & Makeup Designer

The Telsey Office | Karyn Casl CSA & Charlie Hano CSA - Casting

Bob Mason - Chicago Casting

Amy Marie Seidel - Associate Director

Lily Tomasic - Assistant Scenic Designer

Herin Kaputkin - Assistant Costume Designer

Colleen Doherty - Assistant Lighting Designer

Taylor Edelle Stuart - Associate Video Designer

Kristi J. Martens - Production Stage Manager

Amanda Blanco - Assistant Stage Manager

Ethan Coon - Production Assistant

Cast

Chilina Kennedy - Billie Jean King

Dan Amboyer - Larry King

Julia Antonelli - Young Billie Jean

Courtney Rikki Green - Woman Two

Wynn Harmon - Man One

Carolyn Holding - Woman Five

Jürgen Hooper - Man Two

Elena Hurst - Rosie Casals

Callie Rachelle Johnson - Woman Six

Lenne Klingaman - Woman Three

Nancy Lemenager - Woman One

Murphy Taylor Smith - Woman Four

Miles Borchard - Understudy

Sydney Feldman - Understudy

Kelli Harrington - Understudy

Nathe Rowbotham - Understudy

Hannah Ruwe - Understudy

Marlene Slaughter - Understudy

Jocelyn Zamudio - Understudy

CHICAGO SHAKESPEARE THEATER (CST)

CST is a leading international theater company and the nation’s largest year-round theater dedicated to the works of Shakespeare. Under the visionary leadership of Artistic Director Edward Hall and Executive Director Kimberly Motes, the Regional Tony Award recipient is committed to creating vivid, entertaining theatrical experiences that invigorate and engage people of all ages and identities by illuminating the complexity, ambiguity, and wonder of our world. Each year, nearly a quarter of a million people experience CST’s artistry through more than 12 productions. With Shakespeare at the heart of the artistic work, CST also produces compelling, contemporary stories from fresh voices of today. CST brings the world to Chicago and sends Chicago out into the world as Chicago’s foremost presenter of international theater, and consistent producer of North American and world premieres. Serving more students and teachers than any theater in the city, CST annually welcomes more than 20,000 students to performances and programs like Chicago Shakespeare SLAM, alongside professional development opportunities for teachers. CST activates its campus with three venues: 700-seat The Yard; the 500-seat Jentes Family Courtyard Theater; and the 200-seat Carl and Marilynn Thoma Upstairs Studio. Free programs like Shakes in the City bring performances to parks and community spaces across Chicago’s 77 neighborhoods. Shared humanity and unforgettable stories—now THIS is Chicago Shakespeare. chicagoshakes.com 

World Premiere of “BIG TIME TOPPERS” Via Theatre L’Acadie at Redtwist Theatre July 10th - July 26, 2025

ChiIL Live Shows On Our Radar

“BIG TIME TOPPERS” 

PRESENTED BY

THEATRE L’ACADIE AT REDTWIST THEATRE

Theatre L’Acadie proudly presents its 5th theatrical season with the World Premiere of 

Patrick Vermillion’s pie-in-the-face dark farce.

Directed by TL Co-Artistic Director Brandii Champagne.

Big Time Toppers will take place at Redtwist Theatre (1044 W Bryn Mawr Ave, Chicago, IL 60660) and

runs from July 10th - July 26th. Preview performances will take place July 6th, 7th, and 8th at

8pm. Press opening is July 8th at 8pm, and opening night is July 10th at 8pm. There will be one

Matinée performance on Sunday, July 13th at 3PM. Designated understudy performance will

take place on Monday, July 21st. Tickets (PayWhatYouCan suggested donation of $30) are now

on sale at theatrelacadie.com.

Photo credit: Sam Riehl

Big Time Toppers, by Patrick Vermillion: After a juggling trick goes horrifically awry, aspiring

professional clowns Harlow and Stubs must find a way to treat the severe wounds they’ve

accidentally inflicted on each other before the most important audition of their fledgling careers.

A farcical comedy about being an artist in a world of peril - and making your dreams come true

no matter what - even if there's a tornado!

MORE PRODUCTION DETAILS: BIG TIME TOPPERS

Cast: Jamaque Newberry (Stubbs), Hannah Antman (Harlow), Kandace Mack (Billie), Shane

Rhoades (Eddie), and Quinn Leary (Jimmy Knives)

Production Team: Erin Sheets (Movement / Fight Director), Benjamin Mills (Assistant

Director / Costume Designer), Jimena Ramirez (Stage Management), Adriana Andreolas

(Assistant Stage Management), Joel Willison (Dramaturgy), Sam Anderson (Lighting Design),

Riley Woods (Associate Lighting Designer), Al Joritz (Props Master), Stefan Roseen (Sound

Design), Rose Johnson (Scenic Design), and Katie Dreher (Production Manager)

Dates: July 10th - July 26th (Previews July 6th, 7th, 8th)

Press Opening: Tuesday, July 8th, 2025 at 8pm

Location: Redtwist Theatre (1044 W Bryn Mawr Ave, Chicago, IL 60660)

Running Time: Approximately 100 minutes with no intermission

Tickets: General Admission: $30 suggested donation; pay-what-you-can

ABOUT THEATRE L’ACADIE

Founded in 2018, Theatre L’Acadie is a collective of multi-disciplinary storytellers who ask: how

do you get people to talk about the ugly? As nurturers of new and under-produced works,

Theatre L’acadie is driven to unearth the beauty rooted within chaos. 

Learn more about us at theatrelacadie.com and follow us on Facebook and Instagram @theatrelacadie

World Premiere of Dhaba on Devon Avenue at Writers Theatre June 19 – July 27, 2025

 ChiIL Live Shows On Our Radar

Writers Theatre concludes its 2024/25 Season with 

the World Premiere of

Dhaba on Devon Avenue

Written by Madhuri Shekar

Directed by Chay Yew

Produced in partnership with TimeLine Theatre Company

June 19 – July 27, 2025

Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, concludes its 2024/25 Season with Madhuri Shekar’s Dhaba on Devon Avenue, directed by Chay Yew. Dhaba on Devon Avenue will run June 19-July 27, 2025 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. 

Tickets are on sale at Writers Theatre at 325 Tudor Court, Glencoe; 847-242-6000; www.writerstheatre.org.  

Dhaba Canteen has been a stalwart institution on Chicago’s Devon Avenue since the ‘80s, serving up delicious Sindhi food with the power to transport diners back to the halcyon days of undivided India. Times are changing, however. With the bank threatening foreclosure and Chef Neeraj’s health in decline, the restaurant may soon be cooking up its last meal—unless sous chef Rita can convince her father to let her take over the kitchen. Rich with culinary tradition and dramatic twists, Dhaba on Devon Avenue serves up a searing Chicago-set story of family, legacy, and survival at all costs. 

This World Premiere production Dhaba on Devon Avenue is produced in partnership with TimeLine Theatre Company.

Dhaba on Devon Avenue is produced in partnership with TimeLine Theatre Company, under the leadership of Artistic Director PJ Powers and Executive Director Mica Cole.

"Writers Theatre is honored to join forces with TimeLine Theatre Company, an organization whose dedication to illuminating history through imaginative storytelling perfectly aligns with our own artistic values. This collaboration feels like a natural extension of both our missions," said Writers Theatre Artistic Director Braden Abraham. “Madhuri Shekar's vibrant new work invites audiences into the heart of Chicago's Indian community, where tradition and innovation collide in a deeply personal exploration of cultural heritage. Both funny and scathingly direct, Madhuri's timely play explores the complexities of allegiance, independence, and what it truly means to belong.”

“TimeLine is thrilled to partner with Writers Theatre, an organization that we’ve greatly admired throughout our history, not only for its mission but also its commitment to audience engagement and uplifting the esteemed artists who work on stage and behind the scenes,” said TimeLine Theatre Artistic Director PJ Powers. “It’s an honor to collaborate with them and director Chay Yew to bring to life Madhuri Shekar’s play. Delving into the rich history of Chicago’s famed Devon Avenue and Indian cuisine, this world premiere is a wonderful marriage between TimeLine and Writers, coalescing our missions and artistic aesthetics, as we present this heart-stirring and timely story about identity, culture, and legacy.”

The cast is: Isa Arciniegas (Luz Fuentes), Arya Daire (Sindhu Madhwani), Kamal Hans (Adil Jaisinghani), Anish Jethmalani (Neeraj Madhwani), and Tina Muñoz Pandya (Rita Madhwani).

The creative team includes: Chay Yew (Director), Lauren M. Nichols (Scenic Designer), Christine Pascual (Costume Designer), Christine A. Binder (Lighting Designer), Eric Backus (Sound Designer), Kristina Fluty (Intimacy Director), and Karina Patel (Dramaturg). The stage manager is Katie Klemme and the assistant stage manager is Alexis Wiley.

Dates: First performance: June 19, 2025

Press opening: Friday, June 27, at 7:30pm 

Closing performance: July 27, 2025

Performance Schedule:

Wednesdays: 3:00pm (July 2 & 16 only) and 7:30pm

Thursdays: 7:30pm 

Fridays: 7:30pm

Saturdays: 3:00pm (except June 21) and 7:30pm

Sundays: 2:00pm and 6:00pm (June 29 & July 13 only)

Open Captioned Performance: Thursday, July 10 at 7:30pm

ASL-Interpreted Performance: Saturday, July 19 at 3:00pm

Location: Alexandra C. and John D. Nichols Theatre, 325 Tudor Court, Glencoe

Prices: $35-$95

Discounts are available for students, educators, theater industry professionlas, active military personnel, veterans, police officers, firefighters, and their immediate families. Information is available at: https://www.writerstheatre.org/plan-your-visit/box-office-and-theatre-center/pricing--special-offers

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000; www.writerstheatre.org.

Dhaba on Devon Avenue is inspired by Chicago’s South Asian community, the third largest population of South Asians in the country. The play takes place on Devon Avenue on the far north side of Chicago, an area renowned for its remarkable diversity, and a magnet for immigrants as they settle in to life in America.

DHABA ON DEVON EVENTS

South Asian Community Night 

Friday, July 11 at 6pm 

Members of the South Asian community are invited to Writers Theatre for an evening of good food, great company, and outstanding theatre! Join us for a pre-show reception and exclusive post-show discussion with members of the creative team. Enjoy happy hour specials at the WT bar and food for purchase from Highland Park’s top-rated restaurant Indus.  

Family Matinee 

Saturday, July 12 at 3pm 

Parents and caregivers can see the 3pm matinee of the production and drop their young ones off for an imaginative afternoon at a special onsite theatre class with Writers Theatre Education’s expert teaching artists.

The Restaurant Generation: South Asian cuisine and the immigrant story 

In association with TimeLine Theatre’s Sunday Scholars program 

Sunday, July 20 at 12pm 

Join local experts for a discussion of the importance of the food industry to new arrivals and the evolution of South Asian flavors in America. 

The Final Word Audience Discussion 

Sunday, July 27 at 12pm 

Join Writers Theatre Artistic staff and fellow audience members for a conversation about the themes and production elements of the show. 

Glencoe Al Fresco 

It’s too nice to eat inside! Writers Theatre, the Village of Glencoe and Glencoe Public Library invite you to WLC park for food trucks, happy hour specials, live bands and activities for the whole family on Friday nights in July. 

Upcoming Education & Engagement Programs 

Wake Up Words Family Playtime 

Sunday, June 8 at 11am

Stories jump off the page on select Sunday mornings at Writers Theatre. Each Playtime pairs a favorite story with another art form and is a unique opportunity for young children and their families to create together. Designed for ages 3-6 and their parents/caregivers, siblings welcome.  

Show & Tell Storytelling: True Colors

Tuesday, June 10 at 7pm 

Enjoy an engaging evening of storytelling at our monthly Show & Tell series. Each event features talented professional storytellers and celebrates unique themes in a relaxed environment. In June, celebrate Pride Month at True Colors, an evening of stories celebrating the queer experience. Tickets are Pay What You Can. 

ABOUT THE ARTISTS

Madhuri Shekar has said that Dhaba on Devon Avenue is “my ode to the quiet heroism and daily struggles that are required to be an artist, an entrepreneur, an immigrant, and a parent.” 

Madhuri Shekar (Playwright)’s plays have been produced across the United States and internationally. They include House of Joy, Queen, In Love and Warcraft, A Nice Indian Boy, and many other works specifically for young audiences. In TV and film, her projects include the movies Evil Eye and A Nice Indian Boy, and the TV shows The Nevers and 3 Body Problem. She is an alumnus of USC and Juilliard. She is thrilled that Dhaba on Devon Avenue, a play commissioned with love for the city of Chicago, is getting its world premiere now with Writers Theater and Timeline Theatre Company. 

Playwright Madhuri Shekar is the 2020 winner of the Lanford Wilson Playwrighting Award, established by the Estate of Lanford Wilson and presented by the Dramatists Guild Council to a dramatist based primarily on their work as an early career playwright. Her play A Nice Indian Boy was adapted into a feature film and is now playing in theaters to great critical acclaim. 

Chay Yew (Director) His New York credits include the Public, Playwrights Horizons, New York Theatre Workshop, Signature, New York City Center Encores!, Flea, Playwrights Realm, Audible, Rattlestick, and Ensemble Studio Theatre. His regional credits include the Goodman, Oregon Shakespeare Festival, Berkeley Rep, Arena, American Conservatory Theatre, La Jolla Playhouse, Alley Theatre, Goodspeed, South Coast Rep, Old Globe, Center Theatre Group, Denver Center Theater, Huntington, Seattle Rep, Writers Theatre, Victory Gardens, amongst others. His opera credits include Perelman Performing Arts Center, Tanglewood, and LA Philharmonic. He is a recipient of the 2024 Doris Duke Artist Award, and the OBIE for direction.

Director Chay Yew returns to Writers Theatre where he previously directed Dishwasher Dreams. In May 2025, Yew was highlighted by the Stage Directors and Choreographers Union as one of the 65 directors and choreographers whose “work has inspired SDC Members and transformed the American theatre.”

Isa Arciniegas (Luz Fuentes) Chicago credits: Love Song (Remy Bumppo); Solaris (Griffin Theatre); How to Defend Yourself (Victory Gardens Theatre); Wolf Play (The Gift Theatre); First Love Is the Revolution (Steep Theatre); Fantastic Mr. Fox (Emerald City Theatre); The Wolves (Goodman Theatre, Jeff Award—Best Ensemble), Fun Home (Victory Gardens Theater); Buried Child (Writers Theatre); We’re Gonna Die (Haven Theatre Company, ALTA Award—Outstanding Actor in a Principal Role in a Musical); Good Friday (Oracle Productions); American Idiot (The Hypocrites); Romeo and Juliet (Teatro Vista); and Adventures with Aladdin (Lookingglass Theatre Company with Chicago Symphony Orchestra). Regional: Where Did We Sit On the Bus? (Milwaukee Chamber Theatre); Such Things as Vampires (People’s Light Theatre); Stinky Cheese Man and Letters Home (Griffin Theatre National Tour). TV/FILM: The Bear, Swipe Up, Vivian!, Grace and Betty, Kissing Wells.

Arya Daire (Sindhu Madhwani)  Chicago Credits: An Enemy of the People (Goodman Theatre; Jeff Nomination for Best New Adaptation), A Disappearing Number (TimeLine Theatre Company), Inana (TimeLine Theatre), Julius Caesar (Writers Theatre), Samsara (Victory Gardens), Much Ado About Nothing (Victory Gardens), Principal Principle (Stage Left Theatre; Jeff Nomination for Best New Play), Big Lake, Big City (Lookingglass Theatre), Suburbia (University of Chicago), Disconnect (Victory Gardens), The 25th Annual Putnam County Spelling Bee (Beverly Arts Center). Regional Credits: A Christmas Carol (Milwaukee Repertory Theatre), Miranda (Indiana Repertory Theatre). Film & TV: A Christmas Carol - The Concert (PBS; Emmy Nomination for Outstanding Original Music & Lyrics), Chicago Fire (NBC). 

Kamal Hans (Adil Jaisinghani) has appeared in Disconnect (Victory Gardens), Multitudes!, A Passage to India (Vitalist Theatre), Invasion!, Merchant on Venice (Silk Road Theatre), Kabulitus, Much Ado About Nothing, A Nice Indian Boy (Rasaka) F*#kn’ A, Cuba and His Teddy Bear (Urban Theater), Fanny, Tempest, West Side Story (ITC), and Chess (Phoenix). Film & TV: Contagion, “Consumed!”, Marvel, The Last Question, Promise Land, “Chicago PD”, “Chicago Med”, “Shameless”. Goodman school of drama, Julliard, Illinois Wesleyan University, R.A.D.A.

Anish Jethmalani (Neeraj Madhwani) returns to Writers Theatre where he previously appeared in The Caretaker and To the Greenfields Beyond. Chicago credits include The Lehman Trilogy, Campaigns Inc., Oslo, In the Next Room or The Vibrator Play, A Disappearing Number, Inana, and Blood & Gifts (TimeLine Theatre); Wit and A Christmas Carol (The Goodman Theatre); Titus Andronicus, Water by the Spoonful, Mary Stuart, The Invention of Love and Life is a Dream (Court Theatre);  Bengal Tiger at the Baghdad Zoo, Around the World in 80 Days, and Sita Ram (Lookingglass); as well as various productions at Chicago Shakespeare, Victory Gardens, Remy Bumppo, A Red Orchid, and more. Regional credits include Henry VII and Much Ado About Nothing at The Oregon Shakespeare Festival. Film and television credits include Deli Boys (Hulu), Station Eleven (Max), 61st Street (CW), Chicago PD (NBC), Chicago Med (NBC), APB (Fox), Boss (Starz), Leverage (TNT), Empire (Fox), Early Edition (CBS), Batman vs. Superman, Girl on the Third Floor, Animals and more. He is a company member of TimeLine Theatre.

Tina Muñoz Pandya (Rita Madhwani) is an actor, musician, and teaching artist whose Chicago credits include: The Matchbox Magic Flute (Goodman Theatre); London Road and The Tall Girls (Shattered Globe Theatre); The Secretaries (First Floor Theater); Anna in the Tropics (Remy Bumppo Theatre); Mr. Burns (Theater Wit); The Mousetrap (Court Theatre); and Octagon (Jackalope Theatre). Regional and touring credits include: The Matchbox Magic Flute (Shakespeare Theatre DC, Berkeley Rep); As You Like It and The Old Man and the Old Moon (Door Shakespeare); Matt and Ben (Penobscot Theatre); House of Joy (St. Louis Rep); The Merry Wives of Windsor and Henry IV Pt 1 (Montana Shakespeare in the Parks); and HMS Pinafore, The Pirates of Penzance, and The Mikado (The Hypocrites). You can also hear her on the Chicago-based audio dramas The Vanishing Act and Fawx and Stallion. Tina is an ensemble member with Shattered Globe Theatre.

WRITERS THEATRE 2025/26 SEASON 

The 2025-26 Season launches with Hershey Felder’s brand-new musical play Rachmaninoff and the Tsar, followed by a musical adaptation of Shakespeare’s As You Like It by Tony Award winner Shaina Taub (Suffs), directed by Artistic Director Braden Abraham with music direction by Michael Mahler. Celebrated Chicago director Lisa Portes joins Writers for the first time to direct Two Sisters and a Piano, by Pulitzer Prize-winning playwright Nilo Cruz, followed by the Midwest Premiere of the off-Broadway/Broadway hit Job by Max Wolf Friedlich, directed by David Esbjornson. The subscription season caps off with the Midwest and Chicago Premiere of Tom Stoppard’s epic, Tony Award-winning play Leopoldstadt, directed by Carey Perloff. The season also includes two productions available as add-ons to subscription packages: the one-night only special event of Hershey Felder’s Great American Songbook Sing-Along, and a limited engagement of sleight of hand magician Harry Milas’ The Unfair Advantage.  

Writers Theatre is offering a variety of subscriptions with an option for every theatregoer. Each subscription includes a deeply discounted ticket price, ranging from $275-$375 for one ticket to the five-play series, Flex subscriptions, with options for either four tickets ($280) or five tickets ($350), are available.

Season package subscribers receive the new Writers Theatre concierge service for ticket exchanges and questions. Exclusive subscriber benefits include: complimentary ticket exchanges (upgrade fees may apply), special “subscriber-rate” prices on additional tickets, advance access to special events and programs, easy, free parking, exclusive discounts in bar items and merchandise, discounts on rental of Writers Theatre event spaces on Writers Theatre merchandise, event rentals, and more. For a complete list of benefits visit writerstheatre.org. 

Season Packages are available online at www.writerstheatre.org., and at the Box Office by calling 847-242-6000. 

Single tickets will go on sale for each show approximately two months prior to first preview. Single ticket prices start at $35.

AUDIENCE ENGAGEMENT OPPORTUNITIES: 

WT offers Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information. 

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast, and The Final Word Audience Discussion Series. Please visit writerstheatre.org/events for a full listing of upcoming offerings. 

ABOUT WRITERS THEATRE  

Writers Theatre boldly looks to the future as it looks toward its 34th season. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s finest regional theater company” by The Wall Street Journal. Under the leadership of Alexandra C. and John D. Nichols Artistic Director Braden Abraham and Executive Director Kathryn M. Lipuma, the company is charting a path forward for the next 30 years.  

Since its founding in 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 140 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. 

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over 30 world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage an average of 10,000 students each year with active learning opportunities centered around the written word.

ABOUT TIMELINE THEATRE COMPANY

TimeLine Theatre Company, recipient of the prestigious 2016 MacArthur Award for Creative and Effective Institutions, was founded in April 1997 with a mission to present stories inspired by history that connect with today's social and political issues. Currently celebrating its 28th season, TimeLine has presented 92 productions, including 14 world premieres and 42 Chicago premieres, and launched the Living History Education Program and TimeLine South summer arts program, which bring the company's mission to life for students in Chicago Public Schools and beyond. Recipient of the Alford-Axelson Award for Nonprofit Managerial Excellence and the Richard Goodman Strategic Planning Award from the Association for Strategic Planning, TimeLine has received 62 Jeff Awards, including an award for Outstanding Production 11 times.

The company departed its longtime home on Wellington Avenue in August 2024 and moved into temporary administrative offices a few blocks north of the site of its future new home, to be located at 5035 N. Broadway in Chicago’s Uptown neighborhood. Construction is ongoing on that site, where plans feature an intimate black box theater seating up to 250 audience members, expanded area for the immersive lobby experiences that are a TimeLine hallmark, new opportunities for education and engagement, room to allow audience members to arrive early and stay late, and more. For more information, visit timelinetheatre.com.

The COVID-19 pandemic shut down the intended 2020 world premiere production of Dhaba on Devon Avenue at Victory Gardens in Chicago, and a second time at Writers Theatre in 2021. This Writers Theatre and TimeLine co-production now reunites many of those original cast members and designers.

Lookingglass Theatre Company Presents World Premiere of Iraq, But Funny May 29 - July 20, 2025

 ChiIL Live Shows On Our Radar

LOOKINGGLASS THEATRE COMPANY ANNOUNCES CAST AND CREATIVE TEAM FOR THE WORLD PREMIERE OF 

IRAQ, BUT FUNNY

BY ENSEMBLE MEMBER ATRA ASDOU AND 

DIRECTED BY DALIA ASHURINA 

MAY 29 - JULY 20

Content Notice: Iraq, But Funny contains mature content and partial nudity and is intended for an adult audience. 

The estimated running time is two hours and 15 minutes including one intermission.

Tickets are Now on Sale for this Dark Comedy that Explores the History, Dysfunction and Five Generations of Assyrian Mother/Daughter Relationships from the Ottoman Empire to Modern-Day U.S.A.

Chicago’s Tony-Award winning Lookingglass Theatre Company is proud to announce the cast and creative team for its next production, the world premiere of Iraq, But Funny, May 29 - July 20, 2025, in The Joan and Paul Theatre at Water Tower Water Works, 163 E. Pearson St. at Michigan Ave. This semi-autobiographical play is written by Ensemble Member Atra Asdou and directed by Dalia Ashurina and features Susaan Jamshidi, Gloria Imseih Petrelli, James Rana, Sina Pooresmaeil and Atra Asdou. 

Iraq, But Funny has previews Thursday, May 29 - Saturday, May 31 at 7:30 p.m., Sunday, June 1 at 1:30 p.m. and Wednesday, June 4 - Friday,  June 6 at 7:30 p.m.,  with a press opening on Saturday, June 7 at 6 p.m. The performance schedule for June 8 - July 20 is Wednesdays at 7 p.m., Thursdays at 1:30 and 7 p.m., Fridays at 7 p.m., Saturdays at 1:30 and 7 p.m. and Sundays at 1:30 p.m., with additional Tuesday performances at 7 p.m. on June 17 and July 1. There will be no performances on the holidays of Juneteenth (Thursday, June 19) and the Fourth of July (Friday, July 4).  The estimated running time is two hours and 15 minutes including one intermission. Iraq, But Funny single tickets are $30 - $90 and are available at LookingglassTheatre.org.

A raucous satire about five generations of Assyrian women reclaiming their stories, as narrated by a British guy. Making its world premiere at Lookingglass Theatre, Ensemble Member Atra Asdou’s original dark comedy jauntily marches through the Ottoman Empire to modern-day U.S.A. exploring history, family and dysfunction.

"When you think of Iraq, you don't usually think of comedy. I started writing Iraq, But Funny four years ago because I needed a place to put my family's stories and wanted to share a side of my people audiences rarely see: their sense of humor,” said Playwright Atra Asdou. "Iraq, But Funny explores the cyclical nature of mother/daughter and familial/generational relationships and how they relate to the cyclical nature of invasions, war and world history.

And who better to give voice to Assyrian women than a British guy who narrates the whole thing. I'm also in the cast of Iraq, But Funny and we hope to make you laugh, learn and feel like you're part of the family, too. Who knew colonialism could be so fun!"    

The cast of Iraq, But Funny includes Susaan Jamshidi (she/her, Actor 1); Gloria Imseih Petrelli (she/they, Actor 2);  James Rana (he/him, Actor 3); Sina Pooresmaeil (he/him, Actor 4) and Atra Asdou+ (she/her, Actor 5). 

More information on the cast and creative teams may be found here: 

The creative team of Iraq, But Funny  is Atra Asdou+ (she/her, writer); Dalia Ashurina (she/her, director); Isabel Patt (they/them, stage manager); Lili Bjorklund (they/them, assistant stage manager); Omid Akbari (he/him, scenic designer); Christine A. Binder~ (she/her, lighting designer); Mara Blumenfeld+ (she/her, costumer designer);

Christie Chiles Twillie (she/her, sound designer); Avi Amon (he/him, composer); Amanda Herrmann (they/them, props designer); Michael Commendatore (he/him, projections designer) and Naysan Mojgani (he/him, dramaturg). 

+ Connotes Lookingglass Ensemble Member

~ Connotes Lookingglass Artistic Associate

ABOUT ATRA ASDOU, writer 

Atra Asdou is a writer and actor commanding traditional stage dramas (Steppenwolf, Goodman, Lookingglass, Yale Repertory) and non-traditional written and improvised comedy (The Second City, iO Chicago, Brooklyn Comedy Collective). As a Lookingglass ensemble member, she was recently awarded two writers in residencies for her full-length play, Iraq, But Funny. Asdou also wrote and performed three original, critically acclaimed satirical sketch revues for The Second City Chicago e.t.c. stage. Her debut feature screenplay, IZZA, was a beloved finalist at The Chicago International Film Festival Industry Days, and her short films, “Reneè” and “Fever” have earned festival laurels from around the world. Her recent TV/Film credits include “Zero Day” and “And Just Like That…” She lives in New York City, performing stand up around the city and improvising at Brooklyn Comedy Collective with Donna's Beef.

ABOUT DALIA ASHURINA,  director

Dalia Ashurina is an Assyrian-American director and writer focusing on explosive theatricality and subverting existing narratives. She was listed in the Forbes 30 Under 30 Hollywood and Entertainment 2025 publication. Her Broadway credits include serving as associate director of Sweeney Todd and as the resident director at Phantom of the Opera. She has worked with Shakespeare and Company, Lookingglass Theatre, San Francisco Playhouse, Center Theater Group, Cornerstone Theater, Arena Stage, Wayward Artists Ensemble and the Parsnip Ship Podcast. Internationally, she directed the concert “Omar Bashir,  Back to My Assyrian Roots” at the University of Salamanca in Spain. She is an alum of UC Irvine where she graduated with a B.A. in drama and honors in directing. She received a grant from the National New Play Network to write Edessa of Baghdad with composer Avi Amon and is the 2024-2025 SDCF Denham Fellow. 

ABOUT THE JOAN AND PAUL THEATRE

The main stage at the Water Tower Water Works has been named in honor of longtime Lookingglass supporters Joan and Paul Rubschlager and their transformational gift to ensure the future of Lookingglass. The couple have been instrumental in their partnership with Chicago organizations, such as Rush University and The Field Museum. Nationally, their support extends to the American Heart Association and Alzheimer's Association. The Joan and Paul Theatre reconfigures the stage and audience seating as dictated by the needs of each season, with a capacity of 200 persons including the balcony.

ABOUT LOOKINGGLASS THEATRE COMPANY

Founded in 1988 by graduates of Northwestern University, Lookingglass Theatre Company is a nationwide leader in the creation and presentation of new, cutting-edge theatrical works and in sharing its ensemble-based theatrical techniques with Chicago-area students and teachers through Education and Community Programs. Guided by an artistic vision centered on the core values of collaboration, transformation and invention, Lookingglass seeks to capture audiences’ imaginations leaving them changed, charged and empowered. 

Recipient of the 2011 Tony Award for Outstanding Regional Theatre, Lookingglass has built a national reputation for artistic excellence and ensemble-based theatrical innovation. Notable world premieres include Mary Zimmerman’s Tony Award-winning Metamorphoses and The Odyssey, J. Nicole Brooks' Her Honor Jane Byrne, David Schwimmer’s adaptation of Upton Sinclair’s The Jungle and Studs Terkel’s Race: How Blacks and Whites Think and Feel about the American Obsession, Matthew C. Yee's Lucy and Charlie's Honeymoon and David Catlin’s circus tribute to Lewis Carroll, Lookingglass Alice, which was captured by HMS Media and reached 1.6 million PBS viewers.Looking Alice is now available to more than four million students worldwide through Digital Theatre+. Work created by Lookingglass artists has been produced in Australia, Europe  and dozens of cities throughout the United States. 

MORE FROM LOOKINGGLASS

Sunset 1919

Sunday, July 27 at 7 p.m.

Eugene Williams Memorial Marker

125 Fort Dearborn Drive, Chicago 60615

1/4 mile north of 31st Street Beach

Free

LookingglassTheatre.org/event/sunset-1919-2024/

Sunset 1919 is an annual community art ritual performed in honor of Eugene Williams, a Black teenager who was killed for crossing an imaginary racial line on the waves of Mishigami (from Ojibwa “Great Water”). Sunset 1919 was first curated and coordinated in 2020 by Ensemble Member and Creative Producer Kareem Bandealy and Ensemble Member and Mellon Playwright in Residence J. Nicole Brooks and it offers a communal moment to acknowledge our Indigenous roots and for Black artists to merge movement, music and word in a free, spirit-guided ritual. 

Summergglass Camps

August 4 - 15

Lookingglass Theatre, 163 E. Pearson St. at Michigan Ave. 

Enrollment: $450

LookingglassTheatre.org/summergglass-camp-2025/

Through drama and creative play, the experienced teaching artists of Summergglass will focus camp days to explore creative problem solving, collaboration, story structure, speaking directly to the audience and all the inventive visual storytelling that makes Lookingglass so special. This year’s Summerglass Camps include Paper Magic:  Shadow Puppet Camp, August 4 - 8, and Mysterious City:  Chicago Scavenger Hunt Camp, August 11 - 15. 

Mornings are spent working with teaching artists to learn many of the same theatre techniques and skills used to create Lookingglass shows. During the afternoons, campers will work on their drama skills as they create and adapt original stories to share on the final day of camp.  

Summerglass Camp: Paper Magic:  Shadow Puppet Camp 

August 4 – 8 from 9 a.m. – 3 p.m. 

Ages: 6 – 10 

Lights. Paper. Magic! Create epic adventures with shadow puppets as campers design, build and bring puppets to life using storytelling traditions from around the world.   

Through creative drama and movement games, this camp explores folk tales from around the world, inventing original heroes and villains and building magical stories to share! Learn the fundamentals of Lookingglass playmaking techniques, explore design and story structure  and go to the park each day for lunch. By the end of the session, friends and family are invited to join campers on a magical adventure into, and out of, the shadows.

Summerglass Camp:  Mysterious City:  Chicago Scavenger Hunt Camp

August 11 – 15 from 9 a.m. – 3 p.m.  

Ages 8 – 14

The Mysterious City Society needs your help! Together, campers will build a summer adventure demanding all of their creativity and daring-do. The mission:  report to the historic Lookingglass Water Tower theatre for a scavenger hunt camp that will take campers through the Lookingglass, beyond the pumping station pipes and back in time through the pop culture, music and movements and milestones of Chicago’s not-so-distant past. Young adventurers will learn the fundamentals of Lookingglass playmaking techniques, explore the structure of scavenger hunts and choose “your own adventure” stories, search for clues on walking field trips and work with Lookingglass teaching artists to create an original scavenger hunt play to share with family and friends. 

Iraq, But Funny production sponsors include MAP Fund and Venturous Theatre Fund with Manilow Suites, production supporter. 

The 2024 - 2025 season sponsors are the City of Chicago, The Joseph and Bessie Feinberg Foundation, Hearn, HMS Media, Illinois Arts Council, Joan & Paul Rubschlager, Shirley Ryan Ability Lab, Waldorf Astoria and Steve & Lorrayne Weiss.

PRODUCTION INFORMATION

Joan and Paul Theatre at Water Tower Water Works, 163 E. Pearson St. at Michigan Ave.

Written by Ensemble Member Atra Asdou 

Directed by Dalia Ashurina

Featuring Susaan Jamshidi, Gloria Imseih Petrelli, James Rana, Sina Pooresmaeil and Atra Asdou

Previews: Thursday, May 29 - Saturday, May 31 at 7:30 p.m.

Sunday, June 1 at 1:30 p.m. 

Wednesday, June 4 - Friday,  June 6 at 7:30 p.m.

Opening Night is Saturday, June 7 at 6 p.m. 

The performance schedule for June 8 - July 20 is 

Wednesdays at 7 p.m.

Thursdays at 1:30 and 7 p.m.

Fridays at 7 p.m.

Saturdays at 1:30 and 7 p.m.

Sundays at 1:30 p.m.

with additional Tuesday performances at 7 p.m. on June 17 and July 1.

There will be no performances on the holidays of Juneteenth (Thursday, June 19) and the Fourth of July (Friday, July 4). 

Mask Required Performances: Friday, June 13 at 7 p.m and Wednesday, July 2 at 7p.m. 

Open Caption Performance:  Tuesday, June 27 at 7 p.m. 

Audio Described and Touch Tour:  Saturday, June 21 at 7 p.m. 

Website: LookingglassTheatre.org

Single tickets are $30 - $90 and are available at LookingglassTheatre.org/event/iraq-but-funny/

World Premiere of Neighborhood Watch Via Jackalope Theatre Company May 22 - June 28, 2025

ChiIL Live Shows On Our Radar 

JACKALOPE THEATRE ANNOUNCES THE WORLD PREMIERE OF 

NEIGHBORHOOD WATCH

MAY 22 - JUNE 28 AT THE BROADWAY ARMORY PARK

This New Play by Rehana Lew Mirza and directed by Jackalope Artistic Director Kaiser Ahmed is a Comedic Tale of Uncovering the Secrets in an American Suburbia.

Jackalope Theatre Company is proud to announce its next production after the United States premiere of Esho Rasho’s Dummy in Diaspora. Jackalope’s 17th season continues with the world premiere of Rehana Lew Mirza’s latest play, Neighborhood Watch, May 22 - June 28, directed by Kaiser Ahmed, at the Broadway Armory Park, 5917 N Broadway St. Previews are Thursday, May 22 through Friday, May 24 at 7:30 p.m. and Sunday, May 25 at 2 p.m. with the press opening Tuesday, May 27 at 7:30 p.m. The performance schedule is Fridays, Saturdays and Mondays at 7:30 p.m. and Sundays at 2 p.m. Tickets are $15 - $40 with student and Edgewater resident discounts available. Subscription and single tickets are now available at JackalopeTheatre.org or call/text the box office at 773.340.2543.

In the weeks following the 2024 election, Paul, a suburban family man, lives in terror of what’s to come. When a Muslim neighbor, Mo, moves in, Paul launches into a battle of his own fears and liberal beliefs — a battle that will affect the entire neighborhood.

The Cast

(Top to bottom, Left to Right):

Harsh Gagoomal as MO RIZVI

Jamie Herb as BECCA MARCHANT

Omar Bader as JAVED ANSARI

Frank Nall as PAUL MARCHANT

Victor Holstein as SHAWN RAYMOND

Faiz Siddque as MO RIZVI U/S

Lila Rutishauser as BECCA MARCHANT U/S

Eustace Allen as PAUL MARCHANT U/S

Jordan Tannous as JAVED ANSARI U/S

JJ Gatesman as SHAWN RAYMOND U/S

The cast of Neighborhood Watch includes Frank Nall (he/him, Paul Marchant); Jamie Herb (they/them, Becca Marchant); Harsh Gagoomal (he/him, Mo (Mohammed) Rizvi); Victor Holstein (he/him, Shawn Raymond); Omar Bader (he/him, Javed Ansari); Eustace Allen (he/him, U/S Paul Marchant); Lila Rutishauser (they/them, U/S Becca Marchant); Faiz Siddique (he/him, U/S Mo (Mohammed) Rizvi); JJ Gatesman (he/him, Shawn Raymond); Jordan Tannous (they/them, U/S Javed Ansari). 

The creative team for Neighborhood Watch includes Rehana Lew Mirza (she/her, playwright); Kaiser Ahmed (he/him, director/casting director); Aden Haq (assistant director); Karina Patel (she/her, dramaturg/ new work manager); Amal Mazen Salem (she/her, production manager); Miguel Salgado Jr. (he/they, stage manager); Tianxuan Chen (she/her, scenic designer); Delena Bradley (she/her, costume designer); Roman Jones (he/they, props designer); Maaz Ahmed (they/them, lighting designer); Newton Schottelkotte (they/them, sound designer); Juan Barrera Lopez (he/him, technical director); Chase Barron (he/they, lead electrician); Tristin Hall (they/them, fight/intimacy director); Hudson Therriault (he/him, accessibility manager); Amira Danan (she/her, development director) and AJ Links, CSA (she/her, casting director).

ABOUT REHANA LEW MIRZA, PLAYWRIGHT

Rehana Lew Mirza (she/her) recently held a prestigious National Playwrights Mellon residency at Ma-Yi Theatre in New York from 2016 - 2022, after also being a playwright in residence at La Jolla Playhouse, where her musical Bhangra Nation (previously titled Bhangin’ It, 2019 Richard Rodgers Award; developed at The Orchard Project, Rhinebeck Writers Retreat and their 3R program, Goodspeed and Project Springboard) premiered in 2022. It recently had its United Kingdom premiere at Birmingham Rep in February of 2024. Mirza’s plays include: Hatefuck (First Floor; Colt Coeur/WP); A People’s Guide to History in the Time of Here and Now (Primary Stages Virginia B. Toulmin Foundation's Women Playwrights Commission; AADA workshop production); Soldier X (Ma-Yi; Brooklyn College; NYSCA/Lark commission); Tomorrow, Inshallah (Living Room Theater, Kansas City; Storyworks/HuffPost commission); Neighborhood Watch (NNPN/InterAct commission) and Barriers (Desipina, Asian American Theater Company). She founded the award-winning South Asian theater and film company, Desipina & Co, alongside her sister Rohi Mirza Pandya in 2001, where together they produced the popular Seven.11 series (seven, 11-minute plays all set in a convenience store.) Additional awards/honors include: Kleban Award, Cape Cod Theatre Artist in Residence, NYFA Artist Fellow, TCG Fellowship with New Georges and an HBOAccess Writing Fellow. She currently holds a Julia Miles Playwriting Residency with WP Theater. She has an MFA from Columbia University and a BFA from NYU Tisch School of the Arts.

ABOUT KAISER AHMED, DIRECTOR

Kaiser Ahmed (he/him) is a Bangladeshi-American theatre director, producer, teacher and actor based in Chicago. He has worked as a director at Steppenwolf, Remy Bumppo Theatre Company, The Artistic Home, Northlight Theatre, Silk Road Theatre, American Blues Theatre, First Floor Theatre, Rasaka Theatre and many others. Ahmed was featured in the Kilroy's Web 2023 and named on NewCity’s Players 2019 and 2022: "Fifty People Who Really Perform For Chicago”. He was the co-founding artistic director of Jackalope Theatre Company from 2008 - 2012, he continued to serve as the associate artistic director through 2019 and returned as artistic director in 2020. Recent directing credits include Queen (Penobscot), Passage (Remy Bumppo Theatre Company), Among the Dead, Fast Company (Jackalope) and Language Rooms (Broken Nose). Ahmed is a member of the Columbia College Advisory Board and the Sarah Siddons Artistic Council, a 2015-16 Eugene O’Neill National Directors Fellowship finalist, a 2016-17 Victory Gardens Directors Inclusion Initiative recipient and an associate member of SDC. He holds a BA in theatre directing from Columbia College Chicago.

ABOUT JACKALOPE THEATRE

Jackalope Theatre Company expands the definition of American Identity by engaging with communities to produce works that celebrate diverse perspectives. Jackalope is a premier home for new and exciting Off-Loop Theatre based in Chicago's Edgewater and Rogers Park neighborhoods. They are committed to cultivating new voices that contribute to an expanding American culture and mythology. Each season, Jackalope produces full-length plays, new play development programming and provides free classes in partnership with the Chicago Park District.

MORE FROM JACKALOPE

16th Annual Living Newspaper Festival 

August 21 - 25

Press Opening: Thursday, Aug, 21 at 7:30 p.m.

Performance schedule: Thursdays - Saturdays at 7:30 p.m., Sundays at 2:00 p.m. and Mondays at 7:30 p.m.

The Broadway Armory, 5917 N Broadway

JackalopeTheatre.org/2024-2025-season

Tickets: $15 - $35

The Living Newspaper Festival is inspired by the 1930s Living Newspapers of the Federal Theatre Project that created stories based on recent events. This year’s Festival will include one-act plays inspired from recent news headlines.

Performances, show times, dates are subject to change. 

Jackalope Theatre Company is proud to announce its next production after the United States premiere of Esho Rasho’s Dummy in Diaspora. Jackalope’s 17th season continues with the world premiere of Rehana Lew Mirza’s latest play, Neighborhood Watch, May 22 - June 28, directed by Kaiser Ahmed,  at the Broadway Armory Park, 5917 N Broadway St. Previews are Thursday, May 22 through Friday, May 24 at 7:30 p.m., and Sunday, May 25 at 2 p.m., with a press opening Tuesday, May 27 at 7:30 p.m. The performance schedule is Fridays, Saturdays and Mondays at 7:30 p.m. and Sundays at 2 p.m. Tickets are $15 - $40 with student and Edgewater resident discounts available. Subscription and single tickets are now available at JackalopeTheatre.org or call/text the box office at 773.340.2543.

Jackalope Theatre expands American identity by engaging with our communities to produce works that celebrate diverse perspectives. Season 17 is made possible by the continued generosity of Season Sponsors Michael and Mona Heath.