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Showing posts with label tickets on sale. Show all posts
Showing posts with label tickets on sale. Show all posts

Tuesday, February 4, 2020

BAUHAUS TICKETS ON SALE Wednesday, February 5th: DALLAS AND CHICAGO SHOWS

ChiIL Live Shows on our radar

BAUHAUS 
Featuring Peter Murphy, Daniel Ash,
Kevin Haskins and David J 
ANNOUNCES
DALLAS AND CHICAGO SHOWS
Tickets On Sale Wednesday, February 5th



Thursday, July 23, 2020
The Bomb Factory
Dallas, TX
Ticket Link: www.axs.com/events/390024/bauhaus-tickets?skin=bombfactory

Saturday, July 25, 2020 
Aragon Ballroom
Chicago, IL
Ticket link:  www.ticketmaster.com/event/0400583F97D04FC0


Other Announced Shows:
Apr 8 - London UK @ Alexandra Palace
Apr 28 - Mexico City MX @ Fronton Mexico
Apr 29 - Mexico City MX @ Fronton Mexico
June 6 – Barcelona ES @ Primavera Festival 
June 12 – Athens GR @ Release Festival 
June 26 – New York NY @ Radio City Music Hall 



BAUHAUS (1st December 2019 - Los Angeles, CA)
Photo credit: Jolene Siana


"Goth rock pioneers Bauhaus delivered a chilling rendition of their debut single, 'Bela Lugosi’s Dead' at their first live show in 13 years Sunday. The gig took place at the Hollywood Palladium in Los Angeles, capturing the band in fine form as they effortlessly moved from the song’s abstract, spine-tingling intro into its eerily serene guitar jangle. Frontman Peter Murphy expertly navigated the song’s steady build as well, unleashing a mighty, reverb-soaked
howl toward the end as he sang, 'Oh Bela, Bela’s undead'." - ROLLING STONE

"Anticipation was electric for their return — a line stretched around the block before doors, a queue that only rivaled that to the merch table — and fans came out dressed to the nines. The band did not disappoint."
- BROOKLYN VEGAN

"Those who expected to see an iconic band were not disappointed...  it was clear that Bauhaus were back with a vengeance." - BUZZBANDS.LA

"... as marvelous as ever." - LOS ANGELES DAILY NEWS


BAUHAUS (November 3, 2019- Los Angeles, CA)
Photo credit: Gary Bandfield

Friday, January 31, 2020

TICKETS ON SALE AND CASTING ANNOUNCED: Steppenwolf's The Most Spectacularly Lamentable Trial of Miz Martha Washington and Catch as Catch Can

ChiIL Live Shows on our radar

The Most Spectacularly Lamentable Trial of 
Miz Martha Washington
By James Ijames 
and Catch as Catch Can
By Mia Chung


Chicago Native and SNL Star Nora Dunn to make Steppenwolf Debut in …Miz Martha alongside Ensemble Member Celeste M. Cooper

Ensemble Member Gary Cole Returns to the Stage and Ensemble Member Amy Morton to Direct Catch As Catch Can

Steppenwolf Theatre Company announced complete casting for two productions today: The Most Spectacularly Lamentable Trial of Miz Martha Washington by James Ijames, directed by Whitney White (April 2 – May 17, 2020); and Catch as Catch Can by Mia Chung, which also announced ensemble member Amy Morton as director (June 4 – July 26, 2020). 

Single tickets ($35 - $93) to The Most Spectacularly Lamentable Trial of Miz Martha Washington go on sale this Friday, January 31 at 11am through Audience Services at 312-335-1650 or steppenwolf.org. Presale access is now available for Members. To learn more about Membership, call 312-335-1650 or visit steppenwolf.org/memberships.

Chicago Premiere 
The Most Spectacularly Lamentable Trial of Miz Martha Washington
By James Ijames 
Directed by Whitney White 
Featuring ensemble member Celeste M. Cooper 
April 2 – May 17, 2020 
In the Downstairs Theatre

The cast features (pictured top row L to R) previously announced ensemble member Celeste M. Cooper (Doll) who will be joined by Nora Dunn (Martha Washington), (pictured bottom row L to R) Sydney Charles (Priscilla), Nikki Crawford (Ann Dandridge), Carl Clemons-Hopkins (Davy), Victor Musoni (William) and Travis Turner (Sucky Boy).

The recently widowed “Mother of America” lies helpless in her Mount Vernon bed, ravaged by illness and attended to by the very enslaved people who are free the moment she dies. The form-shifting fever dream that follows takes us deep into the ugly, uncomfortable and thorny ramifications of America’s original sin. Both fantastical and fraught with cruel reality, this Chicago premiere from a daring new voice pulls no punches as it puts our idols, and ourselves, on trial.

Playwright and Director Bios


James Ijames is a Philadelphia-based performer and playwright. Ijames’s plays have been produced by Flashpoint Theater Company, Orbiter 3, Theatre Horizon (Philadelphia, PA), The National Black Theatre (NYC) and Ally Theatre (Washington, D.C.), among others. He is the recipient of the 2011 F. Otto Haas Award for an Emerging Artist and has won two Barrymore Awards for Outstanding Supporting Actor in a Play and Outstanding Direction of a Play for The Brothers Size. Ijames is an 2011 Independence Foundation Fellow, a 2015 Pew Fellow for Playwriting, the 2015 winner of the Terrance McNally New Play Award for WHITE, the 2015 Kesselring Honorable Mention Prize winner for …Miz Martha, the 2018 Kesselring Prize Winner for Kill Move Paradise and a 2017 recipient of the Whiting Award. His play WHITE will be produced by Definition Theatre Company as part of Steppenwolf’s LookOut Series, April 17 – May 24, 2020 in the 1700 Theatre. More info here.


Whitney White is a director and musician originally from Chicago based in Brooklyn, New York. Recent work includes What to Send Up When It Goes Down (The Movement, NYT Critic’s Pick), Jump (Rolling NNPN, PlayMakers Rep), Canyon (IAMA Theatre), This Land Was Made (Vineyard Theatre Lab), Rita Tambien Rita (Julliard), Othello (Trinity Rep) and Br’er Cotton (Endstation). Her original piece Macbeth in Stride was part of the 2019 Under the Radar Festival at The Public, and her original concert-play Definition is currently in development with Ars Nova and the Bushwick Starr. Associate Directing credits include Marvin’s Room (Broadway), If I Forget (Roundabout) and Othello (NYTW). White is a recipient of the Susan Stroman Directing Award, an Associate Artist at The Roundabout Theatre and was recently a 2050 Fellow at the New York Theatre Workshop. She is currently in residency with the Drama League as part of their Next Wave Residency where she is developing an African American production of Anton Chekov’s Three Sisters set to original music, and Colt Coeur. MFA Acting: Brown University/Trinity Rep, BA: Northwestern University. whitney-white.com

…Miz Martha creative team includes Clint Ramos (Scenic Design), Izumi Inaba (Costume Design), Amith Chandrashaker (Lighting Design), Justin Ellington (Sound Design), Patrick Zakem (Artistic Producer), Tom Pearl (Director of Production); JC Clementz, CSA (Casting Director), Laura D. Glenn (Production Stage Manager), Mary Hungerford (Assistant Stage Manager). For full cast and creative team bios visit https://www.steppenwolf.org/tickets--events/seasons/2019-20/miz-martha/ .

Chicago Premiere 
Catch as Catch Can
By Mia Chung 
Directed by ensemble member Amy Morton 
Featuring ensemble members Gary Cole, Audrey Francis and Tim Hopper 
July 4 – July 26, 2020 
In the Downstairs Theatre

All Steppenwolf ensemble member cast features (L to R): Gary Cole, Audrey Francis and Tim Hopper.

Two blue collar New England families grapple with a spiraling crisis that threatens not just their relationships, but their very identities. Three actors take on the six roles, crossing both generation and gender, upending the kitchen sink drama in what will surely be a theatrical tour-de-force. A distinctive Chicago premiere by the gifted writer Mia Chung.

Playwright and Director Bios

Mia Chung’s Catch as Catch Can received its world premiere at Page 73 in New York in 2018. Chung’s You for Me for You premiered at The Royal Court (London), the National Theatre Company of Korea (Seoul) and Woolly Mammoth Theatre (DC); and is published by Bloomsbury Methuen. Her awards, commissions and residencies include Clubbed Thumb, EST/Sloan, Huntington Theatre, Ma-Yi Writers Lab NEA, NYTW, Playwrights' Center, Playwrights Realm, South Coast Rep, SPACE at Ryder Farm and New Dramatists. She received a 2019 Helen Merrill Playwriting Award.






Amy Morton has been a Steppenwolf ensemble member since 1997 and directed several Steppenwolf productions including Guards at the Taj (also at Atlantic Theater Company), Clybourne Park, American Buffalo, Dublin Carol and The Pillowman, among others. She has performed in more than 30 Steppenwolf productions, including the Taylor Mac's Hir, Edward Albee’s Who’s Afraid of Virginia Woolf? (also on Broadway, Tony nomination) and August: Osage County (also at the National Theatre and Broadway, Tony nomination). Currently she stars as Trudy Platt in the NBC drama series Chicago P.D.

Catch As Catch Can creative team includes Andrew Boyce (Set Design), Jessica Pabst (Costume Design), Yuki Nakase (Lighting Design), Rob Milburn and Michael Bodeen (Sound Design), Jonathan Berry (Artistic Producer), JC Clementz, CSA (Casting Director), Laura D. Glenn (Production Stage Manager) and Jaclynn Joslin (Assistant Stage Manager). 

Memberships
Classic Memberships starting as low as $100 guarantee seats, offer early access to special events, invitations to behind-the-scenes events and special discounts at the theatre and in the neighborhood. Stay tuned for information about becoming a member to the 20/21 season; discounted packages for students and teachers and accessible packages are also offered.

Flexible Membership options include the Black Card, which starts as low as $180. With a Black Card, you receive six ticket credits to use whenever and however you want for an entire year. Use all six tickets before that year is up? Reload your card to keep those experiences coming.

Under 30? Join Steppenwolf RED Card for just $100 and enjoy the same six flexible tickets (that’s less than $17 a credit and almost 80% off single ticket prices). Black and RED cardholders receive exclusive discounts, special perks and insider access. For more information, visit steppenwolf.org/memberships.

Accessibility
Committed to making the Steppenwolf experience accessible to everyone, performances featuring American Sign Language Interpretation, Open Captioning and Audio Description are offered during the run of each play. Assistive listening devices and large-print programs are available for every performance and the Downstairs and 1700 Theatres are each equipped with an induction hearing loop. All theaters feature wheelchair accessible seating and restrooms, and Front Bar features a push-button entrance, all-gender restrooms and accessible counter and table spaces.

Visitor information
Steppenwolf is located at 1650 N Halsted St near all forms of public transportation, bike racks and Divvy bike stands. The parking facility ($15 or $17, cash or card) is located just south of our theater at 1624 N Halsted. Valet parking service ($15 cash) is available directly in front of the main entrance starting at 5pm on weeknights, 1pm on weekends and at 12noon before Wednesday matinees. Limited street and lot parking are also available. For last minute questions and concerns, patrons can call the Steppenwolf Parking Hotline at 312.335.1774.

Sponsor information
The Most Spectacularly Lamentable Trial of Miz Martha Washington is sponsored by PwC. Catch as Catch Can is sponsored by Ameriprise Financial. United Airlines is the Official and Exclusive Airline of Steppenwolf.

Front Bar: Coffee and Drinks
Connected to the main lobby is Steppenwolf’s own Front Bar: Coffee and Drinks, offering an inviting space to grab a drink, have a bite, or meet up with friends and collaborators, day or night. Open Tuesdays – Sundays, Front Bar serves locally roasted coffee and espresso by Passion House Coffee Roasters and features food by The Goddess and Grocer. The menu focuses on fresh, accessible fare, featuring grab-and-go salads and sandwiches for lunch and adding shareable small plates and desserts for evening and post show service. front-bar.com

Steppenwolf Theatre Company
Steppenwolf Theatre Company is the nation’s premier ensemble theater. Formed by a collective of actors in 1976, the ensemble members represent a remarkable cross-section of actors, directors and playwrights. Thrilling and powerful productions from Balm in Gilead and August: Osage County to MS. BLAKK FOR PRESIDENT—and accolades that include the National Medal of Arts and 12 Tony Awards—have made the theater legendary. Steppenwolf produces hundreds of performances and events annually in its three spaces: the 515-seat Downstairs Theatre, the 299-seat Upstairs Theatre and the 80-seat 1700 Theatre. Artistic programming includes a seven-play season; a two-play Steppenwolf for Young Adults season; Visiting Company engagements; and LookOut, a multi-genre performances series. Education initiatives include the nationally recognized work of Steppenwolf for Young Adults, which engages 15,000 participants annually from Chicago’s diverse communities; the esteemed School at Steppenwolf; and Professional Leadership Programs for arts administration training. While firmly grounded in the Chicago community, nearly 40 original Steppenwolf productions have enjoyed success both nationally and internationally, including Broadway, Off-Broadway, London, Sydney, Galway and Dublin. Anna D. Shapiro is the Artistic Director and David Schmitz is the Executive Director. Eric Lefkofsky is Chair of Steppenwolf’s Board of Trustees.

Steppenwolf's mission
Steppenwolf strives to create thrilling, courageous and provocative art in a thoughtful and inclusive environment. We succeed when we disrupt your routine with experiences that spark curiosity, empathy and joy. We invite you to join our ensemble as we navigate, together, our complex world.

Sunday, March 24, 2019

TICKETS ON SALE: World-renowned soprano Renée Fleming To Star In THE LIGHT IN THE PIAZZA December 14-29, 2019

ChiIL Live Shows on our radar
World-renowned soprano Renée Fleming stars in
new production of the multi Tony Award-winning musical
THE LIGHT IN THE PIAZZA
presented by John Berry and Anthony Lilley for Scenario Two


Limited Chicago engagement at Lyric Opera House for
ten performances only: December 14-29, 2019

“the most intensely romantic score of any musical since 
West Side Story” - New York Times

PUBLIC TICKETS ON SALE STARTING MARCH 28

John Berry CBE and Anthony Lilley OBE for Scenario Two are delighted to announce a new production of the acclaimed Broadway musical The Light in the Piazza starring four-time Grammy Award winner and Tony Award nominee Renée Fleming as Margaret Johnson, who embarks on a fateful trip to Florence with her daughter in the summer of 1953. Additional casting including Broadway and West End stars to be announced soon.

After premiering in London at the Royal Festival Hall this summer, the new production will be presented in Chicago for ten performances only at Lyric Opera House from December 14-29, 2019 (press opening Saturday, Dec. 14). Tickets start at $49 and go on sale for Lyric Opera subscribers on Monday, March 25 at 10 a.m. Tickets will go on sale to the general public on Thursday, March 28 at 10 a.m. For more information or to purchase tickets, visit www.lightinthepiazzathemusical.com

The new production of The Light in the Piazza is directed by Olivier Award winner and critically acclaimed musicals expert Daniel Evans and designed by Robert Jones, with costumes by Brigitte Reiffenstuel, lighting by Mark Henderson and sound by Mick Potter. The ravishing score will be played by the Lyric Opera Orchestra under the baton of Kimberly Grigsby, conductor of the original Lincoln Center production.

Upon its Broadway debut, The Light in the Piazza was described by the New York Times as having “the most intensely romantic score of any musical since West Side Story.” Based on the novel by Elizabeth Spencer, The Light in the Piazza book is by Craig Lucas, with music and lyrics by Adam Guettel. Set in Florence during the summer of 1953, it’s a touching and unforgettable love story. A fateful gust of wind whisks Clara’s hat into the hands of local dreamer Fabrizio Naccarelli and it’s love at first sight. However, Clara isn’t quite what she appears.  Soon her mother is faced with a heart-wrenching decision, and they must all confront a secret that’s been kept in the shadows for far too long. 

The Light in the Piazza’s rich, emotional score is unique amongst 21st-century Broadway musicals. Unapologetically lyrical and romantic, it transports audiences to 1950s Florence for a romantic evening of love and light.

Scenario Two presents
The Light in the Piazza
Book by Craig Lucas
Music and Lyrics by Adam Guettel
December 14-29, 2019 
At Lyric Opera House, 20 N. Wacker Drive, Chicago
Tickets $49-$219
www.lightinthepiazzathemusical.com

About Scenario Two
Scenario Two is a new UK company founded by John Berry CBE and Anthony Lilley OBE, which specializes in commercial theatrical production in London and Internationally. It brings together the very best talent from the world of opera and musical theatre with top performers and creatives from other industries such as film, television and theatre. The company is creating exciting new productions of classic musicals and developing new commissions and thereby aims to attract both existing theatre-goers and new audiences in the West End and major theatres around the world. For more information visit www.scenario-two.com.


Monday, June 4, 2018

OPENING: THE COLOR PURPLE THE MUSICAL TO PLAY CHICAGO'S AUDITORIUM THEATRE TWO WEEKS ONLY JULY 17 – 29, 2018

Chi IL Live Shows On Our Radar:

TICKETS NOW ON SALE
THE COLOR PURPLE
AUDITORIUM THEATRE TWO WEEKS ONLY!
JULY 17 – 29, 2018


Broadway In Chicago presents THE COLOR PURPLE, directed by Tony winner John Doyle (Sweeney Todd and The Color Purple), at the Auditorium Theatre of Roosevelt University (50 E. Congress Pkwy.) for a limited two-week engagement July 17 - 29, 2018.



Cast members from the 2016 Broadway revival lead the touring company, including Adrianna Hicks (Aladdin, Sister Act - Germany) as Celie, Carla R. Stewart (Ghost – National Tour, Rent - Regional) as Shug Avery and Carrie Compere (Holler If You Hear Me, Shrek the Musical – National Tour) as Sofia.

They will be joined by Gavin Gregory (The Color Purple - Revival, The Gershwins’ Porgy & Bess) as Mister, N’Jameh Camara (X: Or, Betty Shabazz v. The Nation) as Nettie, J. Daughtry (The Color Purple - Revival, Beautiful: The Carole King Musical) as Harpo, along with Darnell Abraham, Amar Atkins, Kyle E. Baird, Angela Birchett, Jared Dixon, Erica Durham, Bianca Horn, Gabrielle Reid, C.E. Smith, Clyde Voce, Nyla Watson, J.D. Webster, Brit West, Nikisha Williams and Michael Wordly.




Based on the Alice Walker’s Pulitzer Prize-winning novel and the Warner Bros. / Amblin Entertainment motion picture, THE COLOR PURPLE is adapted for the stage by Tony- and Pulitzer-winner Marsha Norman with music and lyrics by Brenda Russell, Allee Willis and Stephen Bray. Tony Award®-winning director and scenic designer John Doyle (Sweeney Todd, Company) recreates his award winning work for the national tour, alongside costumes by Ann Hould-Ward, lighting by Jane Cox, sound by Dan Moses Schreier and wig & hair design by Charles G. LaPointe.



The revival of THE COLOR PURPLE opened to great acclaim in summer 2013 at London’s Menier Chocolate Factory, followed by a Broadway bow on November 10, 2015 at the Bernard B. Jacobs Theatre. THE COLOR PURPLE went on to win two 2016 Tony Awards, including Best Revival of a Musical, two Drama Desk Awards, including Outstanding Revival of a Musical, the 2017 Grammy Award® for Best Musical Theater Album and a Daytime Emmy®. THE COLOR PURPLE played 483 performances on Broadway, closing on January 8, 2017.



The North American tour is produced by Scott Sanders Productions, Roy Furman, Troika Entertainment, David Babani, Tom Siracusa, Caiola Productions, James Fantaci, Ted Liebowitz, James L. Nederlander, Darren Bagert, Candy Spelling, Adam Zotovich, Eric Falkenstein/Morris Berchard, Adam Blanshay Productions, Tanya Link Productions, Jam Theatricals, Independent Presenters Network and Carol Fineman.

For more information, please visit www.colorpurple.com.

TICKET INFORMATION
Individual tickets for THE COLOR PURPLE at the Auditorium Theatre of Roosevelt University (50 E. Congress Pkwy.) range from $27 to $100 with a select number of premium seats available. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710. Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000 and online at www.BroadwayInChicago.com



ABOUT THE AUDITORIUM THEATRE
The Auditorium Theatre of Roosevelt University, located at 50 E. Congress Pkwy. in Chicago, is an Illinois, not-for-profit organization committed to presenting the finest in international, cultural, community, and educational programming to all of Chicago and beyond as The Theatre for the People. The organization also is committed to the continued restoration and preservation of the National Historic Landmark.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 17 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining over 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, Oriental Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University. For more information, visit www.BroadwayInChicago.com.

Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

Wednesday, May 30, 2018

TICKETS ON-SALE TODAY AT NOON: IONESCO'S VICTIMS OF DUTY REMOUNT VIA RED ORCHID THEATRE

Chi IL Live Shows On Our Radar:
                                                           
A RED ORCHID THEATRE ANNOUNCES CASTING FOR
VICTIMS OF DUTY
BY EUGENE IONESCO
DIRECTED BY SHIRA PIVEN


FEATURING ORIGINAL CAST MEMBERS
ENSEMBLE MEMBERS MICHAEL SHANNON AND GUY VAN SWEARINGEN
PLUS KAREN ALDRIDGE, RICH COTOVSKY AND ENSEMBLE MEMBER MIERKA GIERTEN

July 11 – August 5, 2018

**TICKETS ON-SALE WEDNESDAY, MAY 30 AT NOON**

Here at ChiIL Live Shows we're so very excited for this remount for too many reasons to count. I've adored Ionesco since my college intro to his Theatre of the Absurd began with Rhinoceros. I'm also quite fond of Shira Piven's work, Michael Shannon, Guy Van Swearingen (original cast members)... and the rest of this cast of Chicago's finest. A Red Orchid Theatre is at it again, bringing vividly stunning works and star power to their intimate Old Town storefront. This is where theatre gets real. Don't miss this! Book ASAP. This run is sure to sell out.

A Red Orchid Theatre presents a special summer engagement of Victims of Duty by Eugene Ionesco and directed by Shira Piven. Victims of Duty runs July 11 – August 5, 2018 at A Red Orchid Theatre, 1531 N Wells in Chicago.

The cast of Victims of Duty includes original cast members Ensemble Members Michael Shannon (The Detective) and Guy Van Swearingen (Choubert), as well as Karen Aldridge (Madeleine), Rich Cotovsky (Nicolas D’eu), and Ensemble Member Mierka Gierten (The Lady).

Much of the original 1995 team come together to revisit Ionesco's absurd masterpiece. Choubert, the archetypal bourgeois everyman, and his wife Madeleine are spending a quiet evening at home when the Detective arrives to enlist their help in finding the previous tenant. A roller-coaster ride of high comedy and horrific tragedy as Choubert examines his past present and future in a quest to find out where Mallot could be hiding.

“Victims of Duty was the very first show I ever saw at A Red Orchid,” says Artistic Director Kirsten Fitzgerald. “I am not entirely sure Ionesco's investigation of a life made logical sense to me at the time, but it made perfect emotional sense and was viscerally stunning.  So much so, that I knew I needed to work with these people in this space.  That was 1996.  With many of the originals returning (including Director Shira Piven, Production Designer Danila Korogodsky, and actors Guy Van Swearingen and Michael Shannon) the investigation promises to go even deeper.”

In addition to Director Shira Piven, the creative of Victims of Duty includes Danila Korogodsky (Production Designer), Ensemble Member Mike Durst (Lighting Designer), and Brando Triantafilou (Sound Designer).

Tickets, priced at $50, will go on-sale Wednesday, May 30 at noon and may be purchased at the A Red Orchid Theatre Box Office (1531 N. Wells Ave, Chicago) by calling (312) 943-8722, or online www.aredorchidtheatre.org.


About the Artists

EUGENE IONESCO (Playwright) was a Romanian-born French playwright. He studied in Bucharest and Paris, where he lived from 1945. His first one-act antiplay, The Bald Soprano (1950), inspired a revolution in dramatic techniques and helped inaugurate the Theatre of the Absurd. He followed it with other one-act plays in which illogical events create an atmosphere both comic and grotesque, including The Lesson (1951), The Chairs (1952), and The New Tenant (1955). His most popular full-length play, Rhinoceros (1959), concerns a provincial French town in which all the citizens are metamorphosing into rhinoceroses. Other plays include Exit the King (1962) and A Stroll in the Air (1963). He was elected to the Acadmie Franaise in 1970.



SHIRA PIVEN (Director) is a director of both stage and film.  She was the child of theatre people and established herself originally as an actress and stage director in Chicago in the 90's.  Shira has directed numerous stage productions, many of them original adaptations, in New York, Chicago, LA, and Washington D.C. She was the director and a founding member of Burn Manhattan spontaneous theatre, a groundbreaking group performing entirely improvised physical theatre throughout New York City.  In Los Angeles Shira developed and directed the plays Little and All Cake No File at the Actor’s Gang Theatre and Fully Loaded at UCB Theatre. Her first foray into film combined live theatre with film sequences in Water's show Death of a Judge in 2003.  Shira completed her second feature film, Welcome To Me, starring Kristen Wiig in 2015. Her first feature Fully Loaded won the audience favorite feature award at Palm Beach International Film Festival as well as best feature at both The River's Edge International and Carmel Art and Film Festivals. It was also featured at the Boston, San Luis Obispo, Talking Pictures and Newport Beach film festivals and released by Starz. She also directed a short documentary The Beast and The Angel that premiered at the Lincoln Center Film Society and aired on PBS.



MICHAEL SHANNON (The Detective) is a founding member of A Red Orchid Theatre. He directed the world premiere of Traitor by Brett Neveu earlier this year and made his directing debut here with Ionesco’s Hunger and Thirst. He has been seen on stage at A Red Orchid in Pilgrim’s Progress, Simpatico, Mistakes Were Made, Gagarin Way, Mr. Kolpert, BUG, 'Tis Pity She's a Whore, The Killer, The Persecution of Arnold Petch, Canus Lunis Balloonis, Victims of Duty, and Drinking in America. Elsewhere around Chicago, he has worked at Steppenwolf, Lookingglass, Northlight, Famous Door (RIP), and the Next Lab, birthplace of Killer Joe, in which he originated the role of Chris Smith and performed it a gillion times all over God's green earth. Mike currently lives in NYC where he Performed in Ionesco's The Killer with Theatre for a New Audience and made his Broadway debut in Grace at the Cort Theatre. He also played Astrov in Annie Baker's adaptation of Uncle Vanya at Soho Rep, directed by Sam Gold.  Film credits include Groundhog Day, Chicago Cab, The Ride, Jesus' Son, Cecil B. Demented, Tigerland, Pearl Harbor, 8 Mile, Bad Boys II, Kangaroo Jack, Grand Theft Parsons, The Missing Person, Zamboni Man, Revolutionary Road, My Son My Son What Have Ye Done?, Shotgun Stories, Take Shelter, Mud, Machine Gun Preacher, Premium Rush, The Iceman, Man of Steel, 99 Homes, Free Held, Elvis & Nixon, The Shape of Water, Fahrenheit 451 and more. On TV: Boardwalk Empire, and the recent miniseries Waco. 



GUY VAN SWEARINGEN (Choubert) is founding Artistic Director and Ensemble Member of A Red Orchid Theatre where he has appeared in over a dozen productions, including Traitor, The Nether, Red Handed Otter, The Sea Horse (Jeff Nomination), Simpatico (Jeff Nomination) and the World Premiere of The Opponent (which was also produced at 59E59 in NYC).  Regional credits include Simpatico at the McCarter Theatre, The Sign in Sidney Brustein’s Window at the Goodman Theatre, the World Premiere of Taking Care and a revival of The Time of Your Life at Steppenwolf (which transferred to Seattle Rep and A.C.T.) and Eleven Rooms of Proust (a Lookingglass/About Face/Goodman Theatre collaboration).  Other local theatres he’s appeared with include Defiant, Plasticene, Famous Door and Mary Arrchie.  Film credits include Captive State (2018 release), The Dilemma, The Merry Gentleman, Take Shelter, Public Enemies, The Weatherman, Ali, Janie Jones and The Unborn. TV credits include Chicago Fire (NBC), Boss (STARZ), Sirens (USA), Detroit 1-8-7 (ABC), Gifted Hands: The Ben Carson Story (TNT), The Beast (A&E), Turks and Early Edition (CBS). 



KAREN ALDRIDGE (Madeleine) is a critically acclaimed theater artist consistently starring in productions at Chicago's most prestigious theaters such as The Goodman Theatre, Steppenwolf Theatre and Chicago Shakespeare Theatre. Karen originated the role of "Mrs. Phelps" in Matilda on Broadway.  She also toured around the world in Le Costume with the Theatre des Bouffes du Nord. Karen has been nominated for two Joseph Jefferson Awards.  On television, Karen has appeared in a recurring role as "Dr. Kendra" on NBC's CHICAGO FIRE and as "Dr. Ella Harris" in the Golden Globe winning series BOSS.  Other television & film credits include CBS' Blue Bloods, CBS' Unforgettable and Ron Howard's THE DILEMMA.  



RICH COTOVSKY (Nicolas D’eu) directed the very first show at A Red Orchid Theatre in 1993.  He was the founder and Artistic Director of Mary Arrchie Theatre Company for all of it’s 30 years.  Cotovsky has performed in or directed more than 50 productions at Mary-Arrchie and other theaters, along with the occasional film, television, and commercial gig. Among his favorites: a record-setting run as the Hellcab cabbie and the role of Arthur in Mary-Arrchie's 2012 production of Tracy Letts's Superior Donuts, which he workshopped and understudied at Steppenwolf.  Though Rich and Guy and Mike have collaborated many times, this is the first time they will share the stage outside of the occasional late-night talk show at Mary Arrchie’s Abby Hoffman Died for our Sins festival.


MIERKA GIRTEN (The Lady) is an ensemble member at A Red Orchid, where she has been seen in over thirteen productions, including The Room, The Mutilated, Simpatico, Red Handed Otter, Mud Blue Sky and Abigail’s Party among others. Mierka was honored to reprise her role in Simpatico last fall with A Red Orchid at The McCarter Center in Princeton NJ.   She played Maria Callas in Master Class at The Human Race Theatre Company in Dayton Ohio.  Additionally, she has worked with The Hypocrites, Rivendell Theatre, Porchlight Music Theatre, Cobalt Ensemble, Apple Tree, Provision, Strawdog, Circle Theatre, American Blues, Mary-Arrchie, Live Bait, Roadworks, Steppenwolf and The Goodman. She played Esther in Mistakes Were Made both here at A Red Orchid and in the Off-Broadway Barrow Street Theatre production with friend Mike Shannon. Her voice can be heard on national broadcast and web commercials.

DANILA KOROGODSKY (Production Designer) is a director and stage designer. He is the Artistic Director of Pokoleniy Theater in St. Petersburg, Russia and serves as the head of set design at California State University, Long Beach.  Born into a theatrical family, his father Zinovy Korogodsky, a Stanislavsky prize winner, was one of the most important directors and theater pedagogues in Soviet Union. His mother, Liah Danilina, was a playwright. Danila grew up and was educated in the Soviet Union. He graduated from Leningrad Theater Academy in 1977 as a stage and costume designer, and after graduation worked as a resident designer at the Leningrad TYS (Theater for Young Spectators) - a premier company for young audiences in the Soviet Union. During that time he also worked as a freelance designer for theaters around the country designing more than 80 productions for various companies such as Baku Youth Theater, Tallin Drama Theater, Leningrad Comedy Theater, Novy Drama Theater, Mossoviet Theater, Ilkhom Theater, and Tashkent. In 1989 he was invited to design a show at Honolulu Theater for Youth. Since then he has worked in the United States as a stage designer and design professor. He designed more than 250 productions in the United States and around the world. He also started designing for the opera, and has worked with Chicago Lyric Opera, Opera Bielefeld and Opera Dessau in Germany, Opera Nantes in France, The Spoleto Festival and Opera Theater of Pittsburgh. Other theatrical design work has been with NYC Japan Society, A Noise Within, Actors Gang, Pittsburgh Playhouse, Minneapolis Children Company, ACT, Wheelock Theater, and more.  At Pokoleniy Theater in St. Petersburg, Russia. He has directed Without Lear based on King Lear by Shakespeare, Far Away on Lake Tchad, The Table, Peter-Burg, Songs of Love and Death, The Light Bulb all conceived and developed by the company, which were well received by the Russian and international press. He developed a project based on a play by Maxim Gorky The Summer Folks, which opened in Theater Pokoleniy in October 2012.

Dates:
Previews: July 11-14, 2018
Wednesday, July 11 at 7:30 p.m.
hursday, July 12 at 7:30 p.m.
Friday, July 13 at 7:30 p.m.
Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Press Performances: Saturday, July 14 at 3:00 p.m. and 7:30 p.m.
Opening:Sunday, July 15 at 7:00 p.m. 

Regular Run:
July 17 – August 5, 2018           
Tuesday, July 17 at 7:30 p.m.
Thursday, July 19 at 7:30 p.m.
Friday, July 20 at 7:30 p.m.
Saturday, July 21 at 3:00 p.m. and 7:30 p.m.
Sunday, July 22 at 3:00 p.m.
Wednesday, July 25 at 7:30 p.m.
Thursday, July 26 at 7:30 p.m.
Saturday, July 28 at 3:00 p.m. and 7:30 p.m.
Sunday, July 29 at 3:00 p.m. and 7:30 p.m.
Tuesday, July 31 at 7:30 p.m.
Wednesday, August 1 at 7:30 p.m.
Friday, August 3 at 7:30 p.m.
Saturday, August 4 at 3:00 p.m. and 7:30 p.m.
Sunday, August 5 at 3:00 p.m.

Schedule:
Tuesdays:7:30 p.m. (July 17 & 31)
Wednesdays: 7:30 p.m. (July 11 & 25)
Thursdays: 7:30 p.m. (July 12, 19 & 26)
Fridays: 7:30 p.m. (July 13 & 20 and August 3)
Saturdays: 3:00 p.m. (July 21 & 28 and August 4)
and 7:30p.m. (July 14, 21 & 28 and August 4)
Sundays:
3:00 p.m. (July 22, 29 and August 5)

Location: A Red Orchid Theatre, 1531 N. Wells Ave.
Tickets: $50
Box Office: Located at 1531 N. Wells Ave, Chicago, (312) 943-8722; or online www.aredorchidtheatre.org

Concluding our 25th season of ambitious and powerful storytelling, we continue to champion A Red Orchid Theatre’s Red League, which is a gift $1k or more, and the Founders Circle, which is a gift of $5k or more annually for a three-year pledge. These donors represent a community of our most committed and impactful cultural investors. Every profound and shocking moment on our stage is made possible through their critical annual contributions. Their philanthropic leadership fosters the development of raw and relevant work, creates a platform for our talented ensemble to reach new audiences, and ensures that A Red Orchid Theatre remains a source for honest, compassionate, and aesthetically rigorous theatre.


About A Red Orchid
A Red Orchid Theatre has served as an artistic focal point in the heart of the Old Town community of Chicago since 1993 and was honored with a 2016 MacArthur Award for Creative and Effective Institutions. Over the past 25 years, its Resident Ensemble has welcomed into its fold an impressive array of award-winning theatre artists with the firm belief that live theatre is the greatest sustenance for the human spirit. A Red Orchid is well known and highly acclaimed for its fearless approach to performance and design in the service of unflinchingly intimate stories. In addition to its professional season, the company is also committed to a Youth Project and hosts The Incubator (providing artists with space and time to explore new work, new forms and new artistic collaborations).

A Red Orchid Theatre is: Lance Baker, Kamal Angelo Bolden, Dado, Mike Durst, Jennifer Engstrom, Kirsten Fitzgerald, Joseph Fosco, Steve Haggard, Mierka Girten, Larry Grimm, Karen Kawa, Karen Kessler, Danny McCarthy, Shade Murray, Brett Neveu, Michael Shannon, Guy Van Swearingen, Doug Vickers and Natalie West.

Monday, March 19, 2018

OPENING: The Cher Show Pre-Broadway Premiere at Oriental Theatre Chicago June 12 through July 15, 2018

Chi IL Live Shows On Our Radar:

BROADWAY IN CHICAGO’S ORIENTAL THEATRE TO HOST
PRE-BROADWAY PREMIERE OF


The Cher Show, the new musical based on the life and six-decade career of the iconic singer and actress, will have its Pre-Broadway Premiere at Broadway In Chicago’s Oriental Theatre (24 W. Randolph) for a limited-engagement June 12 through July 15, 2018.

Recognized for her influential contributions to music, film, television, fashion, and popular culture, the Grammy, Oscar, Golden Globe, and Emmy award-winning entertainer’s life story will be brought to stage in this new musical featuring her beloved chart-topping hits including If I Could Turn Back Time, Believe, I Got You Babe, Strong Enough, Half Breed, I Found Someone, A Different Kind of Love Song, Take Me Home, and Gypsies, Tramps and Thieves.

The Cher Show is based on the life of Cherilyn Sarkisian La Piere Bono Allman or as her friends call her, Cher! The kid on a tricycle, vowing to be famous. The teenage phenom who crashes by twenty. The glam TV star who quits at the top. The would-be actress with an Oscar. The rock goddess with a hundred million records sold. The legend who’s done it all, still scared to walk on stage. The wife, mother, daughter, sister, friend. The woman, looking for love. The ultimate survivor, chasing her dream. They’re all here, dressed to kill, singing their asses off, telling it like it is. And they're all the star of The Cher Show.

The new musical is produced by Flody Suarez (What’s New Pussycat) and four-time Tony Award-winner Jeffrey Seller (Hamilton).

The new bio-musical will feature a book by Rick Elice (Tony Award-winning best musical Jersey Boys), direction by Jason Moore (Tony Award-winning best musical Avenue Q), choreography by Tony Award-winner Christopher Gattelli (Newsies), and orchestrations, arrangements and musical supervision by Tony Award-winner Daryl Waters (Memphis).

Rounding out the creative team are nine-time Emmy Award winning costume designer Bob Mackie, Tony-Award winning set designer Christine Jones (Harry Potter and the Cursed Child and American Idiot), set designer Brett J. Banakis, Tony Award-winning lighting designer Kevin Adams (Hedwig and the Angry Inch and American Idiot), and sound designer Nevin Steinberg (Hamilton and Dear Evan Hansen).

For more information, please visit TheCherShowBroadway.com

PERFORMANCE DATES
Tuesdays at 7:30PM
Wednesdays at 2:00PM & 7:30PM (no matinees on June 13 and June 20; no performances on July 4)
Thursdays at 7:30PM (6PM performance on June 28) 
Fridays at 7:30PM
Saturdays at 2:00PM & 8:00PM (no matinee on June 16)
Sundays at 2:00PM & 7:30PM (no evening performance on July 1 and July 15) 

TICKET INFORMATION
Individual tickets for The Cher Show at the Oriental Theatre will go on sale Friday, March 23 and range from $33-$108 with a select number of premium seats available. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710.  Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000 and online at www.BroadwayInChicago.com

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 18 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, Oriental Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University.
 For more information, visit www.BroadwayInChicago.com.

 Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

Wednesday, March 7, 2018

SAVE THE DATES: BROADWAY IN CHICAGO ANNOUNCES NEXT SEASON ON SALE 3/28/18

Chi IL Live Shows On Our Radar:

BROADWAY IN CHICAGO ANNOUNCES 
NEXT SEASON TO FEATURE
TONY® AND GRAMMY AWARD-WINNING BEST MUSICAL DEAR EVAN HANSEN,
PRE-BROADWAY WORLD PREMIERE OF THE NEW COMEDY MUSICAL, TOOTSIE,
TONY®-WINNING BEST MUSICAL REVIVAL HELLO, DOLLY! STARRING
BROADWAY LEGEND BETTY BUCKLEY,
ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY,
MISS SAIGON and THE PLAY THAT GOES WRONG



OFF-SEASON SPECIALS WILL INCLUDE 
FIDDLER ON THE ROOF
AND BACK BY POPULAR DEMAND, THE BOOK OF MORMON

On Sale to the General Public Wednesday, March 28

Here at ChiIL Mama and ChiIL Live Shows, we've been promoting and reviewing Broadway In Chicago shows since 2010. We're eager to catch this new season too. It's packed with award winning productions, another Pre-Broadway World Premiere, old favorites, and new shows. Tickets are on sale March 28th. Check it out.

Broadway In Chicago is delighted to announce its upcoming season line-up which features six time 2017 Tony and 2018 Grammy Award winning Best Musical DEAR EVAN HANSEN, the Pre-Broadway World Premiere of the new comedy musical, TOOTSIE, the Tony Award-winning Best Musical Revival HELLO, DOLLY! starring Broadway legend Betty Buckley, ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY, MISS SAIGON and THE PLAY THAT GOES WRONG.

Off-season specials will include: FIDDLER ON THE ROOF and, back by popular demand, THE BOOK OF MORMON returns to Chicago.

The upcoming season will go on sale to the public on Wednesday, March 28, 2018, and the six-show packages begin at $144. Current subscribers can renew now by visiting BroadwayInChicago.com or calling 312-977-1717.

Subscriber benefits include savings of up to 48% off ticket prices, discounts on parking and suite service, invitations to Broadway In Chicago exclusive events, exchange privileges based on availability and more. The Broadway In Chicago line-up, including performance dates and venues, is as follows:

TOOTSIE
Pre-Broadway World Premiere!
Sept. 11 – Oct. 14, 2018
Cadillac Palace Theatre, 151 W. Randolph
The world premiere comedy musical, TOOTSIE, tells the story of a talented but difficult actor who struggles to find work until an audacious, desperate stunt lands him the role of a lifetime. TOOTSIE will star Tony Award nominee SANTINO FONTANA as struggling actor Michael Dorsey.  Santino is well known to TV and film audiences for his role as Greg on “Crazy Ex-Girlfriend” and for providing the voice to the villainous ‘Prince Hans’ in the blockbuster animated film, Frozen. TOOTSIE features an original score by Tony Award nominee David Yazbek (The Band’s Visit, The Full Monty, Dirty Rotten Scoundrels), a book by Robert Horn (13; Dame Edna, Back with a Vengeance), choreography by Tony Award nominee Denis Jones (Holiday Inn, Honeymoon in Vegas), and musical direction by Andrea Grody (The Band’s Visit).  TOOTSIE will be directed by eight-time Tony Award nominee and Olivier Award winner Scott Ellis (She Loves Me, On the Twentieth Century). 




ROALD DAHL’S CHARLIE AND THE CHOCOLATE FACTORY
Oct. 2 – Oct. 21, 2018            
Oriental Theatre, 24 W. Randolph  
Roald Dahl's amazing tale is now Chicago’s golden ticket! It's the perfect recipe for a delectable treat: songs from the original film, including "Pure Imagination," "The Candy Man," and "I've Got a Golden Ticket," alongside a toe-tapping and ear-tickling new score from the songwriters of Hairspray. Get ready for Oompa-Loompas, incredible inventions, the great glass elevator, and more, more, more at this everlasting showstopper! Entertainment Weekly raves “Broadway’s Big Treat” and NPR exclaims “You’ll have a ball!”



HELLO, DOLLY!
Oct. 23 – Nov. 17, 2018         
Oriental Theatre, 24 W. Randolph
Tony Award-winning Broadway legend Betty Buckley stars in HELLO, DOLLY! – the universally acclaimed smash that NPR calls “the best show of the year!”  Winner of four Tony Awards including Best Musical Revival, director Jerry Zaks’ “gorgeous” new production (Vogue) is “making people crazy happy!” (The Washington Post).  Breaking box office records week after week and receiving thunderous raves on Broadway, this HELLO, DOLLY! pays tribute to the original work of legendary director/choreographer Gower Champion – hailed both then and now as one of the greatest stagings in musical theater history.  Rolling Stone calls it “a must-see event. A musical comedy dream. If you’re lucky enough to score a ticket, you’ll be seeing something historic. Wow, wow, wow, indeed!”


MISS SAIGON                                   
Nov. 13 – Dec. 8, 2018
Cadillac Palace Theatre, 151 W. Randolph           
Experience the acclaimed new production of the legendary musical MISS SAIGON, from the creators of Les Misérables. In the last days of the Vietnam War, 17-year-old Kim is forced to work in a bar run by a notorious character known as the Engineer. There she meets and falls in love with an American G.I. named Chris but they are torn apart by the fall of Saigon. For three years, Kim goes on an epic journey of survival to find her way back to Chris, who has no idea he's fathered a son.  This new production features stunning spectacle and a sensational cast of 42 performing the soaring score featuring Broadway hits including “The Heat is On in Saigon,” “The Movie in My Mind,” and “Last Night of the World.”  The New Yorker raves “A DYNAMITE BROADWAY REVIVAL.”


THE PLAY THAT GOES WRONG                        
Dec. 4 – Dec. 16, 2018
Oriental Theatre, 24 W. Randolph                      
What would happen if Sherlock Holmes and Monty Python had an illegitimate Broadway baby?  You’d get THE PLAY THAT GOES WRONG, Broadway & London’s award-winning smash comedy!  Called “A GUT-BUSTING HIT” (The New York Times) and “THE FUNNIEST PLAY BROADWAY HAS EVER SEEN” (HuffPost), this classic murder mystery is chock-full of mishaps and madcap mania delivering “A RIOTOUS EXPLOSION OF COMEDY” (Daily Beast).  Welcome to opening night of The Murder at Haversham Manor where things are quickly going from bad to utterly disastrous. With an unconscious leading lady, a corpse that can’t play dead, and actors who trip over everything (including their lines), it’s “TONS OF FUN FOR ALL AGES” (HuffPost) and “COMIC GOLD” (Variety) – sure to bring down the house!




DEAR EVAN HANSEN        
Feb. 12 – March 10, 2019        
Cadillac Palace Theatre, 151 W. Randolph     
WINNER OF SIX 2017 TONY AWARDS® INCLUDING BEST MUSICAL AND THE 2018 GRAMMY AWARD FOR BEST MUSICAL THEATRE ALBUM!
A letter that was never meant to be seen, a lie that was never meant to be told, a life he never dreamed he could have.  Evan Hansen is about to get the one thing he’s always wanted: a chance to finally fit in.  DEAR EVAN HANSEN is the deeply personal and profoundly contemporary musical about life and the way we live it.  The Washington Post says DEAR EVAN HANSEN is “ONE OF THE MOST REMARKABLE SHOWS IN MUSICAL THEATER HISTORY.”  Rolling Stone calls DEAR EVAN HANSEN, “a game-changer that hits you like a shot in the heart” and NBC News says the musical is “an inspiring anthem resonating on Broadway and beyond.”   The Original Broadway Cast Recording of DEAR EVAN HANSEN, produced by Atlantic Records, made an extraordinary debut on the Billboard 200 when released and entered the chart at #8 – the highest charting debut position for an original cast album since 1961—before winning the 2018 Grammy Award for Best Musical Theater Album.


OFF-SEASON SPECIALS WILL INCLUDE:

THE BOOK OF MORMON
Nov. 20 – Dec. 2, 2018          
Oriental Theatre, 24 W. Randolph
The New York Times calls it, “The best musical of the century.” The Washington Post says, “It is the kind of evening that restores your faith in musicals.” And Entertainment Weekly says, “Grade A: the funniest musical of all time.”  Jimmy Fallon of The Tonight Show calls it “Genius. Brilliant. Phenomenal.” It’s THE BOOK OF MORMON, the nine-time Tony Award®-winning BEST MUSICAL.  This outrageous musical comedy follows the misadventures of a mismatched pair of missionaries, sent halfway across the world to spread the Good Word. Now with standing room only productions in Australia, London, on Broadway, and across North America, THE BOOK OF MORMON has truly become an international sensation. Contains explicit language.


FIDDLER ON THE ROOF
Dec. 18, 2018 – Jan. 6, 2019
Cadillac Palace Theatre, 151 W. Randolph
“An entirely fresh, funny, and gorgeous new production. A REASON FOR CELEBRATION!” – New York Magazine.  Rich with musical hits you know and love, including "Tradition," "Sunrise, Sunset;' "If I Were A Rich Man;' "Matchmaker, Matchmaker" and "To Life (L'Chaim!)," FIDDLER ON THE ROOF is the heartwarming story of fathers and daughters, husbands and wives, and life, love and laughter.  Tony®-winning director Bartlett Sher and the team behind South Pacific, The King and I and 2017 Tony-winning Best Play Oslo, bring a fresh and authentic vision to this beloved theatrical masterpiece from Tony winner Joseph Stein and Pulitzer Prize winners Jerry Bock and Sheldon Harnick.  Featuring a talented cast, lavish orchestra and stunning movement and dance from Israeli choreographer Hofesh Shechter, based on the original staging by Jerome Robbins, FIDDLER ON THE ROOF will introduce a new generation to the uplifting celebration that raises its cup to joy! To love! To life!



ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 18 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theater District entertaining well up more than 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, Oriental Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place and presenting Broadway shows at The Auditorium Theatre of Roosevelt University. 

For more information, visit www.BroadwayInChicago.com.   Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

Saturday, December 2, 2017

Tickets On Sale December 3rd: T H E H U M A N S at Cadillac Palace 1/30/18-2/11/18

Chi IL Live Shows On Our Radar:

T H E H U M A N S

*WINNER* BEST PLAY - 2016 TONY AWARD
*WINNER* BEST PLAY - 2016 NEW YORK DRAMA CRITICS AWARD
*WINNER* BEST PLAY - 2016 DRAMA DESK AWARD
*WINNER* BEST PLAY - 2016 OUTER CRITICS CIRCLE AWARD
*WINNER* BEST PLAY - 2016 DRAMA LEAGUE AWARD


  
INDIVIDUAL TICKETS GO ON SALE
SUNDAY, DECEMBER 3

Broadway In Chicago is pleased to announce that individual tickets for the most acclaimed American play in recent memory,  The Humans, will go on sale Sunday, Dec. 3. The Humans plays Broadway In Chicago’s Cadillac Palace Theatre for a limited two-week engagement Jan. 30 – Feb. 11, 2018.

The cast of The Humans will feature Richard Thomas as Erik, Pamela Reed as Deirdre, Daisy Eagan as Brigid, Lauren Klein as Momo, Therese Plaehn as Aimee, and Luis Vega as Richard.

Garnering the most ecstatic reviews of any play in recent memory, and heralded in 2016 as “The Best Play of the Year” by The New York Times, New York Magazine, The Washington Post, The Chicago Tribune, The Record, Time Out New York, The Hollywood Reporter, Deadline, and The Wrap, the tour will feature the entire creative team from the Broadway production, led by Tony Award-winning director Joe Mantello and including Tony Award-winning scenic designer David Zinn, costume designer Sarah Laux, lighting designer Justin Townsend, and sound designer Fitz Patton.

The angst, anguish and amity of the American middle class are first coaxed–then shoved–into the light in this uproarious, hopeful, and heart-breaking play that takes place over the course of a family dinner on Thanksgiving. Breaking with tradition, Erik Blake has brought his Pennsylvania family to celebrate and give thanks at his daughter’s apartment in lower Manhattan. As darkness falls outside the ramshackle pre-war duplex, and eerie things start to go bump in the night, the Blake clan’s deepest fears and greatest follies are laid bare. Our modern age of anxiety is keenly observed, with humor and compassion, in this new American classic.

The Humans is the recipient of 4 2016 Tony Awards including Best Play (Author, Stephen Karam), Best Featured Actress in a Play (Jayne Houdyshell), Best Featured Actor in a Play (Reed Birney), and Best Scenic Design of a Play (David Zinn), 4 Drama Desk Awards including Outstanding Play, Outstanding Lighting Design of a Play (Justin Townsend), Outstanding Sound Design in a Play (Fitz Patton), and a 2016 Special Drama Desk Award for Outstanding Ensemble. In 2016, The Humans was named the Best Play of the Year by the New York Drama Critics’ Circle, the Outer Critics Circle, and the Drama League. The Obie Awards honored Stephen Karam with a 2016 Award for Playwriting and Jayne Houdyshell with a 2016 Award for Performance.

The Humans, a 2016 Pulitzer Prize Finalist, is Stephen Karam's second play commissioned by Roundabout Theatre Company, following his Pulitzer Prize Finalist Sons of the Prophet (his first Roundabout commission; 2011) and the hugely acclaimed premiere of Speech & Debate (2007).

The Humans is produced by Scott Rudin, Barry Diller, Fox Theatricals, James L. Nederlander, Roy Furman, Jon B. Platt, Eli Bush, The John Gore Organization, Jack Lane, Barbara Whitman, Jay Alix & Una Jackman, Sonia Friedman, Amanda Lipitz, Peter May, Stephanie P. McClelland, The Shubert Organization, Diana DiMenna. Joey Parnes, Sue Wagner, and John Johnson serve as Executive Producers.

www.TheHumansOnBroadway.com  
www.twitter.com/TheHumansPlay  



PERFORMANCE SCHEDULE
Tuesdays at 7:30PM
Wednesdays 7:30PM (Added 2PM matinee on Feb. 7)
Thursdays at 7:30PM
Fridays at 7:30PM
Saturdays at 2:00PM & 8:00PM
Sundays at 2:00PM (Added 7:30PM performance on Feb. 4)

TICKET INFORMATION
Individual tickets for The Humans range from $25 - $98. A select number of premium seats are also available for many performances. Tickets are available now for groups of 10 or more by calling Broadway In Chicago Group Sales at (312) 977-1710. Tickets are available at all Broadway In Chicago Box Offices (24 W. Randolph St., 151 W. Randolph St., 18 W. Monroe St. and 175 E. Chestnut), the Broadway In Chicago Ticket Line at (800) 775-2000 and online at www.BroadwayInChicago.com.

ABOUT BROADWAY IN CHICAGO
Broadway In Chicago was created in July 2000 and over the past 17 years has grown to be one of the largest commercial touring homes in the country.  A Nederlander Presentation, Broadway In Chicago lights up the Chicago Theatre District entertaining up to 1.7 million people annually in five theatres. Broadway In Chicago presents a full range of entertainment, including musicals and plays, on the stages of five of the finest theatres in Chicago’s Loop including the Cadillac Palace Theatre, CIBC Theatre, Oriental Theatre, and just off the Magnificent Mile, the Broadway Playhouse at Water Tower Place as well as presenting Broadway shows at The Auditorium Theatre of Roosevelt University.  For more information, visit www.BroadwayInChicago.com.

 Facebook @BroadwayInChicago ● Twitter @broadwaychicago ● Instagram @broadwayinchicago ● #broadwayinchicago

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