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Monday, February 18, 2019

NATIONAL HELLENIC MUSEUM ANNOUNCES ESTEEMED JURORS AND PARTICIPANTS FOR THE NHM TRIAL OF HIPPOCRATES – FEBRUARY 20

NHM TRIAL OF HIPPOCRATES 
at The Harris Theater for Music and Dance 
FEBRUARY 20, 2019


From the Dean of the John Marshall Law School to the Head Trainer of the Chicago White Sox Baseball Club, the Jurors will Participate in a Live Court Room Debate and Present the NHM Trial of Hippocrates with Non-Scripted Drama for Attendees to Experience First-Hand

In advance of the 6th NHM Trial Series event The NHM Trial of Hippocrates, the National Hellenic Museum (NHM), 333 South Halsted Street, is honored to announce the participants who will serve as the moderator, expert witness, and members of the jury for the event. Taking place on Wednesday, February 20 from 6:30 p.m. – 9:00 p.m. at The Harris Theater for Music and Dance, 205 East Randolph Drive, The NHM Trial of Hippocrates will be a non-replicable evening of compelling and timely debate by reputable lawyers with proceedings and decisions by notable judges and jurors. Attendees are invited to participate by hearing the compelling arguments from each side and submitting their guilty or not guilty vote to literally tip the scale and make their verdict heard.

Andrea Darlas, an award-winning Radio and Television News Anchor and Reporter at WGN Radio and WGN-TV, will open the trial as the Moderator and Dr. Peter Angelos, Associate Director of the MacLean Center for Clinical Medical Ethics at the University of Chicago, will serve as the Expert Witness.

Members of the 2019 jury include George Bellas, Senior Partner, Bellas & Wachowski, Attorneys at Law; Darby Dickerson, Dean, The John Marshall Law School; Michael L. Galaty, Director, University of Michigan Museum of Anthropological Archaeology; Hal R. Morris, Partner and Deputy General Counsel, Saul Ewing Arnstein & Lehr LLP; Constance Stavropoulos Palas, Vice President & Associate Counsel, Calamos Investments; Leon Platanias, Director, Robert H Lurie Comprehensive Cancer Center; Emily Reusswig, Executive Director, Chicago Cultural Alliance; Leah Rippe, Vice President, Marketing & Communications, Brookfield Zoo; Herm Schneider, Head Athletic Trainer-Emeritus, Chicago White Sox Baseball Club; Kris Swanson, Vice President and Forensic Services Practice Leader, Charles River Associates; Terri E. Weaver, PhD, RN, FAAN, ATSF, Dean and Professor, University of Illinois at Chicago College of Nursing; and Dr. Athanasios Zervas, Associate Professor, University of Macedonia Thessaloniki Greece.

Attendees of The NHM Trial of Hippocrates will experience the court in the style of ancient Athens, for one night only, with a modern twist featuring the non-scripted wit of dynamic legal arguments, as professional lawyers debate whether the great Greek physician Hippocrates is guilty of violating his oath when administering medical care to the dying King of Thebes. The King, desperate to be cured, offered Hippocrates many treasures and riches for remedies to his several ailments. Upon his death, the king’s son and heir charged Hippocrates for violating the Oath he had written when taking up his medical practice, citing that Hippocrates stole his father’s last days. Additional information on the story of Hippocrates and oldest extant text of the Hippocratic Oath will be explored throughout the dramatic legal proceedings.

Presiding over The NHM Trial of Hippocrates will be U.S. District Judge Charles P. Kocoras (presiding), U.S. Court of Appeals Judge William J. Bauer, U.S. District Judge Sharon Johnson Coleman and Cook County Circuit Judge Anna H. Demacopoulos, while the counsel will include Robert A. Clifford of Clifford Law Offices, Patrick M. Collins of King & Spalding, Tinos Diamantatos of Morgan, Lewis & Bockius LLP, Christina Faklis Adair of the Cook County’s State Attorney’s Office, former U.S. Attorney Patrick J. Fitzgerald of Skadden, Arps, Slate, Meagher & Flom and former U.S. Attorney Dan K. Webb of Winston & Strawn.

“We are thrilled to present the 6th installment of our NHM Trial Series with The NHM Trial of Hippocrates. This is one of the most engaging events we hold, and we have an amazing group participating this year!” said National Hellenic Museum President Dr. Laura Calamos. “This truly unique event brings Hellenism alive, including our love of learning by prompting critical thinking and citizen involvement in decision making. The lively tradition of debate and the use of juries in democracy is brought to life for all who attend, whether they are doctors, nurses, lawyers, Greek or not Greek. It’s not every day that we as ordinary individuals get to listen to some of the best attorneys in the state argue a case with all the authentic drama as if it’s an official trial.”

Doors open for The NHM Trial of Hippocrates at 6:00 p.m. Tickets are $100 per person in advance and can be purchased online or by calling the Harris Theater Box Office at (312) 334.7777. For more information, visit www.nationalhellenicmuseum.org or call (312) 655.1234.



About the National Hellenic Museum
The National Hellenic Museum (NHM) portrays and celebrates Greek history and the Hellenic legacy through educational classes, exhibits and programs. With a growing repository of over 20,000 artifacts, the Museum catalogs and highlights the contributions of Greeks and Greek Americans to the American mosaic and inspires curiosity about visitors’ own family journeys through cultural expression, oral history and experiential education. Located in Chicago’s Greektown, the NHM provides lifelong learning for the whole community using artifacts and stories to spark inquiry and discussion about the broader issues in our lives.

For more information, visit http://www.nationalhellenicmuseum.org or call 312-655-1234. Follow NHM on Facebook, Instagram, and Twitter.

Sunday, February 17, 2019

OPENING: The National Theatre of Great Britain’s An Inspector Calls To Play Chicago Shakespeare Theater's The Yard Through March 10, 2019

ChiIL Live Shows on our radar

Chicago Shakespeare Theater presents 
the National Theatre of Great Britain’s landmark production
of JB Priestley’s classic thriller
AN INSPECTOR CALLS
Staged by Stephen Daldry (The Crown, Billy Elliot)
Limited engagement in The Yard

February 19–March 10, 2019


I'll be out February 20th for the press opening, so check back soon for my full review.

Chicago Shakespeare Theater presents the National Theatre of Great Britain’s award-winning production of JB Priestley’s classic thriller An Inspector Calls, hailed by the Evening Standard as “an epic for our epoch, a thrillingly physical piece of theatre—with the power to stir the heart as much as the mind.” The production is staged by Stephen Daldry, whose extraordinary career spans genres from the hit Netflix series The Crown; to films, with Oscar-nominated pictures like The Reader, The Hours, Billy Elliot, and Extremely Loud and Incredibly Close; to the stage, where his Billy Elliot the Musical was honored with ten Tony Awards, and his current production of The Inheritance is enjoying an acclaimed run in London’s West End.

An Inspector Calls is featured in a special limited engagement in The Yard at Chicago Shakespeare, February 19–March 10, 2019.

Winner of 19 major accolades, including multiple Olivier, Tony, Drama Desk, and Critics Circle Awards, this international touring production of An Inspector Calls is the longest running revival of a play in history—now seen by more than 4 million theatregoers worldwide. This suspenseful masterpiece begins when the mysterious Inspector Goole calls unexpectedly on the prosperous Birling home, shattering their peaceful family dinner party with his investigation into the death of a young woman. Revelations shake the foundations of the family’s lives, prompting an examination of their consciences.

The Washington Post called it, “elegant…an evening of many dark and twisting delights.” The Guardian hailed it, “spine-tingling. Lushly operatic, yet hard as steel—grabs you by the throat and won't let you go” and The Telegraph raved, “there’ll never be a better production… always speaks to the changing political moment.”

Artistic Director Barbara Gaines shared, “We’re elated to share Stephen Daldry’s award-winning production with Chicago. The larger-than-life scale of this thriller will have audiences on the edges of their seats—and you’ll see why they call it the ‘theatrical event of a generation’ in the UK. Simply no one does this work better than Stephen Daldry.”

The company features Liam Brennan (Inspector Goole), Christine Kavanagh (Sybil Birling), Jeff Harmer (Arthur Birling), Lianne Harvey (Sheila Birling), Hamish Riddle (Eric Birling), Andrew Macklin (Gerald Croft), and Diana Payne-Myers (Edna). Rounding out the ensemble are Chris Barritt, Adam Collier, Chloe Orrock, and Beth Tuckey.

The creative team for An Inspector Calls creative team includes Associate Director Julian Webber, Tony Award-winning Scenic and Costume Designer Ian MacNeill, two-time Olivier and Tony Award-winning Lighting Designer Rick Fisher, and Composer Stephen Warbeck—who notably garnered an Academy Award for his original score for Shakespeare in Love.

For more information, visit www.chicagoshakes.com/inspector.

An Inspector Calls will be presented in The Yard at Chicago Shakespeare, February 19–March 10, 2019. Single tickets ($46–$88) are on sale now. Special discounts will be available for groups of 10 or more. For more information, contact Chicago Shakespeare Theater’s Box Office at 312.595.5600 or visit the Theater’s website at www.chicagoshakes.com.

ABOUT STEPHEN DALDRY
Stephen Daldry (Director), lauded for his work as director and producer of film, theater, and television, is Executive Producer and Director on the highly acclaimed Netflix series The Crown. He directed The Inheritance by Matthew Lopez to critical acclaim and a sell-out run at the Young Vic Theatre; it transferred to the Noel Coward Theatre this fall and will premiere next year on Broadway. Currently, Daldry’s coproduction, with director Justin Martin, of The Jungle by Joe Murphy and Joe Robertson is playing to huge acclaim at the Playhouse Theatre after its highly successful run at the Young Vic Theatre and will have its American premiere this month at St Ann’s Warehouse in New York. He was Creative Executive Producer of the Opening and Closing Ceremonies for the London 2012 Olympic and Paralympic Games. He has also directed at the National Theatre, the Public Theatre in New York and transferred many productions both to Broadway and the West End, including his award-winning 1992 National Theatre production of An Inspector Calls. Billy Elliot the Musical opened at the Victoria Palace Theatre in 2005 where it ran for 11 years. It has also played on Broadway, in Holland, Seoul, Sydney, Melbourne, Chicago, Toronto, Tokyo and across the US. In 2009, the production won ten Tony awards, including Best Musical, more than any other British show in Broadway history. It recently completed an 18 month tour of the UK and Ireland, finishing its highly successful run in Hamburg. Daldry directed The Audience and Skylight to critical acclaim both in London and on Broadway with Skylight winning a Tony award for Best Revival. His first four films, Billy Elliot, The Hours, The Reader and Extremely Loud and Incredibly Close, together received 19 Academy Award® nominations and two wins. His film, Trash, set in the favelas of Rio de Janeiro, was nominated for Best Film Not in the English Language at the 2015 BAFTAs. He also directed for BBC Radio and Television. He is Co-Director of Pier 55 in New York and also on the Board of The Perelman Arts Center at the World Trade Center, Ground Zero, New York. Daldry started his career at the Sheffield Crucible Theatre and directed extensively in Britain’s regional theaters. In London he was Artistic Director of the Gate Theatre and the Royal Court Theatre where he headed the £26 million redevelopment.

CAST
Liam Brennan (Inspector Goole) THEATRE: Richard III, Twelfth Night (Shakespeare’s Globe/The Apollo Theatre/Belasco Theatre, New York); Measure for Measure, Edward II, Richard II, Twelfth Night, Macbeth (Shakespeare’s Globe); Union, The Lieutenant of Inishmore, A View From The Bridge, Romeo and Juliet, Macbeth, The Winter’s Tale, The Merchant Of Venice, Othello, Anna Karenina, Montrose, The Gowk Storm, The Taming Of The Shrew, Hobson’s Choice, Mary Rose, Mr. Bolfry, Trivial Pursuits, Loot (all Royal Lyceum Edinburgh); Macbeth (Royal Lyceum/Nottingham Playhouse); Tom Fool (Glasgow Citizens Theatre/Bush Theatre); Stranger Babies, The Found Man, Men in White Suits, Things We Do for Love, The Speculator, Family, King Lear, Knives in Hens, Wormwood (Traverse Theatre); Babycakes (Clyde Unity/Drill Hall); The Merchant of Venice (Sheffield Crucible); Rumplestiltskin (Cumbernauld Theatre), Twelfth Night (Salisbury Playhouse/China Tour). TELEVISION: Shetland, Swine Fever, High Road, Machair, Bad Boys, Taggart and Strathblair II. FILM: No Man’s Land, Feet Steps and Gas Attack. Radio Includes: Cloud Howe, Take Me to Necropolis, Red and Blue, The True Story of Bonnie Parker, Sullom Voe, Down and Out in Auchnakinnan, Piper Alpha, Much Ado About Nothing, La Princesse De Cleves, Of Mice and Men, Macbeth, Rob Roy and Master Of Ballantrae. Liam won the 2006 CATS Award for Best Actor for his performance in Tales From Hollywood (Perth Theatre).

Jeff Harmer (Arthur Birling) THEATRE: Berrard in the National tour of Bird Song Fox on The Fairway, Out Of Order, Donkey’s Years, Romeo & Juliet, As You Like It, Funny Money (Vienna’s English Theatre), Made in Dagenham (Hornchurch), Sweet Charity (New Wolsey Theatre Ipswich), I Dreamed A Dream (National Tour), The Witches of Eastwick (Watermill Theatre), Aladdin (Alhambra Theatre), Buddy (Channel Islands), Othello, Richard III (Ludlow Festival), Privates on Parade (West Yorkshire Playhouse & Birmingham Rep), Mamma Mia! (International Tour), The Hot Mikado (Watermill Theatre Newbury and National Tour), Dick Whittington, The Comedy of Errors (Northcott Theatre, Exeter), The Rivals, The Blue, A Christmas Carol (Swan Theatre Worcester) The Roy Orbison Story (Bill Kenwright National Tour), Return to the Forbidden Planet, Chicago (Frankfurt), Vanity Fair (Sherman Theatre), The Comedy of Errors (National Tour), A Midsummer Night’s Dream, Dracula, The Wind in the Willows (Liverpool Playhouse) Stagestruck (Grand Swansea), Du lac Eurydice (Whitehall Theatre), The Forsyte Saga (National Tour).TELEVISION AND FILM: Diana Her True Story (NBC), A Life (CH4), Poirot, The Bill, Family Affairs (CH5), Westbeach (BBC), Kidnap & Ransom (ITV), The Runaway (SKYTV), The Italian Consul (Film Italia), Saplings (BBC Radio 4), Gilbert Without Sullivan (BBC Radio 4). TRAINING: The Webber Douglas Academy.

Lianne Harvey (Sheila Birling) THEATRE: Juliet in Romeo and Juliet (U.K. and International tour), Relatively Speaking (Oldham Coliseum, Harrogate Theatre), The Railway Children and Trials of Mary (Eastern Angles), Heartbreak House (Union Theatre), Enveloped in Velvet (Arts Theatre), The Daughter in Law, Mercury Fur, The Witch of Edmonton (Whilst at RADA).TELEVISION: Not Safe for Work (Channel 4). FILM: The female lead in 2017 feature film Bikini Blue (for multi Academy Award-nominated Studio Filmowe Zebra, Warsaw). TRAINING: The Royal Academy of Dramatic Art.

Christine Kavanagh (Sybil Birling) THEATRE: Hedda Gabler (National Theatre U.K. tour), Man and Superman (National Theatre), The Importance of Being Earnest (Harold Pinter Theatre), Albert Speer (National Theatre), The Liar (Old Vic), The Rehearsal (Almeida and Garrick), Basket Case (Northampton Royal Derngate), A Doll’s House (Lyric, Belfast), Macbeth (RSC), Hamlet (Nottingham Playhouse), All My Sons (Redgrave Theatre), The Revengers Comedies (Scarborough), Last Easter (Birmingham Rep), Much Ado About Nothing (RSC), She Stoops to Conquer (Oxford Playhouse), Travesties (Oxford Playhouse), The Rivals (York Theatre Royal).TELEVISION: Vera (ITV), Titanic (ITV), Room with a View (ITV), A Very British Coup (Skreba Films), The Blackheath Poisonings (Central Films), Catherine Cookson/The Glass Virgin (Festival film and ITV), Chimera (Zenith Films), Drop the Dead Donkey (Hat Trick/Channel 4), Frank Stubbs (Noel Gay TV), In His Life the John Lennon Story (NBC), Inspector Lynley (BBC), Inspector Morse (Channel 4), Island Gardens (BBC), Doctors (BBC), Jonathan Creek (BBC), Manchild (BBC), Minder (Thames TV), Ruth Rendell Mysteries – May and June, Ruth Rendell Mysteries – No crying he makes (TVS), Seaforth (BBC), Sleeper (BBC), The Bretts (Central TV), Return of Sherlock Holmes (Tiger Aspect), Agony Too (BBC), Material Girl (Carnival Films), The Saint (D L Taffner), Doctor Who (BBC), The Sleeper, Underbelly (BBC Initial films). FILM: Man and Superman NT Live (National Theatre). RADIO: Home Front, I Claudius, and Charles Paris for BBC radio four, member of the BBC radio drama company, and she narrates audio books.

Andrew Macklin (Gerald Croft) THEATRE: The Baleful Lie (Tristan Bates Theatre), Jane Wenham: The Witch of Walkern (Out of Joint/Watford Palace/Arcola Theatre/Tour), The Beauty Queen of Leenane (Curve Theatre), Someone Who’ll Watch Over Me (Chipping Norton Theatre), The Mercy Seat (York Theatre Royal), King Lear, The Picture of Dorian Gray, Three Sisters (Abbey Theatre), The Only True History of Lizzie Finn (Southwark Playhouse), Brighton (Garter Lane Arts Centre), The Beauty Queen of Leenane (Watford Palace), I’ll be the Devil (RSC/Tricycle), All Over Town, The Irish Curse (Project Theatre, Dublin), 24 Hour Plays: Lucy’s Brief Guide to Being Human (Old Vic), Cinderella, Jack and the Beanstalk (Salisbury Playhouse), The Cure at Troy (Floodtide Theatre Company), Much Ado About Nothing (Bath Theatre Royal), Don’t Look Back (dreamthinkspeak), Markings (Attic Theatre Company), A Passionate Woman (Mill at Sonning). TV: Jubilee Nurse, Mr. Selfridge, Fair City.

Diana Payne-Myers (Edna) was a dancer at Ballet Rambert at the Mercury Theatre, Notting Hill Gate, 1948. She has most recently worked in Scotland with Barrowland Ballet (Natasha Gilmore’s Glasgow based company) in A Conversation with Carmel 2013 (co-produced by Scottish Arts & Stratford East) at the Tramway Theatre, Glasgow; Stratford East, London & 2 Scotland tours concluding the Edinburgh Fringe Festival 2011. Other recent credits include: Further work with Matthew Hawkins at Edinburgh Festival (2007), Red Ladies (2014) at the Southbank Centre, Malvern & Margate, God’s Garden with Arthur Pita – created and presented in Ipswich followed by performances in Birmingham & later with a company at the Royal Opera House, London. Diana has also performed at the 2000 Sydney Olympics Arts Festival with DV8 Physical Theatre company piece Can we afford this? The cost of living (Everest Theatre, Sydney). It later toured to London and Hong Kong. Other work with DV8 includes Strange Fish (European tour) and Bound to Please which toured Europe 1999-2000. Diana returns to the role of Edna having performed in An Inspector Calls at the Garrick Theatre, the Aldwich Theatre, two UK tours & the Australia tour.

Hamish Riddle (Eric Birling). Prior to training he was a member of the National Youth Theatre Rep Company. THEATRE: Manning (The Arches/Encounter Festival/Brno), Tory Boyz, Prince Of Denmark, Romeo And Juliet, Pope Joan, Black And White, As You Like It (N.Y.T.) and Prince Of Denmark (National Theatre). Theatre whilst training includes: 13, The Country Wife, Merchant of Venice and The Seagull (all for R.C.S.) Hamish also took part in the London 2012 Olympics Welcoming Ceremony as part of the N.Y.T. TRAINING: The Royal Conservatoire of Scotland.

CREATIVE TEAM
Tony-Award winning Set and Costume Designer Ian MacNeil’s work includes Billy Elliot the Musical in the West End, Australia on Broadway (Tony Award - Best Designer); Albert Speer, Machinal (Critic’s Circle Award-winner) and An Inspector Calls (also West End and International; Olivier and Critic’s Circle Awards-winner) at the National; Far Away, Via Dolorosa (also on Broadway and the West End), This is a Chair, Death and the Maiden (also West End), Plasticine (Evening Standard Award-winner Best Designer) and A Number for the Royal Court; Afore Night Come (the Young Vic); The Ingolstadt Plays, Figaro Gets Divorced and Jerker at the Gate; Enter Achilles and Bound to Please for DV8; and Festen (The Almeida – also West End and Broadway; Evening Standard Award- winner, Best Designer). Recent designs include Vernon God Little and A Doll’s House at the Young Vic and Brooklyn Academy of Music; In Basildon at the Royal Court; Desire Under the Elms at the Lyric Hammersmith; The Amen Corner at the National Theatre; Betrayal on Broadway; Birdland at the Royal Court, and Everyman at the National.

Lighting Designer Rick Fisher is the winner of two Olivier Awards for Best Lighting Design and two Tony and Drama Desk Awards for An Inspector Calls and Billy Elliot the Musical (Broadway). He first lit this production of An Inspector Calls in York in 1990 and then again at the National Theatre in 1992. THEATRE: Peter Pan (Regent’s Park); The Audience (with Helen Mirren in London and Broadway, and subsequently with Kristin Scott Thomas in London); The Merchant of Venice (Almeida Theatre / RSC); Sunny Afternoon (Hampstead / West End); Porgy and Bess (Regent’s Park); Billy Elliot (West End / Australia / Broadway / US Tour / Holland); Brigit & Bailegangaire (Druid Theatre, Galway); The Merchant of Venice, Othello, Twelfth Night (Singapore); Judas Kiss (Duke of York’s); Chariots of Fire (Gielgud), Richard III (RSC); Tribes (Royal Court); An Inspector Calls (West End/Broadway); Betrayal, Old Times (Donmar); Jerry Springer the Opera, Blue/Orange (National Theatre/West End). MUSICAL AND OPERA: Daughter of the Regiment, Rigoletto, Salome (Santa Fe Opera); Sweeney Todd (Houston Grand Opera); Oscar (Philadelphia); Falstaff (Japan & Los Angeles); The King and I, Sweeney Todd (Chatelet, Paris); The Sound of Music (Buenos Aires); The Tsarina’s Slippers (Royal Opera House); Die Entfuhrung aus dem Serail , Maometto II (Garsington); La Grande-Duchesse de Gérolstein (Santa Fe). DANCE: Matthew Bourne’s Swan Lake (London / Los Angeles / Broadway / World Tour).

Academy Award-winning Composer Stephen Warbeck began studying piano and composing at the age of four. After eight years of working as a composer and performer for the stage Stephen began writing music for film and television and has since built up considerable filmography credits. He has written music for more than 40 television projects and has received five BAFTA nominations and in 2013 a BAFTA Award for his work on Henry IV, Parts 1 & 2. Other recent television projects include Indian Summers and first two series of A Young Doctor’s Notebook. Stephen has scored many feature films including: Mon Roi, Seve, Polisse, Proof, Mrs. Brown, Mystery Men, Quills, Billy Elliot, Captain Corelli’s Mandolin, Birthday Girl and Shakespeare in Love, for which he won an Academy Award. His other notable stage productions include: the Globe’s Richard II, the Donmar’s Temple, the RSC’s Wolf Hall and Bring Up The Bodies; the Royal Court’s The River and Jerusalem (both West End and Broadway transfers) and The Seagull; The National Theatre’s The Red Lion, The Silver Tassie, This House, The Veil; John Madden’s Proof, Sam Mendes’ To The Green Fields Beyond; Old Times and Betrayal at the Harold Pinter Theatre and many productions for Shakespeare’s Globe Theatre, The Almeida and West End theatres. In addition to composing for film and television, Stephen has written music for numerous radio plays and written several concert pieces. Peter Pan is his first ballet score.

Associate Director Julian Webber adapted and directed The Three Musketeers at the Young Vic Theatre, which was nominated for a Barclay’s Theatre Award in 2002; more recently, the West End revival of The Shape of Things by Neil Labute, and The Barber of Seville at the Bristol Old Vic in a new adaptation by Lee Hall. For eight years Julian was Artistic Director of Soho Rep, New York and is currently Associate Director for Billy Elliot the Musical, for which he won a Helpmann Award for the production in Sydney, Australia, and last year, mounted in Holland.

ABOUT CHICAGO SHAKESPEARE THEATER
Under the leadership of Artistic Director Barbara Gaines and Executive Director Criss Henderson, Chicago Shakespeare has redefined what a great American Shakespeare theater can be—a company that defies theatrical category. This Regional Tony Award-winning theater’s year-round season features as many as twenty productions and 650 performances—including plays, musicals, world premieres, family programming, and presentations from around the globe. Chicago Shakespeare is the city’s leading presenter of international work, and has toured its own productions across five continents. The Theater’s nationally acclaimed arts in literacy programs support the work of teachers, and bring Shakespeare to life on stage for tens of thousands of students annually. Each summer, the company tours a free professional production to neighborhood parks across Chicago. In 2017 the Theater unveiled The Yard, which, together with the Jentes Family Courtyard Theater and the Thoma Theater Upstairs, positions Chicago Shakespeare as Chicago’s most versatile performing arts center.

Wednesday, February 13, 2019

WIN A Pair Of Tickets (2 winners/ $80 value each) To The Man Who Was Thursday at Lifeline Theatre Through April 7, 2019

ChiIL Live Shows on our radar

Lifeline Theatre Presents 
The Man Who Was Thursday,
Opens February 25
Performances with Open Captioning on March 2 and March 22
Performance with Touch Tour and Audio Description on March 9



Enter Below for your chance to WIN a pair of tickets (2 winners/ $80 value each) To The Man Who Was Thursday at Lifeline Theatre 
*(Winners choice of dates for the first weekend after opening -  Thursday, Feb. 28 at 7:30 p.m., Friday, March 1 at 7:30 p.m., Saturday, March 2 at 4 or 8 p.m. or Sunday, March 3 at 4 p.m.). 

The production runs approximately 2 hours with an intermission. The novel will be on sale in the lobby.


My teen son and I will be checking this production out at the press opening February 24th, so circle back soon for my full review. 

Lifeline Theatre presents The Man Who Was Thursday, adapted by Lifeline Theatre ensemble member Bilal Dardai and directed by Jess Hutchinson. Dardai and Hutchinson return to this 1908 satire after having first mounted it at New Leaf Theatre, where Hutchinson was the Artistic Director, in 2009 (Non-Equity Jeff nomination: New Adaptation) to re-explore this absurdist tale of identity and intrigue for a new decade. 

A shadowy cabal of anarchists has risen in London and Scotland Yard is determined to bring them down. When Gabriel Syme joins the undercover detail tasked with infiltrating the anarchists’ operations, he soon finds himself sitting on their Supreme Council with the code name “Thursday.” But as Syme unearths the Council’s true nature, it becomes clear that no one in this battle between law and chaos is as they seem. Challenge all assumptions and uncover the truth in this absorbing adaptation of the 1908 satire by G. K. Chesterton. 

The Man Who Was Thursday runs February 15 – April 7 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see below). Press opening is Sunday, Feb. 24 at 4 p.m. Opening night is Monday, Feb. 25 at 7:30 p.m. (Previews are Fridays, Feb. 15 and 22 at 7:30 p.m.; Saturdays, Feb. 16 and 23 at 8 p.m.; and Sunday, Feb. 17 at 4 p.m.)

Regular performance times (February 28 – April 7) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $40 for regular single tickets, $30 for active and retired military personnel (with ID), $30 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $20 for previews. Group rate for 12 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.

Accessible Performances: The Saturday, March 2, 4 p.m. performance and the Friday, March 22, 7:30 p.m. performances will feature open captioning for patrons who are deaf or hard-of-hearing. The Saturday, March 9, 4 p.m. performance will feature a pre-show touch tour of the set at 2:30 p.m. and live audio description for patrons who are blind or have low vision. For more information about Lifeline’s accessibility services, please contact our Accessibility Coordinator Erica Foster at 773.761.4477 x703 or at access@lifelinetheatre.com.



Eduardo Xavier Curley-Carrillo as Gabriel Syme; in Lifeline Theatre’s production of “The Man Who Was Thursday,” adapted by Bilal Dardai, directed by Jess Hutchinson, based on the novel by G. K. Chesterton; previews beginning Friday, February 15, 2019, opening Monday, February 25, and running through Sunday, April 7. Lifeline Theatre is located at 6912 N. Glenwood Ave. Chicago, IL 60626. For tickets call the box office at 773-761-4477 or visit www.lifelinetheatre.com. 
Photo by Suzanne Plunkett. 

The complete cast and production team for The Man Who Was Thursday includes:

CAST:     

Lifeline Theatre ensemble member Christopher Walsh (Gogol/Tuesday); with guest artists Allison Cain (Sunday), Eduardo Xavier Curley-Carrillo (Gabriel Syme),

Jen Ellison (Dr. Bull/Saturday), Linsey Falls (Professor de Worms/Friday), Sonia Goldberg (Familiar #2), Cory Hardin (Lucian Gregory), Marsha Harman (The

Secretary/Monday), Oly Oxinfry (Familiar #1), Corbette Pasko (The Marquis de St. Eustache/Wednesday). With understudies David Gordezky and Sarah

Scanlon.

PRODUCTION TEAM:

Lifeline Theatre ensemble members Bilal Dardai (Adaptor) and Elise Kauzlaric (Dialect Coach); with guest artists Amanda Beranek (Stage Manager), Lizzie Bracken (Scenic Designer), Kyle Bricker (Asst. Stage Manager), Jess Hutchinson (Director), Christopher Kriz (Sound Designer), Jennifer McClendon (Production Manager), Caitlin McLeod (Co-Costume Designer), Jenny Pinson (Props Designer), Greg Poljacik (Fight Choreographer), Joe Schermoly (Technical Director), Zev Valancy (Dramaturg), Eric Watkins (Lighting Designer), Jonah White (Master Electrician), and Anna Wooden (Co-Costume Designer)

Lifeline Theatre presents The Man Who Was Thursday runs February 15 – April 7 at Lifeline Theatre, 6912 N. Glenwood Ave. (free parking and shuttle; see
below). 

Press opening is Sunday, Feb. 24 at 4 p.m. Opening night is Monday, Feb. 25 at 7:30 p.m. (Previews are Fridays, Feb. 15 and 22 at 7:30 p.m.; Saturdays, Feb. 16 and 23 at 8 p.m.; and Sunday, Feb. 17 at 4 p.m.)

Regular performance times (February 28 – April 7) are Thursdays and Fridays at 7:30 p.m., Saturdays at 4 and 8 p.m., and Sundays at 4 p.m. Ticket prices are $40 for regular single tickets, $30 for active and retired military personnel (with ID), $30 for seniors, $20 for students (with ID), $20 for rush tickets (available half hour before show time, subject to availability), and $20 for previews. Group rate for 12 or more is available upon request. Tickets may be purchased at the Lifeline Theatre Box Office, 773.761.4477, or by visiting www.lifelinetheatre.com.

Lifeline Theatre is accessible by CTA (Red Line Morse stop/busses) and free parking is available at Sullivan High School (6631 N Bosworth Ave, lot located on Greenview Ave. just south of North Shore Ave.) with free shuttle service before and after the show.  Street parking is also available. Lifeline is accessible to wheelchair users and visitors who need to avoid stairs.



 Now in its 36th season, Lifeline Theatre is driven by a passion for story. Our ensemble process supports writers in the development of literary adaptations and new work, and our theatrical and educational programs foster a lifelong engagement with literature and the arts. A cultural anchor of Rogers Park, we are committed to deepening our connection to an ever-growing family of artists and audiences, both near and far. Lifeline Theatre – Big Stories, Up Close.

Lifeline Theatre’s programs are partially supported by Alphawood Foundation; A.R.T League Inc.; Blue Cross & Blue Shield of Illinois; Elizabeth F. Cheney Foundation; Chicago CityArts, a grant from the Chicago Department of Cultural Affairs and Special Events; CIG Management; Gaylord and Dorothy Donnelley Foundation; FGMK LLC; FlexPrint Inc.; Lloyd A. Fry Foundation; The Michael and Mona Heath Fund at The Chicago Community Foundation; Illinois Arts Council Agency; Illinois Humanities Council; MacArthur Fund for Arts and Culture at Prince; The PAV Grant Fund; The Polk Bros. Foundation; Rogers Park Social; The Saints; S&C Electric Company Fund; The Shubert Foundation; The Steele Foundation; Th Manufacturing; and the annual support of businesses and individuals.





Enter Here for your chance to WIN a pair of tickets (2 winners/ $80 value each) To The Man Who Was Thursday at Lifeline Theatre  
*(Winners choice of dates for the first weekend after opening -  Thursday, Feb. 28 at 7:30 p.m., Friday, March 1 at 7:30 p.m., Saturday, March 2 at 4 or 8 p.m. or Sunday, March 3 at 4 p.m.). Enter through midnight 2/25/19. Winners will be e-mailed, and announced here and on our social media outlets.



Disclosure: It's been our great pleasure at ChiILMama.com & ChiILLiveShows.com to partner up with Lifeline Theatre for years. They have provided complimentary tickets for our giveaways and review purposes. As always, all opinions are our own.



Sunday, February 10, 2019

OPENING: DOUBT: A PARABLE Via The Gift Theatre at Steppenwolf’s 1700 Theatre February 27 – March 31, 2019

ChiIL Live Shows on our radar
The Gift Theatre Presents
DOUBT: A PARABLE

By John Patrick Shanley
Directed by Ensemble Member John Gawlik


February 27 – March 31, 2019 
at Steppenwolf’s 1700 Theatre
Presented as a part of Steppenwolf’s LookOut Series

The Gift Theatre is pleased to launch its 18th season with a revival of John Patrick Shanley’s Pulitzer and Tony Award-winning drama DOUBT: A PARABLE, presented as a part of Steppenwolf’s LookOut Series. Directed by Ensemble Member John Gawlik and featuring an all-ensemble cast, DOUBT will play February 27 – March 31, 2019 at Steppenwolf’s 1700 Theatre, 1700 N. Halsted St. in Chicago. Tickets are currently available at steppenwolf.org through Steppenwolf Audience Services (1650 N. Halsted St.) or by calling (312) 335-1650. 

DOUBT: A PARABLE will feature Ensemble Members Cyd Blakewell*, Jennifer Glasse*, Mary Ann Thebus* and Michael Patrick Thornton*.

In this brilliant and powerful drama, Sister Aloysius, a Bronx school principal, takes matters into her own hands when she suspects the young Father Flynn of improper relations with one of the male students. Winner of the 2005 Pulitzer Prize and Tony Award for Best Play.

The production team for DOUBT: A PARABLE includes Arnel Sancianco (scenic design), Sanja Manakoski (costume design), Mike Durst (lighting design), Matthew Chapman (sound design), Maggie Andersen (dramaturg), David Preis (technical director) and Sarah Luse (production manager).

Cast (in alphabetical order): Cyd Blakewell* (Sister James), Jennifer Glasse* (Mrs. Muller), Mary Ann Thebus* (Sister Aloysius) and Michael Patrick Thornton* (Father Flynn).

Location: Steppenwolf’s 1700 Theatre, 1700 N. Halsted St., Chicago

Dates: Previews: Wednesday, February 27 at 8 pm, Thursday, February 28 at 8 pm, Friday, March 1 at 8 pm and Saturday, March 2 at 8 pm


Regular run: Thursday, March 7 – Sunday, March 31, 2019

Curtain Times: Thursdays and Fridays at 8 pm; Saturdays at 4 pm & 8 pm; Sundays at 3:30 pm.

Tickets: Previews $35. Regular run $45 – $55. Seniors $25. Students $15. Tickets are currently available at steppenwolf.org, through Steppenwolf Audience Services (1650 N. Halsted St., Chicago) or by calling (312) 335-1650.

*Denotes Gift Theatre ensemble member

 

About the Artists
John Patrick Shanley (Playwright) is the author of numerous plays, including Danny and the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia Sexualis, Sailor’s Song, Savage in Limbo and Where’s My Money?. He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo, Alive, Five Corners, Joe Versus the Volcano (which he also directed) and Moonstruck, for which he won an Academy Award for original screenplay.

John Gawlik (Director) is an AEA/SAG actor and director. Favorite acting credits include: the world premiere of David Rabe’s Good For Otto and Broadsword with The Gift Theatre, Bill Sykes in Oliver at Drury Lane, Blizzard ‘67 with Chicago Dramatist, The Lonesome West and Beauty Queen of Lennane with the Gift Theatre and A Skull in Connemara at Northlight. Favorite directing projects include Thinner Than Water and The Royal Society of Antarctica for The Gift Theatre and the Chicago Premiere of When the Rain Stops Falling at Circle Theater (Jeff Award for Director and Production). He is an ensemble member of The Gift Theater.

About The Gift Theatre
Since 2001 and over 70 productions, The Gift Theatre has pioneered the frontiers of the American theatre via the most intimate professional Equity theatre in the country, leading to national acclaim and a cultural revolution on Chicago’s northwest side.

The Gift’s 18th season includes a revival of John Patrick Shanley’s Pulitzer and Tony Award-winning drama Doubt: A Parable, directed by Ensemble Member John Gawlik (February 27 – March 31); the world premiere of Hansol Jung’s Wolf Play, directed by guest artist Jess McLeod (October 18 – November 24); as well as a soon-to-be announced third production (July 12 – August 18). Season subscriptions are available for as little as $75. The Gift subscribers ("Gifters") receive admission to three shows, free parking at Gale Street Inn, free admission to all Wednesday night “Natural Gas” improv shows and invitations to special subscriber-only special events. Subscribe at www.thegifttheatre.org or by calling (773) 283-7071.

About Steppenwolf’s LookOut Series
Housed primarily in the 1700 Theatre, LookOut is Steppenwolf’s performance series that presents the work of artists and companies across genre and form: emerging artists and performance legends, quintessential Chicago companies and young aspiring ensembles, familiar Steppenwolf faces and new friends. Greta Honold and Patrick Zakem are the producers for LookOut, which is presented year-round and announced on an ongoing basis. For more information, visit steppenwolf.org/lookout.

OPENING: World Premiere of 2 UNFORTUNATE 2 TRAVEL at Prop Thrt March 8 – April 15, 2019

ChiIL Live Shows on our radar

Prop Thtr Presents the World Premiere of
2 UNFORTUNATE 2 TRAVEL
A new devised adaptation of
Thomas Nashe’s The Unfortunate Traveller
Adapated and Directed by Zach Weinberg
Devised by The Ensemble
March 8 – April 15, 2019


I'll be ChiILin' at the press opening of Prop Thtr's world premiere of 2 UNFORTUNATE 2 TRAVEL on March 11th, so check back shortly after for my full review.

Prop Thtr is pleased to continue its 2018-19 season with the world premiere of 2 UNFORTUNATE 2 TRAVEL, a late-night, cabaret-style evening of multi-disciplinary live performances and a biting look at privilege and the things we take for granted. This new devised adaptation of Thomas Nashe’s novella The Unfortunate Traveller is adapted and directed by Zach Weinberg and devised by The Ensemble. 2 UNFORTUNATE 2 TRAVEL will play March 8 – April 15, 2019 at 3502 N. Elston Ave. (near Kedzie and Addison) in Chicago’s Avondale neighborhood. Tickets are currently available at www.propthtr.org

The 2 UNFORTUNATE 2 TRAVEL Ensemble cast includes Zoë DePreta, Callie Harlow, Jourdan Lewanda, Isa Ramos, Joseph Ramski, Schanora Wimpie and Taylor Wisham.

It’s a tough time right now. You deserve a vacation. Jack Wilton, self-appointed ally and recent returnee from travelling the world wants to give you one. He has transformed his recent vacation into a variety show depicting his adventures in a range of spectacular and crowd-pleasing styles, with everything from shadow puppetry to a live game show. He’s created a safe space where you can sit back, drink a free beer and enjoy an hour free from any political discussion. Over the course of the evening, the cracks begin to show in Jack’s stories, his conduct and the fabric of reality itself as the performing ensemble of five women work to bring Jack’s stories to life and struggle within both a play and a society that profits off of their silence.

Comments adapter/director Zach Weinberg, “This piece is an attempt by a cadre of young artists to have it all; to dive into a deeply collaborative process and create something at once personal and political, entertaining and troubling, engaging and alienating, challenging the established social order and revealing the futility in fighting it, rigidly structured and terrifyingly loose. In an era where we have been forced into political obsession and are desperate both to constantly fight for our rights and find some relief from the onslaught of bad news, I'm driven to create a piece of art that captures and exploits that duality.”

Artistic Director Olivia Lilley adds, “As the next show in my first season as Prop Artistic Director, I am so proud to introduce the cerebral and whimsical theatrical imagination of director/deviser Zach Weinberg and his devising ensemble. 2 Unfortunate 2 Travel promises to take us down a rabbit hole of the burning questions of our times, to entertain and to provoke hours of discussion afterwards.”

Cast: Zoë DePreta, Callie Harlow, Jourdan Lewanda, Isa Ramos, Joseph Ramski, Schanora Wimpie and Taylor Wisham.

Location: Prop Thtr, 3502 N. Elston Ave., Chicago
Dates: Previews: Friday, March 8 at 9 pm and Saturday, March 9 at 9 pm

Regular Run: Friday, March 15 – Monday, April 15, 2019
Curtain Times: Mondays at 8 pm, Fridays and Saturdays at 9 pm
Tickets: Previews: Pay-what-you-can. Regular run: $20. Industry, Student, group discounts available. Tickets are currently available at www.propthtr.org.

About the Playwright/Director

Zach Weinberg is a Chicago-based theater director, adaptor and administrator. He is interested in the creation of new, non-traditional works and finding the perfect medium for the message. Zach is a company member and grant writer at Red Tape Theatre, and a graduate of Oberlin College. Selected theatrical work includes serving as a Directing Apprentice with the late Redmoon Theatre, participating in the 2016 Director's Haven at Haven Theatre and premiering two original adaptations at Curious Theatre Branch's Rhinofest: Love in a Maze ('17) and MAY DAY ('18).

About The Prop Thtr
Prop Thtr strives to redefine what theatre is for the 21st century. Prop Thtr produces and incubates new work, which includes new plays, devised work, director-driven re-imaginings of classics, adaptations, and other alternative forms. Prop Thtr works with makers of all ages, races, gender identities, abilities, and backgrounds. In the spirit of Chicago storefront theatre, Prop Thtr is committed to ongoing relationships with individuals and organizations that create work in diverse and inclusive spaces. We break open how we make, what we are making, and who is making.

Saturday, February 9, 2019

ART BEAT: Museum of Contemporary Art Chicago Presents Laurie Simmons: Big Camera/Little Camera February 23 to May 5, 2019

Laurie Simmons: Big Camera/Little Camera
a major survey of the work of Laurie Simmons

Image credit: Laurie Simmons, Big Camera, Little Camera, 1976. Collection of the artist. Photo courtesy of the artist and Salon 94, © Laurie Simmons.

I'll be out for the press opening, February 22nd, so check back soon for my recap. As a photographer, feminist, and daily creator of social media content, this exhibit particularly fascinates me. I'm also intrigued by families full of artists and creatives. Laurie Simmons' husband is painter Carroll Dunham and her children are actress/writer Lena Dunham and writer/activist Cyrus Dunham.

This spring, the Museum of Contemporary Art Chicago presents Laurie Simmons: Big Camera/Little Camera, a major survey of the work of Laurie Simmons. This comprehensive exhibition showcases Simmons's career-long exploration of how image culture creates and perpetuates the myths of our society, and upends traditional ideas about photography as a medium. More than four decades of work by Simmons are on display, with her iconic photographs, sculptures, and films highlighting her importance both historically and as an active contemporary artist. Laurie Simmons: Big Camera/Little Camera is on view from February 23 to May 5, 2019 and is organized by the Modern Art Museum of Fort Worth, and curated by Senior Curator Andrea Karnes. The Chicago presentation is coordinated by MCA Senior Curator Naomi Beckwith.

Simmons's exploration of archetypal female gender roles, for example, women in domestic settings, is the primary subject of this exhibition and is a topic as poignant today as it was in the late 1970s, when she began to develop her mature style using props and dolls as stand-ins for people and places.
  
The namesake work for this exhibition, Big Camera, Little Camera (1976), shows an actual camera juxtaposed with a miniature one, exemplifying Simmons's technique of manipulating scale. The actual camera in the image was given to Simmons by her father, a dentist who took up photography in his free time. Simmons explains, "I put the two cameras together for scale, and as a metaphor - real life versus fiction. It was also a statement about what I intended to do with the camera." Far from documenting the world as it is, her photographs represent the effects of fiction on reality.

Often isolating the dolls and photographing them situated in tiny, austere settings, in series such as Early Black and White (1976-78), Simmons uses fictional scenes that mirror and unsettle the American dream of prosperity and feminine domesticity. The resulting works turn a critical eye on tropes that dominated the era of her upbringing, including the 1950s housewife and the Wild West cowboy.

After graduating from Tyler School of Art in Philadelphia in 1971, then living in upstate New York and subsequently traveling through Europe while living out of her car, Simmons moved to a loft in the then-low-rent Bowery section of Manhattan. To make a living, she briefly worked as a freelance photographer for a dollhouse miniature company, and in her off hours she pursued her main ambition of becoming an artist. Influenced by her day job, as well as a cache of old toys she discovered at a toy store in the Catskills, Simmons began to photograph dolls and small plastic objects, particularly those from the 1950s, the era of her childhood.

Carefully chosen props, preserved by the artist over the years, are on display, including those used to create the early doll house imagery. This ephemera offers new insight into Simmons's process, revealing her continuing fascination with models and fleshing out her use of color-coding to organize vignettes into cohesive and precise imagery.

Monumental photographs from the series Walking and Lying Objects (1987-91), are on view in the exhibition. This iconic body of work features a variety of legs - from human scale to tiny metal Japanese fetish models - showing beneath familiar domestic objects. The poses create personified objects and objectified people, demonstrating how our culture defines, fetishizes, and flattens bodies - especially the female body - and material things.

The exhibition also presents Simmons's more recent series, such as The Love Doll (2009-11), which features high-end, life-size Japanese dolls in day-to-day scenarios. Just as Walking Objects represents a transition to monumental props, The Love Doll moves away from dolls in miniature, but the added element of strangeness is not unlike that evoked by the miniatures. Another recent body of work, How We See (begun in 2014), shows another iteration of the artist's longstanding interest in gender roles.

For these images, Simmons hired makeup artists to paint eyes that look open on her sitters' closed eyelids. Inverting her usual practice by making real people appear uncannily artificial, Simmons says, "Social media allows us to put our most perfect, desirable, funny, and fake selves forward, while naturally raising questions about our longings, yearnings, and vulnerabilities. In How We See, I'd like to direct you how to see while also asking you to make eye contact with ten women who can't see you."

In addition to her photography, there is a small selection of sculpture and three films in the exhibition. The Music of Regret (2006, 45 min) is shown in the gallery space, and is a three-part musical shot in 35mm by the cinematographer Ed Lachman. The Music of Regret grew out of three of Simmons's distinct photographic series: Early Interiors, Walking Objects, and Café of the Inner Mind. The theme of regret is underscored by vintage puppets that interact with actress Meryl Streep, who plays the lead role, and Alvin Ailey dancers dressed as oversized inanimate objects.

The film My Art (2016) was written and directed by Simmons who also stars in the lead role as Ellie Shine, an artist who wishes to reinvigorate her work and address her lack of recognition. In My Art, Ellie embarks on a new project where she reimagines shot-for-shot vignettes from her favorite movies, casting herself as the celluloid stars from the past. Art and life collide in the film as scenes mirror unfolding relationships in her life. The film debuted in September 2016 at the Venice Film Festival and premiered in North America at the 2017 Tribeca Film Festival, where it received high accolades.

A major scholarly catalogue, co-published by the Modern Art Museum of Fort Worth and DelMonico Books-Prestel, accompanies the exhibition.

ABOUT THE ARTIST
Laurie Simmons, born in 1949 in Queens, New York, began photographing at age six when her father bought her a Brownie camera. She received a BFA from the Tyler School of Art at Temple University in Philadelphia and moved to New York. Simmons is an internationally recognized artist who has had solo exhibitions at P.S. 1, Artists Space, and the Jewish Museum in New York; the Walker Art Center in Minnesota; San Jose Museum of Art in California; the Baltimore Museum of Art; the Contemporary Art Museum in St. Louis; the Gothenburg Museum of Art in Sweden; and the Neues Museum in Germany. She received a fellowship from the National Endowment for the Arts in 1984, a Guggenheim Foundation Fellowship in 1997, and a Roy Lichtenstein Residency in Visual Arts from the American Academy in Rome in 2005. She currently lives and works in New York and Cornwall, Connecticut. Her husband is painter Carroll Dunham and her children are actress/writer Lena Dunham and writer/activist Cyrus Dunham.


RELATED PROGRAMS

Talk: Laurie Simmons
Saturday, February 23, 3 pm, MCA Theater
Artist Laurie Simmons leads audiences on a journey through the history of anti-feminist films on the opening day of her exhibition.

Screening: Laurie Simmons
Sunday, February 24, 11 am - 5 pm, MCA Theater
A marathon screening plays a selection of Laurie Simmons's films.

Screenings of My Art 
February 26, March 26 and 31, April 7 and 9, MCA Theater
Screened as part of the exhibition, My Art is ­a feature-length film written, directed by, and starring Laurie Simmons who plays Ellie Shine, a single artist living in New York City. As her decades-old dream of a respectable place in the art world becomes more elusive, her frustration with her lack of recognition feels alarmingly urgent. When she is offered the summer house and studio of a famous friend she seizes the opportunity to hit the reset button on her life and work.

Curator Tour: Laurie Simmons: Big Camera/Little Camera
Tuesday, March 19, noon, exhibition gallery
MCA Senior Curator Naomi Beckwith leads an in-depth tour of Laurie Simmons: Big Camera/Little Camera and discusses the artist's practice.

Talk: Laurie Simmons with Genevieve Gaignard
Thursday, April 10, 6 pm, MCA Theater
Laurie Simmons has sometimes been cast as a "reluctant feminist." In this conversation, the artist brings together a panel of next-generation thinkers to consider the tension between personal politics and the making of feminist art in a moment when gender is increasingly deconstructed. They also address how the feminist reading of her work by younger artists has changed her own perspective and her work.

Lead support for Laurie Simmons: Big Camera/Little Camera is provided by the Harris Family Foundation in memory of Bette and Neison Harris: Caryn and King Harris, Katherine Harris, Toni and Ron Paul, Pam and Joe Szokol, Linda and Bill Friend, and Stephanie and John Harris; Becky and Lester Knight; Zell Family Foundation; Julie and Larry Bernstein; and Cari and Michael J. Sacks. Major support is provided by Stefan Edlis and Gael Neeson. Generous support is provided by Robert J. Buford; Anne L. Kaplan; Kovler Family Foundation; Jennifer and Alec Litowitz; Phillips; Carol Prins and John Hart/The Jessica Fund; Marilyn and Larry Fields; Efroymson Family Fund; Katherine and Judd Malkin; Ellen-Blair Chube; Susie L. Karkomi and Marvin Leavitt; One Bennett Park; Liz and Eric Lefkofsky; Salon 94 New York; Mirja and Ted Haffner; Vicki and Bill Hood; Susan D. Goodman and Rodney Lubeznik; The Robert Mapplethorpe Foundation, New York; and Penelope and Robert Steiner.

OPENING: Tango at Trap Door Theatre February 21-March 30, 2019

ChiIL Live Shows on our radar

THE TRAP DOOR THEATRE is proud to present...
Tango
Written by: Sławomir Mrożek
Translated by: Ralph Manheim and Teresa Dzieduszycka Directed by: Emily Lotspeich


In this hilarious satire, the dangers inherent in contemporary society are inscribed in a universal story of how conformity, anarchy and formalism can come into conflict between generations. I'll be ChiILin' with Chi, IL's Trap Door Theatre in early March, so check back then for my full review.

Cast: Dennis Bisto, Adam Huizenga, Logan Hulick, Katelyn Lane, Joan Nahid, Emily Nichelson and Keith Surney.

Sɫawomir Mrożek (Playwright) was a Polish playwright born in 1930 in a small town near Kraków. He started his professional career as a cartoonist and journalist, and later on wrote many grotesque stories. His first play, The Police (1958) is a Kafkaesque parable, and was followed by a series of political, critical allegories cloaked in absurdist comedy such as Out at Sea (1961), Striptease (1961) and The Party (1963). His most famous play from this period is Tango which had its world premiere in Belgrade, Yugoslavia in January 1965. That same year a famous Polish critic Jan Kott observed that while Stanislaw Ignacy Witkiewicz and Witold Gombrowicz, Mrożek’s dramatic predecessors, were ahead of their time, Mrożek has arrived right on time both in Poland and in the West. Some perceived Mrożek as a kind of “Polish Ionesco” as his plays poke absurdist fun at contemporary mores and life in the 20th century communist-dominated Poland. Mrożek emigrated to France in 1963 and lived in Italy and Mexico before returning to Poland after the fall of communism. While his plays were periodically banned in Poland, they were performed in the cities around the world including New York City where they were produced several times off Broadway and at La MaMa Theatre Club. Among other plays written by Mrożek are Vatzlav (1972—produced at Trap Door Theatre in 2014), The Emigrés (1974), The Ambassador (1981), Alpha (1984) and Love in the Crimea (1994). Mrożek died in France in 2013.

Emily Lotspeich (Director) Emily was born in Cincinnati where she was fortunate enough to attend the television noted School for Creative and Performing Arts from grades 4-12. There she majored in acting, directing, creative writing and oboe. She came to call Chicago home when she moved here to further her theater education at Depaul University. Emily is a Company Member and Development Director at The Trap Door Theatre. Trap Door Director credits include Universal Wolf and a staged reading of Made In Poland at last years International Voices Project. Trap Door Assistant Director credits include Beholder and the twentieth anniversary celebratory remount of R. W. Fassbinder’s Blood on the Cat’s Neck. Trap Door acting credits include Monseur D’eon Is A Woman, Sad Happy Suckers, Locketeer, Phaedra, Fantasy Island For Dummies, The Duchess of Malfi, AmeriKafka, 12 Ophelias and Anger/Fly. Trap Door Stage Manager credits include Ten Tiny Fingers, Nine Tiny Toes, and How To Explain The History Of Communism To Mental Patients which toured in Hungary and Romania. In addition to Trap Door, Ms. Lotspeich has worked with Prop Thtr, Silent Theatre Company, Polarity Ensemble Theatre and Cornservatory.

Set Designer Jacqueline Frole/ Costume Designer Rachel Sypniewski/ Makeup Design Zsofia Otvos / Sound Designer Danny Rocket/ Lighting Designer Richard Norwood / Violence Design Bill Gordon / Choreographer Jesse Hoisington/ Graphic Designer Michal Janicki/ Dramaturg Milan Pribisic/ Assistant Director Nora Lise Ulrey

When: 
Opens: Thursday, February 21, 2019 at 8PM 
Closes: Saturday, March 30, 2019 at 8PM 
Runs: Thursdays, Fridays, Saturdays at 8PM

Admission: $20 on Thursdays and Fridays, $25 on Saturdays, 2 for 1 Admission on Thursdays

Where: TRAP DOOR THEATRE 1655 West Cortland Ave. Chicago, IL 60622
For Information/Reservations: 773-384-0494 To purchase online www.trapdoortheatre.com



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