Rolling World Premiere of Man and Moon Runs October 19-November 13, 2022 at Madison Street Theater

 

Siena Marilyn Ledger’s Rolling World Premiere Man and Moon Opens on October 21 at Madison Street Theater in Oak Park – A Dragonfly Theatre + 16th Street Theater NFP Co-Production –

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Peter Danger Wilde as Aaron and Clare Wols as Luna. Photo by Omar Fernandez.

San Diego-based Siena Marilyn Ledger’s National New Play Network rolling world premiere Man and Moon runs October 19-November 13, 2022, at Madison Street Theater, 1010 Madison Street in Oak Park, directed by Hayley Procacci. All tickets are $25, and virtual performances are $10 starting October 27, available online or at 708-795-6704. In addition, The Write Collective’s resident playwrights present free virtual staged readings on Fridays at 7 p.m. CT: October 7, The Queen of Ithaca by Aline Lathrop December 2, Lost Girl by Kathryn Feeney

Man and Moon is set in the waiting room of a hospital oncology unit, where transitioning man Aaron meets 12-year-old middle-schooler Luna, who loves outer space. Together, they learn how to wait and navigate their own changing bodies. The cast for this piece about expansion, connection, grief, and hope includes Peter Danger Wilde (he/they) as Aaron, Clare Wols (she/her) as Luna, and Emma Anderson as Luna’s understudy. “Man and Moon guides us toward our inner children,” said Procacci. “Ledger breathes comedic wit and childlike wonder into this spellbinding two-hander. This play reminds audiences about the importance of community and the feeling of belonging.”    Procacci directs, produces, and devises physical and immersive theater work that dismantles the antiquated ideology of what is traditionally known as “American Theater." Procacci strives to “reflect the stories for and representing all, not just the able, straight, cis, select pool. Through radical inclusivity and a dedication to ensemble, I will tell stories of queerness and gender expression as existent and natural.”   Man and Moon runs October 19-November 13, 2022, at Oak Park’s Madison Street Theater (run time is 90 minutes without intermission). Previews are Wednesday, October 19, and Thursday, October 20 at 8 p.m. Opening night is Friday, October 21 at 8 p.m., and the production runs Thursdays at 8 p.m. (first Thursday is October 27, no Thursday show on November 3), Fridays at 8 p.m., Saturdays at 4 p.m. and 8 p.m., and Sundays at 2 p.m. The Saturday, October 29, 4 p.m. show is a free teen matinee. Talkbacks will be held on Sundays, October 23 and November 6 at 2 pm., and Saturdays, October 29 and November 12 at 8 p.m. At 1010 Madison Street, the theater is located near the Forest Park Blue Line stop, and the Harlem/Lake Green Line stop.  Peter Danger Wilde as Aaron and Clare Wols as Luna. Photo by Omar Fernandez. The production’s artistic team includes Angelina Davila (production manager), Omar Fernandez (assistant director), Vibyana Sacluti (stage manager), Stefan Brun (technical director), Adrian Luca Oxoa (set design), Lauren Alyssa Skulley, IV (light design), Payton Kaye (sound design), Scout Gregory (costume design), and Michele DiMaso (intimacy coach). Man And Moon is produced by The 16th Street Theater NFP as a National New Play Network Rolling World Premiere, which lets three or more theaters mount the same play within 12 months to allow playwrights to develop work with multiple creative teams across different communities. Other partners are Good Company Theatre (Ogden, UT) and Oregon Contemporary Theatre (Eugene, OR).  Siena Marilyn Ledger Siena Marilyn Ledger (they/them) tells stories with poems, personal video documentaries, and plays including The Empty Space, Inosculation, and Say NO to One Paseo. They graduated cum laude from California State University Fullerton's BFA acting program. Ledger is a member of the Chicago Dramatist's second class of Tutterow Fellows. Hayley Procacci Hayley Procacci (they/she) is director, producer, playwright, and theatre educator. Originally from Orlando, Hayley has worked professionally in New York and Chicago, directed national and international tours with Missoula Children’s Theatre, and is a full time staff member at Lookingglass Theatre Company. Recent credits include A Sign of The Times (NYC, LDK Productions), Games (NYC, SoHo Playhouse), Better Angels (NYC, SoHo Playhouse), My Uncle Sam (CHICAGO, Theater Unspeakable), Angels In America: Millennium Approaches, Silent Sky, Gruesome Playground Injuries, and Fool For Love (University of Alabama at Birmingham).  Peter Danger Wilde Peter Danger Wilde (he/they) is a Chicago-based trans/queer artist who has worked on- and off-stage with Odradek, Redmoon Spectacle Theater, and The Fly Honey Show. Wilde is pursuing a degree in psychology to serve LGBTQ youth through social work, harm reduction and counseling.  Clare Wols Clare Wols (she/her) was most recently seen as Brigitta in alternate performances in The Sound of Music at Marriott Theatre. When she’s not studying musical theater at Ovation Academy in Oak Park, this 12-year-old enjoys reading, writing, and hanging with her dog Buddy.  The 16th Street Theater NFP is partially funded by the Oak Park Area Arts Council, in partnership with the Village of Oak Park, the American Rescue Plan Act, the Illinois Arts Council Agency and the National Endowment for the Arts. Additional funds are provided by The Gaylord and Dorothy Donnelly Foundation, The Driehaus Foundation, The Oak Park River Forest Future Philanthropists Program and The Arts Midwest GIG Fund.

REVIEW: SHAKESPEARE’S THE TEMPEST VIA OAK PARK FESTIVAL THEATRE Now Playing Through AUG. 21

ChiIL Live Shows On Our Radar: 

 OAK PARK FESTIVAL THEATRE RETURNS TO AUSTIN GARDENS WITH LIVE IN-PERSON PERFORMANCES OF  SHAKESPEARE’S MAGICAL “THE TEMPEST” 

Now Playing Through AUG. 21  

Act I, Scene I from OPFT's The Tempest. All Production Photos by Bryan Wakefield

Last night my son and I made the short drive from Chicago to Oak Park, to catch The Tempest. It took under a half an hour to reach this urban/suburban village, just west of the city limits, but it was like entering another world. Street parking was fairly easy to find, sidewalks were trash-free, and Austin Gardens park was lush and lovely. 

As the stage lights rose and the sun set, it was glorious to be back in an audience again. Groups of friends broke out wine, beer, fruit and cheese, and even set up actual low tables, like a mini-Ravinia. Though drinking is usually verboten in OP parks, adult beverages are fine an hour before and after Oak Park Festival Theatre shows. There are close bathrooms on site and the grounds open a half hour before curtain so audience members can stake out a spot. Chairs are available to rent for $5 or patrons can bring their own blankets or seating. Overall, it was a fun, well run theatrical experience in a gorgeous location, and we're eager to return for future shows. 

Early on, the chorus of cicadas nearly drowned out the dialogue, but as the darkness deepened, they subsided to a low hum and swooping bats contributed an arial ballet to the ambiance. The Tempest begins with a raging sea storm, then enters into a lot of convoluted exposition, prompting more than a few audience members to pull up the virtual program's plot summary during the 15 minute intermission. Hang in there. After a slow build, the second act is stronger and quite funny. Also, if you're new to The Tempest or easily confused, read the synopsis before the show.

Matt Gall as Caliban

The drunken comic relief trio is a hoot! (Matt Gall as Caliban, Savanna Rae as Trinculo, and Orion Seth Lay-Sleeper as Stephano). Kevin Theis' Prospero is pure magic, with a little help from sound and lighting. We enjoyed Deanalis Resto's badass, androgynous outcast, Miranda, immensely. Bernell Lassai (Ariel/Ceres) is also a standout. 

After the show we spoke with Chloe Bassett, member of the Oak Park Festival Theatre Summer Intern Cohort, who is also on cast with my son at Bristol Renaissance Faire. She's wearing many hats, since the OPFT interns build the set, understudy characters (Trinculo in her case), and help crew the productions. We were particularly impressed when she told us, in life imitating art fashion, that they were initially constructing the ship set during the tornado warnings earlier this month, before The Tempest build got called for the dicey weather. Now that's dedication to craft!

L-R Kevin Theis as Prospero, Deanalis Russo as Miranda. 

If you're covid cautious, high risk, or uneasily easing back into post quarantine crowds, do note that masks were rare and chairs much closer than six feet apart. That said, it is an outdoor event and we felt at ease, even though our beach chair pod of two was definitely not an island in a six foot sea. This fest has been staging professional Shakespeare shows since 1975, so we're thrilled a little thing like a global pandemic hasn't sunk this ship or dampened their spirits. In fact, this scrappy band of castaways on a trash island, are some of the first in the region to get back on stage. Have you been missing your live theatre fix for the past sixteen months? Don't miss this. 

ChiIL Mama's Chi, IL Picks List for Family Friendly Theatre Fun

**Magical creatures abound on a spectacular stage set providing entertainment for the whole family to enjoy, and children 12 and under are Free. **

"THE TEMPEST"

by William Shakespeare

directed by Barbara Zahora

  

L-R Kevin Theis as Prospero, Bernell Lassai as Ariel

Oak Park Festival Theatre (OPFT) triumphantly returns to its Austin Gardens outdoor performance space this summer to present 21 in-person performances of William Shakespeare’s “The Tempest.” OPFT Artistic Director Barbara Zahora* directs Shakespeare's final masterpiece of shipwreck, romance and magic. Performances run through Aug. 21. Show times on Thursdays, Fridays and Saturdays begin at 8 p.m.; Sunday performances start at 7 p.m. Tickets are on sale now at oakparkfestival.com. 

What do hurricanes, magic, mayhem, love, revenge, and monsters all have in common? They're facets of “The Tempest’s” fast-moving plot which leaves audiences breathless and cheering for more of its wry comedy. The play also explores nuanced concepts of colonialism, power struggles, and redemption. 

As one of the few Chicago-area outdoor theatrical companies, OPFT and the cast and crew of “The Tempest” are thrilled to return to in-person performances. The organization has been working for more than a year to visualize and create a spectacular event for summer 2021 that also provides safety for all its participants.  

Artistic Director Barbara Zahora says, “Even though we chose this play long before coronavirus and the murder of George Floyd changed our world so significantly, its themes of exile, injustice, the struggle for power, self-discovery and healing are all particularly resonant after the last year. As people start to come out of their homes and find a new normal post-pandemic, we hope this will be particularly meaningful for those seeing it for the first time.”  

L-R Deanalis Russo as Miranda, Jeannie Affelder as Antonia, Kevin Theis as Prospero

The cast for “The Tempest” includes Jeannie Affelder (Antonia), OPFT artistic associate Belinda Bremner (Gonzalo), Dakotah Brown (Master of Ship/Francisco/Juno), Tony Buzzuto (Sebastian), Noelle Klyce (Alonsa), Bernell Lassai (Ariel/Ceres), Orion Seth Lay-Sleeper (Stephano), OPFT artistic associates Matt Gall* (Caliban) and Savanna Rae (Trinculo), Deanalis Resto (Miranda), OPFT artistic associate Kevin Theis* (Prospero), Emma Sipora Tyler (Boatswain/Adrian/Iris) and Austyn Williamson (Ferdinand).  

Zahora (director/Oak Park Festival Theatre Artistic Director) joined the OPFT staff as interim artistic director in 2018, and at the beginning of 2019 became the permanent artistic director for the company.  Barbara directed OPFT’s 2019’s “Elizabeth Rex” as well as their acclaimed 2017 production of “Macbeth.” Other Chicago directing credits include “Hollow/Wave” (Silk Road Rising); “Shrewish” (Artemisia Theatre); “Candida,” “Hay Fever,” “Misalliance” and “Private Lives” (ShawChicago); and several productions with The Shakespeare Project of Chicago, where she served as associate artistic director for eight years. Her favorite acting credits at OPFT include Penny in “You Can’t Take It With You” and Maggie in “Dancing at Lughnasa.” Additional acting credits include American Players Theatre, Writers’ Theatre, Chicago Shakespeare Theater,Goodman Theatre, Northlight Theatre, Lookingglass Theatre, and Shakespeare Project of Chicago. TV and film credits include “Chicago Fire” and “Operator.” Zahora is currently the co-head of Acting at Roosevelt University’s Chicago College for the Performing Arts (CCPA). 

The rest of the design team includes Ryan Fox (Scenic Design), Rachel Sypniewski (Costume Design), Liz Cooper (Lighting Design), and George Zahora (Sound Design/Original Music). Original vocal music and musical direction is by Jennifer Mitchell, intimacy and violence design is by Mark Lancaster, and movement direction is by Erica Bittner. Our stage manager is Wallace Craig. 

* Denotes Member of Actors Equity Association 

L-R Noelle Klyce as Alonsa, Belinda Bremner as Gonzalo

The real story starts after the storm ends

Prospero, the rightful Duke of Milan, was exiled from his dukedom 12 years earlier as part of a power struggle with Prospero’s sister, Antonia. Now hungry for revenge, Prospero creates a storm with his sorcery to shipwreck his enemies and bring those who have wronged him to bear.

Will those that committed injustice be held to account? Grace, forgiveness, and love ultimately provide redemption in this funny and touching tale.

SUMMARY

Prospero, hungry for revenge, conjures a storm to torment his malevolent sister, Antonia. Prospero uses this moment to tell Miranda, his daughter, that Antonia deposed him from dukedom over a decade ago. With the assistance of Gonzalo, Prospero had set out to sea on a boat with Miranda. They landed on a magical land where he enslaved Caliban, the only native islander. He then saved a spirit named Ariel from imprisonment.

The storm that he casts forces all crew members to land on the magical island. King of Naples’ son, Ferdinand, who was presumed dead, landed in a different part of the island. He finds Miranda and instantly falls in love. Meanwhile, Caliban, Trinculo, and Stephano attempt to murder Prospero. All while, Antonia manipulates Sebastian to kill his brother, Alonsa – King of Naples.

 Tickets 

Oak Park Festival Theatre presents William Shakespeare’s “The Tempest” through Aug. 21 at Austin Gardens, 167 Forest Ave, Oak Park, Ill. All performances begin at 8 p.m. except Sundays, which begin at 7 p.m. Seating begins one hour prior to showtime. Patrons can bring their own seating/blankets, and lawn chairs are available to rent for $5. 

Tickets are $35 (Seniors: $25; Students $15; Children 12 and under Free). Seating is general admission. Tickets are on sale now. For tickets or more information visit oakparkfestival.com.  

Covid guidelines will be updated with guidance from the CDC, the Village of Oak Park, and the Actors’ Equity Association. Street and garage parking is available adjacent to the park on Forest Ave and Marion St. In the event of inclement weather, OPFT has partnered with shelter areas surrounding Austin Gardens. For more information visit oakparkfestival.com.   

About Oak Park Festival Theatre 

Oak Park Festival Theatre is Oak Park’s premiere Equity theater, and the oldest professional outdoor classical theatre in the Midwest. Since 1975, Oak Park Festival Theatre has produced more than 100 plays for thousands of theater-lovers, and is best known for summer outdoor shows performed under a canopy of stars in the idyllic Austin Gardens park. It is the mission of OPFT to explore our shared humanity by telling stories that stand the test of time. By looking to our past and re-imagining the familiar, OPFT endeavors to hold a mirror up to the times in which we live, bringing us all a little closer. 

Oak Park Festival Theatre is a 501(c) 3 nonprofit, charitable organization. Donations are tax deductible to the full extent of the law. 

Oak Park Festival Theatre is supported by the Gaylord & Dorothy Donnelley Foundation, the Paul M. Angell Family Foundation, the Park District of Oak Park, The Oak Park Area Arts Council, and many generous donors. Additionally, we are partially supported by a grant from the Illinois Arts Council, a state agency and the National Endowment for the Arts. Special thanks to our local partners the Wednesday Journal, the Oak Park-River Forest Community Foundation, and the Oak Park River Forest Chamber of Commerce.