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Showing posts with label WORLD PREMIERE. Show all posts
Showing posts with label WORLD PREMIERE. Show all posts

Monday, September 30, 2024

World Premiere! Hell in a Handbag Productions Presents The Mystery of The Haunted Bush October 10 – November 3, 2024 at The Chopin Theatre

ChiIL Live Shows On Our Radar 

World Premiere!

Hell in a Handbag Productions Presents

The Golden Girls Meet The Skooby Don’t Gang:

The Mystery of The Haunted Bush

Pictured (left to right) Grant Drager, David Cerda, Ed Jones, Ben Meneses, Josh Kemper, Tyler Anthony Smith,Caitlin Jackson and Elizabeth Lesinski. Photo by Rick Aguilar Studios.


By Artistic Director David Cerda

Directed by Frankie Leo Bennett

October 10 – November 3, 2024 at The Chopin Theatre

Hell in a Handbag Productions is pleased to conclude its 22nd season with the world premiere of The Golden Girls Meet The Skooby Don’t Gang: The Mystery of The Haunted Bush, bringing together two beloved Handbag parodies in one chilling Halloween tale. The girls – Dorothy, Rose, Blanche, Sophia (and their whacky friends) – enlist the help of America’s favorite 30-something teenage detectives to help solve a mystery in this all new episode written by Artistic Director David Cerda and directed by Frankie Leo Bennett. The Mystery of The Haunted Bush plays October 10 - November 3, 2024 on The Chopin Theatre Mainstage, 1543 W. Division St. in Chicago. Tickets are now on sale at handbagproductions.org or bit.ly/hauntedbush. I'll be out for the press opening October 13th, so check back soon for my full review. 

Rose’s (Ed Jones*) nephew Fred (Tyler Anthony Smith*) is coming for a visit with his amateur sleuth friends, Daffy (Liz Lesinski*), Velva (Caitlin Jackson*), Skaggy (Josh Kemper) and their dog Skooby (Ben Meneses). While Rose is excited, she’s also hiding the real motive for inviting them: she’s being haunted by a big, scary bush – or is it a tree? There’s seems to be some confusion about that. 

Meanwhile, the Skooby gang is in awe of their idol and Sophia’s (Ryan Oates*) best friend, Nancy Drew (Danne W. Taylor*), particularly Skaggy, who takes things a step further. Can the gang help the girls solve the mystery of the haunted bush before it devours Rose? Will Velva and Daffy reveal their special secret? Will Dorothy (David Cerda*), Blanche (Grant Drager*) and Sophia survive the spooky hijinks?

Join Miami’s favorite roomies in a spine chillingly ridiculous tale, that combines Handbag’s signature biting humor with a heart. 

The production stars original cast members David Cerda*, Grant Drager*, Ed Jones* and Ryan Oates* as the Geriatric Fab Four, joined by Caitlin Jackson*, Josh Kemper, Elizabeth Lesinski*, Ben Meneses and Tyler Anthony Smith* as the Skooby Don’t gang. Rounding out the cast are Michael S. Miller*, Scott Sawa* and Danne W. Taylor*. Understudies include Frankie Leo Bennett, Kelly Bolton, Nick Dorado, Al Duffy, Wendy Hayne, Brandon Nelson, Eric James Norman, TJ O'Brien, Jenny Rudnick and Coco Sho'Nell.

The production team includes Marcus Klein (Scenic Designer), Madeline Felauer (Costume Designer), Liz Cooper (Lighting Designer), Danny Rockett (Sound Designer), Maggie O'Brien (Props Designer), Syd Genco* (Make-Up Designer), Keith Ryan* (Wig Designer), Kate Lass (Violence Choreographer), Scott Sawa* (Assistant Director), Morgan Laszlo (Assistant Scenic Designer), Tom Daniel (Technical Director), Jackson Mikkelsen (Electrician), Tim Paul (Graphic Designer) and Veronica Kostka* (Stage Manager).

*Denotes Handbag Ensemble Member

 

PRODUCTION DETAILS:

Cast (in alphabetical order): David Cerda* (Dorothy), Grant Drager* (Blanche), Ed Jones* (Rose), Josh Kemper (Skaggy), Caitlin Jackson* (Velva) Elizabeth Lesinski* (Daffy), Ben Meneses (Skooby), Michael S. Miller* (Rita Claxton), Ryan Oates* (Sophia), Scott Sawa* (Stan), Tyler Anthony Smith* (Fred) and Danne W. Taylor* (Nancy Drew).

Understudies: Frankie Leo Bennett, Kelly Bolton, Nick Dorado, Al Duffy, Wendy Hayne, Brandon Nelson, Eric James Norman, TJ O'Brien, Jenny Rudnick and Coco Sho'Nell

Location: The Chopin Theatre Mainstage, 1543 W. Division St., Chicago

Previews: Thursday, October 10, Friday October 11 and Saturday, September 12 at 8 pm

Opening/Press performance: Sunday, October 13 at 7 pm

Regular run: Thursday, October 17 – Sunday, November 3, 2024

Curtain Times: Thursday, Fridays and Saturday at 8 pm; Sundays at 3 pm. Please note: there will be added performances on Sunday, October 20, Sunday, October 27 and Wednesday, October 30 at 8 pm.

Tickets: $29 previews, $38 advanced general admission, $45 general admission, $48 at the door, $60 VIP/reserved seating with drink ticket. Group rates $35 for 10 or more. Tickets are now on sale at handbagproductions.org  or bit.ly/hauntedbush.

 

About the Artists

David Cerda (Playwright) is a founding member and Artistic Director of Hell in a Handbag Productions, now celebrating its 23rd  year anniversary. As resident playwright, he has written many Handbag productions as well as acted in them. His play, The Drag Seed was recently produced at LaMaMa Experimental Theater and his Golden Girls Lost Episodes parody shows have been produced around the country and was featured in Golden Con: Thank you for being a Fan, the world’s first fan convention dedicated to all things Golden Girls at Chicago’s Navy Pier. Cerda is a proud inductee into the Chicago LGBT Hall of Fame and recipient of a Jeff Award for lifetime achievement for his 23 years (and counting) of work and service to the community. He lives in Chicago with his partner, Christopher.

Frankie Leo Bennett (Director, he/him) is an award-nominated Chicago-based theatre multi-hyphenate, returning to Handbag after previously directing The Golden Girls Save XMAS and associate directing on The Golden Girls: The Lost Episodes: Vol. 3. Handbag acting credits: Christmas Dearest, Poseidon! An Upside-Down Musical, The Golden Girls: The Lost Episodes: Bea Afraid!  Regional Direction: Porchlight Revisits The Apple Tree (co-), RENT (asst.), multiple editions of New Faces Sing Broadway. Broadway In Your Backyard and Chicago Sings (Porchlight Music Theatre). Regional Acting: Kokandy Productions (Jeff nominee - Best Principal Performer/Musical - The SpongeBob Musical); Porchlight Music Theatre; Theo Ubique. Composer/Playwright - Resident Services: A Crossed-Up Animal Musical. He currently serves as Producing Artistic Associate at Porchlight Music Theatre.

About Hell in a Handbag Productions

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit. For additional information, visit handbagproductions.org.

Friday, September 20, 2024

World Premiere of the love object Via The Story Theatre October 10 – November 3, 2024

ChiIL Live Shows On Our Radar 

World Premiere!

The Story Theatre Presents

the love object

Pictured (left to right) Mollyanne Nunn, Emily Holland, Spencer Diaz Tootle and Cat Christmas

The Story Theatre’s world premiere of the love object. Photo by David Hagen.

By Justine Gelfman

Directed by Jasmine B. Gunter

October 10 – November 3, 2024

The Story Theatre is pleased to welcome back audiences with its world premiere of the love object by Emerging Playwright-in-Residence Justine Gelfman, directed by Northwestern MFA Directing alum Jasmine B. Gunter. This new play, which explores agency, betrayal and power through the bubblegum veneer of the early 2000s pop music industry, will take place October 10 - November 3, 2024 on Raven Theatre’s Schwartz Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at thestorytheatre.org/tickets or by calling (773) 338-2177. I'll be out for the press opening, October 13th so check back soon after for my full review. 

The production will feature Cat Christmas, Kaylah Marie Crosby, Spencer Díaz Tootle, Emily Holland, Mollyanne Nunn and William Anthony Sebastian Rose II. Understudies include Jordan Marie Ford, Freddy Mauricio Jr., Mollyanne Nunn and Jacinda Ratcliffe.

On the eve of Ramona’s sold-out stadium tour, her best friend and trusted assistant Paula announces she is leaving to pursue her own artistry. Fearing the loss of her closest confidante, Ramona reveals that a sex tape she made is about to be released, tainting her image (and ticket sales) forever. Will Paula stay and clean up Ramona’s mess one more time or finally escape the oppressive celebrity machine for good? A contemporary adaptation of Euripides’ Hippolytus, the love object examines the hyper-sexualization of women celebrities, the power struggles of interracial friendship and the tragedies of late-stage capitalism, all through the bubblegum veneer of an early 2000s pop superstar.

The production team includes Tianxuan Chen (Scenic Design), Ben Argenta Kress (Costume Design), Seojung Jang (Lighting Design), Newt Schottelkotte (Sound Design, Original Composition), Angelíca Grace (Choreographer), Racquel Postiglione (Prop Design), Courtney Abbott (Violence & Intimacy Design), Stina Taylor (Technical Direction), Ruby Lowe (Master Electrician), Ariel Beller (Stage Manager), Emma Johnson (Assistant Stage Manager), Lucy Whipp* (Production Manager), Brenna DiStasio*, Paul Michael Thomson*, Terry Guest* (Producers) and Ayanna Bria Bakari* (Associate Producer)

*denotes a member of The Story Theatre’s Governing Ensemble

Content Advisory: This production features strobe light effects and a confetti cannon. This play explores the hyper-sexualization of women and features designed intimacy. If you would like more details before purchasing your ticket, please feel free to email production@thestorytheatre.org. The Story recognizes that individual sensitivities are myriad, and we encourage you to reach out with any questions.

 Production Details:

Title: the love object

Playwright: Emerging Playwright-in-Residence Justine Gelfman

Director: Jasmine B. Gunter

Cast (in alphabetical order): Cat Christmas (Tish), Kaylah Marie Crosby (Paula), Spencer Díaz Tootle (Randy), Emily Holland (Ramona), Mollyanne Nunn (Kylie) and William Anthony Sebastian Rose II (Simon).

Understudies: Jordan Marie Ford, Freddy Mauricio Jr., Mollyanne Nunn and Jacinda Ratcliffe.

Location: Raven Theatre Schwartz Stage, 6157 N. Clark St (at Granville), Chicago

Dates: Previews: Thursday, October 10 at 7:30 pm and Friday, October 11 at 7:30 pm

Friends and Family Opening: Saturday, October 12 at 7:30 pm

Press Opening: Sunday, October 13 at 3 pm

Regular run: Thursday, October 10 – Sunday, November 3, 2024

Curtain Times: Thursdays, Fridays, Saturdays at 7:30 pm; Sundays at 3 pm

Tickets: Previews $15, Regular run $20, Students/active military and veterans $10

Tickets are available at thestorytheatre.org/tickets or by calling (773) 338-2177

Group tickets: Special group grates are available. For more information, call (773) 338-2177 or email paulmichael@thestorytheatre.org.  

Plan Your Visit:

 Free parking is provided in a lot adjacent to the theatre—additional street parking is available.

Nearest El station: Granville Red Line. Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson). 

About the Artists:

Justine Gelfman (Playwright) is a Brooklyn-based playwright and the Season IV Emerging Playwright-in-Residence at The Story Theatre. Her work has been developed or produced at Ars Nova, Williamstown Theatre Festival, IRT Theater, Theater Masters’ Take Ten, ESPA/Primary Stages, Dixon Place, The Story, Crashbox, Pete's Candy Store, New Women Space, New York Fringe Festival, UT Austin, Northwestern University and Kenyon College. She has been a resident at Yaddo, Colt Coeur, SPACE on Ryder Farm, Sewanee Writers' Conference, Vineyard Arts Project and Kenyon Playwrights Conference. Her writing has been published by Concord Theatricals. Her plays include the love object (The Story Theatre, 2024 Eugene O'Neill Theater Center semi-finalist), In Sisters We Trust, or My F**ked Up American Girl Doll Play (2019/20 DVRF Playwrights Program Winner, 2023 Kennedy Center NAPAT Award finalist, 2024 Lanford Wilson New American Play Festival finalist, 2020 Leah Ryan’s FEWW Prize finalist, 2020 New Harmony Project finalist, Playwrights Realm's 2020 Scratchpad Series semi-finalist, 2021 Eugene O'Neill Theater Center semi-finalist), The Galas (Ars Nova), The Technicians (2019 Seven Devils Playwrights Conference finalist, 2019 Blue Ink Playwriting Award finalist, 2019 Bay Area Playwrights Festival semi-finalist, 2019 Eugene O'Neill Theater Center semi-finalist), Doormat (2021 Theater Masters’ Take Ten MFA Festival) and The Thing That Never Happened (FringeFAVE at the New York Fringe Festival). Justine was the assistant to writer/director Annie Baker on her A24 film, Janet Planet. MFA: The University of Texas at Austin. BA: Northwestern University.

Jasmine B. Gunter (Director) is the current Resident Director/Associate Producer at Geva Theatre Center in Rochester, NY. In the spring of 2024, Jasmine finished her studies as an MFA directing candidate at Northwestern University. She was the 2021 recipient of the Hangar Directing Drama League fellowship, the 2020 recipient of the Leighton M. Ballew Directing Scholarship and a proud SDC associate member. Recent directing credits include Dracula: A Feminist Revenge Fantasy, Really (Northwestern University), The Revolutionists (Northwestern University), jump (Northwestern University) Lost Girl (Hangar Theatre), The Wonderful Wizard of Oz (Hangar Theatre), Hedda Gabler (Northwestern University) Wine in the Wilderness (Northwestern University), Intimate Apparel (SUNY Brockport), Ghost Story (Kane Repertory Theatre), Lines in the Dust (Geva Theatre Center), Reroute (24 Hour Plays: Nationals). Associate/Assistant Credit: Blues for an Alabama Sky (Remy Bumppo), Nina Simone: Four Women (Arena Stage), In the Heights (Seattle Rep), Quixote Nuevo (Hartford Stage/Huntington Theatre Company) and The Luckiest People (Actors Theatre of Charlotte/NNPN). Jasmine has also taught as a teaching artist at the Berkshire Theatre Group and the Redhouse Arts Center in Syracuse, NY.

About The Story Theatre:

Founded in 2018, The Story Theatre will pose questions rather than provide answers. We develop and produce new work that is whimsical, melancholic, mythic in vision and intimate in scale. We are run by a Governing Artistic Ensemble, who ensures our work is actively dismantling racism and inequity, while cultivating community through activism and catharsis. 

Our Emerging Playwright Residency Program fosters the growth of a playwright at the beginnings of an exciting career. After an intensive application and interview process, the Governing Ensemble chooses one playwright-in-residence and offers them: a fully-produced run of a completed full-length play; the development of a new script through our unique inquiry-based workshop process; a free public staged reading of this new script; and our trusted advocacy with industry professionals every step of the way. 

The Story Theatre is funded in part by The Michael and Mona Heath Fund, Chicago Department of Cultural Affairs & Special Events, The Saints of Chicago, The Iole Foundation, and the CrossRoads Seed Fund.


Wednesday, July 24, 2024

Full Casting Announced for Steppenwolf Theatre's World Premiere of LEROY AND LUCY October 24 – December 15, 2024

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Full Casting Announced for

Steppenwolf Theatre's World Premiere of 

LEROY AND LUCY

By Ngozi Anyanwu

Directed by Awoye Timpo

Featuring ensemble member Jon Michael Hill with Brittany Bradford

October 24 – December 15, 2024

in Steppenwolf’s in-the-round Ensemble Theater 


The cast of Steppenwolf Theatre’s world premiere of "Leroy and Lucy" includes (l to r) ensemble member Jon Michael Hill with Brittany Bradford.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to present the second production of its 49th season: Ngozi Anyanwu’s world premiere of Leroy and Lucy, a bluesy and seductive play with music, directed by Awoye Timpo, playing October 24 – December 15, 2024 in Steppenwolf’s in-the-round Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St. in Chicago. Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

Tony Award-nominated ensemble member Jon Michael Hill (Elementary, Pass Over) returns following his critically acclaimed performance in Steppenwolf’s world premiere of Purpose, joined by Obie Award-winning stage actor Brittany Bradford, also known for her TV roles in Julia, The Watcher and Dead Ringers.

Two lost souls meet at a crossroads, in the dead of night, deep in the Mississippi of it all. With a yearning guitar between them, they tell secrets and conjure a sound once forgotten – a tune pitched with Leroy’s longing and the sweet purr of Lucy’s desires. In this sultry world premiere, the Delta Blues fill the air, the future lies just down the road and we are everywhere and nowhere all at once. 

The creative team includes Andrew Boyce (Scenic Design), Yvonne Miranda (Costume Design), Heather Gilbert (Lighting Design), Connor Wang (Sound Design), Jeremy Jones (Music Director & Composer), Adesola Osakalumi (Choreographer & Cultural Consultant), Arminda Thomas (Dramaturg), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Michelle Medvin (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, click here.

Production Details:

Location: Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago

Dates: Previews: Thursday, October 24 – Saturday, November 2, 2024

Regular run: Tuesday, November 5 – Sunday, December 15, 2024

Curtain Times: Tuesdays, Wednesdays, Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not 7:30 pm performances on Tuesday, October 29, Wednesday, November 6, Tuesday, November 12, Wednesday, November 13, Thursday, November 14, Tuesday, November 19, Wednesday, November 20, Thursday, November 21, Thursday, November 28 and Tuesday, December 10; there will be an added 2 pm matinee on Wednesday, November 27.

Tickets: Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy ($20 - $92) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.

Education and Engagement:

Throughout the 2024/25 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. Programming includes dedicated student matinee performances during four of the five Membership Series productions including Noises Off, Leroy and Lucy, Fool for Love and The Book of Grace, in-school residencies in partnership with Chicago Public schools, workshops, panels and events specifically geared towards teens, as well as professional development trainings and resources for educators. Additionally, Steppenwolf is reimagining their community engagement and will pilot new public programming, continue accessibility programming and offer opportunities for deeper explorations for audiences throughout the season. For additional information about Steppenwolf’s Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education.


Accessible Performance Dates:

Audio-described and touch tour: Sunday, November 24 at 3 pm (1:30 pm Touch Tour)

Open-captioned: Saturday, November 23 at 3 pm & Thursday, December 5 at 7:30 pm

ASL-interpreted: public performance: Friday, December 6 at 7:30 pm


Artist Biographies:

Brittany Bradford (Lucy) Broadway: Bernhardt/Hamlet. Off-Broadway: The Comeuppance (Obie Award, Signature Theater), Wedding Band (Obie Award, TFANA), Fefu and Her Friends (TFANA), Mac Beth (Hunter Theatre Project), Merrily We Roll Along (Roundabout/Fiasco Theater), TV: Julia (HBO Max), The Watcher (Netflix), The Gilded Age (HBO Max), Dead Ringers (Amazon), Fire Country (CBS), Fear the Walking Dead (AMC), New Amsterdam (NBC). Film: The Same Storm (dir. Peter Hedges). Classix member and HomeBase Theater Collective co-founder. Training: Juilliard.

Jon Michael Hill (Leroy) joined the Steppenwolf Theatre Company ensemble in 2007. Steppenwolf Theatre Company: Purpose, True West, Pass Over, Constellations, Head of Passes, The Hot L Baltimore, The Tempest, Kafka on the Shore, The Unmentionables. Broadway: Superior Donuts, Pass Over. Off-Broadway: The Refuge Plays (New York Theatre Workshop) Pass Over (Lincoln Center). Film: Pass Over, Widows, In the Radiant City, No Pay, Nudity. Television: Upcoming: A Man in Full (Netflix), Elementary (CBS), Detroit 1-8-7 (ABC), Eastbound & Down (HBO), Law & Order: Special Victims Unit (NBC) and Person of Interest (CBS).

Ngozi Anyanwu (Playwright) is a playwright, storyteller, and most recently a 2020 Steinberg Playwright Award winner. Her newest play, Last of the Love Letters, premiered at the Atlantic theater fall 2021. Previous productions include Good Grief (Vineyard Theatre in NYC / Center Theatre Group in LA) and The Homecoming Queen (sold-out world premiere run at the Atlantic Theatre). Good Grief was on the Kilroys List 2016 and a semi finalist for the Princess Grace Award, and won the Humanitas Award. The Homecoming Queen was on the Kilroys List 2017 and was a Leah Ryan Finalist. Her play Nike… (Kilroys List 2017) was workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm. Ngozi also has commissions with NYU, The Old Globe, Two Rivers Theatre, The Atlantic Theatre and Steppenwolf. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film and Page 73. She attended Point Park University (BA) and received her MFA in Acting from University of California, San Diego.

Awoye Timpo (Director) is a Brooklyn-based director and producer. Her recent New York credits include Elyria by Deepa Purohit (Atlantic Theater), Wedding Band by Alice Childress (Theatre for a New Audience), In Old Age by Mfoniso Udofia (New York Theatre Workshop), The Loophole by Jay Adana and Zeniba Britt (Public Theater), Carnaval by Nikkole Salter (National Black Theatre), Good Grief by Ngozi Anyanwu (Vineyard Theatre and Audible) and The Homecoming Queen by Ngozi Anyanwu (Atlantic Theater Company). Regionally she has directed The Bluest Eye (Huntington), Pipeline (Studio Theatre), Paradise Blue (Long Wharf), Everybody Black (Actors Theatre of Louisville), School Girls (Berkeley Rep), Jazz (Marin Theatre Company). Other projects include concert performances for independent artists as well as for the NBA, Ndebele Funeral (59E59, Edinburgh, South African Tour), “Black Picture Show” (Artists Space/Metrograph) and Bluebird Memories (Audible). Awoye is a Creative Arts Consultant for the African American Policy Forum and the Founding Producer of CLASSIX, theclassix.org.

Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access or e-mail access@steppenwolf.org.


Sponsor Information

Leroy and Lucy is supported in part by Conagra Brands Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown, CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.  

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions — from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays — have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown — Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.


Saturday, June 8, 2024

REVIEW: ARTISTIC BRAVURA Ensemble Español's "Flamenco Passion" Program Superb

 Chi, IL Live Shows On Our Radar 

ENSEMBLE ESPAÑOL SPANISH DANCE THEATER’S 2024

 “FLAMENCO PASSION” CONCERTS

SHOWCASE WORLD PREMIERES CREATED BY ACCLAIMED INTERNATIONAL ARTISTS AT THE NORTH SHORE CENTER JUNE 7-9

LaLupi with musicians Diego Alvarez, Jose Diaz El Chachito, Curio de Maria, 
Jose Moreno and Jose Alconchel.  Photo by Dean Paul

Exciting Premieres Include “Viejos Aires” / Flamenco Tango by Award-winning Choreographer Antonio Najarro 

“Resliencia” / Resilience and “El Bolero de Puerta de Tierra” by Former Principal Dancer with the National Ballet of Spain, Raquel Gomez; and 

“Compas de Seda” / Silk Rhythm by Flamenco Superstar La Lupi


Guest Review 

by Flo Mano

ARTISTIC BRAVURA 

Ensemble Espanol at North Shore Center for performing Arts opened to dramatic lighting, marigold costumes, and jazz fusion that gave a modern feel to "Sur",  choreographed by guest artist Raquel Gomez.

In her solo world premiere, "Resilencia", Raquel Gomez was impassioned. Her exceptional dancing within the perimeters of a movable geometric rectangle to square was impressive to see. I enjoyed the lighting from above by Dustin L. Derry.

“El Bolero de Puerta de Terra”, a world premiere, was a feather like flamenco on ballet slippers by the entire company, choreographed by Raquel Gomez, and inspired by Dame Libby‘s “Seguidillas”.

This piece was followed by Flamenco guitarist, Curro de Maria, with “Mi Andalusia”.

Jonathan Pacheco with Ensemble Espanol Company Dancers in Fantasia Suite Regional-Tribute to Juanjo Linares. Photo by Dean Paul

Folklore legend Juanjo Linares’ “Fantasia Suite Regional” depicted exerpts from Galicia-Extremadura & Valencia, individual & intertwining seamlessly!

A stupendous performance of "Chamberi" was perfection, by guest artist La Lupi. Her mastery commanded the utmost attention, as the audience collectively held its breath, so as not to miss a second. Every precision move in her “Batas de Cola” was hypnotic, as she effortlessly tossed & swayed her long train dress. I was struck by the intensity of her jaleo sounds and facial expressions.

The musicians' synchronized percussion-palmas-Spanish guitar and singing transported one to Andalusia.

“Pasion Oculta" was danced by 5 couples to Escala electronic string quartet “Requiem for a Tower” & “Palladio” flawlessly, to loud applause!

"Compas de Seda", another world premiere choreographed by La Lupi, featured stylized fans & shawls. Flamenco Guajiras is a melange of Andalusian-Canary island and Afro-Cuban palo dance, and an amazing  ensemble piece. Loved the fade to silhouettes. 

La Lupi was superb in her solo “A Silvetio”!!! 

The final dance was a world premiere of Flamenco Tango, “Viejos Aires”, by multitalented Argentinian guest Artist Antonio Najaro, choreographer/dancer/costume designer extraordinaire! Very Impressive!! Astounding even!!!

Ensemble Espanol is stretching beyond in this exquisite production! They will be performing at old Town school of music & NEIU. 

DO NOT MISS!! Imbibe dance!!!

Florence Manolis (AKA: Flo Mano) is a Greek American CPS elementary teacher/librarian, hairdresser, and theater/dance/film fanatic who catches hundreds of Chicago shows annually. She volunteers at numerous film venues and theaters and has called Chicago home since she immigrated here from Greece in early elementary school. 

Jonathan Pacheco and Samantha Micklewright in Viejos Aires by Antonio Najarro. 
Photo by Casey Mitchell

Popular Works from Ensemble Español’s Repertoire in the Traditional and Contemporary Genres Complete the Program

Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings their popular “Flamenco Passion” performances to the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., 7:30 p.m. Friday, June 7 and Saturday, June 8 and 3 p.m. Sunday, June 9. These performances are part of the company’s 48th multi-faceted American Spanish Dance and Music Festival (June 7-15).

“Flamenco Passion” program highlights include the world premiere of “Viejos Aires” / Flamenco Tango as reset on Ensemble Español by Antonio Najarro, award-winning choreographer and former artistic director of the National Ballet of Spain, choreographer of Disney movie "WISH.

” Najarro’s work features a fusion of Spanish classical style and Argentinean Tango and displays the sensuality, passion and elegance of Buenos Aires.

Additional world premieres include “Resliencia” / Resilience and “El Bolero de Puerta de Tierra” (Escuela Bolera) choreographed by Raquel Gomez, former principal dancer and Rehearsal Director of the National Ballet of Spain; and the Cuban influenced dance “Compas de Seda” / Silk Rhythm choreographed by Flamenco superstar La Lupi, to an original music composition by Curro de Maria.Works from Ensemble Espanol’s repertoire included in the program include “Sur” by Raquel Gomez (2015); “Fantasia Suite Regional” choregraphed by Juanjo Linares and Nana Lorca (1977) and “Pasion Oculta” /Hidden Passion choreographed by Ensemble Español Artistic Director Irma Suarez Ruiz (2019).Joining the members of Ensemble Español in performance will be guest dancer/choreographers includingRaquel Gomez, La Lupi and Antonio Najarro; and featured musicians including José Díaz “El Cachito”(singer), José Alconchel and Curro de Maria (guitarists); Diego “El Negro” Alvarez and José Moreno (percussionists).

“Every ‘Flamenco Passion’ festival performance is meant to entertain and highlight the timeless yet ever-evolving art that is Flamenco as performed by Chicago’s premiere Spanish dance company Ensemble Español,” says Executive Director and Associate Artistic Director Jorge Perez. “We also pride ourselves in our record of collaborating with some of the most exciting voices in Flamenco, Escuela Bolera, Classical and Folkloric as we maintain our important role as active participants in the continue evolution of this exciting music and dance form,” says Ruiz, Ensemble Español Artistic Director.

The “Flamenco Passion” performances are part of Ensemble Español’s 48th American Spanish Dance and Music Festival which also features these related events:

● VIP-Pre-Opening Night Reception: Preceding the Saturday, June 8 performance there will be a “Meet

the Artists” VIP Pre-Opening Night Reception in the North Shore Center on the 2nd level. Tickets are

$65 (includes VIP seating for that evening’s performance). To purchase tickets and for more information

visit NorthShoreCenter.org/ee/ or call 847.673.6300.

● Free Ethnic Dance & Music Symposium 2024 at NEIU (June 10-12) Topics include: “The Complexities of Covering Ethnic Dance & Music” and “Arts Economic Ecosystem: The New Workforce Development Plan to Build Strong Community” (June 10); :Ethnic Arts Crossing Genres” and “Expanding Flamenco Musical Language” (June 11) and “It’s a Family Affair Ethnic Art, Oral Traditions, Art as a Way of Life” and “From Flamenco to Tap and All That Jazz” (June 12). All sessions take place at NEIU, 5500 N. St. Louis Ave. Admission is free, but reservations are requested. For more information and to register visit ensembleflamencopassion.org/symposium.

● Festival Spanish Dance Classes at Northeastern Illinois University Dance Studios NEIU, 5500 N. St. Louis Avenue (June 10-15) Over 100 Spanish dance and music classes in Flamenco, Classical, Escuela Bolera and Folklore. Single class rate $35. For more class information and registration visit ensembleflamencopassion.org/classes or email at Patricia Mendez at patricia.mendez@eesdt.org.

● Concerts at Old Town School of Folk Music, 4544 N. Lincoln Ave. –“Flamenco to Tap and All That Jazz” with Wendy Clinard, Bril Barrett, Diego "El Negro" Álvarez, José Moreno, José Diaz "Cachito", José Manuel Alconchel, 8 p.m. June 13; “Duende Flamenco” with La Lupi, Nino de los Reyes, Curro de María, Diego "El Negro" Álvarez, José Moreno and José Diaz "Cachito" 8 p.m. June 15. Tickets: $30.

For tickets visit oldtownschool.org/concerts.

About Ensemble Español Spanish Dance Theater 

Ensemble Español, founded in 1976 by Dame Libby Komaiko, is the premiere Spanish dance company and center in the U.S. with a professional and unique residency at Northeastern Illinois University, Chicago. Under the artistic direction of Irma Suarez Ruiz and executive leadership of Jorge Perez, the Ensemble continues its mission of preservation, presentation and promotion of Spanish dance and culture which also includes the exploration of the country’s history in the; Flamenco, Folkloric, Classical and Escuela Bolera styles and identifies its influence on Latin American art and dance in both traditional and contemporary formats. They forge ahead as the leaders in Spanish dance and culture with a commitment to our communities, via performances, education, school residencies, academic university programs, festivals and tours. They remain committed to their roots in education and mission of educational, artistic, and social development. Their incredibly rich history includes serving over 30,000 students annually, training over 90 company dancers, training over 160 Youth Company dancers from ages 12 to 18, over 90 international guest artists and musicians from Spain and the Americas, over 2,600 scholarships awarded to talented aspiring dancers, musicians and educators, tours and residencies of U.S., including Hawaii, Mexico, Puerto Rico, Costa Rica, Poland, Australia, Canada, China and Spain. For more information on concerts, performances, classes and residencies, visit EnsembleEspanol.org.

Ensemble Español Spanish Dance Theatre in residence at Northeastern Illinois University is grateful to thefollowing 48th Season Festival Partners and Sponsors: Northeastern Illinois University, Interim President, Katrina Bell-Jordan, Ph.D., NEIU Department of Music and Dance, Caerus Foundation, Hurvis Foundation, Illinois Arts Council, Chicago Department of Cultural Affairs, Microsoft, Eugene Jarvis and Sasha Gerritson, Salme and Michael Steinberg, Sonia Florian,Estate of Gregory Ragsdale and the Ragsdale Family, FourStar Branding, The Nest, Jaleo by Jose Andres, Atzimba Catering and Events, Stonewolf Studios, Clinard Dance Theater, Instituto Cervantes, International Latino Cultural Center, Negocios Now, HMS Media and Chicago Dance Supply.

Special thank you to the Northeastern Illinois University Board of Trustees, NEIU Foundation, the North Shore Center for the Performing Arts and festival official hotel sponsor, Holiday Inn & Suites Chicago North Shore and O’Hare.


Ensemble Español Spanish Dance Theater 

“Flamenco Passion” Performances 

at the North Shore Center for the Performing Arts in Skokie, June 7-9


Act 1

“Sur” / South (2015)

Choreographer and Costume Designer: Raquel Gomez, Guest Artist

Music: David Dorantes, Pianist and Composer

Costume Production: Luz Creations Lighting Designer: Original concept by Nathan Tomlinson

Lighting design reimagined in 2023 by Dustin L. Derry

Dancers: Company

Raquel Gomez created this work that reaches back to the traditions of the Escuela Bolera (classical Spanish style) from the 18th Century, as it simultaneously embraces contemporary Flamenco music. “’Sur’ proves…that something with so much tradition and such deep cultural roots…can be current and keep its deepest history.” (Raquel Gomez)

Raquel Gomez performing her work Resiliencia. Photo by Dean Paul

“Resiliencia” / Resilience (Clasico Español), WORLD PREMIERE

Choreographer, Costume Design, Dancer: Raquel Gomez, Guest Artist

Music: Joni Fuller

Lighting Design: Dustin L. Derry

“The ability of the human spirit to overcome the obstacles that life challenges us with. It does not matter how much life challenges us with, what matters is how strong we become every time we get up.” (Raquel Gomez)


“El Bolero de Puerta de Tierra” (Escuela Bolera), WORLD PREMIERE

Choreographer: Raquel Gomez, inspired by Antonio Ruiz

Music: Isaac Albeniz (1860-1909)

Costume Design: Raquel Rodriguez Ruiz-Medrano

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Sammi Micklewright, Abigail Mosquera, Jonathan Pacheco, Irene Sivianes Fernandez, Martina Wensell

“My inspiration when putting together this choreography was the great teacher and dancer Antonio Ruiz. Ruiz was one of the first major artists to implement classical ballet in Spanish dance companies. This style and choreography requires great technical experience and artistry of classical ballet. My second inspiration was Ensemble Español’s beautiful and elegant choreography, ‘Seguidillas,’ performed by Dame Libby Komaiko. The work was set in 1977 by former artistic director of the National Ballet of Spain, Nana Lorca, to the Spanish zarzuela (light opera) music of ‘El Nino Judío’ by Pablo Luna.” (Raquel Gomez)


“Mi Andulicia”

Flamenco Guitarist: Curro de Maria

“Fantasia Suite Regional”

- Tribute to Juanjo Linares (1977)

Choreography by Nana Lorca, former artistic director of the National Ballet of Spain and (1984-2000): Juanjo Linares

Music: Traditional; Fernando Arias, Milladoiro, M. Padilla, Ginet, Guidi & Caserio

Costume Design: Juanjo Linares

Lighting Design: Dustin L. Derry

Dancers: Company

Maestro Juanjo (Sept.1933 -Nov. 2009) created 25 works for the full company from 1984 through 2000. As Spain’s foremost authority on folklore, Juanjo’s detail to the style, customs and celebration of the people of each region in Spain made him the legendary master on this art form. Now Ensemble Español honors his legacy by presenting excerpts from the regions of Galicia, Extremadura, and Valencia. Ensemble Espanol’s Irma Suarez Ruiz and Jorge Pérez have both performed and been a part of Juanjo’s works with the Ensemble Español since his first residency to Chicago in 1984.


“Chamberí” (Flamenco Caracoles) (2023)

Choreographer & Dancer : La Lupi, Guest Artist

Music: Curro de Maria & Pedro Medina

Musicians: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Costume Design: La Lupi & Enrique Vicent

Lighting Design: Carlos Rodriguez

Chamberí, the oldest train station in Madrid. The cante por Caracoles, conceived by the singer D. Antonio

Chacón, pays tribute to the city as a key point for Andalusian artists who arrived and left for the capital. Madrid, with its open arms, welcomed these artists in a warm and hospitable way.


“Pasion Oculta”/ Hidden Passion (2019)

Choreographer and Costume Designer: Irma Suarez Ruiz, Artistic Director

Music: Escala

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Company

This Flamenco contemporary work, set on five couples of Ensemble Español Company dancers by artistic director, Irma Suarez Ruiz, portrays the hidden passions of love and desire. Ruiz set this sensual work to two songs by the all-female electronic string quartet, Escala: “Requiem for a Tower” and “Palladio.”


Act 2

“Compas de Seda” / Silk Rhythm, WORLD PREMIERE

Choreographer & Costume Designer: La Lupi, Guest Artist

Music Composition: Curro de Maria

Costume Design & Production: Enrique Vicent

Lighting Design : Dustin L. Derry

Dancers: Nalanie Molina, Sammi Micklewright, Abigail Mosquera, Irene Sivianes Fernandez, Maria Lujan,

Catherine Beza, Jose Torres, Juan Carlos Castellon, Luis Beltran, Jonathan Pacheco, Sergio Rojas, Miguel Conde

This work, in the Flamenco Guajiras palo/style dance, is based on the sung genre of Cuban music, a poetic art with music. A guajira is simply a song for voice and guitar with a series of similar letras. It became popular in the western and central regions of Cuba in the 17th century and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. The Flamenco guajira is the adaptation to Melos Flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba.


“Duende Flamenco”

Music: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Lighting Design: Dustin L. Derry


“A Silverio” (2022)

Choreographer and Dancer: La Lupi

Music: Curro de Maria and Livio Gianola

Costume Design: Enrique Vicent

Lighting Design: Tito Osuna

“…a bravura showcase of Flamenco Abandolaos and Serrana styles” (WTTW).


“Viejos Aires” / Flamenco Tango, WORLD PREMIERE

Choreographer, Dancer, Costume Designer: Antonio Najarro, Guest Artist

Music: Astor Piazzolla (1921-1992)

Costume Production: Enrique Vicente

Lighting Design: Dustin L. Derry

Dancers: Section 1: “Otoño Porteno” - the Company; Section 2: “Fuga y Misterio” - Antonio Najarro, Guest Artist


Antonio Najarro performs a solo in his Viejos Aires. Photo by Dean Paul

Section 3: “Viejos Aires” – the Company

“Choreographing my creation 'Viejos Aires' on the Ensemble Español dancers represented a personal reunion with the repertoire of my own dance company. ‘Viejos Aires’ has a choreography that has given me numerous successes throughout its presentation and performances in the best theaters around the world. Irma and Jorge’s invitation to set this work on the Ensemble Español as part of their extensive repertoire was exciting. I wanted to merge two very different styles in terms of technical elements: Argentinean tango and Spanish dance, including my own personal style. In Ensemble Español, I clearly saw a company with great desire and enthusiasm to assimilate, face and interpret this complex work. ‘Viejos Aires,’ from my point of view, is a timeless passionate choreography that speaks from the heart to the heart. (Antonio Najarro)






Friday, May 3, 2024

World Premiere of The Singularity Play Via Jackalope Theatre May 19 – June 22, 2024

ChiIL Live Shows On Our Radar

JACKALOPE THEATRE COMPANY ANNOUNCES THE CAST AND CREATIVE TEAM FOR THE WORLD PREMIERE OF 

THE SINGULARITY PLAY 

BY JAY STULL AND DIRECTED BY GEORGETTE VERDIN 

MAY 19 - JUNE 22 AT BERGER PARK

Jackalope’s 16th Season Continues with a Daring and Existential Ensemble Comedy for the Ages

The running time is currently 95 minutes with no intermission. 

Jackalope Theatre Company continues its 16th season at Edgewater’s Berger Park, 6205 N. Sheridan Rd., with the announcement of the cast and creative team for the world premiere of The Singularity Play, May 19 – June 22, by Jay Stull, directed by Georgette Verdin. Previews are Sunday, May 19; Monday, May 20 and Wednesday, May 22 at 7:30 p.m. I'll be catching it May 24th, so check back soon for my full review. The performance schedule is Thursdays -  Saturdays at 7:30 p.m. and Sundays at 3 p.m. with additional performances on Mondays, June 10 and June 17 at 7:30 p.m. The accessibility performance with both audio description and live captioning is Sunday, June 9 at 3 p.m. 

Tickets are $15 - 35 with student and Edgewater resident discounts available. For more information or tickets go to JackalopeTheatre.org or call/text the box office at 773.340.2543.

In an unused room at the Google offices in Manhattan, a theater troupe has gathered to rehearse a new play written by an advanced AI named "Denise." In an art that relies so substantially upon our human-ness, what does it mean to cede the stage to artificial intelligence? Who are we when reflected by the intelligence we’ve created?

“Jackalope couldn't be prouder to assemble these enormously talented artists behind this sharp, original and surprising script.,” Artistic Director Kaiser Ahmed remarks, “The intimate design and powerful ensemble will transport audiences to the edges of their imagination in this rapidly unfolding mystery of the human-AI condition. I invite you to be among the first to laugh and gasp at this new play from the brilliant mind of Jay Stull.”

The Singularity Play’s cast includes, in alphabetical order: Lucy Carapetyan (she/her, Alice/Royal); Kroydell Galima (he/him, Jason/Quinn);Christina Gorman (she/her, Lauren/Hollis); Anelga Hajjar (she/her, Denise/Dennis); Madison Hill (they/them, Henry/Finley); Jennifer Jelsema (she/her, Dawn); Ashley Neal (she/her, Heidi/Emily/Jules); Patrick Newson Jr. (he/him, Greg/Salem);Paloma Nozicka (she/her, Skyler) and Collin Quinn Rice (they/them, Ocean). The understudies are Kaiser Ahmed (he/him, Ocean U/S); Katie Bevil (they/it), Lauren/Hollis/Henry/Finley U/S); Maddy Brown (she/her, Heidi/Emily/Jules U/S); Christina Gorman (she/her, Dawn U/S); Gavin Rhys (he/him, Greg/Salem/Jason/Quinn U/S) and Yourtana Sulaiman (she/her, Denise/Dennis/Alice/Royal U/S).

The creative team includes Jay Stull (he/him, playwright); Georgette Verdin (she/her, director); Becca Smith (she/her, production manager); Lucy Carapetyan (she/her, casting director); Warren Duncan (he/him, assistant director); Grace Reasoner (she/her, stage manager); Jonah Fezler (he/him, assistant stage manager); Amal Salem (she/her, assistant stage manager cover); Karina Patel (she/her, production dramaturg); Ryan Emens (he/him, scenic designer); Isa Noe (they/them, prop designer); Eric Watkins (he/him, lighting designer); Izumi Inaba (she/her, costume designer); Christopher Kriz (he/him, sound designer); Gaby Labotka (any with respect, intimacy and fight director); Collin Quinn Rice (they/them, movement director). And, from Jackalope: Kaiser Ahmed (he/him, artistic director); Megan Wildebour (she/her, managing director); Ben Stacy (he/him, season production manager) and Amira Danan (she/her, development manager).  

ABOUT JAY STULL, PLAYWRIGHT THE SINGULARITY PLAY

Jay Stull (he/him) is a theater-maker from New York City. His work has been developed or produced by Ars Nova, The Alliance Theater, The Amoralists, The Bloomington Playwrights Project, New York City Center Off Center, the New Light Theater Project, New York Theatre Workshop, Joe’s Pub at The Public Theater, the Gym at Judson, PlayCo, Roundabout, The Tank and the Theater, Dance, and Media concentration (TDM) at Harvard College. His written work has been supported by Yaddo, the New York Foundation for the Arts and the New York State Council for the Arts and the Sewanee Writers’ Conference. He is an alumnus of the Lincoln Center Directors Lab, The Civilians R&D Group and the Early Career Directing Fellowship at Clubbed Thumb and received his MFA from Columbia. 

ABOUT GEORGETTE VERDIN, DIRECTOR THE SINGULARITY PLAY

Georgette Verdin (she/her) is a Cuban-American freelance director, the associate artistic director of Northlight Theatre and a member of Rivendell Theatre Ensemble. Recent directing credits include: Dial M for Murder (Northlight Theatre); the revival of Night Watch (Raven Theatre); the United States premiere of The Writer (Steep Theatre); the world premieres of A Mile in The Dark (Interrobang Theatre Project/Rivendell Theatre Ensemble); Enough to Let the Light In (Teatro Vista); Chagall in School (Grippo Stage Company) and Spay (Rivendell Theatre Ensemble). Verdin is a three-time Jeff nominated director and was the 2022 Michael Maggio Directing Fellow at Goodman Theatre. From 2015-2023, she served as artistic director of Interrobang Theatre Project, an award-winning storefront theatre known for gutsy productions that tackled socially-relevant issues. She was profiled in NewCity’s 2023 “Players: Who Really Performs for Chicago Right Now” and in Chicago Reader’s “Best of Chicago 2022.” She is an associate member with Stage Directors and Choreographers Society.

ABOUT JACKALOPE THEATRE

Jackalope Theatre Company expands the definition of American Identity by engaging with communities to produce works that celebrate diverse perspectives. Jackalope is a premier home for new and exciting Off-Loop Theatre based in Chicago's Edgewater and Rogers Park neighborhoods. They are committed to cultivating new voices that contribute to an expanding American culture and mythology. Each season, Jackalope produces full-length plays, new play development programming and provides free classes in partnership with the Chicago Park District.

Jackalope Theatre Company continues its 16th season at its new home in Edgewater’s Berger Park, 6205 N. Sheridan Rd., with the announcement of the cast and creative team for the world premiere of The Singularity Play, May 19 – June 22, by Jay Stull, directed by Georgette Verdin. Previews are Sunday, May 19; Monday, May 20 and Wednesday, May 22 at 7:30 p.m. with the press opening Thursday, May 23 at 7:30 p.m. The performance schedule is Thursdays -  Saturdays at 7:30 p.m. and Sundays at 3 p.m. with additional performances on Mondays, June 10 and June 17 at 7:30 p.m. The accessibility performance with both audio description and live captioning is Sunday, June 9 at 3 p.m. The running time is currently 95 minutes with no intermission. 

Tickets are $15 - 35 with student and Edgewater resident discounts available. For more information or tickets go to JackalopeTheatre.org or call/text the box office at 773.340.2543.

Jackalope Theatre expands American identity by engaging with our communities to produce works that celebrate diverse perspectives. Season 16 is made possible by the continued generosity of Season Sponsors Michael and Mona Heath.


Friday, April 26, 2024

First Look: Production Photos for Judgment Day World Premiere Starring Tony and Emmy winner Jason Alexander April 23–May 26, 2024

ChiIL Live Shows On Our Radar

Chicago Shakespeare Theater Presents 

Judgment Day

Starring Tony and Emmy winner Jason Alexander

Written by Golden Globe winner Rob Ulin and directed by Tony nominee Moritz von Stuelpnagel

April 23–May 26, 2024


Jason Alexander (at right) stars as a corrupt lawyer visited by a terrifying angel, played by Candy Buckley, after a near death experience. Photo by Liz Lauren.

It's about to be Wednesday in the park with George (Costanza), AKA: Jason Alexander, for opening night of Judgment Day, May 1, at Chicago Shakespeare Theater, and we're here for it! You can also call him Sammy Campo. I'll be out reviewing this world premiere for ChiIL Live Shows and ChiIL Mama. It's  Jason Alexander's Chicago stage debut, in a production laden with a multi award winning cast and creatives, and we can't wait. Don't miss this!


Jason Alexander makes his Chicago stage debut in the world premiere comedy Judgment Day at Chicago Shakespeare Theater, directed by Moritz von Stuelpnagel. In The Yard at Chicago Shakespeare through May 26, 2024. Photo by Liz Lauren.

ChiIL Mama’s ChiIL Picks List: 

Adult Shows With Family Themes On Our Radar

Chicago Shakespeare Theater presents Judgment Day, a hilariously irreverent world premiere comedy starring Tony and Emmy Award winner Jason Alexander (Seinfeld) in his Chicago stage debut. Alexander leads a cast that features Tony Award nominee Daniel Breaker as Father Michael and Candy Buckley as the Angel, along with Maggie Bofill, Olivia Denise Dawson, Joe Dempsey, Michael Kostroff, Ellis Myers, and Meg Thalken. 

Jason Alexander and Ellis Myers. Photo by Liz Lauren. 

Judgment Day unites the powerhouse comedic talents of Alexander with director Moritz von Stuelpnagel, a Tony Award nominee and leading director of stage comedy, and playwright Rob Ulin, a Golden Globe and Peabody Award-winning television writer. Judgment Day debuts April 23–May 26, 2024, in The Yard at Chicago Shakespeare.

Jason Alexander stars as a corrupt lawyer attempting to make amends with the help of a conflicted priest, played by Daniel Breaker. Photo by Liz Lauren.

Judgment Day tells the story of Sammy Campo, a staggeringly corrupt, morally bankrupt lawyer who's threatened with eternal damnation by a terrifying angel after a near-death experience. In a desperate attempt to redeem himself, Sammy forms an unlikely bond with a Catholic priest who is having his own crisis of faith. Filled with razor-sharp wit, this deliciously devious comedy rollicks through the timeless questions of Western philosophy—“morality,” “faith,” and “Are people any damn good?”

Jason Alexander and Maggie Bofill in the world premiere comedy Judgment Day. In The Yard at Chicago Shakespeare through May 26, 2024. Photo by Liz Lauren.

Jason Alexander, who stars as Sammy, is best known for his role as George Costanza on the long-running hit TV series Seinfeld, for which he was nominated for seven consecutive Emmy Awards and four Golden Globe Awards. Alexander began his career in the original Broadway production of Stephen Sondheim’s Merrily We Roll Along. He won the 1989 Tony Award for Best Actor in a Musical for his performance in Jerome Robbins’ Broadway and performed as Max Bialystock in the Los Angeles production of The Producers. Alexander made his Broadway directorial debut last year with The Cottage. His many film and television credits include Pretty Woman, The Hunchback of Notre Dame, Curb Your Enthusiasm, and The Marvelous Mrs. Maisel.

Daniel Breaker in the world premiere comedy Judgment Day. In The Yard at Chicago Shakespeare through May 26, 2024. Photo by Liz Lauren.

Daniel Breaker plays the conflicted Catholic priest Father Michael. Breaker was last seen in Chicago as Aaron Burr in Hamilton, a role he subsequently performed on Broadway. He also performed in the original Broadway cast of Shrek The Musical, originating the role of Donkey, and received a Tony nomination and an Obie Award for his leading performance in Passing Strange. Other theater credits include The Book of Mormon and The Performers on Broadway and the Public Theater’s Shakespeare in the Park musical production of Love’s Labor’s Lost. Breaker has been a series regular on Showtime’s Billions and the Peacock series Girls5Eva.

Daniel Breaker and Michael Kostroff in the world premiere comedy Judgment Day. In The Yard at Chicago Shakespeare through May 26, 2024. Photo by Liz Lauren.

Candy Buckley appears as the Angel. Buckley has performed on Broadway in Cabaret, After the Fall, Scandalous, and Thoroughly Modern Millie; her many additional stage credits include Lincoln Center Theater’s Becky Nurse of Salem, the Public Theater’s Shakespeare in the Park production of The Taming of the Shrew, American Repertory Theatre’s Hedda Gabler, and The Old Globe’s Vanya and Sonia and Masha and Spike. Buckley’s film and television credits include The Kill Room, Rare Objects, and WeCrashed.

In the role of Sammy’s wife Tracy is Maggie Bofill. Bofill’s prolific acting credits include Nora in A Doll’s House Part Two at Long Wharf Theater, Between Riverside and Crazy at Second Stage, and The Last Days of Judas Iscariot at the Public Theater. A writer in addition to her work as an actor, Bofill wrote and starred in Devil of Choice, which premiered at the Edinburgh Festival Fringe, and is a member of LAByrinth Theater Company and Ensemble Studio Theatre. Michael Kostroff plays the Monsignor. Kostroff is best known as Maury Levy on HBO’s The Wire, in addition to recurring roles on The Blacklist, Billions, The Good Wife, and Law and Order: SVU. He performed in The Nance on Broadway, the first national tour of The Producers, and as Thénardier in the touring company of Les Misérables. Ellis Myers plays Sammy and Tracy’s young son Casper. Myers’ credits include the film Perpetrator, in addition to voiceover and commercial work. 

Olivia Denise Dawson and Jason Alexander in the world premiere comedy Judgment Day. In The Yard at Chicago Shakespeare through May 26, 2024. Photo by Liz Lauren.

Olivia Denise Dawson plays Della, Sammy’s faithful, world-weary secretary. Dawson performed in The Comedy of Errors, The Book of Will, and The Tempest with the Illinois Shakespeare Festival’s 2023 season and has also worked at Steppenwolf Theatre, Indiana Repertory Theatre, Milwaukee Repertory Theatre, Portland Center Stage, and many more. In the role of Jackson, a cranky and crooked insurance adjuster, is Joe Dempsey. Dempsey returns to Chicago Shakespeare after appearing in A Midsummer Night’s Dream and Short Shakespeare! The Taming of the Shrew. Other credits include work with American Blues Theater, Lookingglass Theatre, Steppenwolf Theatre, Goodman Theatre, and many more. Meg Thalken plays Edna, a widow whom Sammy must help in his quest to become a better person. Thalken’s Chicago credits include work at Rivendell Theatre, Steep Theatre, Steppenwolf Theatre, Goodman Theatre, and more. She was most recently seen in Becky Nurse of Salem at Trinity Repertory Theatre.

Understudies include Jodi Gage, Tasha Anne James, Steve McDonagh, Reginald Robinson Jr., and Gabriel Solis.

One of the most in-demand directors nationwide, Moritz von Stuelpnagel’s credits include the Broadway productions Bernhardt/Hamlet, Present Laughter, Hand to God, for which he was nominated for the Tony Award for Best Director, and most recently, I Need That starring Danny DeVito. Off-Broadway credits include Seared, The Thanksgiving Play, Teenage Dick, Important Hats of the 20th Century, and Verité. Rob Ulin, a Golden Globe and Peabody Award winner who got his start as a professional comedy writer with the legendary Norman Lear, has written and produced acclaimed sitcoms such as Ramy, Young Sheldon, Malcolm in the Middle, Roseanne, and Dinosaurs.

In addition to Ulin and von Stuelpnagel, the creative team includes Scenic Designer Beowulf Boritt, Costume Designer Tilly Grimes, Lighting Designer Amith Chandrashaker, Sound Designer Mikaal Sulaiman, Hair and Make-up Designer Tommy Kurzman, Fight and Intimacy Director Max Fabian, Dialect Coach Eva Breneman, Wing Design and Fabrication by Mio Design Studio, Chicago Casting Director Bob Mason, New York Casting Director Laura Stanczyk, C.S.A., Assistant Director Mallory Metoxen, Assistant Scenic Designer Alexis Distler, Assistant Costume Designer Caity Mulkearns, Assistant Lighting Designer Max Grano De Oro, Young Performer Supervisor Gabe Anderle, Production Stage Manager Jinni Pike, Assistant Stage Manager Mary Zanger, and Production Assistant Jojo Wallenberg.

Judgment Day is the latest opportunity for Chicago Shakespeare audiences to be the first to experience thrilling new theatrical events. A celebrated incubator for new work development, CST has commissioned more than 30 world premieres that have gone on to productions on hundreds of stages around the world. Chicago Shakespeare’s artistic team nurtures and empowers theatermakers in crafting new plays, musicals, and adaptations through readings, workshops, and direct support. There are currently three Chicago Shakespeare productions on Broadway: Illinoise, which had its sold-out press premiere at CST in February; CST’s world premiere musical The Notebook; and CST’s North American premiere of SIX. Also on tour across the US and Canada, SIX garnered the Tony Award for Best Original Score, the Outer Critics Circle Award for Best Musical, and a Grammy Award nomination.

Accessible and enhanced performances for Judgment Day include:

ASL-interpretation – Friday, May 10, 2024, 7:30

All dialogue and lyrics are translated into American Sign Language by two certified interpreters.

Open-captioning – Wednesday, May 15, 2024, 1:00 & 7:30

A text display of the words and sounds heard during a play, synced live with the action onstage.

Projected Spanish Translation – Thursday, May 16, 2024, 7:30

A text display of the words and sounds heard during a play, synced live with the action onstage.

Audio-description with optional touch tour –

Sunday, May 19, 2024, 2:00

A program that provides spoken narration of a play’s key visual elements for patrons who are blind or have low vision. Touch Tours provide patrons the opportunity to experience, firsthand, a production’s design elements.

More information at www.chicagoshakes.com/judgment or social media at @chicagoshakes and @judgmentdaybroadway.

Judgment Day will be presented April 23–May 26, 2024, in The Yard at Chicago Shakespeare Theater. Single tickets starting at $45 are on sale now. Special discounts are available for audience members under the age of 35 and for groups of 10 or more. For more information or to purchase tickets, contact the Box Office at 312.595.5600 or visit www.chicagoshakes.com.

ABOUT CHICAGO SHAKESPEARE THEATER

Regional Tony Award-recipient Chicago Shakespeare Theater produces a bold and innovative year-round season—plays, musicals, world premieres, family productions, and theatrical presentations from around the globe—alongside nationally recognized education programming serving tens of thousands of students, teachers, and lifelong learners each year. Founded in 1986, Chicago Shakespeare’s onstage work has expanded to as many as twenty productions and 650 performances annually. CST is dedicated to welcoming the next generation of theatergoers; one in four of its audience members is under the age of eighteen. As a nonprofit organization, Chicago Shakespeare works to embrace diversity, prioritize inclusion, provide equitable opportunities, and offer an accessible experience for all. On CST’s three stages at its home on Navy Pier, in classrooms and neighborhoods across the city, and in venues around the world, Chicago Shakespeare Theater is a multifaceted cultural hub—inviting audiences, artists, and community members to share powerful stories that connect and inspire www.chicagoshakes.com.

Behind The Scenes: Rehearsal Photos

Jason Alexander makes his Chicago stage debut in the world premiere comedy Judgment Day at Chicago Shakespeare Theater, directed by Moritz von Stuelpnagel. Performances begin April 23, 2024. Photo by Liz Lauren.

Director Moritz von Stuelpnagel in rehearsal for Judgment Day. Photo by Liz Lauren.

Jason Alexander, Olivia Denise Dawson, and Daniel Breaker in rehearsal for Judgment Day. Photo by Liz Lauren.

The company of Judgment Day in rehearsal, including Candy Buckley (far left) and Jason Alexander (far right). Photo by Liz Lauren.

Ellis Myers and Jason Alexander in rehearsal for Judgment Day. Photo by Liz Lauren.

Daniel Breaker and Jason Alexander in rehearsal for Judgment Day. Photo by Liz Lauren.

Ellis Myers and Jason Alexander receive notes from playwright Rob Ulin and director Moritz von Stuelpnagel in rehearsal for Judgment Day. Photo by Liz Lauren.

Maggie Bofill and Jason Alexander in rehearsal for Judgment Day. Photo by Liz Lauren.

The cast of Judgment Day features, from left to right seated, Meg Thalken, Gabriel Solis, Ellis Myers, and Daniel Breaker, from left to right standing, Steve McDonagh, Joe Dempsey, Olivia Denise Dawson, Jason Alexander, Maggie Bofill, Michael Kostroff, and Candy Buckley. Photo by Liz Lauren.



Judgment Day, a world premiere comedy starring Jason Alexander in his Chicago stage debut, runs April 23–May 26 in The Yard at Chicago Shakespeare. Photo by Vito Palmisano.

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