Additional Performances of Betrayal and Fat Ham Extend the Run of Both Shows at Goodman Theatre

ChiIL Live Shows On Our Radar

HIGH DEMAND FOR TICKETS PROMPTS EXTENSIONS OF TWO GOODMAN PRODUCTIONS

***FAT HAM EXTENDS A SECOND TIME (THROUGH MARCH 9) AND SUSAN V. BOOTH’S MAJOR REVIVAL OF BETRAYAL, STARRING IAN BARFORD, HELEN HUNT AND ROBERT SEAN LEONARD, EXTENDS THROUGH MARCH 23***

The new year is off to a strong start on stage as Goodman Theatre announces additional performances for both of its current productions: Fat Ham in the 350-seat Owen Theatre—marking the second extension for Tyrone Phillips’ Chicago-premiere production of James Ijames’ Pulitzer Prize-winning play—and Susan V. Booth’s major revival of Betrayal in the 856-seat Albert Theatre. Dates and times for the extension week performances appear below. Betrayal, which begins performances this weekend, features Tony Award nominee and Outer Critics Circle Award winner Ian Barford as Robert, Oscar, Emmy and Golden Globe Award winner Helen Hunt as Emma and Tony Award winner Robert Sean Leonard as Jerry in Harold Pinter’s masterwork. Betrayal appears February 8 – March 23. 

I'll be out to review for ChiIL Live Shows on opening night, February 17th. Tickets ($40 - $175; subject to change) are available at GoodmanTheatre.org/Betrayal or by phone at 312.443.3800. 

The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor), Katten Muchin Rosenmann LLP and PAXXUS, Inc. (Corporate Sponsor Partners). 

Fat Ham, the “heartwarming, tension-filled and laugh-out-loud funny” (Daily Herald) reimagination of Shakespeare’s Hamlet directed by Tyrone Phillips adds five performances to its Chicago run with a second extension. Co-produced with Chicago’s famed Definition Theatre—of which Phillips is Founding Artistic Director and playwright James Ijames is a company member—Fat Ham tells the story of Juicy, a Black, queer young man who is confronted by the ghost of his father during a family barbeque. Seeking revenge for his murder, his father puts a screeching halt to Juicy’s quest for joy and liberation. Ijames’s reinvention of Shakespeare’s masterpiece features an all-Chicago cast: Trumane Alston (Juicy), Sheldon Brown, E. Faye Butler, Ronald L. Conner, Victor Musoni, Ireon Roach and Anji White. 

It was my great pleasure to catch opening night of Fat Ham, reviewing for ChiIL Live Shows. We've long been fans of Definition Theatre's excellent work and love this creative, high energy riff on Hamlet as a modern black barbecue. Don't miss this! 

(This "Juicy" collab's so nice they extended it twice! FAT HAM is Goodman Theatre's co-production with Definition Theatre and an absolute must see. Now playing through March 9, 2025)

Highly recommended. ★★★★ Four out of four stars. B Kenaz-Mara, ChiIL Live Shows

Fat Ham appears through March 9. Tickets ($35 - $85; subject to change) are available at GoodmanTheatre.org/Ham or by phone at 312.443.3800. 

Goodman Theatre is grateful for the support of ITW (Corporate Sponsor Partner), the Elizabeth Morse Charitable Trust (Lead Sponsor of IDEAA Programming) and the National Endowment for the Arts (Production Support).

FAT HAM EXTENSION WEEK SCHEDULE

-Thursday, March 6 at 7:30pm

-Friday, March 7 at 7:30pm

-Saturday, March 8 at 2pm

-Saturday, March 8 at 7:30pm

-Sunday, March 9 at 2pm

BETRAYAL EXTENSION WEEK SCHEDULE

-Tuesday, March 18 at 7:30pm 

-Wednesday, March 19 at 2pm 

-Wednesday, March 19 at 7:30pm 

-Thursday, March 20 at 7:30pm 

-Saturday, March 22 at 2pm and 7:30pm*

-Sunday, March 23 at 2pm and 7:30pm

*At these two performances, the role of Emma will be played by Cheyenne Casebier.

Full Company of Betrayal (in alphabetical order)

By Harold Pinter

Directed by Susan V. Booth

Ian Barford…Robert

Nico Grelli…Waiter

Helen Hunt…Emma

Robert Sean Leonard…Jerry

Understudies…Cheyenne Casebier, Michael Milligan and Jeff Parker.

Creative Team

Set Designer…..Neil Patel

Costume Designer ……Linda Roethke

Lighting Designer…..Xavier Pierce

Projection Designer….Rasean Davonté Johnson

Sound Designers and Composers….Michael Bodeen and Rob Milburn

Casting is by Lauren Port, CSA. Neena Arndt is the Dramaturg. Nikki Blue is the Production Stage Manager and Jennifer Gregory is the Stage Manager.

Full Company of Fat Ham (in alphabetical order)

By James Ijames

Directed by Tyrone Phillips

Trumane Alston…Juicy

Sheldon Brown…Larry

E. Faye Butler…Rabby

Ronald L. Conner…Rev/Pap

Victor Musoni…Tio

Ireon Roach…Opal

Anji White…Tedra

Understudies…Blake Hamilton Currie, Marquise De’Jahn, TayLar, Joseph Primes and Jazzy Rush.

Creative Team

Set Designer…..Arnel Sancianco

Costume Designer ……Jos N. Banks

Lighting Designer…..Jason Lynch

Sound Designer….. Willow James

Illusion Consultant…Benjamin Barnes

Fight and Intimacy…Gaby Labotka

Casting is by Lauren Port, CSA. Jared Bellot is the Dramaturg. Patrick Fries is the Production Stage Manager.

ABOUT DEFINITION THEATRE

Definition Theatre has been a vibrant force for over a decade, celebrating stories created with, inspired by, and intended for people and communities of color. Through the act of making, Definition expands perspectives, stewards resources, and bridges the possibilities found at the intersection of art, innovation, and education. Known for bold and impactful productions, we’ve brought to life plays by Oscar-winner Tarell Alvin McCraney, Pulitzer Prize-winners James Ijames and Jackie Sibblies Drury, and Tony Award-winner Branden Jacobs-Jenkins. We strive to promote equity, foster empathy, and enhance the quality of life for our community members by offering opportunities for creative, entrepreneurial, and cultural expression. Our work emphasizes collaboration in theater-making and raises awareness of career paths in the arts. In 2024, Definition leased and equipped a storefront space in Hyde Park, enabling us to engage artists and expand programs as we prepare for our permanent home in Woodlawn on the southside of Chicago. This new theater, community center, and business incubator will amplify and preserve BIPOC voices, promote social justice, and empower the next generation of artists, entrepreneurs, and changemakers to drive positive progress through the transformative power of the arts. Tyrone Phillips is the Artistic Director, Neel McNeill is the Executive Director, Willow James is the Civic Engagement Director.

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director John Collins, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades.

The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition A Christmas Carol, now in its fifth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s Off-Loop theaters.

Using the tools of theatrical practice, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand and empathize with cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was built on the unceded homelands of the Council of the Three Fires: the Ojibwe, Odawa and Potawatomi Nations. We recognize that many other Nations consider the area we now call Chicago as their traditional homeland—including the Myaamia, Ho-Chunk, Menominee, Sac and Fox, Peoria, Kaskaskia, Wea, Kickapoo and Mascouten and remains home to many Native peoples today. The Goodman is proud to have a relationship with Gichigamiin Indigenous Nations Museum. Located in Evanston, the Museum honors the survival and perseverance of Indigenous communities and promotes a greater understanding of Indigenous peoples: gichigamiin-museum.org.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation on the new Goodman center in 2000.

Julie Danis is Chair of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

SAVE THE DATES: TONY AWARD-WINNER ROBERT SEAN LEONARD MAKES HIS GOODMAN THEATRE DEBUT IN BETRAYAL WITH HELEN HUNT AND IAN BARFORD, DIRECTED BY SUSAN V. BOOTH FEBRUARY 8 – MARCH 16, 2025

ChiIL Live Shows On Our Radar

TONY AWARD-WINNER ROBERT SEAN LEONARD MAKES HIS GOODMAN THEATRE DEBUT IN 

BETRAYAL

WITH HELEN HUNT AND IAN BARFORD, DIRECTED BY SUSAN V. BOOTH

***BOOTH’S MAJOR REVIVAL OF HAROLD PINTER’S FAMED MASTERWORK APPEARS FEBRUARY 8 – MARCH 16, 2025; TICKETS GO ON SALE NOVEMBER 22 ***

The “eternal triangle” is complete! Artistic Director Susan V. Booth announces that stage and screen star Robert Sean Leonard joins her upcoming production of Betrayal by Nobel Prize-winner Harold Pinter—slated to appear as Jerry alongside the previously announced cast members Oscar, Emmy and Golden Globe Award winner Helen Hunt (as Emma) and Tony Award nominee and Outer Critics Circle Award winner Ian Barford (as Robert)—for the Goodman’s major revival of Harold Pinter’s classic work this winter. 

Leonard, a Tony Award winner (for The Invention of Love) whose most recent notable theater credits include At Home at the Zoo (Signature Theatre), Richard II (Old Globe Theatre) and Stephen Sondheim’s acclaimed Broadway revival of Sunday in the Park with George, made his film debut in Dead Poet’s Society at age 19. He earned a Screen Actors Guild Award nomination for his portrayal of ‘Dr. James Wilson’ on the iconic Fox medical drama House alongside Hugh Laurie. Susan V. Booth’s revival of Betrayal by Harold Pinter appears February 8 – March 16, 2025 in Goodman Theatre’s 856-seat Albert Theatre. 

Tickets are now available through Goodman Membership; call 312.443.3800 or visit GoodmanTheatre.org/Connect. Single tickets go on sale November 22. The Goodman is grateful for the support of Northern Trust (Lead Corporate Sponsor).

“Robert Sean Leonard is one of the consummate stage actors of our generation, and the opportunity to complete the Betrayal triangle – populated by Helen and Ian already – with an actor of Robert’s caliber just delights me,” said Susan V. Booth, whose major revival of Pinter’s masterwork follows her acclaimed directorial debut as Goodman Theatre Artistic Director this past season with Margaret Atwood’s The Penelopiad.

Emma, Robert and Jerry have history. As Emma’s marriage to Robert comes to an end, she reconnects with Jerry, her former lover—and her husband’s best friend. The action unspools backward in time, uncovering hidden truths and revealing how little we know about those we think we know so much about. Acclaimed stage and screen actor Helen Hunt (Mad About You, As Good As It Gets) makes her Goodman debut in this “elegy about time and memory (where) the greatest dramatic weight lies in what’s unspoken, in the darkness of unsorted feelings” (New York Times).

Robert Sean Leonard’s additional screen appearances include ‘President Harry Truman’ in the Showtime limited series The First Lady and has had recurring roles on the TNT series Falling Skies and the NBC series Law & Order: Special Victims Unit. Film credits include Much Ado About Nothing, The Age of Innocence, The I Inside, Mr. and Mrs. Bridge, Swing Kids, Tape, Chelsea Walls and Whit Stillman’s The Last Days of Disco. London theater credits include Our Town and ‘Atticus Finch’ in To Kill a Mockingbird at the Regent’s Park Open Air Theatre. Additional Broadway appearances include Long Day’s Journey Into Night (Tony nomination), Born Yesterday, The Violet Hour, The Music Man, The Iceman Cometh, Arcadia, Candida (Tony nomination), Philadelphia, Here I Come!, The Speed of Darkness, Breaking the Code and Brighton Beach Memoirs. He worked on the Ridley Scott-produced mini-series The Hot Zone for National Geographic Television, based on Richard Preston’s bestselling book about the Ebola virus, and has recently wrapped 10 episodes on HBO’s The Gilded Age S2.

Helen Hunt has enjoyed a distinguished career not only as an award-winning actor, but as an accomplished writer, director and producer. As an actress, her extensive and diverse body of work includes roles in film, theater and television. Hunt’s latest role is as Rainey in Daveed Diggs and Rafael Casal’s Blindspotting, a television adaptation of the acclaimed film of the same name. The series garnered a nomination for the Best New Scripted Series at the 2022 Film Independent Spirit Awards. Hunt can next be seen in the upcoming season of HBO Max’s Hacks American comedy-drama television series created by Lucia Aniello, Paul W. Downs and Jen Statsky. 

In 2022, Hunt undertook a residency at The Old Vic Theatre, portraying a character in Eureka Day. This play delves into the lives of parents serving on the Executive Committee of a progressive private school in Berkeley, California. When faced with a public health crisis, their professed acceptance of diversity is put to the test, revealing their true nature. Written by Jonathan Spector and directed by Katy Rudd, this production marks the European premiere of a highly acclaimed narrative. Alongside Hunt, the cast included Kirsten Foster, Mark McKinney, Ben Schnetzer and Susan Kelechi Watson. 

In 2019, Hunt revived her role as Jamie Buchman for another season of the hit show Mad About You opposite Paul Reiser. The show returned as a limited series on Spectrum Originals with all episodes available on demand.     

In 2012 Hunt’s performance in The Sessions earned her an Independent Spirit Award for Best Supporting Female and notations in the same category by the Academy Awards, Golden Globe Awards, SAG Awards, Broadcast Film Critics’ Awards and the BAFTA Awards.  The film premiered in competition at the 2012 Sundance Film Festival and took home the Audience Award as well as the jury prize for Best Ensemble.   

Other film credits include: Netflix’s Comedy Candy Jar, Ride (which Hunt also co-wrote, produced, and directed), Decoding Annie Parker, Soul Surfer, Every Day, Bobby, Then She Found Me (which Hunt again also co-wrote, produced and directed), As Good As It Gets, What Women Want, Castaway, A Good Woman, Woody Allen’s The Curse Of The Jade Scorpion, Robert Altman’s Dr. T And The Women, Pay It Forward and Twister. Hunt can last be seen in How It Ends, Michael Cristopher’s The Night Clerk and Adam Randall’s thriller I See You. Early career film credits are: The Waterdance, Kiss Of Death, Mr. Saturday Night, Peggy Sue Got Married, Next Of Kin, Girls Just Wanna Have Fun, Project X and Miles From Home. Additional television credits include Mad About You and the critically acclaimed HBO Miniseries Empire Falls. For her role as Jamie Buchman in Mad About You, Hunt garnered four Emmy Awards, four Golden Globe Awards (three as lead actress and one as Producer for Best Comedy) and a Screen Actors Guild Award.  She was also named “Best Actress” for her role in the film As Good As It Gets for which Hunt won a Golden Globe Award, a Screen Actors Guild Award and an Oscar.     

Ian Barford returns to the Goodman stage after 27 years having appeared in All The Rage by Keith Reddin and Design For Living by Noël Coward. On Broadway, Tony nomination and Outer Critics award for his performance in Linda Vista. He originated the role of Little Charles in the Tony-winning play August: Osage County which also played at London's National Theater. Original Broadway company of the Tony-winning play Curious Incident Of The Dog In The Nighttime. Also, The Minutes and The Rise And Fall Of Little Voice. In Los Angeles, several stage appearances at the Geffen and Ahmanson Theaters. Ensemble member at Chicago's Steppenwolf Theater, where he has appeared in plays for more than 30 years. 

Harold Pinter was born on October 10, 1930 in the London borough of Hackney, son of a Jewish dressmaker. Growing up, Pinter was met with the expressions of anti-Semitism, and has indicated its importance for his becoming a dramatist. At the outbreak of the Second World War, he was evacuated from London at the age of nine, returning at the age of twelve. He has said that the experience of wartime bombing has never lost its hold on him. Back in London, he attended Hackney Grammar School where he played Macbeth and Romeo among other characters in productions directed by Joseph Brearley. This prompted him to choose a career in acting. In 1948 he was accepted at the Royal Academy of Dramatic Art. In 1950, he published his first poems. In 1951 he was accepted at the Central School of Speech and Drama. That same year, he won a place in Anew McMaster’s famous Irish repertory company, renowned for its performances of Shakespeare. Pinter toured again between 1954 and 1957, using the stage name of David Baron. Between 1956 and 1980 he was married to actor Vivien Merchant. In 1980 he married the author and historian Lady Antonia Fraser. 

Pinter made his playwriting debut in 1957 with The Room, presented in Bristol. Other early plays were The Birthday Party (1957), at first a fiasco of legendary dimensions but later one of his most performed plays, and The Dumb Waiter (1957). His conclusive breakthrough came with The Caretaker (1959), followed by The Homecoming (1964) and other plays. 

Pinter is generally seen as the foremost representative of British drama in the second half of the 20th century. That he occupies a position as a modern classic is illustrated by his name entering the language as an adjective used to describe a particular atmosphere and environment in drama: “Pinteresque”. 

Pinter restored theater to its basic elements: an enclosed space and unpredictable dialogue, where people are at the mercy of each other and pretense crumbles. With a minimum of plot, drama emerges from the power struggle and hide-and-seek of interlocution. Pinter’s drama was first perceived as a variation of absurd theater but has later more aptly been characterized as “comedy of menace,” a genre where the writer allows us to eavesdrop on the play of domination and submission hidden in the most mundane of conversations. In a typical Pinter play, we meet people defending themselves against intrusion or their own impulses by entrenching themselves in a reduced and controlled existence. Another principal theme is the volatility and elusiveness of the past. 

It is said of Pinter that following an initial period of psychological realism he proceeded to a second, more lyrical phase with plays such as Landscape (1967) and Silence (1968) and finally to a third, political phase with One for the Road (1984), Mountain Language (1988), The New World Order (1991) and other plays. But this division into periods seems oversimplified and ignores some of his strongest writing, such as No Man’s Land (1974) and Ashes to Ashes (1996). In fact, the continuity in his work is remarkable, and his political themes can be seen as a development of the early Pinter’s analyzing of threat and injustice.

Since 1973, Pinter has won recognition as a fighter for human rights, alongside his writing. He has often taken stands seen as controversial. Pinter has also written radio plays and screenplays for film and television. Among his best-known screenplays are those for The Servant (1963), The Accident (1967), The Go-Between (1971) and The French Lieutenant’s Woman (1981, based on the John Fowles novel). Pinter has also made a pioneering contribution as a director. 

ABOUT GOODMAN THEATRE

Chicago’s theater since 1925, Goodman Theatre is a not-for-profit arts and community organization in the heart of the Loop, distinguished by the excellence and scope of its artistic programming and community engagement. Led by Artistic Director Susan V. Booth and Executive Director/CEO Roche Schulfer*, the theater’s artistic priorities include new play development (more than 150 world or American premieres), large scale musical theater works and reimagined classics. Artists and productions have earned two Pulitzer Prizes, 22 Tony Awards and more than 160 Jeff Awards, among other accolades. The Goodman is the first theater in the world to produce all 10 plays in August Wilson’s “American Century Cycle.” Its longtime annual holiday tradition, A Christmas Carol, now in its fourth decade, has created a new generation of theatergoers in Chicago. The Goodman also frequently serves as a production and program partner with national and international companies and Chicago’s off-Loop theaters.

As a cultural and community organization invested in quality, diversity and community, Goodman Theatre is committed to using the art of theater for a better Chicago. Using the tools of the theatrical profession, the Goodman’s Education and Engagement programs aim to develop generations of citizens who understand the cultures and stories of diverse voices. The Goodman’s Alice Rapoport Center for Education and Engagement is the home of these programs, which are offered free of charge for Chicago youth—85% of whom come from underserved communities—schools and life-long learners.

Goodman Theatre was founded by William O. Goodman and his family in honor of their son Kenneth, an important figure in Chicago’s cultural renaissance in the early 1900s. The Goodman family’s legacy lives on through the continued work and dedication of Kenneth’s family, including Albert Ivar Goodman, who with his late mother, Edith-Marie Appleton, contributed the necessary funds for the creation of the new Goodman center in 2000.

Today, Goodman Theatre leadership also includes the distinguished members of the Artistic Collective: Rebecca Gilman, Henry Godinez, Dael Orlandersmith, Steve Scott, Kimberly Senior, Chuck Smith and Mary Zimmerman. Julie Danis is Chairman of Goodman Theatre’s Board of Trustees, Lorrayne Weiss is Women’s Board President and Kelli Garcia is President of the Scenemakers Board for young professionals.

*Note: On September 1, 2024, John Collins becomes Executive Director of Goodman Theatre. 

REVIEW: A Red Orchid's Production of Pinter's The Room Brings Full Sensory Exploration To Infamous Comedy of Menace

Chi, IL LIVE Shows On Our Radar:

A RED ORCHID THEATRE KICKS OFF 2016-2017 SEASON WITH 

THE ROOM BY HAROLD PINTER

DIRECTED BY ENSEMBLE MEMBER DADO

September 29 – November 13, 2016

There's power in beginnings and it's a thrill to see a staging of the first play ever written by Nobel Prize winner, Harold Pinter. The Room is disturbing, edgy and far more about "how do you feel" than "what does it mean". A Red Orchid's exceptional production makes this a full sensory experience, from the opening scene with aromas and sounds of bacon and eggs actually cooking, to the closing scene of a brutal, inexplicable beating. The sounds of clanging pipes, slamming doors, creaking floorboards, electrical shorts and thumping potatoes are as key as the dialogue. I had read The Room back in college as part of my theatre degree, but I'd never seen it performed, and what a difference that makes in the piece. 

Ensemble Member Kirsten Fitzgerald and HB Ward

All Production Photos by Michael Brosilow

This is an ambitious season opener for A Red Orchid, and director DADO does an admirable job of bringing this unsettling, psychologically tense "comedy of menace" to life on stage. We've seen many of the productions she's directed over the years, and she never ceases to impress.

Light and lack thereof effectively evoked anxiety, and talk of the world beyond the room's walls being frigid and dangerous outside and dank and dripping above and below made the room a claustrophobic but cozy refuge. The angular, sparse set is perfect for this production and the choice to match the curtains to Rose's housedress was brilliant. She not only couldn't seem to leave the room, but the room really became Rose personified. What's left unsaid and unaddressed is as strong as the disjointed dialogue and strange relationships. The timing and rapport of the entire cast was stellar. Highly recommended. 

Mierka Girten and Dano Duran

A Red Orchid Theatre begins its 2016-2017 Season with The Room by Harold Pinter, directed by Ensemble Member Dado and featuring Ensemble Members Kirsten Fitzgerald and Mierka Girten. The Room runs September 29 – November 13, 2016. The press opening is October 3 at 7 p.m. at A Red Orchid Theatre, 1531 N Wells Street. 

“Though I have seen and read many, The Room is my very first Pinter as an actor,” says Artistic Director Kirsten Fitzgerald. “I find his plays to be something of a Rorschach; everyone perceives something a bit different depending on the day and what they bring in. Today, as I consider The Room and the character of Rose in particular, I wonder what causes a person to retreat and how this willful isolation or chosen ignorance breeds territorialism and xenophobia. I wonder these same things when considering the world.”

By turns terrifying, moving and wildly funny, The Room is Pinter’s very first play. Rose prefers to stay in, safe from the hostile world outside, but her seemingly cozy sanctuary is continually being invaded. With visits from the landlord, a couple in search of their own space, a stranger and the return of her husband, it becomes increasingly unclear whether the menace comes from within or without.

Ticket Information

A Red Orchid continues the FLASHPASS, with some exciting new options this year. As always, FLAHPASS holders get reserved seats, ticket and date flexibility, no-fee ticket exchanges, discounts for friends & family tickets, and early access to events such as readings, panel discussions, and more. Three-show Flashpasses are $80 and include one ticket to each of the 3 shows in our 24^th Season, excluding Press Opening and Red Nights. Three-show Red Night Flashpasses are $130 and include a ticket to each Red Night Opening and post-show reception with the cast and creative team. New this season, the Preview Saver Flashpasses are $50 and include one ticket to a preview performance of each of the 3 shows in our 24^th season. 

2 new membership options that allow you to watch a show grow throughout the run:

The Artist’s Circle Membership is $600 and allows you to see a show develop over the run with 2 Flashpasses to see each show in our season as many times as you want and more. The Red Circle Membership is $1500 and includes 2 Flashpasses to our 3-play season, with access to see each show as many times as you want including Red Night Openings and post-show celebrations with the artists and more.  For full breakdown of benefits please give us a ring or visit www.aredorchictheatre.org.  A portion of your Artist Circle Membership and/or Red Circle Membership is tax deductible. Tickets are non-transferable and may only be used by member

Flashpasses and Memberships may be purchased from the Box Office at 1531 N. Wells Street, Monday through Friday from 12 pm to 5:00 pm. Subscriptions may also be purchased by telephone during office hours by dialing (312) 943-8722, or online at www.aredorchidtheatre.org. Individual tickets will go on sale at a later date.

Dates:

Regular Run: October 6 – November 13, 2016

Red Night: October 7, 2016 

Schedule:     Thursdays: 8:00 p.m. 

Fridays: 8:00 p.m. 

Saturdays: 8:00 p.m. 

Sundays: 3:00 p.m. (Sunday 10/2 preview at 7:00pm)

Location: A Red Orchid Theatre, 1531 N. Wells Ave.

Tickets: $15-$25 previews, $30-$35 regular run.  ($30Thurs, $35 Fri, Sat, Sun)

Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org 

Anish Jethmalani 

Ensemble Member Kirsten Fitzgerald and Anish Jethmalani 

The cast of The Room includes JoJo Brown (Riley), Dano Duran (Mr. Sands), Kirsten Fitzgerald (Rose), Mierka Girten (Mrs. Sands), Anish Jethmalani (Mr. Kidd) and HB Ward (Bert). 

The creative team for The Room includes Grant Sabin (scenic), Kotryna Hilko (costumes), Claire Chzran (lighting), Heath Hays (sound), Alec Long (properties) and Barbara Siefert (violence). Katie Adams is the stage manager and Shannon Golden is the production manager. 

About The Artists

Dado (Director) directed A Red Orchid’s Jeff nominated production of Tennessee William’s The Mutilated last season. Previous shows at A Red Orchid include Red Handed Otter, Strandline (Actor), Simpatico, Megacosm and The Hothouse, among others. In 2015, Dado directed the Incubator project of Harold Pinter's Celebration (infused with the music of Mauricio Kagel) for A Red Orchid, which enjoyed an extended run at Kamehachi. She also directed As You Like It at UIC and Suburbia at St Joseph (where she also teaches Intro to Performance). She also staged an experimental opera at the Art Expo 2015 called Cake Mix, originally composed by Mikey Moran (Red Handed Otter) and based on the contents of a box of Pillsbury cake mix. She recently took her MFA from the University of Chicago in visual art. She lives in Whiting, Indiana with Stella and Booker.

Jo Jo Brown (Riley) is making their debut at A Red Orchid Theatre. Past credits include Passing Strange at UIC’s School of Theatre and Music, A Midsummer Night’s Dream at Two Pence Theater, and The People’s Temple at American Theater Company.

Dano Duran (Mr. Sands) is debuting with A Red Orchid Theatre for the first time. Dano also shoots as many films/TV/commercials as he's allowed to. When not acting Dano is a broker with The North Clybourn Group.

Kirsten Fitzgerald (Rose) has been a member of the Artistic Ensemble at A Red Orchid since 2001. Her performances here at home include three world premieres by Brett Neveu; Pilgrim’s Progress, Weapon of Mass Impact and Four Murders. Other AROT performances include Mud Blue Sky, The Butcher of Baraboo, The New Electric Ballroom, Abigail's Party, The Sea Horse [Jeff Award], Pumpgirl, Mr. Bundy, The Killer and more. Other Chicago credits include Mary Page Marlowe, The Qualms, Clybourne Park, The Elephant Man, and A Streetcar Named Desire (Steppenwolf Theatre); Appropriate (Victory Gardens), and work with Defiant Theatre, Circle Theatre, Next, Remy Bumppo, Chicago Shakespeare Theatre, The Goodman, Shattered Globe, Famous Door, Plasticene and the Utah Shakespeare Festival among others. You can see her on the small screen now in The Exorcist (FOX) and other TV credits include Sirens (USA), Chicago Fire (NBC), ER (NBC) and Underemployed (MTV).

Mierka Girten (Mrs. Sands) is an ensemble member at A Red Orchid, where she has been seen in over thirteen productions, including The Mutilated, Simpatico, Red Handed Otter, Mud Blue Sky and Abigail’s Party among others. This past summer Mierka played Maria Callas in Master Class at The Human Race Theatre Company in Dayton Ohio. Additionally, she has worked with The Hypocrites, Rivendell Theatre, Porchlight Music Theatre, Cobalt Ensemble, Apple Tree, Provision, Strawdog, Circle Theatre, American Blues, Mary-Arrchie, Live Bait, Roadworks, Steppenwolf and The Goodman. She played Esther in Mistakes Were Made both here at A Red Orchid and in the Off-Broadway Barrow Street Theatre production with friend Mike Shannon. Her voice can be heard on national broadcast and web commercials.

Anish Jethmalani (Mr. Kidd) makes his A Red Orchid debut with The Room. His stage credits include Wit and ten seasons of A Christmas Carol (Goodman Theatre); Water by the Spoonful, Titus Andronicus, Mary Stuart, The Invention of Love and Life’s a Dream (Court Theatre); Romeo & Juliet (Chicago Shakespeare Theater); Homeland Security (Victory Gardens Theater); Inana, Blood and Gifts (TimeLine Theatre Company); Bengal Tiger at the Baghdad Zoo, Around the World in 80 Days and Sita Ram (Lookingglass Theatre Company); The Caretaker, To the Green Fields Beyond (Writers’ Theatre); Citizens of the World (Steppenwolf Theatre Company); Omnium Gatherum, Return to Haifa and The Millionairess (Next Theatre Company); Twelfth Night (First Folio Theatre); The Man Who Murdered Sherlock Holmes (Mercury Theatre); Indian Ink, The Sign of the Four (Apple Tree Theatre); Merchant of Venice (Silk Road Rising) and The Age of Cynicism (Chicago Dramatists). Regionally, he appeared in Henry VIII and Much Ado About Nothing at the Oregon Shakespeare Festival. His film and television credits include APB, Boss, Leverage, Early Edition,and Batman vs. Superman: Dawn of Justice.

H.B. Ward (Bert) has worked with A Red Orchid Theatre once before, in The Butcher of Baraboo. He has acted with many Chicago companies including Curious Theatre Branch, Prop Thtr, Collaboraction, DOG – a Theater Company, The Magpies, Teatro Vista, WNEP, Theater Oobleck, Tympanic Theatre,16th Street Theater, Wildclaw Theatre, Trap Door Theatre, Next Theatre, Rivendell Theatre, The Side Project, Jackalope Theatre, American Blues Theater, Haven Theatre and, most recently, with Timeline Theatre in Chimerica. He has also acted in television, commercials, and films, including Stephen Cone’s In Memoriam. He has understudied at Victory Gardens Theater, Goodman Theatre and Steppenwolf Theater. He is represented by Paonessa Talent Agency.

HB Ward and Anish Jethmalani 

About A Red Orchid

A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored this year with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 23 years, its Resident Ensemble has welcomed into its fold an impressive array of award winning actors, playwrights and theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company also produces an annual OrKids (youth) project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations). 

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West