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Showing posts with label Jessica Thebus. Show all posts
Showing posts with label Jessica Thebus. Show all posts

Friday, August 7, 2026

Sisters To Open Writers Theatre's 35th Season August 13-November 8, 2026


ChiIL Live Shows on our Radar:
Writers Theatre opens its 35th Season
with the riveting and emotional near-future family drama
Sisters
by Matthew Libby, directed by Jessica Thebus
August 13-November 8, 2026



Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, opens its 35th Season in the intimate Gillian Theatre with Sisters, a gripping family drama exploring the familial bond between a woman and her AI sister, written by Matthew Libby and directed by acclaimed Chicago artist and Northwestern University faculty member Jessica Thebus. On the heels of the record-breaking hit JOB, Sisters continues the theatre's timely exploration of how technology shapes humanity. Sisters will run August 13 – November 8, 2026, at 325 Tudor Court, Glencoe. 

Single Tickets for Sisters, $75+, and season subscriptions are now available at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Matilda and Greta have always been there for one another, through joy and grief and homework and boyfriends. They’re as close as sisters can be—even if Greta is artificial intelligence. As Matilda ages and Greta longs for independence, their relationship begins to be tested like never before. Told over the course of 90 years,Sisters is a riveting and thought-provoking new play about the future of family. 

Sisters continues Writers Theatre’s conversation about technology and humanity. Following the record-breaking, sold-out run of JOB, which explored the psychological dangers of technology and our increasingly online lives, Sisters asks a different question about how technology changes how we define family and what it means to be human. Where JOB was a tense psychological thriller about the dangers of our digital world, Sisters is an intimate, emotional portrait that asks whether artificial intelligence can become family.

Braden Abraham comments, “Sisters marks the opening of our 35th season at Writers Theatre, and it seems fitting to begin a milestone year in The Gillian Theatre, a space built on intimacy and our founding charge that the most exciting theatre is made with the audience and actors in close proximity. This extraordinary new play by Matthew Libby asks what remains distinctly, mysteriously human once you strip away everything that can be simulated, predicted or optimized. I can think of no one better than Jessica Thebus to guide us through Matilda and Greta's long, strange and moving companionship."

Told across 90 years, Sisters is a sweeping, non-chronological epic following the relationship between a human and her AI sister. Sisters features a unique two-person cast, in which the character Matilda physically ages on stage from childhood to 96!

The cast is Brenda Barrie (Matilda) and Chloe Johnston (Greta). The understudies are Julia Rowley and Sarah Hecht.

Brenda Barrie (Matilda) and Chloe Johnston (Greta) are both making their Writers Theatre debuts in this intimate two-hander.

The creative team includes: Jessica Thebus (Director), A Inn Doo (Scenic Designer), Lia Wallfish (Costume Designer), Eric Watkins (Lighting Designer), Andre Pluess (Co-Sound Designer), Harper Justus (Co-Sound Designer), Stephan Mazurek (Projections Designer), Reva Stover (Assistant Director), Bobby Kennedy (Dramaturg) and Dylan Cohen (Assistant Dramaturg). The stage manager is Isabel Pratt and the assistant stage manager is Olivia Leslie.

About the Artists

Playwright Matthew Libby has a degree in cognitive science and creative writing from Stanford University and an MFA from NYU. He blends this background to inform his writing. Data, which the New York Times called "a darkly on-point dramatic mirror of present-day events" that feels "all-too present, all-too raw and indisputably somber", addresses the ethics of AI, privacy and surveillance. Sisters also dives into the world of AI, exploring emotional boundaries between humanity and technology.

Matthew Libby (Playwright) is a writer and actor based in Brooklyn, by way of Los Angeles. He made his Off-Broadway playwriting debut with Data (Lucille Lortel Theatre, Outer Critics Circle nomination for the John Gassner Award); regional productions of his plays include Data (Arena Stage, Helen Hayes Award nomination for Best New Play or Musical) and Sisters (Writers Theatre, Northern Stage). Data was also previously adapted as a digital production by the Tony-winning Alliance Theatre in May 2021, a production featured in a New York Times review of virtual theatre works that “clear a path toward continued innovation and growth of the form.” Winner of the Kendeda National Graduate Playwriting Competition and Neukom Playwriting Award, Matt is a 2026 Ucross Resident, 2022-2023 Dramatists Guild Foundation Fellow, 2023 Theater Masters Visionary Playwright, three-time Princess Grace Award finalist, five-time O’Neill Playwrights Conference semifinalist and Blue Ink Playwriting Award featured finalist. His work has been produced and developed by theaters across the country, including Roundabout, Alliance Theatre, New York Stage and Film, Westport Country Playhouse, Northern Stage, Pioneer Theatre Company, The Kennedy Center, National New Play Network, Theater Masters, The Barrow Group, The Road Theater Company, WNYU’s Theatre-in-the-Sound and others. With Stanford Repertory Theater, he helped devise and act in The Many Faces of Farce, which was nominated for a Bay Area Critics Award for Best Production. For the screen, he is a writer on Season 3 of Fox's hit medical drama Doc, has developed TV projects for Hulu, Lionsgate/eOne, Beau Willimon's Westward Productions and Alex Gibney's Jigsaw Productions, and has been recognized for his screenwriting work by The Black List and Script Pipeline. Matt studied cognitive science and creative writing at Stanford University and received his MFA in dramatic writing from NYU’s Tisch School of the Arts, where he also teaches and was awarded the Chair’s Award for Distinguished Achievement. He is a proud member of the Writers Guild of America and the Dramatists Guild of America.

Jessica Thebus returns to Writers Theatre where she previously directedThe Turn of the Screw. Writers audiences may recognize thematic echoes of Writer’s 2015 production of Marjorie Prime, which featured Thebus’s late mother, Mary Ann Thebus, and explored similar themes of memory and humanity.

Jessica Thebus (Director) is a theater artist, director and educator. She holds a PhD in Performance Studies from Northwestern University, and is currently Director of the Northwestern MFA Program in Directing. She has directed in Chicago and nationally for twenty-five years, and has long associations with many Chicago theaters, including the Goodman Theatre where she directed A Christmas Carol from 2000-2005, as well as plays by Tracy Scott Wilson and Sarah Ruhl. Northlight Theater is also an artistic home for Jessica where she has directed ten plays including Shining Lives: A Musical which received a Joseph Jefferson award nomination for best new work. Favorite others include Steppenwolf Theater Company, Lookingglass Theater Company, The Gift Theater, Writers Theater and Court Theater. Favorite projects nationally have taken place at the Oregon Shakespeare Festival, The Huntington Theatre, Kansas City Repertory Theatre, The Marin Theater Company, as well as the Kennedy Center in Washington, D.C. Jessica also creates outdoor spectacle projects in Chicago that celebrate community, joy and environmental justice.

Brenda Barrie (Matilda) is making her Writers Theatre debut. Chicago credits include Steppenwolf Theatre Company (Middletown, Sex with Strangers, Okay Bye); Chicago Shakespeare Theater (Julius Caesar, Elizabeth Rex); American Blues Theater (Roann @ the Gates, Six Corners); Lifeline Theatre (Mrs. Caliban,Mariette in Ecstasy); Goodman Theatre (Mother Road); The House Theatre of Chicago (United Flight 232, The Nutcracker); Route 66 Theatre Company (The Downpour); The Gift Theatre (The Ruby Sunrise); Metropolis Performing Arts Centre (A Streetcar Named Desire); and Silk Road Rising (Caravaggio). She is a four-time Joseph Jefferson Award nominee for Principal Performer and has also appeared on Chicago Med, Chicago P.D., Chicago Fire, and The Chicago Code. She earned her BFA in Theatre from the University of Indianapolis and spent a formative semester studying at the University of Ulster in Northern Ireland. She is represented by Stewart Talent.

Chloe Johnston (Greta) is a writer, director and teacher in Chicago. She has worked with theatres across Chicago and is a long-time ensemble member of The Neo-Futurists. Recent projects include 46 Plays for America’s First Ladies (Critics Pick, NYTimes), Grace (The Orchard Project, Links Hall, Roman Susan, Northwestern University) and Leave the Light On, an interview-based performance and audio project about caretaking labor. With Coya Paz Brownrigg, she is the author of Ensemble-Made Chicago: A Guide to Devised Theater (NU Press). She is an Associate Professor of Theater and Performance Studies at Lake Forest College. www.chloejohnston.org


Performance Schedule:

Wednesdays: 2:00pm and 7:30pm

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 2:00pm and 7:30pm

Sundays: 2:00pm and 7:00pm



Open Captioned Performance: Thursday, September 17 at 7:30pm

ASL-Interpreted Performance: Saturday, September 19 at 2:00pm

Pay What You Can Performances: Sunday, August 23 at 7pm, Sunday, September 27 at 7pm, Saturday, October 31 at 7:30pm and Thursday, November 5 at 7:30pm

Location: Gillian Theatre, 325 Tudor Court, Glencoe

Prices: $75+

Discounts are available for students, educators, theater industry professionals, active military personnel, veterans, police officers, firefighters and their immediate families. Information is available at: https://www.writerstheatre.org/plan-your-visit/box-office-and-theatre-center/pricing--special-offers

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000;

www.writerstheatre.org

Single tickets are now on sale. Flex subscriptions and tickets are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

SEASON PACKAGES

Writers Theatre is offering a variety of subscriptions with an option for every theatregoer. Each subscription includes a deeply discounted ticket price, ranging from $275-$385 for one ticket to the five-play series, Flex subscriptions, with options for either four tickets ($280) or five tickets ($350), are available.

Season package subscribers receive the new Writers Theatre concierge service for ticket exchanges and questions. Exclusive subscriber benefitsinclude: complimentary ticket exchanges (upgrade fees may apply), special “subscriber-rate” prices on additional tickets, advance access to special events and programs, easy, free parking, exclusive discounts in bar items and merchandise, discounts on rental of Writers Theatre event spaces on Writers Theatre merchandise, event rentals and more. For a complete list of benefits, visit writerstheatre.org.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Single tickets will go on sale for each show approximately two months prior to first preview. Single ticket prices start at $35.

AUDIENCE ENGAGEMENT OPPORTUNITIES

Writers Theatre offers Open Captioning and ASL-interpretation on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast and The Final Word Audience Discussion Series. Please visit writerstheatre.org for a full listing of upcoming offerings.


ABOUT WRITERS THEATRE
Writers Theatre proudly celebrates its 35th Season. 

From its beginnings in the back room of a Glencoe bookstore, Writers Theatre established what would become its defining conviction: that vibrant language and exceptional performances in an intimate setting create a transformative theatrical experience. Today, the company is a major cultural destination in the Chicago region with a national reputation for artistic excellence, heralded by The Wall Street Journal as “America’s finest regional theatre company.”

Founded in 1992, Writers has produced over 160 productions—from inventive interpretations of classics to groundbreaking new work. In 2016, the company opened a state-of-the-art theatre center designed by the internationally renowned Studio Gang Architects. The new facility includes the 255-seat Alexandra C. and John D. Nichols Theatre and the flexible 100-seatGillian Theatre, spaces designed to preserve the company's trademark intimacy and bring audiences up close to Chicago’s finest actors. The building’s striking glass atrium serves as a welcoming gathering space for artists, staff and the community, open daily for reading, working and conversation.

Led by Executive Director Kate Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, Writers Theatre welcomes more than 60,000 patrons each year. The company has established itself as an important originator of new theatrical work, having produced over 30 world premieres in its history—including Manual Cinema’s Christmas Carol, Witch by Jen Silverman, Trevor the Musical by Dan Collins and Julianne Wick Davis, A Minister's Wife by Austin Pendleton, Jan Tranen and Josh Schmidt, The Savannah Disputation by Evan Smith and Marilyn Campbell and Curt Columbus’s adaptation of Crime and Punishment.

Education and community engagement remain central to Writers Theatre’s mission. Each season, the organization reaches more than 5,000 students and adults through school matinees, in-school residencies and curriculum-based programs that introduce young people to professional theatre. Writers Theatre also offers a wide range of free programs for the broader community, including readings, lectures and partnerships with local organizations that make theatre accessible to audiences of all ages.

Located just 20 miles north of downtown Chicago, Writers Theatre offers artists and audiences a setting that combines world-class theatre with the calm and accessibility of Chicago’s North Shore. As Writers Theatre enters its 35th season, the company continues its commitment to artistic excellence, meaningful storytelling and the uniquely powerful connection that only intimate theatre can create.

Friday, April 19, 2019

OPENING: Into the Breeches! at Northlight Theatre May 9 – June 16, 2019

ChiIL Live Shows on our radar


Northlight Theatre concludes its 2018-19 season with
Into the Breeches!
Written by George Brant
Directed by Jessica Thebus
Featuring Mitchell Fain, Molly Hernandez, Annie Munch, Darci Nalepa, Hollis Resnik, Penny Slusher, Penelope Walker and Fred Zimmerman


May 9 – June 16, 2019


I'll be out to review in mid May, so check back with ChiIL Live Shows like we vote in Chi, IL... early and often. Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, concludes its 2018-19 season with Into the Breeches!, written by George Brant and directed by Jessica Thebus. Into the Breeches! runs May 9 – June 16, 2019 at Northlight Theatre, 9501 Skokie Blvd in Skokie. 

It’s 1942 and with the men off at war, the Oberon Play House is lacking its director and leading men. The season will be canceled…until the director’s wife rallies the troops at home for an all-female production. With the opportunity to move from the sidelines to centerstage, the women forge ahead with a spirit of collaboration, dauntless enthusiasm, and a belief in the power of art to move us forward. This surprisingly modern comedy proves that the show not only must, but will go on.

“Playwright George Brandt is a Morton Grove native and alumnus of Northwestern. In fact, George has set the play against the backdrop of Evanston during the Second World War,” comments BJ Jones. “In Shakespeare's time as you know, women's roles were played by young men, as women on stage were deemed scandalous and inappropriate. Brandt has flipped this around, casting women in men's roles through necessity during the Great War, and not just in service of humor, but taking the opportunity to discuss issues of gender we focus on today. In fact, theatrical funding, racial issues, class structure all are examined through the lens of history. The celebration of theatre that is Into the Breeches! is a refreshing finish to this wonderful 44th season.”

The cast of Into the Breeches! includes Mitchell Fain (Stuart Lasker), Molly Hernandez (June Bennett), Annie Munch (Grace Richards), Darci Nalepa (Maggie Dalton), Hollis Resnik (Celeste Fielding), Penny Slusher (Winifred Snow), Penelope Walker (Ida Green) and Fred Zimmerman (Ellsworth Snow).

The creative team includes Arnel Sancianco (set design), Samantha C. Jones (costume design), JR Lederle (lighting design) and Kevin O’Donnell (sound design). The dramaturg is Lauren Shouse and the stage manager is Rita Vreeland.

Northlight’s production of Into the Breeches! is supported in part by John J. Cahill, J. Douglas Gray/Marshall Street Capital, Carol & Steve Mullins, The Pauls Foundation, Plante Moran, and Room & Board.

Into the Breeches! is the first of George Brant’s plays to be presented at Northlight. Brant is from Morton Grove and is a graduate of Northwestern University. The play is set in Evanston, IL.

ABOUT THE ARTISTS
George Brant (Playwright) has had plays produced in the Chicago area including Grounded (produced at American Blues Theatre, Theater of Thought, ETOPiA, and Northwestern’s Jewish Theatre Ensemble), Any Other Name  (Williams Street Rep) and Grizzly Mama (Rivendell Theatre).  His work here in the ‘90s included One Hand Clapping, Tights on a Wire and Night of the Mime. His plays have been produced internationally and received a Lucille Lortel Award, an Edgerton Foundation New Play Award, and the Keene Prize for Literature. He is a graduate of Northwestern University and received his MFA in Writing from the Michener Center at UT-Austin. Upcoming work includes the world premiere of The Prince of Providence at Trinity Repertory Company and an operatic version of Grounded at The Met.


This is Director Jessica Thebus’s seventh production with Northlight Theatre. She is Director of the Graduate Directing Program at Northwestern University.

Jessica Thebus (Director) is a director of theater and an educator based in Chicago. Past Northlight credits include The Book of Will, Miss Bennet: Christmas at Pemberley, Shining Lives: A Musical, Dr. Jekyll and Mr. Hyde, Inherit the Wind and Red Herring. At Steppenwolf, she has directed Sex with Strangers, Intimate Apparel, Dead Man’s Cell Phone, No Place Like Home, When the Messenger is Hot (also at 59 E 59th in NYC) and Sonia Flew. Other favorite projects: Richard III (Gift), In the Garden by Sarah Gmitter (Lookingglass), Buzzer by Tracy Scott Wilson (Goodman), Welcome Home Jenny Sutter (Next), As You Like It (Oregon Shakespeare), and The Feast: an intimate Tempest (Chicago Shakespeare with Redmoon). She is Director of the Graduate Directing Program at Northwestern University.

Mitchell Fain (Stuart Lasker) was born in Providence, Rhode Island and moved to Chicago 25 years later to grow up. He has had the opportunity to work with many wonderful people and companies here in Chicago including the Bailiwick, The Factory, Streetsigns, Roadworks, Chicago Shakespeare, Second City Theatricals, Eclipse, Pegasus Players, Northlight, and many more. He has appeared in a number of TV shows and commercials and several independent films. In addition, he is a member of Chicago’s own celebrated Midnight Circus where he flips, flops, and occasionally flies with his best friends and colleagues. Mitchell won an After Dark award for his performance as William Shakespeare in the Circus’s production of All the World’s a Stage. Most recently, Mitchell played Puck in Indiana Repertory’s production of A Midsummer Night’s Dream and Theatre Guy in the premiere of Stilettos, Circus, and Soul at Northlight Theatre. Favorite roles include Henry VI, Horatio, Allen Ginsberg, Frank O’Hara, Stephen Daedelus, Peter Van Daan, and a killer cheerleader named Pepper in the long running hit Bitches.

Molly Hernandez (June Bennett) has enjoyed performing for others since the age of 9 when she debuted as Scout in To Kill a Mockingbird. Shortly after, she worked professionally with the Court Theater in Wait Until Dark and has since worked in film, video, voice over, print ads and commercials. Regionally, Molly portrayed Maria Elena Santiago in American Blues Theater’s production of The Buddy Holly Story. Molly also played Rosabella in the Jeff Recommended production of The Most Happy Fella at Theo Ubique, for which she was nominated for the Best Actress in a Principal Role in a Musical. She has also appeared in multiple productions with Collaboraction Theatre Company and played Julie Jordan in Carousel as a member of the 2017 Resident Company at Timber Lake Playhouse. On television, Molly can be seen as Elisa Rodriguez on episode 512 of Chicago PD and as Maya Ruiz on episode 105 of APB. She has also been featured in a number of films and commercials.

Molly Hernandez (June Bennett) and Annie Munch (Grace Richards) are making their Northlight debuts in Into the Breeches!

Annie Munch (Grace Richards) is making her Northlight Theatre debut. Previous credits include Mary Page Marlowe (Steppenwolf), Guess Who’s Coming to Dinner? (Indiana Repertory Theatre), The Wolves (TheatreSquared), The Antelope Party (Theater Wit), as well as work with Strawdog Theatre Company, Next Theatre, and Awkward Pause Theatre. Television credits include Sense8, Proven Innocent, Chicago PD, Crisis, and Underemployed. Annie is an instructor with the Actors’ Training Center in Wilmette and is a proud graduate of Northwestern University. 

Darci Nalepa (Maggie Dalton) is a proud ensemble member of The Gift Theatre where she has appeared in A Swell In the Ground, A Life Extra Ordinary, and Good for Otto. Other Chicago credits include: Cry It Out (Northlight), Queen (Victory Gardens), Kill Floor (American Theatre Company), Northanger Abbey (Remy Bumppo), and The Drunken City (Steppenwolf). Darci appeared in Stephen Cone’s film Henry Gamble’s Birthday Party and is the co-creator of the upcoming web series The Force. Television credits include Patriot, Shameless and Chicago Fire. She is a graduate of The School at Steppenwolf and works as an Instructor at Black Box Acting.

Hollis Resnik (Celeste Fielding) returns to Northlight after having been seen in Grey Gardens as Big/Little Edie, You Can’t Take It With You, The Immigrant and Enter the Guardsman. She was last seen as Miriam in Court’s The Good Book. National tours include: Les Miserables, Thoroughly Modern Millie, Dirty Rotten Scoundrels and Sister Act. Recipient of the 2012 Lunt/Fontaine Fellowship, several Jeff awards, 2 Sarah Siddons Awards and a Helen Hayes Award. 

Penny Slusher (Winifred Snow) last appeared at Northlight in By the Water. Other Northlight productions include You Can’t Take It With You, Chapatti, Sense & Sensibility and A Life. Chicago credits include: Sweet Bird of Youth (Goodman); Uncle Vanya (After Dark Award), The Importance of Being Earnest, James Joyce’s “The Dead” (Court); Old Glory, Another Part of the Forest (Jeff Award), Bus Stop, The Subject Was Roses (Writers). Regional credits include: Chapatti and The Hollow (Peninsula Players), My Fair Lady (Asolo Repertory), and Sense & Sensibility (Actors Theatre of Louisville and Saint Louis Repertory). International Theatre credits include: Chapatti and Stella & Lou (Northlight at Galway International Arts Festival, Ireland), August: Osage County (Steppenwolf at Sydney Theatre, Australia). Film and television credits include: Virginia, Meet the Browns, Grace is Gone, and The Connie Banks Show.

Penelope Walker (Ida Green) returns to Northlight after previously appearing in Curve of Departure, Eclipsed, Gee’s Bend, and Bee Luther Hatchee. Other Chicago credits include Life Sucks, Black Diamond, The Years the Locusts Have Eaten (Lookingglass); The House That Will Not Stand, No One As Nasty (Victory Gardens); A Christmas Carol, The Story, Crowns, (Goodman); Love & Information (Remy Bumppo); We’re Gonna Be Okay, The Projects, Agnes of God, Doubt, People’s Temple (American Theatre Company); Will You Stand Up (Erasing the Distance Theatre Company); Seven Homeless Mammoths Wandering New England (Theatre Wit); Love Lies Bleeding (Steppenwolf); 10 Virgins, Voyeurs de Venus (Chicago Dramatists); and The Clink (Rivendell Theatre). She created and performed her own solo show How I Jack Master Funked The Sugar in My Knee Caps. Film/Web/TV credits include: Dubious Ruffians, Olympia, Flowers, Matching Pursuit, Chicago Med, Chicago Fire, Chicago Justice, and Boss.

Fred Zimmerman (Ellsworth Snow) has appeared at Court, Northlight, and Goodman, and around the country in the National Touring Companies of Show Boat, Ragtime, and The Radio City Christmas Spectacular Starring the Rockettes (as Santa, of course).  You may also have caught him last season on NBC’s Chicago Fire, or you may have had your mind read during one of his regular corporate-event appearances as Fred Zimmerman – The Chicago Mentalist.

Written for the ensemble of Trinity Repertory Company it is a perfect vehicle for the amazing ensemble that is the Chicago theatre community. Northlight welcomes back some favorite artists, as well as some exciting new faces, under the gifted direction of Jessica Thebus, who guided Miss Bennet: Christmas at Pemberley, The Book of Will and next season The Wickhams: Christmas at Pemberley.

Curtain times are: Tuesdays: 7:30pm (May 14 only); Wednesdays: 1:00pm (except May 29); and 7:30pm; Thursdays: 7:30pm; Fridays: 8:00pm; Saturdays: 2:30pm (except May 11); and 8:00pm; and Sundays: 2:30pm; and 7:00pm (May 12 and June 2 only).

Backstage with BJ: Into the Breeches!
Friday, May 3 at noon 
at Northlight Theatre 

Backstage with BJ is a mid-day discussion with Artistic Director BJ Jones, featuring special guest artists, actors, directors and designers, offering behind-the-scenes insight into each production while it is still in rehearsal. Backstage with BJ for Into the Breeches! will last approximately one hour. The event is free, but reservations are required. Visit https://northlight.org/events/backstage-with-bj/ to reserve your spot. 

Post Show Discussions will be held after the following performances:
May 14, May 30 and June 6 following the evening performances and May 12, May 22, May 26, and June 5 following the matinees.

An Open Captioning performance will be held on Saturday, June 8 at 2:30pm.


Dates:
 

Previews: May 9 – 16, 2019
Regular run: May 18 – June 16, 2019

Schedule: 
Tuesdays: 7:30pm (May 14 only)
Wednesdays: 1:00pm (except May 29); and 7:30pm
Thursdays: 7:30pm 
Fridays: 8:00pm
Saturdays: 2:30pm (except May 11); and 8:00pm
Sundays: 2:30pm; and 7:00pm (May 12 and June 2 only)

Location: Northlight Theatre is located at the North Shore
Center for the Performing Arts, 9501 Skokie Blvd,
Skokie

Tickets:
Previews: $30-$60
Regular run: $30-$88
Student tickets are $15, any performance 
(subject to availability)

Box Office:
The Box Office is located at 9501 Skokie Blvd, Skokie.

847.673.6300; northlight.org




Northlight Theatre aspires to promote change of perspective and encourage compassion by exploring the depth of our humanity across a bold spectrum of theatrical experiences, reflecting our community to the world and the world to our community. 

Now in its 44th season, the organization has mounted over 200 productions, including more than 40 world premieres. Northlight has earned 207 Joseph Jefferson Award nominations and 36 Awards, as well as ten Edgerton Foundation for New Play Awards. As one of the area’s premier theatre companies, Northlight is a regional magnet for critical and professional acclaim, as well as talent of the highest quality. 

Northlight is supported in part by generous contributions from Allstate Insurance; the Paul M. Angell Family Foundation; Robert & Isabelle Bass Foundation; BMO Harris Bank; Henrietta Lange Burk Fund; The Elizabeth F. Cheney Foundation; The Chicago Community Trust; ComEd, An Exelon Company; The Davee Foundation; Edgerton Foundation for New American Plays Award; Evanston Community Foundation; Full Circle Foundation; Illinois Arts Council, a state agency; Kirkland & Ellis Foundation; The John D. and Catherine T. MacArthur Foundation; Melvoin Award for Playwriting; Modestus Bauer Foundation; National Endowment for the Arts; Niles Township; The Offield Family Foundation; The Pauls Foundation; Room & Board; Sanborn Family Foundation; Dr. Scholl Foundation; The Shubert Foundation, Inc.; The Harold and Mimi Steinberg Charitable Trust; The Sullivan Family Foundation; and Tom Stringer Design Partners.




2019 Year of Chicago Theatre  
Northlight Theatre is proud to be part of the 2019 Year of Chicago Theatre, presented by the City of Chicago and the League of Chicago Theatres. To truly fall in love with Chicago, you must go to our theatres. This is where the city bares its fearless soul. Home to a community of creators, risk-takers, and big hearts, Chicago theatre is a hotbed for exciting new work and hundreds of world premieres every year. From Broadway musicals to storefront plays and improv, there’s always a seat waiting for you at one of our 200+ theatres.  

Wednesday, November 1, 2017

OPENING: Midwest Premiere of The Book of Will at Northlight Theatre Through December 17th

Northlight Theatre continues its 2017-18 season
with the Midwest Premiere of
The Book of Will
By Lauren Gunderson
Directed by Jessica Thebus


November 9 – December 17, 2017

Here at ChiIL Live Show, we adore Shakespeare and can't wait to catch  Northlight Theatre's latest, The Book of Will, by Lauren Gunderson, author of Miss Bennet: Christmas at Pemberley, last year's Jeff nominated holiday hit at Northlight. We're also elated this production is both written and directed by women! We'll be seeing it on November 22nd, so check back shortly after for our full review.

Northlight Theatre recently received the 50/50 Applause Award for 2017 from the International Centre for Women Playwrights. The company was among 58 recipients honored for producing 50% or more plays by women playwrights during the 2016/17 season (which included the World Premiere of Miss Bennet: Christmas at Pemberley by Lauren Gunderson and Margot Melcon).


Northlight Theatre, under the direction of Artistic Director BJ Jones and Executive Director Timothy J. Evans, presents the Midwest Premiere of The Book of Will, written by Lauren Gunderson and directed by Jessica Thebus.  The Book of Will runs November 9 – December 17, 2017 at Northlight Theatre, 9501 Skokie Blvd in Skokie. 

William Shakespeare wrote some of the world’s most beloved plays – but without his friends, they may have been lost to history! Follow the members of Shakespeare’s own company as they cunningly navigate the production of the First Folio in 1623. They may not have any money or clear-cut rights to his work, but they’re armed with wit, humor, a deep camaraderie and a passion to preserve the plays that shaped their lives. With the help of their wives and colleagues, two actors set out not only to print a collection, but to uphold a legacy for the world. From the author of Miss Bennet: Christmas at Pemberley.

Artistic Director BJ Jones comments, “Lauren Gunderson is one of America's most produced playwrights thanks to Miss Bennet and now The Book of Will. We are proud to have introduced her work to Chicago, and of the Jeff nomination she received for Miss Bennet. Our continued collaboration with her is a joy for us and, we're sure, for our audiences.”

In The Book of Will, playwright Lauren Gunderson imagines the backstory of the creation Mr. William Shakespeare's Comedies, Histories, & Tragedies – commonly referred to as The First Folio. Shakespeare’s fellow actors, John Heminges and Henry Condell, were responsible for and had to collect copies of the plays in the form of actors’ sides, prompt books, quarto texts and handwritten versions. Without them we may have forever lost plays such as Macbeth, Julius Caesar, and Twelfth Night.

The cast of The Book of Will includes Rengin Altay (Rebecca Heminges/Anne Hathaway), Dana Black (Alice Heminges/Susannah Shakespeare), McKinley Carter (Elizabeth Condell/Emilia Bassano Lanier), Thomas J. Cox (Ralph Crane), William Dick (Ben Jonson/Sir Edward Dering), Sam Hubbard (Boy Hamlet/Marcus/Bernardo), Gregory Linington (Henry Condell), Jim Ortlieb (John Heminges), Luigi Sottile (Ed Knight/Isaac Jaggard) and Austin Tichenor (Richard Burbage/William Jaggard).


Austin Tichenor, playing Richard Burbage/William Jaggard), co-wrote Pop-Up Shakespeare, an illustrated pop-up book showing scenes and moments from all of Shakespeare’s plays. The book was released in early October.  He wrote and performed in ten productions with the Reduced Shakespeare Company and hosts the weekly Reduced Shakespeare Company podcast.

The creative team includes Richard and Jacqueline Penrod (Scenic Design), Janice Pytel (Costume Design), Paul Toben (Lighting Design), and Rick Sims (Sound Design). The production stage manager is Kimberly Ann McCann.

The Box Office is located at the North Shore Center for the Performing Arts, 9501 Skokie Boulevard, in Skokie. Box Office hours are Monday-Friday 10:00am-5:00pm, and Saturdays 12:00pm-5:00pm. On performance days, the box office hours are extended through showtime. The Box Office is closed on Sundays, except on performance days when it is open two hours prior to showtime.

Curtain times are: Tuesdays: 7:30pm (November 14 and 21 only); Wednesdays: 1:00pm and 7:30pm; Thursdays: 7:30pm (except Thanksgiving – November 23); Fridays: 8:00pm; Saturdays: 2:30pm (except November 11) and 8:00pm; and Sundays: 2:30pm and 7:00pm (November 12 and 26 only).

Northlight is continuing its popular special event series in conjunction with each production. All events are free.

Backstage with BJ: The Book of Will
Friday, November 3 at noon
at Northlight Theatre
9501 Skokie Boulevard, Skokie, IL
Backstage with BJ is a mid-day discussion with Artistic Director BJ Jones, featuring special guest artists, actors, directors and designers, offering behind-the-scenes insight into each production while it is still in rehearsal. Backstage with BJ for The Book of Will will last approximately one hour. The event is free but reservations are required. Visit https://northlight.org/events/backstage-with-bj/ to reserve your spot.

Inside The Book of Will
Thursday, November 30 at 2:00 pm
Skokie Public Library, 5215 Oakton St., Skokie
Explore the ​inspiring true story of Shakespeare's First Folio and how that tale has been translated to the stage in a discussion and Q&A with artists related to the production.

Published in 1623, The First Folio contains approximately 900 pages and the following plays:
Comedies: The Tempest, The Two Gentlemen of Verona, The Merry Wives of Windsor, Measure for Measure, The Comedy of Errors, Much Ado About Nothing, Love's Labour's Lost, A Midsummer Night's Dream, The Merchant of Venice, As You Like It, The Taming of the Shrew, All's Well That Ends Well, Twelfth Night, and The Winter's Tale
Histories: King John, Richard II, Henry IV Part 1, Henry IV Part 2, Henry V, Henry VI Part 1, Henry VI Part 2, Henry VI Part 3, Richard III, Henry VIII,
Tragedies: Troilus and Cressida, Coriolanus, Titus Andronicus, Romeo and Juliet, Timon of Athens, Julius Caesar, Macbeth, Hamlet, King Lear, Othello, Antony and Cleopatra, and Cymbeline.

'Popping Up' with Austin
Tuesday, December 5 at 6:30pm
The Book Stall, 811 Elm St., Winnetka
Cast member Austin Tichenor will discuss his experiences with the Reduced Shakespeare Company, The Book of Will, and his own ​recent ​book: Pop-Up Shakespeare. Event includes ​a brief performance, book signing, and Q&A.

The Book of Will was commissioned by Denver Center Theatre Company and developed at the 2016 Colorado New Play Summit.

Regular run: November 18 – December 17, 2017

Schedule: Tuesdays: 7:30pm (November 14 and 21 only)
Wednesdays: 1:00pm and 7:30pm           
Thursdays: 7:30pm (except Thanksgiving – November 23)
Fridays: 8:00pm
Saturdays: 2:30pm (except November 11) and 8:00pm
Sundays: 2:30pm and 7:00pm (November 12 and 26 only)

Location: Northlight Theatre is located at the North Shore
Center for the Performing Arts, 9501 Skokie Blvd,
Skokie

Tickets: Previews: $30-$57
Regular run: $30-$81
Student tickets are $15, any performance
(subject to availability)

Box Office: The Box Office is located at 9501 Skokie Blvd, Skokie.
847.673.6300; northlight.org
  

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