Rats by Kendall Buckingham (credit Mike Oleon)
“If you want to move beyond schlock and shock into an elevated horror experience this October, look no further than House of the Exquisite Corpse,” advised the Chicago Reader.
This year, Rough House’s Halloween peep show/puppet theater anthology is inspired by the book “Our Homes and How to Keep Them Healthy,” published in 1883 by Robert Brudenell Carter.
Top Chicago puppet theater artists have selected different chapters like “The Difficulty of Proof in Cases of Arsenic Poisoning,” “The Dangers of Rebreathed Air” and “Advantages of the Removal of The Sick” to unleash and lay open their darkest creative impulses.
Audiences enter House of the Exquisite Corpse in small groups via timed entries. Once inside, they must brave its dark halls for about an hour, stopping at each room to spy through keyholes, cracks, and hidden doors to witness the horrors within. Through original puppetry, physical performance, soundscape, and illusion, each room terrifies as it enraptures. Collectively, anyone who loves haunted houses or theater of the macabre will feel buyer’s envy after touring the otherworld ills plaguing Rough House Theater’s horrifying domestic spaces.
For 2023, House of the Exquisite Corpse III stitches together six puppet peep-shows created by Chicago artists who work in multiple disciplines, including Pablo Monterrubio-Benet and Grace Needlman, Tom Lee and Sam Lewis, Corey Smith, Claire Bauman, Chio Cabrera and Jacky Kelsey, Justin D’Acci and Sion Silva, Ken Buckingham, and Felix Mayes and Kevin Michael Wesson. Process directors are Claire Saxe and Mike Oleon.
“Our Halloween production gives these artists the freedom to follow their own visions, create their own visuals, and be presented as individuals,” said Mike Oleon, Co-Artistic Director of Rough House, who conceived House of the Exquisite Corpse. “They get to work independently, motivated by whatever flavor of horror that freaks that person out the most. Then we all come together to assemble a collaborative anthology that, collectively, blurs the lines between horror, puppetry and theater, beckoning you to gaze into a variety of nightmares you won’t soon forget.”
