NEW RELEASE: AMYL AND THE SNIFFERS Album Cartoon Darkness Out October 25, 2024

 AMYL AND THE SNIFFERS

“BIG DREAMS” 

NEW SINGLE & VIDEO FROM CARTOON DARKNESS 

FIRST NEW ALBUM IN THREE YEARS OUT OCTOBER 25, 2024

Photo by John Angus Stewart 2024 @phcfilms

“Sometimes, you wonder: 'Is this show gonna be as good as I hoped?'… Other shows you walk out dragging your jaw on the floor behind you, gesturing vaguely as you try to return to earth after having gotten blown clean out of the atmosphere… Amyl and the Sniffers are that band.” — THE PITCH

“One of the most exhilarating bands to emerge over the past decade” — CONSEQUENCE

Amyl and The Sniffers offer up a sweetly melodic new dimension of their sonic onslaught with “Big Dreams,” the newest advance offering from their upcoming third album Cartoon Darkness, out October 25 via B2B Records / Virgin Music Group. 

Following in the footsteps of Pitchfork Hot Link / BBC Radio 1 Hottest Record “Chewing Gum” and Brooklyn Vegan / Consequence / Paper / Paste / Under the Radar Song of the Week “U Should Not Be Doing That,” “Big Dreams” is shot through with a previously unheard vulnerability, one that hints at the new heights and depth achieved on Cartoon Darkness. Speaking on how exactly Amyl and The Sniffers crafted the closest they’ve ever come to a straight-up ballad, singer Amy Taylor said:  

"I am writing this before 'Big Dreams' comes out, and I am actually a bit nervous that it's a single, because it's so different from a lot of people's expectations of us. This song was written because a lot of people in my life are struggling financially, and it's really hard to make your dreams come true when you're trying to get by day-to-day. But when I think of my friends doing what they love, and I see how good they are at it, I just know they've never been dull, they've always been lit, and there's nothing that will break that or take it away from them. 

The video we shot in the desert, it was the first clip we shot for this album, and it was fun as hell.”

The “Big Dreams” video can be seen at https://youtu.be/ipZSqcFA0Z0. Directed by PHC Films and shot in one continuous take, the epic clip sees the song’s sublime strains serving as soundtrack for the band’s quasi-apocalyptic desert motorcycle ride.      

Cartoon Darkness was recorded with producer Nick Launay (Nick Cave & The Bad Seeds, Yeah Yeah Yeahs) at Foo Fighters’ 606 Studios in Los Angeles in early 2024. The album will be available in multiple formats, including limited edition glow in the dark vinyl with alternate artwork.  

Having spent the summer in North America ricocheting between stadium supports and a sold-out headline tour, Amyl and The Sniffers will embark on a UK / EURO tour in November, and will be main support for Fontaines D.C. at Finsbury Park on July 5th, 2025. 

  

UK / EURO DATES BELOW 2024 / 2025

NOV 5TH – DUBLIN – NATIONAL STADIUM

NOV 6TH – GLASGOW – 02 ACADEMY (SOLD OUT)

NOV 7TH – NEWCASTLE UPON TYNE – NX (SOLD OUT)

NOV 9TH – MANCHESTER – MANCHESTER ACADEMY (SOLD OUT)

NOV 10TH – BIRMINGHAM 02 – ACADEMY

NOV 11TH – BRISTOL – 02 ACADEMY (SOLD OUT)

NOV 13TH – LONDON – ROUNDHOUSE (SOLD OUT)

NOV 14TH – LONDON – ROUNDHOUSE (SOLD OUT)

NOV 15TH – LONDON – ROUNDHOUSE (SOLD OUT)

NOV 17TH – BRUSSELS – ANCIENNE (SOLD OUT)

NOV 18TH – UTRECHT – TIVOLIVREDENBERG (SOLD OUT)

NOV 19TH – COLOGNE – CARLSWERK VICTORIA (SOLD OUT)

NOV 21ST – COPENHAGEN – VEGA (SOLD OUT)

NOV 22ND – HAMBURG – GROBE FREIHEIT 36 (SOLD OUT)

NOV 23RD – BERLIN – COLUMBIAHALLE (SOLD OUT)

NOV 25TH – MUNICH – TONHALLE

NOV 26TH – LAUSANNE – LES DOCKS

NOV 27TH – PARIS – OLYMPIA

NOV 29TH – ATHENS – FLOYD

NEW ALBUM: HOOVERIII'S POINTE OUT TODAY, OCTOBER 13th, 2023

 

HOOVERIII   NEW ALBUM POINTE OUT TODAY, OCTOBER 13 VIA THE REVERBERATION APPRECIATION SOCIETY / LEVITATION  ON TOUR NOW WITH MUDHONEY

Hooveriii by Alex Bulli

Today Los Angeles-based Hooveriii released their new album Pointe, via The Reverberation Appreciation Society / Levitation. They teased the LP via “Dreaming,” “The Tall Grass,” and “The Ship That I Sail,” a song that teems with fuzzed-out guitar wizardry.  In creating Pointe Hoveriii found themselves drawn to the sounds of ‘60s psychedelic act Pisces to Phil Lynott’s solo releases and pioneering electronic acts like Tangerine Dream. The end result is a collection of songs that is perhaps their most accessible yet.  Thematically the album explores the phenomenon of time, specifically the moment leading up to each decision where, for a brief instant, there are infinite possibilities that have yet to be distilled into a singular outcome.   This week saw Hooveriii hit the road as the direct support for Mudhoney and the runmakes stops in New York City at Le Poisson Rouge on October 28 and at the Teragram Ballroom in Los Angeles on November 14.  The run concludes in Seattle with a two-night stop at The Crocodile Showroom on November 19 (21+) and November 20 (all ages).  All dates are listed below. Watch the video for “The Tall Grass” here:

Watch the video for “The Ship That I Sail” here:

Watch the video for “Dreaming” here:

There’s a moment leading up to each decision where, for a brief instant, there are infinite possibilities that have yet to be distilled into a singular outcome. It’s a phenomenon that has been explored over the years by novelists like Graham Greene and a concept that Hooveriii frontman Bert Hoover also feels inexplicably drawn towards. “I find that period in time to be fascinating, maybe I’m in it often, but a lot of these songs take place in that moment and that moment can last for years,” he explains. This idea lies at the conceptual core of Hooveriii’s fourth album Pointe, a collection of songs that features musicians from the band’s past and present and sees them collectively exploring musical geography that Hooveriii hasn’t explored in the past. “We just wanted to do something different,” Hoover says. “We were feeling a little burnt on guitar rock and really wanted to challenge ourselves.”  The result is an album that was inspired by everything from the ‘60s psychedelic act Pisces to Phil Lynott’s solo releases and pioneering electronic acts like Tangerine Dream, to craft a collection of songs that are more about creating a specific type of feeling than fitting into a specific genre. “I feel like on this album we were bringing a lot of influences to the forefront that we never had the maturity to accomplish before while also leaning into the humor a little bit and avoiding being full-on ‘serious songwriters,’” Hoover adds. Correspondingly, the music roster on Pointe features Hoover, Kaz Mirblouk, James Novick, Owen Barrett, Gabe Flores, Gabriel Salomon, Anna Wallace, Paco Casanova, Matt Zuk, Jon Modaff, Shaughnessy Starr, Olaf Selland and Ari B. Jones and was—and unlike previous Hooveriii releases—was recorded over an extended period of time and was both consciously and subconsciously inspired by the touring the band did in support of 2021’s Water For The Frogs and 2022’s A Round Of Applause. “I’m really grateful for all of the people who contributed to this album and it’s a long list of people but it’s important that they are all listed because we all really pulled together to make this album,” Hoover adds. “Every record is kind of a response to the last record and I like listening to people’s discographies like that,” Hoover explains. “When we finished A Round Of Applause we were in rock mode playing with a lot of rock and psych bands and I was really thinking about what do you do with a fourth record?” The answer turns out to be something more esoteric and less predictable than a guitar-driven album while retaining the core of the band’s sound, which has made the Los Angeles-based act such an exciting act to watch evolve. From the spacey groove of the opener “Prom” to the expansive, synth-friendly ballad “This Rock” and the epic future-folk experimentation of the album’s closer “Dreaming” (which features vocals by Wallace),  Pointe is an album that references the past while stretching toward an unknown future. “I think that our intuition going forward is to keep ourselves surprised and keep people who like us surprised, hopefully without isolating anyone,” he adds. Correspondingly the falsetto-fueled psychedelia of “The Tall Grass” transcends categorization while “The Ship That I Sail” is a nine-minute-long opus teeming with fuzzed-out guitar wizardry.  When it comes to the lyrics for Pointe, Hoover says that while some of these are more personal than his previous material, it’s important for him to leave the actual content up to each listener’s own interpretation. “I like songs where people can admit to being deadbeats even if it is more of a character or you’re reflecting on one aspect of your personality,” he explains. “It’s also a transitional record in a lot of ways because sonically we wanted to drift away for album number four.” Correspondingly, Hoover considers “This Rock” to be a love song. But it could just as easily be about existential dread or the way that another person can change one’s orientation to the universe. Or the countless small decisions that can lead up to an outcome and the way our own smallness can be a catalyst for putting something out into the world that can affect so many other people in unexpected and important ways. Or maybe it is about none of these things, it’s whatever it means to you.  More than anything else Pointe  feels like a full circle moment for Hooveriii, which has evolved from a bedroom solo project into an expansive band that features an army of talented musicians and contributors. “In a lot of ways, Pointe feels like an epilogue to one phase of the band and a prologue to the next one,” Hoover says of how the band’s latest release fits into their musical catalog. Pointe is a collection of songs that weren’t recorded in a linear fashion but that fit together in a way that feels almost cosmic in nature. In other words, it’s Hooveriii at their most creative and undistilled. “I don't really care about trying to push the envelope forward,” However admits, looking back at the long road leading up to completing the album. “I care about making a good record that sounds cohesive—and I feel like with this one, we did a good job.”    Hooverii tour dates (with Mudhoney) Oct 13 - Spokane, WA @ Lucky You Lounge Oct 14 - Missoula, MT @ Zootown Arts Community Center Oct 15 - Billings, MT @ The Pub Station Tap Room Oct 18 - Saint Paul, MN @ Turf Club Oct 19 - Milwaukee, WI @ X-Ray Arcade Oct 20 - Chicago, IL @ Avondale Music Hall Oct 21 - Grand Rapids, MI @ The Pyramid Scheme Oct 22 - Detroit, MI @ Magic Bag Oct 24 - Cleveland, OH @ Grog Shop Oct 25 - Rochester, NY @ Photo City Music Hall Oct 26 - Boston, MA @ Brighton Music Hall Oct 27 - Hamden, CT @ Space Ballroom Oct 28 - New York, NY @ Le Poisson Rouge Oct 29 - Philadelphia, PA @ Underground Arts Oct 31 - Asheville, NC @ Grey Eagle Tavern & Music Hall Nov 1 - Atlanta, GA @ EARL Nov 2 - Nashville, TN @ The Basement East Nov 3 - Memphis, TN @ Hi Tone Nov 4 - Dallas, TX @ Sundown at Granada Nov 5 - Austin, TX @ Antone's Nightclub Nov 8 - El Paso, TX @ Lowbrow Palace Nov 9 - Albuquerque, NM @ Launchpad Nov 10 - Phoenix, AZ @ Crescent Ballroom Nov 11 - Tucson, AZ @ Club Congress Nov 12 - San Diego, CA @ Casbah Nov 14 - Los Angeles, CA @ Teragram Ballroom Nov 15 - San Francisco, CA @ Great American Music Hall Nov 17 - Portland, OR @ Aladdin Theater Nov 18 - Seattle, WA @ The Crocodile Showroom (21+) Nov 19 - Seattle, WA @ The Crocodile Showroom (All Ages)

Pointe Tracklist  1 Prom 2 The Tall Grass 3 This Rock 4 Can't You Hear Me Calling? 5 I Am Alive 6 The Game 7 Circling The Square 8 The Ship That I Sail 9 Dreaming

Find Hooveriii here: Bandcamp | Instagram | Facebook

AUSTRALIAN GARAGE PUNKS CABLE TIES ANNOUNCE FALL U.S. TOUR DATES WITH SUPERCHUNK

 

AUSTRALIAN GARAGE PUNKS CABLE TIES ANNOUNCE FALL U.S. TOUR DATES WITH SUPERCHUNK THIRD ALBUM ALL HER PLANS ARRIVES JUNE 23, 2023 VIA MERGE RECORDS Photo credit: Kalindy Williams “At once pliable and willful, [McKechnie’s] voice might morph from a biting howl to a striking vibrato in the span of a verse.” - Pitchfork “Cable Ties’ songs wrap a clear purpose—its raucous anthems tackle gender inequality, environmental devastation and the flickers of hope that somehow shine through anyway— in speedball ragers that only gather velocity as they barrel along.” - NPR “Far Enough takes the most exhilarating form of resistance, much more than riot grrrl's DIY aesthetic, akin to a harder-rocking Sleater Kinney with a similarly wailing centrifugal force in singer/guitarist Jenny McKechnie.” - MOJO “At its loudest and most brash, the album is fun and cathartic on par with any good high-energy rock band. In the moments when punk vitriol meets reflective, thoughtful expression, Far Enough grows more intriguing and compelling.” - AllMusic Australian garage rock trio Cable Ties is thrilled to announce a run of U.S. tour dates supporting North Carolina indie greats Superchunk. Beginning on September 8 in Richmond, VA, the tour will make several stops across the Northeast before culminating at New York City’s famed Bowery Ballroom on September 16. See below for the full list of dates. The band recently announced their third album All Her Plans (June 23, Merge Records), which received a great deal of global praise from the likes of Stereogum, BrooklynVegan, NME, The Line of Best Fit and more, including a home-turf shout from Rolling Stone. The announcement was bolstered by the soaring new track “Time For You” and an official music video, both of which are streaming now.  LISTEN TO “TIME FOR YOU” / PRE-ORDER ALL HER PLANS WATCH THE VIDEO When public support systems fall short, who ends up carrying the burden? The question courses through All Her Plans, the third album from Naarm/Melbourne rock ‘n’ roll trio Cable Ties.  The band’s most sonically confident work yet, All Her Plans builds on Cable Ties trademarks: taut garage rhythms, perfectly wiry guitar lines, incandescent vocals. Bassist Nick Brown’s and drummer Shauna Boyle’s kraut-inflected grooves pulse reliably behind the post-punk jag of Jenny McKechnie’s guitar. Thrumming with the same intensity as the band’s previous releases, the record offers more concentrated, personal lyrics from lead vocalist and guitarist McKechnie as she traces themes of addiction, mental health, and Australia’s flagging healthcare system, with much drawn from the experiences of her own family.  “Perfect Client” vents the frustration McKechnie has felt watching someone close to her remain at the mercy of a flawed mental healthcare system. You can practically hear her blood boiling in “Silos” as she takes aim at privatization and the carceral state. Change laments how slow social progress can feel. “‘Change’ is about the trauma left by the violence of the patriarchy, and how to keep surviving and fighting even when it feels like we’re going backwards,” says McKechnie. Alongside the album’s fury, there are bright spots too. “Time for You” honors the solace found in the love of a partner and the anthemic chorus of “Crashing Through” is a testament to picking yourself up after being blindsided by something completely out of your control.  “I found the idea of writing a new album a little terrifying after all our touring plans got canceled just after we released Far Enough in 2020,” McKechnie says. “It felt as though that album had been lost. I thought I needed to write another album like that again, which wouldn’t be lost. This of course wasn’t true. I needed to write whatever album came out of me at this moment in time.” On “Mum’s Caravan” – the track from which the album’s title is drawn – McKechnie reaches into her folk background to pull out sweeter vocals and delicate storytelling, recognising the sacrifices her own mother has made to care for loved ones when mental health and aged care services failed to do so.  Boyle takes the lead vocal reins for the first time with “Thoughts Back,” delivering a fierce take on the toll of mental health challenges. “I wrote this song mostly centered around my own experiences with mental illness,” she says. “It also plays into the themes of the record, such as care-giving and mental workload. So often people give up their own lives to help others and, as a result, rarely have their voices, their experiences or their history acknowledged.” All Her Plans was recorded in June/July 2022 by long-time collaborator Paul Maybury at A Secret Location Studio in Fairfield. Fellow Melbourne-based legend Michael Beach cameos on piano and organ on “Too Late" and acoustic guitar and piano on “Mum’s Caravan." The album artwork riffs on the theme of relinquishing control: Emme Orbach and Noah Spivak’s work uses chemical reactions to create unique, evolving patterns.  Brown says, after a tough few years, the writing process for All Her Plans was liberating. “There was just a sense of enjoying being back together doing what we love. No pressure to make it good – just to make what felt good. With that came a freeing and in turn a playfulness; the re-sparking of why we started jamming together in a shed seven years earlier. The themes might be heavy, but the hands feel unburdened by the world outside our little practice space.” Formed in 2015, Cable Ties quickly became mainstays of Melbourne’s feminist punk scene. They released their second album Far Enough in March 2020 (Poison City, Australia/New Zealand; Merge Records, internationally), which won Best Rock/Punk Album at the 2020 Music Victoria Awards.  No strangers to international stages, Cable Ties supported Jen Cloher on her 2017 UK/EU tour, and played The Great Escape and UK shows with Tropical Fuck Storm and Amyl & the Sniffers in 2019. In Australia, they’ve played alongside artists including Sleaford Mods, Joan Jett, and The Kills.  CABLE TIES U.S. TOUR DATES 2023 Sep 8 - Richmond, VA - Richmond Music Hall # Sep 9 - Baltimore, MD - Ottobar # Sep 10 - Ardmore, PA - Ardmore Music Hall # Sep 12 - South Burlington, VT - Higher Ground # Sep 13 - Portland, ME - SPACE Gallery # Sep 14 - Hamden, CT - Space Ballroom # Sep 15 - Woodstock, NY - Colony # Sep 16 - New York, NY - Bowery Ballroom # # - w/Superchunk CABLE TIES ALL HER PLANS (Merge Records) Release Date: June 23, 2023 Tracklist: 1. Crashing Through 2. Perfect Client  3. Time For You 4. Too Late 5. Mum’s Caravan 6. Thoughts Back 7. Silos 8. Change 9. Deep Breath Out CONNECT WITH CABLE TIES: FACEBOOK | INSTAGRAM | BANDCAMP

Depeche Mode Memento Mori Out Now And World Tour Underway

 

ChiIL Live Shows On Our Radar

Depeche Mode  Memento Mori Out Now  Memento Mori World Tour Underway

The wait is over: Depeche Mode has released its eagerly anticipated 15th studio album Memento Mori, available on 2LP vinyl, CD, cassette, and digital as of today, March 24, via Columbia Records. Early reaction to Memento Mori has been unanimously positive, with The New York Times citing the band’s “exquisite darkness,” Rolling Stone praising the album’s “characteristic musical beauty and lyrical depth,” and the Associated Press raving "The music is staring lovingly into the abyss and asking it to love it back… Depeche Mode might be facing their own mortality but their power as musicians stretches into infinity." In the UK, the Guardian hailed the return of “the biggest cult band in the world” and lauded the album’s "perfect blend of ominous mood, electronic textures that range from intense to ethereal,” while the NME and Uncut labelled Memento Mori “majestic” and “their most powerful work this century, respectively. Produced by James Ford, with additional production work by Marta Salogni, Memento Mori’s gestation took place during the early stages of the Covid pandemic, resulting in themes inspired directly by that period. The album’s 12 tracks chart a vast expanse of moods and textures, from its ominous opening to its closing resolve—running the gamut from paranoia and obsession to catharsis and joy, and hitting myriad points between.  Depeche Mode kicked off its Memento Mori World Tour last night with a sold-out show at Sacramento’s Golden 1 Center. Due to popular demand, the tour recently added dozens of new dates, including a new Fall leg of North American shows. The Rock & Roll Hall of Fame Class of 2020 inductees' 19th outing and first in more than five years, the Live Nation-presented tour has gotten underway with a limited North American run featuring stops at New York’s Madison Square Garden, Chicago’s United Center, and Toronto’s Scotiabank Arena. The band will then embark on a European stadium tour on May 16, with noted stops including the Stade de France in Paris, two shows at Berlin’s Olympic Stadium, Milan’s San Siro Stadium, and London’s Twickenham Stadium.  Following the end of the European summer run, the recently added leg of the tour brings the band back to North America in the fall, stopping in Mexico City for three nights at Foro Sol before returning to the US and Canada. Newly announced tour stops include Austin’s Moody Center, Vancouver’s Rogers Arena, additional New York City shows at Madison Square Garden and Barclay’s Center, Seattle’s Climate Pledge Arena and more, concluding with a multi-night run in Los Angeles at the Kia Forum and Crypto.com Arena. Reception to the Memento Mori tour has been overwhelming with shows quickly selling out across Europe and North America, and over two million tickets already sold. The 81 date tour is on track to be one of Depeche Mode’s largest to date and is also well on its way to being one of the largest worldwide tours of 2023.  Having sold more than 100 million records and played to more than 35 million fans worldwide, Depeche Mode remains an ever-evolving and singularly influential musical force. An indelible inspiration to fans, critics and artists alike, Depeche Mode continues to forge ahead, with the Memento Mori album and tour representing the opening of the newest chapter of a peerless and ongoing legacy. Memento Mori World Tour 2023 March 23 – Sacramento, CA – Golden 1 Center  March 25 – San Jose, CA – SAP Center  March 28 – Los Angeles, CA – Kia Forum  March 30 – Las Vegas, NV – T-Mobile Arena  April 2 – San Antonio, TX – AT&T Center  April 5 – Chicago, IL – United Center  April 7 – Toronto, ON – Scotiabank Arena  April 9 – Quebec City, QC – Videotron Centre  April 12 – Montreal, QC – Centre Bell  April 14 – New York, NY – Madison Square Garden  May 16 – Amsterdam, NL – Ziggo Dome  May 18 – Amsterdam, NL – Ziggo Dome May 20 – Antwerp, BE – Sportpaleis Antwerpen  May 23 – Stockholm, SE – Friends Arena  May 26 – Leipzig, DE – Leipziger Festwiese  May 28 – Bratislava, SK – Národný Futbalový Štadión  May 31 – Lyon, FR – Groupama Stadium  June 2 – Barcelona, ES – Primavera Sound Festival  June 4 – Dusseldorf, DE – Merkur Spiel-Arena  June 6 – Dusseldorf, DE – Merkur Spiel-Arena  June 9 – Madrid, ES – Primavera Sound Festival  June 11 – Bern, CH – Stadion Wankdorf  June 14 – Dublin, IE – Malahide Castle  June 17 – London, UK – Twickenham Stadium  June 20 – Munich, DE – Olympiastadion June 22 – Lille, FR – Stade Pierre Mauroy  June 24 – Paris, FR – Stade de France  June 27 – Copenhagen, DK – Parken  June 29 – Frankfurt, DE – Deutsche Bank Park  July 1 – Frankfurt, DE – Deutsche Bank Park July 4 – Bordeaux, FR – Matmut Atlantique  July 7 – Berlin, DE – Olympiastadion  July 9 – Berlin, DE – Olympiastadion July 12 – Rome, IT – Stadio Olympico  July 14 – Milan, IT – San Siro  July 16 – Bologna, IT – Stadio Renato Dall’Ara  July 21 – Klagenfurt, AT – Wörthersee Stadion ‘ July 23 – Zagreb, HR – Arena Zagreb  July 26 – Bucharest, RO – Arena Națională  July 28 – Budapest, HU – Puskás Aréna  July 30 – Prague, CZ – Letňany Airport  August 2 – Warsaw, PL – PGE Narodowy  August 4 – Krakow, PL – Tauron Arena August 6 – Tallinn, EE – Tallinna Lauluväljak  August 8 – Helsinki, FI – Kaisaniemen Puisto  August 11 – Oslo, NO – Telenor Arena September 21 – Mexico City, MX – Foro Sol  September 23 – Mexico City, MX – Foro Sol  September 25 – Mexico City, MX – Foro Sol  September 29 – Austin, TX – Moody Center  October 1 – Dallas, TX – American Airlines Center October 4 – Houston, TX – Toyota Center  October 7 – New Orleans, LA – Smoothie King Center October 10 – Orlando, FL – Amway Center  October 12 – Miami, FL – Miami-Dade Arena  October 15 — Atlanta, GA — State Farm Arena October 19 – Nashville, TN – Bridgestone Arena  October 21 – Brooklyn, NY – Barclays Center October 23 – Washington, DC – Capital One Arena  October 25 – Philadelphia, PA – Wells Fargo Center  October 28 – New York, NY – Madison Square Garden  October 31 – Boston, MA – TD Garden November 3 – Montreal, QC – Centre Bell  November 5 – Toronto, ON – Scotiabank Arena November 8 – Detroit, MI – Little Caesars Arena November 10 – Cleveland, OH – Rocket Mortgage FieldHouse  November 13 – Chicago, IL – United Center November 16 – Denver, CO – Ball Arena November 18 – Salt Lake City, UT – Vivint Arena November 21 – Edmonton, AB – Rogers Place  November 24 – Vancouver, BC – Rogers Arena  November 26 – Seattle, WA – Climate Pledge Arena November 28 – Portland, OR – MODA Center December 1 – Las Vegas, NV – T-Mobile Arena  December 3 – San Francisco, CA – Chase Center  December 6 – San Diego, CA – Pechanga Arena December 8 – San Diego, CA – Pechanga Arena December 10 – Los Angeles, CA – Kia Forum December 12 – Los Angeles, CA – Kia Forum December 15 – Los Angeles, CA – Crypto.com Arena December 17 – Los Angeles, CA – Crypto.com Arena