Full Casting Announced for
Steppenwolf Theatre's World Premiere of
LEROY AND LUCY
By Ngozi Anyanwu
Directed by Awoye Timpo
Featuring ensemble member Jon Michael Hill with Brittany Bradford
October 24 – December 15, 2024
in Steppenwolf’s in-the-round Ensemble Theater
The cast of Steppenwolf Theatre’s world premiere of "Leroy and Lucy" includes (l to r) ensemble member Jon Michael Hill with Brittany Bradford.
Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to present the second production of its 49th season: Ngozi Anyanwu’s world premiere of Leroy and Lucy, a bluesy and seductive play with music, directed by Awoye Timpo, playing October 24 – December 15, 2024 in Steppenwolf’s in-the-round Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St. in Chicago. Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy starting at $20 are now on sale at steppenwolf.org or the Box Office at (312) 335-1650.
Tony Award-nominated ensemble member Jon Michael Hill (Elementary, Pass Over) returns following his critically acclaimed performance in Steppenwolf’s world premiere of Purpose, joined by Obie Award-winning stage actor Brittany Bradford, also known for her TV roles in Julia, The Watcher and Dead Ringers.
Two lost souls meet at a crossroads, in the dead of night, deep in the Mississippi of it all. With a yearning guitar between them, they tell secrets and conjure a sound once forgotten – a tune pitched with Leroy’s longing and the sweet purr of Lucy’s desires. In this sultry world premiere, the Delta Blues fill the air, the future lies just down the road and we are everywhere and nowhere all at once.
The creative team includes Andrew Boyce (Scenic Design), Yvonne Miranda (Costume Design), Heather Gilbert (Lighting Design), Connor Wang (Sound Design), Jeremy Jones (Music Director & Composer), Adesola Osakalumi (Choreographer & Cultural Consultant), Arminda Thomas (Dramaturg), Patrick Zakem (Creative Producer), Elise Hausken (Production Manager), JC Clementz, CSA (Casting), Michelle Medvin (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). For full cast and creative team bios, click here.
Production Details:
Location: Steppenwolf’s Ensemble Theater in Honor of Helen Zell, 1646 N. Halsted St., Chicago
Dates: Previews: Thursday, October 24 – Saturday, November 2, 2024
Regular run: Tuesday, November 5 – Sunday, December 15, 2024
Curtain Times: Tuesdays, Wednesdays, Thursdays and Fridays at 7:30 pm; Saturdays at 3 pm & 7:30 pm; and Sundays at 3 pm. Please note: there will not 7:30 pm performances on Tuesday, October 29, Wednesday, November 6, Tuesday, November 12, Wednesday, November 13, Thursday, November 14, Tuesday, November 19, Wednesday, November 20, Thursday, November 21, Thursday, November 28 and Tuesday, December 10; there will be an added 2 pm matinee on Wednesday, November 27.
Tickets: Classic Memberships are on sale for Steppenwolf’s 2024/25 season at steppenwolf.org/myseason through September 30, 2024. Single tickets for Leroy and Lucy ($20 - $92) are now on sale at steppenwolf.org and the Box Office at (312) 335-1650. Steppenwolf Flex Memberships are also currently on sale: Black Card Memberships with six tickets for use any time for any production and RED Card Memberships for theatergoers under 30.
Education and Engagement:
Throughout the 2024/25 season, Steppenwolf continues its commitment to the next generation of theatre learners, makers and appreciators with robust education and engagement programming. Programming includes dedicated student matinee performances during four of the five Membership Series productions including Noises Off, Leroy and Lucy, Fool for Love and The Book of Grace, in-school residencies in partnership with Chicago Public schools, workshops, panels and events specifically geared towards teens, as well as professional development trainings and resources for educators. Additionally, Steppenwolf is reimagining their community engagement and will pilot new public programming, continue accessibility programming and offer opportunities for deeper explorations for audiences throughout the season. For additional information about Steppenwolf’s Education and Engagement programming and to register your school for a field trip visit steppenwolf.org/education.
Accessible Performance Dates:
Audio-described and touch tour: Sunday, November 24 at 3 pm (1:30 pm Touch Tour)
Open-captioned: Saturday, November 23 at 3 pm & Thursday, December 5 at 7:30 pm
ASL-interpreted: public performance: Friday, December 6 at 7:30 pm
Artist Biographies:
Brittany Bradford (Lucy) Broadway: Bernhardt/Hamlet. Off-Broadway: The Comeuppance (Obie Award, Signature Theater), Wedding Band (Obie Award, TFANA), Fefu and Her Friends (TFANA), Mac Beth (Hunter Theatre Project), Merrily We Roll Along (Roundabout/Fiasco Theater), TV: Julia (HBO Max), The Watcher (Netflix), The Gilded Age (HBO Max), Dead Ringers (Amazon), Fire Country (CBS), Fear the Walking Dead (AMC), New Amsterdam (NBC). Film: The Same Storm (dir. Peter Hedges). Classix member and HomeBase Theater Collective co-founder. Training: Juilliard.
Jon Michael Hill (Leroy) joined the Steppenwolf Theatre Company ensemble in 2007. Steppenwolf Theatre Company: Purpose, True West, Pass Over, Constellations, Head of Passes, The Hot L Baltimore, The Tempest, Kafka on the Shore, The Unmentionables. Broadway: Superior Donuts, Pass Over. Off-Broadway: The Refuge Plays (New York Theatre Workshop) Pass Over (Lincoln Center). Film: Pass Over, Widows, In the Radiant City, No Pay, Nudity. Television: Upcoming: A Man in Full (Netflix), Elementary (CBS), Detroit 1-8-7 (ABC), Eastbound & Down (HBO), Law & Order: Special Victims Unit (NBC) and Person of Interest (CBS).
Ngozi Anyanwu (Playwright) is a playwright, storyteller, and most recently a 2020 Steinberg Playwright Award winner. Her newest play, Last of the Love Letters, premiered at the Atlantic theater fall 2021. Previous productions include Good Grief (Vineyard Theatre in NYC / Center Theatre Group in LA) and The Homecoming Queen (sold-out world premiere run at the Atlantic Theatre). Good Grief was on the Kilroys List 2016 and a semi finalist for the Princess Grace Award, and won the Humanitas Award. The Homecoming Queen was on the Kilroys List 2017 and was a Leah Ryan Finalist. Her play Nike… (Kilroys List 2017) was workshopped at The New Black Fest in conjunction with The Lark and The Strand Festival in conjunction with A.C.T and Space on Ryder Farm. Ngozi also has commissions with NYU, The Old Globe, Two Rivers Theatre, The Atlantic Theatre and Steppenwolf. Anyanwu has also received residencies from LCT3, Space on Ryder Farm, the Djerassi Resident Artists Program, The New Harmony Project, New York Stage and Film and Page 73. She attended Point Park University (BA) and received her MFA in Acting from University of California, San Diego.
Awoye Timpo (Director) is a Brooklyn-based director and producer. Her recent New York credits include Elyria by Deepa Purohit (Atlantic Theater), Wedding Band by Alice Childress (Theatre for a New Audience), In Old Age by Mfoniso Udofia (New York Theatre Workshop), The Loophole by Jay Adana and Zeniba Britt (Public Theater), Carnaval by Nikkole Salter (National Black Theatre), Good Grief by Ngozi Anyanwu (Vineyard Theatre and Audible) and The Homecoming Queen by Ngozi Anyanwu (Atlantic Theater Company). Regionally she has directed The Bluest Eye (Huntington), Pipeline (Studio Theatre), Paradise Blue (Long Wharf), Everybody Black (Actors Theatre of Louisville), School Girls (Berkeley Rep), Jazz (Marin Theatre Company). Other projects include concert performances for independent artists as well as for the NBA, Ndebele Funeral (59E59, Edinburgh, South African Tour), “Black Picture Show” (Artists Space/Metrograph) and Bluebird Memories (Audible). Awoye is a Creative Arts Consultant for the African American Policy Forum and the Founding Producer of CLASSIX, theclassix.org.
Accessibility
As a commitment to make the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each STC production (see dates above). Assistive listening devices and large-print programs are available for every performance and all our spaces are equipped with an induction hearing loop. Our building features wheelchair accessible seating and restrooms, push-button entrances, a courtesy wheelchair and all-gender restrooms, with accessible counter and table spaces at our bars. For additional information regarding accessibility, visit steppenwolf.org/access or e-mail access@steppenwolf.org.
Sponsor Information
Leroy and Lucy is supported in part by Conagra Brands Foundation. United Airlines is the Official and Exclusive Airline of Steppenwolf. Steppenwolf is also grateful for the significant season support from lead sponsors Allstate Insurance Company, Paul M. Angell Family Foundation, Crown Family Philanthropies, Caroline and Keating Crown, Good Chaos, Joyce Foundation, Lefkofsky Family Foundation, Ron and Paula Mallicoat, Northern Trust, Anne and Don Phillips, John Hart and Carol Prins, Robert Rivkin and Cindy Moelis, Shubert Foundation, Inc, Walder Foundation, and Zell Family Foundation. Steppenwolf also acknowledges generous support from premier sponsors Anonymous, ArentFox Schiff, Andrew and Amy Bluhm, Michael and Cathy Brennan, Ann and Richard Carr, Chicago Community Trust, Conagra Brands Foundation, Steven and Nancy Crown, CRC Group, Rich and Margery Feitler, Julius Frankel Foundation, FROST CHICAGO, Goldman Sachs, Shmaila Tahir and Asheesh Goel, Bob and Amy Greenebaum, Kirkland & Ellis, Harold and Mimi Steinberg Charitable Trust, Christopher and Eileen Murphy, The Orlebeke Foundation, Polk Bros. Foundation, Bryan Traubert and Penny Pritzker, Sacks Family Foundation, Smart Family Foundation of Illinois, Gary Sinise Foundation, Elliot A. Stultz, and Vinci Restaurant. Steppenwolf also acknowledges support from the Illinois Arts Council Agency. This project is partially supported by a CityArts Grant from the City of Chicago Department of Cultural Affairs & Special Events.
Steppenwolf Theatre Company is the nation’s premiere Ensemble Theater with 49 members who are among the top actors, playwrights and directors in the field. Thrilling, powerful, groundbreaking productions — from Balm in Gilead and Grapes of Wrath to August: Osage County, Downstate and The Brother/Sister Plays — have made this theatre legendary. Founded in 1976, Steppenwolf started as a group of teens performing in the basement of a church. Today, the company's artistic force remains rooted in the original vision of its founders: an artist-driven theatre, whose vitality is defined by its appetite for bold and innovative work. Every aspect of Steppenwolf is rooted in its Ensemble ethos, from the intergenerational artistic programming to the multi-genre performance series LookOut, to the nationally recognized work of Steppenwolf Education and Engagement which serves nearly 15,000 teens annually. While grounded in the Chicago community, more than 40 original Steppenwolf productions have enjoyed success nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Steppenwolf also holds accolades that include the National Medal of Arts, 12 Tony Awards, and more. Led by Artistic Directors Glenn Davis and Audrey Francis, Executive Director Brooke Flanagan and Board of Trustees Chair, Keating Crown — Steppenwolf continually redefines the landscape of acting and performance.
Steppenwolf’s Mission: Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world. steppenwolf.org, facebook.com/steppenwolftheatre, twitter.com/steppenwolfthtr and instagram.com/steppenwolfthtr.
