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Showing posts with label Glenco IL. Show all posts
Showing posts with label Glenco IL. Show all posts

Friday, August 7, 2026

Sisters To Open Writers Theatre's 35th Season August 13-November 8, 2026


ChiIL Live Shows on our Radar:
Writers Theatre opens its 35th Season
with the riveting and emotional near-future family drama
Sisters
by Matthew Libby, directed by Jessica Thebus
August 13-November 8, 2026



Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, opens its 35th Season in the intimate Gillian Theatre with Sisters, a gripping family drama exploring the familial bond between a woman and her AI sister, written by Matthew Libby and directed by acclaimed Chicago artist and Northwestern University faculty member Jessica Thebus. On the heels of the record-breaking hit JOB, Sisters continues the theatre's timely exploration of how technology shapes humanity. Sisters will run August 13 – November 8, 2026, at 325 Tudor Court, Glencoe. 

Single Tickets for Sisters, $75+, and season subscriptions are now available at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Matilda and Greta have always been there for one another, through joy and grief and homework and boyfriends. They’re as close as sisters can be—even if Greta is artificial intelligence. As Matilda ages and Greta longs for independence, their relationship begins to be tested like never before. Told over the course of 90 years,Sisters is a riveting and thought-provoking new play about the future of family. 

Sisters continues Writers Theatre’s conversation about technology and humanity. Following the record-breaking, sold-out run of JOB, which explored the psychological dangers of technology and our increasingly online lives, Sisters asks a different question about how technology changes how we define family and what it means to be human. Where JOB was a tense psychological thriller about the dangers of our digital world, Sisters is an intimate, emotional portrait that asks whether artificial intelligence can become family.

Braden Abraham comments, “Sisters marks the opening of our 35th season at Writers Theatre, and it seems fitting to begin a milestone year in The Gillian Theatre, a space built on intimacy and our founding charge that the most exciting theatre is made with the audience and actors in close proximity. This extraordinary new play by Matthew Libby asks what remains distinctly, mysteriously human once you strip away everything that can be simulated, predicted or optimized. I can think of no one better than Jessica Thebus to guide us through Matilda and Greta's long, strange and moving companionship."

Told across 90 years, Sisters is a sweeping, non-chronological epic following the relationship between a human and her AI sister. Sisters features a unique two-person cast, in which the character Matilda physically ages on stage from childhood to 96!

The cast is Brenda Barrie (Matilda) and Chloe Johnston (Greta). The understudies are Julia Rowley and Sarah Hecht.

Brenda Barrie (Matilda) and Chloe Johnston (Greta) are both making their Writers Theatre debuts in this intimate two-hander.

The creative team includes: Jessica Thebus (Director), A Inn Doo (Scenic Designer), Lia Wallfish (Costume Designer), Eric Watkins (Lighting Designer), Andre Pluess (Co-Sound Designer), Harper Justus (Co-Sound Designer), Stephan Mazurek (Projections Designer), Reva Stover (Assistant Director), Bobby Kennedy (Dramaturg) and Dylan Cohen (Assistant Dramaturg). The stage manager is Isabel Pratt and the assistant stage manager is Olivia Leslie.

About the Artists

Playwright Matthew Libby has a degree in cognitive science and creative writing from Stanford University and an MFA from NYU. He blends this background to inform his writing. Data, which the New York Times called "a darkly on-point dramatic mirror of present-day events" that feels "all-too present, all-too raw and indisputably somber", addresses the ethics of AI, privacy and surveillance. Sisters also dives into the world of AI, exploring emotional boundaries between humanity and technology.

Matthew Libby (Playwright) is a writer and actor based in Brooklyn, by way of Los Angeles. He made his Off-Broadway playwriting debut with Data (Lucille Lortel Theatre, Outer Critics Circle nomination for the John Gassner Award); regional productions of his plays include Data (Arena Stage, Helen Hayes Award nomination for Best New Play or Musical) and Sisters (Writers Theatre, Northern Stage). Data was also previously adapted as a digital production by the Tony-winning Alliance Theatre in May 2021, a production featured in a New York Times review of virtual theatre works that “clear a path toward continued innovation and growth of the form.” Winner of the Kendeda National Graduate Playwriting Competition and Neukom Playwriting Award, Matt is a 2026 Ucross Resident, 2022-2023 Dramatists Guild Foundation Fellow, 2023 Theater Masters Visionary Playwright, three-time Princess Grace Award finalist, five-time O’Neill Playwrights Conference semifinalist and Blue Ink Playwriting Award featured finalist. His work has been produced and developed by theaters across the country, including Roundabout, Alliance Theatre, New York Stage and Film, Westport Country Playhouse, Northern Stage, Pioneer Theatre Company, The Kennedy Center, National New Play Network, Theater Masters, The Barrow Group, The Road Theater Company, WNYU’s Theatre-in-the-Sound and others. With Stanford Repertory Theater, he helped devise and act in The Many Faces of Farce, which was nominated for a Bay Area Critics Award for Best Production. For the screen, he is a writer on Season 3 of Fox's hit medical drama Doc, has developed TV projects for Hulu, Lionsgate/eOne, Beau Willimon's Westward Productions and Alex Gibney's Jigsaw Productions, and has been recognized for his screenwriting work by The Black List and Script Pipeline. Matt studied cognitive science and creative writing at Stanford University and received his MFA in dramatic writing from NYU’s Tisch School of the Arts, where he also teaches and was awarded the Chair’s Award for Distinguished Achievement. He is a proud member of the Writers Guild of America and the Dramatists Guild of America.

Jessica Thebus returns to Writers Theatre where she previously directedThe Turn of the Screw. Writers audiences may recognize thematic echoes of Writer’s 2015 production of Marjorie Prime, which featured Thebus’s late mother, Mary Ann Thebus, and explored similar themes of memory and humanity.

Jessica Thebus (Director) is a theater artist, director and educator. She holds a PhD in Performance Studies from Northwestern University, and is currently Director of the Northwestern MFA Program in Directing. She has directed in Chicago and nationally for twenty-five years, and has long associations with many Chicago theaters, including the Goodman Theatre where she directed A Christmas Carol from 2000-2005, as well as plays by Tracy Scott Wilson and Sarah Ruhl. Northlight Theater is also an artistic home for Jessica where she has directed ten plays including Shining Lives: A Musical which received a Joseph Jefferson award nomination for best new work. Favorite others include Steppenwolf Theater Company, Lookingglass Theater Company, The Gift Theater, Writers Theater and Court Theater. Favorite projects nationally have taken place at the Oregon Shakespeare Festival, The Huntington Theatre, Kansas City Repertory Theatre, The Marin Theater Company, as well as the Kennedy Center in Washington, D.C. Jessica also creates outdoor spectacle projects in Chicago that celebrate community, joy and environmental justice.

Brenda Barrie (Matilda) is making her Writers Theatre debut. Chicago credits include Steppenwolf Theatre Company (Middletown, Sex with Strangers, Okay Bye); Chicago Shakespeare Theater (Julius Caesar, Elizabeth Rex); American Blues Theater (Roann @ the Gates, Six Corners); Lifeline Theatre (Mrs. Caliban,Mariette in Ecstasy); Goodman Theatre (Mother Road); The House Theatre of Chicago (United Flight 232, The Nutcracker); Route 66 Theatre Company (The Downpour); The Gift Theatre (The Ruby Sunrise); Metropolis Performing Arts Centre (A Streetcar Named Desire); and Silk Road Rising (Caravaggio). She is a four-time Joseph Jefferson Award nominee for Principal Performer and has also appeared on Chicago Med, Chicago P.D., Chicago Fire, and The Chicago Code. She earned her BFA in Theatre from the University of Indianapolis and spent a formative semester studying at the University of Ulster in Northern Ireland. She is represented by Stewart Talent.

Chloe Johnston (Greta) is a writer, director and teacher in Chicago. She has worked with theatres across Chicago and is a long-time ensemble member of The Neo-Futurists. Recent projects include 46 Plays for America’s First Ladies (Critics Pick, NYTimes), Grace (The Orchard Project, Links Hall, Roman Susan, Northwestern University) and Leave the Light On, an interview-based performance and audio project about caretaking labor. With Coya Paz Brownrigg, she is the author of Ensemble-Made Chicago: A Guide to Devised Theater (NU Press). She is an Associate Professor of Theater and Performance Studies at Lake Forest College. www.chloejohnston.org


Performance Schedule:

Wednesdays: 2:00pm and 7:30pm

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 2:00pm and 7:30pm

Sundays: 2:00pm and 7:00pm



Open Captioned Performance: Thursday, September 17 at 7:30pm

ASL-Interpreted Performance: Saturday, September 19 at 2:00pm

Pay What You Can Performances: Sunday, August 23 at 7pm, Sunday, September 27 at 7pm, Saturday, October 31 at 7:30pm and Thursday, November 5 at 7:30pm

Location: Gillian Theatre, 325 Tudor Court, Glencoe

Prices: $75+

Discounts are available for students, educators, theater industry professionals, active military personnel, veterans, police officers, firefighters and their immediate families. Information is available at: https://www.writerstheatre.org/plan-your-visit/box-office-and-theatre-center/pricing--special-offers

Box Office: The Box Office is located at 325 Tudor Court, Glencoe; 847-242-6000;

www.writerstheatre.org

Single tickets are now on sale. Flex subscriptions and tickets are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

SEASON PACKAGES

Writers Theatre is offering a variety of subscriptions with an option for every theatregoer. Each subscription includes a deeply discounted ticket price, ranging from $275-$385 for one ticket to the five-play series, Flex subscriptions, with options for either four tickets ($280) or five tickets ($350), are available.

Season package subscribers receive the new Writers Theatre concierge service for ticket exchanges and questions. Exclusive subscriber benefitsinclude: complimentary ticket exchanges (upgrade fees may apply), special “subscriber-rate” prices on additional tickets, advance access to special events and programs, easy, free parking, exclusive discounts in bar items and merchandise, discounts on rental of Writers Theatre event spaces on Writers Theatre merchandise, event rentals and more. For a complete list of benefits, visit writerstheatre.org.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Single tickets will go on sale for each show approximately two months prior to first preview. Single ticket prices start at $35.

AUDIENCE ENGAGEMENT OPPORTUNITIES

Writers Theatre offers Open Captioning and ASL-interpretation on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Throughout the season, Writers Theatre offers a variety of audience enrichment and special programming. This includes regularly occurring offerings like the Family Matinee Series, The Green Room artist interview series and podcast and The Final Word Audience Discussion Series. Please visit writerstheatre.org for a full listing of upcoming offerings.


ABOUT WRITERS THEATRE
Writers Theatre proudly celebrates its 35th Season. 

From its beginnings in the back room of a Glencoe bookstore, Writers Theatre established what would become its defining conviction: that vibrant language and exceptional performances in an intimate setting create a transformative theatrical experience. Today, the company is a major cultural destination in the Chicago region with a national reputation for artistic excellence, heralded by The Wall Street Journal as “America’s finest regional theatre company.”

Founded in 1992, Writers has produced over 160 productions—from inventive interpretations of classics to groundbreaking new work. In 2016, the company opened a state-of-the-art theatre center designed by the internationally renowned Studio Gang Architects. The new facility includes the 255-seat Alexandra C. and John D. Nichols Theatre and the flexible 100-seatGillian Theatre, spaces designed to preserve the company's trademark intimacy and bring audiences up close to Chicago’s finest actors. The building’s striking glass atrium serves as a welcoming gathering space for artists, staff and the community, open daily for reading, working and conversation.

Led by Executive Director Kate Lipuma and Alexandra C. and John D. Nichols Artistic Director Braden Abraham, Writers Theatre welcomes more than 60,000 patrons each year. The company has established itself as an important originator of new theatrical work, having produced over 30 world premieres in its history—including Manual Cinema’s Christmas Carol, Witch by Jen Silverman, Trevor the Musical by Dan Collins and Julianne Wick Davis, A Minister's Wife by Austin Pendleton, Jan Tranen and Josh Schmidt, The Savannah Disputation by Evan Smith and Marilyn Campbell and Curt Columbus’s adaptation of Crime and Punishment.

Education and community engagement remain central to Writers Theatre’s mission. Each season, the organization reaches more than 5,000 students and adults through school matinees, in-school residencies and curriculum-based programs that introduce young people to professional theatre. Writers Theatre also offers a wide range of free programs for the broader community, including readings, lectures and partnerships with local organizations that make theatre accessible to audiences of all ages.

Located just 20 miles north of downtown Chicago, Writers Theatre offers artists and audiences a setting that combines world-class theatre with the calm and accessibility of Chicago’s North Shore. As Writers Theatre enters its 35th season, the company continues its commitment to artistic excellence, meaningful storytelling and the uniquely powerful connection that only intimate theatre can create.

Friday, April 8, 2022

OPENING: Athena Via Writers Theatre May 5-July 10, 2022

ChiIL Live Shows On Our Radar 

Writers Theatre continues 2021/22 Season with

Athena

Written by Gracie Gardner

Directed by Jessica Fisch

May 5-July 10, 2022



Writers Theatre, under the leadership of Executive Director Kathryn M. Lipuma and Interim Artistic Director Bobby Kennedy, continues its 2021/22 Season with Athena, by Gracie Gardner, directed by Jessica Fisch in the Gillian Theatre at 325 Tudor Court, Glencoe. I'll be out for the press opening May 13th, so check back soon for my full review. I studied fencing and stage combat in college and loved it, so I'm particularly eager to catch this production with my 19 year old daughter, Sage. 

Mary Wallace and Athena are both seventeen-year-old fencers training for Nationals. Mary Wallace lives in a house in New Jersey, loves marine biology and practices at home. Athena lives in an apartment in New York City, takes acne medication and Athena is not her real name. Follow their journey from competitors to confidantes as they form a bond navigating the milestones of adolescence, training together only to learn the future is only certain for one of them.

 Fight choreography plays an important role in this production as each performance features live fencing on stage. The cast has taken fencing lessons at Lincoln Square Fencing Club and co-choreographers David Blixt and Christian Kelly-Sordelet are rehearsing with the cast to bring those lessons to life on stage. The sport equally adds action to the production, propels the plot, develops the characters, and deepens the story.

A fast-paced, engaging new play from Gracie Gardner, the winner of the 2017 Relentless Award, Athena received a critically acclaimed premiere in New York in 2018. Director Jessica Fisch (Cry It Out at Northlight Theatre, Every Brilliant Thing at Windy City Playhouse) brings her deft touch for storytelling to this portrait of two high-achieving young women, simultaneously rivals and allies, pushing each other to be the best.

Audiences, including those with little-to-no experience with or knowledge of fencing, can expect to get caught up in the action, tension, and elegance of the sport. The traditionally masculine sport of fencing is positioned it in the lives of these two young characters, reflecting what it is to navigate the tricky world of teenage friendship in a new and surprising way.           

The cast includes Mary Tilden (Athena) and Aja Singletary (Mary Wallace). The understudies are Emma Rosenthal (Athena) and Kianna Rose (Mary Wallace).  

The creative team includes: David Blixt and Christian Kelly-Sordelet (Co-Choreographers), Arnel Sanciano (Scenic Designer), Mieka van der Ploeg (Costume Designer), Paul Toben (Lighting Designer), and Mikhail Fiksel (Sound Designer/Composer), The assistant director is Grace Dolezal-Ng and the stage manager is Miranda Anderson.

Interim Artistic Director Bobby Kennedy comments, “Writers Theatre is pleased to produce the Midwest premiere of Gracie Gardner’s Athena, following highly successful runs of the play in London and New York. This intimate portrait of the friendship and rivalry between two teenage athletes crackles to life with its charming honesty and kinetic fencing choreography. In the crucible-like Gillian Theatre, the clashing of swords and emotions mere inches from the audience will create a theatrical experience unlike anywhere else. It’s the perfect play for us to continue our 30th Anniversary Season, as it highlights the joys and trials of young women today in a fresh and life-affirming way.”

 

About the Artists

Gracie Gardner is an award-winning playwright whose work has been seen internationally. Athena was a New York Times Critic’s Pick when it was produced in New York in 2018.

Gracie Gardner (Playwright) has written Decoys (McKnight National Residency), Pussy Sludge (Relentless Award, Theatertreffen Stückemarkt), Athena (New York Times Critic’s Pick), Hate Baby (James Stevenson Prize), Panopticon (Clubbed Thumb). Development: New Dramatists, Ars Nova Play Group, Manhattan Theater Club, SPACE on Ryder Farm, Ensemble Studio Theater’s Youngblood, The Old Vic, The New Group, Two River Theater, Williamstown Theater Festival. Publications: Bloomsbury, Samuel French, Table Work Press, S. Fischer, Cincinnati Review, Metrograph. She also writes video games for Annapurna Interactive and is an EMT in New York City.

 This marks Jessica Fisch’s first time working at Writers Theatre. Among her acclaimed local productions are Every Brilliant Thing (Windy City Playhouse, #2 Chicago Tribune “Top 10 Productions of 2019”, Chicago Sun-Times “Best of the Decade”), I Wanna F*#%ing Tear You Apart, The Firebirds Take The Field (Rivendell Theatre Ensemble), and Cry It Out (Northlight Theatre, #8 Chicago Tribune “Top 10 Productions).

Jessica Fisch (Director) is a freelance director, educator, and creator based in Chicago. She is dedicated to the creation of new plays, original content, and bold interpretations of classic texts. Recent credits: Every Brilliant Thing (Windy City Playhouse, #2 Chicago Tribune “Top 10 Productions of 2019”, Chicago Sun-Times “Best of the Decade”), And Then There Were None (Drury Lane), I Wanna F*#%ing Tear You Apart, The Firebirds Take The Field (Rivendell Theatre Ensemble), Twilight Bowl (University of Wisconsin at Madison), Cry It Out (Northlight Theatre, #8 Chicago Tribune “Top 10 Productions of 2018”), You Across From Me, Trudy, Carolyn, Martha and Regina Travel to Outer Space (Actors Theatre of Louisville, Humana Festival), Late Company (Cor Theatre, Midwest Premiere), Straight White Men (Associate Director, Steppenwolf Theatre), The Rosenkranz Mysteries: An Evening of Magic (Royal George Cabaret), Fefu and Her Friends (Goodman Theatre/Rivendell Latina/o Celebration), Opulent Complex and That Thing That Time (Actors Theatre of Louisville, The Tens). In addition to her theatre work, Jessica, with her co-creator Grace McLeod, is the co-writer and co-director of the original scripted podcast series Two Truths and a Lie which has been developed with creative producer Temple Hill Entertainment and will begin production in 2022. Jessica is adjunct faculty at University of Illinois at Chicago, a proud member of the Stage Directors and Choreographers Society (SDC) and a mom to two awesome kids. MFA: Northwestern University.

Mary Tilden (Athena) is a queer, Southern-born actor, writer, director, producer, and educator. Her theatre credits: The Wolves at Goodman Theatre (winner of the 2018 Jeff Award for Best Ensemble); Hookman at Steep Theatre. New Work Development: The Kennedy Center, The Latinx Theatre Commons, Sideshow Theatre, Jackalope Theatre, Adventure Stage Chicago, PlayMakers Laboratory and The Neo-Futurists. She is a proud member of the long-running improv team Devil’s Daughter. In 2018, Mary co-starred in and co-produced the short film Cool for Five Seconds, written by Calamity West. The short has been featured at 22 festivals, received the Grand Prize at the Midwest Film Awards and Best Ensemble at the Milwaukee Shorts Fest in 2021. Mary’s short film script Rough River Lake was a semifinalist for the 2020 Chicago Community Builders Grant and the Mass Epiphany script competition. Mary is a 2021 3Arts Make A Wave grantee. She seeks to celebrate and uplift queer, feminist perspectives in every aspect of the creative process. She is honored to do so in this production of Athena. 

Aja Singletary (Mary Wallace) is making her Writers Theatre debut. She graduated from Fordham University in 2016 and did the School at Steppenwolf in 2019. Chicago credits include Relentless (u/s, Timeline) Dance Nation (u/s, Steppenwolf) Eclipsed (Pegasus); American Revolution (Theatre Unspeakable) and As You Like It (Eclectic Full Contact Theatre). Now, she's a Bramble Theatre Ensemble Member and represented by Gray Talent Group.

Creative Team: David Blixt and Christian Kelly-Sordelet (Co-Choreographers), Arnel Sanciano (Scenic Designer), Mieka van der Ploeg (Costume Designer), Paul Toben (Lighting Designer), and Mikhail Fiksel (Sound Designer/Composer). The assistant director is Grace Dolezal-Ng and the stage manager is Miranda Anderson.

             

Dates: First performance: May 5, 2022

Press opening: Friday, May 13, 2022 at 7:30pm

Closing performance: Sunday, July 10, 2022

Schedule: 

Wednesdays: 3:00pm and 7:30pm

Thursdays: 7:30pm

Fridays: 7:30pm

Saturdays: 3:00pm and 7:30pm

Sundays: 2:00pm and 6:00pm

Location: The Gillian Theatre 325 Tudor Court, Glencoe

Prices: Prices for all performances range from $35 - $90. Purchase early for best prices                                   

Box Office: The Box Office is located at 325 Tudor Court, Glencoe;

847-242-6000; www.writerstheatre.org 

 

WRITERS THEATRE 2021/22 SEASON

The Writers Theatre season began with Dishwasher Dreams, written and performed by Alaudin Ullah, directed by Chay Yew, and produced in association with Hartford Stage, followed by Wife of a Salesman, written by Eleanor Burgess, directed by Jo Bonney, and produced in association with Milwaukee Repertory Theater, The season concludes with the world premiere of Pearl’s Rollin’ with the Blues, a musical revue created by Felicia P. Fields and Ron OJ Parson and direction by Parson.

The 2021/22 Season will see the company return to live performances and celebrate its 30th Anniversary, now firmly at home in its award-winning building at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. Productions will be presented in two spaces in the theater complex including the 255-seat Alexandra C. and John D. Nichols Theatre as well as the Gillian Theatre, a 50 to 99-seat flexible theatre space. 

The theatre, along with over 60 other Chicago performing arts organizations, will require patrons to be fully vaccinated and masked when attending performances. Please visit https://www.writerstheatre.org/covid-safety for full details.

 


SEASON PACKAGES

Writers is offering a variety of Classic Subscriptions, which include a ticket to each production throughout the season and includes renewal into fixed seats on set dates once each run is announced.

Subscriptions include three familiar package types that all offer fixed seats to see all four WT productions this season, one ticket to each production. Subscriptions are made for those who are looking to set their schedule in advance and gain access to seating at the top of the Season.

 

For the 2021/22 Season, Writers will continue the Membership Program, which includes 4 tickets to be used throughout the season as the Member chooses.

There are two types of Memberships: The most flexible option to “Pay As You Go” after an up-front Membership fee, or the option to pay in full for 4 tickets to be used throughout the season (“Up Front Flex”). Memberships are designed for those who want the freedom and flexibility of a more adaptable package.

Classic Subscriptions range in price from $160 to $240. Customizable payment plans are available. A “Pay As You Go” Membership is $35 per ticket after a one-time $60 Membership fee, or patrons may opt for the “Up Front Flex” Membership for $200 up-front

Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), access to special play readings and lectures, special “subscriber-rate” prices on additional tickets, a year subscription to The Brief Chronicle digital newsmagazine and more. For a complete list of benefits visit writerstheatre.org/join.

Season Packages are available online at www.writerstheatre.org, and at the Box Office by calling 847-242-6000.

Writers Theatre is pleased to welcome back BMO Harris Bank as the distinguished 2021/22 Season Sponsor, marking the Bank’s ninth consecutive year as season sponsor.


AUDIENCE ENGAGEMENT OPPORTUNITIES:

WT also offers Access Performances, including ASL-interpretation and Open Captioning on select dates for each production. Please visit writerstheatre.org/accessibility for more information.

Writers Theatre is also working with Erika Walker and Maylene Peña of the Walker Thomas Group on workplace culture and equity, diversity and inclusion initiatives. Additional information about this important and ongoing work can be found at writerstheatre.org/working-at-wt.

ABOUT WRITERS THEATRE 

Writers Theatre boldly looks to the future as it begins its 30th season. Having captivated audiences for years with its dedication to creating the most intimate theatrical experience possible, the theatre is now a major Chicagoland cultural destination with a national reputation for excellence, being called “America’s finest regional theater company” by The Wall Street Journal.

Since 1992, Writers Theatre has stayed true to its core values: valuing the power of the written word and uplifting the artists who bring that word to life. The company has produced over 120 productions—everything from inventive interpretations of classics to groundbreaking new work. In 2016, Writers Theatre opened a new, state-of-the-art facility designed by the internationally renowned Studio Gang Architects. The new facility has allowed the Theatre to accommodate its growing audience, while maintaining its trademark intimacy.

Writers Theatre now welcomes more than 60,000 patrons each season and has helped establish the North Shore of Chicago as a premier cultural destination. Through its Literary Development Initiative, which has been responsible for the nurturing and premiering of over two dozen world premieres, the theatre has established itself as a major originator of new theatrical works. Serving as an extension of the Writers Theatre mission, WT Education programs engage an average 10,000 students each year with active learning opportunities centered around the written word.

Saturday, March 9, 2019

SAVE THE DATES: Writers Theatre Announces 2019/20 Season

ChiIL Live Shows on our radar


Season includes Stephen Sondheim and James Lapine’s 
INTO THE WOODS
directed by Gary Griffin;
THE NICETIES, 
written by Eleanor Burgess and directed by Marti Lyons;
Lydia R. Diamond’s 
STICK FLY 
directed by Ron OJ Parson; and 
MEMENTOS MORI 
created by Manual Cinema
to play in the Alexandra C. and John D. Nichols Theatre

Henrik Ibsen’s 
A DOLL’S HOUSE, 
adapted by Sandra Delgado
and Michael Halberstam and directed by Lavina Jadhwani;
and Anna Ziegler’s 
THE LAST MATCH, 
directed by Keira Fromm
to play in the Gillian Theatre

Here at ChiIL Live Shows, we're beyond excited for Writers Theatre's upcoming season. They've got a stellar lineup and some of our favorites slated to direct! Save the dates and order early for the best seat selection, or consider a season package.

Writers Theatre Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma announce the company’s 2019/20 six play season, opening with Into the Woods, with music and lyrics by Stephen Sondheim, book by James Lapine, and directed by Gary Griffin in the Alexandra C. and John D. Nichols Theatre. The season will continue with The Niceties, written by Eleanor Burgess and directed by Marti Lyons; Lydia R. Diamond’s Stick Fly, directed by Ron OJ Parson; and Mementos Mori, created by Manual Cinema. A new adaptation of Henrik Ibsen’s A Doll’s House, adapted by Sandra Delgado and Michael Halberstam and directed by Lavina Jadhwani, will open the season in the Gillian Theatre, followed by Anna Ziegler’s The Last Match, directed by Keira Fromm.

The 2019/20 Season marks the fourth full season in the company’s award-winning new home at 325 Tudor Court in Glencoe, designed by Studio Gang Architects. Productions will be presented in two spaces in the theater complex including the 255-seat Alexandra C. and John D. Nichols Theatre as well as the Gillian Theatre, a 50 to 99-seat flexible theatre space.

From its very first year, Writers Theatre has brought quality and excellence to the stage while maintaining the company’s hallmark intimacy. The last 27 years have seen unprecedented growth in both the artistic and business arenas as the company has garnered national acclaim and recognition, marked by the celebrated opening of the Theatre’s new facility in February of 2016. With a longstanding reputation for consistent artistic excellence and with strong ties to the community, the Theatre has built an award-winning repertoire and serves as a vital and highly regarded company in the Chicagoland theatre community.

Artistic Director Michael Halberstam comments, “We are delighted to present to you the 2019/20 lineup for Writers Theatre. With a refreshing mix of revitalized classics and exciting new voices, we have compiled a season that captures the essential conversations we are having as a nation right now. Art has the primary function of holding the mirror up to nature but, in doing so, it must also entertain and engage. The messages we share with you this coming season are essential and necessary. But they will arrive skillfully and delightfully crafted to draw you into worlds of theatrical magic that encourage you to think about the world with nuance, empathy and, perhaps most importantly, imagination. In other words, we have compiled six “must-see” productions and have invited the Chicago area’s most exciting storytellers to bring them to thrilling and sophisticated life!"

Season Packages are available at the Box Office, 325 Tudor Court, Glencoe, 847-242-6000 and www.writerstheatre.org.

Writers Theatre is pleased to welcome back BMO Harris Bank as the distinguished 2019/20 Season Sponsor, marking the Bank’s ninth consecutive year as season sponsor.

The Writers Theatre 2019/20 Season includes:


INTO THE WOODS
Music and Lyrics by Stephen Sondheim
Book by James Lapine
Music Direction and Re-Orchestrations by Matt Deitchman
Directed by Gary Griffin
August 14 – September 22, 2019
Opening August 21, 2019
Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

See the classic fairy tale characters you think you know come to magical life in this smart and subversive musical theatre masterpiece by American icons Stephen Sondheim and James Lapine!

When a childless baker and his wife set out to lift their family curse by journeying into the woods, they encounter Jack (with his beanstalk), Cinderella (and her prince) and Little Red Riding Hood (and her wolf)! These familiar characters find themselves in decidedly unfamiliar circumstances and must brave the darkness of the woods in an effort to break the curse, conquer their fears and find out if what they’ve always wished for is what they truly want.

This epic fairy tale adventure will be reimagined in a newly-configured Nichols Theatre to be staged “in the round,” drawing audiences into a theatrical experience unlike anything you’ve seen at WT! With its celebrated score, stirring script and an extraordinary team of artists bringing it all to life, Into the Woods launches WT's 2019/20 Season as the musical theatre event of the summer. Chicago and Broadway Director Gary Griffin (Parade) returns to stage this Tony Award-winning musical about fairy tales, family and what happens after “happily ever after.”


A DOLL’S HOUSE
Written by Henrik Ibsen
Adapted by Sandra Delgado and Michael Halberstam
Directed by Lavina Jadhwani
September 25 – December 15, 2019
Opening October 2, 2019
The Gillian Theatre | 325 Tudor Court, Glencoe

This celebrated drama by the playwright of WT’s smash hit Hedda Gabler receives a sleek, streamlined interpretation that is unpredictable, fresh and captivating.

This focused one-act adaptation of the Henrik Ibsen classic reinvigorates the compelling story of the vibrant young Nora Helmer, deeply devoted to her husband Torvald. However, all is not as it appears: when Nora takes action to protect her husband, she unwittingly puts them both in jeopardy, testing the bonds of their marriage and forcing them to take stock of their relationship and ask themselves how well they truly know one another…

Directed by Lavina Jadhwani (Vietgone) and given an intensely intimate staging in the Gillian Theatre, A Doll’s House draws the audience into the middle of a combustible domestic moment as husband and wife must navigate truth and deceit, and determine whether their seemingly perfect life is truly the one they thought they always wanted.


THE NICETIES
Written by Eleanor Burgess
Directed by Marti Lyons
November 6 – December 15, 2019
Opening November 13, 2019
Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

What happens when theoretical arguments suddenly turn personal in the ivory tower of an elite East Coast university? Don’t miss the thrilling, provocative new play that The Washington Post calls “one of the best plays about who gets to tell the story of America, and how.”

In The Niceties by Eleanor Burgess, an accomplished Ivy League professor holds routine office hours with an ambitious young student to discuss her thesis: if history is written by the victors, who tells the story of the oppressed? Before long, quibbles over vocabulary and Wikipedia citations turn into a dangerous debate as both women passionately defend their perspective and their personal worldview—until one of them puts everything on the line to make her case.

This taut, intelligent new play will make you question your own assumptions and reevaluate whether generation gaps can be bridged while gaps in knowledge—and in experience—remain. Director Marti Lyons (Witch) returns to WT to stage this intellectual thriller of a play that examines equality, revolution and what happens when people set aside the niceties and reveal what’s really on their minds.



STICK FLY
Written by Lydia R. Diamond
Directed by Ron OJ Parson
February 5 – March 16, 2020
Opening February 12, 2020
Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

Sibling rivalries and parental expectations come to a head as family secrets emerge during a weekend away that becomes more “interrogation” than “relaxation” in this witty and moving rollercoaster of a family comedy-drama.

What begins as a relaxing summer weekend on Martha’s Vineyard escalates when the LeVay brothers bring their new girlfriends home to meet their affluent and imposing parents. But even as the newcomers find themselves under familial scrutiny, long-hidden family tensions bubble to the surface and by the end of the weekend, almost everyone at the Vineyard finds themselves under a microscope as they grapple with arguments about class, race and cultural expectations.

Lydia R. Diamond (Smart People) brings her gift for sharp dialogue, complex characters and relevant themes back to WT with this timely look at African-American elite aristocracy, social assumptions and family dynamics. Directed by WT Resident Director Ron OJ Parson (Ma Rainey’s Black Bottom, East Texas Hot Links), this bitingly funny comedy is sure to keep you talking long after the lights have come up.


THE LAST MATCH
Written by Anna Ziegler
Directed by Keira Fromm
March 18 – June 7, 2020
Opening March 25, 2020
The Gillian Theatre | 325 Tudor Court, Glencoe

With all the passion and tension of a U.S. Open tennis final, The Last Match serves up a thrillingly theatrical look at what motivates our greatest ambitions and fuels our strongest desires.

When a young Russian tennis phenom and an American superstar in his prime meet at center court, it’s a tough call whether the greatest drama is playing out off the court or on! As the swift action volleys between primetime tennis matches and the most pivotal moments in the personal lives of the competitors and their equally driven romantic partners, sharp and insightful playwright Anna Ziegler (Photograph 51) draws you inside the minds of all four as they face challenges in sport, life and love. What results is a fast-paced and moving montage exploring family, the sacrifices we make for success and the legacy we leave behind.

Rising Chicago director Keira Fromm brings her finely-tuned vision to this gripping drama, staged in the intimate Gillian Theatre. You won’t want to miss this engrossing, rapid-fire take on what it means to finally achieve greatness, only to be left wanting more. In The Last Match, there is much more than just a championship on the line!


Writers Theatre presents
MEMENTOS MORI
Created by Manual Cinema
May 6 – June 14, 2020
Opening May 13, 2020
Alexandra C. and John D. Nichols Theatre | 325 Tudor Court, Glencoe

This whimsical performance piece allows the audience to experience a motion picture created right before their eyes, using creative shadow-puppetry, innovative projections and a live musical score to tell its transformative and charming story about life, death and what comes in between.

When the persona of “Death” unexpectedly finds herself in California, she trades her scythe for an iPhone and wanders Hollywood, “swiping right” on loss and introducing unexpected connections into the otherwise disparate lives of a ghost, a young girl, and an elderly projectionist. This ambitious show uses multiple puppets, seven overhead projectors, two cameras and three screens to create a live “movie” for the audience. Accompanied by four musicians playing an original score, along with live foley sound effects, the result is a rich mosaic of cinematic storytelling!

Recently named the Chicago Tribune’s “Company of the Year” Manual Cinema uses disarmingly simple tools to tell transformative stories. Now they bring their new, feature-length performance to the Nichols stage, giving WT audiences the opportunity to experience this fresh and unique style of intimate storytelling.


SEASON PACKAGES
Writers Theatre season ticket packages provide a convenient theatergoing experience and guarantee access to all of WT’s highly anticipated productions throughout the season. Six-play subscription packages are available, ranging in price from $249 to $389.

Three and four-play “Choose Your Own” Flex packages start at $199.

Season package subscribers receive exclusive benefits including complimentary ticket exchanges by phone and mail (upgrade fees may apply), access to special play readings and lectures, special “subscriber-rate” prices on additional tickets, a one-year subscription to The Brief Chronicle newsmagazine and more. For a complete list of benefits visit writerstheatre.org.

Season Packages are available at the Box Office, 325 Tudor Court, Glencoe, 847-242-6000 and writerstheatre.org.

AUDIENCE ENGAGEMENT OPPORTUNITIES:
For additional information about the WT Audience Enrichment programs listed below, visit writerstheatre.org/events.

Pre-Show Conversation: Up Close
Join us at 6:45pm before every Thursday evening performance (excluding previews and extension dates) of all productions in the Nichols Theatre for a 15-minute primer on the context and content of the play facilitated by a member of the WT Artistic Team.

Post-Show Conversation: The Word
Join us after every Tuesday evening performance (excluding previews and extension dates) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.

Post-Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding previews and extension dates) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

From Page to Stage Series
WT and select North Shore libraries and community partners present the 15th annual From Page to Stage Series. This comprehensive series of special events, lectures, readings and film viewings are designed to enhance and enrich the audience experience of WT productions each season.  All events are FREE of charge and open to the public unless otherwise noted. For more information about the From Page to Stage Series, visit writerstheatre.org/from-page-to-stage-series.

WT also offers Access Performances, including ASL-interpretation and Open Captioning on select dates for each production.  Please visit writerstheatre.org/ accessibility for more information.



ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, WT has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.

Saturday, October 27, 2018

Two Nights Only: AN EVENING WITH PIGPEN THEATRE CO. Concert Series at Writers Theatre

ChiIL Live Shows On Our Radar:

Writers Theatre presents limited engagement of
AN EVENING WITH PIGPEN THEATRE CO.
a two-night only concert series featuring the stars of PigPen

  
December 16 and 17, 2018

Here at ChiIL Live Shows and ChiIL Mama, we've been catching Pigpen Theatre Co. in concert and theatre productions for years. In 2013 we shot live show shots and gave away tickets to our readers when the band was playing a series of concerts that became one of the most popular residencies of the past decade at the legendary Schuba’s Tavern in Chicago. We did the same for their residency at Old Town School of Folk Music when they were in Chicago working on The Hunter and the Bear with Writers Theatre. In fact, every time they come through Chicago, we're there, and we're elated to announce they're making a concert stop in town once again. 

Pigpen's brand of folky Americana originals and covers is a much needed tonic for tough times. Their concerts are full of feel good folk songs that unite and remind us what Americans can be, in a country known for caring for others, welcoming immigrants, and working together. Join in on an uplifting evening and prepare to sing along. 



Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, presents the limited engagement of An Evening with PigPen Theatre Co., a two-night only concert series featuring the stars of PigPen (The Hunter and the Bear, The Old Man and the Old Moon), with a few surprises for the holiday season. An Evening with PigPen Theatre Co. will be presented for two performances only, December 16 and 17, 2018 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe.



“We’re so happy to be welcoming back Pigpen Theatre Co. just in time for the holidays,” says WT Artistic Director Michael Halberstam. “We’ve had such wonderful collaborations with the company on The Old Man and The Old Moon and The Hunter and The Bear, both of which turned out to be huge hits with our audiences. When the opportunity arose, we thought this would be the perfect holiday gift for Writers Theatre patrons. Come celebrate! Indulge in a little comfort and joy and chase away the cold.”

PigPen Theatre Co. adds, "We are so thrilled to be returning to Chicago for a holiday visit with our extended theatrical family. We generally refer to any time we get to spend in Glencoe as ‘the best time of our lives’ and we feel lucky to be invited back. We'll provide the songs and merriment as long as you all provide backup vocals."




PigPen Theatre Company began creating their unique brand of theatre, music, and film as freshmen at the Carnegie Mellon School of Drama in 2007. They have since produced their original plays in New York City and toured the country – earning them critic’s picks from The New York Times, Time Out New York, Chicago Tribune, Chicago Sun-Times, Boston Globe and many more, ranking them in the top ten theatrical events of 2011, 2012, 2013, and 2016. They were the first group to win the NYC Fringe Festival’s top honor for a play two years in a row (2010/11) and have gone on to win IRNE (2012, 2015) and Jeff Awards (2014) for their theatrical productions. 

In 2016, Sir Trevor Nunn invited PigPen to be a part of his first American acting company for a production of Shakespeare's Pericles. PigPen's debut album, “Bremen”, was named #10 album of the year in The Huffington Post’s 2012 Grammy preview sending PigPen on tour playing to sold-out crowds across the country. American Songwriter premiered their follow-up EP, “The Way I’m Running”, in 2013. 



In 2015, PigPen released their sophomore album, "Whole Sun", performed at Mumford & Sons' return to the Gentlemen of the Road Festival, and made their feature film debut in Jonathan Demme's Ricki and the Flash starring Meryl Streep. In 2018, PigPen announced that they are currently creating two stage musicals based on beloved novels: The Tale of Despereaux by Kate DiCamillo (in partnership with Universal Theatrical Group) and Water for Elephants by Sara Gruen (in collaboration with Rick Elice).

An Evening with PigPen Theatre Co. will be presented December 16 and 17, 2018 at 7:30pm (Doors at 7:00pm, VIP meet & greet at 6:30pm). Regular Tickets are priced $25-$40, and VIP Tickets, which include an exclusive meet & greet and photo opportunity with PigPen, are priced at $75. Tickets may be purchased online at www.writerstheatre.org, by phone at 847-242-6000 or in person at theBox Office at 325 Tudor Court in Glencoe.




Dates:                              
Sunday, December 16, 2018 and Monday, December 17, 2018

Schedule:                         
VIP Meet & Greet: 6:30pm
Doors: 7:00pm
Performance: 7:30pm

Location:                           
The Alexandra C. and John D. Nichols Theatre
325 Tudor Court, Glencoe
             
Prices:                          
Full Price Ticket (Standard): $25-40
VIP Ticket (Price includes Meet & Greet): $75

Box Office:                       
The Box Office is located at 325 Tudor Court, Glencoe; 
847-242-6000; www.writerstheatre.org






ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.

Friday, July 27, 2018

OPENING: VIETGONE at Writers Theatre August 15 – September 23, 2018

Chi IL Live Shows On Our Radar:

Writers Theatre presents
VIETGONE
Written by Qui Nguyen
Directed by Lavinia Jadhwani
Original Music & Music Direction by Gabriel Ruiz
Choreographed by Tommy Rapley
Featuring Aurora Adachi-Winter, Rammel Chan, Emjoy Gavino
Ian Michael Minh and Matthew C. Yee

Pictured: Matthew C. Yee and Aurora Adachi-Winter. Photo by Saverio Truglia.

August 15 – September 23, 2018

**Warning, contains strong language and adult themes.**

Writers Theatre, under the leadership of Artistic Director Michael Halberstam and Executive Director Kathryn M. Lipuma, opens its 2018/19 season with Qui Nguyen’s Vietgone, directed by Lavina Jadhwani, featuring original music and music direction by Gabriel Ruiz and choreography by Tommy Rapley. Vietgone runs August 15 – September 23, 2018 in the Alexandra C. and John D. Nichols Theatre at 325 Tudor Court, Glencoe. 

It's 1975 and two young survivors (who may or may not be the playwright's parents) meet in a Vietnamese refugee camp in mid-America shortly after the fall of Saigon. Will this strange new land of cowboys, hippies and bikers allow them to fall in love? Playwright Qui Nguyen’s wildly creative, irreverent style flips stereotypes on their head, remixing history and culture into a sexy, funny and energetic fantasia as he imagines how two soul mates might have found each other in a turbulent time.

Vietgone is a first-generation immigrant story told through a second-generation lens. As a result, this period piece about the 70s is infused with elements of modern American pop culture—rap music, ninja fights, movie montages, motorcycle chases—that playwright Qui Nguyen grew up loving.

Equal parts road-trip adventure, buddy film, romantic comedy and Hamilton-esque rap musical, this epic new play repurposes pop culture from the last forty years to tell its “probably-mostly-true” story. Directed by Lavina Jadhwani, Vietgone takes a no-holds-barred approach, transporting you through time and across the globe to put an innovative spin on a critical moment in our history.


Vietgone features an Asian American playwright, director and cast, and a significant portion of the creative team.

“Vietgone is one of the most creative, vibrant and entertaining plays to emerge on the American stage in the past few years,” said Artistic Director Michael Halberstam.” Qui Nguyen handles his subject matter with great originality and a generous eye towards keeping the audience engaged, while not shying away from a very sophisticated narrative. Furthermore, thanks in no small part to pioneers like Lin Manuel Miranda and The Q Brothers, hip-hop culture and rap music have become an organic part of the current theatrical conversation and Mr. Nguyen uses the vernacular to great effect. In fact, Vietgone feels somewhat like producing a musical. The piece fills the epic canvas of the Nichols stage with its integral musical score and choreographic sequences, while adhering to the intimacy that is a hallmark of the Writers Theatre experience.


Gabriel Ruiz has composed original music for the production. Like Lin-Manuel Miranda's Hamilton, Vietgone uses contemporary music, including rap, to tell an historic story in an anachronistic way.


“Director Lavina Jadhwani has been collaborating with Writers Theatre in various capacities for more than a decade now, and her directorial debut is an organic extension of our ongoing relationship. Her national career has been well and truly launched with projects in development at Oregon Shakespeare Festival (where she first encountered this play), the Asolo Repertory Theatre in Florida and the Guthrie Theater in Minneapolis. She’s assembled an ideal cast and a bravura design team, and we all feel very lucky to be working together to tell such a dynamic and important story.”  


Director Lavina Jadhwani has a long-standing relationship with Writers Theatre starting as a script reader and progressing to serve as Dramaturg of Travels with My Aunt and the Director of the staged reading of Our Few and Evil Days.

The cast of Vietgone includes: Aurora Adachi-Winter (Tong), Rammel Chan (Asian Guy/American Guy/Nhan/Khue), Emjoy Gavino (Asian Girl/American Girl/Thu/Huong/Translator/Flower Girl), Ian Michael Minh (Playwright/Giai/Bobby/Captain Chambers/Redneck Biker/Hippie Dude) and Matthew C. Yee (Quang).

The creative team includes: Yu Shibagaki (scenic), Melissa Ng (costumes), Sarah Hughey (lighting), Kevin O’Donnell (sound), Rasean Davonte Johnson (projections), Dwight Sora (assistant director) and Carol Ann Tan (production dramaturg). The production stage manager is David Castellanos.

Tickets are priced $35 - $80. Subscriptions and individual tickets may be purchased online at www.writerstheatre.org, by phone at 847-242-6000 or in person at the box office at 325 Tudor Court in Glencoe.



ABOUT THE ARTISTS
Qui Nguyen (Playwright) is a playwright, screenwriter, and co-founder of the OBIE Award-winning Vampire Cowboys Theatre Company of NYC. His plays include Vietgone (2016 Harold and Mimi Steinberg/ATCA New Play Award, 2016 LADCC Tim Schmitt Award, 2016 Edward M. Kennedy Prize finalist), War is F**king Awesome (Frederick Loewe Award), She Kills Monsters (2014 AATE Distinguished Play Award, 2012 GLAAD Media Award nom), Soul Samurai (2009 GLAAD Media Award nom) and the critically acclaimed Vampire Cowboys shows: The Inexplicable Redemption of Agent G, Alice in Slasherland, Fight Girl Battle World, Men of Steel, Six Rounds of Vengeance and Living Dead in Denmark. Recent awards include a 2016 Daytime Emmy Award for Outstanding Writing in a Preschool Animated Program (Peg+Cat) and a 2015 New York Community Trust Helen Merrill Playwriting Award. He is proud member of the WGA, The Dramatists Guild, The Playwrights Center, Ensemble Studio Theatre and The Ma-Yi Writers Lab. He’s an alumni of New Dramatists and Youngblood. For television, he's written for PBS’s Peg+Cat and SYFY’s Incorporated. Currently, he’s a screenwriter for Marvel Studios.

Lavinia Jadhwani (Director) Lavina Jadhwani is a Chicago-based director, adaptor, and advocate. Favorite directing credits include Roe (Asolo Repertory Theatre), Human Rites (world premiere at the Phoenix Theatre, Indianapolis), Great Expectations (Silk Road Rising/Remy Bumppo Theatre Company), Gruesome Playground Injuries, Much Ado About Nothing, Yoni Ki Baat (Rasaka Theatre Company), Cherry Smoke (the side project), Romeo and Juliet (Teatro Vista—BroadwayWorld nomination, Best Production for Young Audiences), Hamlet and Twelfth Night (Oak Park Festival Theatre). Her adaptations include The Sitayana (a solo performance piece based on the Hindu epic, The Ramayana), Vanya (adapted from Chekhov) and Shakuntala: An East-Meets-West Love Story (an a cappella musical, adapted from Kalidasa). Lavina maintains relationships with Oregon Shakespeare Festival (Phil Killian Directing Fellow), the National New Play Network (Affiliated Artists Council), Silk Road Rising (Artistic Associate) and Steppenwolf Theatre Company (Artistic Engagement Associate). She was named Time Out Chicago’s “Best Next Generation Stage Director” in 2013. Lavina is a graduate of The Theatre School at DePaul University (M.F.A., Directing), Carnegie Mellon University (B.F.A., Scenic Design; Masters, Arts Management) and the Illinois Mathematics and Science Academy.

Gabriel Ruiz (Original Music/Music Director) Gabriel is a proud ensemble member of Teatro Vista. Chicago credits include: Agamemnon (Court Theatre), City of Angels (Marriott Theatre in Lincolnshire), The Upstairs Concierge (Goodman Theatre), White Tie Ball (Teatro Vista), Creditors (Remy Bumppo Theatre Company), How Long Will I Cry?, The Motherfucker with the Hat (Steppenwolf Theatre Company), Sita Ram (Chicago Children's Choir), After (Profiles Theatre), Working: The Musical (Broadway Playhouse at Water Tower Place), Richard III, Short Shakespeare! A Midsummer Night's Dream (Chicago Shakespeare Theater) and Arabian Nights (Lookingglass Theatre Company). Regional credits include: Native Gardens (Cincinnati Playhouse), Harvey (Milwaukee Repertory Theater), Why Torture Is Wrong, and the People Who Love Them (Forward Theater Company) and Blood and Gifts (Lincoln Center for the Performing Arts). He can also be seen as Dilip Singh in both seasons of Boss (Starz).

Tommy Rapley (Choreographer) Tommy Rapley is a proud Company Member with The House Theatre of Chicago where he has choreographed over 25 world-premiere productions including The Sparrow (Jeff Award), Cave With Man (Jeff Award), The Terrible Tragedy of Peter Pan, The Valentine Trilogy and Death and Harry Houdini. Directing credits for The House include: The Great and Terrible Wizard of Oz, All the Fame of Lofty Deeds, Hope Springs Infernal, DORIAN and their critically acclaimed productions of The Nutcracker. Other notable Chicago credits include: AIDA (Drury Lane Oakbrook), Detroit (Steppenwolf Theatre Company), One Hundred Dresses, A Year with Frog and Toad (Chicago Children's Theatre), Yeast Nation (American Theatre Company), Man in the Ring (Court Theatre), The King and I, City of Angels (Marriott Theatre) and A Christmas Carol (The Goodman Theatre). Tommy has worked regionally with Hartford Stage Company, Actors Theatre of Louisville, Kansas City Rep., Olney Theatre Center, St. Louis Rep., The Adrienne Arsht Center and Oregon Shakespeare Festival.

Aurora Adachi-Winter (Tong) A Chicago native, Aurora grew up on the south side of the city, attended Walter Payton College Prep and graduated with her BFA in theatre from The University of Illinois Urbana-Champaign. She is a company member with First Floor Theater, where she appeared in their productions of Edith Can Shoot Things and Hit Them, peerless and Two Mile Hollow. Other past credits include: Bull In A China Shop (About Face Theatre), Put Your House In Order (The Roustabouts), The Burials (Steppenwolf Theatre Company), good friday (Oracle Productions, Jeff Nomination for Best Ensemble), Hinter (Steep Theatre Company), M. Butterfly (Court Theatre) and Miss Saigon (The Paramount). Upcoming productions include Red Rex (Steep Theatre) and Lottery Day (Goodman Theatre) both by Chicago playwright Ike Holter. Aurora has performed three consecutive years in The Fly Honey Show (The Inconvenience), including with her mother, aunt and cousin in their drum group Adachi Taiko.

Rammel Chan (Asian Guy/American Guy/Nhan Khue) Theatre credits include King of the Yees (Goodman Theatre, Kirk Douglas Theatre), Oblivion (Steppenwolf Theatre Company), A Red Line Runs Through It (u/s Second City), Twilight: Los Angeles, 1992 (Next Act Theatre) and staged readings of Vietgone (Writers Theatre), The Supreme Leader (Roundabout Theatre Company), The Not-So-Accidental Conviction of Eleven Milwaukee Anarchists (Milwaukee Repertory) and The Oldest Boy (Goodman Theatre). He is an ensemble member of Stir Friday Night, a recipient of the 2015 Bob Curry Fellowship from the Second City and the 2018 Kundiman Fiction Fellowship. As a writer, his play Northern Michigan Trust premiered as part of TEN at The Gift Theatre and his short fiction has appeared in Riksha or is forthcoming in Asimov’s Science Fiction. His film and television credits include Cold War, End of the Tour, Red Line (CBS), Crisis, Chicago Justice (NBC), Patriot (Amazon) and The Jamz (Netflix).

Emjoy Gavino (Asian Girl/American Girl/Thu/Huong/Translator/Flower Girl) Representative Chicago credits include Steppenwolf Theatre (The Drunken City, You Got Older), Court Theater (Wait Until Dark, Electra, The Good Book, Iphigenia in Aulis, M Butterfly, The Hard Problem), About Face Theatre (Bull in a China Shop), The Hypocrites (You on the Moors Now), The Second City (The Realish Housewives—National tour), The House Theater of Chicago (Death and Harry Houdini, Wilson Wants it All), Northlight (4000 Miles), Victory Gardens (Failure: A Love Story), Remy Bumppo (Seascape, Fallen Angels, Love and Information), Paramount (Hair), Broadway Playhouse (Working), Lookingglass Theatre (Arabian Nights), The Neo-Futurists (Neo-Futurist Christmas Carol) and Goodman Theater (A Christmas Carol). Regional credits include Repertory Actors Theatre, Book-It Repertory, ACT, 5th Avenue Theatre and Village Theatre. Film/TV: The Exorcist, Mob Doctor, Empire (Fox), Chicago Fire and Chicago Med (NBC). Emjoy graduated from The School at Steppenwolf. She is the casting director of Gift Theatre, a teaching artist with Barrel of Monkeys, a 3Arts Make a Wave grantee and is the founder and producer of The Chicago Inclusion Project. She is represented by Stewart Talent.

Ian Michael Minh (Playwright/Giai/Bobby/Captain Chamber/Redneck Biker/Hippie Dude) is an artistic ensemble member of Midsommer Flight and has appeared in the company's productions of Twelfth Night, Hamlet and As You Like It. Other Chicago productions include Romeo and Juliet (Teatro Vista), The Last Dance, Shadow Boy (Commedia Beauregard), Art (Parlor Room Players) and Coriolanus (Commission Theatre).
Matthew C. Yee (Quang) Theatre credits include Once (Paramount Theatre), Treasure Island (Lookingglass Theatre Company), Alice’s Rock and Roll Adventure, The Year I Didn't Go to School, A Year With Frog And Toad (Chicago Children's Theatre) and The Wheel (Steppenwolf Theatre Company). Television credits include Chicago Fire, Chicago Justice (NBC) and Empire (Fox).

 The play explores the time during and immediately following the Vietnam War, told through the eyes of Vietnamese refugees, revealing a different perspective on a well-known piece of American history.

AUDIENCE ENGAGEMENT
Sunday Spotlight
Sunday, September 16, 2018 at 11:30am
In Vietgone, playwright Qui Nguyen gives us a dynamic look at the Vietnam War and its aftermath from a rarely observed point of view. At this Sunday Spotlight event, we will be joined by a diverse panel of historians, activists and artists to discuss varying perspectives on this contentious time in history when the country—and the world—was undergoing great change. Seating is limited, RSVP is required.

The Making of... Vietgone
Monday, September 10, 2018 at 6:30pm
Music plays a huge role in Vietgone, and the styles are specific and intentional for each musical moment. At this Q&A, WT Associate Artistic Director Geoff Button moderates a discussion to break down the music in Vietgone, looking at the rich storytelling in rap and how popular music makes its way from radio waves to the stage. Seating is limited, RSVP is required.

Post-Show Conversation: The Word
Join us after every Tuesday evening performance (excluding First Week and any extension weeks) for a 15-minute discussion of the play, facilitated by a member of the WT Artistic Team.
Post-Show Conversation: The Artist
Join us after every Wednesday evening performance (excluding First Week and any extension weeks) for a 15-minute talk-back featuring actors from the production, facilitated by a member of the WT Artistic Team.

Pre-Show Conversation: Up Close
Join us at 6:45pm before every Thursday evening performance (excluding First Week and any extension weeks) for a 15-minute primer on the context and content of the play, facilitated by a member of the WT Artistic Team.

RIDE METRA TO WRITERS THEATRE
In an effort to promote taking public transit to the Theatre, Writers Theatre launched a new promotion in 2013. Any audience member who purchases a ticket to a Writers Theatre production and rides Metra’s Union Pacific North Line to the Theatre may snap a photo of themselves on the train and post it to their Facebook, Twitter or Instagram account with a tag of @WritersTheatre (@Writers_Theatre on Instagram) and #VietgoneWT, and upon showing the post at the Writers Theatre Box Office, receive $5 in cash to put toward the cost of your fare as a thank you for going green.

This promotion is available for a limited time only and may end without warning. Ticket must have been paid for in advance. Not valid on comp tickets. More information available at writerstheatre.org/metra

WRITERS THEATRE PARTNERS
Writers Theatre is pleased to recognize BMO Harris Bank as the 2018/19 Season Sponsor and ComEd as the Official Lighting Sponsor of the 2018/19 Season. The Major Corporate Sponsor for Vietgone is Northern Trust. The Major Production Sponsors are Maryellen and Richard Keyser, and the Artists Council Sponsors are Laurie and Michael Petersen. Additional support for Vietgone is provided by the Director’s Society Sponsors.

For more information about Writers Theatre’s 2018/19 partners, visit writerstheatre.org/our-supporters.

ABOUT WRITERS THEATRE
For more than 25 years, Writers Theatre has captivated Chicagoland audiences with inventive interpretations of classic work, a bold approach to contemporary theatre and a dedication to creating the most intimate theatrical experience possible.

Under the artistic leadership of Michael Halberstam and the executive leadership of Kathryn M. Lipuma, Writers Theatre has grown to become a major Chicagoland cultural destination with a national reputation for excellence, being called the top regional theatre in the nation by The Wall Street Journal. The company, which plays to a sold-out and discerning audience of more than 60,000 patrons each season, has garnered critical praise for the consistent high quality and intimacy of its artistry—providing the finest interpretations of both classic and contemporary theatre in its two intensely intimate venues. 

In February 2016, Writers Theatre opened a new, state-of-the-art facility. This established the company's first permanent home—a new theatre center in downtown Glencoe, designed by the award-winning, internationally renowned Studio Gang Architects, led by Founder and Design Principal Jeanne Gang, FAIA, in collaboration with Theatre Consultant Auerbach Pollock Friedlander. The new facility has allowed the Theatre to continue to grow to accommodate its audience, while maintaining its trademark intimacy. The new facility resonates with and complements the Theatre’s neighboring Glencoe community, adding tremendous value to Chicagoland and helping to establish the North Shore as a premier cultural destination.

Find Writers Theatre on Facebook at Facebook.com/WritersTheatre, follow @WritersTheatre on Twitter or @Writers_Theatre on Instagram. For more information, visit www.writerstheatre.org.



Dates:                              
First performance: Wednesday, August 15, 2018
Press opening: Wednesday, August 22, 2018 at 7:30pm
                                    Closing performance: September 23, 2018

Open Captioning performance: Thursday, September 6 at 7:30pm
ASL-Interpreted performance: Saturday, September 22 at 7:30pm

Schedule:                         
Tuesdays – Fridays: 7:30pm (with select 3:00pm Wednesday matinees)
Saturdays: 3:00pm and 7:30pm
Sundays: 2:00pm and 6:00pm

Location:                           
The Alexandra C. and John D. Nichols Theatre
325 Tudor Court, Glencoe
             
Prices:                             
Prices for all performances range from $35 - $80
Purchase early for best prices                                 
             
Box Office:
The Box Office is located at 325 Tudor Court, Glencoe;
847-242-6000; www.writerstheatre.org

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