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Showing posts with label Interrobang. Show all posts
Showing posts with label Interrobang. Show all posts

Saturday, September 22, 2018

OPENING: WHITE RABBIT RED RABBIT Via Interrobang Theatre Project at The Den Theatre

ChiIL Live Shows On Our Radar

Interrobang Theatre Project Presents
WHITE RABBIT RED RABBIT
By Nassim Soleimanpour
September 24 – November 12, 2018 at The Den Theatre


Ever have that nightmare where you can't get your locker open, or you're suddenly on stage without a clue what your lines are or even what play you're in, and everyone in the audience is looking expectantly at you? I have. This fall in Chicago, professional actors are actually volunteering for the latter scenario at several theatres in several different show configurations! One that's piqued my interest the most is award-winning Iranian playwright Nassim Soleimanpour's acclaimed solo show WHITE RABBIT RED RABBIT. The show features a different actor each week, with a script they’ve never read before. Plan to catch one or many, as we go down the rabbit hole of word spanning two disparate cultures. Forbidden to leave his country, young Iranian playwright Nassim Soleimanpour found a way for his voice to get out when he physically could not. His words have escaped censorship and are awaiting an audience. I'll be ChiILin' at Chi, IL's Den Theatre for WHITE RABBIT RED RABBIT featuring JD Caudill on October 1st. Check back soon for my full review.


What happens when you put one artist on a stage and hand them a script they’ve never read before? Pure theatrical magic! Interrobang Theatre Project is pleased to present award-winning Iranian playwright Nassim Soleimanpour's acclaimed solo show WHITE RABBIT RED RABBIT, an experimental tour de force you have to see to believe! 

Featuring a different actor each week, this unforgettable artistic experiment will play Mondays at 8 pm from September 24 – November 12, 2018 at The Den Theatre, 1331 N. Milwaukee Ave. in Chicago’s Wicker Park neighborhood. Tickets are on sale at www.interrobangtheatre.org or by calling (312) 219-4140. 

The line-up for WHITE RABBIT RED RABBIT includes: 

Stephanie Shum (September 24) 
JD Caudill (October 1)
Echaka Agba (October 8)
Michael Turrentine (October 15)
Joe Lino (October 22)
David Cerda (October 29)
Shawna Franks (November 5)
Owais Ahmed (November 12)

No rehearsal. No director. No set. No spoiler. A different performer each night is handed a script (in a sealed envelope) for the first time as they step onto stage. Forbidden to leave his country, young Iranian playwright Nassim Soleimanpour found a way for his voice to get out when he physically could not. His words have escaped censorship and are awaiting your audience. This wildly entertaining and thought-provoking theatrical piece – where no audience can see the same show twice – blends drama, comedy and social experiment, providing audiences with a potent reminder of the transformative power of theatre. WHITE RABBIT RED RABBIT has been called a play – but it’s a lively, global sensation that no one is allowed to talk about. 

Curtain Times: Mondays at 8 pm
Tickets: $20 in advance, $25 at the door. Tickets go on sale shortly at www.interrobangtheatre.org or by calling (312) 219-4140. 
Performers: Stephanie Shum (September 24) JD Caudill (October 1), Echaka Agba (October 8), Michael Turrentine (October 15), Joe Lino (October 22), David Cerda (October 29), Shawna Franks (November 5) and Owais Ahmed (November 12).

Understudy: Matthew Nerber

About the Playwright

Nassim Soleimanpour is an independent multidisciplinary theatre maker from Tehran, Iran. His plays have been translated into more than 20 languages. Best known for his play White Rabbit Red Rabbit, written to travel the world when he couldn’t, his work has been awarded the Dublin Fringe Festival Best New Performance, Summerworks Outstanding New Performance Text Award and The Arches Brick Award (Edinburgh Fringe), as well as picking up nominations for a Total Theatre and Brighton Fringe Pick of Edinburgh Award. By the time Nassim was permitted to travel for the first time in early 2013, his play White Rabbit Red Rabbit had been performed over 200 times in 15 languages. Since then, Nassim has facilitated workshops and panels in different countries including World Theatre Festival (Brisbane), Tolhuistuin (Amsterdam), SESC Vila Mariana (Sao Paulo), Schauspielhaus (Vienna), DPAC (Kuala Lampur), Theatretreffen (Berlin), British Council (London), Asia House (London) and University of Bremen (Germany). Nassim’s second play Blind Hamlet for the London based Actors Touring Company premiered at the 2014 Edinburgh Festival Fringe and has since toured extensively around the UK and was received well in Bucharest and Copenhagen. Blank, his third play, recently premiered in Amsterdam and has been performed in Utrecht, Edinburgh and London. Nassim now lives in Berlin with his wife Shirin.



PHOTO CREDIT: Interrobang Theatre Project’s production of WHITE RABBIT RED RABBIT will feature (top, l to r) Echaka Agba, Owais Ahmed, JD Caudill and David Cerda (bottom, l to r) Shawna Franks, Joe Lino, Stephanie Shum and Michael Turrentine.


About the Performers

Stephanie Shum can't believe Interrobang is letting her do this but is very excited to play with them for the first time. She is Co-Artistic Director of The New Colony, Associate Producer with Red Tape Theatre and has also performed with Steppenwolf, American Theater Company, The Neo-Futurists, 16th Street, Walkabout, Factory, Redtwist, Goodman, Victory Gardens, Silk Road and The Fly Honeys. She is a graduate of the School at Steppenwolf and is represented by Actors Talent Group. She may next be in seen in Wildclaw’s Second Skin. www.stephanieshum.com

JD Caudill is a Chicago-based director, music director and performer. Since coming to Chicago in 2014, JD has performed onstage with The New Colony, Hell in a Handbag Productions, New American Folk Theatre, Forks and Hope and Hobo Junction, and directed for over 15 companies, including Broken Nose Theatre, The New Colony and Haven Theatre. JD is a company member of Hell in a Handbag and Haven Theatre (where they are also marketing director), and an associate company member of Broken Nose Theatre.

Echaka Agba’s Chicago theatre credits include: Women Laughing Alone with Salad (Theater Wit); At the Table (Jeff Award – Best Ensemble, Best Supporting Actress; Black Theatre Alliance Award – The Hattie McDaniel Award) Broken Nose Theatre; The Crucible, Between Riverside and Crazy (u/s) Steppenwolf Theatre; Short Shakes! Romeo and Juliet (u/s) Chicago Shakespeare Theater; A Comedical Tragedy for Mister Punch, United Flight 232 (Jeff Award – Best Ensemble) House Theatre of Chicago; Don't Go Gentle (Haven Theatre); Balm in Gilead (Griffin Theatre). She is a graduate of The School at Steppenwolf and is represented by Grossman and Jack. 

Michael Turrentine is an actor/educator/playwright originally from Oklahoma, but loves the Windy City too much for words! He has worked at various theaters around Chicago including Firebrand Theatre, Remy Bumppo Theatre, Theater Wit, The Lyric Opera of Chicago, The Gift Theatre and others. He will also be performing in the up coming production of Frankenstein at Remy Bumppo Theatre. Michael is excited to go on this cool and exciting journey with Interrobang! He is represented by Gray Talent Group.

Joe Lino is a Chicago based actor and has worked with Steppenwolf, Goodman, Victory Gardens, Teatro Vista, Drury Lane, The New Colony, The Cuckoos Theater Project, The Agency Theatre Collective and Interrobang Theatre Project. where he is an artistic associate. Regionally he has credits with Actors Theatre of Louisville in shows such as Dracula, A Christmas Carol and That High Lonesome Sound, which premiered at the Humana Festival. He has also performed Off-Broadway at the BAM Harvey Theatre in Charles Mee’s world premiere of The Glory of the World. He is a proud alumni of Ball State University. 

David Cerda is the Artistic Director and Co-Founder of Hell in a Handbag Productions. Plays written include Rudolph the Red-Hosed Reindeer, SCARRIE! The Musical, POSEIDON! An Upside-Down Musical, Christmas Dearest, The Golden Girls: The Lost Episodes Vol 1 & 2 and The Birds. As an actor he has worked with A New Colony, Corn Productions, Lookingglass, A Red Orchid Theatre and more. Cerda was inducted into the Chicago 2016 GLBTQ Hall of Fame and received a Lifetime Achievement Award from the Chicago Jeff Committee in 2017 for his body of work and philanthropic efforts.

Shawna Franks is the founding Managing Director of Facility Theatre where she is currently performing in the Chicago premiere of Phoebe In Winter by Jen Silverman. Shawna originated the role of Dottie in Killer Joe by Tracy Letts at The Next Lab in Evanston. She performed this role at The Traverse Theatre in Edinburgh, The Bush Theatre in London and The Vaudeville Theatre on London's West End. She also performed in Grand Concourse at Steppenwolf Theatre and The Woman Before at Trap Door Theatre. She has appeared in various productions in Dublin, Los Angeles, Phoenix and New York City, and is the founding Artistic Director of Space 55 Theatre in Phoenix.

Owais Ahmed is a Chicago native and a proud ensemble member of Definition Theatre Co. Theatre credits include: The Invisible Hand (Steep Theatre, Milwaukee Rep), The Hard Problem (Court Theatre), Orange (Mixed Blood Theatre) and The Qualms (Steppenwolf Theatre). 

About Interrobang Theatre Project

Now in its ninth season, Interrobang Theatre Project, under the artistic leadership of Georgette Verdin and James Yost, has been hailed by the Chicago Tribune as a “company to watch” and by Time Out Chicago as “one of Chicago’s most promising young theatre companies.” Chris Jones called Foxfinder, which kicked off Interrobang’s 2017-18 season, “...a ripping good yarn,” earning it 3.5 stars from the Chicago Tribune. Foxfinder also garnered seven non-Equity Jeff Awards nominations including Best Director and Production of a Play, and took home two awards for Best Original Music and Set Design. The company also earned seven non-Equity Jeff Nominations for their seventh season, including Best Director, Production of a Play, Solo Performance and acting nominations for Lead Actor, Actress (win) and Actor in a Supporting Role (win). Productions have included the world premiere of Calamity West’s Ibsen is Dead (Jeff Recommended), the Jeff Recommended The Pitchfork Disney, Orange Flower Water, Recent Tragic Events, The North Pool, The Amish Project, Falling and Grace. Director James Yost’s critically-acclaimed Really Really was one of six shows chosen for Chicago Tribune’s “Best of 2015 in Chicago Fringe Theater.”

What’s an interrobang?
An interrobang is the combination of a question mark and an exclamation point, joining the Latin for “question” (interro) with a proofreading term for “exclamation” (bang). Through the plays we produce, Interrobang Theatre Project aims to pose worthwhile and exciting questions which challenge our understanding and assumptions of who we are and the world in which we live. 

For more information, please visit www.interrobangtheatreproject.org.

Tuesday, January 21, 2014

ACT OUT OPENING: THE PITCHFORK DISNEY by Interrobang Theatre Project

Interrobang Theatre Project Continues Fourth Season:
THE PITCHFORK DISNEY
By Philip Ridley 
Directed by Co-Artistic Director Jeffry Stanton
February 6 – March 2, 2014

Following its critically-acclaimed, Jeff Award-nominated production of Terminus, Interrobang Theatre Project is pleased to continue its 4th season with Philip Ridley’s dark comedy THE PITCHFORK DISNEY, directed by Co-Artistic Director Jeffry Stanton, playing February 6 – March 2, 2014 at The Athenaeum Theatre, 2936 N. Southport in Chicago, where it is now a resident company.  Tickets for THE PITCHFORK DISNEY are on sale through the Athenaeum Theatre Box Office at www.athenaeumtheatre.org  or by calling (773) 935-6875.  



THE PITCHFORK DISNEY features Fred Geyer, Aislinn Kerchaert, Mark Lancaster and Kevin Webb.

How easy it is to stop living. Not to die, but to stop being alive.”
Cosmo Disney, THE PITCHFORK DISNEY

Ten years ago, something dreadful happened to Presley and Haley. Ever since, the grownup siblings have hid in their dead parents’ flat keeping the big bad world at bay on a diet of chocolate, drugs, fractured memory and fantasy. But one night their feral isolation is threatened by the arrival of the sinister cockroach-munching Cosmo Disney and his mute mate Pitchfork Cavalier.

The 1991 debut of Philip Ridley’s gothic fairytale is the stuff of legend sparking debate, horror and a renaissance of British playwriting. At its heart, THE PITCHFORK DISNEY is the story of two innocents, a modern day Hansel and Gretel, staring down a cruel, chaotic world in which money is all, fear sells, truth lies and existence is survival of the sickest. 

23 years after it came kicking and screaming into the world, director Jeffry Stanton takes on this contemporary classic revealing THE PITCHFORK DISNEY has finally come of age. Or perhaps our age has simply come to reflect Ridley’s prophetic nightmare. 

A spine-chilling pitch black comedy for our anxiety-ridden era!

The production team for THE PITCHFORK DISNEY includes: Stephen Carmody (Scenic Designer), Noël Huntzinger* (Costume Designer), Claire Chrzan* (Lighting Designer & Production Manager), Christopher LaPorte* (Sound Designer), Josh Hurley (Props Master), Lindsay Bartlett (Dialect Coach), Julia Rohed* (Stage Manager) and Justin Snyder (Technical Director).  *Denotes Interrobang Theatre Project Company Member.

PRODUCTION DETAILS:

Title:  THE PITCHFORK DISNEY
Playwright:  Philip Ridley 
Director:  Co-Artistic Director Jeffry Stanton
Featuring:  Fred Geyer (Presley Stray), Aislinn Kerchaert (Haley Stray), Mark Lancaster (Pitchfork Cavaliere) and Kevin Webb (Cosmo Disney). Understudies: Eric Feltes (Cosmo Disney) and Matthew Dealy (Presley Stray).

Location:  The Athenaeum Theatre, 2936 N. Southport in Chicago
Dates:  Preview: Thursday, February 6 at 8 pm
Opening: Friday, February 7, 2014 at 8 pm
Special understudy performance: Saturday, February 22 at 3 pm.  All tickets $10
Regular run: Sunday, February 9 - Sunday, March 2, 2014. 

Curtain Times:  Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3 pm. Please note: there will be added 3 pm performances on Saturday, February 15, 22 and March 1; there will be an added 8 pm performance on Wednesday, February 12.

Tickets: Previews: $12. Regular run: $20 Fridays and Saturdays evenings, $18 Thursdays, Saturday and Sundays matinees. $12 students and industry tickets (with ID).  Tickets are available through the Athenaeum Theatre Box Office at www.athenaeumtheatre.org  or by calling (773) 935-6875.  Note: all ticket prices include a $2 Athenaeum Theatre restoration fee.

About the Playwright
Philip Ridley was born in the East End of London where he still lives and works. In addition to three books for adults and the highly acclaimed screenplay for the The Krays feature film (winner of The Evening Standard Best Film of the Year Award), Ridley has written eight adult stage plays: The Pitchfork Disney, the multi-award-winning The Fastest Clock in the Universe, Ghost from a Perfect Place, Vincent River, the highly controversial Mercury Fur, Leaves of Glass, Piranha Heights and, most recently, the hugely successful Tender Napalm (nominated for the London Fringe Best Play Award), plus several plays for young people: Karamazoo, Fairytaleheart, Moonfleece, Sparkleshark and Brokenville. He has also written many books for children, including Scribbleboy (shortlisted for the Carnegie Medal), Kasper in the Glitter (nominated for the Whitbread Prize), Mighty Fizz Chilla (shortlisted for the Blue Peter Book of the Year Award), ZinderZunder, Vinegar Street, Zips’Apollo and the bestseller Krindlekrax (winner of both the Smarties Prize and WH Smith’s Mind-Boggling Books Award), the stage play of which, adapted by Philip himself, was premiered at the Birmingham Rep Theatre in the summer of 2002. He has also directed three feature films from his own screenplays: The Reflecting Skin (winner of eleven international awards, including the prestigious George Sadoul Prize), The Passion of Darkly Noon (winner of the Best Director Prize at the Porto Film Festival) and, most recently, Heartless (winner of The Silver Meliers Award for Best Fantasy Film), starring Jim Sturgess and Noel Clarke. Philip has won both the Evening Standard’s Most Promising Newcomer to British Film and Most Promising Playwright Awards; the only person ever to receive both prizes. He also studied painting at St. Martin’s School of Art and his work has been exhibited widely throughout Europe and Japan.

About Interrobang Theatre Project
Founded in 2010, Interrobang Theatre Project (Jeffry Stanton and James Yost, Co-Artistic Directors) produces visceral and timely plays that are not readily seen on other Chicago stages. Interrobang upholds live theatre and the act of collective imagining as a powerful means to change our world one play at a time. Interrobang is not recommended for audiences who prefer theatre to be benign or familiar.

Interrobang Theatre Project’s third season opened with the “scintillating revival” (Time Out Chicago) of Paula Vogel’s Hot ‘N’ Throbbing. The Chicago Tribune hailed Interrobang “a company to watch,” Time Out Chicago’s 5-star review claimed, “as the production barrels to its shocking finale, it’s clear (Jeffry) Stanton and his impeccable cast are in complete control,” and Newcity Stage exclaimed, “Interrobang Theatre Project, guns ablaze, dives headfirst into the play’s challenging themes, and offers a rare production in which every element onstage is as robust and capable as every other.”  Other Interrobang Theatre Project productions include the one-man Here Lies Henry by Daniel MacIvor, the Midwest premiere of The Argument by Gregory Moss, Orange Flower Water by Craig Wright, a co-production with BareBones Theatre and most recently, Mark O’Rowe’s critically acclaimed Irish drama Terminus.

What’s an interrobang?
An interrobang is the combination of a question mark and an exclamation point, joining the Latin for “question” (interro) with a proofreading term for “exclamation” (bang). Punctuation expresses an attitude, an idea, an attempt to make things clearer. Through the plays we produce, Interrobang Theatre Project poses muscular questions. Navigating through the dark together with our audience we attempt to arrive at new understandings and fresh perspectives of who we are and the world in which we live.

For more information on Interrobang Theatre Project, visit www.interrobangtheatreproject.org  or www.facebook.com/interrobangtheatreproj


Friday, November 15, 2013

ACT OUT SAVE THE DATES: Interrobang Theatre Project Continues Fourth Season: THE PITCHFORK DISNEY Feb 6th-March 2

THE PITCHFORK DISNEY 
By Philip Ridley
Directed by Co-Artistic Director Jeffry Stanton
February 6 – March 2, 2014

Here at ChiIL Live Shows, we were blown away by Interrobang Theatre Project's excellent production of Terminus.   The trio of actors killed it with a creepy and compelling rendition of the entwined, lyrical, Irish tales.   We can't wait to check out their next offering!   Dark comedies are one of our favorite genres.   We also dig their name... INTERROBANG.  POW?!   This name makes my inner word nerd happy and is an excellent description of this troupe's on stage persona. 



What’s an interrobang?
An interrobang is the combination of a question mark and an exclamation point, joining the Latin for “question” (interro) with a proofreading term for “exclamation” (bang). Punctuation expresses an attitude, an idea, an attempt to make things clearer. Through the plays we produce, Interrobang Theatre Project poses muscular questions. Navigating through the dark together with our audience we attempt to arrive at new understandings and fresh perspectives of who we are and the world in which we live.

Following its critically-acclaimed, Jeff Award-nominated production of TerminusInterrobang Theatre Project is pleased to continue its 4th season with Philip Ridley’s dark comedy THE PITCHFORK DISNEY, directed by Co-Artistic Director Jeffry Stanton, playing February 6 – March 2, 2014 at The Athenaeum Theatre, 2936 N. Southport in Chicago, where it is now a resident company.  Tickets for THE PITCHFORK DISNEY are on sale through the Athenaeum Theatre Box Office at www.athenaeumtheatre.org or by calling (773) 935-6875.  

THE PITCHFORK DISNEY features Andrew Goetten, Aislinn Kerchaert, Mark Lancaster and Kevin Webb.

“How easy it is to stop living. Not to die, but to stop being alive.”
–Cosmo Disney, THE PITCHFORK DISNEY

Ten years ago, something dreadful happened to Presley and Haley. Ever since, the grownup siblings have hid in their dead parents’ flat keeping the big bad world at bay on a diet of chocolate, drugs, fractured memory and fantasy. But one night their feral isolation is threatened by the arrival of the sinister cockroach-munching Cosmo Disney and his mute mate Pitchfork Cavalier.

The 1991 debut of Philip Ridley’s gothic fairytale is the stuff of legend sparking debate, horror and a renaissance of British playwriting. At its heart, THE PITCHFORK DISNEY is the story of two innocents, a modern day Hansel and Gretel, staring down a cruel, chaotic world in which money is all, fear sells, truth lies and existence is survival of the sickest.

23 years after it came kicking and screaming into the world, director Jeffry Stanton takes on this contemporary classic revealing THE PITCHFORK DISNEY has finally come of age. Or perhaps our age has simply come to reflect Ridley’s prophetic nightmare.

A spine-chilling pitch black comedy for our anxiety-ridden era!

The production team for THE PITCHFORK DISNEY includes: Stephen Carmody (Scenic Designer), Noël Huntzinger* (Costume Designer), Claire Chrzan* (Lighting Designer & Production Manager), Christopher LaPorte* (Sound Designer), Josh Hurley (Props Master), Lindsay Bartlett (Dialect Coach), Julia Rohed* (Stage Manager) and Justin Snyder (Technical Director).  *Denotes Interrobang Theatre Project Artistic Associate

PRODUCTION DETAILS:

Title:  THE PITCHFORK DISNEY
Playwright:  Philip Ridley
Director:  Co-Artistic Director Jeffry Stanton
Featuring:  Andrew Goetten (Presley Stray), Aislinn Kerchaert (Haley Stray), Mark Lancaster (Pitchfork Cavaliere) and Kevin Webb (Cosmo Disney). Understudies: Eric Feltes (Cosmo Disney) and Matthew Dealy (Presley Stray).

Location:  The Athenaeum Theatre, 2936 N. Southport in Chicago
Dates:  Previews: Thursday, February 6 and Friday, February 7, 2014 at 8 pm
Press performance: Saturday, February 8, 2014 at 8 pm
Special understudy performance: Saturday, February 22 at 3 pm
Regular run: Sunday, February 9 - Sunday, March 2, 2014. Note: there will be added 3 pm performances on Saturday, February 15, 22 and March 1
Curtain Times:  Thursdays, Fridays and Saturdays at 8 pm; Sundays at 3 pm
Tickets: Previews: $12. Regular run: $20 Fridays and Saturdays evenings, $18 Thursdays, Saturday and Sundays matinees. $12 students and industry tickets (with ID).  Tickets are available through the Athenaeum Theatre Box Office at www.athenaeumtheatre.org or by calling (773) 935-6875.  Note: all ticket prices include a $2 Athenaeum Theatre restoration fee.

About the Playwright
Philip Ridley was born in the East End of London where he still lives and works. In addition to three books for adults and the highly acclaimed screenplay for the The Krays feature film (winner of The Evening Standard Best Film of the Year Award), Ridley has written eight adult stage plays: The Pitchfork Disney, the multi-award-winning The Fastest Clock in the Universe, Ghost from a Perfect Place, Vincent River, the highly controversial Mercury Fur, Leaves of Glass, Piranha Heights and, most recently, the hugely successful Tender Napalm (nominated for the London Fringe Best Play Award), plus several plays for young people: Karamazoo, Fairytaleheart, Moonfleece, Sparkleshark and Brokenville. He has also written many books for children, including Scribbleboy (shortlisted for the Carnegie Medal), Kasper in the Glitter (nominated for the Whitbread Prize), Mighty Fizz Chilla (shortlisted for the Blue Peter Book of the Year Award), ZinderZunder, Vinegar Street, Zips’Apollo and the bestseller Krindlekrax (winner of both the Smarties Prize and WH Smith’s Mind-Boggling Books Award), the stage play of which, adapted by Philip himself, was premiered at the Birmingham Rep Theatre in the summer of 2002. He has also directed three feature films from his own screenplays: The Reflecting Skin (winner of eleven international awards, including the prestigious George Sadoul Prize), The Passion of Darkly Noon (winner of the Best Director Prize at the Porto Film Festival) and, most recently, Heartless (winner of The Silver Meliers Award for Best Fantasy Film), starring Jim Sturgess and Noel Clarke. Philip has won both the Evening Standard’s Most Promising Newcomer to British Film and Most Promising Playwright Awards; the only person ever to receive both prizes. He also studied painting at St. Martin’s School of Art and his work has been exhibited widely throughout Europe and Japan.

About Interrobang Theatre Project
Founded in 2010, Interrobang Theatre Project (Jeffry Stanton and James Yost, Co-Artistic Directors) produces visceral and timely plays that are not readily seen on other Chicago stages. Interrobang upholds live theatre and the act of collective imagining as a powerful means to change our world one play at a time. Interrobang is not recommended for audiences who prefer theatre to be benign or familiar.

Interrobang Theatre Project’s third season opened with the “scintillating revival” (Time Out Chicago) of Paula Vogel’s Hot ‘N’ Throbbing. The Chicago Tribune hailed Interrobang “a company to watch,” Time Out Chicago’s 5-star review claimed, “as the production barrels to its shocking finale, it’s clear (Jeffry) Stanton and his impeccable cast are in complete control,” and Newcity Stage exclaimed, “Interrobang Theatre Project, guns ablaze, dives headfirst into the play’s challenging themes, and offers a rare production in which every element onstage is as robust and capable as every other.”  Other Interrobang Theatre Project productions include the one-man Here Lies Henry by Daniel MacIvor, the Midwest premiere of The Argument by Gregory Moss, Orange Flower Water by Craig Wright, a co-production with BareBones Theatre and most recently, Mark O’Rowe’s critically acclaimed Irish drama Terminus.



For more information on Interrobang Theatre Project, visit www.interrobangtheatreproject.org or www.facebook.com/interrobangtheatreproj.

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