Showing posts with label Viaduct Theater. Show all posts
Showing posts with label Viaduct Theater. Show all posts

Monday, September 10, 2012

Break Anchor Sept. 21st Chicago - Viaduct Theater w/ Still Alive, Dead Ellington #punk


Break Anchor has announced some Midwestern tour dates beginning September 19 in the band's hometown of Detroit.    

Break Anchor, fronted by Jay Navarro of The Suicide Machines, released Blackhearts and Blackouts via Paper + Plastick records in March. The band then released Viva La Rustbelt on SideOneDummy Records.

Tour dates:
Sept. 19th Detroit - St. Andrews w/ Alkaline Trio, Girl in a Coma
Sept. 20th Ferndale, Mi - Loving Touch w/ ATG, Dead Ellington
Sept. 21st Chicago - Viaduct Theater w/ Still Alive, Dead Ellington
Sept. 22nd Minneapolis - Hexagon w/ In Defence, Dead Ellington
Sept. 23rd Grand Rapids - Mulligan's w/ Dead Ellington, DGR/DWN

Break Anchor - Blackhearts and Blackouts
March 20, 2012
Paper + Plastick Records
"Even with a hint of familiarity though, Blackhearts and Blackouts doesn’t sacrifice its heart for cheap gimmicks or faulty intentions – and that is all we can really ask for."

More about Break Anchor:
When Jay Navarro, the singer/frontman of the Suicide Machines and Hellmouth, finally hit bottom and came out of a haze of booze, pills, anger and depression, he had a fresh outlook. He wrote a song so full of melody and so full of angst, he felt he had found himself again. “A Failure Of Epic Proportions” is a song about the Midwest American experience of growing into adulthood. 
Thinking nobody would want to hear a song like this from him, or maybe anyone for that matter, he turned to longtime friend Cris Golan (The Story So Far and King For A Day) to play bass. 
“I didn’t think anybody else in Detroit would get what I was trying to go for but Cris,” Navarro said. “I was aiming for early East Bay pop-punk like Crimpshrine, Operation Ivy, and yes...Green Day, and then mix in some Smashing Pumpkins.” Through a mutual friend, they hooked up with Kyle Green (Seized Up). Kyle brought a new perspective that would round out the trio of Break Anchor’s writing style. Late night jam sessions in the garage ensued, fueled by beer and always ending in a drunken listening party of old and new punk favorites. 
With Jason and Kyle singing and handling guitar duties together, it became a wrestling match of dual vocals comparable to punk steadymen Hot Water Music and other such bands. Dan Stover (Seized Up) signed on to play drums and this Motor City rust belt machine was complete. Creating a fresh sound, unlike most Midwest offerings, Break Anchor will make you want to crack open a PBR or stare deep into the eyes of a bottle of whiskey, grab your best friend and sing along at the top of your lungs, “I'M FAILING!!”

Friday, February 24, 2012

Act Out: Highly Recommended Zastrozzi Closing (Review)

Jason Kingsley as Zastrozzi and Dani Smith as Matilda are particularly impressive.   photo credit:   The Division
The Division knows how to make an entrance! Check out the final days of the first show of their debut season, Zastrozzi!    In a city bursting at the seams with great storefront theatre, it's rare to find a new contender worth raving about.   The Division Theatre Company is off to an impressive start.
We were able to squeak in and see them Wednesday, near the end of their run and we're glad we did!  They made the daring choice to introduce their company with George Walker's Zastrozzi, The Master of Discipline and the press lapped it up.
"Horrifying and wickedly amusing"
RECOMMENDED ~ Centerstage Chicago

"Exciting, Lively and engaging"
 RECOMMENDED ~ Time Out Chicago

Chicago Tribune

"Great laughs, sexual tension and surprises"
RECOMMENDED ~ Chicago Stage Style

"Handled with attention and wit"
RECOMMENDED ~ Chicago Reader

"Impressive... Riveting... Swashbuckling thrills"
There's not a weak link in the cast.  And the characters are written with a delightful mix of traits, taunting the audience to love the handsome roguish, brilliant murderers and find the virginal brat and the visionary artist annoying.   The wealthy are imbecilic and the servant a genius.   The show is full of eloquent monologues, witty observations, and intriguing contradictions, as the saintly are seduced but not to self destruction, and those who wish to protect, destroy.    Even the power plays are not one sided between the protagonists, but ebb and flow in a tantalizing trade off, much like many of the characters' very insanity and lucidity.
The Division's mission statement: engage the community in questions of ethics, morality, and the demands of civilization. By exploring these issues in a theatrical setting, we seek to stimulate dialogue, self reflection, accountability, and a greater apprehension of each individual's role in shaping the culture and the world we live in.
Their ambitious debut:
ZASTROZZI The Master of Discipline

Europe, 1893.  Zastrozzi - atheist, art-critic, and master criminal - has spent the past three years in the singleminded pursuit of revenge against his mother's murderer, the born-again, former performance artist and self proclaimed Messiah of caterpillars, Verezzi.

With the aid of his murderous protege Bernardo, and his sometimes lover the accomplished seductress Matilda, Zastrozzi has finally cornered Verezzi for a final showdown between good and evil, love and hate, art and mediocrity.
There are only 2 nites left to check out Zastrozzi. So Chi Town...what are you waiting for?!   I've been a sucker for sword fights since I took stage combat and fencing in college back in the day....   Victorian BDSM and witty word play well done indeed. 
“You think that a wall
 as solid as the earth
 separates civilization from barbarism.   
I tell you the division is a thread, 
a sheet of glass. 
A touch here, a push there, 
and you bring back the reign of Saturn.”  
~ John Buchan
 Zastrozzi plays through Feb 25th at Viaduct Theatre 
3111 N. Western
7:30pm nightly
Tickets $20
Check out their main site for advanced tickets and more info

Up next from The Division:
FALL 2012 
In an isolated Jewish shtetl community, brilliant young Talmudic scholar Hannan delves deep into the mystical arts of the Kabbalah, hoping to win the hand of the beautiful Lehla.

When Lehla's engagement to someone else is announced, Hannan dies on the spot...  But his relationship with Lehla is only beginning.

In a world where the dead and the living sit side by side at table, history can not be forgotten, and love can not be ignored.

Google Analytics