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Showing posts with label Manual Cinema. Show all posts
Showing posts with label Manual Cinema. Show all posts

Wednesday, July 18, 2018

OPENING: Chicago Debut of Manual Cinema's The End of TV at Chopin Theatre

Chi IL Live Shows On Our Radar:

Manual Cinema is self-presenting the Chicago debut of The End of TV for a three-week summer run July 19-August 5 at Chopin Theatre in Wicker Park.


 “The End of TV’s artistry is awesome. Its impact is profound, unique, indescribable.”
- Christopher Arnott, Hartford Courant 

”a fascinating theatergoing experience blending live music, old TV video clips and shadow puppetry”
- E. Kyle Minor, New Haven Register 

“the audience gets to experience…a moment of live artistic creation, playing out on the stage in front of them, with little to hide and lots to show” 
- Thomas Breen, New Haven Independent 

Photo Credit for all: Judy Sirota Rosenthal


I'll be ChiILin' at Chi, IL's Chopin Theatre this Friday for the press opening of Manual Cinema's Chicago debut of The End of TV. We've reviewed many of Manual Cinema's productions over the years and love their quirky multimedia story telling style that combines live action and projection. We're eager to catch their latest. Check back soon for my full review.



The End of TV - an art pop song cycle with live visuals set in post-industrial Rust Belt America - melds vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design and a live music ensemble. 

Through its tale of two women who become unlikely friends as one approaches the end of her life, while the other is reinventing a new one, The End of TV becomes an unforgettable, multimedia, theatrical meditation on late 20th century advertising, TV culture and the pre-internet American imagination. 

Manual Cinema has announced a three-week summer run of The End of TV, July 19- August 5 at the Chopin Theatre, 1543 W. Division, in Chicago’s Wicker Park neighborhood.

A critical and box office hit when it debuted last summer at The International Festival of Arts and Ideas in New Haven, CT, Manual Cinema’s summer run at Chopin marks the Chicago premiere of The End of TV.

The End of TV has one preview, Thursday, July 19 at 7 p.m. Performances continue through August 5: Thursday, Friday and Saturday at 7 p.m., and Sunday at 3 p.m. Run time is 70 minutes. Tickets are $30; $20 for students and seniors. Tickets are on sale now and can be purchased at manualcinema.com/cal.





Manual Cinema was founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter, all close collaborators on The End of TV. Manual Cinema has turned heads in Chicago ever since, combining handmade shadow puppetry, cinematic techniques, and innovative sound and music to create immersive visual stories for stage and screen. Using vintage overhead projectors, multiple screens, puppets, actors, live feed cameras, multi-channel sound design, and a live music ensemble, Manual Cinema transforms the experience of attending the cinema and imbues it with liveness, ingenuity, and theatricality.


Manual Cinema-The End of TV (Official Trailer) from Manual Cinema on Vimeo.



The End of TV premiered in June, 2017 at the The International Festival of Arts and Ideas in New Haven, CT, and was met with substantial critical acclaim: 


Set in a post-industrial Rust Belt city in the 1990s and told through a collection of original 70’s R&B-inspired art pop songs, The End of TV explores the quest to find meaning amongst the increasingly constant barrage of commercial images and advertising white-noise. Two sides of the American Dream — its technicolor promise as delivered through TV ads, and its failure, witnessed in the dark reality of industrial decline — are staged in cinematic shadow puppetry and lo-fi live video feeds with flat paper renderings of commercial products. The show is driven by a sweeping chamber art pop song cycle performed live by a seven-piece band.

The End of TV depicts the rise and fall of the American rust belt through the stories of Flo and Louise, both residents of a fictional Midwestern city. Flo is an elderly white woman, once a supervisor at the thriving local auto plant. Now succumbing to dementia, the memories of her life are tangled with television commercials and the “call now” demands of the QVC home shopping network. Louise, a young black woman laid off from her job when the same local auto plant closes, meets Flo when she takes a job as a Meals-on-Wheels driver. An unlikely relationship grows as Flo approaches the end of her life and Louise prepares for the invention of a new one. Their story is intercut with commercials and TV programs, the constant background of their environment.

The End of TV is a Manual Cinema production. Credits are: screenplay by Kyle Vegter and Ben Kauffman; direction and storyboards by Julia Miller; adapted for the screen by Lizi Breit, Drew Dir, Sarah Fornace, Julia Miller, Ben Kauffman and Kyle Vegter; music by Ben Kauffman and Kyle Vegter; sound design by Kyle Vegter; puppet design by Lizi Breit; associate puppet designer and storyboard artist Drew Dir; assistant director Sarah Fornace; costumes by Mieka van der Ploeg; lighting design by Claire Chrzan; lighting associate Shelbi Arndt; masks by Julia Miller; stage manager Shelby Glasgow; production manager Mike Usrey; puppet build interns Zofia Lu Ya Zhang and Kathryn Ann Shivak.

The cast is Kara Davidson (Flo/puppeteer), Aneisa Hicks (Louise/puppeteer), Jeffrey Paschal (ensemble/ puppeteer), Vanessa Valliere (ensemble/puppeteer), Shalynn Brown aka RED (drums), Maren Celest (vocals, live sound FX, live video mixing), Deidre Huckabay (flutes, vocals), Ben Kauffman (vocals, guitar, keyboard), Lia Kohl (cello, vocals), Marques Toliver (vocals, violin) and Kyle Vegter (bass).

The End of TV was co-commissioned by The International Festival of Arts & Ideas, New Haven, CT, and made possible in part with funding by the New England Foundation for the Arts’ National Theater Project, with lead funding from The Andrew W. Mellon Foundation.


More about Manual Cinema

“this Chicago troupe is conjuring phantasms to die for…”
-Ben Brantley, The New York Times

Manual Cinema was founded in 2010 by Drew Dir, Sarah Fornace, Ben Kauffman, Julia Miller, and Kyle Vegter. To date the company has created seven original feature length live cinematic shadow puppet shows (Lula Del Ray, ADA/ AVA, Mementos Mori, My Soul’s Shadow, The Magic City, No Blue Memories and The End of TV); a live cinematic contemporary dance show created for family audiences in collaboration with Hubbard Street Dance and the choreographer Robyn Mineko Williams (Mariko’s Magical Mix); an original site-specific installations (La Celestina); an original adaptation of Hansel & Gretel created for the Belgian Royal Opera; music videos for Sony Masterworks, Gabriel Kahane, three time GRAMMY Award-winning eighth blackbird, and New York Times Best Selling author Reif Larson; a live non-fiction piece for Pop-Up Magazine; a self-produced short film (CHICAGOLAND); a museum exhibit created in collaboration with the Chicago History Museum (The Secret Lives of Objects); a collection of cinematic shorts in collaboration with poet Zachary Schomburg and string quartet Chicago Q Ensemble (FJORDS); and live cinematic puppet adaptations of StoryCorps stories (Show & Tell).

Manual Cinema has been presented by, worked in collaboration with, or brought its work to The Metropolitan Museum of Art (NYC), Under the Radar Festival (NYC), The Tehran International Puppet Festival (Iran), La Monnaie-De Munt (Brussels), BAM (NYC), Underbelly (UK), Adelaide Festival (AU), The Kennedy Center (DC), The Kimmel Center (Philadelphia), the Museum of Contemporary Art Chicago, the Noorderzon Festival (Netherlands), The O, Miami Poetry Festival, Davies Symphony Hall (SF), The Ace Hotel Theater (LA), Handmade Worlds Puppet Festival (Minneapolis), The Screenwriters’ Colony in Nantucket, The Detroit Institute of Art, The Future of Storytelling Conference (NYC), the NYC Fringe Festival, The Poetry Foundation (Chicago), the Chicago International Music and Movies Festival, the Puppeteers of America: Puppet Festival (R)evolution, and elsewhere around the world.

Manual Cinema was ensemble-in-residence at the University of Chicago in the Theater and Performance Studies program in the fall of 2012, where they taught as adjunct faculty. In 2013 Manual Cinema held residencies and taught workshops at the School of the Art Institute (Chicago), The Future of Storytelling Conference (NYC), RCAH at Michigan State University, and Puppeteers of America: Puppet Festival (R)evolution (Swarthmore, PA), Southern Illinois University, and the Chicago Parks District. In Spring 2016 Manual Cinema held workshops at Yale University as visiting lecturers in the theater department.

In Fall 2016, they contributed visuals, music, and sound design for an immersive adaptation of Peter Pan with producer Randy Weiner (Sleep No More, The Donkey Show, Queen of the Night) which premiered in Beijing in December 2016. In February 2017, Manual Cinema premiered The Magic City, a new show for children and their families, adapted from a novel by Edith Nesbit, and the inaugural production at the new Chicago Children’s Theatre, The Station. That was followed in September, 2017 by No Blue Memories, about the life and work of poet Gwendolyn Brooks, commissioned by the Poetry Foundation and based on a screenplay by Eve Ewing and Nathaniel Marshall, presented at the Harold Washington Library, and remounted last March in partnership with the Chicago International Puppet Theater Festival and the Poetry Foundation. The company also debuted in Australia, France and Germany in 2017 and returned to the Edinburgh Fringe with Lula del Ray. 

Currently, Manual Cinema is touring its production ADA/AVA in Holland. Following its summer run of The End of TV, Manual Cinema will present its world premiere production of Frankenstein at Court Theatre in Hyde Park, November 1-December 2, 2018, as part of Court Theatre’s 2018-19 season. 

For more, visit manualcinema.com, follow the company on Facebook at facebook.com/manualcinema, on Instagram at instagram.com/manual_cinemaand on Twitter @ManualCinema.

Monday, November 4, 2013

REVIEW: CHICAGO’S WEIRD, GRANDMA October 28 – December 2, 2013

BOM is truly the bomb!   Barrel of Monkeys killed it last Monday.   Chicago's Weird Grandma... and proud of it!  If you haven't seen this show, or haven't gone in a while what are you waiting for?!

Last Monday night the kids and I were stoked to see the first in a series of annual collaborations between some of Chi-town's Best and Brightest Performing Arts Companies & Artists and our long time favs, Barrel of Monkeys!   


Come on out and see just how weird and wonderful it is when the unbridled creativity of kids' stories is given a voice, costumes, and a platform!   These guys are some of our favs and Monday night was a hoot.   The tweens (10 & 12) both dug it, but I think I laughed even harder than they did!

Every week the audience votes on their top 2 keepers and 2 to let go.   The kids and I had different opinions but we all adored The Elephants Come To My House sketch.   Catch it before the pachyderms pack it up!

Click here to check out the show details in our prior coverage.



Still hesitating?   


Have you SEEN the complete schedule of guest artists and companies for CHICAGO’S WEIRD, GRANDMA:

Monday, October 28 – Manual Cinema (tooo much fun with shadow puppets, a wig & 3 overhead projectors)

Monday, November 4 – Jessica Hudson
Monday, November 11 – The Neo-Futurists and Bailiwick Chicago Theater
Monday, November 18 – Jyldo
Monday, November 25 – The Hypocrites

Monday, December 2 – About Face Theatre and Noah Ginex Puppet Company

Check 'em out LIVE the next 6 weeks, for their annual Chicagocentric version.  Then check back with ChiIL Mama like we vote in Chi, IL... early and often.  We have an original video interview with Barrel of Monkeys coming soon.


Monday, October 28, 2013

ACT OUT OPENING: CHICAGO’S WEIRD, GRANDMA October 28 – December 2, 2013

We can't wait to monkey around tonight with some of Chi-town's Best and Brightest Performing Arts Companies & Artists and our long time favs, Barrel of Monkeys!   As in "more fun than..."

Chicago's Weird Grandma... and proud of it!   

Come on out and see just how weird and wonderful it is when the unbridled creativity of kids' stories is given a voice, costumes, and a platform!   These guys are some of our favs and it's been too long since we've made it out on a Monday to give them props (...of the word variety... not actual props.   Those they have a treasure trove of).   We'll be there tonight and have a full review up shortly.






All New CHICAGO’S WEIRD, GRANDMA
October 28 – December 2, 2013
The Hypocrites, Manual Cinema, Bailiwick Chicago, The Neo-Futurists and others Transform Stories by Chicago Public School Students 


It's easy to get complacent about long running shows, and Barrel of Monkeys has been at it for over 12 years with their popular Monday night pastime, That's Weird Grandma.  Don't!  If you haven't been or haven't been lately, go already!

Check 'em out LIVE the next 6 weeks, for their annual Chicagocentric version.  Then check back with ChiIL Mama like we vote in Chi, IL... early and often.  We have an original video interview with Barrel of Monkeys coming soon.

The complete schedule of guest artists and companies for CHICAGO’S WEIRD, GRANDMA:

Monday, October 28 – Manual Cinema
Monday, November 4 – Jessica Hudson
Monday, November 11 – The Neo-Futurists and Bailiwick Chicago Theater
Monday, November 18 – Jyldo
Monday, November 25 – The Hypocrites
Monday, December 2 – About Face Theatre and Noah Ginex Puppet Company

Heck yeah... that's really reasonable:
WHEN: Mondays at 8pm
WHERE: The Neo-Futurist Theater, 5153 N. Ashland (directions)
TICKETS: $5 for kids, $10 for adults

Just when you thought Monday nights couldn’t get any better, Barrel of Monkeys is partnering with some of Chicago’s best performing arts companies and artists for the second iteration of CHICAGO’S WEIRD, GRANDMA, directed by Artistic Director Molly Brennan, playing Mondays at 8 pm from October 28 – December 2, 2013 at the Neo-Futurist Theater, 5153 N. Ashland Ave. in Chicago.  Each guest artist or company will bring their unique talents to transform stories written by Chicago Public School students into entertaining sketches incorporating puppetry, sketch comedy, clowning, music, dance and other disciplines. 

This year’s guest line-up includes: About Face Theatre, Bailiwick Chicago Theater, Jessica Hudson, The Hypocrites, Jyldo, Manual Cinema, The Neo-Futurists and Noah Ginex Puppet Company.  Each guest artist or company will choose from original stories from Barrel of Monkeys’ in-school residencies and adapt them into unique performances. Barrel of Monkeys ensemble members will round out each performance with a rotating line-up of sketches from their long-running revue, THAT’S WEIRD, GRANDMA. The weekly collection of short sketches is equally entertaining for both adults and children. The line-up changes each week by audience vote – so no two shows are ever the same.  


For tickets, reservations and information visit www.barrelofmonkeys.org  or call (312) 409-1954.

*Too late for the littles?!   Don't despair.  After the Chicago shows & holiday special, fam friendly Sunday matinees return Jan 26th -March 30th!

Kids Write It. We Do It. World Saved!
Barrel of Monkeys Warms Up Winter With
THAT’S WEIRD, GRANDMA
Sunday Matinees Return January 26 – March 30, 2014
Monday Night Performances Resume March 2 – 31, 2014

The 8pm start time on a school night was cooked up for the industry peeps, because most shows run through the weekends and many actors have Monday nights off to go see That's Weird Grandma and laugh their booties off.   This winter, though, even the school kids and 9-5ers can sleep in on Sundays and still make it to the matinees.   Be there.

“Every story that you see was written by a child (uh huh). And every child was taught by the Barrel of Monkeys (well well). First we take the stories and perform them in the schools. Afterwards we share them with the world (you are the world).”

So sings the opening song of “That’s Weird, Grandma”—our Monday night public performance where we showcase the amazing talents of our student authors and our company of performers. After teaching creative writing residencies at Chicago Public Schools and working with students to generate literally thousands of creative stories, we have a gigantic repertoire of material to share with you!

Barrel of Monkeys, a Chicago-based arts education theater ensemble now in its 16th season, conducts creative writing workshops with 3rd through 5th grade students in underserved Chicago Public Schools. The ensemble of actor-educators then turns their stories and words into professionally-performed theater, presented both in-school and for the general public through its revues. Barrel of Monkeys annually performs more than 300 student-written stories for the students in their schools and 175 stories on the stage for the general public.

Tuesday, April 9, 2013

INCOMING: Manual Cinema Late Special Addition To CIMMfest 2013 #CIMMfest



Manual Cinema is now a late special addition to this year’s Chicago International Music and Movies Festival (CIMMfest No. 5) with their newest and most technically sophisticated feature-length work to date: Lula del Ray on April 20.  Although it looks like cinema, Lula Del Rey is actually elaborate shadow puppetry done with overhead projectors.  The production is actually more sophisticated than that, combining handmade shadow puppets, live actors, cinematic motifs, three overhead projectors, Foley sounds and a live band soundtrack.  It’ll be at new performance venue Constellation, formerly the Viaduct Theater. 

Manual Cinema presents Lula del Ray as part of CIMMfest No. 5, Saturday April 20, 4:30 p.m. at Constellation, 3111 N. Western Avenue.  $22. http://cimmfest.org/manual-cinema/

Told almost entirely sans dialogue, Lula del Ray is the story of a lonely adolescent girl who lives with her mother on the outskirts of a vast satellite array in the middle of the desert. After a chance encounter over the radio, Lula becomes obsessed with a soulful country music duo, the Baden Brothers. Inspired by their music, she runs away from home and into a world of danger, deception and disappointment. Set in the mid-century American Southwest and inspired by the music of Hank Williams, Roy Orbison and Patsy Cline, Lula del Ray is a mythic reinvention of the classic coming-of-age story. Lula del Ray was developed at the University of Chicago in the Theater and Performance Studies Program where Manual Cinema currently serves as Ensemble-in-Residence.


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