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Showing posts with label WORLD PREMIERE. Show all posts
Showing posts with label WORLD PREMIERE. Show all posts

Wednesday, November 13, 2024

Northlight Theatre to produce the world premiere of Louisa May Alcott’s Little Women November 29 – January 5, 2025

ChiIL Live Shows On Our Radar

Northlight Theatre to produce the world premiere of

Louisa May Alcott’s Little Women


Adapted by Lauren Gunderson

From the novel by Louisa May Alcott

Directed by Associate Artistic Director Georgette Verdin

Due to early demand, an additional week of performances has been added to the run

November 29 – January 5, 2025

Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, continues its 2024–2025 season with Louisa May Alcott’s Little Women adapted by Lauren Gunderson from the novel by Louisa May Alcott, directed by Associate Artistic Director Georgette Verdin.

Due to early demand a week has been added to the run, which was originally scheduled to close December 29, 2024. Little Women runs November 29, 2024 – January 5, 2025, at Northlight Theatre, 9501 Skokie Blvd in Skokie. I'll be out for the press opening, December 5th, covering for ChiIL Live Shows, so check back soon for my full review. 

The cast includes Tyler Meredith (Louisa/Jo), Janyce Caraballo (Meg), Demetra Dee (Beth), Yourtana Sulaiman (Amy), Lucy Carapetyan (Marmee/Aunt March), John Drea (Laurie), and Erik Hellman (John/Friedrich).

Four sisters find their voices in 19th century New England, proving that sisterly bonds are more powerful than the friendships, hardships, romantic entanglements, and inevitable losses they face along the way. In a time marked by societal expectations, the shared love and feminine strength of the March sisters shines through. Captivating readers for generations, this beloved classic is a timeless tale of family, resilience, and a determined young writer finding her way in the world.

In a unique creative partnership, Northlight is one of four regional theaters that have jointly commissioned playwright Lauren Gunderson to adapt the classic novel. This new theatrical work will enjoy a “rolling” world premiere with four independent productions occurring between 2024-2026 in each of the partnering theaters’ home locale. It will play first at Northlight Theatre with subsequent productions at City Theatre Company (Pittsburgh, PA) People’s Light (Malvern, PA), and TheatreWorks Silicon Valley (Palo Alto, CA). The co-commission partnership represents an example of how regional nonprofit producers continue to adapt to post-pandemic financial realities while exploring new partnerships that allow for the continued investment in the commissioning of new work for the stage. All four theaters have a history of producing plays by Gunderson.

The creative team is Sotirios Livaditis (set design), Raquel Adorno (costume design), Emma Deane (light design), Christopher Kriz (original music and sound design), Nicolas Bartleson (props design), Jake Snell (production assistant) and Sarah Slight (dramaturg). The stage manager is Katie Klemme.

The Lead Sponsor for Little Women is Byline Bank.

Tickets are available through the box office at 9501 Skokie Blvd in Skokie; 847.673.6300; northlight.org.

About the Artists

Lauren Gunderson (Playwright) is one of the most produced playwrights in America since 2015 topping the list thrice including 2022/23. She is a two-time winner of the Steinberg/ATCA New Play Award for I and You and The Book of Will, the winner of the William Inge Distinguished Achievement in Theatre Award, the Lanford Wilson Award and the Otis Guernsey New Voices Award; a finalist for the Susan Smith Blackburn Prize, Weisberger Award, and John Gassner Award for Playwriting; and a recipient of the Mellon Foundation’s Residency with Marin Theatre Company. She studied Southern Literature and Drama at Emory University, and Dramatic Writing at NYU’s Tisch School where she was a Reynolds Fellow in Social Entrepreneurship. Her play The Catastrophist, about her husband virologist Nathan Wolfe, premiered digitally in January 2021. She co-authored the Miss Bennet plays with Margot Melcon, and The Half-Life of Marie Curie premiered off-Broadway and is now at Audible.com. Her work is published at Bloomsbury (Revolutionary Women: A Lauren Gunderson Anthology, anthropology, I and You), Playscripts (I and You; Exit Pursued By A Bear; The Taming and Toil And Trouble), Dramatists Play Service (The Revolutionists; The Book of Will; Silent Sky; Bauer, Natural Shocks, The Wickhams and Miss Bennet) and Samuel French (Emilie). Her picture book Dr Wonderful: Blast Off to the Moon is available from Two Lions/Amazon. She is the book writer for musicals with Ari Afsar (Jeannette), Dave Stewart and Joss Stone (The Time Traveller’s Wife), Joriah Kwamé (Sinister), Kait Kerrigan and Bree Lowdermilk (Justice and Earthrise), and Kira Stone (Built for This). She is a board member of The Playwrights Foundation.

Georgette Verdin (Director/Associate Artistic Director) is a Cuban-American freelance director, the Associate Artistic Director of Northlight Theatre and a company member with Rivendell Theatre Ensemble. Recent directing credits include: the adaptation of Dial M for Murder (Northlight); the revival of Night Watch and the Chicago Premiere of Ironbound (Raven Theatre); the U.S. premieres of The Writer (Steep Theatre) and Out of Love (Interrobang Theatre Project); the World Premieres of The Singularity Play (Jackalope Theatre); A Mile in The Dark (Interrobang Theatre Project/Rivendell); Enough to Let the Light In (Teatro Vista); Chagall in School (Grippo Stage Company); and Spay (Rivendell). Georgette is a three-time Jeff nominated director and was the 2022 Michael Maggio Directing Fellow at Goodman Theatre. She is an Associate Member of Stage Directors and Choreographers Society. georgetteverdin.com.

Janyce Caraballo (Meg) is returning to Northlight, where she was last seen as Georgiana in Georgiana and Kitty: Christmas at Pemberley. Select Chicago: A Christmas Carol (Drury Lane); Shakespeare in the Parks (Chicago Shakespeare Theatre); Romeo and Juliet, Hope: Part 2 of a Mexican Trilogy (Teatro Vista); Seussical (Marriott); Suddenly, Last Summer (Raven Theatre); Hot Pink (New American Folk Theatre); The Full Monty (Theo Ubique). Regional: Peninsula Players, Indiana Repertory Theatre, American Players Theatre, First Folio Theatre, TheatreSquared. She received her Master of Fine Arts from The Theatre School at DePaul University and is represented by Paonessa Talent Agency. 

Lucy Carapetyan (Marmee/Aunt March) previously appeared at Northlight in Dial M for Murder and You Can’t Take It With You. Recent Chicago productions include Ironbound (Raven), The Singularity Play (Jackalope), and The Writer (Steep, where she's an ensemble member). Other Chicago credits include First Love is the Revolution, Earthquakes in London, Linda (Steep Theatre); Right To Be Forgotten, Nice Girl (Raven); Animal Farm (Steppenwolf). Lucy works as a motion capture actor for Injustice and Mortal Kombat video games, and as a freelance Intimacy Director and Casting Director. TV: Fargo season 4, Somebody Somewhere, Chicago Fire, Proven Innocent. Film: Brooklyn 45, Departing Seniors. She is represented by Paonessa Talent.

Demetra Dee (Beth) is making her Northlight debut. Corduroy (Chicago Shakespeare); The Penelopiad, The Nacirema Society, Relentless (Goodman); Chlorine Sky (Steppenwolf); Relentless (Timeline); Stew, Be Here Now (Shattered Globe); Cullud Wattah (Victory Gardens); The Last Pair of Earlies, Middle Passage (Lifeline); Comfort Stew, Migration (ETA Creative Arts Foundation); The Colored Museum (Pegasus Theatre Chicago); The Greenbook (Chicago Dramatist). Television: Power Book IV: Force (Starz), The Bear (FX). Education: BFA in theater, East Carolina University. Agency: DDO Chicago. www.demetradee.com

John Drea (Laurie) Northlight Theatre debut. Chicago: Little Bear Ridge Road (Steppenwolf); The Sound Inside (Goodman); Solaris (Griffin Theatre, Jeff Nomination); Chagall in School (Grippo Stage Company, Jeff Nomination); Twelfth Night, Cymbeline (Midsommer Flight); American Psycho (Kokandy Productions); Skunk and Badger, Whose Body? (Lifeline Theatre); A Midsummer Night’s Dream (Goodly Creatures Theatre). Off-off Broadway: OneIronaut (The Outer Loop). Regional: Deathtrap (Constellation Stage). Television: Ashley Green, The Onion. Upcoming film: PIP! (Sacred Arthouse). He is represented by Gray Talent Group. @johndrea1998

Erik Hellman (John/Friedrich) Previous shows at Northlight include Georgiana and Kitty, Miss Bennet, Shining Lives, and Lost in Yonkers. Recent shows in Chicago include: 1776, The Sound of Music (Marriott); Lindiwe, Familiar, The Burn (Steppenwolf); Rosencrantz and Guildenstern are Dead, Othello, Mousetrap, The Misanthrope, Proof, The Mystery of Irma Vep (Court); Smart People, Marjorie Prime (Writers); Eastland (Lookingglass); and Luna Gale (Goodman). Film/TV work includes The Dark Knight, Walden, Chicago Fire, Chicago PD, The Good Fight, Mrs. America, Fargo, 61st Street, and the David Fincher Film The Killer.

Tyler Meredith (Louisa/Jo) Chicago credits include: Inherit the Wind, The Penelopiad, The Cherry Orchard, Twilight Bowl, Graveyard Shift/New Stages (Goodman); Campaigns, Inc. (Timeline); The Tempest, A Midsummer Night’s Dream (Chicago Shakespeare); A Christmas Carol (Drury Lane); The Columnist (American Blues). Regional credits include: A Phoenix Too Frequent (American Players Theatre); At The Wedding, Miss Bennet: Christmas At Pemberley, My Father’s War (TheatreSquared); Hamlet (Montana Shakespeare in the Parks). TV/Film credits include Chicago Fire. Tyler is a graduate of Interlochen Arts Academy, School at Steppenwolf, and the University of Illinois-Chicago. She is represented by Gray Talent Group. @tylermckmeredith

Yourtana Sulaiman (Amy) is an Iraqi-Assyrian actor and teaching artist based in Chicago. Recent credits: Happy Days are Here (Again) (Steep), The Singularity Play (Jackalope), Selling Kabul (Northlight), the live in(n) (The Story Theatre), Mosque4Mosque (About Face), Chagall in School (Grippo Stage Company), NBC’s Chicago Fire, and more. Education: BFA Acting, UIC School of Theatre and Music; The Second City; Eolia Conservatory of the Dramatic Arts BCN. Follow her on instagram @yourtana for more shenanigans!

Production Details

Featuring: Tyler Meredith (Louisa/Jo), Janyce Caraballo (Meg), Demetra Dee (Beth), Yourtana Sulaiman (Amy), Lucy Carapetyan (Marmee/Aunt March), John Drea (Laurie), and Erik Hellman (John/Friedrich).

Creative Team: Sotirios Livaditis (set design), Raquel Adorno (costume design), Emma Deane (light design), Christopher Kriz (original music and sound design), Nicolas Bartleson (props design), Jake Snell (production assistant) and Sarah Slight (dramaturg). The stage manager is Katie Klemme.

Dates: November 29, 2024-January 5, 2025

Previews begin November 29, 2024

Press Opening: Thursday, December 5, 2024 at 7:30pm

Regular run: December 6-29, 2024

Added dates: through January 5, 2025


Schedule:   

Tuesdays: 7:30pm (December 3 only)

Wednesdays: 1:00pm and 7:30pm (no performances December 25 or January 1)

Thursdays: 1:00pm (December 26 only) and 7:30pm (except December 5)

Fridays: 7:30pm

Saturdays: 2:30pm (except November 30) and 7:30pm

Sundays: 2:30pm and 7:30pm (December 1 & 29 only)

Backstage with BJ – Northlight’s popular discussion series with Artistic Director BJ Jones – will be held November 22 at 12pm.

An Open Captioned performance will be held on Friday, December 20 at 7:30pm. An Open Captioned and Audio Described/Touch Tour performance will be held on Saturday, December 21 at 2:30pm.

Location: Northlight Theatre is located at the North Shore Center for the Performing Arts, 9501 Skokie Blvd, Skokie

Tickets: $39-$91

Previews: $39-$74

Regular run: $49-$91

Student tickets are $15, any performance 

(subject to availability)

Box Office: The Box Office is located at 9501 Skokie Blvd, Skokie.; 847.673.6300; northlight.org.

• In a unique creative partnership, Northlight is one of four regional theaters that have jointly commissioned playwright Lauren Gunderson to adapt the classic novel. It will play first at Northlight Theatre with subsequent productions at City Theatre Company (Pittsburgh, PA) People’s Light (Malvern, PA), and TheatreWorks Silicon Valley (Palo Alto, CA).

• Playwright Lauren Gunderson is one of the country’s most produced playwrights since 2015. Northlight previously produced her works The Book of Will, The Wickhams, Miss Bennet and Georgiana and Kitty. She considers Northlight to be an artistic home.

• Director Georgette Verdin is Nothlight’s Associate Artistic Director. She continues to direct in theatres across Chicago. She previously directed Dial M for Murder at Northlight.


2024-2025 Season

The 2024-2025 season continues with Lloyd Suh’s funny and moving play The Heart Sellers about the Asian immigrant experience in the 1970s, January 23 – February 23, 2025; and Joshua Harmon’s celebrated play Prayer for the French Republic, directed by Jeremy Wechsler in a co-production with Theater Wit, April 10 – May 11, 2025. The season closes with the mesmerizing one-man show about Donny Hathaway, Twisted Melodies, written and performed by Kelvin Roston Jr, July 10-August 10, 2025.

Subscriptions range in price from $135-290. Flex pass options are $120-$210. With its wide range of ticket prices, discounted subscription packages and complimentary parking, Northlight remains one of the best theatrical values in Chicagoland. Package options include traditional 5-Play Packages, 4-Play Packages, and Flex Packages. Subscriptions are available at northlight.org/subscribe or 847.673.6300.

Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community.

Founded in 1974, the organization has mounted over 240 productions, including more than 45 world premieres. Northlight has earned 230 Joseph Jefferson Award nominations and 36 Awards, as well as 11 Edgerton Foundation for New Play Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality.

Northlight is supported in part by generous contributions BMO Harris Bank; Bulley & Andrews; Byline Bank; Dr. Scholl Foundation; Eckenhoff Saunders Architects, Inc.; The Field Foundation of Illinois; Full Circle Foundation; Grumman Butkus Associates; Hagerty Consulting; Illinois Arts Council, a state agency; John R Halligan Charitable Fund; LionBird; Lloyd A. Fry Foundation; Mabadi Realty; Mammel Family Foundation; Modestus Bauer Foundation; National Endowment for the Arts; Paul M. Angell Family Foundation; Pritzker Foundation; The Shubert Foundation, Inc.; The Sullivan Family Foundation; The Weatherlow Foundation; Tom Stringer Design Partners.

Monday, September 30, 2024

World Premiere! Hell in a Handbag Productions Presents The Mystery of The Haunted Bush October 10 – November 3, 2024 at The Chopin Theatre

ChiIL Live Shows On Our Radar 

World Premiere!

Hell in a Handbag Productions Presents

The Golden Girls Meet The Skooby Don’t Gang:

The Mystery of The Haunted Bush

Pictured (left to right) Grant Drager, David Cerda, Ed Jones, Ben Meneses, Josh Kemper, Tyler Anthony Smith,Caitlin Jackson and Elizabeth Lesinski. Photo by Rick Aguilar Studios.


By Artistic Director David Cerda

Directed by Frankie Leo Bennett

October 10 – November 3, 2024 at The Chopin Theatre

Hell in a Handbag Productions is pleased to conclude its 22nd season with the world premiere of The Golden Girls Meet The Skooby Don’t Gang: The Mystery of The Haunted Bush, bringing together two beloved Handbag parodies in one chilling Halloween tale. The girls – Dorothy, Rose, Blanche, Sophia (and their whacky friends) – enlist the help of America’s favorite 30-something teenage detectives to help solve a mystery in this all new episode written by Artistic Director David Cerda and directed by Frankie Leo Bennett. The Mystery of The Haunted Bush plays October 10 - November 3, 2024 on The Chopin Theatre Mainstage, 1543 W. Division St. in Chicago. Tickets are now on sale at handbagproductions.org or bit.ly/hauntedbush. I'll be out for the press opening October 13th, so check back soon for my full review. 

Rose’s (Ed Jones*) nephew Fred (Tyler Anthony Smith*) is coming for a visit with his amateur sleuth friends, Daffy (Liz Lesinski*), Velva (Caitlin Jackson*), Skaggy (Josh Kemper) and their dog Skooby (Ben Meneses). While Rose is excited, she’s also hiding the real motive for inviting them: she’s being haunted by a big, scary bush – or is it a tree? There’s seems to be some confusion about that. 

Meanwhile, the Skooby gang is in awe of their idol and Sophia’s (Ryan Oates*) best friend, Nancy Drew (Danne W. Taylor*), particularly Skaggy, who takes things a step further. Can the gang help the girls solve the mystery of the haunted bush before it devours Rose? Will Velva and Daffy reveal their special secret? Will Dorothy (David Cerda*), Blanche (Grant Drager*) and Sophia survive the spooky hijinks?

Join Miami’s favorite roomies in a spine chillingly ridiculous tale, that combines Handbag’s signature biting humor with a heart. 

The production stars original cast members David Cerda*, Grant Drager*, Ed Jones* and Ryan Oates* as the Geriatric Fab Four, joined by Caitlin Jackson*, Josh Kemper, Elizabeth Lesinski*, Ben Meneses and Tyler Anthony Smith* as the Skooby Don’t gang. Rounding out the cast are Michael S. Miller*, Scott Sawa* and Danne W. Taylor*. Understudies include Frankie Leo Bennett, Kelly Bolton, Nick Dorado, Al Duffy, Wendy Hayne, Brandon Nelson, Eric James Norman, TJ O'Brien, Jenny Rudnick and Coco Sho'Nell.

The production team includes Marcus Klein (Scenic Designer), Madeline Felauer (Costume Designer), Liz Cooper (Lighting Designer), Danny Rockett (Sound Designer), Maggie O'Brien (Props Designer), Syd Genco* (Make-Up Designer), Keith Ryan* (Wig Designer), Kate Lass (Violence Choreographer), Scott Sawa* (Assistant Director), Morgan Laszlo (Assistant Scenic Designer), Tom Daniel (Technical Director), Jackson Mikkelsen (Electrician), Tim Paul (Graphic Designer) and Veronica Kostka* (Stage Manager).

*Denotes Handbag Ensemble Member

 

PRODUCTION DETAILS:

Cast (in alphabetical order): David Cerda* (Dorothy), Grant Drager* (Blanche), Ed Jones* (Rose), Josh Kemper (Skaggy), Caitlin Jackson* (Velva) Elizabeth Lesinski* (Daffy), Ben Meneses (Skooby), Michael S. Miller* (Rita Claxton), Ryan Oates* (Sophia), Scott Sawa* (Stan), Tyler Anthony Smith* (Fred) and Danne W. Taylor* (Nancy Drew).

Understudies: Frankie Leo Bennett, Kelly Bolton, Nick Dorado, Al Duffy, Wendy Hayne, Brandon Nelson, Eric James Norman, TJ O'Brien, Jenny Rudnick and Coco Sho'Nell

Location: The Chopin Theatre Mainstage, 1543 W. Division St., Chicago

Previews: Thursday, October 10, Friday October 11 and Saturday, September 12 at 8 pm

Opening/Press performance: Sunday, October 13 at 7 pm

Regular run: Thursday, October 17 – Sunday, November 3, 2024

Curtain Times: Thursday, Fridays and Saturday at 8 pm; Sundays at 3 pm. Please note: there will be added performances on Sunday, October 20, Sunday, October 27 and Wednesday, October 30 at 8 pm.

Tickets: $29 previews, $38 advanced general admission, $45 general admission, $48 at the door, $60 VIP/reserved seating with drink ticket. Group rates $35 for 10 or more. Tickets are now on sale at handbagproductions.org  or bit.ly/hauntedbush.

 

About the Artists

David Cerda (Playwright) is a founding member and Artistic Director of Hell in a Handbag Productions, now celebrating its 23rd  year anniversary. As resident playwright, he has written many Handbag productions as well as acted in them. His play, The Drag Seed was recently produced at LaMaMa Experimental Theater and his Golden Girls Lost Episodes parody shows have been produced around the country and was featured in Golden Con: Thank you for being a Fan, the world’s first fan convention dedicated to all things Golden Girls at Chicago’s Navy Pier. Cerda is a proud inductee into the Chicago LGBT Hall of Fame and recipient of a Jeff Award for lifetime achievement for his 23 years (and counting) of work and service to the community. He lives in Chicago with his partner, Christopher.

Frankie Leo Bennett (Director, he/him) is an award-nominated Chicago-based theatre multi-hyphenate, returning to Handbag after previously directing The Golden Girls Save XMAS and associate directing on The Golden Girls: The Lost Episodes: Vol. 3. Handbag acting credits: Christmas Dearest, Poseidon! An Upside-Down Musical, The Golden Girls: The Lost Episodes: Bea Afraid!  Regional Direction: Porchlight Revisits The Apple Tree (co-), RENT (asst.), multiple editions of New Faces Sing Broadway. Broadway In Your Backyard and Chicago Sings (Porchlight Music Theatre). Regional Acting: Kokandy Productions (Jeff nominee - Best Principal Performer/Musical - The SpongeBob Musical); Porchlight Music Theatre; Theo Ubique. Composer/Playwright - Resident Services: A Crossed-Up Animal Musical. He currently serves as Producing Artistic Associate at Porchlight Music Theatre.

About Hell in a Handbag Productions

Hell in a Handbag is dedicated to the preservation, exploration, and celebration of works ingrained in the realm of popular culture via theatrical productions through parody, music and homage. Handbag is a 501(c)(3) Not for Profit. For additional information, visit handbagproductions.org.

Friday, September 20, 2024

World Premiere of the love object Via The Story Theatre October 10 – November 3, 2024

ChiIL Live Shows On Our Radar 

World Premiere!

The Story Theatre Presents

the love object

Pictured (left to right) Mollyanne Nunn, Emily Holland, Spencer Diaz Tootle and Cat Christmas

The Story Theatre’s world premiere of the love object. Photo by David Hagen.

By Justine Gelfman

Directed by Jasmine B. Gunter

October 10 – November 3, 2024

The Story Theatre is pleased to welcome back audiences with its world premiere of the love object by Emerging Playwright-in-Residence Justine Gelfman, directed by Northwestern MFA Directing alum Jasmine B. Gunter. This new play, which explores agency, betrayal and power through the bubblegum veneer of the early 2000s pop music industry, will take place October 10 - November 3, 2024 on Raven Theatre’s Schwartz Stage, 6157 N. Clark St. (at Granville) in Chicago. Tickets are currently available at thestorytheatre.org/tickets or by calling (773) 338-2177. I'll be out for the press opening, October 13th so check back soon after for my full review. 

The production will feature Cat Christmas, Kaylah Marie Crosby, Spencer Díaz Tootle, Emily Holland, Mollyanne Nunn and William Anthony Sebastian Rose II. Understudies include Jordan Marie Ford, Freddy Mauricio Jr., Mollyanne Nunn and Jacinda Ratcliffe.

On the eve of Ramona’s sold-out stadium tour, her best friend and trusted assistant Paula announces she is leaving to pursue her own artistry. Fearing the loss of her closest confidante, Ramona reveals that a sex tape she made is about to be released, tainting her image (and ticket sales) forever. Will Paula stay and clean up Ramona’s mess one more time or finally escape the oppressive celebrity machine for good? A contemporary adaptation of Euripides’ Hippolytus, the love object examines the hyper-sexualization of women celebrities, the power struggles of interracial friendship and the tragedies of late-stage capitalism, all through the bubblegum veneer of an early 2000s pop superstar.

The production team includes Tianxuan Chen (Scenic Design), Ben Argenta Kress (Costume Design), Seojung Jang (Lighting Design), Newt Schottelkotte (Sound Design, Original Composition), Angelíca Grace (Choreographer), Racquel Postiglione (Prop Design), Courtney Abbott (Violence & Intimacy Design), Stina Taylor (Technical Direction), Ruby Lowe (Master Electrician), Ariel Beller (Stage Manager), Emma Johnson (Assistant Stage Manager), Lucy Whipp* (Production Manager), Brenna DiStasio*, Paul Michael Thomson*, Terry Guest* (Producers) and Ayanna Bria Bakari* (Associate Producer)

*denotes a member of The Story Theatre’s Governing Ensemble

Content Advisory: This production features strobe light effects and a confetti cannon. This play explores the hyper-sexualization of women and features designed intimacy. If you would like more details before purchasing your ticket, please feel free to email production@thestorytheatre.org. The Story recognizes that individual sensitivities are myriad, and we encourage you to reach out with any questions.

 Production Details:

Title: the love object

Playwright: Emerging Playwright-in-Residence Justine Gelfman

Director: Jasmine B. Gunter

Cast (in alphabetical order): Cat Christmas (Tish), Kaylah Marie Crosby (Paula), Spencer Díaz Tootle (Randy), Emily Holland (Ramona), Mollyanne Nunn (Kylie) and William Anthony Sebastian Rose II (Simon).

Understudies: Jordan Marie Ford, Freddy Mauricio Jr., Mollyanne Nunn and Jacinda Ratcliffe.

Location: Raven Theatre Schwartz Stage, 6157 N. Clark St (at Granville), Chicago

Dates: Previews: Thursday, October 10 at 7:30 pm and Friday, October 11 at 7:30 pm

Friends and Family Opening: Saturday, October 12 at 7:30 pm

Press Opening: Sunday, October 13 at 3 pm

Regular run: Thursday, October 10 – Sunday, November 3, 2024

Curtain Times: Thursdays, Fridays, Saturdays at 7:30 pm; Sundays at 3 pm

Tickets: Previews $15, Regular run $20, Students/active military and veterans $10

Tickets are available at thestorytheatre.org/tickets or by calling (773) 338-2177

Group tickets: Special group grates are available. For more information, call (773) 338-2177 or email paulmichael@thestorytheatre.org.  

Plan Your Visit:

 Free parking is provided in a lot adjacent to the theatre—additional street parking is available.

Nearest El station: Granville Red Line. Buses: #22 (Clark), #36 (Broadway), #151 (Sheridan), #155 (Devon), #84 (Peterson). 

About the Artists:

Justine Gelfman (Playwright) is a Brooklyn-based playwright and the Season IV Emerging Playwright-in-Residence at The Story Theatre. Her work has been developed or produced at Ars Nova, Williamstown Theatre Festival, IRT Theater, Theater Masters’ Take Ten, ESPA/Primary Stages, Dixon Place, The Story, Crashbox, Pete's Candy Store, New Women Space, New York Fringe Festival, UT Austin, Northwestern University and Kenyon College. She has been a resident at Yaddo, Colt Coeur, SPACE on Ryder Farm, Sewanee Writers' Conference, Vineyard Arts Project and Kenyon Playwrights Conference. Her writing has been published by Concord Theatricals. Her plays include the love object (The Story Theatre, 2024 Eugene O'Neill Theater Center semi-finalist), In Sisters We Trust, or My F**ked Up American Girl Doll Play (2019/20 DVRF Playwrights Program Winner, 2023 Kennedy Center NAPAT Award finalist, 2024 Lanford Wilson New American Play Festival finalist, 2020 Leah Ryan’s FEWW Prize finalist, 2020 New Harmony Project finalist, Playwrights Realm's 2020 Scratchpad Series semi-finalist, 2021 Eugene O'Neill Theater Center semi-finalist), The Galas (Ars Nova), The Technicians (2019 Seven Devils Playwrights Conference finalist, 2019 Blue Ink Playwriting Award finalist, 2019 Bay Area Playwrights Festival semi-finalist, 2019 Eugene O'Neill Theater Center semi-finalist), Doormat (2021 Theater Masters’ Take Ten MFA Festival) and The Thing That Never Happened (FringeFAVE at the New York Fringe Festival). Justine was the assistant to writer/director Annie Baker on her A24 film, Janet Planet. MFA: The University of Texas at Austin. BA: Northwestern University.

Jasmine B. Gunter (Director) is the current Resident Director/Associate Producer at Geva Theatre Center in Rochester, NY. In the spring of 2024, Jasmine finished her studies as an MFA directing candidate at Northwestern University. She was the 2021 recipient of the Hangar Directing Drama League fellowship, the 2020 recipient of the Leighton M. Ballew Directing Scholarship and a proud SDC associate member. Recent directing credits include Dracula: A Feminist Revenge Fantasy, Really (Northwestern University), The Revolutionists (Northwestern University), jump (Northwestern University) Lost Girl (Hangar Theatre), The Wonderful Wizard of Oz (Hangar Theatre), Hedda Gabler (Northwestern University) Wine in the Wilderness (Northwestern University), Intimate Apparel (SUNY Brockport), Ghost Story (Kane Repertory Theatre), Lines in the Dust (Geva Theatre Center), Reroute (24 Hour Plays: Nationals). Associate/Assistant Credit: Blues for an Alabama Sky (Remy Bumppo), Nina Simone: Four Women (Arena Stage), In the Heights (Seattle Rep), Quixote Nuevo (Hartford Stage/Huntington Theatre Company) and The Luckiest People (Actors Theatre of Charlotte/NNPN). Jasmine has also taught as a teaching artist at the Berkshire Theatre Group and the Redhouse Arts Center in Syracuse, NY.

About The Story Theatre:

Founded in 2018, The Story Theatre will pose questions rather than provide answers. We develop and produce new work that is whimsical, melancholic, mythic in vision and intimate in scale. We are run by a Governing Artistic Ensemble, who ensures our work is actively dismantling racism and inequity, while cultivating community through activism and catharsis. 

Our Emerging Playwright Residency Program fosters the growth of a playwright at the beginnings of an exciting career. After an intensive application and interview process, the Governing Ensemble chooses one playwright-in-residence and offers them: a fully-produced run of a completed full-length play; the development of a new script through our unique inquiry-based workshop process; a free public staged reading of this new script; and our trusted advocacy with industry professionals every step of the way. 

The Story Theatre is funded in part by The Michael and Mona Heath Fund, Chicago Department of Cultural Affairs & Special Events, The Saints of Chicago, The Iole Foundation, and the CrossRoads Seed Fund.


Wednesday, July 24, 2024

Full Casting Announced for Steppenwolf Theatre's World Premiere of LEROY AND LUCY October 24 – December 15, 2024

ChiIL Live Shows On Our Radar

Full Casting Announced for

Steppenwolf Theatre's World Premiere of 

LEROY AND LUCY

By Ngozi Anyanwu

Directed by Awoye Timpo

Featuring ensemble member Jon Michael Hill with Brittany Bradford

October 24 – December 15, 2024

in Steppenwolf’s in-the-round Ensemble Theater 


The cast of Steppenwolf Theatre’s world premiere of "Leroy and Lucy" includes (l to r) ensemble member Jon Michael Hill with Brittany Bradford.

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to present the second production of its 49th season: Ngozi Anyanwu’s world premiere of Leroy and Lucy, a bluesy and seductive play with music, directed by Awoye Timpo, playing October 24 – December 15, 2024 in Steppenwolf’s in-the-round Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St. in Chicago. Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650. 

Tony Award-nominated ensemble member Jon Michael Hill (Elementary, Pass Over) returns following his critically acclaimed performance in Steppenwolf’s world premiere of Purpose, joined by Obie Award-winning stage actor Brittany Bradford, also known for her TV roles in Julia, The Watcher and Dead Ringers.

Two lost souls meet at a crossroads, in the dead of night, deep in the Mississippi of it all. With a yearning guitar between them, they tell secrets and conjure a sound once forgotten – a tune pitched with Leroy’s longing and the sweet purr of Lucy’s desires. In this sultry world premiere, the Delta Blues fill the air, the future lies just down the road and we are everywhere and nowhere all at once. 

The creative team includes Andrew Boyce (Scenic Design), Yvonne Miranda (Costume Design), Heather Gilbert (Lighting Design), Connor Wang (Sound Design), Jeremy Jones (Music Director & Composer), Adesola Osakalumi (Choreographer & Cultural Consultant), Arminda Thomas (Dramaturg), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Michelle Medvin (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, click here.

Production Details:

Location: Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago

Dates: Previews: Thursday, October 24 – Saturday, November 2, 2024

Regular run: Tuesday, November 5 – Sunday, December 15, 2024

Curtain Times: Tuesdays, Wednesdays, Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not 7:30 pm performances on Tuesday, October 29, Wednesday, November 6, Tuesday, November 12, Wednesday, November 13, Thursday, November 14, Tuesday, November 19, Wednesday, November 20, Thursday, November 21, Thursday, November 28 and Tuesday, December 10; there will be an added 2 pm matinee on Wednesday, November 27.

Tickets: Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy ($20 - $92) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.

Education and Engagement:

Throughout the 2024/25 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. Programming includes dedicated student matinee performances during four of the five Membership Series productions including Noises Off, Leroy and Lucy, Fool for Love and The Book of Grace, in-school residencies in partnership with Chicago Public schools, workshops, panels and events specifically geared towards teens, as well as professional development trainings and resources for educators. Additionally, Steppenwolf is reimagining their community engagement and will pilot new public programming, continue accessibility programming and offer opportunities for deeper explorations for audiences throughout the season. For additional information about Steppenwolf’s Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education.


Accessible Performance Dates:

Audio-described and touch tour: Sunday, November 24 at 3 pm (1:30 pm Touch Tour)

Open-captioned: Saturday, November 23 at 3 pm & Thursday, December 5 at 7:30 pm

ASL-interpreted: public performance: Friday, December 6 at 7:30 pm


Artist Biographies:

Brittany Bradford (Lucy) Broadway: Bernhardt/Hamlet. Off-Broadway: The Comeuppance (Obie Award, Signature Theater), Wedding Band (Obie Award, TFANA), Fefu and Her Friends (TFANA), Mac Beth (Hunter Theatre Project), Merrily We Roll Along (Roundabout/Fiasco Theater), TV: Julia (HBO Max), The Watcher (Netflix), The Gilded Age (HBO Max), Dead Ringers (Amazon), Fire Country (CBS), Fear the Walking Dead (AMC), New Amsterdam (NBC). Film: The Same Storm (dir. Peter Hedges). Classix member and HomeBase Theater Collective co-founder. Training: Juilliard.

Jon Michael Hill (Leroy) joined the Steppenwolf Theatre Company ensemble in 2007. Steppenwolf Theatre Company: Purpose, True West, Pass Over, Constellations, Head of Passes, The Hot L Baltimore, The Tempest, Kafka on the Shore, The Unmentionables. Broadway: Superior Donuts, Pass Over. Off-Broadway: The Refuge Plays (New York Theatre Workshop) Pass Over (Lincoln Center). Film: Pass Over, Widows, In the Radiant City, No Pay, Nudity. Television: Upcoming: A Man in Full (Netflix), Elementary (CBS), Detroit 1-8-7 (ABC), Eastbound & Down (HBO), Law & Order: Special Victims Unit (NBC) and Person of Interest (CBS).

Ngozi Anyanwu (Playwright) is a playwright, storyteller, and most recently a 2020 Steinberg Playwright Award winner. Her newest play, Last of the Love Letters, premiered at the Atlantic theater fall 2021. Previous productions include Good Grief (Vineyard Theatre in NYC / Center Theatre Group in LA) and The Homecoming Queen (sold-out world premiere run at the Atlantic Theatre). Good Grief was on the Kilroys List 2016 and a semi finalist for the Princess Grace Award, and won the Humanitas Award. The Homecoming Queen was on the Kilroys List 2017 and was a Leah Ryan Finalist. Her play Nike… (Kilroys List 2017) was workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm. Ngozi also has commissions with NYU, The Old Globe, Two Rivers Theatre, The Atlantic Theatre and Steppenwolf. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film and Page 73. She attended Point Park University (BA) and received her MFA in Acting from University of California, San Diego.

Awoye Timpo (Director) is a Brooklyn-based director and producer. Her recent New York credits include Elyria by Deepa Purohit (Atlantic Theater), Wedding Band by Alice Childress (Theatre for a New Audience), In Old Age by Mfoniso Udofia (New York Theatre Workshop), The Loophole by Jay Adana and Zeniba Britt (Public Theater), Carnaval by Nikkole Salter (National Black Theatre), Good Grief by Ngozi Anyanwu (Vineyard Theatre and Audible) and The Homecoming Queen by Ngozi Anyanwu (Atlantic Theater Company). Regionally she has directed The Bluest Eye (Huntington), Pipeline (Studio Theatre), Paradise Blue (Long Wharf), Everybody Black (Actors Theatre of Louisville), School Girls (Berkeley Rep), Jazz (Marin Theatre Company). Other projects include concert performances for independent artists as well as for the NBA, Ndebele Funeral (59E59, Edinburgh, South African Tour), “Black Picture Show” (Artists Space/Metrograph) and Bluebird Memories (Audible). Awoye is a Creative Arts Consultant for the African American Policy Forum and the Founding Producer of CLASSIX, theclassix.org.

Accessibility

As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access or e-mail access@steppenwolf.org.


Sponsor Information

Leroy and Lucy is supported in part by Conagra Brands Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown, CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.  

Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions — from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays — have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown — Steppenwolf continually redefines the landscape of acting and performance.

Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.


Saturday, June 8, 2024

REVIEW: ARTISTIC BRAVURA Ensemble Español's "Flamenco Passion" Program Superb

 Chi, IL Live Shows On Our Radar 

ENSEMBLE ESPAÑOL SPANISH DANCE THEATER’S 2024

 “FLAMENCO PASSION” CONCERTS

SHOWCASE WORLD PREMIERES CREATED BY ACCLAIMED INTERNATIONAL ARTISTS AT THE NORTH SHORE CENTER JUNE 7-9

LaLupi with musicians Diego Alvarez, Jose Diaz El Chachito, Curio de Maria, 
Jose Moreno and Jose Alconchel.  Photo by Dean Paul

Exciting Premieres Include “Viejos Aires” / Flamenco Tango by Award-winning Choreographer Antonio Najarro 

“Resliencia” / Resilience and “El Bolero de Puerta de Tierra” by Former Principal Dancer with the National Ballet of Spain, Raquel Gomez; and 

“Compas de Seda” / Silk Rhythm by Flamenco Superstar La Lupi


Guest Review 

by Flo Mano

ARTISTIC BRAVURA 

Ensemble Espanol at North Shore Center for performing Arts opened to dramatic lighting, marigold costumes, and jazz fusion that gave a modern feel to "Sur",  choreographed by guest artist Raquel Gomez.

In her solo world premiere, "Resilencia", Raquel Gomez was impassioned. Her exceptional dancing within the perimeters of a movable geometric rectangle to square was impressive to see. I enjoyed the lighting from above by Dustin L. Derry.

“El Bolero de Puerta de Terra”, a world premiere, was a feather like flamenco on ballet slippers by the entire company, choreographed by Raquel Gomez, and inspired by Dame Libby‘s “Seguidillas”.

This piece was followed by Flamenco guitarist, Curro de Maria, with “Mi Andalusia”.

Jonathan Pacheco with Ensemble Espanol Company Dancers in Fantasia Suite Regional-Tribute to Juanjo Linares. Photo by Dean Paul

Folklore legend Juanjo Linares’ “Fantasia Suite Regional” depicted exerpts from Galicia-Extremadura & Valencia, individual & intertwining seamlessly!

A stupendous performance of "Chamberi" was perfection, by guest artist La Lupi. Her mastery commanded the utmost attention, as the audience collectively held its breath, so as not to miss a second. Every precision move in her “Batas de Cola” was hypnotic, as she effortlessly tossed & swayed her long train dress. I was struck by the intensity of her jaleo sounds and facial expressions.

The musicians' synchronized percussion-palmas-Spanish guitar and singing transported one to Andalusia.

“Pasion Oculta" was danced by 5 couples to Escala electronic string quartet “Requiem for a Tower” & “Palladio” flawlessly, to loud applause!

"Compas de Seda", another world premiere choreographed by La Lupi, featured stylized fans & shawls. Flamenco Guajiras is a melange of Andalusian-Canary island and Afro-Cuban palo dance, and an amazing  ensemble piece. Loved the fade to silhouettes. 

La Lupi was superb in her solo “A Silvetio”!!! 

The final dance was a world premiere of Flamenco Tango, “Viejos Aires”, by multitalented Argentinian guest Artist Antonio Najaro, choreographer/dancer/costume designer extraordinaire! Very Impressive!! Astounding even!!!

Ensemble Espanol is stretching beyond in this exquisite production! They will be performing at old Town school of music & NEIU. 

DO NOT MISS!! Imbibe dance!!!

Florence Manolis (AKA: Flo Mano) is a Greek American CPS elementary teacher/librarian, hairdresser, and theater/dance/film fanatic who catches hundreds of Chicago shows annually. She volunteers at numerous film venues and theaters and has called Chicago home since she immigrated here from Greece in early elementary school. 

Jonathan Pacheco and Samantha Micklewright in Viejos Aires by Antonio Najarro. 
Photo by Casey Mitchell

Popular Works from Ensemble Español’s Repertoire in the Traditional and Contemporary Genres Complete the Program

Ensemble Español Spanish Dance Theater, in residence at Northeastern Illinois University, brings their popular “Flamenco Passion” performances to the North Shore Center for the Performing Arts in Skokie, 9501 Skokie Blvd., 7:30 p.m. Friday, June 7 and Saturday, June 8 and 3 p.m. Sunday, June 9. These performances are part of the company’s 48th multi-faceted American Spanish Dance and Music Festival (June 7-15).

“Flamenco Passion” program highlights include the world premiere of “Viejos Aires” / Flamenco Tango as reset on Ensemble Español by Antonio Najarro, award-winning choreographer and former artistic director of the National Ballet of Spain, choreographer of Disney movie "WISH.

” Najarro’s work features a fusion of Spanish classical style and Argentinean Tango and displays the sensuality, passion and elegance of Buenos Aires.

Additional world premieres include “Resliencia” / Resilience and “El Bolero de Puerta de Tierra” (Escuela Bolera) choreographed by Raquel Gomez, former principal dancer and Rehearsal Director of the National Ballet of Spain; and the Cuban influenced dance “Compas de Seda” / Silk Rhythm choreographed by Flamenco superstar La Lupi, to an original music composition by Curro de Maria.Works from Ensemble Espanol’s repertoire included in the program include “Sur” by Raquel Gomez (2015); “Fantasia Suite Regional” choregraphed by Juanjo Linares and Nana Lorca (1977) and “Pasion Oculta” /Hidden Passion choreographed by Ensemble Español Artistic Director Irma Suarez Ruiz (2019).Joining the members of Ensemble Español in performance will be guest dancer/choreographers includingRaquel Gomez, La Lupi and Antonio Najarro; and featured musicians including José Díaz “El Cachito”(singer), José Alconchel and Curro de Maria (guitarists); Diego “El Negro” Alvarez and José Moreno (percussionists).

“Every ‘Flamenco Passion’ festival performance is meant to entertain and highlight the timeless yet ever-evolving art that is Flamenco as performed by Chicago’s premiere Spanish dance company Ensemble Español,” says Executive Director and Associate Artistic Director Jorge Perez. “We also pride ourselves in our record of collaborating with some of the most exciting voices in Flamenco, Escuela Bolera, Classical and Folkloric as we maintain our important role as active participants in the continue evolution of this exciting music and dance form,” says Ruiz, Ensemble Español Artistic Director.

The “Flamenco Passion” performances are part of Ensemble Español’s 48th American Spanish Dance and Music Festival which also features these related events:

● VIP-Pre-Opening Night Reception: Preceding the Saturday, June 8 performance there will be a “Meet

the Artists” VIP Pre-Opening Night Reception in the North Shore Center on the 2nd level. Tickets are

$65 (includes VIP seating for that evening’s performance). To purchase tickets and for more information

visit NorthShoreCenter.org/ee/ or call 847.673.6300.

● Free Ethnic Dance & Music Symposium 2024 at NEIU (June 10-12) Topics include: “The Complexities of Covering Ethnic Dance & Music” and “Arts Economic Ecosystem: The New Workforce Development Plan to Build Strong Community” (June 10); :Ethnic Arts Crossing Genres” and “Expanding Flamenco Musical Language” (June 11) and “It’s a Family Affair Ethnic Art, Oral Traditions, Art as a Way of Life” and “From Flamenco to Tap and All That Jazz” (June 12). All sessions take place at NEIU, 5500 N. St. Louis Ave. Admission is free, but reservations are requested. For more information and to register visit ensembleflamencopassion.org/symposium.

● Festival Spanish Dance Classes at Northeastern Illinois University Dance Studios NEIU, 5500 N. St. Louis Avenue (June 10-15) Over 100 Spanish dance and music classes in Flamenco, Classical, Escuela Bolera and Folklore. Single class rate $35. For more class information and registration visit ensembleflamencopassion.org/classes or email at Patricia Mendez at patricia.mendez@eesdt.org.

● Concerts at Old Town School of Folk Music, 4544 N. Lincoln Ave. –“Flamenco to Tap and All That Jazz” with Wendy Clinard, Bril Barrett, Diego "El Negro" Álvarez, José Moreno, José Diaz "Cachito", José Manuel Alconchel, 8 p.m. June 13; “Duende Flamenco” with La Lupi, Nino de los Reyes, Curro de María, Diego "El Negro" Álvarez, José Moreno and José Diaz "Cachito" 8 p.m. June 15. Tickets: $30.

For tickets visit oldtownschool.org/concerts.

About Ensemble Español Spanish Dance Theater 

Ensemble Español, founded in 1976 by Dame Libby Komaiko, is the premiere Spanish dance company and center in the U.S. with a professional and unique residency at Northeastern Illinois University, Chicago. Under the artistic direction of Irma Suarez Ruiz and executive leadership of Jorge Perez, the Ensemble continues its mission of preservation, presentation and promotion of Spanish dance and culture which also includes the exploration of the country’s history in the; Flamenco, Folkloric, Classical and Escuela Bolera styles and identifies its influence on Latin American art and dance in both traditional and contemporary formats. They forge ahead as the leaders in Spanish dance and culture with a commitment to our communities, via performances, education, school residencies, academic university programs, festivals and tours. They remain committed to their roots in education and mission of educational, artistic, and social development. Their incredibly rich history includes serving over 30,000 students annually, training over 90 company dancers, training over 160 Youth Company dancers from ages 12 to 18, over 90 international guest artists and musicians from Spain and the Americas, over 2,600 scholarships awarded to talented aspiring dancers, musicians and educators, tours and residencies of U.S., including Hawaii, Mexico, Puerto Rico, Costa Rica, Poland, Australia, Canada, China and Spain. For more information on concerts, performances, classes and residencies, visit EnsembleEspanol.org.

Ensemble Español Spanish Dance Theatre in residence at Northeastern Illinois University is grateful to thefollowing 48th Season Festival Partners and Sponsors: Northeastern Illinois University, Interim President, Katrina Bell-Jordan, Ph.D., NEIU Department of Music and Dance, Caerus Foundation, Hurvis Foundation, Illinois Arts Council, Chicago Department of Cultural Affairs, Microsoft, Eugene Jarvis and Sasha Gerritson, Salme and Michael Steinberg, Sonia Florian,Estate of Gregory Ragsdale and the Ragsdale Family, FourStar Branding, The Nest, Jaleo by Jose Andres, Atzimba Catering and Events, Stonewolf Studios, Clinard Dance Theater, Instituto Cervantes, International Latino Cultural Center, Negocios Now, HMS Media and Chicago Dance Supply.

Special thank you to the Northeastern Illinois University Board of Trustees, NEIU Foundation, the North Shore Center for the Performing Arts and festival official hotel sponsor, Holiday Inn & Suites Chicago North Shore and O’Hare.


Ensemble Español Spanish Dance Theater 

“Flamenco Passion” Performances 

at the North Shore Center for the Performing Arts in Skokie, June 7-9


Act 1

“Sur” / South (2015)

Choreographer and Costume Designer: Raquel Gomez, Guest Artist

Music: David Dorantes, Pianist and Composer

Costume Production: Luz Creations Lighting Designer: Original concept by Nathan Tomlinson

Lighting design reimagined in 2023 by Dustin L. Derry

Dancers: Company

Raquel Gomez created this work that reaches back to the traditions of the Escuela Bolera (classical Spanish style) from the 18th Century, as it simultaneously embraces contemporary Flamenco music. “’Sur’ proves…that something with so much tradition and such deep cultural roots…can be current and keep its deepest history.” (Raquel Gomez)

Raquel Gomez performing her work Resiliencia. Photo by Dean Paul

“Resiliencia” / Resilience (Clasico Español), WORLD PREMIERE

Choreographer, Costume Design, Dancer: Raquel Gomez, Guest Artist

Music: Joni Fuller

Lighting Design: Dustin L. Derry

“The ability of the human spirit to overcome the obstacles that life challenges us with. It does not matter how much life challenges us with, what matters is how strong we become every time we get up.” (Raquel Gomez)


“El Bolero de Puerta de Tierra” (Escuela Bolera), WORLD PREMIERE

Choreographer: Raquel Gomez, inspired by Antonio Ruiz

Music: Isaac Albeniz (1860-1909)

Costume Design: Raquel Rodriguez Ruiz-Medrano

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Sammi Micklewright, Abigail Mosquera, Jonathan Pacheco, Irene Sivianes Fernandez, Martina Wensell

“My inspiration when putting together this choreography was the great teacher and dancer Antonio Ruiz. Ruiz was one of the first major artists to implement classical ballet in Spanish dance companies. This style and choreography requires great technical experience and artistry of classical ballet. My second inspiration was Ensemble Español’s beautiful and elegant choreography, ‘Seguidillas,’ performed by Dame Libby Komaiko. The work was set in 1977 by former artistic director of the National Ballet of Spain, Nana Lorca, to the Spanish zarzuela (light opera) music of ‘El Nino Judío’ by Pablo Luna.” (Raquel Gomez)


“Mi Andulicia”

Flamenco Guitarist: Curro de Maria

“Fantasia Suite Regional”

- Tribute to Juanjo Linares (1977)

Choreography by Nana Lorca, former artistic director of the National Ballet of Spain and (1984-2000): Juanjo Linares

Music: Traditional; Fernando Arias, Milladoiro, M. Padilla, Ginet, Guidi & Caserio

Costume Design: Juanjo Linares

Lighting Design: Dustin L. Derry

Dancers: Company

Maestro Juanjo (Sept.1933 -Nov. 2009) created 25 works for the full company from 1984 through 2000. As Spain’s foremost authority on folklore, Juanjo’s detail to the style, customs and celebration of the people of each region in Spain made him the legendary master on this art form. Now Ensemble Español honors his legacy by presenting excerpts from the regions of Galicia, Extremadura, and Valencia. Ensemble Espanol’s Irma Suarez Ruiz and Jorge Pérez have both performed and been a part of Juanjo’s works with the Ensemble Español since his first residency to Chicago in 1984.


“Chamberí” (Flamenco Caracoles) (2023)

Choreographer & Dancer : La Lupi, Guest Artist

Music: Curro de Maria & Pedro Medina

Musicians: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Costume Design: La Lupi & Enrique Vicent

Lighting Design: Carlos Rodriguez

Chamberí, the oldest train station in Madrid. The cante por Caracoles, conceived by the singer D. Antonio

Chacón, pays tribute to the city as a key point for Andalusian artists who arrived and left for the capital. Madrid, with its open arms, welcomed these artists in a warm and hospitable way.


“Pasion Oculta”/ Hidden Passion (2019)

Choreographer and Costume Designer: Irma Suarez Ruiz, Artistic Director

Music: Escala

Costume Production: Luz Creations

Lighting Design: Dustin L. Derry

Dancers: Company

This Flamenco contemporary work, set on five couples of Ensemble Español Company dancers by artistic director, Irma Suarez Ruiz, portrays the hidden passions of love and desire. Ruiz set this sensual work to two songs by the all-female electronic string quartet, Escala: “Requiem for a Tower” and “Palladio.”


Act 2

“Compas de Seda” / Silk Rhythm, WORLD PREMIERE

Choreographer & Costume Designer: La Lupi, Guest Artist

Music Composition: Curro de Maria

Costume Design & Production: Enrique Vicent

Lighting Design : Dustin L. Derry

Dancers: Nalanie Molina, Sammi Micklewright, Abigail Mosquera, Irene Sivianes Fernandez, Maria Lujan,

Catherine Beza, Jose Torres, Juan Carlos Castellon, Luis Beltran, Jonathan Pacheco, Sergio Rojas, Miguel Conde

This work, in the Flamenco Guajiras palo/style dance, is based on the sung genre of Cuban music, a poetic art with music. A guajira is simply a song for voice and guitar with a series of similar letras. It became popular in the western and central regions of Cuba in the 17th century and consolidated as a genre in the 18th century. It has Andalusian and Canary Islands origins, and it integrated African elements in Cuba. The Flamenco guajira is the adaptation to Melos Flamenco of the Cuban point, the peasant point, a genre that brings together a series of songs called Guajiros that are grown in the rural areas of the island of Cuba.


“Duende Flamenco”

Music: Curro de Maria, Jose Alconchel, guitarists; Jose Diaz El Cachito, singer; Diego “El Negro” Alvarez, percussionist; José Moreno, singer, percussionist

Lighting Design: Dustin L. Derry


“A Silverio” (2022)

Choreographer and Dancer: La Lupi

Music: Curro de Maria and Livio Gianola

Costume Design: Enrique Vicent

Lighting Design: Tito Osuna

“…a bravura showcase of Flamenco Abandolaos and Serrana styles” (WTTW).


“Viejos Aires” / Flamenco Tango, WORLD PREMIERE

Choreographer, Dancer, Costume Designer: Antonio Najarro, Guest Artist

Music: Astor Piazzolla (1921-1992)

Costume Production: Enrique Vicente

Lighting Design: Dustin L. Derry

Dancers: Section 1: “Otoño Porteno” - the Company; Section 2: “Fuga y Misterio” - Antonio Najarro, Guest Artist


Antonio Najarro performs a solo in his Viejos Aires. Photo by Dean Paul

Section 3: “Viejos Aires” – the Company

“Choreographing my creation 'Viejos Aires' on the Ensemble Español dancers represented a personal reunion with the repertoire of my own dance company. ‘Viejos Aires’ has a choreography that has given me numerous successes throughout its presentation and performances in the best theaters around the world. Irma and Jorge’s invitation to set this work on the Ensemble Español as part of their extensive repertoire was exciting. I wanted to merge two very different styles in terms of technical elements: Argentinean tango and Spanish dance, including my own personal style. In Ensemble Español, I clearly saw a company with great desire and enthusiasm to assimilate, face and interpret this complex work. ‘Viejos Aires,’ from my point of view, is a timeless passionate choreography that speaks from the heart to the heart. (Antonio Najarro)






Thursday, May 16, 2024

THE WORLD PREMIERE OF The Antiquities IS SET FOR May 3 – June 1, 2025

ChiIL Live Shows On Our Radar

THE WORLD PREMIERE OF 

THE ANTIQUITIES

PULITZER PRIZE FINALIST JORDAN HARRISON’S GROUND-BREAKING POST-MORTEM ON HUMAN HISTORY—AS TOLD BY OUR TECHNOLOGY—IS SET FOR SPRING 2025 

IN A CO-PRODUCTION WITH PLAYWRIGHTS HORIZONS AND VINEYARD THEATER


***IN OTHER 2024/2025 SEASON NEWS, NAMIR SMALLWOOD WILL STAR IN PRIMARY TRUST, 

EBONI BOOTH’S 2024 PULITZER-PRIZE WINNER, IN THE PLAY’S CHICAGO-PREMIERE PRODUCTION THIS FALL***

Goodman Theatre Artistic Director Susan Booth and incoming Executive Director John Collins announce 2024/2025 Season updates to the series in the 350-seat flexible Owen Theatre. The final production in the Owen is Jordan Harrison’s newest play, The Antiquities—a shocking and transcendent portrait of the present, from the vantage point of the future. This world-premiere production appears May 3 – June 1, 2025, co-produced with Playwrights Horizons (where Harrison’s Pulitzer Prize finalist Marjorie Prime debuted) and the Vineyard Theater. In addition, casting for the previously announced Primary Trust is set as the Goodman congratulates playwright Eboni Booth on clinching the 2024 Pulitzer Prize for Drama for her play: Namir Smallwood will star as Kenneth in the Goodman’s Chicago-premiere production, October 5 – November 3, 2024. The Goodman’s 2024/2025 Season begins September 2024 and continues through August 2025. Memberships, including flexible packages, are available for purchase starting at $48; call 312.443.3800 or visit GoodmanTheatre.org/Connect. Single tickets go on sale for select productions beginning in July.

The world-premiere of Jordan Harrison’s The Antiquities jumps across time, taking human society to, and beyond, its conclusion. At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come. 

In addition to Marjorie Prime, Jordan Harrison’s credits include Log Cabin, Amazons and Their Men and The Amateurs, among others. His TV work includes three seasons of the Netflix hit, Orange is the New Black. In Marjorie Prime’s 2015 production at Playwrights Horizons, Harrison’s ​​”elegant, thoughtful and quietly unsettling drama” was hailed as “a rumination on technology that fits right into the current spate of essays and news articles about the rise of robots in our lives…[that] keeps developing in your head, like a photographic negative, long after you’ve seen it” (The New York Times). Over the past decade, those “essays and news articles” speculating on the future of AI have become our present, with the recent implementation of countless technologies, The Antiquities accordingly expands Harrison’s examination of what this means for human life. A co-production with Playwrights Horizons and Vineyard Theatre.

The Goodman also announces that Namir Smallwood will star in the Chicago-premiere production of the 2024 Pulitzer Prize-winning play Primary Trust by Eboni Booth, an open-hearted, “utterly absorbing, very funny, darn near perfect play” (The Daily Beast), centers on Kenneth—a 38-year-old longtime bookstore worker, who is perfectly content with his after-work routine: a mai tai (or two) at the local tiki bar. But when his employer decides to close the store, Kenneth must also turn the page and choose a new direction—including some daring steps into a world he has evaded. 

Smallwood is a company member at Steppenwolf Theatre Company whose recent television credits include Elementary (CBS), Power Book IV: Force (Starz), American Rust (Amazon Prime). Chicago credits also include Victory Gardens, Northlight Theatre, The Gift Theatre and Writers' Theatre. New York credits include Pipeline and Pass Over at Lincoln Center and the Broadway production of Pass Over. He can also be seen on NBC TV’s Rounding and Chicago Fire. 

Playwright Eboni Booth’s plays include the Pulitzer Prize-winning Primary Trust (Roundabout Theatre) and Paris (Atlantic Theater). For television, she has written for Hulu’s We Were the Lucky Ones and HBO Max’s Julia.  She i is a resident playwright at New Dramatists and the recipient of a Steinberg Playwright Award, a Helen Merrill Award for Playwriting, and a John Gassner award.

About the Productions in Goodman Theatre’s 2024/2025 Season

Plays are listed in chronological order by venue

The Goodman is grateful to Abbott Laboratories, Allstate Insurance Company, the Paul M. Angell Family Foundation, the Edgerton Foundation, Elizabeth Morse Charitable Trust, Northern Trust, and Winston & Strawn LLP for their support of the 2024/2025 Season.

From a ground-breaking, form-defying, laugh-out-loud new drama by a Pulitzer-Prize finalist to the major revival of a Nobel Prize-winner’s utterly domestic, utterly dangerous classic work, Goodman Theatre’s 2024/2025 Season—the 99th year of the not-for-profit resident theater—begins in September 2024 and includes four world- or Chicago-premiere productions, two classic revivals and a new production of a beloved musical, plus the 47th annual production of A Christmas Carol and the 20th annual New Stages Festival. New and expanded complementary programming includes Theater for the Very Young professional performances for children aged 0-5 and their grown-ups. Dennis Watkins’ The Magic Parlour continues into the new season—with Watkins pausing his performances while acclaimed Latine magicians take the Parlour’s stage for an exclusive engagement as part of this fall’s Destinos Festival, in partnership with Chicago Latino Theater Alliance (CLATA). Summer 2025 welcomes the 4th annual Sweetest Season: A Gathering of Indigenous Creativity showcase featuring Native and Indigenous artists, produced in partnership with the Mitchell Museum of the American Indian. 

“Our stage is our audience’s space of possibility, where ephemeral moments make indelible memories through big, breathtaking, ‘why-not’ productions of some of the best new plays and classic works,” said Artistic Director Susan V. Booth. “The upcoming season is one deeply attuned to our current moment, a time when how and with whom we connect has never been more important. These plays lean into the beautiful danger of trying to make community in a new place. They ask you to look hard at your closest relationships—and consider what you might be missing. Ultimately, I’m interested in that which brings us together as people. Our 2024/2025 Season is an invitation to leave our differences at the door and surrender to story. Gather with friends. Laugh with a loved one. Relax, exhale away the noise and the daily grind. Let the art on stage transcend and transport us to a place of possibility.”

“Susan’s vision for the Goodman is clear through this thrilling collection of stories that invites bold new thinking and boundary-pushing creativity,” said John Collins, who assumes the role of Goodman Theatre Executive Director at the start of the 2024/2025 Season. “At the same time, it’s exciting to expand programming and partnerships that complement the work on our stages—continuing the conversation into our Chicago community and welcoming new audiences through our doors.”

IN THE ALBERT THEATRE (856-SEAT PROSCENIUM STAGE)

Inherit the Wind

By Jerome Lawrence and Robert E. Lee

Directed by Henry Godinez

September 14 – October 13, 2024

A three-time Tony Award-winning masterwork and “cultural landmark that only seems to grow with relevance” (Los Angeles Times). 

Science and religion go head-to-head in this iconic courtroom showdown. A small-town educator’s trial for teaching the theory of evolution becomes a battle royal of wits, wisdom and will for two of the country’s most powerful lawyers. In a bold retelling for today, Goodman Resident Artistic Associate Henry Godinez directs an all-new production of one of the greatest dramas of the 20th century, based on the real-life Scopes “Monkey” Trial of 1925—an “explosive episode in American culture” (The New York Times).

“What does the flagship theater of a major American city put on its stage in Fall 2024, a decidedly complicated American moment? Do we run radically in the opposite direction of public discourse, and seem out of touch? Or do we lean directly into the noise, and risk topic fatigue? We found the answer in our common ground—the deeply and communally held American ideals of freedom of thought and freedom of speech—and in a big, bold, fantastic play that celebrates them. Luckily for us, Inherit the Wind also happens to be among Henry Godinez’s all-time favorite plays.” --SVB

Betrayal
By Harold Pinter
Directed by Susan V. Booth

February 8 – March 16, 2025


Oscar, Emmy and Golden Globe Award-winner Helen Hunt stars in Susan V. Booth’s major revival of Pinter’s utterly domestic and utterly dangerous famed masterwork.


Emma, Robert and Jerry have history. The “eternal triangle” takes center stage in an inventive retelling by the Nobel Prize-winning playwright. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about. Acclaimed stage and screen actor Helen Hunt (Mad About You, As Good As It Gets) makes her Goodman debut in this “elegy about time and memory (where) the greatest dramatic weight lies in what’s unspoken, in the darkness of unsorted feelings” (The New York Times).

“More than anything, I love a play of big ideas. I’ve lost count of how many times I’ve seen Betrayal—but every time, I’m reminded of how Pinter’s decision to tell the story of the dissolution of relationships from back to front makes for one of the singularly brilliant works of theatrical literature. I’m absolutely thrilled to welcome Helen Hunt, an actor I’ve long admired, to the Goodman for this delicious role. I can’t wait to see where she takes it.” –SVB

BUST

By Zora Howard

Directed by Lileana Blain-Cruz

April 19 – May 18, 2025 | A World-Premiere Co-Production with Alliance Theatre

It’s not only hell that breaks loose in this ground-breaking, form-defying, laugh-out-loud new drama from Pulitzer-Prize finalist playwright Zora Howard.

Retta and Reggie are enjoying their usual evening on the porch when a longtime neighbor is pulled over by the police just before turning into his driveway. Everything goes as expected—until the unexpected happens. Tensions escalate, and eventually erupt, transporting us to a startling conclusion in Ms. Howard’s powerful new work. Lileana Blain-Cruz, a “master of curating chaos” (The New York Times), directs.

“It's been called Afrocentrist. It's been called Afro Fututurist. It’s a wicked smart, inventive new play from an astonishing artist. Funny, inspiring and unlike anything I've ever seen on the page, it’s a piece that begins in ways that feel familiar and moves to whole new worlds. We’re thrilled to partner with the Alliance Theatre in Atlanta on this world-premiere production, directed by Lileana Blain-Cruz—one of the most sought-after directors working today.” –SVB

The Color Purple

Directed by Lili-Anne Brown

Based on the Novel by Alice Walker and the Warner Bros./Amblin Entertainment Motion Picture

Book by Marsha Norman

Music and Lyrics by Brenda Russell, Allee Willis and Stephen Bray

June 21 – July 27, 2025

Twenty years since its Broadway musical debut, The Color Purple is reborn in Lili-Anne Brown’s revelatory production—“perfection on every level!” (Chicago Sun-Times).

It’s a celebration of life, hope and the healing power of love! The musical stage adaptation of Alice Walker’s Pulitzer Prize- and National Book Award-winning novel is a heart-rending, yet ultimately joyous, story of a young woman’s perilous journey of personal awakening in the American South. Come ready to shout in church, stomp at the juke joint, laugh and cry with unforgettable “come-to-glory gospel hymns, down-and-dirty bump-and-grinds, jazz that stutters, dips and dives, and gorgeous alto arias” (Chicago Sun-Times). 

“Alice Walker’s brilliant and beloved novel is consistently counted among the most re-read works of English language literature. It’s an essential work of art that has, for decades, endured beyond the page, in films and on stage. Lili-Anne Brown’s glorious rendering of the musical remains one of the most memorable, highly acclaimed productions of recent years. It’s our joy and privilege to invite her to revisit her creation on the Goodman stage as our summer musical.” –SVB


IN THE OWEN THEATRE (350-SEAT FLEXIBLE STAGE)

Primary Trust

By Eboni Booth

Directed by Malkia Stampley

October 5 – November 3, 2024 | A Chicago Premiere

An open-hearted, “utterly absorbing, very funny, darn near perfect play” (The Daily Beast) about leaving your comfort zone to find fulfillment.

Meet Kenneth, a 38-year-old longtime bookstore worker, who is perfectly content with his after-work routine: a mai tai (or two) at the local tiki bar. But when his employer decides to close the store, Kenneth must also turn the page and choose a new direction—including some daring steps into a world he has evaded. BOLD Producer Malkia Stampley makes her Goodman directing debut with this “tender, delicately detailed portrait” (The New York Times) about new beginnings.

“To experience this intimate, absolutely beautiful piece is to enter a meditation on the power of connection and friendship. Eboni Booth is one of today’s most gifted emerging writers. For this Chicago premiere, she’s partnered with Malkia Stampley—an empathic director of remarkable warmth and curiosity. It’s an invitation to see the world from a fresh new perspective.” –SVB 

Fat Ham

By James Ijames

Directed by Tyrone Phillips

January 11 – February 23, 2025 | A Chicago Premiere Co-Production with Definition Theatre

A boisterous Southern cookout sets the scene for a Black, queer discovery of self and resilience in this Pulitzer Prize-winning, five-time Tony nominated “uproarious reimagining of Hamlet” (The New Yorker).

“This is what I was raised in: pig guts and bad choices.” As Juicy grapples with his identity and his family at a backyard barbecue, his father’s ghost shows up asking for revenge—on Juicy’s uncle, who has married his widowed mom—bringing his quest for joy and liberation to a screeching halt. James Ijames has reinvented Shakespeare’s masterpiece, creating what The New York Times hails as “a hilarious yet profound tragedy, smothered in comedy,” where the only death is the patriarchy. For more than a decade, Definition Theatre has celebrated stories created with, inspired by and intended for people and communities of color. Supported by a dedicated ensemble of artists, Definition is a cultural hub that amplifies + archives underrepresented voices as catalysts for social justice and racial healing.

“Producing this absolutely fantastic play together with the author’s home theater company elates me. What James has imagined is lightning in a bottle: a singular work drawn from his own experience as an actor cast in Hamlet that shines a light on Black masculinity, revenge and intergenerational complexities. Shakespeare’s classic play has often been revisited and retold. And in the talented hands of Tyrone Phillips, Definition Theatre’s founding artistic director, this reinvention is not to be missed.”  –SVB

The Antiquities

By Jordan Harrison

Directed by David Cromer

May 3 – June 1, 2025| A World-Premiere Co-Production with Playwrights Horizons and Vineyard Theatre

A play for anyone whose computer has ever asked them to prove that they’re human. Which is to say, everyone.

At the Museum of Late Human Antiquities, the curators are fiercely committed to bringing a lost civilization to life again: What were humans really like? What did they wear, what did they eat, how did they die out? By casting us into the far future, Pulitzer Prize-finalist Jordan Harrison’s new play gives us an uncanny view of the present moment, as we straddle the analog world that was and the post-human world to come. 

“This season is filled with unprecedented, big-idea-filled works that can’t compare with anything else. Which is maybe the quintessential reason to produce something? The Antiquities by Jordan Harrison may just be the very best example.” –SVB

Playwrights Horizons is a writer's theater dedicated to the development of contemporary playwrights, and to the production of innovative new work. Throughout its 52-year-old history, the organization has distinguished itself by a steadfast commitment to centering and advancing the voice of the playwright as essential to civic discourse and the illumination of life’s greatest paradoxes. Playwrights Horizons values the broad, eclectic spectrum and diversity of writers. At Playwrights, writers are supported in every stage of their growth through commissions (engaging several of today’s most imaginative playwrights each year), New Works Lab, and Almanac, the organization’s literary magazine. Engaging a risk-taking and adventurous audience, Playwrights Horizons presents a season of productions annually on their two stages, each of which is a world, American, or New York premiere.

Vineyard Theatre is one of America's preeminent homes for the creation of new plays and musicals, dedicated to pushing the boundaries of what theatre can be and do. Notable premieres: Paula Vogel's How I Learned to Drive (Pulitzer Prize) and Indecent (two Tony Awards); Edward Albee's Three Tall Women (Pulitzer Prize); musicals including Avenue Q (Tony Award, Best Musical), The Scottsboro Boys,  [title of show]; Tarell Alvin McCraney’s Wig Out!, Nicky Silver’s The Lyons, Branden Jacobs-Jenkins’ Gloria, David Cale’s Harry Clarke, Colman Domingo's Dot, Tina Satter’s Is this a Room (now HBO’s Reality), Lucas Hnath’s Dana H. (co-produced with Goodman and Center Theatre Group), and many more. Proud recipient of special Drama Desk, Obie and Lucille Lortel awards for artistic excellence. 


SPECIAL PRODUCTIONS, EVENTS AND PARTNERSHIPS

2024 Destinos Festival at The Magic Parlour Fall 2024 Dates TBA

Produced by Chicago Latino Theater Alliance (CLATA) At The Magic Parlour In partnership with Dennis Watkins and Goodman Theatre 50 W. Randolph

This fall, Goodman Theatre builds on its long-running partnership with Chicago Latino Theater Alliance (CLATA), the leading advocate organization for Latino theater in Chicago, in an exciting new offering. During the fall 2024 Destinos Festival, the Goodman and magician Dennis Watkins invite acclaimed Latine magicians to take the stage of The Magic Parlour for an exclusive limited engagement. Destinos, the Chicago International Latino Theater Festival, an annual, citywide festival showcasing Chicago’s Latine theater artists and companies alongside top Latine artists from the U.S. and Latin America. The Magic Parlour at 50 W. Randolph is the permanent home for Chicago’s longest-running magic show—featuring acclaimed third-generation magician Dennis Watkins in an intimate evening of classic close-up magic and mind-reading. Dates and performance details TBA.

47th Annual A Christmas Carol November 16 – December 30, 2024   By Charles Dickens

In the Albert Theatre

Adapted by Tom Creamer       

Directed by Jessica Thebus

Starring Larry Yando as Scrooge

Nearly two million theatergoers have attended “the crown jewel of the holiday season” (Daily Herald) since the Goodman established it as an annual offering in 1978—a time when only a handful of U.S. theaters mounted the production. Dickens’ holiday classic is the iconic tale of greedy businessman Ebenezer Scrooge, whose sizable bank account is only matched by his disdain for the holidays. One Christmas Eve, Scrooge is visited by four ghosts who take him on a spectacular adventure through his past, present and future, helping him rediscover the joys of life, love and friendship. 

20th Annual New Stages Festival December 2024 (Dates TBA)

In the Owen Theatre

The 20th annual New Stages Festival of new plays includes developmental productions and staged readings. Founded in 2004, the New Stages Festival is a celebration of innovative new plays designed to give playwrights an opportunity to take risks and experiment. New Stages offers Chicago theatergoers a first look at dozens of plays, many of which have gone on to become successful full productions—including Noah Haidle’s Smokefall, Lynn Nottage’s Pulitzer Prize-winning Ruined and more.

Sweetest Season 2025: A Gathering of Indigenous Creativity July 2025 (Dates TBA)

In Partnership with the Mitchell Museum of the American Indian

In the Owen Theatre

For a fourth summer in 2025, Goodman Theatre and the Mitchell Museum of the American Indian join forces to present a celebration of local Indigenous artistry. With a centerpiece performance showcase of music, movement, poetry, spoken word and more, previous events have been curated by Vincent Romero (Pueblo Laguna) with a line-up of featured artists including Brandi Berry Benson (Chickasaw; Violinist), William Buchholtz (Algonquin/Metis; Musician), Sergio Ceron (Otomi-Pame; Singer/Drummer), Leighann Daihl (Flutist), Martiza Garcia (Mississippi Band of Choctaw Indians; Singer/Dancer), Mark Jourdan (Oneida/Ho-Chunk; Singer/Songwriter), Lanialoha Lee (Native Hawaiian; Choreographer/Composer), Michaela Marchi (Isleta Pueblo; Singer), Vincent Romero (Pueblo Laguna; Storyteller/Curator) and Jennifer Stevens (Oneida and Oglala Lakota; Singer/Visual Artist). Details including the 2025 line-up of featured performers and dates TBA.           

Theater for the Very Young (Dates TBD)

The Goodman's Theater for the Very Young offers enchanting and immersive theatrical experiences designed specifically for children aged 0-5 and their grown-ups. Through interactive performances, storytelling, and sensory-rich activities, young audiences are invited to embark on magical journeys that ignite their imaginations and nurture their early development. With a focus on creativity, exploration, and connection, our programming provides a joyful introduction to the world of theater, fostering a lifelong love of the arts from the very beginning.

Dennis Watkins’ The Magic Parlour Performances are ongoing

In Partnership with Dennis Watkins and Petterino’s 50 W. Randolph

“Chicago’s premiere resident magician’s 4-star, special retro magic experience” (Chicago Tribune) continues its extended run in its new home in the heart of the loop, established by acclaimed third-generation magician Dennis Watkins in partnership with Goodman Theatre and Petterino’s. Hailed as a “star attraction dazzling audiences in an elegant underground Loop parlor” (WBEZ), the new venue offers increased capacity and an expanded six-performance weekly schedule—“90 minutes of mind-boggling fun that would make Houdini proud, offer(ing) warmth, intimacy and a great close-up view of the magic being performed right before your eyes” (WGN Radio). 

Performances, currently on sale through June 30, 2024, take place weekly, Thursday through Sunday, at 50 W. Randolph. Tickets are $85 (includes the 90-minute performance + complimentary beverage) or $115 (includes the performance, beverage and “The Encore Room” 25-minute VIP experience). To purchase tickets, call the Goodman Theatre Box Office at 312.443.3800 (12 Noon – 5pm daily) or visit TheMagicParlourChicago.com. The Magic Parlour is recommended for audiences ages 12+; while there is no inappropriate content, this elegant experience is designed for adults.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer*, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition, A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s off-Loop theaters.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith and Mary Zimmerman. Julie Danis is Chairman of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

*Note: On September 1, 2024, John Collins becomes Executive Director of Goodman Theatre. 

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