REVIEW: TINA- THE TINA TURNER MUSICAL at the James M. Nederlander Theatre Through April 2, 2023

ChiIL Live Shows On Our Radar

TINA- THE TINA TURNER MUSICAL

Produced in association with Tina Turner

Written by Tony Award nominee, Pulitzer Prize and Olivier Award-winner Katori Hall

REVIEW:

By Bonnie Kenaz-Mara

"This is literally the best show I've ever seen." My friend, Teresa exclaimed as the audience rose en masse, for a rousing standing ovation, at the press opening for TINA- THE TINA TURNER MUSICAL at Chicago's James M. Nederlander Theatre. 

Bonnie Kenaz-Mara, and sisters Catherine and Teresa Hellmann, at the press opening of  TINA- THE TINA TURNER MUSICAL at Chicago's James M. Nederlander Theatre

The energy was palpable and the kudos well deserved. It's no easy feat playing a living legend, particularly one with powerhouse vocals and such a striking presence. Tina Turner's real life story is at once as tragic and triumphant as any Shakespearian masterpiece and Zurin Villanueva and Ari Groover share the role to bring this tale to life in style. We caught Villanueva on opening night and she was stunningly talented in this challenging role.

Zurin Villanueva as ‘Tina Turner’ and the cast of the North American touring production of TINA – THE TINA TURNER MUSICAL. 

All Production Photos by Matthew Murphy and Evan Zimmerman for MurphyMade

Ike Turner (Garrett Turner) is also exceptionally well played as the villain we loved to hate. Though his audacious abuse is hard to watch and may be triggering for some, it's a story that can't be glossed over, and a cautionary tale of toxic masculinity that's still all too common an occurrence. 

Garrett Turner as 'Ike Turner' and Roz White as 'Zelma'

In the early years and again at curtain call, accompanying her older self, Young Anna-Mae (Ayvah Johnson) stole the show with her incredible voice and a confidence far beyond her years. Roz White as Zelma Bullock, Lael Van Keuren as Rhonda, and particularly Ann Nesby as Gran Georgeanna are standouts as well. 

Ayvah Johnson as 'Young Anna-Mae' and the cast of the North American touring production of 

TINA – THE TINA TURNER MUSICAL

Zurin Villanueva as ‘Tina Turner’ and Ann Nesby as 'Gran Georgeanna' 

One of the world’s best-selling artists of all time, Tina Turner has won 12 Grammy Awards and her live shows have been seen by millions, with more concert tickets sold than any other solo performer in music history.

It's a joy to see a rags to riches story this empowering, where Anna-Mae/Tina, a child abandoned by both parents, a young woman physically and psychologically abused by her husband, and a single, middle aged mom struggling to make a comeback in a racist, sexist, agest industry, not only survives but thrives. Don't miss this! ★★★★ Four out of four stars.

Bonnie is a Chicago based writer, theatre critic, photographer, artist, and Mama to 2 amazing adults. She owns two websites where she publishes frequently: ChiILLiveShows.com (adult) & ChiILMama.com (family friendly). 

Photo Credit: B. Kenaz-Mara

"Writer Katori Hall has created A MUSICAL THEATER MASTERPIECE.” 

– Amsterdam News

TINA - THE TINA TURNER MUSICAL, the electrifying production produced in association with Tina Turner and written by Katori Hall is now playing a limited engagement at the James M. Nederlander Theatre through April 2, 2023. Tickets are on sale at www.BroadwayInChicago.com. Additional ticket information and the performance schedule are below. 

The cast is led by Zurin Villanueva (The Lion King, Mean Girls, Shuffle Along, The Book of Mormon) and Ari Groover (TINA Broadway, Head Over Heels, Holler If Ya Hear Me) who will evenly share the role of Tina Turner, each playing four (of eight) performances a week. Groover will play the full run in Chicago, stepping in for Naomi Rodgers who is on a temporary leave from the show. Also starring are Garrett Turner as Ike Turner, Roz White as Zelma Bullock, Ann Nesby as Gran Georgeanna and Lael Van Keuren as Rhonda. 

Ann Nesby as 'Gran Georgeanna' 

All Production Photos by Matthew Murphy and Evan Zimmerman for MurphyMade 

“MIND BLOWING AND LIFE CHANGING.

A story that needs to be shared, especially today.” 

– ABC News

The ensemble includes Daelyanna Kelly Benson, Antonio Beverly, Taylor A. Blackman, Karen Burthwright, Aliyah Caldwell, Lillian Charles, Max Falls, Zachary Freier-Harrison,  Reyna Guerra, Gordia Hayes,  Andre Hinds, Takia Hopson, Ayvah Johnson, Geoffrey Kidwell, Parris Mone’t Lewis, Nia Nelson-Williams, Gracie Phillips, Nicole Powell, Terance Reddick, Shari Washington Rhone, Jacob Roberts-Miller, Aniya Simone, Chris Stevens, Jeff Sullivan, and Carlton Terrence Taylor. 

“It has been years since I toured the US and I am very excited that my own musical can now bring my music and story to my fans in their home cities across America. It’s a homecoming and that is very special to me,” said Tina Turner.

“We are delighted to begin this next chapter for TINA – THE TINA TURNER MUSICAL. The North American tour will see the show enjoy its sixth production around the world since opening in the West End in 2018, which is testimony to Tina’s extraordinary legacy. This tour clearly has special resonance for Tina herself, and now more than ever we can’t wait to uplift audiences across America with her joyful and triumphant story," the producers, Tali Pelman from Stage Entertainment and Jimmy Nederlander said. “We can’t wait to introduce America to the two megawatt superstars—Ari Groover and Zurin Villanueva — who will share the role of Tina, Garrett Turner in the role of Ike, and the incredibly talented company who are hitting the road on tour!"

Garrett Turner as 'Ike Turner'

“PREPARE TO BE ECSTATICALLY BLOWN AWAY!” 

– The Daily Beast

Produced by Stage Entertainment, James L. Nederlander and Tali Pelman, in association with Tina Turner, TINA – THE TINA TURNER MUSICAL was written by Tony Award nominee and Pulitzer Prize winner Katori Hall with Frank Ketelaar and Kees Prins.

TINA – THE TINA TURNER MUSICAL is directed by Tony Award nominee Phyllida Lloyd with choreography by Tony Award nominee Anthony van Laast, set and costume designs by Tony Award nominee Mark Thompson, musical Music Supervision, Arrangements & Incidental Music by Nicholas Skilbeck, lighting by Tony Award nominee Bruno Poet, sound by Tony Award nominee Nevin Steinberg, projection design by Tony Award nominee Jeff Sugg, orchestrations by Tony Award nominee Ethan Popp, wigs, hair and makeup design by Drama Desk Award winner Campbell Young Associates, and casting by The Telsey Office.  

“I’VE RARELY HEARD AN AUDIENCE WITH THIS MIGHTY A ROAR.” 

– NY Times

Zurin Villanueva performing _Higher_ as ‘Tina Turner’ and the cast of the North American touring production of TINA – THE TINA TURNER MUSICAL.

ABOUT TINA – THE TINA TURNER MUSICAL 

An uplifting comeback story like no other, TINA – The Tina Turner Musical is the inspiring journey of a woman who broke barriers and became the Queen of Rock n’ Roll.  

Zurin Villanueva as ‘Tina Turner’ and the cast of the North American touring production of 

TINA – THE TINA TURNER MUSICAL.

This new musical, based on the life of legendary artist Tina Turner and presented in association with Tina Turner herself, received its world premiere in April 2018 in London, where it opened to five-star reviews and has broken box office records at the Aldwych Theatre. In March 2019, the German production opened at Stage Operettenhaus in Hamburg, and the Dutch production opened at the Beatrix Theater, Utrecht, in February 2020. A third European production opened in the Fall of 2021 at the Teatro Coliseum in Madrid, Spain.

TINA – THE TINA TURNER MUSICAL originally opened on Broadway on November 7, 2019, and was nominated for 12 Tony Awards including Best Musical. The production reopened at Broadway’s Lunt-Fontanne Theatre on October 8, 2021, following the 18-month industry-wide shutdown due to the COVID-19 pandemic. The Broadway production ended performances Sunday, August 14.

Produced by Stage Entertainment and Ghostlight Records and featuring the original London cast, Tina – The Tina Turner Musical: Original Cast Recording is available worldwide on CD, both online and in stores. The CD features a 20-page booklet, which includes liner notes, synopsis, and production and studio photography. The album was recorded in February 2019 at Angel Studios and RAK Studios, produced by the show’s Music Supervisor Nicholas Skilbeck and Kurt Deutsch and co-produced by Tom Kelly. To download or stream the album or order the CD, please visit http://www.ghostlightrecords.lnk.to/riverdeep-tinaturnermusical.

When she was inducted into the Rock & Roll Hall of Fame in October 2021, Tina Turner became one of only three women in the institution’s history to be inducted twice (she was initially inducted in 1991 alongside Ike Turner).

Garrett Turner as 'Ike Turner'

Zurin Villanueva performing as ‘Tina Turner’ and Garrett Turner as 'Ike Turner'

The Emmy-nominated feature documentary TINA is now available to stream on HBO Max. A revealing and intimate look at the life and career of musical icon Tina Turner, TINA charts her improbable rise to early fame, her personal and professional struggles throughout her life, and her even more improbable resurgence as a global phenomenon in the 1980s. The feature documentary is from Academy Award-winning directors Dan Lindsay, T.J. Martin, and Lightbox, the production company founded by Academy Award-winning producer Simon Chinn and Emmy-winning producer Jonathan Chinn, together with Emmy-nominated producer Diane Becker.

TICKET INFORMATION

Ticket prices range from $52.50 -$152.50 with a select number of premium tickets available. Individual tickets are available by visiting www.BroadwayInChicago.com, or going to any Broadway In Chicago venue box office. Tickets are available for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710 or emailing GroupSales@BroadwayInChicago.com.

Follow @TinaBroadway on Twitter, Instagram, and Facebook.

ABOUT BROADWAY IN CHICAGO

Broadway In Chicago was created in July 2000 and over the past 22 years has grown to be one of the largest commercial touring homes in the country. A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District, entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop, including the Cadillac Palace Theatre, CIBC Theatre, James M. Nederlander Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at the Auditorium Theatre.

For more information, visit www.BroadwayInChicago.com.

Follow @broadwayinchicago on Facebook, Instagram, and TikTok

@broadwaychicago on Twitter

#broadwayinchicago

 

Zurin Villanueva as ‘Tina Turner’ in the North American touring production of TINA – THE TINA TURNER MUSICAL.

Congo Square Theatre Hosts 'Celebration of Healing' - Free Community Events Exploring Healthcare Inequality

Congo Square Theatre Company hosts Celebration of Healing programming in conjunction with 

World Premiere of How Blood Go

The Chi’s Yolonda Ross hosts FREE expert-led community events that raise awareness of racial disparities in health care.

Congo Square Theatre Company (Congo Square) proudly announces the latest iteration of its Celebration of Healing programming initiative, to be held in conjunction with the World Premiere of How Blood Go by Cleveland-based playwright Lisa Langford, presented at Steppenwolf’s 1700 Theater (1700 N. Halsted Street) as part of Steppenwolf’s LookOut Series March 11 - April 23, 2023. How Blood Go analyzes the past, present, and future of racial inequality in America’s healthcare system; the Celebration of Healing programming, will examine the real-world implications of the biases articulated in the play.

Founded during Congo Square’s production of What to Send Up When It Goes Down in Fall 2022, Celebration of Healing is an initiative that collaborates with Congo Square’s annual productions to provide audiences with a curated space geared toward individual and community healing. The Celebration of Healing is one of five artist projects commissioned by the City of Chicago Department of Cultural Affairs and Special Events for We Will Chicago – the first citywide plan since 1966. We Will is the first-ever plan to be rooted in equity and resiliency and to be drafted by residents and community leaders. The Celebration of Healing connects to the goals residents shared addressing systemic inequities in public health, and exemplifies how artists and cultural organizations bring attention and resources to the issues most important to Chicago communities.

These free in-person and digital events will take place during the run of How Blood Go and include film screenings, panel discussions and community conversations led by experts in the field. All Celebration of Healing events are free and open to the public, registration is required for all events. For in-person events, attendees without access to transportation can arrange to have free transport to the events through the registration link. To register for a Celebration of Healing event, visit steppenwolf.org/howbloodgo.

Celebration of Healing Events:

In-person Film Screenings + Community Conversations

 

Power to Heal

Date: March 29, 6:00 PM

Location: Chicago Cultural Center, 78 E Washington St., Claudia Cassidy Theater

Host: Yolonda Ross (The Chi & How Blood Go Cast)

Facilitator: Jhmira Alexander, MPH (Executive Director, Public Narrative)

Panelists: Barbara Berney, PhD (Producer, Power to Heal), Paris Thomas, MS, MCHES, PhD (Executive Director, Equal Hope at RUSH Medical University), Margie Schaps, MPH (Executive Director, Health and Medicine Policy)

Power to Heal is an hour-long public television documentary that tells a poignant chapter in the historic struggle to secure equal and adequate access to healthcare for all Americans. Central to the story is the tale of how a new national program, Medicare, was used to mount a dramatic, coordinated effort that desegregated thousands of hospitals across the country in a matter of months.

The Healthcare Divide

Date: April 5, 2023, 6:00 PM

Location: Equal Hope, 300 S Ashland Ave #202

Host: Yolonda Ross (The Chi & How Blood Go Cast)

Facilitator: Jhmira Alexander, MPH (Executive Director, Public Narrative)

Panelists: Laura Sullivan (Correspondent, NPR Investigates), Sista Yaa Simpson (Community Epidemiologist and Bioethicist, TACTS-The Association of Clinical Trials Services), Paris Thomas, MS, MCHES, PhD (Executive Director, Equal Hope) 

FRONTLINE and NPR investigate the growing inequities in American healthcare exposed by COVID-19. The Healthcare Divide examines how pressure to increase profits and uneven government support are widening the divide between rich and poor hospitals, endangering care for low-income populations.

Aftershock

Date: April 12, 6:00 PM

Location: TBD

Host: Yolonda Ross (The Chi & How Blood Go Cast)

Facilitator: Jhmira Alexander, MPH (Executive Director, Public Narrative)

Panelists: Anya Tanyavutti (Executive Director, Changing Worlds), Lakeesha Harris (Executive Director, Chicago Volunteer Doulas), Kalynn Dunn, MA, LPC (Assistant Executive Director, Caris Pregnancy Counseling and Resources), Jeanine Valrie Logan (Midwife & Lead Steward, Chicago Southside Birth Center)

Aftershock––Following the preventable deaths of their loved ones due to childbirth complications, two families galvanize activists, birth-workers and physicians to reckon with one of the most pressing American crises of our time – the US maternal health crisis.

 

Virtual Webinars

From March 23 – April 27, every Thursday at 12:00 PM – 1:30 PM, Public Narrative will present a webinar series dedicated to holistic public health conversations that generate solutions to improve health systems in Chicago. In this 6-part webinar training series journalists, researchers, care givers, patients and other community members will explore findings of Chicago-based community engaged research studies for communities experiencing health disparities and other implications to public health. To register for the webinar series, visit publicnarrative.org/events

Talk Forwards

In addition to these public events, audience members attending Sunday matinee performances of How Blood Go on March 26, April 2, and April 9 can participate in Talk Forward discussions with artists and community members immediately following the performance.

 

Partnerships

Celebration of Healing events are made possible through partnerships with DCASE, DPD, We Will Chicago, Public Narrative, Equal Hope at RUSH Medical Center, and the Center for Health Equity Transformation at Northwestern Medicine. How Blood Go and the Celebration of Healing are partially funded by The Celebration of Healing are partially funded by the Venturous Theatre Fund of the Tides Foundation. Additional funding for the webinar series comes from the MacArthur Foundation and Northwestern Medicine.

 

About How Blood Go

How Blood Go weaves the present and past together to explore the strained relationship between the healthcare system and African Americans in this country. Just when Quinntasia is ready to take her wellness program, Quinntessentials, to market, she learns that her healthy body is not the product of her hard work, but of a futuristic experimental device—activated without her consent—that makes her appear White to doctors and nurses. She must decide if she’s willing to give up her Blackness to make her dream come true. Meanwhile, Bean and his brother, Ace, experience unethical medical treatment in the American South (the Tuskegee Syphilis Experiment 1930-1970). Under the direction of Tiffany Fulson, the How Blood Go cast features Congo Square Ensemble Member Ronald L. Conner (Ace) and The Chi star Yolonda Ross (Didi). I'll be out for the press opening March 19th, so check back soon for my full review.

How Blood Go will be performed March 11 - April 23. Tickets, priced at $25 for preview performances and $35 for all other performances ($20 for seniors and students), are now on sale by calling 312-335-1650 or visiting www.steppenwolf.org/

Congo Square continues its radical generosity model partnering with community organizations throughout the city to donate up to half of all tickets for every performance. To learn more about discounted community partner tickets, please email communitypartner@congosquaretheatre.org

 

About the organizations

Congo Square Theatre Company is an ensemble dedicated to producing transformative work rooted in the African Diaspora. Congo Square is a haven for artists of color to challenge and redefine the theatrical canon by amplifying and creating stories that reflect the reach and complexities of Black Culture. https://www.congosquaretheatre.org

Public Narrative is a Chicago-based nonprofit that facilitates training, programming and resource building focused on cultivating media literacy, uplifting community voices in media, and shifting narratives around public health, public safety, and public education. https://publicnarrative.org

LookOut is Steppenwolf’s performance series that presents the work of artists and companies across genre and form, emerging artists and performance legends, quintessential Chicago companies and young aspiring ensembles, familiar Steppenwolf faces and new friends. steppenwolf.org/lookout

We Will Chicago is Chicago’s first citywide plan since 1966. The plan is a strong, community-driven, and data-informed 10-year vision for Chicago that is rooted in the principles of equity and resiliency. Drafted by hundreds of residents, community based organizations, and city staff, the plan was adopted unanimously by the Chicago Plan Commission in February 2023. “We Will Chicago” consists of more than 40 goals and 150 objectives to guide the City’s governance across eight “planning pillars” for the next decade. The pillars include Arts & Culture; Environment, Climate & Energy; Housing & Neighborhoods; Lifelong Learning; Public Health & Safety; Transportation & Infrastructure; Civic & Community Engagement; and Economic Development. To learn more and read the plan, visit wewillchicago.com.

THE REVOLUTIONISTS Via Oil Lamp Theater March 16-April 30, 2023

ChiIL Live Shows On Our Radar 

THE REVOLUTIONISTS

Written by Lauren Gunderson

Directed by Elizabeth Mazur Levin

PLOT: Imagine if four badass, very real women, who lived boldly in France during the French Revolution’s Reign of Terror had met and exchanged ideas before losing their heads? What if former queen Marie Antoinette,  playwright Olympe De Gouges, assassin Charlotte Corday, and Haitian rebel Marianne Angelle, uncensored and full of ideas, grappled together with how to change the world? Oh…and it’s a comedy!

CAST (in order of appearance):

Olympe De Gouges: Hannah Hammel

Marianne Angelle: Noelle Klyce

Charlotte Corday: Ksa Curry

Marie Antoinette: Lisa Dawn

Olympe De Gouges (understudy): Abby Gilster

Marianne Angelle (understudy): Jasmine Robertson

Charlotte Corday (understudy): Maddie Powell

Marie Antoinette (understudy): Emma Soden

CREATIVE TEAM:

Director: Elizabeth Mazur Levin

Stage Manager: Reina McGonigle

Assistant Director: Ashley Greenwood

Costume Designer: Emily N. Brink

Lighting Designer: Trey Brazeal

Properties Designer: Ellen Markus

Technical Director: Greg Korak

Scenic Designer: Liz Hadden

Sound Designer: Jay Pastucha

Wig Stylist: Karen Procopio

DATES:

March 16 - April 30

SHOWTIMES:

Thursday, Friday, Saturday: 7:30pm

Saturday, Sunday: 3:00pm

PRICE:

Previews (March 16, 17, 18 3:00pm): $30 adults / $20 student

Run (March 18, 7:30pm - April 30): $45 adults / $28 student

Buy tickets HERE

The performance runs approximately two hours with an intermission.

ABOUT THE DIRECTOR:

Now serving as the Artistic Director of Oil Lamp Theater, Elizabeth Mazur Levin's Oil Lamp Theater directing credits include Now and Then, Bad Dates, Beau Jest, Love, Loss, and What I Wore, It’s a Wonderful Life: A Live Radio Play (2017 & 2020), Motherhood Out Loud, and two seasons of On the Road—Oil Lamp’s touring series. She will also be directing this summer’s production of Collected Stories by Donald Margulies. Other credits include work with Theater D, Taslitz/Reichenbach Productions, Citadel Theatre, Ouroboros Big Noise Theatre, Bowen Park Theatre, Phoenix Ascending, Centerlight Sign and Voice Theatre, Weathervane Repertory, and Apple Tree Theatre. Proud graduate of Miami University (B.F.A and B.A.) and Loyola University Chicago (M.Ed.) Many thanks to the “E’s”.

"You may notice that there is a blend of historical and contemporary elements throughout [The Revolutionists] from themes, to language, to design choices. While these women are people from long ago, what they are saying and feeling is eerily current to the times in which we are living. They laugh, and share bonds, and live in the moment. If you listen closely, their struggles are similar to the plights we are facing today. These figures are smart, and witty, and authentic, relatable, and all too human."

-- Elizabeth Mazur Levin

Where Theater Welcomes You Home

Oil Lamp Theater is an award-winning sixty-seat storefront theater located in the heart of downtown Glenview. We produce six mainstage theatrical plays per year, and offer special events such as our Speak Easy Nights. When you arrive at the theater, you are personally welcomed by our friendly box office staff. Our lobby features warm decor and comfortable seating, reminiscent of a home. Our theater’s intimate space and ambitious productions connect the audience and performers to create a truly unique experience. To top it all off, we offer complimentary cookies at all mainstage shows.

REDTWIST THEATRE ANNOUNCES THE CAST AND CREATIVE TEAM FOR JACQUELINE GOLDFINGER’S BABEL, MARCH 23 – APRIL 30, 2023

ChiIL Live Shows On Our Radar

Redtwist Theatre Presents

Jacqueline Goldfinger's dark comedy 

Babel

MARCH 23 – APRIL 30, 2023

Redtwist presents the winner of the Smith Prize For Political Theater and the Generations Award, the dark comedy Babel, written by Jacqueline Goldfinger and directed by Redtwist Associate Artistic Director Rinska Carrasco-Prestinary, March 23 – April 30, at Redtwist Theatre, 1044 W. Bryn Mawr Ave. I'll be out for the press opening on March 26th, so check back soon for my full review.

Redtwist Theatre, currently presenting the world premiere of The Great Kahn through February 26, announces the second production of its 2023 season, Babel, written by Jacqueline Goldfinger and directed by Redtwist Associate Artistic Director Rinska Carrasco-Prestinary, March 23 – April 30, at Redtwist Theatre, 1044 W. Bryn Mawr Ave. The current running time is 90 minutes with no intermission. Previews are Thursday, March 23 - Saturday, March 25 at 7:30 p.m. 

The performance schedule is Thursdays – Saturdays at 7:30 p.m. and Sundays at 3:30 p.m. Tickets are $15 for previews and $40 for all other performances with student, military and senior discounts available at RedtwistTheatre.org or by emailing reserve@redtwist.org.

Jacqueline Goldfinger’s Babel paints a dystopian society in the not-so-distant future. Provocative and unsettling, Babel follows two couples as they try to get pregnant in a world in which eugenics is the reality. This dark comedy explores the value society places on a child, on one’s free will and the future generations of the human race. Goldfinger dares to ask questions that press the audience to think deeply about what is really important: our imperfect humanity or the progression of a perfect society? How far are we willing to go and what is the cost of perfection?

Babel Cast includes:

First row: (L to R) Monique Marshaun and Shannon Leigh Webber

Second Row: (L to R) Michael Sherwin and Soleil Pérez

The cast of Babel includes Monique Marshaun (she/her/hers, Renee); Shannon Leigh Webber (she/her/hers, Dani); ensemble member Michael Sherwin (he/him/his, Jamie) and Soleil Pérez (she/her/hers, Ann).

The current creative team of Babel includes Rinska Carrasco-Prestinary (she/her/hers, director); Eileen Dixon (she/her/hers, assistant director); Haley Willits (she/her/hers, dramaturg); Jonathan Berg-Einhorn (he/him/his, scenic designer); Jeff Brain (he/him/his, property designer and technical director); Kathleen Gardin (she/her/hers, costume designer); Cat Davis (she/her/hers, lighting designer) and Jake Sorgen (he/him/his, sound designer).

Babel playwright Jacqueline Goldfinger

ABOUT JACQUELINE GOLDFINGER, playwright

Jacqueline Goldfinger (she/her/hers/them/they/theirs) is a playwright, librettist, poet and dramaturg who grew up in rural North Florida with a love of music and storytelling. Today, they are an artist who seeks out unique collaborations, working across disciplines to create singular works of theater and opera. They began their career as a teaching artist and teaching/mentorship is still a significant part of their process.

Babel director Redtwist Associate Artistic Director Rinska Carrasco-Prestinary

ABOUT RINSKA CARRASCO-PRESTINARY, director

Rinska Carrasco-Prestinary (she/her/hers) is a Dominican-American who is a proud member of SAG-AFTRA and Gray Talent Group. Carrasco-Prestinary’s previous Redtwist credits include: Isaac’s Eye, Death Tax and Between Riverside and Crazy. Other credits include Firefly Love (Something Marvelous); The River Ride (Halcyon) with other past selected production credits: Taming of the Shrew (assistant director, Barbara Gaines, director, Chicago Shakespeare) and Romeo and Juliet (directing intern, Marti Lyons, director, Chicago Shakespeare). When she is not directing you can catch her being silly with her baby. 

ABOUT REDTWIST THEATRE

Redtwist is an award-winning theatre company that stages up close and personal contemporary dramas annually in its intimate black box theatre housed proudly within the heart of Edgewater’s Bryn Mawr Historic District.

Intimate performances at Redtwist are designed to place the theatre patron in the midst of the stories being told, making them accessible and riveting. Redtwist strives for excellence with every project and proactively endeavors to take risks while offering opportunities for up-and-coming actors, designers and directors to work with established talent. Redtwist provides the very best Chicago storefront theatre experience from excellence on stage, to warm hospitality in a clean, friendly environment.

Chicago Fall 2021Theatre Favorites and What's Open in Person in Our Waning Pandemic World

Save the Dates

ChiIL Live Shows On Our Radar:

Ready to venture back out in public and catch a show? If plays are your jam, The League of Chicago Theatres is your connection for discount tickets and the latest word on what's open, and what combination of mask/face shield/vax/negative test is required at each venue to keep audiences safe.

Love all kinds of arts and entertainment? Check out ChiILLiveShows.com (adult) and ChiILMama.com (family friendly) early and often for the best in Chi, IL's live theatre, music, food and entertainment scene. We'll give you the heads up on what's coming up each month along with original reviews, ticket giveaways, travel features, and more. We've added an asterisk and bold type for the shows below that we're reviewing.

“After more than a year of introspection, planning, and change while theatres have been closed, it is a thrill to have live theatre back—and to experience this great, collective art form in Chicago again,” comments League of Chicago Theatres Executive Director Deb Clapp.

A list of season openers follow. For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Available half-price tickets will be listed at HotTix.org.

Chicago theatres prioritize safely gathering. Patrons are encouraged to confirm current protocols at each theatre. Shows and protocols are subject to change.

 

Now Open

 

The Second City reopened its Chicago venue with two productions: Happy To Be Here on the Mainstage, and Safer, Shorter & Still So Funny at e.t.c. The Second City welcomes back audiences with 60-minute shows Thursdays through Sundays. secondcity.com

Teatro ZinZanni returned on July 8 with a cast of comedians, aerialists, acrobats, singers, dancers, and a gourmet meal inside the Spiegeltent on the 14th floor of the Cambria Hotel. zinzanni.com/Chicago

The Annoyance returned mid-July with a variety of comedy and improv shows at their Lakeview theatre including Dick Wolf: Special IMPROV Unit, Fire & Beer: The Annoyance House Ensemble, Hitch*Cocktails, and SuperHuman among others. theannoyance.com

*Dennis Watkins returns to perform live magic in The Magic Parlour at The Palmer House beginning August 6. themagicparlourchicago.com & 

Drunk Shakespeare returns to performing in the Loop at The Lion Theatre starting August 6. drunkshakespeare.com

*Paramount Theatre produces the regional premiere of the flashy, sexy story of Kinky Boots, August 18 – October 17. paramountaurora.com

*Theater Wit opens its venue with the return of Mr. Burns, a post electric play, an open run beginning August 27. theaterwit.org

City Lit Theater opens the world premiere adaptation of Thirteen Days running September 10 – October 24. citylit.org

*Marriott Theatre celebrates the songbook from the multi-Tony award-winning team of John Kander and Fred Ebb with The World Goes ‘Round opening on September 15. marriotttheatre.com

Chicago Opera Theater performs Carmen in concert at the Harris Theater for Music and Dance on September 16 and 18. chicagooperatheater.org

Metropolis Performing Arts Centre begins their season by transporting audiences to the 1960s with SHOUT: A Mod Musical September 16 – October 30. metropolisarts.com 

The Lyric Opera of Chicago opens its season September 17 with a new production of Macbeth, marking the inaugural production of Music Director Enrique Mazzola's tenure. lyricopera.org

Citadel Theatre in Lake Forest opens its Mainstage season on September 18 with Brighton Beach Memoirs. citadeltheatre.org

*Northlight Theatre opens with a tour-de-force performance by Bethany Thomas in Songs for Nobodies, celebrating the music of Judy Garland, Patsy Cline, Billie Holliday, Edith Piaf and Maria Callas from September 23 – October 31. northlight.org

The Factory Theater in Rogers Park presents Last Night in Karaoke Town, October 1 – November 6. thefactorytheater.com

Broadway In Chicago presents Rent at the CIBC Theatre from October 5 – 10 in the 25th Anniversary “Farewell Season of Love” tour. broadwayinchicago.com

*Mercury Theater Chicago returns to the stage with Sister Act the musical based on the 1992 film, November 5 – January 9. mercurytheaterchicago.com 

Harris Theater for Music and Dance returns October 5 with its Mix At Six series featuring Nathalie Joachim + Spektral Quartet in a celebration of Haitian female artists. harristheaterchicago.org

*Rick Bayless and Windy City Playhouse opens its run of the new immersive theater, food, and farce experience A Recipe for Disaster at Petterino’s in the Loop on October 6. windycityplayhouse.com

*Court Theatre produces The Tragedy of Othello, the Moor of Venice live from October 7 – November 21 on a set that places audience in the middle of the action, along with an at-home, on-demand streaming option. courttheatre.org

Beverly Theatre Guild begins its new season with Roald Dahl’s Matilda The Musical from October 8 –10. btgonline.org

*Black Button Eyes Productions opens Dr. Horrible’s Sing-Along Blog at The Edge Theater to benefit the charity Season of Concern on October 8. blackbuttoneyes.com

The Den Theatre presents four stand-up comedians to kick off its season this fall, beginning with Erik Griffin October 8 & 9. thedentheatre.com

First Folio Theatre returns to in-person performances with The Jigsaw Bride: A Frankenstein Story, an eerie and suspenseful tale, playing October 13 – November 14. firstfolio.org

 The Joffrey Ballet marks its return to the stage with Home: a Celebration, mixed repertory of original work and a beloved classic by co-founder Gerald Arpino from October 13 – 24. joffrey.org

The Auditorium Theatre welcomes back resident company Ensemble Español Spanish Dance Theater as part of their “Made in Chicago Dance Series” on October 16. auditoriumtheatre.org

*Raven Theatre begins its season with the world premiere of Joshua Allen’s The Last Pair of Earlies playing October 27 – December 12. raventheatre.com

*Broadway In Chicago presents the pre-Broadway premiere of Paradise Square at the Nederlander Theatre November 2 – December 5. broadwayinchicago.com

*Steppenwolf Theatre Company revives Tracy Letts’ mind-bending cult classic Bug November 11 – December 12. steppenwolf.org

More theatre reopenings will continue to be announced. For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Available half-price tickets will be listed at HotTix.org.

Chicago theatres prioritize safely gathering. Patrons are encouraged to confirm current protocols at each theatre. Shows and protocols are subject to change.

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world.  

The League of Chicago Theatres’ Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

 

REVIEW: Chicago's Blue Man Group Takes The Stage For Live Shows Again

ChiIL Live Shows On Our Radar

Back In Blue: 

Chicago's Favorite Indigo Entertainers 

Return to Open Run at 

Briar Street Theatre

Photo by D. Kenaz-Mara

GUEST REVIEW:

By Dugan Kenaz-Mara

The Blue Man Group is back and it’s as wonderful as ever! After 15 or so months off from performing, The Blue Man Group has brought all of their loveable antics back to Briar Street Theater and has reignited the joy of seeing live theater. And they do it all safely too! Everyone was required to wear a mask and any audience member drawn onto the stage was given a face shield before interacting with the Blue Men. 

Photo by D. Kenaz-Mara

Before the show even starts you get a fun experience! From the moment you enter the lobby, you might notice classical paintings lining the walls with a little extra blue thrown in. From there you’ll pass a giant blue face perfect for photo ops, before entering the actual theater bathed in blue light. Then the pre-show looping text helps set the chaotic funny mood for the upcoming show. How many twinkies does a Blue Man eat in his life? What bout the amount of toilet paper used in a day in the US? These questions and more are answered (sarcastically) before the show even starts. 

Photo by D. Kenaz-Mara

When the show begins, the audience is bombarded with spectacle after spectacle. From paint drums to musical pipes to Cap'n Crunch, there’s never a dull moment. I especially loved the design elements that went into making the show. The lighting design brought tons of colors to the black stage and out into the audience, the instruments and props were all super creative takes on normal items, and the set was able to change in an instant using their multitude of screens. In addition to that, all of the actors were fabulous too. The Blue Men were able to effortlessly connect to the audience without using words. From subtle gestures to knowingly blank stares, the Blue Men really tapped into human emotion which the viewers were able to recognize easily. They even brought that energy into their props, breathing life into instrumental pipes and controlling people using their signal light wands. 

One of their specialties is keeping the audience on the edge of their seats. When watching the show you never know when you specifically might be singled out. The pre-show announcements called out specific audience members, and the show stopped to call attention to people arriving late. There were also many points in the show where the Blue Men would venture out into the audience (sometimes via the aisles and sometimes climbing right over people’s heads) to pick an audience member to go on stage and help in the performance. But if you don’t get singled out you’ll still have the chance to participate. There are many moments scattered throughout the show where audience members will get to stand up, dance, scream out, and catch things thrown from the stage.

Photo by D. Kenaz-Mara

In the end, watching Blue Man Group was an exhilarating show and I would recommend it to anyone who loves to have fun and wants to have the experience of a lifetime. 

Dugan Kenaz-Mara is an actor, designer, and photographer studying theatre and psychology at Northwestern University. Contrary to popular belief, he is not a time traveler.

Blue Man Group Chicago. Photo credit Caroline Talbot Photography

Theatrical phenomenon Blue Man Group has made its long-awaited return to Chicago’s Briar Street Theatre! A dynamic combination of art, music, comedy and technology, Blue Man Group encourages audiences to reconnect with their inner (and outer) child in order to see the world through a new perspective.  

“For more than 20 years, Blue Man Group has established itself as one of the top entertainment destinations in Chicago,” said Mary Grisolano, Managing Director of Blue Man Group. “We are absolutely thrilled to return to the stage and welcome new and returning audiences to the Briar Street Theatre.”  

Blue Man Group originally debuted at the Briar Street Theatre in Chicago’s Lakeview neighborhood in 1997. Three bald and blue men explore today’s cultural norms with wonder, poking fun at the audience’s collective quirks and reminding them how much they all have in common. The show is continually refreshed with new music, stories, custom instruments and state-of-the-art technology.   

Blue Man Group Ticket Information

Blue Man Group Chicago ticket prices range from $49 – $89. Tickets can be purchased by visiting www.blueman.com. A full show schedule and pricing can also be found at www.blueman.com.  

Special rates are available for groups of 10 or more, varying from $57 – $70 per person. For groups of 10 or more, email chicagogroups@blueman.com to request information.  

2021 Performance Schedule: 

August  

Thursday, August 26 at 8 p.m. 

Friday, August 27 at 8 p.m. 

Saturday, August 28 at 5 and 8 p.m. 

Sunday, August 29 at 2 and 5 p.m.  

September 

Wednesday, September 1 at 8 p.m. 

Thursday, September 2 at 8 p.m. 

Friday, September 3 at 5 and 8 p.m. 

Saturday, September 4 at 5 and 8 p.m. 

Sunday, September 5 at 5 and 8 p.m. 

Wednesday, September 8 at 8 p.m. 

Thursday, September 9 at 8 p.m. 

Friday, September 10 at 8 p.m. 

Saturday, September 11 at 5 and 8 p.m. 

Sunday, September 12 at 2 p.m. 

Wednesday, September 15 at 8 p.m. 

Thursday, September 16 at 8 p.m. 

Friday, September 17 at 8 p.m. 

Saturday, September 18 at 5 and 8 p.m. 

Sunday, September 19 at 2 p.m. 

Wednesday, September 22 at 8 p.m. 

Thursday, September 23 at 8 p.m. 

Friday, September 24 at 8 p.m. 

Saturday, September 25 at 5 and 8 p.m. 

Sunday, September 26 at 2 p.m. 

Wednesday, September 29 at 8 p.m. 

Thursday, September 30 at 8 p.m. 

  

October 

Friday, October 1 at 8 p.m. 

Saturday, October 2 at 5 and 8 p.m. 

Sunday, October 3 at 2 p.m. 

Additional fall and holiday performances will be announced at a later date. 

  

About Blue Man Group 

Blue Man Group is a global entertainment phenomenon, known for its award-winning theatrical productions, iconic characters and multiple creative explorations. Blue Man Group performances are euphoric celebrations of human connection through art, music, comedy and non-verbal communication. Since debuting at New York’s Astor Place Theatre in 1991, the live show has expanded to additional domestic residencies in Boston, Chicago, and Las Vegas, an international residency in Berlin, and multiple North American and World tours, reaching more than 35 million people worldwide. Blue Man Group is universally appealing to a broad range of age groups and cultural backgrounds, and continually injected with new music, fresh stories, custom instruments and sensory stimulating graphics. Blue Man Group is owned and operated by Cirque du Soleil Entertainment Group. For more information, please visit www.blueman.com.  

New Release: Chicago duo DRAMA'S DANCE WITHOUT ME Available February 14, 2020

DANCE WITHOUT ME 

OUT FEBRUARY 14TH 

ON GHOSTLY INTERNATIONAL 

HEADLINE TOUR SET FOR UK, EUROPE & NORTH AMERICA 

Photo by Zoe Rain 

We do like to show our locals some love here in Chi, IL, particularly since 2020 Is The Year of Chicago Music. Chicago duo DRAMA have their highly anticipated album out THIS FRIDAY.



DRAMA is a great example of a Chicago success story. After moving to Chicago in 2010, Rosa connected with THEMPeople, a collective at the center of the city’s sprawling hip-hop scene. Shehade who was born in Chicago to immigrant parents, fell in love with DJ culture as a kid and took up music production and engineering; his interest eventually led to professional opportunities, including early studio work with Chance the Rapper, Kanye West, and music projects for MTV and Bravo. 

After a number of chance meetings they decided to collaborate and the great music followed quickly. Described as "electro-soul" but so much more the new album is definitely not one to sleep on. They will also be playing April 3rd at The Metro. 

DRAMA is the multicultural collaboration between producer Na’el Shehade’s chic Chicago house-infused production style, and vocalist Via Rosa whose soulful delivery is inspired by the improvisational nature of jazz and playful patterns of hip-hop and bossa nova. The duo play to the complementary dynamics of their unlikely pairing by blurring the lines between R&B and dance-pop, heartbreak and bliss. 




They have shared the first video from their brilliant debut album Dance Without Me—out February 14 via Ghostly International—for new single “Years.” Watch the video, directed by Adam Chitayat via Complex: 



"This track is a bittersweet song about the conflict of wanting to let go but still hold onto someone you love, but you know they’re not right for you,” Via Rosa notes. “It’s about knowing you should walk away but also wanting to confess your unconditional and eternal love." Regarding the video, director Adam Chitayat adds, "Filmed practically, we set out to create a series of otherworldly, constantly transitioning spaces for DRAMA to perform through. Emotions can feel like they take us on a ride, floating us forward and bringing us towards things we need to tackle in our lives. The floating and the spaces seek to represent the themes of the song - speaking to your own heart, confronting your past and opening yourself back up to vulnerability."

Dance Without Me is a refined collection that recasts romantic tragedy as moonlit self-acceptance, as heard on previous singles “Hold On,” “Gimme Gimme” and “Nine One One.” It’s a remarkably refined album for a young band, with Rosa’s lyrical candor creating expressionistic narratives about interpersonal intricacies all finessed for the club by Shehade. As a lyricist, Rosa takes her blues and makes them vibrant — rather than wallow alone. There is lush lovelorn affliction blended into the tracks on Dance Without Me, which can be pre-ordered here: https://drama.ffm.to/dancewithoutme. 

Since a chance meeting in 2014 lead to the creation of DRAMA, the Chicago-based duo has bootstrapped a subtle rise on their own terms, self-releasing several EPs and mapping multiple tours with Midwestern grit. Rosa & Na'el announced an extensive North American, UK & European headline tour, kicking off in the UK later this month. See dates below and be sure to see them for a taste of their gorgeous new music.

DRAMA 2020 TOUR DATES
01.29 Manchester, UK @ Night and Day Cafe
01.30 London, UK @ Heaven
02.01 Paris, FR @ Le 1999
02.02 Brussels, BE @ Le Botanique (Witloof Bar)
02.04 Hamburg, DE @ Nochtwache
02.05 Cologne, DE @ Studio 672
02.06 Berlin, DE @ Kantine Am Berghain
02.07 Amsterdam, NL @ Paradiso - SOLD OUT
02.08 Rotterdam, NL @ Rotown 
02.26 Phoenix, AZ @ Valley Bar
02.27 San Diego, CA @ Music Box
02.28 Santa Ana, CA @ Constellation Room
02.29 Los Angeles, CA @ Teragram Ballroom
03.03 San Francisco, CA @ The Independent - SOLD OUT
03.04 San Francisco, CA @ The Independent
03.06 Portland, OR @ Wonder Ballroom
03.07 Seattle, WA @ The Crocodile
03.18 Detroit, MI @ Marble Bar
03.19 Toronto, ON @ Velvet Underground
03.20 Montréal, QC @ Le Ministère
03.21 Boston, MA @ Great Scott
03.26 Brooklyn, NY @ Music Hall of Williamsburg
03.27 Philadelphia, PA @ Johnny Brenda's
03.28 Washington, DC @ Union Stage
04.03 Chicago, IL @ Metro
04.28 Atlanta, GA @ Aisle 5
04.30 Dallas, TX @ Three Links
05.01 Houston, TX @ White Oak Music Hall
05.02 Austin, TX @ Barracuda

Album Pre-Order / Pre-Save: https://drama.ffm.to/dancewithoutme

FOLLOW DRAMA 
Website * Instagram * Facebook * Twitter 

3rd Annual Slackfest Featuring The Slackers Returns To Reggie's Rock Club November 14-16, 2019

Chi, IL Live Shows On Our Radar

17+

Join Us For a 3 Night Ska Bonanza

Last year I had 1 night press/photo credentials. We had so much fun that this year we sprung for two 3-day tickets. Can't wait to catch them live again.

Check out all my Slackfest 2018 live show shots of The Slackers here then come on out this week and catch them live!

(Sunday, December 2, 2018: 2nd Annual Slackfest)

The Circle City Demons 

(direct support for The Slackers: Slackfest 2018)

2019 Three Nights with The Slackers with Three different sets…

Thursday, November 14 – Play Deep Cuts: support by Mephiskapheles, The Drastics and DJ Chuck Wren

Friday, November 15 – Play Love and War: support by Pinata Protest, The Scotch Bonnets and DJ Chuck Wren

Saturday, November 16 – Play Big Tunes: support by Green Room Rockers & special guests, The Prizefighters and DJ Chuck Wren

THE SLACKERS

The Slackers have spreading their gospel of “Jamaican Rock N Roll” for 21 years now. While they have been influenced, and even personally taught by Jamaican ska/reggae originators, like the Skatalites and the Upsetters (Original backing band for the Wailers) they play it with a decidedly American accent. Basically, this band is equally appreciative of old blues, country, 60s soul, rock, and Rnb as it is of reggae, rocksteady, dub, and Ska. It is as if the Rolling Stones or the Yardbirds had grown up on Bob Marley as well as Muddy Waters.

Smashing the stereotypes of “ska” as happy, uptempo, and shallow music, the Slackers play with an aggressive edge and their songs veer in themes from the personal to the political. Back in 1996, the NY Times declared the Slackers to be part of “the sound of New York”, a mantle they haven’t given up since. Ten years later, Alternative Nation stated that their music is “protest music made for dim, sweaty basements.