Celebrate Black History Month With Chicago Theatre Week February 17 – 27, 2022

 Chicago Theatre Week marks its 10th year,

February 17 – 27, 2022

Among offerings are productions to celebrate Black History Month

 

There's a black renaissance happening on stages across Chicago and here at ChiIL Live Shows we've seen some amazing openings featuring black narratives, actors, directors, and more that coincide with both Black History Month and great ticket discounts through Chicago Theatre Week. Check out some stellar storytelling from Chicago's impressive black talent pool without breaking the bank. Want more of a deep dive into shows? Check out our original reviews, theatre news, giveaways and more at ChiILLiveShows.com (adult) and ChiILMama.com (family friendly). We've highlighted shows we've seen and recommend in red below.

Chicago Theatre Week (#CTW22), an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets, returns for its 10th year and will take place February 17-27, 2022. Tickets, value-priced at $30, $15, or less, are on sale at ChicagoTheatreWeek.com. Book NOW for the best selection. Top shows do sell out fast.

Chicago Theatre Week is back in-person after a quieter and mostly online 2021 theatre scene during the COVID-19 pandemic. Chicago Theatre Week, spanning a week and two full weekends, is heading into its 10th year. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, theatres in neighborhoods throughout the city and suburbs are expected to participate.

Chicago Theatre Week occurs in February each year, coinciding with Black History Month. Several productions honoring the Black experience featuring Black theatres and theatre-makers are participating in Chicago Theatre Week, including:

 

Gem of the Ocean

Goodman Theatre

January 22- February 27, 2022

**Highly recommended--ChiIL Live Shows**

Goodman revives the play that begins August Wilson’s epic 10-play American Century Cycle—on the stage where it premiered in 2003. Tensions flare into riots across Pittsburgh’s Hill District as chaos threatens a city desperate for freedom. It’s 1904, the dawn of the new century—yet slavery’s shadow looms large. There is solace to be found at the home of 285-year-old Ester Tyler, keeper and transmitter of African American history and cleanser of souls. When a suspicious traveler appears at her door in search of a new life, Aunt Ester guides him on a journey of spiritual awakening.

Trial in the Delta

Collaboraction

February 26, 2022

Collaboraction presents a theatrical staged reading of Trial in the Delta: The Murder of Emmett Till, an adaptation of the trial transcript of the State of Mississippi vs. Milam and Bryant, the men who were found not guilty of murdering Emmett Till. The script was adapted by company members G. Riley Mills and Willie "Prince Roc" Round and produced by Collaboraction and The DuSable Museum of African American History.

 

Ruined

Invictus Theatre Company

February 17- March 20, 2022

This winner of the 2009 Pulitzer Prize is set in a small mining town in the Democratic Republic of Congo. Ruined follows Mama Nadi, a shrewd businesswoman in a land torn apart by civil war. But is she protecting or profiting by the women she shelters? How far will she go to survive? Can a price be placed on a human life?

Relentless

TimeLine Theatre Company

January 21 - February 26, 2022

**Highly recommended--ChiIL Live Shows**

Set in the Black Victorian era, Relentless looks at the deep personal secrets we keep to protect the ones we love most. The year is 1919. After the death of their mother, two sisters come home to Philadelphia to settle her estate. Annelle is a happy socialite desperate to return to the safe illusion of a perfect life with her husband in Boston. Janet is a single, professional nurse, determined to change history and propel Black women to a place of prominence and respect. After discovering diaries left by their late mother, they find themselves confronted with a woman they never really knew, exposing buried truths from the past that are chillingly, explosively Relentless.

Blues In the Night

Porchlight Music Theatre

February 9 - March 13, 2022

The Blues is one of America’s original art forms and Chicago was the home to some of the greatest Blues performers ever. Set in a history-filled hotel on Chicago’s south side one fateful night in the late 1930s, this Tony Award-nominated celebration interweaves the stories of three women who share their highs and lows of romance through the iconic songs of Bessie Smith, Duke Ellington, Johnny Mercer, Harold Arlen, Alberta Hunter, Jimmy Cox, Ida Cox and others.

The SuperAfroWavyDrippyExtraBrilliantDope Show

The Second City

February 1 - March 9, 2022

Black on Black shines as The Second City celebrates the comedy contributions of our BIPOC alumni, including Sam Richardson, Keegan-Michael Key, Amber Ruffin, Tim Meadows, and more. Performed by an all-Black cast who will soon be household names themselves, The SuperAfroWavyDrippyExtraBrilliantDope Show proves the Blacker the berry, the funnier–and doper–the show.

Fireflies

Northlight Theatre

January 20 - February 20, 2022

**Recommended--ChiIL Live Shows**

The Civil Rights Movement has ignited the South, and the charismatic Rev. Charles Grace needs a new speech to galvanize the people. But it is Olivia, his pregnant wife, who writes those fiery speeches, and her tolerance for playing the supporting role to her husband is wearing thin. As the growing weight of secrets threatens her marriage, and a nation’s hatred threatens her child’s future, Olivia must rediscover the place that love has in her world.

 

Queen of the Night

Victory Gardens Theater

January 29 - March 13, 2022

**Recommended--ChiIL Live Shows**

A divorced father and his queer son head to the woods of southeastern Texas to relive the camping trips of earlier, easier days. But even without cell service, certain things are inescapable. Playwright travis tate explores masculinity and queerness through the lens of multi-generational Blackness, offering a hilarious, heart-rending family portrait about reckoning with the wilderness of a shared past, while facing an uncertain future. Staged by Victory Gardens Artistic Director Ken-Matt Martin, Queen of the Night kicks off the 2021/22 Season.

 

Women of Soul

Mercury Theater Chicago

January 28 - March 6, 2022

**Recommended--ChiIL Live Shows**

A celebration of the most powerful women of soul to ever grace the stage. You’ll jump to your feet as we honor incredible women including Whitney Houston, Donna Summer, Diana Ross, Janet Jackson, Janis Joplin, and of course, you’ll get a little of Gladys, Dionne, and Patti. Featuring powerhouse voices singing memorable music including “I Say a Little Prayer”, “I Will Survive” and “Respect.” This review recognizes the struggles and triumphs these women went through to reach the pinnacle of their success. This is a once-in-a-lifetime musical masterpiece that you will want to experience over and over again! 

Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago. Subscribe to the Theatre Week email newsletter or follow @ChicagoPlays on Twitter for updates and announcements.

The official hashtag for Chicago Theatre Week 2022 is #CTW22. Follow along on social media and tag your own experiences too!

There are limited ticket quantities available for some shows, so it is recommended that you purchase tickets in advance. Most theatres are requiring proof of vaccination and masks in order to attend a performance. Venue-specific COVID-19 policies are listed on Theatre Week show offer pages; however, we recommend checking with the theatre for updates before attending.

About Chicago theatre 

Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world. For more information, visit www.chicagoplays.com. #ChiTheatre

 

The League of Chicago Theatres’ Mission Statement

Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres, which leverages its collective strength to support, promote and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

 

About Choose Chicago

Choose Chicago is the official sales and marketing organization responsible for promoting Chicago as a global visitor and meetings destination, leveraging the city’s unmatched assets to ensure the economic vitality of the city and its member business community. Follow @ChooseChicago on Twitter and on Instagram @choosechicago. Like us on Facebook. For more information, visit www.choosechicago.com. #CaptureChicagoExcitement | #ChicagoHome | #Only1Chicago

 

Chicago Opera Theater Presents Freedom Ride With Chicago Sinfonietta at Studebaker Theater Through February 16, 2020

ChiIL Live Shows on our radar

World Premiere

FREEDOM RIDE

Commissioned by Chicago Opera Theater

Music & Libretto by Dan Shore

Conducted by Lidiya Yankovskaya

Directed by Tazewell Thompson

I'm elated to spend Valentines Day reviewing the world premiere of Dan Shore’s Freedom Ride, based on the Civil Rights Movement in New Orleans, at the Studebaker Theater. Developed at Xavier University in collaboration with activists who lived the history, Freedom Ride explores themes with searing social relevance, via a score that draws from Louisiana’s rich musical traditions. A diverse cast of Chicago-based artists and internationally acclaimed talent join the Chicago Sinfonietta to bring this powerful work to life.

When the Congress of Racial Equality comes to New Orleans in the sweltering summer of 1961, Sylvie Davenport is torn. Handed a pamphlet and asked to board a Greyhound bus, Sylvie is forced to choose between her academic future and the future of the nation in a story that highlights how far we’ve come and how far we still have left to go.

Tazewell Thompson (Blue, Jubilee) directs this world premiere new work, developed at Xavier University with the activists who lived the history. Staley Music Director Lidiya Yankovskaya conducts the critically acclaimed Chicago Sinfonietta.



Saturday, February 8, 2020 | 7:30 PM
Friday, February 14, 2020 | 7:30 PM
Sunday, February 16, 2020 | 3:00 PM

Conductor Lidiya Yankovskaya
Director Tazewell Thompson
Scenic Design Donald Eastman
Costume Design Harry Nadal
Projection Design Rasean Davonte Johnson
Lighting Designer Robert Wierzel
Assistant Conductor Kedrick Armstrong
Chorus Master Adrian Dunn

CAST:
Sylvie Davenport Dara Rahming
Leonie Baker Whitney Morrison
Georgia Davenport Zoie Reams
Russell Davenport Tyrone Chambers
Rev. Mitchell Cornelius Johnson
Clayton Thomas Robert Sims
Ruby Kim Jones
Mae, Chorus Samantha Schmid*
Gloria, Chorus, Georgia (Cover) Leah Dexter
Frances, Chorus Morgan Middleton*
Marc, Chorus Blake Friedman
Tommie, Chorus, Clayton (Cover) Vince Wallace
Chorus, Leonie Baker (Cover) Joelle Lamarre
Chorus, Russell (Cover) Cameo Humes
Reverend Mitchell (Cover) Curtis Bannister
Chorus, Mae (Cover) Kristina Bachrach
Chorus, Marc (Cover) William Ottow*
Chorus, Tommie (Cover) Keanon Kyles
Chorus, Gloria (Cover), Francis (Cover) Beena David



COT is thrilled to partner with Chicago Sinfonietta for Freedom Ride.

Since 1987, Chicago Sinfonietta has been a defiantly different kind of orchestra. The orchestra was founded by Maestro Paul Freeman to address the disconnect between the utter lack of diversity in orchestras and the vibrant, nuanced, communities for which they play. For nearly 30 years, we have made it our mission to represent the city of Chicago, reflecting that vibrancy on stage and in our programming, making classical music accessible for anyone.

In everything we do, we are inspired by our founder Paul Freeman (1936-2015). From humble roots in Richmond, Virginia, he grew to become a passionate musician and ultimately a brilliant conductor equally respected for his knowledge of music as he was for his natural leadership and charming sense of humor. He was the first African American conductor on the podium of more than 50 orchestras worldwide and conducted more than 100 orchestras in 28 countries over the course of his career. He served as chief conductor of the Czech National Symphony Orchestra in Prague (1996-2007) and the music director of the Victoria Symphony in Canada (1979-1989). He made more than 200 recordings in his career (on par with mega maestros such as von Karajan and Bernstein) and highlighted prominent, but under-recorded, diverse composers at every turn.

And, so it goes. The accomplishments of Paul Freeman are startling in their magnitude.

The orchestra’s 29 years have been highlighted by six European tours, two Kennedy Center performances, two Millennium Park concerts attended by over 19,000 people, and 15 recordings. For nearly 30 years, diversity, inclusion and bold and dynamic programming has been at the center of what we do. Rarely performed music by composers of color are a Sinfonietta staple and often include almost entirely lost compositions that are carefully pieced together and preserved through recording and/or the production of sheet music. Unusual instruments and musical styles like the bagpipes, steel drums, sitar, Indian Ghazal music, hip hop, and yes, even cell phones have served as centerpieces for Sinfonietta programs – some of the most daring musical collaborations any orchestra is putting on stage.

In 2011, Maestro Mei-Ann Chen began her tenure with the orchestra (as only the second Music Director in the Sinfonietta’s history). In her first season, the Sinfonietta was named by ASCAP as the recipient of the 2011-12 Award for Adventurous Programming and in 2013 was dubbed, “The city’s hippest orchestra” by the Chicago Tribune. From a battle of the bands with Mucca Pazza to collaborations with Young Chicago Authors, FootworKINGZ, and bass virtuoso, Victor Wooten the Sinfonietta has embraced the daring programming that has always been part of its history. In turn, audience response over the last five seasons has been unprecedented.

The legacy passed to Maestro Chen and all of us at the Sinfonietta goes far beyond what you see on stage. Maestro Freeman was, throughout his lifetime, a fierce advocate for early career, diverse musicians. Many of the musicians you see on stage (including our Concert Master since 1993, Paul Zafer) are the direct beneficiaries of this vision and personal investment that Maestro Freeman made in so many people. In 2008, this practice was formalized to create our Project Inclusion Fellowship Program. In the 9 seasons since this program began, Project Inclusion has served 45 fellows – more than all other similar fellowship programs in the country combined according to a 2016 League of American Orchestras study.

Freedom Ride is a part of Chicago Theatre Week!

Theatre week tickets are currently SOLD OUT, but check back for updates.

Special thanks to our sponsors for Freedom Ride:

Season Sponsors | Julie & Roger Baskes
Production Sponsor | Virginia Tobiason
Robert Sims Sponsors | Enriqueta & Ronald Bauer

This program is partially supported by a grant from the Illinois Arts Council Agency.

This project is supported in part by the National Endowment for the Arts.
The More & Genius Operating Reserve Fund provided partial support for this project.

Chicago Theatre Week To Return February 13 – 23, 2020

ChiIL Live Shows on our radar
League of Chicago Theatres, in partnership with Choose Chicago, 

Present Chicago Theatre Week 2020

February 13 – 23

**Tickets on Sale January 14th. Get 'em before you hear the words "sold out".**

Chicago Theatre Week (#CTW20), an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets, will take place

February 13-23, 2020. From joy to heartache and every feeling in between, Chicago theatre tells stories that evoke big emotions. Stories that take risks, inspire awe, ask tough questions – and dare audiences to do the same. From musicals to plays to comedy, theatre is for everyone in Chicago. Chicago Theatre Week is a celebration of the stories we share.

Chicago Theatre Week, spanning a week and two full weekends, is heading into its eighth year. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, over 100 theatre productions are expected to participate in neighborhoods throughout the city and suburbs.

The value-priced CTW tickets will be $30, $15, or less. In early January 2020, tickets will go on sale and a list of participating productions will be available at ChicagoTheatreWeek.com.

A small sample of the many productions expected to participate are:

An American in Paris – Drury Lane Theatre
Bug – Steppenwolf Theatre
Chicago Musical Theatre Festival – Underscore Theatre Company
Emma – Chicago Shakespeare Theater
Freedom Ride – Chicago Opera Theater at The Studebaker Theater
How a Boy Falls – Northlight Theatre
Ivy + Bean – Emerald City Theatre at the Athenaeum Theatre
Madama Butterfly – Lyric Opera of Chicago
The Mousetrap – Court Theatre
Roe – Goodman Theatre
Sophisticated Ladies – Porchlight Music Theatre
Spoken Word – MPAACT at the Greenhouse Theater Center
Stick Fly – Writers Theatre
SUMMER: The Donna Summer Musical – Broadway In Chicago at the James M. Nederlander Theatre

Last year, in February 2019, 139 participating productions offered value-priced tickets to 593 individual performances during Chicago Theatre Week. The initiative continues to see increased sales year over year, with 12,700 Theatre Week tickets sold in 2019. Chicago Theatre Week brings in new audiences to area theatres with an average of 63% of attendees visiting their chosen theatre for the first time. Theatre Week also proved to be a draw for visitors from outside Chicago with 17% of patrons coming from beyond 50 miles of the city, spanning 36 states and several countries.

“Each year, Chicago Theatre Week introduces audiences to incredible shows at great prices. It presents an opportunity for every visitor and every resident to experience new work, fresh talent, musicals, improv, and more,” comments Deb Clapp, Executive Director of the League of Chicago Theatres. “Theatre is something that sets Chicago apart from other cities and Chicago Theatre Week celebrates that distinction and welcomes everyone in.”

“Chicago, which is home to over 250 dynamic theatres, provides visitors more variety and creative platforms than any destination in the United States,” said David Whitaker, President and CEO of Choose Chicago. “Perhaps more importantly, Chicago Theatre Week helps create a greater understanding of the year-round programming, opportunities and the amazing venues that call Chicago home.”

Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago. Subscribe to the Theatre Week email newsletter or follow @ChicagoPlays on Twitter for more. The official hashtag for Chicago Theatre Week 2020 is #CTW20.

About Chicago theatre
Chicago theatre is the leader in the U.S. with more than 250 theatres throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theatres to the most renowned resident theatres in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theatres serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Last year alone Chicago theatre companies produced more than 100 world premiere productions and adaptations. Each year Chicago theatres send new work to resident theatres across the country, to Broadway, and around the world.

League of Chicago Theatres’ Mission Statement
Theatre is essential to the life of a great city and to its citizens. The League of Chicago Theatres is an alliance of theatres which leverages its collective strength to support, promote, and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Half-price tickets to the current week’s performances as well as future performances are available at HotTix.org and at the two Hot Tix half-price ticket locations: across from the Chicago Cultural Center at Expo72 (72 E. Randolph) and Block Thirty Seven (108 N. State).

FEST ALERT: Greenhouse Theater Center Celebrates Chicago Theatre Week with BREAKING GROUND FEST Through February 17, 2019

ChiIL Live Shows on our radar

Greenhouse Theater Center

Celebrates Chicago Theatre Week with

BREAKING GROUND FEST

February 7 – 17, 2019

PS Burlesque.  Photo by Adam Blaszkiewicz.

The Greenhouse Theater Center celebrates Chicago Theatre Week with its BREAKING GROUND FEST, an eclectic line-up of performances including live music, plays, staged readings, improv, comedy, burlesque and more, playing February 7 – 17, 2019 on multiple stages at 2257 N. Lincoln Ave. in Chicago. All performances are priced at $10. Tickets are currently available at greenhousetheater.org, in person at the Greenhouse box office or by calling (773) 404-7336. Spots are still available for the Festival. For information, e-mail gm@greenhousetheater.org.



The BREAKING GROUND FEST line-up to date includes (additional acts to be announced):



Friday, February 8 at 10:30 pm
GODDESS, hosted by Kat Sass and Lucky Stiff 

Acclaimed drag performers Kat Sass and Lucky Stiff bring their visionary GODDESS out of Boystown and into the Greenhouse Theater Center for a unique performance art experience unlike anything you have ever seen.

She’s Folks. Photo by Jill Fager.

Saturday, February 9 at 8 pm
SHE’S FOLKS!

Elizabeth Morgan’s She’s Folks! is a little bit country, a little bit rock ‘n’ roll, and a lot of laughs. Journey from the city to farm country and back again through folk and country music, hilarious stories, soaring harmonies and a wry view of the folks back home.  



Saturday, February 9 at 10:30 pm
PLAN 9 BURLESQUE

Plan 9 Burlesque was founded in 2012 by a rag tag group of nerds with an affinity for nudity. They wanted to create a space where burlesque and fandom come together to produce innovative, creative and bonkers performance art. Since then they have perverted comic book heroes, sci-fi super stars, beloved children's cartoons and fantastical fairy tales.  



Sunday, February 10 at 7 pm

AUNTIE MAME
A semi-staged reading of the play by Jerome Lawrence and Robert E. Lee
Directed by Nicholas Reinhart 


Based on the bestselling memoir, Auntie Mame tells the story of Patrick Dennis, newly orphaned and sent to live with his eccentric Auntie Mame in New York City. This madcap play about family, growing up, and making the most out of life has been entertaining audiences around the world for years and returns to the Greenhouse Theater Center for one night only!



Monday, February 11 at 7:30 pm
MONA Q: AGE 38
A staged reading written by Steven Strafford
Directed by Kristina Valada-Viars
Featuring Sadieh Rifai, J. Nicole Brooks, Shea Coffman and Eric Slater 


Mobs finds that life has left her sad and stuck. When she can’t seem to get off a Holocaust Trivia Distribution list, she takes a road trip to take some action. Along the way, she shapes her story and learns a bit about what she might want next. 



Tuesday, February 12 at 8 pm
SIX PACK AND A SHOT
A play written and directed by Bill Goff
Featuring Dante Charlton and Evan Henderson


Two best friends share one last six pack as one looks to resolve their friendship and the other wants to preserve it before time runs out.



Tuesday, February 12 at 8 pm
OEDIPUS IN JERUSALEM
A staged reading by Kalman Kaplan
Directed by Michael Reinstein


Oedipus in Jerusalem begins with the fictional and unexpected meeting outside of Thebes between the blinded Greek Oedipus and the biblical prophet Nathan. Although Oedipus insists on his guilt with regard to patricide and incest with his mother, Nathan is convinced that he has been entrapped by the purposely obscure responses of the Pythia to Oedipus's sincere attempts to avoid these acts and brings him to be tried in the great Sanhedrin in Jerusalem. Oedipus is acquitted because he is judged to be doing all in his power to try to avoid performing these acts, but thinking like a Greek, Oedipus refuses to emotionally accept his acquittal.

 

Falling in Love (pictured) Jack Schultz in I’m Falling in Love All The Time. Photo by Sommer Austin.

Thursday, February 14 at 8 pm
I’M FALLING IN LOVE ALL THE TIME
A solo show written and performed by Jack Schultz

Coffee. Romance. Heroin. There’s a first time for everything and a last. In his heartfelt solo show, Jack Schultz weaves together personal stories of the highs and lows of love.



Friday, February 15 at 7:30 pm
BROMANTICAL HEALING Hosted by Stoopie

Stoopie (aka improv duo Cooper Bohn and Steven Dionne) holds the title for strongest bromance in Chicago’s improv scene. Enjoy the day after Valentine’s Day with them and their funny friends! 



Friday, February 15 at 10:20 pm
PS… BURLESQUE


Ah, the day after Valentine’s Day. The heart shaped candy is 50% off, the roses are wilting, and the love-themed plush toys have been thrown into the clearance bin. But, the Unpopular Hotties have something even more enjoyable for you Valentine’s Day haters on February 15th! During the “Love Hangover” burlesque revue, we’ll be serving up all those post V-Day feels the best way we know how – by taking off our clothes!



Saturday, February 16 at 7:30 pm
FANCY MUSTARD Improv

There are times in your life where everything came before and after a single moment. Inspired by your suggestions Fancy Mustard will improvise what led up to that moment and the aftermath in The Event! Also featuring opening acts of friends and enemies (just kidding, we don’t have friends). 


For additional information, visit greenhousetheater.org/breakingground.


Following the BREAKING GROUND FEST, Greenhouse Theater Center will regularly host new performances on Monday, Tuesday and Wednesday nights when space is available. For information on booking an act, please gm@greenhousetheater.org.

About the Greenhouse Theater Center
The Greenhouse Theater Center (GTC) is a producing theater company, performance venue and theatre bookstore located at 2257 N. Lincoln Ave. in Chicago’s Lincoln Park neighborhood.

GTC began its producing life in 2014 with the smash hit Churchill, followed by 2016’s much-lauded Solo Celebration!, an eight month, 16 event series highlighting the breadth and depth of the solo play form. In 2017-18, the Greenhouse presented its first full subscription season, including Machinal (4 stars from Chicago Tribune's Chris Jones) and the Chicago premiere of Birds of a Feather. 

As a performance venue, the Greenhouse complex offers two newly remodeled 190-seat main stage spaces, two 60-seat studio theaters, two high-capacity lobbies and an in-house rehearsal room. GTC also houses Chicago’s only dedicated used theatre bookstore, located on the second floor the complex. 

The Greenhouse Theater Center’s mission is first and foremost to grow local theatre. GTC seeks local theatre companies and artists to partner on co-productions, offering partners a multitude of resources including an equitable split of production costs, production manager, full-service box office and front-of-house staff, artistic consultation, marketing and public relations support and a full-service bar with concessions. For additional information, contact Bill Spatz at (312) 637-5323 or wmspatz@gmail.com.

With new ideas always incubating, the Greenhouse is flourishing. Come grow with us!

Chicago Theatre Week 2019 To Kick Off 2019 as the Year of Chicago Theatre February 7 – 17, 2019

ChiIL Live Shows On Our Radar

League of Chicago Theatres, in partnership with Choose Chicago, announces dates for 

Chicago Theatre Week 2019

 

February 7 – 17, 2019

Annual celebration will kick off the Year of Chicago Theatre

Chicago Theatre Week (#CTW19), an annual celebration of the rich tradition of theatre-going in Chicago during which visitors and residents can access value-priced tickets, will take place February 7-17, 2019. From joy to heartache and every feeling in between, Chicago theatre tells stories that evoke big emotions. Stories that take risks, inspire awe, ask tough questions – and dare audiences to do the same. From musicals to plays to comedy, theatre is for everyone in Chicago. Chicago Theatre Week is a celebration of the stories we share and will kick off 2019 as the Year of Chicago Theatre, a first-of-its-kind initiative designated by Mayor Rahm Emanuel.

Chicago Theatre Week, spanning a week and two full weekends, is heading into its seventh year. As a program of the League of Chicago Theatres, in partnership with Choose Chicago, over 100 theatre productions are expected to participate in neighborhoods throughout the city and suburbs.

The value-priced CTW tickets will be $30, $15, or less. Tickets will go on sale and a list of participating productions will be available online at 10:00am CST on Tuesday, January 8 at ChicagoTheatreWeek.com.



A small sample of the many productions expected to participate are: Court Theatre – Photograph 51; Drury Lane Theatre – Mamma Mia!; Goodman Theatre – How to Catch Creation, Twilight Bowl; Lookingglass Theatre – Act(s) of God; Northlight Theatre – Nina Simone: Four Women; Paramount Theatre – The Producers; Porchlight Music Theatre – A Gentleman’s Guide to Love & Murder; The Second City – 107th Mainstage Revue; Steppenwolf Theatre – A Doll’s House, Part 2; TimeLine Theatre – Cardboard Piano; Victory Gardens Theater – Pipeline; and Writers Theatre – Ma Rainey’s Black Bottom.

Last year, in February 2018, 115 participating productions offered value-priced tickets to 619 individual performances during Chicago Theatre Week. More than 12,500 tickets were sold in 2018, marking a rapid increase in sales over the course of the initiative. The program continued to bring in new audiences to area theaters with an average of 66% of attendees visiting their chosen theatre for the first time. Theatre Week proved to be a draw for visitors from outside Chicago with 17% of patrons coming from beyond 50 miles of the city, including 40 states.

“This year we are thrilled that Chicago Theatre Week will kick off the Year of Chicago Theatre celebration.  We hope that every Chicagoan will see a show this year. Chicago Theatre Week will be the first opportunity to see incredible shows at great prices,” comments Deb Clapp, Executive Director of the League of Chicago Theatres. “Chicago’s rich tradition of theatre is known world-wide and Chicago Theatre Week is just one chance to celebrate new work, fresh talent, musicals, improv, and more.  Theatre is one of the things that sets Chicago apart from other cities.”

“Chicago, which is home to over 250 dynamic theaters, provides visitors more variety and creative platforms than any destination in the United States,” said David Whitaker, President and CEO of Choose Chicago. “With 2019 being the Year of Chicago Theatre, Chicago Theatre Week is for many a chance to raise the curtain on the amazing performances, venues, artists and diverse audiences. While Chicago Theatre Week offers a featured preview it may also be an opportunity for visitors to realize that our theater scene cannot be taken in in just one day or perhaps just one visit and we invite everyone to take advantage of the celebration and programming.”

Chicago Theatre Week is presented by the League of Chicago Theatres in partnership with Choose Chicago. Subscribe to the Theatre Week email newsletter or follow @ChicagoPlays on Twitter for updates and announcements.

The official hashtag for Chicago Theatre Week 2019 is #CTW19.



About Chicago theatre
Chicago theater is the leader in the U.S. with more than 250 theaters throughout Chicagoland, comprising a rich and varied community ranging from storefront, non-union theaters to the most renowned resident theaters in the country, including 5 which have been honored with Regional Tony Awards, and the largest touring Broadway organization in the nation. Chicago’s theaters serve 5 million audience members annually and have a combined budget of more than $250 million. Chicago produces and/or presents more world premieres annually than any other city in the nation. Last year alone Chicago theater companies produced more than 100 world premiere productions and adaptations. Each year Chicago theaters send new work to resident theaters across the country, to Broadway, and around the world. 



League of Chicago Theatres’ Mission Statement
Theatre is essential to the life of a great city and to its citizens.  The League of Chicago Theatres is an alliance of theatres which leverages its collective strength to support, promote, and advocate for Chicago’s theatre industry. Through our work, we ensure that theatre continues to thrive in our city.

For a comprehensive list of Chicago productions, visit the League of Chicago Theatres website, ChicagoPlays.com. Half-price tickets to the current week’s performances as well as future performances are available at HotTix.org and at the two Hot Tix half-price ticket locations: across from the Chicago Cultural Center at Expo72 (72 E. Randolph) and Block Thirty Seven (108 N. State).

REVIEW: Sneak Peek at Underscore Theatre Company's CHICAGO MUSICAL THEATRE FESTIVAL Through February 16th

Chi, IL LIVE Shows On Our Radar:
This is NOT Your Parents' Musical Theatre Fest

Underscore Theatre Company Presents

The 4th Annual

CHICAGO MUSICAL THEATRE FESTIVAL

February 6 – 16, 2018 at Greenhouse Theater Center

 Liberators-2 (pictured) The cast of LIBERATORS: AN AMERICAN MUSICAL, part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

Review:

It was my great pleasure to catch the press “Sneak Preview,” featuring a sampling of songs from the 2018 Festival. The diverse offerings for 2018 range from impassioned immigrant stories and historical sagas to irreverently raunchy gay dating comedies. Several of the shows have unusual personifications and one even features sock puppets. All in all, this is NOT your parents' musical theatre fest. These new shows all push the traditional boundaries of the genre in exciting ways. Standouts from the medley of offerings in the press preview were THE BALLAD OF LEFTY & CRABBE -- a vaudeville adventure with fun potential, GRINDR The Opera-- a high energy ribald parody that left us wanting more, MUSICAL THERAPY-- a clever premise full of sock puppets and psychology, and finally haunting vocals of “TRU”. Do note, this run of TRU is already completely sold out.

Some of our favorite full productions from the past year, like CiviliTy of Albert Cashier': A stunningly spectacular true tale about a trans soldier, sprung from past years of the fest. Since its inception in 2014, the CHICAGO MUSICAL THEATRE FESTIVAL has brought 35 new musical to Chicago stages! Come check out these fledgeling forays into new musical territory so you can claim you saw it first. 

 Discount tickets available at Chicago Theatre Week! Check it out. 

The 4th annual Festival takes place during the League of Chicago Theatres’ annual Chicago Theatre Week, with discounted tickets available to all Theatre Week performances!

Underscore Theatre Company is pleased to present its 4th annual CHICAGO MUSICAL THEATRE FESTIVAL, created to showcase and support the growing field of musical theatre creators from Chicago and beyond. This year’s Festival, featuring full productions of seven new musicals plus two staged readings, will play February 6 – 16, 2018 at the Greenhouse Theater Center, 2257 N. Lincoln Ave. in Chicago. Each full production will receive at least four performances during the Festival. Single tickets are currently available at www.cmtf.org. 

The festival provides much-needed artistic resources for emerging composer/lyricist teams to have their work supported, explored and most importantly – performed!

Production Schedule & Tickets:

Curtain times: Tuesdays, Wednesdays & Thursdays at 8 pm; Fridays at 7:30 pm & 10 pm; Saturdays at 12 pm, 3 pm & 8 pm; Sundays at 12 pm, 3 pm & 6 pm. For a detailed scheduled of productions, please visit www.cmtf.org.

Tickets: $20 ($15 during Chicago Theatre Week). Tickets are currently available at www.cmtf.org.



The full line-up for the 4th annual CHICAGO MUSICAL THEATRE FESTIVAL includes:

(left to right) Vi Tran, Michael Van Pham, Carolyn Plurad and Diana Lee in THE BUTCHER'S SON, part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

THE BUTCHER'S SON
Book, Music & Lyrics by Vi Nhan H. Tran
Directed by Mackenzie Goodwin Tran, Music Direction by Ben Byard 
Cast: Todd Aulwurm, Jennifer Cheung, Carolyn Plurad, Diana Lee, Vi Tran and Michael Van Pham


(left to right) Carolyn Plurad and Vi Tran in THE BUTCHER'S SON, part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

Born in Vietnam and raised in southwestern Kansas, Vi Nhan H. Tran is torn between the mysterious secrets of his heritage and the waving wheat fields of his adopted home. A poignant and humorous folk musical memoir, The Butcher’s Son chronicles the Tran family’s escape from Vietnam, imprisonment by the Khmer Rouge and resettlement in the cattle country of America. Tran weaves a thrilling refugee story and All-American tale of how family stories become family lore and where one family's search for a home ends.

GRINDR The Opera
Book, Music and Lyrics by Erik Ransom
Directed by Rachel Klein, Music Direction by Oliver Townsend
Choreography by Rachel Klein and Shawn Quinlan
Cast: Connor Baty and Nathan Cooper. Additional casting to be announced.

Four gay men, seeking different types of connection, intersect to hilarious and calamitous results in this sung-through musical parody that puts the notorious gay hook-up app into the exaggerated world of opera. With musical styles ranging from contemporary pop to baroque, GRINDR The Opera is a daring, humorous look at the changing landscape of gay relationships, and the greatest catalyst for the shift: GRINDR.

IRON IRENE: A MUSICAL FABLE
Book by Liz Falstreau, Lyrics by Liz Falstreau and Ashley Flanagan, Music by Ashley Flanagan, Orchestration by Asher Carlson
Directed by Chris Causer, Choreography by Kira Christoforidis
Cast: Rena Ahmed, Luciana Bonifazi, Raymond Cleveland, Dylan Connelley, Casey Daniel, Liz Falstreau, Josh Greiveldinger, Tim Huggenberger, Josiah Robinson, Carly Sue Skankey, Maiko Terazawa and Elliot Watts

Set during the years following the American Civil War, Iron Irene tells the story of two sisters and their fight for family, equality and a better world. Upon the death of their parents, Cassie DeLanie is sent from her home in Milwaukee, Wisconsin to live in southwestern Wyoming with her sister, Irene. Together, the sisters must learn to adjust to this new world while still attempting to maintain the beliefs and identities of their childhood. Their adventures will lead them to Wyoming’s shining moment: being the first U.S. territory to grant women’s suffrage.

(pictured) The cast of LIBERATORS: AN AMERICAN MUSICAL, part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

LIBERATORS: AN AMERICAN MUSICAL
Book and Lyrics by Eric C. Jones, Music by Bradley Dean Whyte and Alex Winkler,
Orchestrations by Nate Weil
Directed by Allison Heinz, Music Direction by Samantha Westlake
Choreography by Jaime Raglow
Cast: Isabel Breanahan, Caitlin Dobbins, Shelby Edwards, Chris Furrer, Luke Halpren, Alex Iacobucci, Jillian Jocson, Kate Jordan, Natalie Kreft, Lynette Li, Cari Meixner, Emily Moon, Mike Movidio, Gage Peterson, Christopher Ratliff, Colton Schied, Kati Schwaber, Allison Taylor, Thomas Tong and Evan Wilhelm

 

(left to right) Caitlin Dobbins and Luke Halpern in LIBERATORS: AN AMERICAN MUSICAL, part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

 

(pictured) The cast of LIBERATORS: AN AMERICAN MUSICAL, part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

A powerful rock musical about forgiveness, restoration, the power of friendship and what it means to be a family. This moving tale intersects and moves back and forth throughout 70 years and tells the story through the viewpoints of three unlikely men from different religious and ethnic backgrounds who are connected through a priceless family heirloom: a gold pocket watch. From the start of WWII to post-911 America, the lives of these characters will forever be changed during the historic liberation of Buchenwald and Dachau. Liberators: An American Musical encourages you to believe that even the most unlikely person can make a difference.

MUSICAL THERAPY
Music and Lyrics by Joey Katsiroubas, Book by Dan Hass
Directed by Madison Smith, Music Direction by Joey Katsiroubas
Choreography by Katelyn Stoss
Cast: James Bleecker Jr., Kirby Gibson, Matt Lamson, Alex Madda, Tommy Ross, Sophie Scanlon and Ashlyn Seehafer

Theresa is a young, single couples’ counselor in Chicago. While she’s great (well, okay) at keeping couples together, she can’t seem to lock down a guy for herself. And the fact that she tends to get attached (well, neurotic) after just one date doesn’t help either. Cut to Mr. Wonderful moving into the office next door: beautiful, bulgy-biceped Will. It’s obsession at first sight, and no obstacle or girlfriend is going to keep Theresa from being with him. She’ll ruin relationships, sabotage dates, push people out of the closet – mixing and matching her clients until it’s just Wonderful and her. Forever. And ever. 

THE BALLAD OF LEFTY & CRABBE
Book by Brian Huther, Ben Auxier and Seth Macchi, Music and Lyrics by Ben Auxier and Brian Huther, Arrangements and Music Direction by Ryan McCall
Cast: Ben Auxier, Molly Denninghoff, Ryan Hruza, Brian Huther, Nellie Maple, Mike Ott, Shea Pender and Elise Poehling

Set in the 1920s during the decline of Vaudeville and the rise of Hollywood, The Ballad of Lefty & Crabbe tracks the journey of an ultra-sharp but down-on-their-luck comedy duo as they navigate the rapidly changing world of entertainment. With a cast of eight portraying nearly fifty characters, audiences will quickly lose themselves in this absurd and delightful comic world and leave with smiles on their faces.

(left to right) Meredith Kochan and Chuckie Benson in “TRU,” part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

“TRU” 
Book, Music, and Lyrics by David Gosz and Leo Fotos
Directed by Max Cervantes, Music Direction by Erik Pearson
Cast: Bradley Atkinson, Chuckie Benson, Kiko Laureano, Nic Mains, Hannon McEldowney, Meredith Kochan, Randolph Johnson, Marssie Mencotti, Marissa Pattullo and Marco Tzunux

 

(front, l to r) Marissa Pattullo, Bradley Atkinson and Kiko Laureano with the cast of “TRU,” part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

TRU-3 (pictured) The cast of “TRU,” part of the 4^th annual CHICAGO MUSICAL THEATRE FESTIVAL. Photo by Evan Hanover.

Through intricate characters and intimate music, “TRU” paints a picture of how hauntingly beautiful life can be. “TRU” explores the joys and challenges of the many relationships that are formed throughout one’s life, testing the various forms of love – between a man and his father, between a granddaughter and her grandmother, between a woman and her art, between a student and his teacher, between a man and himself. Walking hand in hand with reality, “TRU” toes the line between what is unbelievable and what is true.



Workshop Productions:

Monday, February 12 at 8 pm
MURDEROUS INNOCENT
Book by Tommy Jamerson, Music and Lyrics by Mark Contorno

Jacob Freeman seems to have it all; a thriving career, a bestselling novel, and an adoring wife. But when his past comes to haunt him in the form of his estranged seventeen year old daughter, Jacob’s perfect life is suddenly turned on its head and secrets long since buried begin to rise to the surface yet again.

Monday, February 19 at 8 pm
NOTES AND LETTERS
Book, Music and Lyrics by Annabelle Revak

Joe Loula departs war-torn Bohemia for Chicago in 1917 seeking a new job and a new independence. He quickly befriends Charlie, Nora and Olivia at Williams’ Custom Pianos. As the foursome become inseparable, the U.S. plunges into the World War I: businesses, relationships and pride are put to the test. A true story set to a jazz score, Notes and Letters chronicles the attempt to find an even beat in a world where the meter is constantly shifting. 

Are you a die-hard musicals fan? Do you want to see some terrific new shows and get invited to some exclusive events? Buy a festival pass and save!
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What do I get?

1 ticket to all 7 festival full-length shows
Save 25% on your tickets, with no single-ticket fees
Exclusive invite to our February 5th press preview night to get a sneak-peek at all of this year's shows
Exclusive invite to our closing awards ceremony on February 25th
Stand at the FRONT of the line for every show, to make sure you get the best seats in the house
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How much does it cost?
A 7-show festival pass costs only $120. Buy one HERE.
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Once I get my pass, how do I use it?
Go to buy a ticket just like normal. Once you log in, you will be prompted to use your pass like any other payment method.

About Underscore Theatre Company 
Founded in 2011, Underscore Theatre Company is a team of producing artists dedicated to exploring stories of power and resonance through a musical lens; fostering the development of new musicals; and bolstering Chicago’s role as a national leader in musical theatre. Since its creation, Underscore has produced 44 new musicals in Chicago. Underscore is proud to be Chicago's home for new musicals.